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![The comedies, histories, tragedies, and poems of William Shakspere . [Thalia.i. [Remains of a Gate at Ephesus.] ACT I. SCENE I.—A Hall in the Dukes Palace. Enter Duke, ^geon, Gaoler, Officers, and other Attendants. ^GE. Proceed, Solinus, to procure my fall, And, by the doom of death, end woes and all.Duke. Merchant of Syracusa, plead no more; I am not partial, to infringe our laws; The enmity and discord, which of late Sprung from the rancorous outrage of your duke To merchants, our well-dealing countrymen,— Who, wanting gilders to redeem their lives. Have seald his rigorous statutes with thei Stock Photo](https://c8.alamy.com/comp/2AJATWC/the-comedies-histories-tragedies-and-poems-of-william-shakspere-thaliai-remains-of-a-gate-at-ephesus-act-i-scene-ia-hall-in-the-dukes-palace-enter-duke-geon-gaoler-officers-and-other-attendants-ge-proceed-solinus-to-procure-my-fall-and-by-the-doom-of-death-end-woes-and-allduke-merchant-of-syracusa-plead-no-more-i-am-not-partial-to-infringe-our-laws-the-enmity-and-discord-which-of-late-sprung-from-the-rancorous-outrage-of-your-duke-to-merchants-our-well-dealing-countrymen-who-wanting-gilders-to-redeem-their-lives-have-seald-his-rigorous-statutes-with-thei-2AJATWC.jpg "The comedies, histories, tragedies, and poems of William Shakspere . [Thalia.i. [Remains of a Gate at Ephesus.] ACT I. SCENE I.—A Hall in the Dukes Palace. Enter Duke, ^geon, Gaoler, Officers, and other Attendants. ^GE. Proceed, Solinus, to procure my fall, And, by the doom of death, end woes and all.Duke. Merchant of Syracusa, plead no more; I am not partial, to infringe our laws; The enmity and discord, which of late Sprung from the rancorous outrage of your duke To merchants, our well-dealing countrymen,— Who, wanting gilders to redeem their lives. Have seald his rigorous statutes with thei Stock Photo")
RM2AJATWC–The comedies, histories, tragedies, and poems of William Shakspere . [Thalia.i. [Remains of a Gate at Ephesus.] ACT I. SCENE I.—A Hall in the Dukes Palace. Enter Duke, ^geon, Gaoler, Officers, and other Attendants. ^GE. Proceed, Solinus, to procure my fall, And, by the doom of death, end woes and all.Duke. Merchant of Syracusa, plead no more; I am not partial, to infringe our laws; The enmity and discord, which of late Sprung from the rancorous outrage of your duke To merchants, our well-dealing countrymen,— Who, wanting gilders to redeem their lives. Have seald his rigorous statutes with thei
RM2AWD9G3–Conférences ecclésiastiques du diocèse d'Angers : tenues dans les années 1709 à 1760 et les suivantes . oitpoint affeder dimiter les traits de certaines perfou- fur Us Commandcmcns de Dieu, l J^j »c$ particulières , ou vivantes , ou mortes , pourJes repréfenter au naturel fous les omemens , oa/bus les titres des Saints. On doit 6ter des Eglifes les Inuges & les figu-res des Saints qui font difformes par leur attitucte ,ou leur fhud>ire , ou leur vctullé. On ne doit pasenfuite sen fervir à dits ufagiis profanes ; maisk la matière en cil de toile, de carton , ou de bois >on doit les briile
![. The comedies, histories, tragedies, and poems of William Shakspere. eds of roses. With a thousand fragrant posies, A cap of flowers, and a kirtle Imbroiderd all with leaves of myrtle; A gown made of the finest wool, Which from our pretty lambs we pull; Slippers lined choicely for the cold; With buckles of the purest gold; A belt of straw and ivy buds. With coral clasps, and amber studs; And if these pleasures may thee move. Then live with me, and be my love. [Thy silver dishes for thy meat. As precious as the gods do eat. Shall on an ivory table be Prepard each day for thee and me.] The shep Stock Photo](https://c8.alamy.com/comp/2AG2J23/the-comedies-histories-tragedies-and-poems-of-william-shakspere-eds-of-roses-with-a-thousand-fragrant-posies-a-cap-of-flowers-and-a-kirtle-imbroiderd-all-with-leaves-of-myrtle-a-gown-made-of-the-finest-wool-which-from-our-pretty-lambs-we-pull-slippers-lined-choicely-for-the-cold-with-buckles-of-the-purest-gold-a-belt-of-straw-and-ivy-buds-with-coral-clasps-and-amber-studs-and-if-these-pleasures-may-thee-move-then-live-with-me-and-be-my-love-thy-silver-dishes-for-thy-meat-as-precious-as-the-gods-do-eat-shall-on-an-ivory-table-be-prepard-each-day-for-thee-and-me-the-shep-2AG2J23.jpg ". The comedies, histories, tragedies, and poems of William Shakspere. eds of roses. With a thousand fragrant posies, A cap of flowers, and a kirtle Imbroiderd all with leaves of myrtle; A gown made of the finest wool, Which from our pretty lambs we pull; Slippers lined choicely for the cold; With buckles of the purest gold; A belt of straw and ivy buds. With coral clasps, and amber studs; And if these pleasures may thee move. Then live with me, and be my love. [Thy silver dishes for thy meat. As precious as the gods do eat. Shall on an ivory table be Prepard each day for thee and me.] The shep Stock Photo")
