Chymie expérimentale et raissonnée . par les deux bouts, & fupportées cha-cune dans leur milieu par un montant de ter d ^d^qui pofe fur laire de la cuifme. Ces deux barresfervent à fupporter les difl-crentes marmites deléquipage , & le delTous de ces mèipes barres eftle foyer de la cuifine. En E y eft le mur qui fépare la cuifme davecles alambics j il eft dà plomb du côté de la cuifine,& a un pied dépailfeur par le bas •, il eft élevé enportion de voûte du côté du fourneau des alam-bics , & fe trouve avoir deux pieds dépaifteurlorfqu il a la hauteur convenable, qui eft cellede vingt & un pouce
Chymie expérimentale et raissonnée . par les deux bouts, & fupportées cha-cune dans leur milieu par un montant de ter d ^d^qui pofe fur laire de la cuifme. Ces deux barresfervent à fupporter les difl-crentes marmites deléquipage , & le delTous de ces mèipes barres eftle foyer de la cuifine. En E y eft le mur qui fépare la cuifme davecles alambics j il eft dà plomb du côté de la cuifine,& a un pied dépailfeur par le bas •, il eft élevé enportion de voûte du côté du fourneau des alam-bics , & fe trouve avoir deux pieds dépaifteurlorfqu il a la hauteur convenable, qui eft cellede vingt & un pouce https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-par-les-deux-bouts-fupportes-cha-cune-dans-leur-milieu-par-un-montant-de-ter-d-dqui-pofe-fur-laire-de-la-cuifme-ces-deux-barresfervent-fupporter-les-difl-crentes-marmites-delquipage-le-deltous-de-ces-mipes-barres-eftle-foyer-de-la-cuifine-en-e-y-eft-le-mur-qui-fpare-la-cuifme-davecles-alambics-j-il-eft-d-plomb-du-ct-de-la-cuifine-a-un-pied-dpailfeur-par-le-bas-il-eft-lev-enportion-de-vote-du-ct-du-fourneau-des-alam-bics-fe-trouve-avoir-deux-pieds-dpaifteurlorfqu-il-a-la-hauteur-convenable-qui-eft-cellede-vingt-un-pouce-image339114399.html
Chymie expérimentale et raissonnée .
Chymie expérimentale et raissonnée . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-image340219888.html
Chymie expérimentale et raissonnée . Jicavien^, ^)(^^llV7<v? , j. Prolégomènes. cix Jîlace dans une cuvecte de verre ou de faïanceremplie deau froide : il fert à rafraîchir & à con-denfer les vapeurs qui font condenfables par cemoyen. On en fait de métal, comme de cuivre ,détain, -Sec. Jai parlé dans mes Eléments de Phar-macie des ferpencins, des avantages 5c des incon-vénients de cesvaiireaux : voye:^ cet article. Ce quejen ai dit eft applicable à ceux quon voudroictaire en verre ou en grès pour la diftillation desacides minéraux qui doivent être confervés dansle degré de concentration o
Chymie expérimentale et raissonnée . Jicavien^, ^)(^^llV7<v? , j. Prolégomènes. cix Jîlace dans une cuvecte de verre ou de faïanceremplie deau froide : il fert à rafraîchir & à con-denfer les vapeurs qui font condenfables par cemoyen. On en fait de métal, comme de cuivre ,détain, -Sec. Jai parlé dans mes Eléments de Phar-macie des ferpencins, des avantages 5c des incon-vénients de cesvaiireaux : voye:^ cet article. Ce quejen ai dit eft applicable à ceux quon voudroictaire en verre ou en grès pour la diftillation desacides minéraux qui doivent être confervés dansle degré de concentration o https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-jicavien-llv7ltv-j-prolgomnes-cix-jlace-dans-une-cuvecte-de-verre-ou-de-faanceremplie-deau-froide-il-fert-rafrachir-con-denfer-les-vapeurs-qui-font-condenfables-par-cemoyen-on-en-fait-de-mtal-comme-de-cuivre-dtain-sec-jai-parl-dans-mes-elments-de-phar-macie-des-ferpencins-des-avantages-5c-des-incon-vnients-de-cesvaiireaux-voye-cet-article-ce-quejen-ai-dit-eft-applicable-ceux-quon-voudroictaire-en-verre-ou-en-grs-pour-la-diftillation-desacides-minraux-qui-doivent-tre-confervs-dansle-degr-de-concentration-o-image340220930.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 6 7 11 12 13 14. 11 12 13 14 15 16 « lî 2 : 4 5 6 7 10 11 12 13 14
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 6 7 11 12 13 14. 11 12 13 14 15 16 « lî 2 : 4 5 6 7 10 11 12 13 14 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-6-7-11-12-13-14-11-12-13-14-15-16-l-2-4-5-6-7-10-11-12-13-14-image343028483.html
Chymie expérimentale et raissonnée . amp; dans les meilleuresproportions : la manipulation apporte de trèsgrands changements dans le mélange ceft ce quelaiobfervé en faifant lanalyfe de plufieurs pou-dres de différente force , qui contenoient cepen-dant les mêmes fubftances , à peu de chofe près,dans les mêmes proportions. Les poudres quejai analyfées , font dédgnées dans la Table fui-vante. Jy fais mention des dofes des matièresqui les compofoient, & du recul quelles ont oc-cafionné au canon de léprouvette : ces reculs fontdéiignés par des nombres 129, 198, <?^c. quipourroient faire croi
Chymie expérimentale et raissonnée . amp; dans les meilleuresproportions : la manipulation apporte de trèsgrands changements dans le mélange ceft ce quelaiobfervé en faifant lanalyfe de plufieurs pou-dres de différente force , qui contenoient cepen-dant les mêmes fubftances , à peu de chofe près,dans les mêmes proportions. Les poudres quejai analyfées , font dédgnées dans la Table fui-vante. Jy fais mention des dofes des matièresqui les compofoient, & du recul quelles ont oc-cafionné au canon de léprouvette : ces reculs fontdéiignés par des nombres 129, 198, <?^c. quipourroient faire croi https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-amp-dans-les-meilleuresproportions-la-manipulation-apporte-de-trsgrands-changements-dans-le-mlange-ceft-ce-quelaiobferv-en-faifant-lanalyfe-de-plufieurs-pou-dres-de-diffrente-force-qui-contenoient-cepen-dant-les-mmes-fubftances-peu-de-chofe-prsdans-les-mmes-proportions-les-poudres-quejai-analyfes-font-ddgnes-dans-la-table-fui-vante-jy-fais-mention-des-dofes-des-matiresqui-les-compofoient-du-recul-quelles-ont-oc-cafionn-au-canon-de-lprouvette-ces-reculs-fontdiigns-par-des-nombres-129-198-ltc-quipourroient-faire-croi-image340219002.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14 15 16. cru 2 3 4 5 6 7 10 11 12 13 14
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14 15 16. cru 2 3 4 5 6 7 10 11 12 13 14 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-10-11-12-13-14-15-16-cru-2-3-4-5-6-7-10-11-12-13-14-image343027592.html
Chymie expérimentale et raissonnée . r, fe conftruit en terre cuite. Il eft bonde faire faire en même temps une trille de lamême terre , mais amovible , parceque ces iortesde grilles, contenajit plus de parties pleines quàjour, chauffent moins, modèrent la chaleur, &la retiennent plus long-temps que les grilles defer. Les grilles de terre font percées de trousronds, faciles à sengorger par la cendre du char-bon : elles font, par ces raifons, plus en état defournir une chaleur plus douce , plus égale ,lorfquellcs font une fois échauffées , que lesgrilles de fer ; ce qui eft un avantage pour les
Chymie expérimentale et raissonnée . r, fe conftruit en terre cuite. Il eft bonde faire faire en même temps une trille de lamême terre , mais amovible , parceque ces iortesde grilles, contenajit plus de parties pleines quàjour, chauffent moins, modèrent la chaleur, &la retiennent plus long-temps que les grilles defer. Les grilles de terre font percées de trousronds, faciles à sengorger par la cendre du char-bon : elles font, par ces raifons, plus en état defournir une chaleur plus douce , plus égale ,lorfquellcs font une fois échauffées , que lesgrilles de fer ; ce qui eft un avantage pour les https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-r-fe-conftruit-en-terre-cuite-il-eft-bonde-faire-faire-en-mme-temps-une-trille-de-lamme-terre-mais-amovible-parceque-ces-iortesde-grilles-contenajit-plus-de-parties-pleines-qujour-chauffent-moins-modrent-la-chaleur-la-retiennent-plus-long-temps-que-les-grilles-defer-les-grilles-de-terre-font-perces-de-trousronds-faciles-sengorger-par-la-cendre-du-char-bon-elles-font-par-ces-raifons-plus-en-tat-defournir-une-chaleur-plus-douce-plus-gale-lorfquellcs-font-une-fois-chauffes-que-lesgrilles-de-fer-ce-qui-eft-un-avantage-pour-les-image340222347.html
Chymie expérimentale et raissonnée . épend abfolument du local : mais il eft bondobferver, autant quon le peut, de placer labranloire à la main gauche, afin quen faifincagir le foufïlet, on puilTe en même temps tifun-ner le feu avec la main droite. Fourneau de Lampe. Le fourneau de lampe, ainfi nommé parce-quon le fait chauffer au moyen dune lampe , eftordinairement conftruit en tôle noire. Commele feu de ce fourneau eft facile à conduire, ôcquil demande moins de foin que les fourneauxqui font chauffés avec du bois ou du charbon,il y a beaucoup de perfonnes qui font un grandufage du fourneau d
Chymie expérimentale et raissonnée . épend abfolument du local : mais il eft bondobferver, autant quon le peut, de placer labranloire à la main gauche, afin quen faifincagir le foufïlet, on puilTe en même temps tifun-ner le feu avec la main droite. Fourneau de Lampe. Le fourneau de lampe, ainfi nommé parce-quon le fait chauffer au moyen dune lampe , eftordinairement conftruit en tôle noire. Commele feu de ce fourneau eft facile à conduire, ôcquil demande moins de foin que les fourneauxqui font chauffés avec du bois ou du charbon,il y a beaucoup de perfonnes qui font un grandufage du fourneau d https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-pend-abfolument-du-local-mais-il-eft-bondobferver-autant-quon-le-peut-de-placer-labranloire-la-main-gauche-afin-quen-faifincagir-le-fouflet-on-puilte-en-mme-temps-tifun-ner-le-feu-avec-la-main-droite-fourneau-de-lampe-le-fourneau-de-lampe-ainfi-nomm-parce-quon-le-fait-chauffer-au-moyen-dune-lampe-eftordinairement-conftruit-en-tle-noire-commele-feu-de-ce-fourneau-eft-facile-conduire-cquil-demande-moins-de-foin-que-les-fourneauxqui-font-chauffs-avec-du-bois-ou-du-charbonil-y-a-beaucoup-de-perfonnes-qui-font-un-grandufage-du-fourneau-d-image340221832.html
Chymie expérimentale et raissonnée . etite aflîette deterre cuite qui fert a calciner des mines & desmatières métalliques. On nomme ce vailfeau rêcà rôtir^ ou catin. Ces fortes devaiffeaux doiventêtre larges & plats , fort unis, afin de pouvoirramaiïer commodément les chaux métalliques oules poudres quon met dedans. La figure 5 repréfente une coupelle : ceft unpetit creufet large 6c évafé , creufé à-peu près endemi-fphere , & ayant la figure dune coupe.Cette efpece de creufet eft fait avec des os de piedsde mouton calcinés , pulvérifés, pafTés au tamis defoie , &? bien lavés. On pétrit cette p
Chymie expérimentale et raissonnée . etite aflîette deterre cuite qui fert a calciner des mines & desmatières métalliques. On nomme ce vailfeau rêcà rôtir^ ou catin. Ces fortes devaiffeaux doiventêtre larges & plats , fort unis, afin de pouvoirramaiïer commodément les chaux métalliques oules poudres quon met dedans. La figure 5 repréfente une coupelle : ceft unpetit creufet large 6c évafé , creufé à-peu près endemi-fphere , & ayant la figure dune coupe.Cette efpece de creufet eft fait avec des os de piedsde mouton calcinés , pulvérifés, pafTés au tamis defoie , &? bien lavés. On pétrit cette p https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-etite-aflette-deterre-cuite-qui-fert-a-calciner-des-mines-desmatires-mtalliques-on-nomme-ce-vailfeau-rc-rtir-ou-catin-ces-fortes-devaiffeaux-doiventtre-larges-plats-fort-unis-afin-de-pouvoirramaier-commodment-les-chaux-mtalliques-oules-poudres-quon-met-dedans-la-figure-5-reprfente-une-coupelle-ceft-unpetit-creufet-large-6c-vaf-creuf-peu-prs-endemi-fphere-ayant-la-figure-dune-coupecette-efpece-de-creufet-eft-fait-avec-des-os-de-piedsde-mouton-calcins-pulvrifs-pafts-au-tamis-defoie-bien-lavs-on-ptrit-cette-p-image340220750.html
Chymie expérimentale et raissonnée . ajoutoir à lextrémité de la che-minée pour diriger la fumée en fens contraire duvent : cet ajoutoir eft de tôle, & tourne de telcôté quon veut. Lâcreté de leau de mer lui eft communiquée^n plus grande partie par du fel mann à bafe ter-reufe , dont elle eft conftamment chargée j riennétoit fi facile à démontrer. Mais ce fel ayant étéméconnu do la plupart de ceux qui ont propofé ladiftillation de cette eau pour la rendre potable ,ont attribué fon amertume & fon âcreté à desmatières bitumineufes ; ils ont, relativement àcette opinion , employé différents inter
Chymie expérimentale et raissonnée . ajoutoir à lextrémité de la che-minée pour diriger la fumée en fens contraire duvent : cet ajoutoir eft de tôle, & tourne de telcôté quon veut. Lâcreté de leau de mer lui eft communiquée^n plus grande partie par du fel mann à bafe ter-reufe , dont elle eft conftamment chargée j riennétoit fi facile à démontrer. Mais ce fel ayant étéméconnu do la plupart de ceux qui ont propofé ladiftillation de cette eau pour la rendre potable ,ont attribué fon amertume & fon âcreté à desmatières bitumineufes ; ils ont, relativement àcette opinion , employé différents inter https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-ajoutoir-lextrmit-de-la-che-mine-pour-diriger-la-fume-en-fens-contraire-duvent-cet-ajoutoir-eft-de-tle-tourne-de-telct-quon-veut-lcret-de-leau-de-mer-lui-eft-communiquen-plus-grande-partie-par-du-fel-mann-bafe-ter-reufe-dont-elle-eft-conftamment-charge-j-rienntoit-fi-facile-dmontrer-mais-ce-fel-ayant-tmconnu-do-la-plupart-de-ceux-qui-ont-propof-ladiftillation-de-cette-eau-pour-la-rendre-potable-ont-attribu-fon-amertume-fon-cret-desmatires-bitumineufes-ils-ont-relativement-cette-opinion-employ-diffrents-inter-image339113925.html
Chymie expérimentale et raissonnée . J*M.More*»i U i^i A PARIS, Chez P. Franc. Didot le jeune, Libraire de la Faculde Médecine, quai àts Auguftins. te M. D C C. L X X I I I. ^VEC APPROBATION^ ET PRIVILEGE DU ROI, «vif /f- AVERTISSEMENT. O N me difpenfera volontiers de remonter auxpremiers âges des Sciences pour y découvrir lo-rigine de la Cliyniie. Ce travail a été entreprispar plufieurs célèbres Chymiftes , tels que Boer-haave, Junker , Senac, &cc. 11 réfulte à peuprès de leurs recherches , que la Chymie , ainfique les autres fciences phyfiques , eft née dugénie obfervateur, &c quelle seft dé
Chymie expérimentale et raissonnée . J*M.More*»i U i^i A PARIS, Chez P. Franc. Didot le jeune, Libraire de la Faculde Médecine, quai àts Auguftins. te M. D C C. L X X I I I. ^VEC APPROBATION^ ET PRIVILEGE DU ROI, «vif /f- AVERTISSEMENT. O N me difpenfera volontiers de remonter auxpremiers âges des Sciences pour y découvrir lo-rigine de la Cliyniie. Ce travail a été entreprispar plufieurs célèbres Chymiftes , tels que Boer-haave, Junker , Senac, &cc. 11 réfulte à peuprès de leurs recherches , que la Chymie , ainfique les autres fciences phyfiques , eft née dugénie obfervateur, &c quelle seft dé https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-jmmorei-u-ii-a-paris-chez-p-franc-didot-le-jeune-libraire-de-la-faculde-mdecine-quai-ts-auguftins-te-m-d-c-c-l-x-x-i-i-i-vec-approbation-et-privilege-du-roi-vif-f-avertissement-o-n-me-difpenfera-volontiers-de-remonter-auxpremiers-ges-des-sciences-pour-y-dcouvrir-lo-rigine-de-la-cliyniie-ce-travail-a-t-entreprispar-plufieurs-clbres-chymiftes-tels-que-boer-haave-junker-senac-cc-11-rfulte-peuprs-de-leurs-recherches-que-la-chymie-ainfique-les-autres-fciences-phyfiques-eft-ne-dugnie-obfervateur-c-quelle-seft-d-image340222623.html
Chymie expérimentale et raissonnée . .6.
