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RM2AKKYTF–Chymie expérimentale et raissonnée . par les deux bouts, & fupportées cha-cune dans leur milieu par un montant de ter d ^d^qui pofe fur laire de la cuifme. Ces deux barresfervent à fupporter les difl-crentes marmites deléquipage , & le delTous de ces mèipes barres eftle foyer de la cuifine. En E y eft le mur qui fépare la cuifme davecles alambics j il eft dà plomb du côté de la cuifine,& a un pied dépailfeur par le bas •, il eft élevé enportion de voûte du côté du fourneau des alam-bics , & fe trouve avoir deux pieds dépaifteurlorfqu il a la hauteur convenable, qui eft cellede vingt & un pouce
RM2ANEB7E–Chymie expérimentale et raissonnée . Jicavien^, ^)(^^llV7<v? , j. Prolégomènes. cix Jîlace dans une cuvecte de verre ou de faïanceremplie deau froide : il fert à rafraîchir & à con-denfer les vapeurs qui font condenfables par cemoyen. On en fait de métal, comme de cuivre ,détain, -Sec. Jai parlé dans mes Eléments de Phar-macie des ferpencins, des avantages 5c des incon-vénients de cesvaiireaux : voye:^ cet article. Ce quejen ai dit eft applicable à ceux quon voudroictaire en verre ou en grès pour la diftillation desacides minéraux qui doivent être confervés dansle degré de concentration o
RM2AX2897–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 6 7 11 12 13 14. 11 12 13 14 15 16 « lî 2 : 4 5 6 7 10 11 12 13 14
RM2ANE8PJ–Chymie expérimentale et raissonnée . amp; dans les meilleuresproportions : la manipulation apporte de trèsgrands changements dans le mélange ceft ce quelaiobfervé en faifant lanalyfe de plufieurs pou-dres de différente force , qui contenoient cepen-dant les mêmes fubftances , à peu de chofe près,dans les mêmes proportions. Les poudres quejai analyfées , font dédgnées dans la Table fui-vante. Jy fais mention des dofes des matièresqui les compofoient, & du recul quelles ont oc-cafionné au canon de léprouvette : ces reculs fontdéiignés par des nombres 129, 198, <?^c. quipourroient faire croi
RM2AX275C–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14 15 16. cru 2 3 4 5 6 7 10 11 12 13 14
RM2ANED23–Chymie expérimentale et raissonnée . r, fe conftruit en terre cuite. Il eft bonde faire faire en même temps une trille de lamême terre , mais amovible , parceque ces iortesde grilles, contenajit plus de parties pleines quàjour, chauffent moins, modèrent la chaleur, &la retiennent plus long-temps que les grilles defer. Les grilles de terre font percées de trousronds, faciles à sengorger par la cendre du char-bon : elles font, par ces raifons, plus en état defournir une chaleur plus douce , plus égale ,lorfquellcs font une fois échauffées , que lesgrilles de fer ; ce qui eft un avantage pour les
RM2ANECBM–Chymie expérimentale et raissonnée . épend abfolument du local : mais il eft bondobferver, autant quon le peut, de placer labranloire à la main gauche, afin quen faifincagir le foufïlet, on puilTe en même temps tifun-ner le feu avec la main droite. Fourneau de Lampe. Le fourneau de lampe, ainfi nommé parce-quon le fait chauffer au moyen dune lampe , eftordinairement conftruit en tôle noire. Commele feu de ce fourneau eft facile à conduire, ôcquil demande moins de foin que les fourneauxqui font chauffés avec du bois ou du charbon,il y a beaucoup de perfonnes qui font un grandufage du fourneau d
RM2ANEB12–Chymie expérimentale et raissonnée . etite aflîette deterre cuite qui fert a calciner des mines & desmatières métalliques. On nomme ce vailfeau rêcà rôtir^ ou catin. Ces fortes devaiffeaux doiventêtre larges & plats , fort unis, afin de pouvoirramaiïer commodément les chaux métalliques oules poudres quon met dedans. La figure 5 repréfente une coupelle : ceft unpetit creufet large 6c évafé , creufé à-peu près endemi-fphere , & ayant la figure dune coupe.Cette efpece de creufet eft fait avec des os de piedsde mouton calcinés , pulvérifés, pafTés au tamis defoie , &? bien lavés. On pétrit cette p
RM2AKKY7H–Chymie expérimentale et raissonnée . ajoutoir à lextrémité de la che-minée pour diriger la fumée en fens contraire duvent : cet ajoutoir eft de tôle, & tourne de telcôté quon veut. Lâcreté de leau de mer lui eft communiquée^n plus grande partie par du fel mann à bafe ter-reufe , dont elle eft conftamment chargée j riennétoit fi facile à démontrer. Mais ce fel ayant étéméconnu do la plupart de ceux qui ont propofé ladiftillation de cette eau pour la rendre potable ,ont attribué fon amertume & fon âcreté à desmatières bitumineufes ; ils ont, relativement àcette opinion , employé différents inter