RM2AG2J23–. The comedies, histories, tragedies, and poems of William Shakspere. eds of roses. With a thousand fragrant posies, A cap of flowers, and a kirtle Imbroiderd all with leaves of myrtle; A gown made of the finest wool, Which from our pretty lambs we pull; Slippers lined choicely for the cold; With buckles of the purest gold; A belt of straw and ivy buds. With coral clasps, and amber studs; And if these pleasures may thee move. Then live with me, and be my love. [Thy silver dishes for thy meat. As precious as the gods do eat. Shall on an ivory table be Prepard each day for thee and me.] The shep
RM2AJAB5H–The comedies, histories, tragedies, and poems of William Shakspere . full as fantastical: the wedding,mannerly-modest, as a measure full of state andancientry; and then comes repentance, and,with his bad legs, falls into the cinque-pacefaster and faster, till he sink into his grave. ^ Scene H.—Better tvits have worn plain statute-caps. By an act of parliament of 1571, it was pro-vided that all above the age of six years, exceptthe nobility and other persons of degree, should,on sabbath-days and holidays, wear caps of wool,manufactured in England. This was oneof the laws for the encouragement o
RM2AJAX6J–The comedies, histories, tragedies, and poems of William Shakspere . of a yard in depth. The sleeves were ofvelvet or other stuff, lai-ge and slashed, so as toshow the lining or under garment, terminatingwith a small band or ruffle like that round theedge of the collar. The body of the dress wasof gold stuff or embroidery. Some of thedresses were made with trains, which wereeither held up with the hand when walking, orattached to the girdle. The head-dress of goldbrocade given in one of the plates of Vecelliois not unlike the beretta of the Doge of Ae-nice; and caps very similar in form and ma
RM2AJC8F7–Report of a reconnaissance from Carroll, Montana Territory, on the upper Missouri, to the Yellowstone National Park, and return, made in the summer of 1875 .
RM2ANFY0M–The dramatic works of William Shakespeare : accurately printed from the text of the corrected copy left by the late George Steevens, Esq: with a glossary, and notes, and a sketch of the life of Shakespeare . noble and so &reat a figureB .tampd upon it. Dukt. No more evasion : We have v, ith a leavend and prepared choiceProceeded to you ; therefore lake your honours.Oar haste from hence is of so quick cond ion,That it prefers itself, and leaves unquestionedMatters of needful value. We shall write to you,As time and our concernings shall importune,How it goes with us ; and do look to knowWhat do
RM2AJFR8H–Conférences ecclésiastiques du diocèse d'Angers : tenues dans les années 1709 à 1760 et les suivantes . ion eft un empêchementdirimant. 3^5 & 3^7 Les vœux publics qui fe font dans les Congre-eations féculieres, font-ils un empêchement dirmiant î 3^7 Un homme marié peut-il faire vœu de Religion ,avant que le mariage ait été coniommé ? , ^^^ Peut-on fe faire reftituer contre les vœux de Re-ligion ? . j . 378 6-/nV. Celui qui a obtenu un Refcrit de Rome pour lefaire reftituer contre fes vœux , peut-il fe marier avantque le Refcrit f-it entériné ? 38o & fiiiv. Faut-il ncceiTairemeat obtenir un Ref
![. The comedies, histories, tragedies, and poems of William Shakspere. {Ancient Watchmen.]. [Sceiie I. Cathedral of Messhui.] ACT IV, SCENE I.—The Inside of a Church. Enter Don Pedro, Don John, Leonato, Friar, Claudio, Benedick, Hero, and Beatrice, dc.Leon. Come, friar Francis, be brief; only to the plain form of marriage, and you sball recount their particular duties afterwards.Friar. You come bitlier, my lord, to marry tliis lady ?Claud. No.Leon, To be married to her: friar, you come to marry lier », • We follow the punctuation of the original. The meaning is destroyed by the modern modeof po Stock Photo](https://c8.alamy.com/comp/2AG30YM/the-comedies-histories-tragedies-and-poems-of-william-shakspere-ancient-watchmen-sceiie-i-cathedral-of-messhui-act-iv-scene-ithe-inside-of-a-church-enter-don-pedro-don-john-leonato-friar-claudio-benedick-hero-and-beatrice-dcleon-come-friar-francis-be-brief-only-to-the-plain-form-of-marriage-and-you-sball-recount-their-particular-duties-afterwardsfriar-you-come-bitlier-my-lord-to-marry-tliis-lady-claud-noleon-to-be-married-to-her-friar-you-come-to-marry-lier-we-follow-the-punctuation-of-the-original-the-meaning-is-destroyed-by-the-modern-modeof-po-2AG30YM.jpg ". The comedies, histories, tragedies, and poems of William Shakspere. {Ancient Watchmen.]. [Sceiie I. Cathedral of Messhui.] ACT IV, SCENE I.—The Inside of a Church. Enter Don Pedro, Don John, Leonato, Friar, Claudio, Benedick, Hero, and Beatrice, dc.Leon. Come, friar Francis, be brief; only to the plain form of marriage, and you sball recount their particular duties afterwards.Friar. You come bitlier, my lord, to marry tliis lady ?Claud. No.Leon, To be married to her: friar, you come to marry lier », • We follow the punctuation of the original. The meaning is destroyed by the modern modeof po Stock Photo")