Chymie expérimentale et raissonnée . .6. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-6-image340220618.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14. 9 10 11 12 13 14 15 ^ n^bfttcRçucftcmônfetgncittîictoDctte pffi ,(ce ornant no&te foinrt pat lepape «tffl^tceûcl&ttncnfcancoia || à K?StbVmt>nflwnfebemrof«c6ae tfe« notant pwcebetpatm SS tf WcïSSe ocfam«««anUte (tfetottpuftJamme beîS«SSneftt«iifècet ifwfiiei&iiwe continue»: quefe topmcmoitc auct iMM ? tonteffwe coienit qutf nefartOEXV754P16
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14. 9 10 11 12 13 14 15 ^ n^bfttcRçucftcmônfetgncittîictoDctte pffi ,(ce ornant no&te foinrt pat lepape «tffl^tceûcl&ttncnfcancoia || à K?StbVmt>nflwnfebemrof«c6ae tfe« notant pwcebetpatm SS tf WcïSSe ocfam«««anUte (tfetottpuftJamme beîS«SSneftt«iifècet ifwfiiei&iiwe continue»: quefe topmcmoitc auct iMM ? tonteffwe coienit qutf nefartOEXV754P16 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-10-11-12-13-14-9-10-11-12-13-14-15-nbfttcrucftcmnfetgncittictodctte-pffi-ce-ornant-note-foinrt-pat-lepape-tffltceclttncnfcancoia-kstbvmtgtnflwnfebemrofc6ae-tfe-notant-pwcebetpatm-ss-tf-wcsse-ocfamanute-tfetottpuftjamme-besssnefttiifcet-ifwfiieiiiwe-continue-quefe-topmcmoitc-auct-imm-tonteffwe-coienit-qutf-nefartoexv754p16-image343029139.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . offrant a ce faite tfbefcenbte etcâfcntit feecfectcutebcfepite % quop tott/ionwfcbtt fetgneut a fait bite et tefponbtcque fe topau&m i>e fanfCiauecfeeautteetcttceetfeùjncutice fup fbtiffïfott et cuite/toitcontentbe ccquebieufupauoitbonne (gtqucfqncte;Mion^ttance qmf fei/t faite aubit fctSneut ne peuft tant fnircqmf j>Sonf/i/tentenbie.!<£»oufttcqiie tebit feignent navtpoint en be bcfit.ne aucune affirctionaubït eropite ce pciit affe5 cfetentent eongnoif
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . offrant a ce faite tfbefcenbte etcâfcntit feecfectcutebcfepite % quop tott/ionwfcbtt fetgneut a fait bite et tefponbtcque fe topau&m i>e fanfCiauecfeeautteetcttceetfeùjncutice fup fbtiffïfott et cuite/toitcontentbe ccquebieufupauoitbonne (gtqucfqncte;Mion^ttance qmf fei/t faite aubit fctSneut ne peuft tant fnircqmf j>Sonf/i/tentenbie.!<£»oufttcqiie tebit feignent navtpoint en be bcfit.ne aucune affirctionaubït eropite ce pciit affe5 cfetentent eongnoif https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-offrant-a-ce-faite-tfbefcenbte-etcfcntit-feecfectcutebcfepite-quop-tottionwfcbtt-fetgneut-a-fait-bite-et-tefponbtcque-fe-topaum-igte-fanfciauecfeeautteetcttceetfejncutice-fup-fbtifffott-et-cuitetoitcontentbe-ccquebieufupauoitbonne-gtqucfqnctemionttance-qmf-feit-faite-aubit-fctsneut-ne-peuft-tant-fnircqmf-jgtsonfitentenbie!ltoufttcqiie-tebit-feignent-navtpoint-en-be-bcfitne-aucune-affirctionaubt-eropite-ce-pciit-affe5-cfetentent-eongnoif-image343028944.html
Chymie expérimentale et raissonnée . er un peu au deflbus de la nailTancede cette porte , pour fupporter la moufle dans lefens de fa longueur, afin qu elle ne fc cafte pasen deux pendant lopération , par (on poids, parcelui des matières , & par celui du charbonquon met par-delfus. La moufle eft une efpece decreufet, repréfentéfous deux faces, fig. 3 & 3. Ce vaifteau eft planen deftbus , & convexe en deftiis. Nous donnonsla meilleure manière de les fabriquer à larticleFourneaux &c Creufets. La pièce B, fig. 2 , eft le dôme du fourneau ;elle eft percée par-devant dune ouverture unpeu l
Chymie expérimentale et raissonnée . er un peu au deflbus de la nailTancede cette porte , pour fupporter la moufle dans lefens de fa longueur, afin qu elle ne fc cafte pasen deux pendant lopération , par (on poids, parcelui des matières , & par celui du charbonquon met par-delfus. La moufle eft une efpece decreufet, repréfentéfous deux faces, fig. 3 & 3. Ce vaifteau eft planen deftbus , & convexe en deftiis. Nous donnonsla meilleure manière de les fabriquer à larticleFourneaux &c Creufets. La pièce B, fig. 2 , eft le dôme du fourneau ;elle eft percée par-devant dune ouverture unpeu l https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-er-un-peu-au-deflbus-de-la-nailtancede-cette-porte-pour-fupporter-la-moufle-dans-lefens-de-fa-longueur-afin-qu-elle-ne-fc-cafte-pasen-deux-pendant-lopration-par-on-poids-parcelui-des-matires-par-celui-du-charbonquon-met-par-delfus-la-moufle-eft-une-efpece-decreufet-reprfentfous-deux-faces-fig-3-3-ce-vaifteau-eft-planen-deftbus-convexe-en-deftiis-nous-donnonsla-meilleure-manire-de-les-fabriquer-larticlefourneaux-c-creufets-la-pice-b-fig-2-eft-le-dme-du-fourneau-elle-eft-perce-par-devant-dune-ouverture-unpeu-l-image340221983.html
Chymie expérimentale et raissonnée . 2. Jicavien^, ^)(^^llV7<v? , j
Chymie expérimentale et raissonnée . 2. Jicavien^, ^)(^^llV7<v? , j https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-2-jicavien-llv7ltv-j-image340221163.html
Chymie expérimentale et raissonnée . Prolégomènes. exil) entonnoirs de verre, des caraffes , des mortier^de verre, &:c. 11 eft inutile de faire la defcriptioiide ces forres de vailleaiix , ainfi que de les tairegraver, parcequils font connus de ceux mèniequi ne soccupent point de laChymie. Manière de coupera de percer desballons de verre& autres Vaijfeaux. Les vaiiïeaux , fortant de la verrerie , ne foilCpoint appropriés, &;ne peuvent fervir aux opéra-tions. Les Dallons ont le col trop long , èc nefont point percés^ les becs des chapiteaux ne (ontpoint ouverts, 6cc. Le Cliym.fte ell: obligé da
Chymie expérimentale et raissonnée . Prolégomènes. exil) entonnoirs de verre, des caraffes , des mortier^de verre, &:c. 11 eft inutile de faire la defcriptioiide ces forres de vailleaiix , ainfi que de les tairegraver, parcequils font connus de ceux mèniequi ne soccupent point de laChymie. Manière de coupera de percer desballons de verre& autres Vaijfeaux. Les vaiiïeaux , fortant de la verrerie , ne foilCpoint appropriés, &;ne peuvent fervir aux opéra-tions. Les Dallons ont le col trop long , èc nefont point percés^ les becs des chapiteaux ne (ontpoint ouverts, 6cc. Le Cliym.fte ell: obligé da https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-prolgomnes-exil-entonnoirs-de-verre-des-caraffes-des-mortierde-verre-c-11-eft-inutile-de-faire-la-defcriptioiide-ces-forres-de-vailleaiix-ainfi-que-de-les-tairegraver-parcequils-font-connus-de-ceux-mniequi-ne-soccupent-point-de-lachymie-manire-de-coupera-de-percer-desballons-de-verre-autres-vaijfeaux-les-vaiieaux-fortant-de-la-verrerie-ne-foilcpoint-appropris-ne-peuvent-fervir-aux-opra-tions-les-dallons-ont-le-col-trop-long-c-nefont-point-percs-les-becs-des-chapiteaux-ne-ontpoint-ouverts-6cc-le-cliymfte-ell-oblig-da-image340219114.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 11 12 13 14 15 16 « lî 2 : 4 5 6 7 10 11 12 13 14. 10 11 12 13 14 15 16 wam 10 11 12 13 14
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 11 12 13 14 15 16 « lî 2 : 4 5 6 7 10 11 12 13 14. 10 11 12 13 14 15 16 wam 10 11 12 13 14 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-11-12-13-14-15-16-l-2-4-5-6-7-10-11-12-13-14-10-11-12-13-14-15-16-wam-10-11-12-13-14-image343028122.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . «iYHK Sâ^^W^^WW(ffcw«l»toip««î»ftowftSi0^bmWCqlllpâlfl-emî)WMte( f ^ ^ « g, «notent*? etfcwtf.^^^ç^aiuce tempo^?fricitucf» te te W£yS le nSa to atfrment ctotte que fe wofaft HWtntewt 5. tu Mj»efWe«p^S^Ccftefcriptque ttteemtecteSfettueJ^ ro?«ufmeepout^tfe&i«^Wautrement afWwtfwt *e^etefetffictetp^tc«g^^^Ãjmee *yf.-We et f.t mettre et>captuute et i«1 f mecieu» ? fafutat icp:te«fe qui noumft p;cc eDe c^ ^°o%flW0 âe fe <5oufo<f V
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . «iYHK Sâ^^W^^WW(ffcw«l»toip««î»ftowftSi0^bmWCqlllpâlfl-emî)WMte( f ^ ^ « g, «notent*? etfcwtf.^^^ç^aiuce tempo^?fricitucf» te te W£yS le nSa to atfrment ctotte que fe wofaft HWtntewt 5. tu Mj»efWe«p^S^Ccftefcriptque ttteemtecteSfettueJ^ ro?«ufmeepout^tfe&i«^Wautrement afWwtfwt *e^etefetffictetp^tc«g^^^Ãjmee *yf.-We et f.t mettre et>captuute et i«1 f mecieu» ? fafutat icp:te«fe qui noumft p;cc eDe c^ ^°o%flW0 âe fe <5oufo<f V https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-iyhk-swwwffcwltoipftowftsi0bmwcqlllplfl-emwmte-f-g-notent-etfcwtfaiuce-tempofricitucf-te-te-wys-le-nsa-to-atfrment-ctotte-que-fe-wofaft-hwtntewt-5-tu-mjefwepsccftefcriptque-ttteemtectesfettuej-roufmeepouttfeiwautrement-afwwtfwt-eetefetffictetptcgjmee-yf-we-et-ft-mettre-etgtcaptuute-et-i1-f-mecieu-fafutat-icptefe-qui-noumft-pcc-ede-c-oflw0-e-fe-lt5oufoltf-v-image343028827.html
Chymie expérimentale et raissonnée . .. .^ J:^ i%^ V .?^ •»? ?t, V * f ?^3. if f-ATU f(!UW • A PARIS, Chez P. Franc. Didot le jeune, Libraire de la Facultéde Médecine, quai des Auguftins. M. Dec. L X X I I I. -AVEC APPROBJTIONj ET PRIVILEGE DU ROI, /.3 ?>?? «r . . ^^ ^(P%*<P^^ Si ? ?*chymieexprimen03baum
Chymie expérimentale et raissonnée . .. .^ J:^ i%^ V .?^ •»? ?t, V * f ?^3. if f-ATU f(!UW • A PARIS, Chez P. Franc. Didot le jeune, Libraire de la Facultéde Médecine, quai des Auguftins. M. Dec. L X X I I I. -AVEC APPROBJTIONj ET PRIVILEGE DU ROI, /.3 ?>?? «r . . ^^ ^(P%*<P^^ Si ? ?*chymieexprimen03baum https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-j-i-v-t-v-f-3-if-f-atu-f!uw-a-paris-chez-p-franc-didot-le-jeune-libraire-de-la-facultde-mdecine-quai-des-auguftins-m-dec-l-x-x-i-i-i-avec-approbjtionj-et-privilege-du-roi-3-gt-r-pltp-si-chymieexprimen03baum-image339114562.html
Chymie expérimentale et raissonnée . iip. 198. ii7. lij. R E M A R. Çl U E S, Par les réfultats rapportés dans la Table , il eftvifîble que les différentes forces de ces poudresne viennent p.^s des dofes des matières qui lescompofent, mais feulement de létat de mèlangç ET RAISONNE E. 477 fous lequel elles fe tiouvent réciproquement lesunes à lcgard des autres. Rien nell fi facile que de féparer le nitre despoudres. Ce fel fe diflout dans leau , & quittefacilement les autres ingrédients ; mais la fépa-ration du foufre de du charbon nefl: pas aulll facileà obtenir : jofe même dire quelle ne peut
Chymie expérimentale et raissonnée . iip. 198. ii7. lij. R E M A R. Çl U E S, Par les réfultats rapportés dans la Table , il eftvifîble que les différentes forces de ces poudresne viennent p.^s des dofes des matières qui lescompofent, mais feulement de létat de mèlangç ET RAISONNE E. 477 fous lequel elles fe tiouvent réciproquement lesunes à lcgard des autres. Rien nell fi facile que de féparer le nitre despoudres. Ce fel fe diflout dans leau , & quittefacilement les autres ingrédients ; mais la fépa-ration du foufre de du charbon nefl: pas aulll facileà obtenir : jofe même dire quelle ne peut https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-iip-198-ii7-lij-r-e-m-a-r-l-u-e-s-par-les-rfultats-rapports-dans-la-table-il-eftvifble-que-les-diffrentes-forces-de-ces-poudresne-viennent-ps-des-dofes-des-matires-qui-lescompofent-mais-feulement-de-ltat-de-mlang-et-raisonne-e-477-fous-lequel-elles-fe-tiouvent-rciproquement-lesunes-lcgard-des-autres-rien-nell-fi-facile-que-de-fparer-le-nitre-despoudres-ce-fel-fe-diflout-dans-leau-quittefacilement-les-autres-ingrdients-mais-la-fpa-ration-du-foufre-de-du-charbon-nefl-pas-aulll-facile-obtenir-jofe-mme-dire-quelle-ne-peut-image340218929.html
Chymie expérimentale et raissonnée . rneau de réverbère ordinaire, ledôme & la cheminée ne font quune feule pièce. En F ell un tuyau de tôle de trois ou quatrepouces de diamètre , quon adapte à la cheminée ,ôc quon alonge à proportion que les opérationslexigent. Telles font les pièces du fourneau deréverbère : examinons maintenant lufage quonen peut faire. j^ Avec la première pièce A, on peut fe pro-curer un bain de fable chauffé par une lampe, Scformer par conféquent un fourneau de lampe.On pofe fur cette pièce du fourneau une poclc defer , de laquelle on a coupé la plus grande partiedu manc
Chymie expérimentale et raissonnée . rneau de réverbère ordinaire, ledôme & la cheminée ne font quune feule pièce. En F ell un tuyau de tôle de trois ou quatrepouces de diamètre , quon adapte à la cheminée ,ôc quon alonge à proportion que les opérationslexigent. Telles font les pièces du fourneau deréverbère : examinons maintenant lufage quonen peut faire. j^ Avec la première pièce A, on peut fe pro-curer un bain de fable chauffé par une lampe, Scformer par conféquent un fourneau de lampe.On pofe fur cette pièce du fourneau une poclc defer , de laquelle on a coupé la plus grande partiedu manc https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-rneau-de-rverbre-ordinaire-ledme-la-chemine-ne-font-quune-feule-pice-en-f-ell-un-tuyau-de-tle-de-trois-ou-quatrepouces-de-diamtre-quon-adapte-la-chemine-c-quon-alonge-proportion-que-les-oprationslexigent-telles-font-les-pices-du-fourneau-derverbre-examinons-maintenant-lufage-quonen-peut-faire-j-avec-la-premire-pice-a-on-peut-fe-pro-curer-un-bain-de-fable-chauff-par-une-lampe-scformer-par-confquent-un-fourneau-de-lampeon-pofe-fur-cette-pice-du-fourneau-une-poclc-defer-de-laquelle-on-a-coup-la-plus-grande-partiedu-manc-image340222608.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . cru 2 3 4 5 6 7 10 11 12 13 14. 10 11 12 13 14 15 16 era 1 2 3 4 5 G 7 9 10 11 12 13 14
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . cru 2 3 4 5 6 7 10 11 12 13 14. 10 11 12 13 14 15 16 era 1 2 3 4 5 G 7 9 10 11 12 13 14 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-cru-2-3-4-5-6-7-10-11-12-13-14-10-11-12-13-14-15-16-era-1-2-3-4-5-g-7-9-10-11-12-13-14-image343026944.html
Chymie expérimentale et raissonnée . C H Y M I E EXP ÈRIMENTALE E T RAISONNÉ E, Par M. B A u M t, Maître Apothicaire de Paris, Démonftrateur en Chymie, & de lAcadémie Royale des Sciences. TOME PREMIER.chymieexprimen01baum
Chymie expérimentale et raissonnée . C H Y M I E EXP ÈRIMENTALE E T RAISONNÉ E, Par M. B A u M t, Maître Apothicaire de Paris, Démonftrateur en Chymie, & de lAcadémie Royale des Sciences. TOME PREMIER.chymieexprimen01baum https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-c-h-y-m-i-e-exp-rimentale-e-t-raisonn-e-par-m-b-a-u-m-t-matre-apothicaire-de-paris-dmonftrateur-en-chymie-de-lacadmie-royale-des-sciences-tome-premierchymieexprimen01baum-image340222827.html
Chymie expérimentale et raissonnée . Iuj,i.. .6
Chymie expérimentale et raissonnée . Iuj,i.. .6 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-iuji-6-image340220648.html
Chymie expérimentale et raissonnée . JU/ . 2 Fie/. 3.. Prolésomenes. ixcix tiubitede verre ou dctain, fuivant la nature desfubftances que lon traite. DES VAISSEAUX. vJn nomme en Chymie vafe ou vaiffeau^ unemachine creule quelconque & de quelque ma-tière c|uelle foit, pourvu quelle puilfe contenir& retenir les corps fur lefquels on veut opérer.Les vaiiïeaux dont on fe fert en Chymie , fontde différentes natures ôc de diftcrentes Formes.Cefl: à lArtille à favoir adortir la nature 6c laforme du vailTeau aux opérations quil fe pro-pofe de faire, & à éviter demployer ceux quileroicnt attaqués par l
Chymie expérimentale et raissonnée . JU/ . 2 Fie/. 3.. Prolésomenes. ixcix tiubitede verre ou dctain, fuivant la nature desfubftances que lon traite. DES VAISSEAUX. vJn nomme en Chymie vafe ou vaiffeau^ unemachine creule quelconque & de quelque ma-tière c|uelle foit, pourvu quelle puilfe contenir& retenir les corps fur lefquels on veut opérer.Les vaiiïeaux dont on fe fert en Chymie , fontde différentes natures ôc de diftcrentes Formes.Cefl: à lArtille à favoir adortir la nature 6c laforme du vailTeau aux opérations quil fe pro-pofe de faire, & à éviter demployer ceux quileroicnt attaqués par l https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-ju-2-fie-3-prolsomenes-ixcix-tiubitede-verre-ou-dctain-fuivant-la-nature-desfubftances-que-lon-traite-des-vaisseaux-vjn-nomme-en-chymie-vafe-ou-vaiffeau-unemachine-creule-quelconque-de-quelque-ma-tire-cuelle-foit-pourvu-quelle-puilfe-contenir-retenir-les-corps-fur-lefquels-on-veut-oprerles-vaiieaux-dont-on-fe-fert-en-chymie-fontde-diffrentes-natures-c-de-diftcrentes-formescefl-lartille-favoir-adortir-la-nature-6c-laforme-du-vailteau-aux-oprations-quil-fe-pro-pofe-de-faire-viter-demployer-ceux-quileroicnt-attaqus-par-l-image340221248.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14 15 16 era 1 2 3 4 5 G 7 9 10 11 12 13 14. 10 11 12 13 14
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14 15 16 era 1 2 3 4 5 G 7 9 10 11 12 13 14. 10 11 12 13 14 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-10-11-12-13-14-15-16-era-1-2-3-4-5-g-7-9-10-11-12-13-14-10-11-12-13-14-image343026524.html
Chymie expérimentale et raissonnée . r blanc ordinaire. Ce couvercle eftpercé dans fon milieu dune ouverture égale audiamètre du col de la cucurbite. On a pratiqué àce couvercle en D, un petit tuyau pour introduirede leau, afin de remplacer , àmefure quil eft né-ceflaire , celle qui sévapore. On pofe fur la cucurbite un chapiteau de verreE. On le lute avec des bandes de papier enduitesde colle damidon ou de farine. On a imaginédappliquer par deffus ce chapiteau de verre unréfrigérant F G : la cuvette eft de fer blanc, & cequi sapplique fur le chapiteau eft de plomb. Cemétal mou eft plus facile