RM2ANEDBY–Chymie expérimentale et raissonnée . J*M.More*»i U i^i A PARIS, Chez P. Franc. Didot le jeune, Libraire de la Faculde Médecine, quai àts Auguftins. te M. D C C. L X X I I I. ^VEC APPROBATION^ ET PRIVILEGE DU ROI, «vif /f- AVERTISSEMENT. O N me difpenfera volontiers de remonter auxpremiers âges des Sciences pour y découvrir lo-rigine de la Cliyniie. Ce travail a été entreprispar plufieurs célèbres Chymiftes , tels que Boer-haave, Junker , Senac, &cc. 11 réfulte à peuprès de leurs recherches , que la Chymie , ainfique les autres fciences phyfiques , eft née dugénie obfervateur, &c quelle seft dé
RM2AX294K–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14. 9 10 11 12 13 14 15 ^ n^bfttcRçucftcmônfetgncittîictoDctte pffi ,(ce ornant no&te foinrt pat lepape «tffl^tceûcl&ttncnfcancoia || à K?StbVmt>nflwnfebemrof«c6ae tfe« notant pwcebetpatm SS tf WcïSSe ocfam«««anUte (tfetottpuftJamme beîS«SSneftt«iifècet ifwfiiei&iiwe continue»: quefe topmcmoitc auct iMM ? tonteffwe coienit qutf nefartOEXV754P16
RM2AX28WM–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . offrant a ce faite tfbefcenbte etcâfcntit feecfectcutebcfepite % quop tott/ionwfcbtt fetgneut a fait bite et tefponbtcque fe topau&m i>e fanfCiauecfeeautteetcttceetfeùjncutice fup fbtiffïfott et cuite/toitcontentbe ccquebieufupauoitbonne (gtqucfqncte;Mion^ttance qmf fei/t faite aubit fctSneut ne peuft tant fnircqmf j>Sonf/i/tentenbie.!<£»oufttcqiie tebit feignent navtpoint en be bcfit.ne aucune affirctionaubït eropite ce pciit affe5 cfetentent eongnoif
RM2ANECH3–Chymie expérimentale et raissonnée . er un peu au deflbus de la nailTancede cette porte , pour fupporter la moufle dans lefens de fa longueur, afin qu elle ne fc cafte pasen deux pendant lopération , par (on poids, parcelui des matières , & par celui du charbonquon met par-delfus. La moufle eft une efpece decreufet, repréfentéfous deux faces, fig. 3 & 3. Ce vaifteau eft planen deftbus , & convexe en deftiis. Nous donnonsla meilleure manière de les fabriquer à larticleFourneaux &c Creufets. La pièce B, fig. 2 , eft le dôme du fourneau ;elle eft percée par-devant dune ouverture unpeu l
RM2ANE8XJ–Chymie expérimentale et raissonnée . Prolégomènes. exil) entonnoirs de verre, des caraffes , des mortier^de verre, &:c. 11 eft inutile de faire la defcriptioiide ces forres de vailleaiix , ainfi que de les tairegraver, parcequils font connus de ceux mèniequi ne soccupent point de laChymie. Manière de coupera de percer desballons de verre& autres Vaijfeaux. Les vaiiïeaux , fortant de la verrerie , ne foilCpoint appropriés, &;ne peuvent fervir aux opéra-tions. Les Dallons ont le col trop long , èc nefont point percés^ les becs des chapiteaux ne (ontpoint ouverts, 6cc. Le Cliym.fte ell: obligé da
RM2AX27TA–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 11 12 13 14 15 16 « lî 2 : 4 5 6 7 10 11 12 13 14. 10 11 12 13 14 15 16 wam 10 11 12 13 14
RM2AX28NF–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . «iYHK Sâ^^W^^WW(ffcw«l»toip««î»ftowftSi0^bmWCqlllpâlfl-emî)WMte( f ^ ^ « g, «notent*? etfcwtf.^^^ç^aiuce tempo^?fricitucf» te te W£yS le nSa to atfrment ctotte que fe wofaft HWtntewt 5. tu Mj»efWe«p^S^Ccftefcriptque ttteemtecteSfettueJ^ ro?«ufmeepout^tfe&i«^Wautrement afWwtfwt *e^etefetffictetp^tc«g^^^Ãjmee *yf.-We et f.t mettre et>captuute et i«1 f mecieu» ? fafutat icp:te«fe qui noumft p;cc eDe c^ ^°o%flW0 âe fe <5oufo<f V
RM2AKM02A–Chymie expérimentale et raissonnée . .. .^ J:^ i%^ V .?^ •»? ?t, V * f ?^3. if f-ATU f(!UW • A PARIS, Chez P. Franc. Didot le jeune, Libraire de la Facultéde Médecine, quai des Auguftins. M. Dec. L X X I I I. -AVEC APPROBJTIONj ET PRIVILEGE DU ROI, /.3 ?>?? «r . . ^^ ^(P%*<P^^ Si ? ?*chymieexprimen03baum