RM2AG30YM–. The comedies, histories, tragedies, and poems of William Shakspere. {Ancient Watchmen.]. [Sceiie I. Cathedral of Messhui.] ACT IV, SCENE I.—The Inside of a Church. Enter Don Pedro, Don John, Leonato, Friar, Claudio, Benedick, Hero, and Beatrice, dc.Leon. Come, friar Francis, be brief; only to the plain form of marriage, and you sball recount their particular duties afterwards.Friar. You come bitlier, my lord, to marry tliis lady ?Claud. No.Leon, To be married to her: friar, you come to marry lier », • We follow the punctuation of the original. The meaning is destroyed by the modern modeof po
RM2AJ93M7–The comedies, histories, tragedies, and poems of William Shakspere . doth sing as sweetly asthe larh, &c. The animals mentioned in this play are allproper to the countrj^, and to that part of it,to which the play relates. The wren is uncom-mon ; but its note is occasionally heard. Thecrow, lark, jay, cuckoo, nightingale, goose, andeel, are all common in Lombardy.—(M.) 3^ Scene I.— This night, methinks, is but thedaylight sick. The light of moon and stars in Italy is almostas yellow as sunlight in England. The planetsburn like golden lamps above the pinnacles andpillared statues of the city and
RM2AKAF8P–Sermons on several important subjects of religion and morality : to which are added two tracts ... . Vol. IL F 2 SERMON SERMON V. Th&precife Nature and Force of Chr i s rsArgument, founded on Exod, iii. 6.againft the Sadducees, Luke xx. 37, 38, NoWy that the Dead are raifed, evenM.0s, z s Jhewed at the Bujh^ when Hecalleth the Lord^ The God of Abra-H A M, and the God of Isaac, and theGod of Jacob: For^ He is not a Godof the Dead^ hut of the Living : ForAll live to Him^, H E S E Words are the conclud-ing Part of oar Lords Replyto the Sadducees, a libertineScvftof the Jews, Who, (likethe Epicure
RM2AG2AGG–. The comedies, histories, tragedies, and poems of William Shakspere. heek; twas just the difference Betwixt the constant red, and mingled damaski^. There be some women, Silvius, had they markd him ( In parcels as I did, would have gone near To fall in love with him : but, for my part, I love him not, nor hate him not; and yet Have more cause to hate him than to love him: For what had he to do to chide at me ? He said, mine eyes were black, and my hair black ; And now I am rememberd, scornd at me : I marvel why I answerd not again: But that s all one : omittance is no quittance. I 11 write to
RM2AKA87Y–Sermons on several important subjects of religion and morality : to which are added two tracts ... . exceptionable Inftance of a departed Souls ap^pearing and talking upon Earth, if This benot One: Moses once, and Elias camedown and talkd with our BlefTed Saviour jbut whether in the Body, or out of the Bo-dy, We cannot tell, God knoweth : How-ever, the Que ft ion, as to Separate Souls exiJl-* ing to Saul at En-don 287 ing and aEting after Deaths does by no Meansdepend upon any Examples of Apparitions^but is fufficiently proved by many and clearTejiimonies of Sacred JVrit, as might be fliewnat
RM2ANFK22–The dramatic works of William Shakespeare : accurately printed from the text of the corrected copy left by the late George Steevens, Esq: with a glossary, and notes, and a sketch of the life of Shakespeare . y of the land !To whom, with all submission, on my knee,I do bequeath my faithful servicesAnd true subjection everlastingly. Sal. And the like tender of our love we make,To rest without a spot for evermore.P. Hen. I have a kind soul, that would give youthanks,And knows not how to do it, but with tears. Bast. O, let us pay the time but needful wo,Since it hath been beforehand with our grief