Chymie expérimentale et raissonnée . r blanc ordinaire. Ce couvercle eftpercé dans fon milieu dune ouverture égale audiamètre du col de la cucurbite. On a pratiqué àce couvercle en D, un petit tuyau pour introduirede leau, afin de remplacer , àmefure quil eft né-ceflaire , celle qui sévapore. On pofe fur la cucurbite un chapiteau de verreE. On le lute avec des bandes de papier enduitesde colle damidon ou de farine. On a imaginédappliquer par deffus ce chapiteau de verre unréfrigérant F G : la cuvette eft de fer blanc, & cequi sapplique fur le chapiteau eft de plomb. Cemétal mou eft plus facile https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-r-blanc-ordinaire-ce-couvercle-eftperc-dans-fon-milieu-dune-ouverture-gale-audiamtre-du-col-de-la-cucurbite-on-a-pratiqu-ce-couvercle-en-d-un-petit-tuyau-pour-introduirede-leau-afin-de-remplacer-mefure-quil-eft-n-ceflaire-celle-qui-svapore-on-pofe-fur-la-cucurbite-un-chapiteau-de-verree-on-le-lute-avec-des-bandes-de-papier-enduitesde-colle-damidon-ou-de-farine-on-a-imagindappliquer-par-deffus-ce-chapiteau-de-verre-unrfrigrant-f-g-la-cuvette-eft-de-fer-blanc-cequi-sapplique-fur-le-chapiteau-eft-de-plomb-cemtal-mou-eft-plus-facile-image340221391.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . efbotmt et btdaiifmt * Z &gjipafifc foin« fmguftet nô fa S m a çatbet et bcffenbic tÇfaen r p fa bianit t be ftttfffc/niow Imttacm befte pbV effeute fa bt toulfàn w&tàctm ? î^^ic^eMwrc^«bu«ottq&biti»»bfenMinnaùi« re« fname^fHtpet fc patrimoine^ bonatre be tW &bttton ^^aet(re/matepoutfemetttea.iî>eu<,ntp<wrc/ïte fefc« Um ceffe tepo? er tranquiftte oc fa mfrîente a fa fcmttLfw ^ncteteou r««f t coffir «e poatnotca effinî)fo1? r fpoufe et pat «nfetc p*e fa
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . efbotmt et btdaiifmt * Z &gjipafifc foin« fmguftet nô fa S m a çatbet et bcffenbic tÇfaen r p fa bianit t be ftttfffc/niow Imttacm befte pbV effeute fa bt toulfàn w&tàctm ? î^^ic^eMwrc^«bu«ottq&biti»»bfenMinnaùi« re« fname^fHtpet fc patrimoine^ bonatre be tW &bttton ^^aet(re/matepoutfemetttea.iî>eu<,ntp<wrc/ïte fefc« Um ceffe tepo? er tranquiftte oc fa mfrîente a fa fcmttLfw ^ncteteou r««f t coffir «e poatnotca effinî)fo1? r fpoufe et pat «nfetc p*e fa https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-efbotmt-et-btdaiifmt-z-gjipafifc-foin-fmguftet-n-fa-s-m-a-atbet-et-bcffenbic-tfaen-r-p-fa-bianit-t-be-ftttfffcniow-imttacm-befte-pbv-effeute-fa-bt-toulfn-wtctm-icemwrcbuottqbitibfenminnai-re-fnamefhtpet-fc-patrimoine-bonatre-be-tw-bttton-aetrematepoutfemettteaigteultntpltwrcte-fefc-um-ceffe-tepo-er-tranquiftte-oc-fa-mfrente-a-fa-fcmttlfw-ncteteou-rf-t-coffir-e-poatnotca-effinfo1-r-fpoufe-et-pat-nfetc-pe-fa-image343028657.html
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14 15 16 wam 10 11 12 13 14. 10 11 12 13 14 15 16
La Harengue de monseigneur de lodève (Guillaume Briçonnet) proposée devant notre sainct père le papeTranslatée de latin en françois. . 10 11 12 13 14 15 16 wam 10 11 12 13 14. 10 11 12 13 14 15 16 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-harengue-de-monseigneur-de-lodve-guillaume-brionnet-propose-devant-notre-sainct-pre-le-papetranslate-de-latin-en-franois-10-11-12-13-14-15-16-wam-10-11-12-13-14-10-11-12-13-14-15-16-image343027892.html
Chymie expérimentale et raissonnée . triol dczinc, ** 3j9 Vitriol vert , 45 j Vocabulaire de plufîeurs termes de Chymie , * cxlvij Volatil, * dix Vues générales fur lorganifation intérieure du globe, & fur la formation des mines 5c des métaux , 301 D E s M A T I E R E s. é^tZ. ^iNC ( fur le ) , *? 3^4 ne à lair, ** jj^ ne arco , 434 ne avec de 1.1 glace, ** * 55^ ne avec de leau , ** iiid, ne avec le foicdefoufre, ** 3^4 ne avec le phlogiftiquc , ** Jj9 ne avec le tel ammoniac , *? j66 ne avec le fel marin , ** iiid. ne avec le Confie , ** j^4 ne en navettes , 4^4 ne & acide marin , ** 361 ne
Chymie expérimentale et raissonnée . triol dczinc, ** 3j9 Vitriol vert , 45 j Vocabulaire de plufîeurs termes de Chymie , * cxlvij Volatil, * dix Vues générales fur lorganifation intérieure du globe, & fur la formation des mines 5c des métaux , 301 D E s M A T I E R E s. é^tZ. ^iNC ( fur le ) , *? 3^4 ne à lair, ** jj^ ne arco , 434 ne avec de 1.1 glace, ** * 55^ ne avec de leau , ** iiid, ne avec le foicdefoufre, ** 3^4 ne avec le phlogiftiquc , ** Jj9 ne avec le tel ammoniac , *? j66 ne avec le fel marin , ** iiid. ne avec le Confie , ** j^4 ne en navettes , 4^4 ne & acide marin , ** 361 ne https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chymie-exprimentale-et-raissonne-triol-dczinc-3j9-vitriol-vert-45-j-vocabulaire-de-plufeurs-termes-de-chymie-cxlvij-volatil-dix-vues-gnrales-fur-lorganifation-intrieure-du-globe-fur-la-formation-des-mines-5c-des-mtaux-301-d-e-s-m-a-t-i-e-r-e-s-tz-inc-fur-le-34-ne-lair-jj-ne-arco-434-ne-avec-de-11-glace-55-ne-avec-de-leau-iiid-ne-avec-le-foicdefoufre-34-ne-avec-le-phlogiftiquc-jj9-ne-avec-le-tel-ammoniac-j66-ne-avec-le-fel-marin-iiid-ne-avec-le-confie-j4-ne-en-navettes-44-ne-acide-marin-361-ne-image339113438.html
. Hieroglyphica, of, Merkbeelden der oude volkeren : namentlyk Egyptenaren, Chaldeeuwen, Feniciers, Joden, Grieken, Romeynen, enz. : nevens een omstandig bericht van het verval en voortkruypende verbastering der godsdiensten door verscheyde eeuwen : en eyndelyk de hervorming, tot op deze tyden toe vervolgt : In LXIII. hoofdstukken, en zoo veele kopere print-blaaden .
. Hieroglyphica, of, Merkbeelden der oude volkeren : namentlyk Egyptenaren, Chaldeeuwen, Feniciers, Joden, Grieken, Romeynen, enz. : nevens een omstandig bericht van het verval en voortkruypende verbastering der godsdiensten door verscheyde eeuwen : en eyndelyk de hervorming, tot op deze tyden toe vervolgt : In LXIII. hoofdstukken, en zoo veele kopere print-blaaden . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hieroglyphica-of-merkbeelden-der-oude-volkeren-namentlyk-egyptenaren-chaldeeuwen-feniciers-joden-grieken-romeynen-enz-nevens-een-omstandig-bericht-van-het-verval-en-voortkruypende-verbastering-der-godsdiensten-door-verscheyde-eeuwen-en-eyndelyk-de-hervorming-tot-op-deze-tyden-toe-vervolgt-in-lxiii-hoofdstukken-en-zoo-veele-kopere-print-blaaden-image375341702.html
Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . che giorni, con TofiTequio dVnaCriftiana pietà, torniamo à pregarti appreflo lOnnipotente mano la ricom-penfa delle tue valorofe operationi, douendo pur noi hauer ièmpre viua nel-la mente la memoria del tuo gran Nome ; fi che -^Te ) veniente die^ Te > decedente > canemus » I55lf / GETTY CENTER LIBRARY i (:!. ECCELLENTISSIMO SIGNORE ^ f E ne viene alla voftra prefènza vn partoremoto della vofìra pia magnificenza_j,e della voftra generofà gratitudine. Ve-i?iderete imprelTì in quefti f
Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . che giorni, con TofiTequio dVnaCriftiana pietà, torniamo à pregarti appreflo lOnnipotente mano la ricom-penfa delle tue valorofe operationi, douendo pur noi hauer ièmpre viua nel-la mente la memoria del tuo gran Nome ; fi che -^Te ) veniente die^ Te > decedente > canemus » I55lf / GETTY CENTER LIBRARY i (:!. ECCELLENTISSIMO SIGNORE ^ f E ne viene alla voftra prefènza vn partoremoto della vofìra pia magnificenza_j,e della voftra generofà gratitudine. Ve-i?iderete imprelTì in quefti f https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pompa-funebre-nellesequie-celebrate-in-roma-al-cardinal-mazarini-nella-chiesa-de-ssvincenzo-anastasio-che-giorni-con-tofitequio-dvnacriftiana-piet-torniamo-pregarti-appreflo-lonnipotente-mano-la-ricom-penfa-delle-tue-valorofe-operationi-douendo-pur-noi-hauer-impre-viua-nel-la-mente-la-memoria-del-tuo-gran-nome-fi-che-te-veniente-die-te-gt-decedente-gt-canemus-i55lf-getty-center-library-i-!-eccellentissimo-signore-f-e-ne-viene-alla-voftra-prefnza-vn-partoremoto-della-vofra-pia-magnificenza-je-della-voftra-generof-gratitudine-ve-iiderete-imprelt-in-quefti-f-image339323167.html
The grotesque in church art . Ill-CKIMAGE IN COMFORT, CANTKKBUKY. The block from the capital of a column in the crypt ofCanterbury Cathedral, tells us little of its history. It is given. MAK I INMAS. CHRISTMAS. HOLY TRINITY, HULL. 140 THE GROTESQUE IN CHURCH ART. as an example of a cheerful grace and ease not common inearly work. The hunting of the boar is a frequent subject of theGothic carver, being generally considered the sport ofSeptember, though Sir Edward Coke says the season for theboar was from Christmas to Candlemas. It is uncommon tofind the boars head shewn treated as in the accomp
The grotesque in church art . Ill-CKIMAGE IN COMFORT, CANTKKBUKY. The block from the capital of a column in the crypt ofCanterbury Cathedral, tells us little of its history. It is given. MAK I INMAS. CHRISTMAS. HOLY TRINITY, HULL. 140 THE GROTESQUE IN CHURCH ART. as an example of a cheerful grace and ease not common inearly work. The hunting of the boar is a frequent subject of theGothic carver, being generally considered the sport ofSeptember, though Sir Edward Coke says the season for theboar was from Christmas to Candlemas. It is uncommon tofind the boars head shewn treated as in the accomp https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-ill-ckimage-in-comfort-cantkkbuky-the-block-from-the-capital-of-a-column-in-the-crypt-ofcanterbury-cathedral-tells-us-little-of-its-history-it-is-given-mak-i-inmas-christmas-holy-trinity-hull-140-the-grotesque-in-church-art-as-an-example-of-a-cheerful-grace-and-ease-not-common-inearly-work-the-hunting-of-the-boar-is-a-frequent-subject-of-thegothic-carver-being-generally-considered-the-sport-ofseptember-though-sir-edward-coke-says-the-season-for-theboar-was-from-christmas-to-candlemas-it-is-uncommon-tofind-the-boars-head-shewn-treated-as-in-the-accomp-image340017591.html
. Report of the geological exploration of the fortieth parallel . ■ NIC.
. Report of the geological exploration of the fortieth parallel . ■ NIC. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-nic-image375004976.html
. Report of the geological exploration of the fortieth parallel . Transverse (liamctor of anterior articulation of tenth caudal vertebra, ^ertieal diameter of anterior articulation, Height of neural spine above floor of neural canal, Diameter of vertebra, across transverse processes, Antero-posterior extent of neural spine, Antero-posterior diameter of transverse process, at base, Antero-posterior extent on median line of the parts preserved of tenth and following vertebra, Diameter of the part preserved of eleventh vertebra, across transverseprocesses, 10.0°°3.5 4.248.013.0 8.0 25.027.0 The l
. Report of the geological exploration of the fortieth parallel . Transverse (liamctor of anterior articulation of tenth caudal vertebra, ^ertieal diameter of anterior articulation, Height of neural spine above floor of neural canal, Diameter of vertebra, across transverse processes, Antero-posterior extent of neural spine, Antero-posterior diameter of transverse process, at base, Antero-posterior extent on median line of the parts preserved of tenth and following vertebra, Diameter of the part preserved of eleventh vertebra, across transverseprocesses, 10.0°°3.5 4.248.013.0 8.0 25.027.0 The l https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-transverse-liamctor-of-anterior-articulation-of-tenth-caudal-vertebra-ertieal-diameter-of-anterior-articulation-height-of-neural-spine-above-floor-of-neural-canal-diameter-of-vertebra-across-transverse-processes-antero-posterior-extent-of-neural-spine-antero-posterior-diameter-of-transverse-process-at-base-antero-posterior-extent-on-median-line-of-the-parts-preserved-of-tenth-and-following-vertebra-diameter-of-the-part-preserved-of-eleventh-vertebra-across-transverseprocesses-10035-42480130-80-250270-the-l-image374902090.html
. Symbolism of animals and birds represented in English church architecture . 456 ENGLISH CHURCH ARCHITECTURE the Apostle not only received the sacredElement himself, but also administered It tothe congregation without hurt ; while thewould-be assassin fell dead. God had per-mitted the poison to escape in the form of adragon. Another version of the story relates howthe poison was given by order of thepersecuting Emperor Domitian. An interesting instance of this emblem isto be seen in a late chapel in Hereford Cathe-dral. A chalice is carved with a large hex-agonal foot upon a shield, and a tin
. Symbolism of animals and birds represented in English church architecture . 456 ENGLISH CHURCH ARCHITECTURE the Apostle not only received the sacredElement himself, but also administered It tothe congregation without hurt ; while thewould-be assassin fell dead. God had per-mitted the poison to escape in the form of adragon. Another version of the story relates howthe poison was given by order of thepersecuting Emperor Domitian. An interesting instance of this emblem isto be seen in a late chapel in Hereford Cathe-dral. A chalice is carved with a large hex-agonal foot upon a shield, and a tin https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-church-architecture-456-english-church-architecture-the-apostle-not-only-received-the-sacredelement-himself-but-also-administered-it-tothe-congregation-without-hurt-while-thewould-be-assassin-fell-dead-god-had-per-mitted-the-poison-to-escape-in-the-form-of-adragon-another-version-of-the-story-relates-howthe-poison-was-given-by-order-of-thepersecuting-emperor-domitian-an-interesting-instance-of-this-emblem-isto-be-seen-in-a-late-chapel-in-hereford-cathe-dral-a-chalice-is-carved-with-a-large-hex-agonal-foot-upon-a-shield-and-a-tin-image375095663.html
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. aannuit,hofiei» Dummodo promeiitiifitpriusvltafiium.Ajpicequ£niitesfors,qtucontr.:^ftqtiatur Vlitfci cupidos vltio, quam^j^grauis.fatafolentmtescomitari mitia :contraCum tumetaffieruas itlicodetumwt.p,aiida(er»epium.Suulemismul^areprelmfitm O Uut y in obfcuram dum venttilicfpecum.Abfiu:e( jp^e tamen dexiram,patitur^reuertt ]r,(oluwem,a quofe nouerat ipfepeti.Made4nxmi,m.ici opuerinclyte-.flicieremaltnsCadireijUtm dadio iurefauenteqtteas. F VIRTVTIS IXSRCIT ATIS SIMJ
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. aannuit,hofiei» Dummodo promeiitiifitpriusvltafiium.Ajpicequ£niitesfors,qtucontr.:^ftqtiatur Vlitfci cupidos vltio, quam^j^grauis.fatafolentmtescomitari mitia :contraCum tumetaffieruas itlicodetumwt.p,aiida(er»epium.Suulemismul^areprelmfitm O Uut y in obfcuram dum venttilicfpecum.Abfiu:e( jp^e tamen dexiram,patitur^reuertt ]r,(oluwem,a quofe nouerat ipfepeti.Made4nxmi,m.ici opuerinclyte-.flicieremaltnsCadireijUtm dadio iurefauenteqtteas. F VIRTVTIS IXSRCIT ATIS SIMJ https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/david-virtvtis-exercitatissimae-probatum-deo-spectaculum-ex-dauidis-pastoris-militis-ducis-exsulis-ac-prophetae-exemplis-aannuithofiei-dummodo-promeiitiifitpriusvltafiiumajpicequniitesforsqtucontrftqtiatur-vlitfci-cupidos-vltio-quamjgrauisfatafolentmtescomitari-mitia-contracum-tumetaffieruas-itlicodetumwtpaiidaerepiumsuulemismulareprelmfitm-o-uut-y-in-obfcuram-dum-venttilicfpecumabfiue-jpe-tamen-dexirampatiturreuertt-roluwema-quofe-nouerat-ipfepetimade4nxmimici-opuerinclyte-flicieremaltnscadireijutm-dadio-iurefauenteqtteas-f-virtvtis-ixsrcit-atis-simj-image370450207.html
The grotesque in church art . THE TEMPTATION. THE PUNISHMENT.BEVERLEY MINSTER. THE WAKE KNOT. of his despoliation. Beverley Minster has among its finecarvings an admirable rendering of this subject. Reynard ishanged on a square gallows, a number of birds, geese, takinga beak at the rope. To the left of the gallows stand twoofficial geese, with mace and battle-axe. The left supplemen-tary carving gives a note of the crime ; Reynard is creepingupon two sleeping geese. The right hand supporting carvinggives us the Fox after being cut down. His friend, the Ape, 208 THE GROTESQUE IN CHURCH ART. is
The grotesque in church art . THE TEMPTATION. THE PUNISHMENT.BEVERLEY MINSTER. THE WAKE KNOT. of his despoliation. Beverley Minster has among its finecarvings an admirable rendering of this subject. Reynard ishanged on a square gallows, a number of birds, geese, takinga beak at the rope. To the left of the gallows stand twoofficial geese, with mace and battle-axe. The left supplemen-tary carving gives a note of the crime ; Reynard is creepingupon two sleeping geese. The right hand supporting carvinggives us the Fox after being cut down. His friend, the Ape, 208 THE GROTESQUE IN CHURCH ART. is https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-the-temptation-the-punishmentbeverley-minster-the-wake-knot-of-his-despoliation-beverley-minster-has-among-its-finecarvings-an-admirable-rendering-of-this-subject-reynard-ishanged-on-a-square-gallows-a-number-of-birds-geese-takinga-beak-at-the-rope-to-the-left-of-the-gallows-stand-twoofficial-geese-with-mace-and-battle-axe-the-left-supplemen-tary-carving-gives-a-note-of-the-crime-reynard-is-creepingupon-two-sleeping-geese-the-right-hand-supporting-carvinggives-us-the-fox-after-being-cut-down-his-friend-the-ape-208-the-grotesque-in-church-art-is-image339999248.html
. Die Wandmosaiken von Ravenna.