RM2ANE8M1–Chymie expérimentale et raissonnée . iip. 198. ii7. lij. R E M A R. Çl U E S, Par les réfultats rapportés dans la Table , il eftvifîble que les différentes forces de ces poudresne viennent p.^s des dofes des matières qui lescompofent, mais feulement de létat de mèlangç ET RAISONNE E. 477 fous lequel elles fe tiouvent réciproquement lesunes à lcgard des autres. Rien nell fi facile que de féparer le nitre despoudres. Ce fel fe diflout dans leau , & quittefacilement les autres ingrédients ; mais la fépa-ration du foufre de du charbon nefl: pas aulll facileà obtenir : jofe même dire quelle ne peut
RM2ANEDBC–Chymie expérimentale et raissonnée . rneau de réverbère ordinaire, ledôme & la cheminée ne font quune feule pièce. En F ell un tuyau de tôle de trois ou quatrepouces de diamètre , quon adapte à la cheminée ,ôc quon alonge à proportion que les opérationslexigent. Telles font les pièces du fourneau deréverbère : examinons maintenant lufage quonen peut faire. j^ Avec la première pièce A, on peut fe pro-curer un bain de fable chauffé par une lampe, Scformer par conféquent un fourneau de lampe.On pofe fur cette pièce du fourneau une poclc defer , de laquelle on a coupé la plus grande partiedu manc
RM2AX26A8–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . cru 2 3 4 5 6 7 10 11 12 13 14. 10 11 12 13 14 15 16 era 1 2 3 4 5 G 7 9 10 11 12 13 14
RM2ANEDK7–Chymie expérimentale et raissonnée . C H Y M I E EXP ÈRIMENTALE E T RAISONNÉ E, Par M. B A u M t, Maître Apothicaire de Paris, Démonftrateur en Chymie, & de lAcadémie Royale des Sciences. TOME PREMIER.chymieexprimen01baum
RM2ANEBJT–Chymie expérimentale et raissonnée . JU/ . 2 Fie/. 3.. Prolésomenes. ixcix tiubitede verre ou dctain, fuivant la nature desfubftances que lon traite. DES VAISSEAUX. vJn nomme en Chymie vafe ou vaiffeau^ unemachine creule quelconque & de quelque ma-tière c|uelle foit, pourvu quelle puilfe contenir& retenir les corps fur lefquels on veut opérer.Les vaiiïeaux dont on fe fert en Chymie , fontde différentes natures ôc de diftcrentes Formes.Cefl: à lArtille à favoir adortir la nature 6c laforme du vailTeau aux opérations quil fe pro-pofe de faire, & à éviter demployer ceux quileroicnt attaqués par l
RM2AX25R8–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14 15 16 era 1 2 3 4 5 G 7 9 10 11 12 13 14. 10 11 12 13 14
RM2ANEBRY–Chymie expérimentale et raissonnée . r blanc ordinaire. Ce couvercle eftpercé dans fon milieu dune ouverture égale audiamètre du col de la cucurbite. On a pratiqué àce couvercle en D, un petit tuyau pour introduirede leau, afin de remplacer , àmefure quil eft né-ceflaire , celle qui sévapore. On pofe fur la cucurbite un chapiteau de verreE. On le lute avec des bandes de papier enduitesde colle damidon ou de farine. On a imaginédappliquer par deffus ce chapiteau de verre unréfrigérant F G : la cuvette eft de fer blanc, & cequi sapplique fur le chapiteau eft de plomb. Cemétal mou eft plus facile
RM2AX28FD–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . efbotmt et btdaiifmt * Z &gjipafifc foin« fmguftet nô fa S m a çatbet et bcffenbic tÇfaen r p fa bianit t be ftttfffc/niow Imttacm befte pbV effeute fa bt toulfàn w&tàctm ? î^^ic^eMwrc^«bu«ottq&biti»»bfenMinnaùi« re« fname^fHtpet fc patrimoine^ bonatre be tW &bttton ^^aet(re/matepoutfemetttea.iî>eu<,ntp<wrc/ïte fefc« Um ceffe tepo? er tranquiftte oc fa mfrîente a fa fcmttLfw ^ncteteou r««f t coffir «e poatnotca effinî)fo1? r fpoufe et pat «nfetc p*e fa
RM2AX27G4–La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14 15 16 wam 10 11 12 13 14. 10 11 12 13 14 15 16
RM2AKKXJ6–Chymie expérimentale et raissonnée . triol dczinc, ** 3j9 Vitriol vert , 45 j Vocabulaire de plufîeurs termes de Chymie , * cxlvij Volatil, * dix Vues générales fur lorganifation intérieure du globe, & fur la formation des mines 5c des métaux , 301 D E s M A T I E R E s. é^tZ. ^iNC ( fur le ) , *? 3^4 ne à lair, ** jj^ ne arco , 434 ne avec de 1.1 glace, ** * 55^ ne avec de leau , ** iiid, ne avec le foicdefoufre, ** 3^4 ne avec le phlogiftiquc , ** Jj9 ne avec le tel ammoniac , *? j66 ne avec le fel marin , ** iiid. ne avec le Confie , ** j^4 ne en navettes , 4^4 ne & acide marin , ** 361 ne
RM2AM1E4F–Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . che giorni, con TofiTequio dVnaCriftiana pietà, torniamo à pregarti appreflo lOnnipotente mano la ricom-penfa delle tue valorofe operationi, douendo pur noi hauer ièmpre viua nel-la mente la memoria del tuo gran Nome ; fi che -^Te ) veniente die^ Te > decedente > canemus » I55lf / GETTY CENTER LIBRARY i (:!. ECCELLENTISSIMO SIGNORE ^ f E ne viene alla voftra prefènza vn partoremoto della vofìra pia magnificenza j,e della voftra generofà gratitudine. Ve-i?iderete imprelTì in quefti f