![. The comedies, histories, tragedies, and poems of William Shakspere. [ Scene V. Sweet Phebe, do not scorn me. j. [ Scene HI. Lay sleeping on liis back. ] ACT IV. SCENE 1.—The same. Enter Rosalind, Celia, cmd Jaques. Jaq. I prithee, pretty youth, let me be better acquainted with thee. Ros. They say you are a melancholy fellow. Jaq. I am so : I do love it better than laughing. Eos. Those that are in extremity of either are abominable fellows ; and betray themselves to every modern censure, worse than drunkards.Jaq. Why, t is good to be sad and say nothing.Ros. Why then, t is good to be a post.J Stock Photo](https://c8.alamy.com/comp/2AG29XN/the-comedies-histories-tragedies-and-poems-of-william-shakspere-scene-v-sweet-phebe-do-not-scorn-me-j-scene-hi-lay-sleeping-on-liis-back-act-iv-scene-1the-same-enter-rosalind-celia-cmd-jaques-jaq-i-prithee-pretty-youth-let-me-be-better-acquainted-with-thee-ros-they-say-you-are-a-melancholy-fellow-jaq-i-am-so-i-do-love-it-better-than-laughing-eos-those-that-are-in-extremity-of-either-are-abominable-fellows-and-betray-themselves-to-every-modern-censure-worse-than-drunkardsjaq-why-t-is-good-to-be-sad-and-say-nothingros-why-then-t-is-good-to-be-a-postj-2AG29XN.jpg ". The comedies, histories, tragedies, and poems of William Shakspere. [ Scene V. Sweet Phebe, do not scorn me. j. [ Scene HI. Lay sleeping on liis back. ] ACT IV. SCENE 1.—The same. Enter Rosalind, Celia, cmd Jaques. Jaq. I prithee, pretty youth, let me be better acquainted with thee. Ros. They say you are a melancholy fellow. Jaq. I am so : I do love it better than laughing. Eos. Those that are in extremity of either are abominable fellows ; and betray themselves to every modern censure, worse than drunkards.Jaq. Why, t is good to be sad and say nothing.Ros. Why then, t is good to be a post.J Stock Photo")
RM2AG29XN–. The comedies, histories, tragedies, and poems of William Shakspere. [ Scene V. Sweet Phebe, do not scorn me. j. [ Scene HI. Lay sleeping on liis back. ] ACT IV. SCENE 1.—The same. Enter Rosalind, Celia, cmd Jaques. Jaq. I prithee, pretty youth, let me be better acquainted with thee. Ros. They say you are a melancholy fellow. Jaq. I am so : I do love it better than laughing. Eos. Those that are in extremity of either are abominable fellows ; and betray themselves to every modern censure, worse than drunkards.Jaq. Why, t is good to be sad and say nothing.Ros. Why then, t is good to be a post.J
RM2AG1W5R–. The comedies, histories, tragedies, and poems of William Shakspere. e dress, be more readily mistaken for herbrother, as it is absurd to suppose that shecould otherwise, by accident, light upon a fac-simile of the suit he appears in; and any mani-fest difference, either in form or colour, wouldtend to destroy the illusion, as we have alreadyobserved in the case of the two Dromios andtheir masters ( Comedy of Errors). We leavethe decision, however, to our readers, at thesame time referring those who think with us 340 COSTUME. to The Merchant of Venice, Othello, and theHabiti Antiche e Moclern
RM2AJCEPR–Report of a reconnaissance from Carroll, Montana Territory, on the upper Missouri, to the Yellowstone National Park, and return, made in the summer of 1875 . ilJ.
RM2AKAHY6–Sermons on several important subjects of religion and morality : to which are added two tracts ... . V91.. II. & SERMON SERMON II. A Sinlefs PerfeSiion and Security of Sal-vation^ no Prerogative of a Regene-^rate State, I John iii. 9, 10. Whofoever is born of God^ doth not co?n-mitSin^for his Seedre?naineth in Him-:,and He cannot Jin^ hecaufeHe is born ofGod, In this the Children of God ar&manifefl^ and the Children of the De-vil: Whofoever doeth not Righteoufnefsyis not of God^ neither He that lovethnot his Brother* O R the right underflanding ofthefe Words, it will be properto note fomething
![. The comedies, histories, tragedies, and poems of William Shakspere. [ JSo^, m age,Is she become the buitoi! —Act V., Sc. 3.]. ? Still virgmalHng.] ILLUSTRATIONS. ACT I. Scene II. Still virginalling Upon Ma ijalm ? Kakes, in his Glossary/ rightly explains theverb to virginal, here used, as to play withthe fingers as on a virginal; but he adds, ap-parently intended as a word coined in contemptor indignation. It appears to us that Shak-spere meant simply to convey the notion of arapid movement with the fingers; just in thesame way that Cowper, describing his tamehare, says, He would invite me Stock Photo](https://c8.alamy.com/comp/2AG1E8W/the-comedies-histories-tragedies-and-poems-of-william-shakspere-jso-m-ageis-she-become-the-buitoi!-act-v-sc-3-still-virgmalhng-illustrations-act-i-scene-ii-still-virginalling-upon-ma-ijalm-kakes-in-his-glossary-rightly-explains-theverb-to-virginal-here-used-as-to-play-withthe-fingers-as-on-a-virginal-but-he-adds-ap-parently-intended-as-a-word-coined-in-contemptor-indignation-it-appears-to-us-that-shak-spere-meant-simply-to-convey-the-notion-of-arapid-movement-with-the-fingers-just-in-thesame-way-that-cowper-describing-his-tamehare-says-he-would-invite-me-2AG1E8W.jpg ". The comedies, histories, tragedies, and poems of William Shakspere. [ JSo^, m age,Is she become the buitoi! —Act V., Sc. 3.]. ? Still virgmalHng.] ILLUSTRATIONS. ACT I. Scene II. Still virginalling Upon Ma ijalm ? Kakes, in his Glossary/ rightly explains theverb to virginal, here used, as to play withthe fingers as on a virginal; but he adds, ap-parently intended as a word coined in contemptor indignation. It appears to us that Shak-spere meant simply to convey the notion of arapid movement with the fingers; just in thesame way that Cowper, describing his tamehare, says, He would invite me Stock Photo")