. Die Wandmosaiken von Ravenna. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/die-wandmosaiken-von-ravenna-image370499265.html
. Symbolism of animals and birds represented in English church architecture . ■ ENGLISH CHURCH ARCHITECTURE such animals, and afterwards such birds asreally exist, even though their habits havebeen much misrepresented by ancient authors ;and afterwards again we will deal with thosethat are fabulous and mythical. In practice,however, it will be found hard to keep thereal and the fabulous separate. In a book ofthis size it will not be possible to deal withall the creatures mentioned in the variousBestiaries, but our aim will be to say whatwe can about those which are frequentlyrepresented, or li
. Symbolism of animals and birds represented in English church architecture . ■ ENGLISH CHURCH ARCHITECTURE such animals, and afterwards such birds asreally exist, even though their habits havebeen much misrepresented by ancient authors ;and afterwards again we will deal with thosethat are fabulous and mythical. In practice,however, it will be found hard to keep thereal and the fabulous separate. In a book ofthis size it will not be possible to deal withall the creatures mentioned in the variousBestiaries, but our aim will be to say whatwe can about those which are frequentlyrepresented, or li https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-church-architecture-english-church-architecture-such-animals-and-afterwards-such-birds-asreally-exist-even-though-their-habits-havebeen-much-misrepresented-by-ancient-authors-and-afterwards-again-we-will-deal-with-thosethat-are-fabulous-and-mythical-in-practicehowever-it-will-be-found-hard-to-keep-thereal-and-the-fabulous-separate-in-a-book-ofthis-size-it-will-not-be-possible-to-deal-withall-the-creatures-mentioned-in-the-variousbestiaries-but-our-aim-will-be-to-say-whatwe-can-about-those-which-are-frequentlyrepresented-or-li-image375106434.html
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. icit homo alijsanimantibus inimitabilia:ade-oq;quisquishominefedignumgerit,fedulohancpartem excolit. Al-terapars&forshominiseft, vtcum Dcoconiungatur,cuminhac vitaincipiendoj tum in altera confummate.In hac parte Dei dudum fequioportctj vtrer£Eterautcontraillius fententiam. In hoc itinerecum millc monftraobijcitSathan,qu2Earedoitinerefeducant,fideiarmisvtendum&oc-currendumeft:qu3efuntconfelTiofyncera, oratioardens, patientia&fpes DEO conhfa, &qu« praetereafchola DEI
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. icit homo alijsanimantibus inimitabilia:ade-oq;quisquishominefedignumgerit,fedulohancpartem excolit. Al-terapars&forshominiseft, vtcum Dcoconiungatur,cuminhac vitaincipiendoj tum in altera confummate.In hac parte Dei dudum fequioportctj vtrer£Eterautcontraillius fententiam. In hoc itinerecum millc monftraobijcitSathan,qu2Earedoitinerefeducant,fideiarmisvtendum&oc-currendumeft:qu3efuntconfelTiofyncera, oratioardens, patientia&fpes DEO conhfa, &qu« praetereafchola DEI https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/david-virtvtis-exercitatissimae-probatum-deo-spectaculum-ex-dauidis-pastoris-militis-ducis-exsulis-ac-prophetae-exemplis-icit-homo-alijsanimantibus-inimitabiliaade-oqquisquishominefedignumgeritfedulohancpartem-excolit-al-teraparsforshominiseft-vtcum-dcoconiungaturcuminhac-vitaincipiendoj-tum-in-altera-confummatein-hac-parte-dei-dudum-fequioportctj-vtrereterautcontraillius-fententiam-in-hoc-itinerecum-millc-monftraobijcitsathanqu2earedoitinerefeducantfideiarmisvtendumoc-currendumeftqu3efuntconfeltiofyncera-oratioardens-patientiafpes-deo-conhfa-qu-praetereafchola-dei-image370451479.html
. Symbolism of animals and birds represented in English church architecture . ulse which so enraged himthat he had her put to dreadful torture.When she was immured in a dungeon, she wastempted by Satan in the form of a dragon,which finally swallowed her up. But thedragon instantly burst, and the saint emergedalive. She was at length beheaded by orderof the cruel governor. The symbolism of the story is of coursethe usual one of sin being conquered by thepower of the Cross. There is much similarity in Norman repre-sentations of S. Margaret and the dragon.The saints head and shoulders are general
. Symbolism of animals and birds represented in English church architecture . ulse which so enraged himthat he had her put to dreadful torture.When she was immured in a dungeon, she wastempted by Satan in the form of a dragon,which finally swallowed her up. But thedragon instantly burst, and the saint emergedalive. She was at length beheaded by orderof the cruel governor. The symbolism of the story is of coursethe usual one of sin being conquered by thepower of the Cross. There is much similarity in Norman repre-sentations of S. Margaret and the dragon.The saints head and shoulders are general https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-church-architecture-ulse-which-so-enraged-himthat-he-had-her-put-to-dreadful-torturewhen-she-was-immured-in-a-dungeon-she-wastempted-by-satan-in-the-form-of-a-dragonwhich-finally-swallowed-her-up-but-thedragon-instantly-burst-and-the-saint-emergedalive-she-was-at-length-beheaded-by-orderof-the-cruel-governor-the-symbolism-of-the-story-is-of-coursethe-usual-one-of-sin-being-conquered-by-thepower-of-the-cross-there-is-much-similarity-in-norman-repre-sentations-of-s-margaret-and-the-dragonthe-saints-head-and-shoulders-are-general-image375095645.html
. La Roma sotterranea cristiana . arii scompartimenti,gremiti anch essi di minori puntini, danno un aspetto elegante e regolare alla coltivazionedel pomarium o dell horlus. È cosa mirabile, come questo marmo ci dia un vero campione dun nobile monumentocon tutte le sue parti accessorie, illustrando pienamente la leggi e gli usi sepolcrali romani.Larea propria del monumento non è coltivata, come appunto prescriveva la legge (2), ed èfiancheggiata dagli edifìci, che nelle leggi e nelle iscrizioni sono ricordati per la custodia mo-numenti. L area adiecta poi è un vero hortus o pomarium, coltivato
. La Roma sotterranea cristiana . arii scompartimenti,gremiti anch essi di minori puntini, danno un aspetto elegante e regolare alla coltivazionedel pomarium o dell horlus. È cosa mirabile, come questo marmo ci dia un vero campione dun nobile monumentocon tutte le sue parti accessorie, illustrando pienamente la leggi e gli usi sepolcrali romani.Larea propria del monumento non è coltivata, come appunto prescriveva la legge (2), ed èfiancheggiata dagli edifìci, che nelle leggi e nelle iscrizioni sono ricordati per la custodia mo-numenti. L area adiecta poi è un vero hortus o pomarium, coltivato https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-roma-sotterranea-cristiana-arii-scompartimentigremiti-anch-essi-di-minori-puntini-danno-un-aspetto-elegante-e-regolare-alla-coltivazionedel-pomarium-o-dell-horlus-cosa-mirabile-come-questo-marmo-ci-dia-un-vero-campione-dun-nobile-monumentocon-tutte-le-sue-parti-accessorie-illustrando-pienamente-la-leggi-e-gli-usi-sepolcrali-romanilarea-propria-del-monumento-non-coltivata-come-appunto-prescriveva-la-legge-2-ed-fiancheggiata-dagli-edifci-che-nelle-leggi-e-nelle-iscrizioni-sono-ricordati-per-la-custodia-mo-numenti-l-area-adiecta-poi-un-vero-hortus-o-pomarium-coltivato-image371644407.html
. Die Wandmosaiken von Ravenna. Tab; LII. Musaik in dir Kirche della Martorana iii Palermo: Geburt Christi, Wirkündigungan die Hirten, Bad des Christkindes. Vgl. S. 242.. Tab; XLIII. Mosaik in der Kirche della Martorana in lalermo; Der Tod der Jungfrau Mariaim Kreise der Apostel. Christus trägt die Seele der Entschlafenen empor. Vgl. S. 242.
. Die Wandmosaiken von Ravenna. Tab; LII. Musaik in dir Kirche della Martorana iii Palermo: Geburt Christi, Wirkündigungan die Hirten, Bad des Christkindes. Vgl. S. 242.. Tab; XLIII. Mosaik in der Kirche della Martorana in lalermo; Der Tod der Jungfrau Mariaim Kreise der Apostel. Christus trägt die Seele der Entschlafenen empor. Vgl. S. 242. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/die-wandmosaiken-von-ravenna-tab-lii-musaik-in-dir-kirche-della-martorana-iii-palermo-geburt-christi-wirkndigungan-die-hirten-bad-des-christkindes-vgl-s-242-tab-xliii-mosaik-in-der-kirche-della-martorana-in-lalermo-der-tod-der-jungfrau-mariaim-kreise-der-apostel-christus-trgt-die-seele-der-entschlafenen-empor-vgl-s-242-image370497671.html
. Symbolism of animals and birds represented in English architecture . eadin about a dozen European languages ; per-haps the earliest of all belongs to the fifthcentury. The early naturalists, whether Greek,Roman, or Alexandrian, were not scientific.To them the classification and orderly treat-ment of our experts would have presented nointerest. The Romans showed considerableingenuity in training pets or wild animals, andtheir officials were most active in obtainingwild beasts to grace their triumphs or toafford amusement to the degraded populacein the amphitheatre. But their authors, indealin
. Symbolism of animals and birds represented in English architecture . eadin about a dozen European languages ; per-haps the earliest of all belongs to the fifthcentury. The early naturalists, whether Greek,Roman, or Alexandrian, were not scientific.To them the classification and orderly treat-ment of our experts would have presented nointerest. The Romans showed considerableingenuity in training pets or wild animals, andtheir officials were most active in obtainingwild beasts to grace their triumphs or toafford amusement to the degraded populacein the amphitheatre. But their authors, indealin https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-architecture-eadin-about-a-dozen-european-languages-per-haps-the-earliest-of-all-belongs-to-the-fifthcentury-the-early-naturalists-whether-greekroman-or-alexandrian-were-not-scientificto-them-the-classification-and-orderly-treat-ment-of-our-experts-would-have-presented-nointerest-the-romans-showed-considerableingenuity-in-training-pets-or-wild-animals-andtheir-officials-were-most-active-in-obtainingwild-beasts-to-grace-their-triumphs-or-toafford-amusement-to-the-degraded-populacein-the-amphitheatre-but-their-authors-indealin-image374886769.html
The gardener's magazine and register of rural & domestic improvement . slated, any explanatory wordsaccompanying such translation being printed in Italic. Those names, whether of genera or species,which are commemorative, as Banks«a in honour of Sir Joseph Banks, are distinguished by havingthe subjoined letters in Italic where the rest of the word is in Roman, and in Roman where the restof the word is in Italic, as Bdn/csin ; those which have been applied to plants by the classic writers ofantiquity are distinguished by having the initial letter in Italic, as Pyrus, where the rest of theword i
The gardener's magazine and register of rural & domestic improvement . slated, any explanatory wordsaccompanying such translation being printed in Italic. Those names, whether of genera or species,which are commemorative, as Banks«a in honour of Sir Joseph Banks, are distinguished by havingthe subjoined letters in Italic where the rest of the word is in Roman, and in Roman where the restof the word is in Italic, as Bdn/csin ; those which have been applied to plants by the classic writers ofantiquity are distinguished by having the initial letter in Italic, as Pyrus, where the rest of theword i https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-gardeners-magazine-and-register-of-rural-domestic-improvement-slated-any-explanatory-wordsaccompanying-such-translation-being-printed-in-italic-those-names-whether-of-genera-or-specieswhich-are-commemorative-as-banksa-in-honour-of-sir-joseph-banks-are-distinguished-by-havingthe-subjoined-letters-in-italic-where-the-rest-of-the-word-is-in-roman-and-in-roman-where-the-restof-the-word-is-in-italic-as-bdncsin-those-which-have-been-applied-to-plants-by-the-classic-writers-ofantiquity-are-distinguished-by-having-the-initial-letter-in-italic-as-pyrus-where-the-rest-of-theword-i-image340074370.html
. Symbolism of animals and birds represented in English architecture . tful specimens ofnatural carving is on an arch stone of Bar-freston south door. A bit of English landscapeis indicated by a tree, in front of which twohounds are running to the right, while theobject of their pursuit, a hare, has doubledback to the left and is escaping. There are few carvings of the elephantbefore 1200, though the head of one is carvedunder the string course at the west end ofthe Norman church of Kilpeck, A man hasbeen caught in the animals trunk. The elephant is one of the animals dealtwith at length in th
. Symbolism of animals and birds represented in English architecture . tful specimens ofnatural carving is on an arch stone of Bar-freston south door. A bit of English landscapeis indicated by a tree, in front of which twohounds are running to the right, while theobject of their pursuit, a hare, has doubledback to the left and is escaping. There are few carvings of the elephantbefore 1200, though the head of one is carvedunder the string course at the west end ofthe Norman church of Kilpeck, A man hasbeen caught in the animals trunk. The elephant is one of the animals dealtwith at length in th https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-architecture-tful-specimens-ofnatural-carving-is-on-an-arch-stone-of-bar-freston-south-door-a-bit-of-english-landscapeis-indicated-by-a-tree-in-front-of-which-twohounds-are-running-to-the-right-while-theobject-of-their-pursuit-a-hare-has-doubledback-to-the-left-and-is-escaping-there-are-few-carvings-of-the-elephantbefore-1200-though-the-head-of-one-is-carvedunder-the-string-course-at-the-west-end-ofthe-norman-church-of-kilpeck-a-man-hasbeen-caught-in-the-animals-trunk-the-elephant-is-one-of-the-animals-dealtwith-at-length-in-th-image374885339.html
. Symbolism of animals and birds represented in English architecture . ENGLISH CHURCH ARCHITECTURE his Metamorphoses (xv. 392) alludes to itsself-recreation, and the story is copied as anargument for the Resurrection by Tertullianand Ambrose, though other fathers throwdoubt on the story. Mr. E. P. Evans statesthat the phoenix was sculptured on pagancinerary urns. In the Septuagint version ofPs. xcii. 11, the righteous shall flourish likea palm tree, it is uncertain whether phcenixor palm tree was meant, as the Greek wordis precisely the same for both. Bede took the analogous passage of Jobxxix
. Symbolism of animals and birds represented in English architecture . ENGLISH CHURCH ARCHITECTURE his Metamorphoses (xv. 392) alludes to itsself-recreation, and the story is copied as anargument for the Resurrection by Tertullianand Ambrose, though other fathers throwdoubt on the story. Mr. E. P. Evans statesthat the phoenix was sculptured on pagancinerary urns. In the Septuagint version ofPs. xcii. 11, the righteous shall flourish likea palm tree, it is uncertain whether phcenixor palm tree was meant, as the Greek wordis precisely the same for both. Bede took the analogous passage of Jobxxix https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-architecture-english-church-architecture-his-metamorphoses-xv-392-alludes-to-itsself-recreation-and-the-story-is-copied-as-anargument-for-the-resurrection-by-tertullianand-ambrose-though-other-fathers-throwdoubt-on-the-story-mr-e-p-evans-statesthat-the-phoenix-was-sculptured-on-pagancinerary-urns-in-the-septuagint-version-ofps-xcii-11-the-righteous-shall-flourish-likea-palm-tree-it-is-uncertain-whether-phcenixor-palm-tree-was-meant-as-the-greek-wordis-precisely-the-same-for-both-bede-took-the-analogous-passage-of-jobxxix-image374875370.html
. Report of the geological exploration of the fortieth parallel . _j_a f^r r=? r=F PUMPING AM) HOISTING MACHfflEin OF THE SAVAGE MINE Scale 96.. &3
. Report of the geological exploration of the fortieth parallel . _j_a f^r r=? r=F PUMPING AM) HOISTING MACHfflEin OF THE SAVAGE MINE Scale 96.. &3 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-j-a-fr-r=-r=f-pumping-am-hoisting-machfflein-of-the-savage-mine-scale-96-3-image374934026.html
. Symbolism of animals and birds represented in English architecture . with the result that the ship would sink, andthe sailors would be drowned. This scene isoften depicted in its various parts in theBestiaries. The interpretation of the story is not dim-cult. The whale is the devil, the sea is theworld, and the ship with its freight of humansouls signifies ourselves. The devil, by hisdeceptive appearance, lures us to destructionand eternal loss. The whale has another remarkable charac-teristic. Like the panther, he has a sweetbreath when he opens his mouth ; but, unlikethe panthers, the whal
. Symbolism of animals and birds represented in English architecture . with the result that the ship would sink, andthe sailors would be drowned. This scene isoften depicted in its various parts in theBestiaries. The interpretation of the story is not dim-cult. The whale is the devil, the sea is theworld, and the ship with its freight of humansouls signifies ourselves. The devil, by hisdeceptive appearance, lures us to destructionand eternal loss. The whale has another remarkable charac-teristic. Like the panther, he has a sweetbreath when he opens his mouth ; but, unlikethe panthers, the whal https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-architecture-with-the-result-that-the-ship-would-sink-andthe-sailors-would-be-drowned-this-scene-isoften-depicted-in-its-various-parts-in-thebestiaries-the-interpretation-of-the-story-is-not-dim-cult-the-whale-is-the-devil-the-sea-is-theworld-and-the-ship-with-its-freight-of-humansouls-signifies-ourselves-the-devil-by-hisdeceptive-appearance-lures-us-to-destructionand-eternal-loss-the-whale-has-another-remarkable-charac-teristic-like-the-panther-he-has-a-sweetbreath-when-he-opens-his-mouth-but-unlikethe-panthers-the-whal-image374881174.html
The grotesque in church art . fferent god, and given its distinctname. The moon also, and the stars were made the symbolsof deities. These symbols put before the people as vehiclesfor abstract ideas, were quickly adopted as gods, the symbolismbeing disregarded, and the end was practically the same asthat narrated by the ancient rabbi just quoted. But it maybe doubted whether the pantheism of the classic nationswas ever entirely gross. The great festivals of the gods wereaccompanied by the initiation of carefully selected personsinto certain mysteries of which no description is extant. INGRAINE