RM2AN53WB–The grotesque in church art . Ill-CKIMAGE IN COMFORT, CANTKKBUKY. The block from the capital of a column in the crypt ofCanterbury Cathedral, tells us little of its history. It is given. MAK I INMAS. CHRISTMAS. HOLY TRINITY, HULL. 140 THE GROTESQUE IN CHURCH ART. as an example of a cheerful grace and ease not common inearly work. The hunting of the boar is a frequent subject of theGothic carver, being generally considered the sport ofSeptember, though Sir Edward Coke says the season for theboar was from Christmas to Candlemas. It is uncommon tofind the boars head shewn treated as in the accomp
RM2AN48E8–The grotesque in church art . THE TEMPTATION. THE PUNISHMENT.BEVERLEY MINSTER. THE WAKE KNOT. of his despoliation. Beverley Minster has among its finecarvings an admirable rendering of this subject. Reynard ishanged on a square gallows, a number of birds, geese, takinga beak at the rope. To the left of the gallows stand twoofficial geese, with mace and battle-axe. The left supplemen-tary carving gives a note of the crime ; Reynard is creepingupon two sleeping geese. The right hand supporting carvinggives us the Fox after being cut down. His friend, the Ape, 208 THE GROTESQUE IN CHURCH ART. is
RM2AN7M96–The gardener's magazine and register of rural & domestic improvement . slated, any explanatory wordsaccompanying such translation being printed in Italic. Those names, whether of genera or species,which are commemorative, as Banks«a in honour of Sir Joseph Banks, are distinguished by havingthe subjoined letters in Italic where the rest of the word is in Roman, and in Roman where the restof the word is in Italic, as Bdn/csin ; those which have been applied to plants by the classic writers ofantiquity are distinguished by having the initial letter in Italic, as Pyrus, where the rest of theword i
RM2AN6R7R–The grotesque in church art . fferent god, and given its distinctname. The moon also, and the stars were made the symbolsof deities. These symbols put before the people as vehiclesfor abstract ideas, were quickly adopted as gods, the symbolismbeing disregarded, and the end was practically the same asthat narrated by the ancient rabbi just quoted. But it maybe doubted whether the pantheism of the classic nationswas ever entirely gross. The great festivals of the gods wereaccompanied by the initiation of carefully selected personsinto certain mysteries of which no description is extant. INGRAINE
RM2AN83HA–The gardener's magazine and register of rural & domestic improvement . Fig. 28. Ladder for thinning Grapes. Fig. 29. Section of the horixontal Rodof the Sliding Ladder. ..^ ^ Inj%. 28., a a represents a f-inch iron rod, which reaches fromone end of the vinery to the other, suspended about 2 ft. fromthe rafters by iron rods ^-v,^,^^ J J, h, which rods have ^^^ turned up ends to supportthe horizontal rod in themanner shown in the sec-tions, ^^5. 29. and 30. ; c,irons to hang on the rod tosupport the ladder, alsoshown in the section at c ;d, the ladder; e, the rafter;f, part of the sill of thefro
RM2AN6PXM–The grotesque in church art . ned animal with the hinderparts of a horse ; indeed there appears everywhere so multi-farious and so wonderful a variety of diverse forms that oneis more apt to con over the sculptures than to study thescriptures, to occupy the whole day in wondering at thesethan in meditating upon Gods law. It has now to be observed how far the symbolic fanciesof ancient beliefs have left their impress on the grotesque artof our churches. A common representation of the great sun-myth was thatof two eagles, or dragons, watching one at each side of an altar.These were the powers of
RM2AN5WAY–The grotesque in church art . 9« THE GROTESQUE IN CHURCH ART. is, however, no doubt as to the carving here presented. Itmay represent the consecration of a bishop. The presence ofSatan dominating both the individuals, and pulling forward. HYPOCRISY, NEW COLLEGE, OXFORD. the cowl of the seated figure, appears to declare that this isto illustrate the vice of Hypocrisy. It is at New College,Oxford. Hlc anfc tbe Hle^wtfe.