RM2AG1E8W–. The comedies, histories, tragedies, and poems of William Shakspere. [ JSo^, m age,Is she become the buitoi! —Act V., Sc. 3.]. ? Still virgmalHng.] ILLUSTRATIONS. ACT I. Scene II. Still virginalling Upon Ma ijalm ? Kakes, in his Glossary/ rightly explains theverb to virginal, here used, as to play withthe fingers as on a virginal; but he adds, ap-parently intended as a word coined in contemptor indignation. It appears to us that Shak-spere meant simply to convey the notion of arapid movement with the fingers; just in thesame way that Cowper, describing his tamehare, says, He would invite me
RM2AJB3YT–The comedies, histories, tragedies, and poems of William Shakspere . ing dump; the nights dead silence Will well become such sweet complaining grievance. This, or else nothing, will inherit*^ her. ° Consort. The musicians consorted—chosen to play together—were called the consort; and sowas the selection of the music they performed—modernized into concert.*? Dump—a mournful elegy. Dump, or dumps, for sorrow, was not originally a burlesque term: My sinews dull, in dumps I stand.—Surrey. Inherit—obtain possession of. 44 TWO GENTLEMEN OF VEBONA. [aCT TII. Duke. This discipline shows thou hast been
RM2AG1YNG–. The comedies, histories, tragedies, and poems of William Shakspere. V.— Wind lip my ivatch.It is said that watches for the pocket werefirst brought to England from Germany, in1580. We give a representation of an ancientwatch from a remarkable specimen. Thiswatch is embellished on the face with roses andthistles conjoined, and has no minute-hand:these circumstances fix its date somewhere inthe reign of James I. It is of silver, about thesize of a walnut; the lid shuts the face fromview, and when closed it looks like a small pear.In Hollars print of Summer—a half-lengthportrait of a lady—a wat
RM2AJAPEE–The comedies, histories, tragedies, and poems of William Shakspere . upposition thatthis allusion was meant by Shakspere be correct,the date of the play is pretty exactly deter-mined ; for the war of the League was in effectconcluded by Henrys renunciation of the Pro-testant faith in 1593. ^ Scene IL— Where America, the Indies?This is certainly one of the boldest anachron-isms in Shakspere; for, although the period ofthe action of the Comedy of Errors mayinclude a range of four or five centuries, it mustcertainly be placed before the occupation ofEphesus by the Mohammedans, and thereforesome c
RM2AJCH6G–Report of a reconnaissance from Carroll, Montana Territory, on the upper Missouri, to the Yellowstone National Park, and return, made in the summer of 1875 . achyte, with acubical fracture breaking into large angular blocks, in striking contrast with the loose slabs of theother trachyte which cover the slopes of Cone Butte. This is probably a later dike, subsequent tothe formation of the other hills. This trachyte, as well as that of Cone Butte, was found in frag-ments abundantly over the prairie, even to a distance of fifteen miles from the mountains. It ischaracterized by large crystals of a
RM2AG05XC–. Mémoires sur l'électricité et la magnétisme. ,ti Aiftmi DES Sciences. 705. î léîec^rîcité, où il pourroit être néceiïàire demployerle calcuf. Mais les valeurs données par cette premièreapproximation, peuvent être corrigées & rapprochées dela vérité autant que lon voudra, en regardant, ainfi quenous lavons dit à la fin de {article LXy la courbe c^esdenfités comme un polygone, dont iinclinaifon àes côtésferoit donnée relativement Waxe Au cylindre, par lapproxi-mation qui précède: le calcul de laélion des différentes partiesde la fucface du cylindre fur un point de Ton axe, fe feroit parles mét
![. The comedies, histories, tragedies, and poems of William Shakspere. e Orianathe line a stage-direction 1 Then sing him ! madrigal, could have been the same that subse- SCENE II.] AS YOU LIKE IT. 253 J J-J^^^ and horns to 1 1>- ^^^m thou wast 3—L-^-P::^ ^^ And thy • fa - ther wore - - - f- ^- it. ^1 -—] J ^ —1 ! 1 1 thing to laugh to i^—n=E3 ^^;^==^=^A^=^ ^^^^ ^m. -s^- ^^^^=^E]^ f=3z=U=^^: j j=j=pJ=.^==^ =P^^ =1=^^ quently published Catch that Catch can, aswell as another work which he names. This isa question into which we shall not enter, ouronly object being to give such music, as Stock Photo](https://c8.alamy.com/comp/2AG26F2/the-comedies-histories-tragedies-and-poems-of-william-shakspere-e-orianathe-line-a-stage-direction-1-then-sing-him-!