The grotesque in church art . fferent god, and given its distinctname. The moon also, and the stars were made the symbolsof deities. These symbols put before the people as vehiclesfor abstract ideas, were quickly adopted as gods, the symbolismbeing disregarded, and the end was practically the same asthat narrated by the ancient rabbi just quoted. But it maybe doubted whether the pantheism of the classic nationswas ever entirely gross. The great festivals of the gods wereaccompanied by the initiation of carefully selected personsinto certain mysteries of which no description is extant. INGRAINE https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-fferent-god-and-given-its-distinctname-the-moon-also-and-the-stars-were-made-the-symbolsof-deities-these-symbols-put-before-the-people-as-vehiclesfor-abstract-ideas-were-quickly-adopted-as-gods-the-symbolismbeing-disregarded-and-the-end-was-practically-the-same-asthat-narrated-by-the-ancient-rabbi-just-quoted-but-it-maybe-doubted-whether-the-pantheism-of-the-classic-nationswas-ever-entirely-gross-the-great-festivals-of-the-gods-wereaccompanied-by-the-initiation-of-carefully-selected-personsinto-certain-mysteries-of-which-no-description-is-extant-ingraine-image340054731.html
. La Roma sotterranea cristiana . vori del tempodella pace. Indizi di una simile demolizione io veggo ed accennerò al suo luogoin moltissime altre scale del cemetero di Callisto. Non tocca a me di paragonarequesto fatto rivelato dall analisi architettonica con gli avvenimenti storici, chepossono esserne stata cagione ; ne mi spetta il determinare, se la demolizione deiregolari ingressi avvenne per opera dei pagani o per cautela dei Cristiani. Ma èfacile intravvedere un nesso fra questo lavoro sotterraneo e le memorie che ab-biamo delle occupazioni fatte diiU autorità persecutrice dei cemeteri
. La Roma sotterranea cristiana . vori del tempodella pace. Indizi di una simile demolizione io veggo ed accennerò al suo luogoin moltissime altre scale del cemetero di Callisto. Non tocca a me di paragonarequesto fatto rivelato dall analisi architettonica con gli avvenimenti storici, chepossono esserne stata cagione ; ne mi spetta il determinare, se la demolizione deiregolari ingressi avvenne per opera dei pagani o per cautela dei Cristiani. Ma èfacile intravvedere un nesso fra questo lavoro sotterraneo e le memorie che ab-biamo delle occupazioni fatte diiU autorità persecutrice dei cemeteri https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-roma-sotterranea-cristiana-vori-del-tempodella-pace-indizi-di-una-simile-demolizione-io-veggo-ed-accenner-al-suo-luogoin-moltissime-altre-scale-del-cemetero-di-callisto-non-tocca-a-me-di-paragonarequesto-fatto-rivelato-dall-analisi-architettonica-con-gli-avvenimenti-storici-chepossono-esserne-stata-cagione-ne-mi-spetta-il-determinare-se-la-demolizione-deiregolari-ingressi-avvenne-per-opera-dei-pagani-o-per-cautela-dei-cristiani-ma-facile-intravvedere-un-nesso-fra-questo-lavoro-sotterraneo-e-le-memorie-che-ab-biamo-delle-occupazioni-fatte-diiu-autorit-persecutrice-dei-cemeteri-image372301786.html
. Symbolism of animals and birds represented in English architecture . sthe fish as they swim below, it will make adive and capture them for itself. The eaglehere represents Christ, Who can gaze uponGods dazzling glory ; Who also came downon earth to capture the souls of men out ofthe sea of this world. The eagle also carries the eaglets in itsclaws up to the sun. It rejects all those thatcannot look at its brightness, but saves andrears the others. In like manner Christ bearssouls that are fit for the vision of God, intoHis very presence. Another fable mentioned in the GreekBestiary about the
. Symbolism of animals and birds represented in English architecture . sthe fish as they swim below, it will make adive and capture them for itself. The eaglehere represents Christ, Who can gaze uponGods dazzling glory ; Who also came downon earth to capture the souls of men out ofthe sea of this world. The eagle also carries the eaglets in itsclaws up to the sun. It rejects all those thatcannot look at its brightness, but saves andrears the others. In like manner Christ bearssouls that are fit for the vision of God, intoHis very presence. Another fable mentioned in the GreekBestiary about the https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-architecture-sthe-fish-as-they-swim-below-it-will-make-adive-and-capture-them-for-itself-the-eaglehere-represents-christ-who-can-gaze-upongods-dazzling-glory-who-also-came-downon-earth-to-capture-the-souls-of-men-out-ofthe-sea-of-this-world-the-eagle-also-carries-the-eaglets-in-itsclaws-up-to-the-sun-it-rejects-all-those-thatcannot-look-at-its-brightness-but-saves-andrears-the-others-in-like-manner-christ-bearssouls-that-are-fit-for-the-vision-of-god-intohis-very-presence-another-fable-mentioned-in-the-greekbestiary-about-the-image374879905.html
. Symbolism of animals and birds represented in English architecture . by some English sculptorof the ninth or tenth century, but the designis of a much earlier date, and may reasonablybe referred to an Italian artist of the sixth orseventh century. . On the centre of aplain Greek cross is laid the figure of a deadLamb. As far as I can learn, the conceptionis unique. The drooping head and the bentlegs of the victim tell of death with eloquentforce ; and under this limited aspect it isperhaps allowable to present for contempla-tion the dead Christ. No one, I think, canregard It without feeling
. Symbolism of animals and birds represented in English architecture . by some English sculptorof the ninth or tenth century, but the designis of a much earlier date, and may reasonablybe referred to an Italian artist of the sixth orseventh century. . On the centre of aplain Greek cross is laid the figure of a deadLamb. As far as I can learn, the conceptionis unique. The drooping head and the bentlegs of the victim tell of death with eloquentforce ; and under this limited aspect it isperhaps allowable to present for contempla-tion the dead Christ. No one, I think, canregard It without feeling https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-architecture-by-some-english-sculptorof-the-ninth-or-tenth-century-but-the-designis-of-a-much-earlier-date-and-may-reasonablybe-referred-to-an-italian-artist-of-the-sixth-orseventh-century-on-the-centre-of-aplain-greek-cross-is-laid-the-figure-of-a-deadlamb-as-far-as-i-can-learn-the-conceptionis-unique-the-drooping-head-and-the-bentlegs-of-the-victim-tell-of-death-with-eloquentforce-and-under-this-limited-aspect-it-isperhaps-allowable-to-present-for-contempla-tion-the-dead-christ-no-one-i-think-canregard-it-without-feeling-image374882986.html
. La Roma sotterranea cristiana . tanto sono essi quivi numerosi e di forme sì grandi. Cia-scuna stanza ne ha regolarmente tre. mentre nelle altre parti che abbiamo esa-minato siffatta norma non era divenuta ancora al tutto generale. Ma ivi sopratuttoferisce gli occhi la larghezza della strada centrale, che nasce dalla scala, e lam- 28piezza sproporzionata dei lucernai. La grandiosità ancora dei cubicoli sorpassa leproporzioni, che hanno quelli delle altre parti. Troppo poco possiamo penetrare negli ambulacri circostanti alla scala D fi, iquali occupano unarea contigua a quella, di cui ora abb
. La Roma sotterranea cristiana . tanto sono essi quivi numerosi e di forme sì grandi. Cia-scuna stanza ne ha regolarmente tre. mentre nelle altre parti che abbiamo esa-minato siffatta norma non era divenuta ancora al tutto generale. Ma ivi sopratuttoferisce gli occhi la larghezza della strada centrale, che nasce dalla scala, e lam- 28piezza sproporzionata dei lucernai. La grandiosità ancora dei cubicoli sorpassa leproporzioni, che hanno quelli delle altre parti. Troppo poco possiamo penetrare negli ambulacri circostanti alla scala D fi, iquali occupano unarea contigua a quella, di cui ora abb https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-roma-sotterranea-cristiana-tanto-sono-essi-quivi-numerosi-e-di-forme-s-grandi-cia-scuna-stanza-ne-ha-regolarmente-tre-mentre-nelle-altre-parti-che-abbiamo-esa-minato-siffatta-norma-non-era-divenuta-ancora-al-tutto-generale-ma-ivi-sopratuttoferisce-gli-occhi-la-larghezza-della-strada-centrale-che-nasce-dalla-scala-e-lam-28piezza-sproporzionata-dei-lucernai-la-grandiosit-ancora-dei-cubicoli-sorpassa-leproporzioni-che-hanno-quelli-delle-altre-parti-troppo-poco-possiamo-penetrare-negli-ambulacri-circostanti-alla-scala-d-fi-iquali-occupano-unarea-contigua-a-quella-di-cui-ora-abb-image372312835.html
. Hieroglyphica, of, Merkbeelden der oude volkeren : namentlyk Egyptenaren, Chaldeeuwen, Feniciers, Joden, Grieken, Romeynen, enz. : nevens een omstandig bericht van het verval en voortkruypende verbastering der godsdiensten door verscheyde eeuwen : en eyndelyk de hervorming, tot op deze tyden toe vervolgt : In LXIII. hoofdstukken, en zoo veele kopere print-blaaden .
. Hieroglyphica, of, Merkbeelden der oude volkeren : namentlyk Egyptenaren, Chaldeeuwen, Feniciers, Joden, Grieken, Romeynen, enz. : nevens een omstandig bericht van het verval en voortkruypende verbastering der godsdiensten door verscheyde eeuwen : en eyndelyk de hervorming, tot op deze tyden toe vervolgt : In LXIII. hoofdstukken, en zoo veele kopere print-blaaden . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hieroglyphica-of-merkbeelden-der-oude-volkeren-namentlyk-egyptenaren-chaldeeuwen-feniciers-joden-grieken-romeynen-enz-nevens-een-omstandig-bericht-van-het-verval-en-voortkruypende-verbastering-der-godsdiensten-door-verscheyde-eeuwen-en-eyndelyk-de-hervorming-tot-op-deze-tyden-toe-vervolgt-in-lxiii-hoofdstukken-en-zoo-veele-kopere-print-blaaden-image375345136.html
. Report of the geological exploration of the fortieth parallel . successively lower terraces,indicating a gradual recession of the waters down to the present level of thelake. This recession is obviously due to the excess of evaporation over theinflowing rivers. On the subject of the outlet Gilbert has the honor ofdiscovery and priority in announcement.! He stated in a communication tothe Philosophical Society of Washington, January 13,1877, that Red RockPass, near Oxford, Idaho, gave exit to the former overflow of Lake Bonne-ville, and at the same time mentioned a slight post-Glacial movemen
. Report of the geological exploration of the fortieth parallel . successively lower terraces,indicating a gradual recession of the waters down to the present level of thelake. This recession is obviously due to the excess of evaporation over theinflowing rivers. On the subject of the outlet Gilbert has the honor ofdiscovery and priority in announcement.! He stated in a communication tothe Philosophical Society of Washington, January 13,1877, that Red RockPass, near Oxford, Idaho, gave exit to the former overflow of Lake Bonne-ville, and at the same time mentioned a slight post-Glacial movemen https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-successively-lower-terracesindicating-a-gradual-recession-of-the-waters-down-to-the-present-level-of-thelake-this-recession-is-obviously-due-to-the-excess-of-evaporation-over-theinflowing-rivers-on-the-subject-of-the-outlet-gilbert-has-the-honor-ofdiscovery-and-priority-in-announcement!-he-stated-in-a-communication-tothe-philosophical-society-of-washington-january-131877-that-red-rockpass-near-oxford-idaho-gave-exit-to-the-former-overflow-of-lake-bonne-ville-and-at-the-same-time-mentioned-a-slight-post-glacial-movemen-image374881805.html
The gardener's magazine and register of rural & domestic improvement . Fig. 28. Ladder for thinning Grapes. Fig. 29. Section of the horixontal Rodof the Sliding Ladder. ..^ ^ Inj%. 28., a a represents a f-inch iron rod, which reaches fromone end of the vinery to the other, suspended about 2 ft. fromthe rafters by iron rods ^-v,^,^^ J J, h, which rods have ^^^ turned up ends to supportthe horizontal rod in themanner shown in the sec-tions, ^^5. 29. and 30. ; c,irons to hang on the rod tosupport the ladder, alsoshown in the section at c ;d, the ladder; e, the rafter;f, part of the sill of thefro
The gardener's magazine and register of rural & domestic improvement . Fig. 28. Ladder for thinning Grapes. Fig. 29. Section of the horixontal Rodof the Sliding Ladder. ..^ ^ Inj%. 28., a a represents a f-inch iron rod, which reaches fromone end of the vinery to the other, suspended about 2 ft. fromthe rafters by iron rods ^-v,^,^^ J J, h, which rods have ^^^ turned up ends to supportthe horizontal rod in themanner shown in the sec-tions, ^^5. 29. and 30. ; c,irons to hang on the rod tosupport the ladder, alsoshown in the section at c ;d, the ladder; e, the rafter;f, part of the sill of thefro https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-gardeners-magazine-and-register-of-rural-domestic-improvement-fig-28-ladder-for-thinning-grapes-fig-29-section-of-the-horixontal-rodof-the-sliding-ladder-inj-28-a-a-represents-a-f-inch-iron-rod-which-reaches-fromone-end-of-the-vinery-to-the-other-suspended-about-2-ft-fromthe-rafters-by-iron-rods-v-j-j-h-which-rods-have-turned-up-ends-to-supportthe-horizontal-rod-in-themanner-shown-in-the-sec-tions-5-29-and-30-cirons-to-hang-on-the-rod-tosupport-the-ladder-alsoshown-in-the-section-at-c-d-the-ladder-e-the-rafterf-part-of-the-sill-of-thefro-image340083222.html
. Symbolism of animals and birds represented in English church architecture .
. Symbolism of animals and birds represented in English church architecture . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-church-architecture-image375092878.html
The grotesque in church art . ned animal with the hinderparts of a horse ; indeed there appears everywhere so multi-farious and so wonderful a variety of diverse forms that oneis more apt to con over the sculptures than to study thescriptures, to occupy the whole day in wondering at thesethan in meditating upon Gods law. It has now to be observed how far the symbolic fanciesof ancient beliefs have left their impress on the grotesque artof our churches. A common representation of the great sun-myth was thatof two eagles, or dragons, watching one at each side of an altar.These were the powers of
The grotesque in church art . ned animal with the hinderparts of a horse ; indeed there appears everywhere so multi-farious and so wonderful a variety of diverse forms that oneis more apt to con over the sculptures than to study thescriptures, to occupy the whole day in wondering at thesethan in meditating upon Gods law. It has now to be observed how far the symbolic fanciesof ancient beliefs have left their impress on the grotesque artof our churches. A common representation of the great sun-myth was thatof two eagles, or dragons, watching one at each side of an altar.These were the powers of https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-ned-animal-with-the-hinderparts-of-a-horse-indeed-there-appears-everywhere-so-multi-farious-and-so-wonderful-a-variety-of-diverse-forms-that-oneis-more-apt-to-con-over-the-sculptures-than-to-study-thescriptures-to-occupy-the-whole-day-in-wondering-at-thesethan-in-meditating-upon-gods-law-it-has-now-to-be-observed-how-far-the-symbolic-fanciesof-ancient-beliefs-have-left-their-impress-on-the-grotesque-artof-our-churches-a-common-representation-of-the-great-sun-myth-was-thatof-two-eagles-or-dragons-watching-one-at-each-side-of-an-altarthese-were-the-powers-of-image340054476.html
. Symbolism of animals and birds represented in English church architecture . ENGLISH CHURCH ARCHITECTURE when we deal with the symbolism of thefish, these miracles are a type of the HolyEucharist. The Jews, though not lovers of Nature ingeneral, were lovers of their flocks, as manyreferences to sheep in the Psalms will prove.The chosen people were Gods flock (Ps.Ixxvii. 20, Ixxiv. 1, Ixxix. 14). Many otherexamples might be given from the Old Tes-tament generally, as well as from the Psalms.Ps. xxiii. testifies to the particular care of theShepherd for his flock. Is. xl. 11 speaks ofGods care
. Symbolism of animals and birds represented in English church architecture . ENGLISH CHURCH ARCHITECTURE when we deal with the symbolism of thefish, these miracles are a type of the HolyEucharist. The Jews, though not lovers of Nature ingeneral, were lovers of their flocks, as manyreferences to sheep in the Psalms will prove.The chosen people were Gods flock (Ps.Ixxvii. 20, Ixxiv. 1, Ixxix. 14). Many otherexamples might be given from the Old Tes-tament generally, as well as from the Psalms.Ps. xxiii. testifies to the particular care of theShepherd for his flock. Is. xl. 11 speaks ofGods care https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-church-architecture-english-church-architecture-when-we-deal-with-the-symbolism-of-thefish-these-miracles-are-a-type-of-the-holyeucharist-the-jews-though-not-lovers-of-nature-ingeneral-were-lovers-of-their-flocks-as-manyreferences-to-sheep-in-the-psalms-will-provethe-chosen-people-were-gods-flock-psixxvii-20-ixxiv-1-ixxix-14-many-otherexamples-might-be-given-from-the-old-tes-tament-generally-as-well-as-from-the-psalmsps-xxiii-testifies-to-the-particular-care-of-theshepherd-for-his-flock-is-xl-11-speaks-ofgods-care-image375101224.html
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. i,quam lauti/Tima impiorumlagina pinguefccre.Contra vim, arma,& minas mundi ex facrarioDeipctitgladiumSpiritus. GladiusiseftpromiiTioprotedionis.Gladiusis cft certa fidespotentiaf diuince valentis, &:voluntatis promte vo-lentisfuosdefendere. Gladius iseftconlideratio tot exemplorum deinfignibusliberationibusverboDci propofitorum. Neq; vcro fide-lcsDcusautdeftituitauttcntaripatiiurvItravireSjvltraquamfuftinc-rcpoffint; fed opportuneiuuat, ficutipfeinquir: Sperauitinm
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. i,quam lauti/Tima impiorumlagina pinguefccre.Contra vim, arma,& minas mundi ex facrarioDeipctitgladiumSpiritus. GladiusiseftpromiiTioprotedionis.Gladiusis cft certa fidespotentiaf diuince valentis, &:voluntatis promte vo-lentisfuosdefendere. Gladius iseftconlideratio tot exemplorum deinfignibusliberationibusverboDci propofitorum. Neq; vcro fide-lcsDcusautdeftituitauttcntaripatiiurvItravireSjvltraquamfuftinc-rcpoffint; fed opportuneiuuat, ficutipfeinquir: Sperauitinm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/david-virtvtis-exercitatissimae-probatum-deo-spectaculum-ex-dauidis-pastoris-militis-ducis-exsulis-ac-prophetae-exemplis-iquam-lautitima-impiorumlagina-pinguefccrecontra-vim-arma-minas-mundi-ex-facrariodeipctitgladiumspiritus-gladiusiseftpromiitioprotedionisgladiusis-cft-certa-fidespotentiaf-diuince-valentis-voluntatis-promte-vo-lentisfuosdefendere-gladius-iseftconlideratio-tot-exemplorum-deinfignibusliberationibusverbodci-propofitorum-neq-vcro-fide-lcsdcusautdeftituitauttcntaripatiiurvitraviresjvltraquamfuftinc-rcpoffint-fed-opportuneiuuat-ficutipfeinquir-sperauitinm-image370450516.html
The grotesque in church art . 9« THE GROTESQUE IN CHURCH ART. is, however, no doubt as to the carving here presented. Itmay represent the consecration of a bishop. The presence ofSatan dominating both the individuals, and pulling forward. HYPOCRISY, NEW COLLEGE, OXFORD. the cowl of the seated figure, appears to declare that this isto illustrate the vice of Hypocrisy. It is at New College,Oxford. Hlc anfc tbe Hle^wtfe.