RM2AN5FTM–The grotesque in church art . FOLIATE MASK, DORCHESTER, OXON. 16 122 THE GROTESQUE IN CHURCH ART. mask which every player in the ancient drama wore, displayedas an ornament with laurel, bay, oak, ivy, or what not, insertedin the mouth, because it was pierced for speaking through, and the only aperture in whichthe decorative branches could beinserted. Or seeds might germ-inate in sculptured masks and sohave suggested the idea. Maskswere hung in vineyards, etc. A mask above the internaltower-doorway in the Lady Chapelof Dorchester Abbey has a closeresemblance to the classic mask in the protrudin
RM2AM0GBX–Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . loro ,che come miei Superiori humilmente riuerifco, intraprendere i loro com-mandi ne fono flato coftretto. Hauendo prefo ^nimo per ciò fare dallhauerben conofciuto nel progreflb della mia traslatione, che fra laltre virtùfenza numero, che in quel grandEroe deirEmincntifUmo Cardinal Ma-zarini fuo degno Zio fi ritrouauano , vna fra laltre fi era di volentieri ag-gradire di ciascheduno i feruigij benché piccioli fi foflero. A V.E. dunquelamia traslatione prefumo dedicare ,fermamente fperand
RM2AN4K2E–The grotesque in church art . MUSICAL CENTAUK, ELY. she is playing the zither. This is of the fourteenth century.Another classic conception which has been perpetuated in Gothic is the harpy, thoughin most cases without anyapparent recognition of theharpy character. Exceptionsare such instances as that ofthe harpy drawn in the chapterSatires without Satan. Inone at Winchester a finemediaeval effect is producedby putting a hood on thehm.v u.ncmfster. human head.. COMPOUND FORMS. 167
RM2AN6F9C–The grotesque in church art . GROTESQUE ON HOKLS IN THE SHELL. THE PALMER FOX EXHIBITING HOLY WATER.NEW COLLEGE, OXFORD. as to an attack upon the occupant of a shell, a man in afashionable dress, piercing a snail as it approaches him. Inmediaeval carvings, as in many of their explanations, it isscarcely a step from the sublime to the ridiculous. One other carving which seems to point to the foregoing MYTHIC ORIGIN OF CHURCH CARVINGS. 59 is at New College, Oxford. It is a genuine grotesque, andmay be a satire upon the more serious works. It represents,seated in the same univalve kind of shell a
RM2AJ2J4C–Barnabae itinerarium, or Barnabee's journal; . 3 1158 01081 4332 ^ 1 li—^ ^. ^iiJ l-^J. ^^AnvaaiH*^ >&Aava8iH^ ^j:?13dnysoi^ .5»EUNIVER%
RM2AN6T3X–The grotesque in church art . CHURCH, HAMPSHIRE. of Venus, the drinking horn of Pan, together with manyanother form to be observed in particular works of theancients, is each a definite and perfect example of the faultlessline. Now, to repeat, many—an infinite number—of theornaments of Gothic architecture, and not less the grotesquethan any other description, are likewise composed of the mostbeautiful lines conceivable, either entirely, or combined withlines of abrupt and ungraceful turn that seem to deliberatelyprovoke ones artistic protest; and yet the whole compositionshall, by its curious
RM2AKMDNF–La Roma sotterranea cristiana . nque fu dalsuo architetto ideata perfettamente esagona con quattro pareti rettilinee, sole capacidi loculi regolari; e con lemiciclo senza loculi di fronte alla porta. — 89 — Siffatta cripta rotonda non è sola della sua specie in questa regione. Procedendoinnanzi per la via P, la troviamo intersecata dalla linea N; e quivi a dritta ed asinistra, ecco altre due cripte 45, hk esagone in pianta, coperte da volta rotonda.La prima ci presenta esattamente il genuino ed originario tipo della rotonda degliEutichii: come dalla pianta e scenografia delineate nella tavola
RM2AN72CG–The grotesque in church art . A ROOF SUPPORTER, EVVELME, OXON. t$i (Brofeeque in £jHtrc$ (J&xf* >•<. GOKGONIC MASK. EWKI.ME. 3ntrofcuction. THE more lofty theearlier manifestationsof mans intellect, the morecomplete and immediateseems to have been theiradvancement. That is tosay, where the products ofgenius depend mainly uponthe recognition of greatprinciples and deliberate adherence to them, they are moresatisfying than when success depends upon dexterous manipu-lation of material. What I have in view in this respect inconnection with architecture has its co-relative in language.The sub
RM2AKWEG3–A Vindication of gospel-truth, and refutation of some dangerous errors, in relation to that important question, whether there be promises of the bestowment of special grace, made in Scripture to the unregenerate, on condition of any endeavours, strivings, or doings of theirs whatsoever? .
RM2AN8915–The gardener's magazine and register of rural & domestic improvement . 60 35 — 23. 69 45 — 23. 61 46 — 24. 65 42 — 24. 68 30 — 25. 60 38 — 25. 64 34 — 26. 55 28 — 26. 62 38 — 27. 63 30 — 27. 61 31 — 28. 63 27 — 28. 62 32 — 29. 62 28 — 29. 60 32 — 30. 64 26 — 30. 60 31 — 31. 65 45 — 31. 60 34 On the 16th of Feb. (1840), the following vines were plantedin the house, viz. Black Hamburg, White Frontignan, Frank-enthal, Royal Muscadine, Muscat of Alexandria, Black Muscat,and Black Cluster. Early in April gentle heat was applied,and the result already proved is very satisfactory. The small pit {fig
RM2AN671P–The grotesque in church art . I III- SI- Kl-I- NT, II V. SATANIC REPRESENTATIONS. 75. serpent, whose coils are difficult to distinguish from thefoliage of the tree, has the head of a saturnine Asiatic, who istaking the least possible notice of our first parents, as theystand eating apples and being ashamed, one on each side ofthe composition. A carving in the choir ofChichester Cathedral shews in adouble repetition, one half ofwhich is here shewn, the evilhead with an attempt at thelegendary comeliness, mingledwith debased traits, that is artis-tically very creditable to thesculptor. As though
RM2AM0K9J–Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . G E F VNEBRE D ELEMINENTISSIME CARDINAL IVLES MAZARIN.. A R O M E, a rimprimeric de la Reu. Chambre Apoftoliquc. M. DC. LXI. Auec permifsion des Superiei^s