-madrigal-could-have-been-the-same-that-subse-scene-ii-as-you-like-it-253-j-j-j-and-horns-to-1-1gt-m-thou-wast-3l-p-and-thy-fa-ther-wore-f-it-1-j-1-!-1-1-thing-to-laugh-to-in=e3-===a=-m-s-=e-f=3z=u=-j-j=j=pj===-=p-=1=-quently-published-catch-that-catch-can-aswell-as-another-work-which-he-names-this-isa-question-into-which-we-shall-not-enter-ouronly-object-being-to-give-such-music-as-2AG26F2.jpg ". The comedies, histories, tragedies, and poems of William Shakspere. e Orianathe line a stage-direction 1 Then sing him ! madrigal, could have been the same that subse- SCENE II.] AS YOU LIKE IT. 253 J J-J^^^ and horns to 1 1>- ^^^m thou wast 3—L-^-P::^ ^^ And thy • fa - ther wore - - - f- ^- it. ^1 -—] J ^ —1 ! 1 1 thing to laugh to i^—n=E3 ^^;^==^=^A^=^ ^^^^ ^m. -s^- ^^^^=^E]^ f=3z=U=^^: j j=j=pJ=.^==^ =P^^ =1=^^ quently published Catch that Catch can, aswell as another work which he names. This isa question into which we shall not enter, ouronly object being to give such music, as Stock Photo")
RM2AG26F2–. The comedies, histories, tragedies, and poems of William Shakspere. e Orianathe line a stage-direction 1 Then sing him ! madrigal, could have been the same that subse- SCENE II.] AS YOU LIKE IT. 253 J J-J^^^ and horns to 1 1>- ^^^m thou wast 3—L-^-P::^ ^^ And thy • fa - ther wore - - - f- ^- it. ^1 -—] J ^ —1 ! 1 1 thing to laugh to i^—n=E3 ^^;^==^=^A^=^ ^^^^ ^m. -s^- ^^^^=^E]^ f=3z=U=^^: j j=j=pJ=.^==^ =P^^ =1=^^ quently published Catch that Catch can, aswell as another work which he names. This isa question into which we shall not enter, ouronly object being to give such music, as
RM2AKPYHR–The dramatic works of William Shakespeare : accurately printed from the text of the corrected copy left by the late George Steevens, Esq: with a glossary, and notes, and a sketch of the life of Shakespeare . n.To see great Pompey pass the streets of Rome:And when you saw his chariot but appear,Have you not made an universal shout.That Tyber trembled underneath her banks,To hear the replication of your sounds,Made in her concave shores?And do you noAv put on your best attire ?And do you now cull out a holiday ?And do you now strew flowers in his way,That comes in triumph over Pompeys blood ?Be
![. The comedies, histories, tragedies, and poems of William Shakspere. IV.] MUCH ADO ABOUT NOTHING. 75. ^ Scene IV.^ Troth, I think your otherrahato were better.The rabato was the ruff, or collar for the neck,such as we often see in the portraits of QueenElizabeth. Dekker calls them your stiff-necked rebatoes. Menage derives it fromrebattre, to put back. The portrait in the op-posite column offers a pleasing example of thiscostume. ^ Scene IV.— Clap us into— Light o love. The name of an old tune; mentioned also inthe Two Gentlemen of Verona, Act I., Scene 2.Subsequently to the publication of hi Stock Photo](https://c8.alamy.com/comp/2AG2WBC/the-comedies-histories-tragedies-and-poems-of-william-shakspere-iv-much-ado-about-nothing-75-scene-iv-troth-i-think-your-otherrahato-were-betterthe-rabato-was-the-ruff-or-collar-for-the-necksuch-as-we-often-see-in-the-portraits-of-queenelizabeth-dekker-calls-them-your-stiff-necked-rebatoes-menage-derives-it-fromrebattre-to-put-back-the-portrait-in-the-op-posite-column-offers-a-pleasing-example-of-thiscostume-scene-iv-clap-us-into-light-o-love-the-name-of-an-old-tune-mentioned-also-inthe-two-gentlemen-of-verona-act-i-scene-2subsequently-to-the-publication-of-hi-2AG2WBC.jpg ". The comedies, histories, tragedies, and poems of William Shakspere. IV.] MUCH ADO ABOUT NOTHING. 75. ^ Scene IV.^ Troth, I think your otherrahato were better.The rabato was the ruff, or collar for the neck,such as we often see in the portraits of QueenElizabeth. Dekker calls them your stiff-necked rebatoes. Menage derives it fromrebattre, to put back. The portrait in the op-posite column offers a pleasing example of thiscostume. ^ Scene IV.— Clap us into— Light o love. The name of an old tune; mentioned also inthe Two Gentlemen of Verona, Act I., Scene 2.Subsequently to the publication of hi Stock Photo")
RM2AG2WBC–. The comedies, histories, tragedies, and poems of William Shakspere. IV.] MUCH ADO ABOUT NOTHING. 75. ^ Scene IV.^ Troth, I think your otherrahato were better.The rabato was the ruff, or collar for the neck,such as we often see in the portraits of QueenElizabeth. Dekker calls them your stiff-necked rebatoes. Menage derives it fromrebattre, to put back. The portrait in the op-posite column offers a pleasing example of thiscostume. ^ Scene IV.— Clap us into— Light o love. The name of an old tune; mentioned also inthe Two Gentlemen of Verona, Act I., Scene 2.Subsequently to the publication of hi