The grotesque in church art . 9« THE GROTESQUE IN CHURCH ART. is, however, no doubt as to the carving here presented. Itmay represent the consecration of a bishop. The presence ofSatan dominating both the individuals, and pulling forward. HYPOCRISY, NEW COLLEGE, OXFORD. the cowl of the seated figure, appears to declare that this isto illustrate the vice of Hypocrisy. It is at New College,Oxford. Hlc anfc tbe Hle^wtfe. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-9-the-grotesque-in-church-art-is-however-no-doubt-as-to-the-carving-here-presented-itmay-represent-the-consecration-of-a-bishop-the-presence-ofsatan-dominating-both-the-individuals-and-pulling-forward-hypocrisy-new-college-oxford-the-cowl-of-the-seated-figure-appears-to-declare-that-this-isto-illustrate-the-vice-of-hypocrisy-it-is-at-new-collegeoxford-hlc-anfc-tbe-hlewtfe-image340034435.html
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. jdifceani-mosfrenaretuos:difcehumilitatemac modcftiam fequi:difceambiti-onemodifre& fugere:vtq;id queaSjdifceprimumbcnerogitare, quatetrafitha?cpcftis,afpicicnsexcmplaAtrei&Thyeftis,Eteoclis&Po-lynicis,Romuli&Remi,&horum immania& parricidaliafacinoraexambitione&acmulationeortatibipropone. Neq; talesflammasintcforteanimaduerfasaleautfoue, fed mandatisDci exftingue, &excm-plis mclioribusad modcftiamcontrariam te aflucfacito,flc{^tito, com-ponito. Harc modeftia & hic a
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. jdifceani-mosfrenaretuos:difcehumilitatemac modcftiam fequi:difceambiti-onemodifre& fugere:vtq;id queaSjdifceprimumbcnerogitare, quatetrafitha?cpcftis,afpicicnsexcmplaAtrei&Thyeftis,Eteoclis&Po-lynicis,Romuli&Remi,&horum immania& parricidaliafacinoraexambitione&acmulationeortatibipropone. Neq; talesflammasintcforteanimaduerfasaleautfoue, fed mandatisDci exftingue, &excm-plis mclioribusad modcftiamcontrariam te aflucfacito,flc{^tito, com-ponito. Harc modeftia & hic a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/david-virtvtis-exercitatissimae-probatum-deo-spectaculum-ex-dauidis-pastoris-militis-ducis-exsulis-ac-prophetae-exemplis-jdifceani-mosfrenaretuosdifcehumilitatemac-modcftiam-fequidifceambiti-onemodifre-fugerevtqid-queasjdifceprimumbcnerogitare-quatetrafithacpcftisafpicicnsexcmplaatreithyeftiseteoclispo-lynicisromuliremihorum-immania-parricidaliafacinoraexambitioneacmulationeortatibipropone-neq-talesflammasintcforteanimaduerfasaleautfoue-fed-mandatisdci-exftingue-excm-plis-mclioribusad-modcftiamcontrariam-te-aflucfacitoflctito-com-ponito-harc-modeftia-hic-a-image370450284.html
The grotesque in church art . FOLIATE MASK, DORCHESTER, OXON. 16 122 THE GROTESQUE IN CHURCH ART. mask which every player in the ancient drama wore, displayedas an ornament with laurel, bay, oak, ivy, or what not, insertedin the mouth, because it was pierced for speaking through, and the only aperture in whichthe decorative branches could beinserted. Or seeds might germ-inate in sculptured masks and sohave suggested the idea. Maskswere hung in vineyards, etc. A mask above the internaltower-doorway in the Lady Chapelof Dorchester Abbey has a closeresemblance to the classic mask in the protrudin
The grotesque in church art . FOLIATE MASK, DORCHESTER, OXON. 16 122 THE GROTESQUE IN CHURCH ART. mask which every player in the ancient drama wore, displayedas an ornament with laurel, bay, oak, ivy, or what not, insertedin the mouth, because it was pierced for speaking through, and the only aperture in whichthe decorative branches could beinserted. Or seeds might germ-inate in sculptured masks and sohave suggested the idea. Maskswere hung in vineyards, etc. A mask above the internaltower-doorway in the Lady Chapelof Dorchester Abbey has a closeresemblance to the classic mask in the protrudin https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-foliate-mask-dorchester-oxon-16-122-the-grotesque-in-church-art-mask-which-every-player-in-the-ancient-drama-wore-displayedas-an-ornament-with-laurel-bay-oak-ivy-or-what-not-insertedin-the-mouth-because-it-was-pierced-for-speaking-through-and-the-only-aperture-in-whichthe-decorative-branches-could-beinserted-or-seeds-might-germ-inate-in-sculptured-masks-and-sohave-suggested-the-idea-maskswere-hung-in-vineyards-etc-a-mask-above-the-internaltower-doorway-in-the-lady-chapelof-dorchester-abbey-has-a-closeresemblance-to-the-classic-mask-in-the-protrudin-image340026980.html
Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . loro ,che come miei Superiori humilmente riuerifco, intraprendere i loro com-mandi ne fono flato coftretto. Hauendo prefo ^nimo per ciò fare dallhauerben conofciuto nel progreflb della mia traslatione, che fra laltre virtùfenza numero, che in quel grandEroe deirEmincntifUmo Cardinal Ma-zarini fuo degno Zio fi ritrouauano , vna fra laltre fi era di volentieri ag-gradire di ciascheduno i feruigij benché piccioli fi foflero. A V.E. dunquelamia traslatione prefumo dedicare ,fermamente fperand
Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . loro ,che come miei Superiori humilmente riuerifco, intraprendere i loro com-mandi ne fono flato coftretto. Hauendo prefo ^nimo per ciò fare dallhauerben conofciuto nel progreflb della mia traslatione, che fra laltre virtùfenza numero, che in quel grandEroe deirEmincntifUmo Cardinal Ma-zarini fuo degno Zio fi ritrouauano , vna fra laltre fi era di volentieri ag-gradire di ciascheduno i feruigij benché piccioli fi foflero. A V.E. dunquelamia traslatione prefumo dedicare ,fermamente fperand https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pompa-funebre-nellesequie-celebrate-in-roma-al-cardinal-mazarini-nella-chiesa-de-ssvincenzo-anastasio-loro-che-come-miei-superiori-humilmente-riuerifco-intraprendere-i-loro-com-mandi-ne-fono-flato-coftretto-hauendo-prefo-nimo-per-ci-fare-dallhauerben-conofciuto-nel-progreflb-della-mia-traslatione-che-fra-laltre-virtfenza-numero-che-in-quel-granderoe-deiremincntifumo-cardinal-ma-zarini-fuo-degno-zio-fi-ritrouauano-vna-fra-laltre-fi-era-di-volentieri-ag-gradire-di-ciascheduno-i-feruigij-bench-piccioli-fi-foflero-a-ve-dunquelamia-traslatione-prefumo-dedicare-fermamente-fperand-image339302990.html
. Report of the geological exploration of the fortieth parallel . Scale 13 /•;</ /. Fit/ 9 Fig »_
. Report of the geological exploration of the fortieth parallel . Scale 13 /•;</ /. Fit/ 9 Fig »_ https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-scale-13-lt-fit-9-fig-image374933977.html
. Symbolism of animals and birds represented in English church architecture . Av»i. Jf
. Symbolism of animals and birds represented in English church architecture . Av»i. Jf https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-church-architecture-avi-jf-image375097827.html
. Report of the geological exploration of the fortieth parallel . r Bergs-, del T T T—• r» T^ T^ r^ r ■D-MTO ■DimATTC; ■M=T>c3h ■/ PL^TE XIV. ODONTOENITHES. Tibia of Hesperornis regalis Marsh. Natural Size. Pfig*- Fio. 1.—Left tibia; anterior view, - 90 Pig. 2.—^Left tibia; exterior surface, showing fibular ridge, 90 2(t—Proximal end. Fig. 3.—Left tibia; posterior view, - — 90 3a—Distal end. ► F
. Report of the geological exploration of the fortieth parallel . r Bergs-, del T T T—• r» T^ T^ r^ r ■D-MTO ■DimATTC; ■M=T>c3h ■/ PL^TE XIV. ODONTOENITHES. Tibia of Hesperornis regalis Marsh. Natural Size. Pfig*- Fio. 1.—Left tibia; anterior view, - 90 Pig. 2.—^Left tibia; exterior surface, showing fibular ridge, 90 2(t—Proximal end. Fig. 3.—Left tibia; posterior view, - — 90 3a—Distal end. ► F https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-r-bergs-del-t-t-t-r-t-t-r-r-d-mto-dimattc-m=tgtc3h-plte-xiv-odontoenithes-tibia-of-hesperornis-regalis-marsh-natural-size-pfig-fio-1left-tibia-anterior-view-90-pig-2left-tibia-exterior-surface-showing-fibular-ridge-90-2tproximal-end-fig-3left-tibia-posterior-view-90-3adistal-end-f-image374900347.html
. Die Wandmosaiken von Ravenna. #^&#®^ Mosaiken aus 5. ApoHinare nuovo.TAB. W.. Das Kreuz des Märtyrers aus dem Mausoleum der Galla Placidia.
. Die Wandmosaiken von Ravenna. #^&#®^ Mosaiken aus 5. ApoHinare nuovo.TAB. W.. Das Kreuz des Märtyrers aus dem Mausoleum der Galla Placidia. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/die-wandmosaiken-von-ravenna-mosaiken-aus-5-apohinare-nuovotab-w-das-kreuz-des-mrtyrers-aus-dem-mausoleum-der-galla-placidia-image370506786.html
. Symbolism of animals and birds represented in English church architecture . 476
. Symbolism of animals and birds represented in English church architecture . 476 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-church-architecture-476-image375095192.html
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. ublice tcftatamvocationcm.Hscpictas^lIius^hsecfandtamodeftiafuit, quac &:Deo&hominibuscarum ipium tatiebat. J0 VlRTynS tKEKClT ATIBSI StM Igitur hocfitjVtDeotriaturumexitumrebus Dauidisprorpicl»cientc , primumpopulusomniscongregatusin vnoloco, communidecreto regem ipfum optet: Et prxterea, vt lcnes, confiliarij bi. proce-rcsregnitotiusvnacumpopulohuncrcgem confentientes cclebrile-gationeregnumipfiofferant. Vfq^adeo licetconliliaDci ad tcmpusimpediathominumimprobitas
. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. ublice tcftatamvocationcm.Hscpictas^lIius^hsecfandtamodeftiafuit, quac &:Deo&hominibuscarum ipium tatiebat. J0 VlRTynS tKEKClT ATIBSI StM Igitur hocfitjVtDeotriaturumexitumrebus Dauidisprorpicl»cientc , primumpopulusomniscongregatusin vnoloco, communidecreto regem ipfum optet: Et prxterea, vt lcnes, confiliarij bi. proce-rcsregnitotiusvnacumpopulohuncrcgem confentientes cclebrile-gationeregnumipfiofferant. Vfq^adeo licetconliliaDci ad tcmpusimpediathominumimprobitas https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/david-virtvtis-exercitatissimae-probatum-deo-spectaculum-ex-dauidis-pastoris-militis-ducis-exsulis-ac-prophetae-exemplis-ublice-tcftatamvocationcmhscpictasliiushsecfandtamodeftiafuit-quac-deohominibuscarum-ipium-tatiebat-j0-vlrtyns-tkekclt-atibsi-stm-igitur-hocfitjvtdeotriaturumexitumrebus-dauidisprorpiclcientc-primumpopulusomniscongregatusin-vnoloco-communidecreto-regem-ipfum-optet-et-prxterea-vt-lcnes-confiliarij-bi-proce-rcsregnitotiusvnacumpopulohuncrcgem-confentientes-cclebrile-gationeregnumipfiofferant-vfqadeo-licetconliliadci-ad-tcmpusimpediathominumimprobitas-image370449245.html
. A voyage to the river Sierra-Leone, on the coast of Africa; containing an account of the trade and productions of the country, and of the civil and religious customs and manners of the people; in a series of letters to a friend in England . y;for {hould any intercourfe between thefexes be difcovered, during the continuanceof this ceremony, the woman would be- H 4 come ,04 LETTER VI. come infamous, and the man be liable to afevere punifhment. A woman alfo, when fhe fuppofes herhufband negleds her, has the privilege ofputting his favourite miftrefs into mourning.When this, however, happens, af
. A voyage to the river Sierra-Leone, on the coast of Africa; containing an account of the trade and productions of the country, and of the civil and religious customs and manners of the people; in a series of letters to a friend in England . y;for {hould any intercourfe between thefexes be difcovered, during the continuanceof this ceremony, the woman would be- H 4 come ,04 LETTER VI. come infamous, and the man be liable to afevere punifhment. A woman alfo, when fhe fuppofes herhufband negleds her, has the privilege ofputting his favourite miftrefs into mourning.When this, however, happens, af https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-voyage-to-the-river-sierra-leone-on-the-coast-of-africa-containing-an-account-of-the-trade-and-productions-of-the-country-and-of-the-civil-and-religious-customs-and-manners-of-the-people-in-a-series-of-letters-to-a-friend-in-england-yfor-hould-any-intercourfe-between-thefexes-be-difcovered-during-the-continuanceof-this-ceremony-the-woman-would-be-h-4-come-04-letter-vi-come-infamous-and-the-man-be-liable-to-afevere-punifhment-a-woman-alfo-when-fhe-fuppofes-herhufband-negleds-her-has-the-privilege-ofputting-his-favourite-miftrefs-into-mourningwhen-this-however-happens-af-image370021437.html
The grotesque in church art . MUSICAL CENTAUK, ELY. she is playing the zither. This is of the fourteenth century.Another classic conception which has been perpetuated in Gothic is the harpy, thoughin most cases without anyapparent recognition of theharpy character. Exceptionsare such instances as that ofthe harpy drawn in the chapterSatires without Satan. Inone at Winchester a finemediaeval effect is producedby putting a hood on thehm.v u.ncmfster. human head.. COMPOUND FORMS. 167
The grotesque in church art . MUSICAL CENTAUK, ELY. she is playing the zither. This is of the fourteenth century.Another classic conception which has been perpetuated in Gothic is the harpy, thoughin most cases without anyapparent recognition of theharpy character. Exceptionsare such instances as that ofthe harpy drawn in the chapterSatires without Satan. Inone at Winchester a finemediaeval effect is producedby putting a hood on thehm.v u.ncmfster. human head.. COMPOUND FORMS. 167 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-musical-centauk-ely-she-is-playing-the-zither-this-is-of-the-fourteenth-centuryanother-classic-conception-which-has-been-perpetuated-in-gothic-is-the-harpy-thoughin-most-cases-without-anyapparent-recognition-of-theharpy-character-exceptionsare-such-instances-as-that-ofthe-harpy-drawn-in-the-chaptersatires-without-satan-inone-at-winchester-a-finemediaeval-effect-is-producedby-putting-a-hood-on-thehmv-uncmfster-human-head-compound-forms-167-image340007542.html
The grotesque in church art . GROTESQUE ON HOKLS IN THE SHELL. THE PALMER FOX EXHIBITING HOLY WATER.NEW COLLEGE, OXFORD. as to an attack upon the occupant of a shell, a man in afashionable dress, piercing a snail as it approaches him. Inmediaeval carvings, as in many of their explanations, it isscarcely a step from the sublime to the ridiculous. One other carving which seems to point to the foregoing MYTHIC ORIGIN OF CHURCH CARVINGS. 59 is at New College, Oxford. It is a genuine grotesque, andmay be a satire upon the more serious works. It represents,seated in the same univalve kind of shell a
The grotesque in church art . GROTESQUE ON HOKLS IN THE SHELL. THE PALMER FOX EXHIBITING HOLY WATER.NEW COLLEGE, OXFORD. as to an attack upon the occupant of a shell, a man in afashionable dress, piercing a snail as it approaches him. Inmediaeval carvings, as in many of their explanations, it isscarcely a step from the sublime to the ridiculous. One other carving which seems to point to the foregoing MYTHIC ORIGIN OF CHURCH CARVINGS. 59 is at New College, Oxford. It is a genuine grotesque, andmay be a satire upon the more serious works. It represents,seated in the same univalve kind of shell a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-grotesque-on-hokls-in-the-shell-the-palmer-fox-exhibiting-holy-waternew-college-oxford-as-to-an-attack-upon-the-occupant-of-a-shell-a-man-in-afashionable-dress-piercing-a-snail-as-it-approaches-him-inmediaeval-carvings-as-in-many-of-their-explanations-it-isscarcely-a-step-from-the-sublime-to-the-ridiculous-one-other-carving-which-seems-to-point-to-the-foregoing-mythic-origin-of-church-carvings-59-is-at-new-college-oxford-it-is-a-genuine-grotesque-andmay-be-a-satire-upon-the-more-serious-works-it-representsseated-in-the-same-univalve-kind-of-shell-a-image340048504.html
. Die Wandmosaiken von Ravenna. coCS X ^.»*i,«Äir?.i -. II Hoilaiiili-s ini. Tab: XL. Kuppelmosaik di-r Palastkapelk- inlalcrmj: l.rustbild des erhöhten Heilandes mitden Erzengeln Raphael, Michael, Gabriel und Uriel und 4 „Engeln des Herrn. Vgl. S. 242, und 214. 239.