RM2AN5W7T–The grotesque in church art . HYPOCRISY, NEW COLLEGE, OXFORD. the cowl of the seated figure, appears to declare that this isto illustrate the vice of Hypocrisy. It is at New College,Oxford. Hlc anfc tbe Hle^wtfe.. THK JOLLY TAPSTER, LUDLOW. LE, good old ale, has formed theburden of more songs and satiresancient and modern, than will everbe brought together. Ale was thestaple beverage for morning, noon,and evening meals. It is probablethat swollen as is the beer portionof the Budget, the consumption ofale, man for man, is much less thanthat of any mediaeval time. Therecords of all the authorita
RM2AN6TRT–The grotesque in church art . ellence of theartistic management, which in the treatment of the mostunpromising subjects filled the composition with beautifullines. It was left to Hogarths genius to insist on the realityof the line of beauty as governing all loveliness, and hesuggests that a perceptive recognition of this existed on thepart of the classic sculptors. This applies to their work ingeneral, but he also mentions their frequent addition of some ARTISTIC QUALITY OF CHURCH GROTESQUES. 21 curved object connected with the subject, as though it were akind of key to the artistic compositio
RM2AN7T90–The gardener's magazine and register of rural & domestic improvement . t;but it has been hollowed out in some places, and raised in others,under the direction of the architect, Beranger, so as to exhibitsome variety. The house is small, and, in point of architecture,is without merit. The kitchen-garden is large, and contains arange of 600 ft. of hothouses, and about as many feet in lengthof frames and pits. Every luxury that a kitchen-garden canproduce is raised in quantities, in season and out of season. Anornamental garden building contains a beautiful steam-engine,the machinery of which is
RM2AM1024–Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . Uh :?i- Pellai. im,oiiQivhozbDclìaiàcaata elreriore d^: -^lì^ hn Non coBilfte Tempre il maggior pregio delle cofc nella vaftagl-indczta di«flc, aìui ih rrtille fórme foucntc miriamo le più pretiófc riftrctrc in pie- - ^ciolgira-difito. La faccia-cfteri ore di qucfta Chiefadcl difegno -del Si*gnor Martittiongofanrofo Architetto, corrifponde propottionatamcìiite al rerto del corpo di eflà, e con vna architettura vcnulla, e comportipafla tràle più bclk della fua sfera. Si vcdeua tutta nel f
RM2AN5P4W–The grotesque in church art . A HORN OF ALB. KI.V. Satires without Satan.. •^A5p THE SLUMBERING PRIEST,NEW COLLEGE, OXFORD. HERE are numbers of grotesques which are satires evidently aimed at sins, but which have not the visible attendance of the evil one himself. Among these must be included acurious carving from Swine, in Holder-ness. The priory of Swine was aCistercian nunnery of fifteen sisters anda prioress. Mr. Thomas Blashill states, There were, how-ever, two canons at least, to assist in the offices of religion,who did not refrain from meddling in secular affairs.*There was also a smal
RM2AN57XM–The grotesque in church art . FOOI s HEADS, BEVERLEY MINSTER. Some of these are better than the joculators and mimesfaces in which the artist seriously set himself a humorous. MASKS AND FACES. 1.33 task, as in the three heads (page 130) from Beverley Minster,though the latter are in some respects more grotesque. Another curious instance of a grimace and posturemaker, assisting his counten-ances contortions by the useof his fingers, is at DorchesterAbbey. In this the artist hasnot been master of the facialanatomy, and shows a doublepair of lips, one pair in repose,the other pulled back at theco
RM2AN635C–The grotesque in church art . THE UNSBKN WITNESS, NEW COLLEGE, OXFORD. There are foreign carvings described by Mr. Evans asbeing of the devil taking notes of the idle words of twowomen during mass. This is, perhaps, the simple meaningof all this series, and an evidence of the resentment ofecclesiastics against the irreverent. There is considerableevidence that religious service was scarcely a solemn thingin mediaeval times. If this is the signification the box 86 THE GROTESQUE IN CHURCH ART. arrangement described above may be some sort of earlypew. The next example, from St. Katherines (lately
RM2AKM194–La Roma sotterranea cristiana . li Antonini. Nella via 51 sul margine dun loculo tre volte impresso il sigillo EVHTPPI e quivi presso scritto il nome: agostino Resti di Carpegna 1718, che è duno dei cavatori del Boldetti, e ci insegna quandoquesta regione fu spogliata. Quivi anche infisso nella calce il fondo duna piccolatazza di vetro della classe dei così detti vetri cimiteriali. Poscia ad un loculo le greche lettere seguenti tracciate sulla calce. m eco o A H < co — e fe AGO Molle lettere sono perite: ciò che resta è difficile a decifrare: leggo in fine:COPCOv K, finale della forinola ch
RM2AKM3R9–La Roma sotterranea cristiana . o altre vie; e tutto lipogeo presenta la figura dun più o meno regolare gra-ticolato. La parte destra a chi guarda la pianta é quasi tutta involta in rovineinaccessibili; la sinistra si lega in molti punti colla regione Liberiana. Notabilissimoè il fatto, che nelle gallerie proprie della regione XIII pochi cubicoli sono aggrup-pati presso le scale ; tutto il rimanente delle lunghe ed intrecciate gallerie è privodi cubicoli e di arcosoli ; mentre tanto ricche ne sono nel medesimo piano le vicineregioni. Già a pag. 226. 227 ho reso conto di questa anomalia ; la qu
RM2AN66B5–The grotesque in church art . DEMURBNBSS MEDITATING MISCHIEF. DELTOID-EGYPTIAN MASK, CHICHESTER. 76 THE GROTESQUE IN CHURCH ART. some scores of times in the memorial chapel, at Ewelme, ofAlice, Duchess of Suffolk, grand-daughter of Chaucer, whodied in 1475. The annexed block shews a small archangelwhich surmounts the font canopy, and is ofthe same character as the chapel angels.At All Souls, Oxford, is a carving of awarrior-visaged person wearing a morion,and armed with a falchion and buckler.He is clad in feathers only, appearing to beflying downward, and is either a representa-tion of St. Mi
RM2AN75EG–The grotesque in church art . Wildridge, T.T,Church art. - The grotesque in PONTIFICAL INSTITUTE OF MEDIAEVAL STUDIES 59 QUEENS PARK Toronto 5. Canada 25270. 25270 preface.