RM2AKAH9C–Sermons on several important subjects of religion and morality : to which are added two tracts ... . S E R M O N. N III. The Scripture-Do^lrine of the Unprofi-tablenefs of Mans befl Performances^an Argument againft Spiritual Pride,jtt no Excufe for Slachiefs in goodWorks and Chriftian Obedience. Luke xvir. lo. So likewife Ye^ when Ye poall have doneall thofe Things which are commandedYou^ fajy We are tmprojitable Ser-vaiits : We have done That which wasour Duty to do, H E S E Words are the Conclu-iion of a Parable, a Kind oi Mo-ral fubjoined to it, to fignify theUfe and Application of it. OurB
RM2AG2FCK–. The comedies, histories, tragedies, and poems of William Shakspere. ^ScENE V.— His standing bed andtruekle hed.The standing bed was for the master, the truckle bed for the servant, (See Illustration toEomeo and Juliet, Act II.). MEHRY WIVES OF WINDSOR. LOCAL ILLUSTKATION. 163 Eton was probably a village in the time ofHenry IV. It is scarcely necessarj to say thatthe present college was founded by Henry VI.The church where Anne Page was immediatelyto marry with Slender, was probably theancient parish church, which has long sincefallen to decay. The tale of Sir Hugh Evans of the three couzin g
![Conférences ecclésiastiques du diocèse d'Angers : tenues dans les années 1709 à 1760 et les suivantes . et -1 de recevoir la grâceque produit le Saciement. Sils font bien difpofcs ,pourquoi ne la recevront-ils pas dans le momentde la célébration du mariage, ]U )i niils ny penfentpas? La même chofe u*ar>ive-t-ellc pas aux enlms ,aux in(èniés îk aux fous quen bap^ife ? Mais fi lorsde la célébration du mariage , les Parties conftitaan-tes ne fé trouvent pas dans une difpn :tiori convena-ble , on peut dire qu elles commettent un facrilége i. /^O Confénnus dAnpn , quand elles favoient à peu-près Stock Photo](https://c8.alamy.com/comp/2AJFXRE/confrences-ecclsiastiques-du-diocse-dangers-tenues-dans-les-annes-1709-1760-et-les-suivantes-et-1-de-recevoir-la-grceque-produit-le-saciement-sils-font-bien-difpofcs-pourquoi-ne-la-recevront-ils-pas-dans-le-momentde-la-clbration-du-mariage-u-i-niils-ny-penfentpas-la-mme-chofe-uargtive-t-ellc-pas-aux-enlms-aux-innis-k-aux-fous-quen-bapife-mais-fi-lorsde-la-clbration-du-mariage-les-parties-conftitaan-tes-ne-f-trouvent-pas-dans-une-difpn-tiori-convena-ble-on-peut-dire-qu-elles-commettent-un-facrilge-i-o-confnnus-danpn-quand-elles-favoient-peu-prs-2AJFXRE.jpg "Conférences ecclésiastiques du diocèse d'Angers : tenues dans les années 1709 à 1760 et les suivantes . et -1 de recevoir la grâceque produit le Saciement. Sils font bien difpofcs ,pourquoi ne la recevront-ils pas dans le momentde la célébration du mariage, ]U )i niils ny penfentpas? La même chofe u*ar>ive-t-ellc pas aux enlms ,aux in(èniés îk aux fous quen bap^ife ? Mais fi lorsde la célébration du mariage , les Parties conftitaan-tes ne fé trouvent pas dans une difpn :tiori convena-ble , on peut dire qu elles commettent un facrilége i. /^O Confénnus dAnpn , quand elles favoient à peu-près Stock Photo")
RM2AJFXRE–Conférences ecclésiastiques du diocèse d'Angers : tenues dans les années 1709 à 1760 et les suivantes . et -1 de recevoir la grâceque produit le Saciement. Sils font bien difpofcs ,pourquoi ne la recevront-ils pas dans le momentde la célébration du mariage, ]U )i niils ny penfentpas? La même chofe u*ar>ive-t-ellc pas aux enlms ,aux in(èniés îk aux fous quen bap^ife ? Mais fi lorsde la célébration du mariage , les Parties conftitaan-tes ne fé trouvent pas dans une difpn :tiori convena-ble , on peut dire qu elles commettent un facrilége i. /^O Confénnus dAnpn , quand elles favoient à peu-près
RM2ANFKT6–The dramatic works of William Shakespeare : accurately printed from the text of the corrected copy left by the late George Steevens, Esq: with a glossary, and notes, and a sketch of the life of Shakespeare . winters tale. Act IV.—Sceae 3.. COMEDY OF ERRORS. Act V. — Scene I. ( 275 ) WINTERS TALE. PERSONS REPRESENTED. Leontes, king of Sicilia.Mamillius, his son.Camillb, } rilteSS > Sicilian lords-Cleomenes, i Dion, J Another Sicilian lord. Rogcro, a Sicilian gentleman. ?In attendant on the young prince Mamillius. Officers of a court of judicature. Pohxenes, king of Bohemia. Florizel, his son
RM2AG1M6F–. The comedies, histories, tragedies, and poems of William Shakspere. rt: yet I am advisd to do it; ^ Reason, which is here personified, dares her with the no which forbids her to speak.>• This is ordinarily printed bears off a credent bulk. We follow the original: hears is usedin the sense of figures,—is seen. COMEDIES. VOL. II. E E 406 MEASUEE FOR MEASURE. [aoJ He says, to veil full purpose ^.Mari. Be ruld by liim. IsAB. Besides, he tells me, that, if peradveiiture He speak against me on the adverse side, I should not think it strange; for t is a physic Thats hitter to sweet end.Mari. I w