. Die Wandmosaiken von Ravenna. coCS X ^.»*i,«Äir?.i -. II Hoilaiiili-s ini. Tab: XL. Kuppelmosaik di-r Palastkapelk- inlalcrmj: l.rustbild des erhöhten Heilandes mitden Erzengeln Raphael, Michael, Gabriel und Uriel und 4 „Engeln des Herrn. Vgl. S. 242, und 214. 239. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/die-wandmosaiken-von-ravenna-cocs-x-iiri-ii-hoilaiiili-s-ini-tab-xl-kuppelmosaik-di-r-palastkapelk-inlalcrmj-lrustbild-des-erhhten-heilandes-mitden-erzengeln-raphael-michael-gabriel-und-uriel-und-4-engeln-des-herrn-vgl-s-242-und-214-239-image370498129.html
Barnabae itinerarium, or Barnabee's journal; . 3 1158 01081 4332 ^ 1 li—^ ^. ^iiJ l-^J. ^^AnvaaiH*^ >&Aava8iH^ ^j:?13dnysoi^ .5»EUNIVER%
Barnabae itinerarium, or Barnabee's journal; . 3 1158 01081 4332 ^ 1 li—^ ^. ^iiJ l-^J. ^^AnvaaiH*^ >&Aava8iH^ ^j:?13dnysoi^ .5»EUNIVER% https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/barnabae-itinerarium-or-barnabees-journal-3-1158-01081-4332-1-li-iij-l-j-anvaaih-gtaava8ih-j13dnysoi-5euniver-image338118940.html
. Symbolism of animals and birds represented in English church architecture . 146 ENGLISH CHURCH ARCHITECTURE thus occupied on a rafter in the roof of oneof the cloisters of Hereford Cathedral. Thehyena is supposed to have in his eye a stone,which, when it is placed under a manstongue, will give him the gift of prophecy.Sometimes this animal imitates the humanvoice, and lures shepherds to their destructionby calling their names at night. J Sir Walter Raleigh in his History of theWorld affirms that the hyena is the offspringof a dog and a cat, and that it came intoexistence first, just after th
. Symbolism of animals and birds represented in English church architecture . 146 ENGLISH CHURCH ARCHITECTURE thus occupied on a rafter in the roof of oneof the cloisters of Hereford Cathedral. Thehyena is supposed to have in his eye a stone,which, when it is placed under a manstongue, will give him the gift of prophecy.Sometimes this animal imitates the humanvoice, and lures shepherds to their destructionby calling their names at night. J Sir Walter Raleigh in his History of theWorld affirms that the hyena is the offspringof a dog and a cat, and that it came intoexistence first, just after th https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-church-architecture-146-english-church-architecture-thus-occupied-on-a-rafter-in-the-roof-of-oneof-the-cloisters-of-hereford-cathedral-thehyena-is-supposed-to-have-in-his-eye-a-stonewhich-when-it-is-placed-under-a-manstongue-will-give-him-the-gift-of-prophecysometimes-this-animal-imitates-the-humanvoice-and-lures-shepherds-to-their-destructionby-calling-their-names-at-night-j-sir-walter-raleigh-in-his-history-of-theworld-affirms-that-the-hyena-is-the-offspringof-a-dog-and-a-cat-and-that-it-came-intoexistence-first-just-after-th-image375104323.html
The grotesque in church art . CHURCH, HAMPSHIRE. of Venus, the drinking horn of Pan, together with manyanother form to be observed in particular works of theancients, is each a definite and perfect example of the faultlessline. Now, to repeat, many—an infinite number—of theornaments of Gothic architecture, and not less the grotesquethan any other description, are likewise composed of the mostbeautiful lines conceivable, either entirely, or combined withlines of abrupt and ungraceful turn that seem to deliberatelyprovoke ones artistic protest; and yet the whole compositionshall, by its curious
The grotesque in church art . CHURCH, HAMPSHIRE. of Venus, the drinking horn of Pan, together with manyanother form to be observed in particular works of theancients, is each a definite and perfect example of the faultlessline. Now, to repeat, many—an infinite number—of theornaments of Gothic architecture, and not less the grotesquethan any other description, are likewise composed of the mostbeautiful lines conceivable, either entirely, or combined withlines of abrupt and ungraceful turn that seem to deliberatelyprovoke ones artistic protest; and yet the whole compositionshall, by its curious https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-church-hampshire-of-venus-the-drinking-horn-of-pan-together-with-manyanother-form-to-be-observed-in-particular-works-of-theancients-is-each-a-definite-and-perfect-example-of-the-faultlessline-now-to-repeat-manyan-infinite-numberof-theornaments-of-gothic-architecture-and-not-less-the-grotesquethan-any-other-description-are-likewise-composed-of-the-mostbeautiful-lines-conceivable-either-entirely-or-combined-withlines-of-abrupt-and-ungraceful-turn-that-seem-to-deliberatelyprovoke-ones-artistic-protest-and-yet-the-whole-compositionshall-by-its-curious-image340055406.html
La Roma sotterranea cristiana . nque fu dalsuo architetto ideata perfettamente esagona con quattro pareti rettilinee, sole capacidi loculi regolari; e con lemiciclo senza loculi di fronte alla porta. — 89 — Siffatta cripta rotonda non è sola della sua specie in questa regione. Procedendoinnanzi per la via P, la troviamo intersecata dalla linea N; e quivi a dritta ed asinistra, ecco altre due cripte 45, hk esagone in pianta, coperte da volta rotonda.La prima ci presenta esattamente il genuino ed originario tipo della rotonda degliEutichii: come dalla pianta e scenografia delineate nella tavola
La Roma sotterranea cristiana . nque fu dalsuo architetto ideata perfettamente esagona con quattro pareti rettilinee, sole capacidi loculi regolari; e con lemiciclo senza loculi di fronte alla porta. — 89 — Siffatta cripta rotonda non è sola della sua specie in questa regione. Procedendoinnanzi per la via P, la troviamo intersecata dalla linea N; e quivi a dritta ed asinistra, ecco altre due cripte 45, hk esagone in pianta, coperte da volta rotonda.La prima ci presenta esattamente il genuino ed originario tipo della rotonda degliEutichii: come dalla pianta e scenografia delineate nella tavola https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-roma-sotterranea-cristiana-nque-fu-dalsuo-architetto-ideata-perfettamente-esagona-con-quattro-pareti-rettilinee-sole-capacidi-loculi-regolari-e-con-lemiciclo-senza-loculi-di-fronte-alla-porta-89-siffatta-cripta-rotonda-non-sola-della-sua-specie-in-questa-regione-procedendoinnanzi-per-la-via-p-la-troviamo-intersecata-dalla-linea-n-e-quivi-a-dritta-ed-asinistra-ecco-altre-due-cripte-45-hk-esagone-in-pianta-coperte-da-volta-rotondala-prima-ci-presenta-esattamente-il-genuino-ed-originario-tipo-della-rotonda-deglieutichii-come-dalla-pianta-e-scenografia-delineate-nella-tavola-image339125291.html
The grotesque in church art . A ROOF SUPPORTER, EVVELME, OXON. t$i (Brofeeque in £jHtrc$ (J&xf* >•<. GOKGONIC MASK. EWKI.ME. 3ntrofcuction. THE more lofty theearlier manifestationsof mans intellect, the morecomplete and immediateseems to have been theiradvancement. That is tosay, where the products ofgenius depend mainly uponthe recognition of greatprinciples and deliberate adherence to them, they are moresatisfying than when success depends upon dexterous manipu-lation of material. What I have in view in this respect inconnection with architecture has its co-relative in language.The sub
The grotesque in church art . A ROOF SUPPORTER, EVVELME, OXON. t$i (Brofeeque in £jHtrc$ (J&xf* >•<. GOKGONIC MASK. EWKI.ME. 3ntrofcuction. THE more lofty theearlier manifestationsof mans intellect, the morecomplete and immediateseems to have been theiradvancement. That is tosay, where the products ofgenius depend mainly uponthe recognition of greatprinciples and deliberate adherence to them, they are moresatisfying than when success depends upon dexterous manipu-lation of material. What I have in view in this respect inconnection with architecture has its co-relative in language.The sub https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-a-roof-supporter-evvelme-oxon-ti-brofeeque-in-jhtrc-jxf-gtlt-gokgonic-mask-ewkime-3ntrofcuction-the-more-lofty-theearlier-manifestationsof-mans-intellect-the-morecomplete-and-immediateseems-to-have-been-theiradvancement-that-is-tosay-where-the-products-ofgenius-depend-mainly-uponthe-recognition-of-greatprinciples-and-deliberate-adherence-to-them-they-are-moresatisfying-than-when-success-depends-upon-dexterous-manipu-lation-of-material-what-i-have-in-view-in-this-respect-inconnection-with-architecture-has-its-co-relative-in-languagethe-sub-image340060352.html
A Vindication of gospel-truth, and refutation of some dangerous errors, in relation to that important question, whether there be promises of the bestowment of special grace, made in Scripture to the unregenerate, on condition of any endeavours, strivings, or doings of theirs whatsoever? .
A Vindication of gospel-truth, and refutation of some dangerous errors, in relation to that important question, whether there be promises of the bestowment of special grace, made in Scripture to the unregenerate, on condition of any endeavours, strivings, or doings of theirs whatsoever? . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-vindication-of-gospel-truth-and-refutation-of-some-dangerous-errors-in-relation-to-that-important-question-whether-there-be-promises-of-the-bestowment-of-special-grace-made-in-scripture-to-the-unregenerate-on-condition-of-any-endeavours-strivings-or-doings-of-theirs-whatsoever-image339235683.html
. Symbolism of animals and birds represented in English architecture .
. Symbolism of animals and birds represented in English architecture . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-architecture-image374876951.html
The gardener's magazine and register of rural & domestic improvement . 60 35 — 23. 69 45 — 23. 61 46 — 24. 65 42 — 24. 68 30 — 25. 60 38 — 25. 64 34 — 26. 55 28 — 26. 62 38 — 27. 63 30 — 27. 61 31 — 28. 63 27 — 28. 62 32 — 29. 62 28 — 29. 60 32 — 30. 64 26 — 30. 60 31 — 31. 65 45 — 31. 60 34 On the 16th of Feb. (1840), the following vines were plantedin the house, viz. Black Hamburg, White Frontignan, Frank-enthal, Royal Muscadine, Muscat of Alexandria, Black Muscat,and Black Cluster. Early in April gentle heat was applied,and the result already proved is very satisfactory. The small pit {fig
The gardener's magazine and register of rural & domestic improvement . 60 35 — 23. 69 45 — 23. 61 46 — 24. 65 42 — 24. 68 30 — 25. 60 38 — 25. 64 34 — 26. 55 28 — 26. 62 38 — 27. 63 30 — 27. 61 31 — 28. 63 27 — 28. 62 32 — 29. 62 28 — 29. 60 32 — 30. 64 26 — 30. 60 31 — 31. 65 45 — 31. 60 34 On the 16th of Feb. (1840), the following vines were plantedin the house, viz. Black Hamburg, White Frontignan, Frank-enthal, Royal Muscadine, Muscat of Alexandria, Black Muscat,and Black Cluster. Early in April gentle heat was applied,and the result already proved is very satisfactory. The small pit {fig https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-gardeners-magazine-and-register-of-rural-domestic-improvement-60-35-23-69-45-23-61-46-24-65-42-24-68-30-25-60-38-25-64-34-26-55-28-26-62-38-27-63-30-27-61-31-28-63-27-28-62-32-29-62-28-29-60-32-30-64-26-30-60-31-31-65-45-31-60-34-on-the-16th-of-feb-1840-the-following-vines-were-plantedin-the-house-viz-black-hamburg-white-frontignan-frank-enthal-royal-muscadine-muscat-of-alexandria-black-muscatand-black-cluster-early-in-april-gentle-heat-was-appliedand-the-result-already-proved-is-very-satisfactory-the-small-pit-fig-image340087473.html
The grotesque in church art . I III- SI- Kl-I- NT, II V. SATANIC REPRESENTATIONS. 75. serpent, whose coils are difficult to distinguish from thefoliage of the tree, has the head of a saturnine Asiatic, who istaking the least possible notice of our first parents, as theystand eating apples and being ashamed, one on each side ofthe composition. A carving in the choir ofChichester Cathedral shews in adouble repetition, one half ofwhich is here shewn, the evilhead with an attempt at thelegendary comeliness, mingledwith debased traits, that is artis-tically very creditable to thesculptor. As though
The grotesque in church art . I III- SI- Kl-I- NT, II V. SATANIC REPRESENTATIONS. 75. serpent, whose coils are difficult to distinguish from thefoliage of the tree, has the head of a saturnine Asiatic, who istaking the least possible notice of our first parents, as theystand eating apples and being ashamed, one on each side ofthe composition. A carving in the choir ofChichester Cathedral shews in adouble repetition, one half ofwhich is here shewn, the evilhead with an attempt at thelegendary comeliness, mingledwith debased traits, that is artis-tically very creditable to thesculptor. As though https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-i-iii-si-kl-i-nt-ii-v-satanic-representations-75-serpent-whose-coils-are-difficult-to-distinguish-from-thefoliage-of-the-tree-has-the-head-of-a-saturnine-asiatic-who-istaking-the-least-possible-notice-of-our-first-parents-as-theystand-eating-apples-and-being-ashamed-one-on-each-side-ofthe-composition-a-carving-in-the-choir-ofchichester-cathedral-shews-in-adouble-repetition-one-half-ofwhich-is-here-shewn-the-evilhead-with-an-attempt-at-thelegendary-comeliness-mingledwith-debased-traits-that-is-artis-tically-very-creditable-to-thesculptor-as-though-image340042018.html
. Musei Leveriani explicatio, anglica et latina . hominis defcripfit ; aliamque fimis Satyri va-rietatem nomine Hominis Troglodytis infignivit; qus tamen iterum et refte infuo loco memoratur, viz. in genere fimiarum. Species quoque de qua jam lo-quimur eandem fubiit generis mutationcm, femel nempe a Linnaso defcriptaeft titulo Hominis Laris. Depinxit earn Buffonus, ut plerumque cernitur, higram. Speciem hanc pras-cjpue diftinguit immenfa bractiiorum longitude, qus ad humum pertingunt, cumerefta fteterit. Cauda penitus caret; unguefque funt rotundati, ut hominis.Varias Indis Orientals partes in
. Musei Leveriani explicatio, anglica et latina . hominis defcripfit ; aliamque fimis Satyri va-rietatem nomine Hominis Troglodytis infignivit; qus tamen iterum et refte infuo loco memoratur, viz. in genere fimiarum. Species quoque de qua jam lo-quimur eandem fubiit generis mutationcm, femel nempe a Linnaso defcriptaeft titulo Hominis Laris. Depinxit earn Buffonus, ut plerumque cernitur, higram. Speciem hanc pras-cjpue diftinguit immenfa bractiiorum longitude, qus ad humum pertingunt, cumerefta fteterit. Cauda penitus caret; unguefque funt rotundati, ut hominis.Varias Indis Orientals partes in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/musei-leveriani-explicatio-anglica-et-latina-hominis-defcripfit-aliamque-fimis-satyri-va-rietatem-nomine-hominis-troglodytis-infignivit-qus-tamen-iterum-et-refte-infuo-loco-memoratur-viz-in-genere-fimiarum-species-quoque-de-qua-jam-lo-quimur-eandem-fubiit-generis-mutationcm-femel-nempe-a-linnaso-defcriptaeft-titulo-hominis-laris-depinxit-earn-buffonus-ut-plerumque-cernitur-higram-speciem-hanc-pras-cjpue-diftinguit-immenfa-bractiiorum-longitude-qus-ad-humum-pertingunt-cumerefta-fteterit-cauda-penitus-caret-unguefque-funt-rotundati-ut-hominisvarias-indis-orientals-partes-in-image375313205.html
Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . G E F VNEBRE D ELEMINENTISSIME CARDINAL IVLES MAZARIN.. A R O M E, a rimprimeric de la Reu. Chambre Apoftoliquc. M. DC. LXI. Auec permifsion des Superiei^s
Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . G E F VNEBRE D ELEMINENTISSIME CARDINAL IVLES MAZARIN.. A R O M E, a rimprimeric de la Reu. Chambre Apoftoliquc. M. DC. LXI. Auec permifsion des Superiei^s https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pompa-funebre-nellesequie-celebrate-in-roma-al-cardinal-mazarini-nella-chiesa-de-ssvincenzo-anastasio-g-e-f-vnebre-d-eleminentissime-cardinal-ivles-mazarin-a-r-o-m-e-a-rimprimeric-de-la-reu-chambre-apoftoliquc-m-dc-lxi-auec-permifsion-des-superieis-image339305278.html
. Symbolism of animals and birds represented in English architecture . 47b.