RM2AKM6MW–La Roma sotterranea cristiana . ia ampiezza, che si vollequi dare alla cripta, potrebbe essere stata cagione del partito preso dinternarla,per non creare tutto un vuoto enorme e pericoloso della stanza colla largagalleria ed il sovrimpendente lucernario. Sterrato però lipogeo ed esaminatoloin ogni sua parte, ho inteso che assai diversa fu la cagione del singolare partitoadottato di scavare il maggiore cubicolo alla distanza di 8 metri dallampia via,lateralmente alla quale esso giace. Preesisteva quivi una galleria (mutata poi in scaladiscendente al terzo piano), diramata dai prolungamenti dell
RM2AKM0AF–La Roma sotterranea cristiana . I i j vu. *• 9. xV^ $ 66 — 678 — in colonna verticale: poi nullaltro. Lultimo tratto di questarteria dopo la via 30è privo di loculi. La diramazione 21 ci offre sulla calce in diversi loculi i segni seguenti: un xassai divaricato ad un loculo che conserva la sua lucernina rozza murata; il mono- o gramma di strana forma X (pag- 677 n. 9); una grande lettera di questa foggia B: o piccola piastra rotonda di terra cotta infissa sulla calce per segnale; tre cerchiettiin colonna nel modo consueto al medesimo fine, ed inoltre una scheggia informedi mattone infissa nell
RM2AM0HHX–Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . rno la voz la Ueba el viento, aora, aun-que nadie las ignora, las doy à la eternidad, conteftadas no folo cn Euro-pa teatro donde fc vieron, fmo en el Orbe todo , que gozò de los ecos detan gloriofas proezas.Y aunque no me arraftra elinteresjni el aplaufo, quifèno defraudar de efte teftimonio à mi gratitud para con V.Em. ni defte titil-lo à mi dicha,aunque efpuefta à efcollos,y bagios^que fi es timbre dela obe-diencia traer los ojos vcndados, goza tanbien del priuilegio, que ni legiti-mam
RM2AN659Y–The grotesque in church art . ow notingthat to such forms may be addedthe human figure in whole orpart, we will next take in reviewa few of the sins which brino-erring humanity into the clutchesof Satan ; for we find some ofthe most grotesque of antique carvings devoted to representa-tion of what may be called the finale of the Sinners Progress.These are probably largely derived from the Mystery Plays ;for the moral teaching has the same direct soundness. Theideas are often jocosely put, but the principle is one of mereretribution. The Devil cannot hurt the Saint and he paysout to the Wicked t
RM2AN75R3–The grotesque in church art . Wildridge, T.T,Church art. - The grotesque in PONTIFICAL INSTITUTE OF MEDIAEVAL STUDIES 59 QUEENS PARK Toronto 5. Canada 25270.
RM2AM0G34–Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . é(Jl, ELO.. E LOG io ; F VN EB R E- DEI voluntate mìjfusfumi ^ui fecitmequajìPatrem : (^Do-,minumvniuerfa Domuf,acPrincifemifiommn^erra. GtnefI 45. A vita de gli Huomini, Eminentissimi Principi -, Nobi-lissimi Vditori, eflcre vnornamento vanO) ohimè, purtroppo ce linfegna oggi refiempio lagrimeuole, ma chia-ro , dellEminentiflimo Mazarini. Quel tanto, che ci di-mollrano frequentemente le ftanze Regie, ò labbondan-za con le ricchezze, ò laltezza con le dignità, ò la rara ec-cellenza con ra
RM2AKM5HN–La Roma sotterranea cristiana . ^*ss. Laffresco è rozzo, darte inferiore a quella dei dipinti del cimitero di santaSotere: ed il suo stile conviene al secolo quarto volgente al quinto. Nel mezzodei riquadri o cassettoni regnano ornati crociformi di frangiate croci equilatere.Nella scenografia appajono frantumi di bellissima transenna marmorea con fascia 30 — 234 — adorna di borchie; i quali dimostrano, che almeno larcosolio principale ne fufornito; e la sua luce ne fu chiusa, come negli esempi, che nel libro precedenteho dichiarato. Una lastra di marmo tutta regolarmente bucata dee avere servi
RM2AN4D69–The grotesque in church art . A TRINITY, ST. MARYS, FAVERSHAM. three-faced head similar to the above. Hone reproduces it inhis Ancient Mysteries Described, and asks, May not thetriune head have been originally suggested by the three-headed Saxon deity named Trigla? The Faversham tria,it will be noticed, has the curled and formal beards of theGreek mask. Another instance of a three-fold head similar to theFaversham carving is at Cartmel. TRINITIES. 181 A still more remarkable form of the same thing occurs asa rosette on the tomb of Bishop cle la Wich, in ChichesterCathedral, in which the trinit
RM2AM0GW7–Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . IN ROMA, Nella Stiimparia della Reuercnda Camera Apoftolica M. DCLXI. Con licenza de Suferiori. IT / wc ..-».»**-«K» •??? ?*! rr *• j:^ Oi >a. ÙL wJLt-X-vV.ì 1 i r X m V &io,TiLJ«i..i3: •A -.-?;. a /«i i^^jS^Iisr^fAWCJ? MI fcM^iMlMaif ?? [< ^ l^^j. ALLECCELLENTISSIMO SIGNOR DVCA MANCINI, O N altro, Eccellcntifllmo Signore, che vn famo-fo Apel le, & vn vircuofo Lifìppo per i loro gran ta -lenti, Tvno nella Pittura, e Taltro nella Scultura ot-tennero di rapprefentare del grand*Alcfla
RM2AN68W5–The grotesque in church art . ering in a much to be envied height of thewildest animal spirits. There is in popular art no trace, sofar as the writers observation extends, of that lofty sorrow atmans unworthiness, which has occasionally been attributed toSatan. The general feeling is that indicated by the semi-contemptuous epithets applied to the satyr-idea of AuldClootie (cloven-footed), and Auld 1 Iornie, of our Northernbrethren. SATANIC REPRESENTATIONS. 7i Horns were among all ancient nations symbolic of powerand dignity. Ancient coinages shew the heads of kings anddeities thus adorned. The
RM2AN7617–The grotesque in church art . Wildridge, T.T,Church art. - The grotesque in PONTIFICAL INSTITUTE OF MEDIAEVAL STUDIES 59 QUEENS PARK Toronto 5. Canada 25270. LONDON:WILLIAM ANDREWS & CO., 5, FARRINGDON AVENUE, E.C. 1899.
RM2AN87P7–The gardener's magazine and register of rural & domestic improvement . Grovnd Flan of a Pit to he heated in Mr. Corbetts manner. superiority most satisfactorily. It is erected in a geranium-housein our nursery ; and, by careful comparison with a number ofother modes of heating, our opinion of its excellence is verystrongly confirmed. It has also been thoroughly tested in apine-pit erected by us for a lady in this neighbourhood, similar Remarks on Cr/tisus Addmu ff. Glass roof. g. Bark pit. Ii, Back path, i. Pit for dung casing. k. Drain. /, Hinged cover of ledged boards, to protect the dung fr
RM2AKMDCF–La Roma sotterranea cristiana . 12 — 90 — Qui labside fu in progresso di tempo tagliata in mezzo per aprire lo spazioquadrilungo, nelle cui pareti sono incavati loculi ed arcosoli. La sala rotonda èrivestita di bianco intonaco; non così lo spazio aggiunto tagliando labside. Altrettanto osservo in una quarta rotonda hi, che è nella via R a pochi passidalla linea di confine tra le aree terza e quarta. Le sue forme architettonichesono assai notabili: e perciò ne presento licnografia e lortografia nella ta-vola XXXIV. Anche il Perret lha disegnata nelle tavole XXXYI-XXXYIII delvolume citato. Nella
RM2AN8376–The gardener's magazine and register of rural & domestic improvement . 211 rod. A ladder of this kind is in use in Melbury Gardens,Dorsetshire, for pruning the vines, and thinning the grapes, ona roof trellis, over a stage of greenhouse plants. Art V. Description of a Mode of arranging Hempen Lines Jbrsupporting Scarlet Runners, Convolvuluses, or other twining Plants. By C. MOBERLEY. Take ^-inch thick and 2-inch wide rods or laths, join themat top as in Jig. 31. a, so as to leave the ends a few inchesbeyond the junction ; stick the lower ends into the ground, justwithin the lines of the plants
RM2AN53AC–The grotesque in church art . example of a cheerful grace and ease not common inearly work. The hunting of the boar is a frequent subject of theGothic carver, being generally considered the sport ofSeptember, though Sir Edward Coke says the season for theboar was from Christmas to Candlemas. It is uncommon tofind the boars head shewn treated as in the accompanyingblock, struck off, and with the lemon in his mouth, ready for the table. These quatre-foils are the only twowith a special design uponthem, out of twelve onthe font of Holy TrinityChurch, Hull, the othershaving rosettes. Thereis no ru
RM2AN5FE8–The grotesque in church art . FOLIATE MASK, ST. MARY S MINSTEK,ISLE OF THANET.. FOLIATE MASK, BBVBRLBV MINSTBR. like a shallow speaking-trumpet. The leaves appear to bethe vine, and so the head, perhaps, that of Bacchus. Betweenthe eyebrows will be noticed an angular projection. This MASKS AND FACES. 123 is probably explained by a mask in a misericorde in St.Marys Minster, in which some object, perhaps the nasal ofa helmet, comes down the middle of the forehead. The