. Symbolism of animals and birds represented in English architecture . 47b. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/symbolism-of-animals-and-birds-represented-in-english-architecture-47b-image374877543.html
. Report of the geological exploration of the fortieth parallel . ra Su
. Report of the geological exploration of the fortieth parallel . ra Su https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-ra-su-image374881175.html
. Sacred and legendary art . withdifficulty made out, represent the contention between the deviland the angel for the soul of the Emperor Henry 11., hererepresented because St. Laurence plays a conspicuous part in it.This wild legend is an amusing instance of the stories or para-bles invented by the churchmen of the time, and their obviouspurpose : — ^ One night a certain hermit sat meditating in his solitaryhut, and he heard a sound as of a host of wild men rushingand trampling by; and he opened his window and called out,and demanded who it was that thus disturbed the quiet of hissolitude; an
. Sacred and legendary art . withdifficulty made out, represent the contention between the deviland the angel for the soul of the Emperor Henry 11., hererepresented because St. Laurence plays a conspicuous part in it.This wild legend is an amusing instance of the stories or para-bles invented by the churchmen of the time, and their obviouspurpose : — ^ One night a certain hermit sat meditating in his solitaryhut, and he heard a sound as of a host of wild men rushingand trampling by; and he opened his window and called out,and demanded who it was that thus disturbed the quiet of hissolitude; an https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sacred-and-legendary-art-withdifficulty-made-out-represent-the-contention-between-the-deviland-the-angel-for-the-soul-of-the-emperor-henry-11-hererepresented-because-st-laurence-plays-a-conspicuous-part-in-itthis-wild-legend-is-an-amusing-instance-of-the-stories-or-para-bles-invented-by-the-churchmen-of-the-time-and-their-obviouspurpose-one-night-a-certain-hermit-sat-meditating-in-his-solitaryhut-and-he-heard-a-sound-as-of-a-host-of-wild-men-rushingand-trampling-by-and-he-opened-his-window-and-called-outand-demanded-who-it-was-that-thus-disturbed-the-quiet-of-hissolitude-an-image369843176.html
. Report of the geological exploration of the fortieth parallel . )ression east of the Hum-boldt Range is divided into two valleys, known as Antelope and RubyValleys, separated by a low cross-ridge of limestones and basalts, extending-from S])ruce Mountain in a northwest direction to the Archa?an Ijody of theHumboldt Range. Its highest summit in the region of Spruce ^loimtainbarely rises 600 feet above the valley, Ahile its western end falls away inlow, rounded hills. No fossils were found in the limestone, but there canhe little doubt that it belongs to the Wahsatch limestone. The basalts, i
. Report of the geological exploration of the fortieth parallel . )ression east of the Hum-boldt Range is divided into two valleys, known as Antelope and RubyValleys, separated by a low cross-ridge of limestones and basalts, extending-from S])ruce Mountain in a northwest direction to the Archa?an Ijody of theHumboldt Range. Its highest summit in the region of Spruce ^loimtainbarely rises 600 feet above the valley, Ahile its western end falls away inlow, rounded hills. No fossils were found in the limestone, but there canhe little doubt that it belongs to the Wahsatch limestone. The basalts, i https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-ression-east-of-the-hum-boldt-range-is-divided-into-two-valleys-known-as-antelope-and-rubyvalleys-separated-by-a-low-cross-ridge-of-limestones-and-basalts-extending-from-s-ruce-mountain-in-a-northwest-direction-to-the-archaan-ijody-of-thehumboldt-range-its-highest-summit-in-the-region-of-spruce-loimtainbarely-rises-600-feet-above-the-valley-ahile-its-western-end-falls-away-inlow-rounded-hills-no-fossils-were-found-in-the-limestone-but-there-canhe-little-doubt-that-it-belongs-to-the-wahsatch-limestone-the-basalts-i-image374998841.html
. La Roma sotterranea cristiana . i Eutichiano, noi igno-riamo, se gli fu dato sulla pietra sepolcrale il titolo MAPTTP. S. Cipriano lappellabealissimum marlìjreni (i); il libro pontificale lo dice decapitato sotto Valcriano (2),data storica generalmente rifiutata e attribuita piuttosto allimpero di Gallo. Maessendo Lucio nellindice filocaliano escluso dal feriale dei martiri, il Tillemontcredette piiì verisimile riputarlo morto in esilio od in carcere, che di vero e perfettomartirio (3). La ragione di questa sentenza, secondo che ho spiegato nei prolegomeni,non è decisiva; ed anche ilMiinler
. La Roma sotterranea cristiana . i Eutichiano, noi igno-riamo, se gli fu dato sulla pietra sepolcrale il titolo MAPTTP. S. Cipriano lappellabealissimum marlìjreni (i); il libro pontificale lo dice decapitato sotto Valcriano (2),data storica generalmente rifiutata e attribuita piuttosto allimpero di Gallo. Maessendo Lucio nellindice filocaliano escluso dal feriale dei martiri, il Tillemontcredette piiì verisimile riputarlo morto in esilio od in carcere, che di vero e perfettomartirio (3). La ragione di questa sentenza, secondo che ho spiegato nei prolegomeni,non è decisiva; ed anche ilMiinler https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/la-roma-sotterranea-cristiana-i-eutichiano-noi-igno-riamo-se-gli-fu-dato-sulla-pietra-sepolcrale-il-titolo-mapttp-s-cipriano-lappellabealissimum-marljreni-i-il-libro-pontificale-lo-dice-decapitato-sotto-valcriano-2data-storica-generalmente-rifiutata-e-attribuita-piuttosto-allimpero-di-gallo-maessendo-lucio-nellindice-filocaliano-escluso-dal-feriale-dei-martiri-il-tillemontcredette-pii-verisimile-riputarlo-morto-in-esilio-od-in-carcere-che-di-vero-e-perfettomartirio-3-la-ragione-di-questa-sentenza-secondo-che-ho-spiegato-nei-prolegomeninon-decisiva-ed-anche-ilmiinler-image372317421.html
The grotesque in church art . HYPOCRISY, NEW COLLEGE, OXFORD. the cowl of the seated figure, appears to declare that this isto illustrate the vice of Hypocrisy. It is at New College,Oxford. Hlc anfc tbe Hle^wtfe.. THK JOLLY TAPSTER, LUDLOW. LE, good old ale, has formed theburden of more songs and satiresancient and modern, than will everbe brought together. Ale was thestaple beverage for morning, noon,and evening meals. It is probablethat swollen as is the beer portionof the Budget, the consumption ofale, man for man, is much less thanthat of any mediaeval time. Therecords of all the authorita
The grotesque in church art . HYPOCRISY, NEW COLLEGE, OXFORD. the cowl of the seated figure, appears to declare that this isto illustrate the vice of Hypocrisy. It is at New College,Oxford. Hlc anfc tbe Hle^wtfe.. THK JOLLY TAPSTER, LUDLOW. LE, good old ale, has formed theburden of more songs and satiresancient and modern, than will everbe brought together. Ale was thestaple beverage for morning, noon,and evening meals. It is probablethat swollen as is the beer portionof the Budget, the consumption ofale, man for man, is much less thanthat of any mediaeval time. Therecords of all the authorita https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-hypocrisy-new-college-oxford-the-cowl-of-the-seated-figure-appears-to-declare-that-this-isto-illustrate-the-vice-of-hypocrisy-it-is-at-new-collegeoxford-hlc-anfc-tbe-hlewtfe-thk-jolly-tapster-ludlow-le-good-old-ale-has-formed-theburden-of-more-songs-and-satiresancient-and-modern-than-will-everbe-brought-together-ale-was-thestaple-beverage-for-morning-noonand-evening-meals-it-is-probablethat-swollen-as-is-the-beer-portionof-the-budget-the-consumption-ofale-man-for-man-is-much-less-thanthat-of-any-mediaeval-time-therecords-of-all-the-authorita-image340034348.html
. Report of the geological exploration of the fortieth parallel . )s like mushrooms, formed of Ijeds whicli have more successfully resistederosion.. As already mentioned, this entu-e series is conformable, and dips to thewest, and overlies the White Cloud Peak l)ody of granite, but overlies it U. S- Geol.Ixpl 40Parallel. < or- EAST HUMBOLDT EANGE. 537 in an obscure manner, so that their relation is not clearly made ont; theirposition, howevei, is nneonformal^le. There is reason to believe that the gneiss of Sacred Pass is constantlydescending in the series, so that the lowest members are re
. Report of the geological exploration of the fortieth parallel . )s like mushrooms, formed of Ijeds whicli have more successfully resistederosion.. As already mentioned, this entu-e series is conformable, and dips to thewest, and overlies the White Cloud Peak l)ody of granite, but overlies it U. S- Geol.Ixpl 40Parallel. < or- EAST HUMBOLDT EANGE. 537 in an obscure manner, so that their relation is not clearly made ont; theirposition, howevei, is nneonformal^le. There is reason to believe that the gneiss of Sacred Pass is constantlydescending in the series, so that the lowest members are re https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-s-like-mushrooms-formed-of-ijeds-whicli-have-more-successfully-resistederosion-as-already-mentioned-this-entu-e-series-is-conformable-and-dips-to-thewest-and-overlies-the-white-cloud-peak-lody-of-granite-but-overlies-it-u-s-geolixpl-40parallel-lt-or-east-humboldt-eange-537-in-an-obscure-manner-so-that-their-relation-is-not-clearly-made-ont-theirposition-howevei-is-nneonformalle-there-is-reason-to-believe-that-the-gneiss-of-sacred-pass-is-constantlydescending-in-the-series-so-that-the-lowest-members-are-re-image374998878.html
The grotesque in church art . ellence of theartistic management, which in the treatment of the mostunpromising subjects filled the composition with beautifullines. It was left to Hogarths genius to insist on the realityof the line of beauty as governing all loveliness, and hesuggests that a perceptive recognition of this existed on thepart of the classic sculptors. This applies to their work ingeneral, but he also mentions their frequent addition of some ARTISTIC QUALITY OF CHURCH GROTESQUES. 21 curved object connected with the subject, as though it were akind of key to the artistic compositio
The grotesque in church art . ellence of theartistic management, which in the treatment of the mostunpromising subjects filled the composition with beautifullines. It was left to Hogarths genius to insist on the realityof the line of beauty as governing all loveliness, and hesuggests that a perceptive recognition of this existed on thepart of the classic sculptors. This applies to their work ingeneral, but he also mentions their frequent addition of some ARTISTIC QUALITY OF CHURCH GROTESQUES. 21 curved object connected with the subject, as though it were akind of key to the artistic compositio https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-grotesque-in-church-art-ellence-of-theartistic-management-which-in-the-treatment-of-the-mostunpromising-subjects-filled-the-composition-with-beautifullines-it-was-left-to-hogarths-genius-to-insist-on-the-realityof-the-line-of-beauty-as-governing-all-loveliness-and-hesuggests-that-a-perceptive-recognition-of-this-existed-on-thepart-of-the-classic-sculptors-this-applies-to-their-work-ingeneral-but-he-also-mentions-their-frequent-addition-of-some-artistic-quality-of-church-grotesques-21-curved-object-connected-with-the-subject-as-though-it-were-akind-of-key-to-the-artistic-compositio-image340055964.html
The gardener's magazine and register of rural & domestic improvement . t;but it has been hollowed out in some places, and raised in others,under the direction of the architect, Beranger, so as to exhibitsome variety. The house is small, and, in point of architecture,is without merit. The kitchen-garden is large, and contains arange of 600 ft. of hothouses, and about as many feet in lengthof frames and pits. Every luxury that a kitchen-garden canproduce is raised in quantities, in season and out of season. Anornamental garden building contains a beautiful steam-engine,the machinery of which is
The gardener's magazine and register of rural & domestic improvement . t;but it has been hollowed out in some places, and raised in others,under the direction of the architect, Beranger, so as to exhibitsome variety. The house is small, and, in point of architecture,is without merit. The kitchen-garden is large, and contains arange of 600 ft. of hothouses, and about as many feet in lengthof frames and pits. Every luxury that a kitchen-garden canproduce is raised in quantities, in season and out of season. Anornamental garden building contains a beautiful steam-engine,the machinery of which is https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-gardeners-magazine-and-register-of-rural-domestic-improvement-tbut-it-has-been-hollowed-out-in-some-places-and-raised-in-othersunder-the-direction-of-the-architect-beranger-so-as-to-exhibitsome-variety-the-house-is-small-and-in-point-of-architectureis-without-merit-the-kitchen-garden-is-large-and-contains-arange-of-600-ft-of-hothouses-and-about-as-many-feet-in-lengthof-frames-and-pits-every-luxury-that-a-kitchen-garden-canproduce-is-raised-in-quantities-in-season-and-out-of-season-anornamental-garden-building-contains-a-beautiful-steam-enginethe-machinery-of-which-is-image340077500.html
. Sacred and legendary art . bound to a column ; andall her beautiful teeth were pulled out, one by one, with apair of pincers; then a fire was kindled, and as she persistedin the faith, she was flung into it, and gave up her soul toGod, being carried into heaven by His angels. The cautious Baillet admits that the Virgin Apollonia wasput to death in a tumult of the people against the Christians,and that ils lui casserent dabord toutes les dents par descoups horribles. But the above is the legend followed bythe painters. St. Apollonia is represented with the palm as martyr, and ST. APOLLONIA 56
. Sacred and legendary art . bound to a column ; andall her beautiful teeth were pulled out, one by one, with apair of pincers; then a fire was kindled, and as she persistedin the faith, she was flung into it, and gave up her soul toGod, being carried into heaven by His angels. The cautious Baillet admits that the Virgin Apollonia wasput to death in a tumult of the people against the Christians,and that ils lui casserent dabord toutes les dents par descoups horribles. But the above is the legend followed bythe painters. St. Apollonia is represented with the palm as martyr, and ST. APOLLONIA 56 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sacred-and-legendary-art-bound-to-a-column-andall-her-beautiful-teeth-were-pulled-out-one-by-one-with-apair-of-pincers-then-a-fire-was-kindled-and-as-she-persistedin-the-faith-she-was-flung-into-it-and-gave-up-her-soul-togod-being-carried-into-heaven-by-his-angels-the-cautious-baillet-admits-that-the-virgin-apollonia-wasput-to-death-in-a-tumult-of-the-people-against-the-christiansand-that-ils-lui-casserent-dabord-toutes-les-dents-par-descoups-horribles-but-the-above-is-the-legend-followed-bythe-painters-st-apollonia-is-represented-with-the-palm-as-martyr-and-st-apollonia-56-image369841881.html
Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . Uh :?i- Pellai. im,oiiQivhozbDclìaiàcaata elreriore d^: -^lì^ hn Non coBilfte Tempre il maggior pregio delle cofc nella vaftagl-indczta di«flc, aìui ih rrtille fórme foucntc miriamo le più pretiófc riftrctrc in pie- - ^ciolgira-difito. La faccia-cfteri ore di qucfta Chiefadcl difegno -del Si*gnor Martittiongofanrofo Architetto, corrifponde propottionatamcìiite al rerto del corpo di eflà, e con vna architettura vcnulla, e comportipafla tràle più bclk della fua sfera. Si vcdeua tutta nel f
Pompa funebre nell'esequie celebrate in Roma al cardinal Mazarini nella chiesa de SSVincenzo & Anastasio . Uh :?i- Pellai. im,oiiQivhozbDclìaiàcaata elreriore d^: -^lì^ hn Non coBilfte Tempre il maggior pregio delle cofc nella vaftagl-indczta di«flc, aìui ih rrtille fórme foucntc miriamo le più pretiófc riftrctrc in pie- - ^ciolgira-difito. La faccia-cfteri ore di qucfta Chiefadcl difegno -del Si*gnor Martittiongofanrofo Architetto, corrifponde propottionatamcìiite al rerto del corpo di eflà, e con vna architettura vcnulla, e comportipafla tràle più bclk della fua sfera. Si vcdeua tutta nel f https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pompa-funebre-nellesequie-celebrate-in-roma-al-cardinal-mazarini-nella-chiesa-de-ssvincenzo-anastasio-uh-i-pellai-imoiiqivhozbdclaicaata-elreriore-d-l-hn-non-cobilfte-tempre-il-maggior-pregio-delle-cofc-nella-vaftagl-indczta-diflc-aui-ih-rrtille-frme-foucntc-miriamo-le-pi-pretifc-riftrctrc-in-pie-ciolgira-difito-la-faccia-cfteri-ore-di-qucfta-chiefadcl-difegno-del-signor-martittiongofanrofo-architetto-corrifponde-propottionatamciite-al-rerto-del-corpo-di-efl-e-con-vna-architettura-vcnulla-e-comportipafla-trle-pi-bclk-della-fua-sfera-si-vcdeua-tutta-nel-f-image339312124.html
. Report of the geological exploration of the fortieth parallel . le, attenuate at base; calyx glandular-pubescent, with unequal lance-linear lobes; corolla 2 long, tubular-funnel-form, the elongated tube 2-3 times longer than the calyx, the lobes broad-ovate, subacute; capsule obtuse, usually 4-G long, shorter than the calyx;otherwise much like the last.—Collected by Bigelow, Fremont, (481, 184G,)and Torrey, (355,) in California, and by Anderson, (268,) in Western Nevada.Much resembling N. noctiflora, of Chili, but the leaves are more attenuate atbase and the corolla-lobes are not at all obco
. Report of the geological exploration of the fortieth parallel . le, attenuate at base; calyx glandular-pubescent, with unequal lance-linear lobes; corolla 2 long, tubular-funnel-form, the elongated tube 2-3 times longer than the calyx, the lobes broad-ovate, subacute; capsule obtuse, usually 4-G long, shorter than the calyx;otherwise much like the last.—Collected by Bigelow, Fremont, (481, 184G,)and Torrey, (355,) in California, and by Anderson, (268,) in Western Nevada.Much resembling N. noctiflora, of Chili, but the leaves are more attenuate atbase and the corolla-lobes are not at all obco https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/report-of-the-geological-exploration-of-the-fortieth-parallel-le-attenuate-at-base-calyx-glandular-pubescent-with-unequal-lance-linear-lobes-corolla-2-long-tubular-funnel-form-the-elongated-tube-2-3-times-longer-than-the-calyx-the-lobes-broad-ovate-subacute-capsule-obtuse-usually-4-g-long-shorter-than-the-calyxotherwise-much-like-the-lastcollected-by-bigelow-fremont-481-184gand-torrey-355-in-california-and-by-anderson-268-in-western-nevadamuch-resembling-n-noctiflora-of-chili-but-the-leaves-are-more-attenuate-atbase-and-the-corolla-lobes-are-not-at-all-obco-image375004977.html
![. David, virtvtis exercitatissimae probatum Deo spectaculum : ex Dauidis pastoris, militis, ducis, exsulis ac prophetae exemplis. aannuit,hofiei» Dummodo promeiitiifitpriusvltafiium.Ajpicequ£niitesfors,qtucontr.:^ftqtiatur Vlitfci cupidos vltio, quam^j^grauis.fatafolentmtescomitari mitia :contraCum tumetaffieruas itlicodetumwt.p,aiida(er»epium.Suulemismul^areprelmfitm O Uut y in obfcuram dum venttilicfpecum.Abfiu:e( jp^e tamen dexiram,patitur^reuertt ]r,(oluwem,a quofe nouerat ipfepeti.Made4nxmi,m.ici opuerinclyte-.flicieremaltnsCadireijUtm dadio iurefauenteqtteas. F VIRTVTIS IXSRCIT ATIS SIMJ - Stock Image](https://c8.alamy.com/comp/2CEKD0F/david-virtvtis-exercitatissimae-probatum-deo-spectaculum-ex-dauidis-pastoris-militis-ducis-exsulis-ac-prophetae-exemplis-aannuithofiei-dummodo-promeiitiifitpriusvltafiiumajpicequniitesforsqtucontrftqtiatur-vlitfci-cupidos-vltio-quamjgrauisfatafolentmtescomitari-mitia-contracum-tumetaffieruas-itlicodetumwtpaiidaerepiumsuulemismulareprelmfitm-o-uut-y-in-obfcuram-dum-venttilicfpecumabfiue-jpe-tamen-dexirampatiturreuertt-roluwema-quofe-nouerat-ipfepetimade4nxmimici-opuerinclyte-flicieremaltnscadireijutm-dadio-iurefauenteqtteas-f-virtvtis-ixsrcit-atis-simj-2CEKD0F.jpg)
![. Report of the geological exploration of the fortieth parallel . )ression east of the Hum-boldt Range is divided into two valleys, known as Antelope and RubyValleys, separated by a low cross-ridge of limestones and basalts, extending-from S])ruce Mountain in a northwest direction to the Archa?an Ijody of theHumboldt Range. Its highest summit in the region of Spruce ^loimtainbarely rises 600 feet above the valley, Ahile its western end falls away inlow, rounded hills. No fossils were found in the limestone, but there canhe little doubt that it belongs to the Wahsatch limestone. The basalts, i - Stock Image](https://c8.alamy.com/comp/2CP2JRN/report-of-the-geological-exploration-of-the-fortieth-parallel-ression-east-of-the-hum-boldt-range-is-divided-into-two-valleys-known-as-antelope-and-rubyvalleys-separated-by-a-low-cross-ridge-of-limestones-and-basalts-extending-from-s-ruce-mountain-in-a-northwest-direction-to-the-archaan-ijody-of-thehumboldt-range-its-highest-summit-in-the-region-of-spruce-loimtainbarely-rises-600-feet-above-the-valley-ahile-its-western-end-falls-away-inlow-rounded-hills-no-fossils-were-found-in-the-limestone-but-there-canhe-little-doubt-that-it-belongs-to-the-wahsatch-limestone-the-basalts-i-2CP2JRN.jpg)