RM2AWJXT6–Shakespeare's comedy of The merchant of Venice . bram ! what these Christians are, 150Whose own hard dealings teaches them suspectThe thoughts of others !—Pray you, tell me this :If he should break his day, what should I gainBy the exaction of the forfeiture?A pound of mans flesh, taken from a man,Is not so estimable, profitable neither,As flesh of muttons, beefs, or goats. I say,To buy his favour, I extend this friendship:If he will take it, so ; if not, adieu ;And, for my love, I pray you wrong me not. 160 Antonio. Yes, Shylock, I will seal unto this bond. Shylock. Then meet me forthwith at
RM2AKADDF–Sermons on several important subjects of religion and morality : to which are added two tracts ... . he nearer We iapproach tothe End of our Race ; I fay. If Wefind Mat-ters thus to ftand (upon the ftrideft EnquiryWe can make into our Hearts and Lives) thenmay We, upon fure Grounds, judge favour-ably of our prefent State and Circumftances,and may humbly prefume that God is in Usof a Truth, and that We are, by the Graceof God, thro the Merits of Chri st Jesus^in the High Road to Salvation. SERMON SERMON VIL The Nature and Manner in which theHoly Spirit may be fuppofed to ope-rate upon Us : And
RM2AJB262–The comedies, histories, tragedies, and poems of William Shakspere . the Hebrew. In this way, The most forward budIs eaten by the canker ere it blow. ^ Scene I.—Not so much as a ducat. The ducat — which derives its name fromduke, a ducal coin—is repeatedly mentioned inShakspere. There were two causes for this.First, many of the incidents of his plays werederived from Italian stories, and were laid inItalian scenes; and his characters, therefore,properly use the name of the coin of theircountrj. Thus, ducat occurs in this play—inthe Comedy of Errors—in Much Ado aboutNothing—in Romeo and Juliet;
![The comedies, histories, tragedies, and poems of William Shakspere . [ What thou seest, when thou dost wake,Do it for thy true-love take.] ^) m. [I will walk up and down here, and I will sing, that they shall hear I am not afraid.] ACT III. SCENE I.—The Wood. The Queen of Fairies lying asleep. Enter Quince, Snug, Bottom, Flute, Snout, and Stakveling. BoT. Are we all met? QuiN. Pat, pat; and here s a tQarvellous convenient place for our rehearsal: This green plot shall be our stage, this hawthorn brake our tyring-house ; and we will do it in action, as we will do it before the duke.BoT. Peter Q Stock Photo](https://c8.alamy.com/comp/2AJ9D42/the-comedies-histories-tragedies-and-poems-of-william-shakspere-what-thou-seest-when-thou-dost-wakedo-it-for-thy-true-love-take-m-i-will-walk-up-and-down-here-and-i-will-sing-that-they-shall-hear-i-am-not-afraid-act-iii-scene-ithe-wood-the-queen-of-fairies-lying-asleep-enter-quince-snug-bottom-flute-snout-and-stakveling-bot-are-we-all-met-quin-pat-pat-and-here-s-a-tqarvellous-convenient-place-for-our-rehearsal-this-green-plot-shall-be-our-stage-this-hawthorn-brake-our-tyring-house-and-we-will-do-it-in-action-as-we-will-do-it-before-the-dukebot-peter-q-2AJ9D42.jpg "The comedies, histories, tragedies, and poems of William Shakspere . [ What thou seest, when thou dost wake,Do it for thy true-love take.] ^) m. [I will walk up and down here, and I will sing, that they shall hear I am not afraid.] ACT III. SCENE I.—The Wood. The Queen of Fairies lying asleep. Enter Quince, Snug, Bottom, Flute, Snout, and Stakveling. BoT. Are we all met? QuiN. Pat, pat; and here s a tQarvellous convenient place for our rehearsal: This green plot shall be our stage, this hawthorn brake our tyring-house ; and we will do it in action, as we will do it before the duke.BoT. Peter Q Stock Photo")
RM2AJ9D42–The comedies, histories, tragedies, and poems of William Shakspere . [ What thou seest, when thou dost wake,Do it for thy true-love take.] ^) m. [I will walk up and down here, and I will sing, that they shall hear I am not afraid.] ACT III. SCENE I.—The Wood. The Queen of Fairies lying asleep. Enter Quince, Snug, Bottom, Flute, Snout, and Stakveling. BoT. Are we all met? QuiN. Pat, pat; and here s a tQarvellous convenient place for our rehearsal: This green plot shall be our stage, this hawthorn brake our tyring-house ; and we will do it in action, as we will do it before the duke.BoT. Peter Q
RM2AG21K9–. The comedies, histories, tragedies, and poems of William Shakspere. onvenient. 326 TWELFTH NIGHT. [ACT V. Of our dear souls—Meantime, sweet sister, We will not part from hence.—Cesario, come ; For so you shall be while you are a man ; But, when in other habits you are seen, Orsinos mistress, and his fancys queen. [Exeunt. SONG. Clo> When that I was and a little tiny boy, With hey, ho, the wind and the rain,A foolish thing was but a toy,For the rain it raineth every day. But when I came to mans estate, With hey, ho, the wind and the rain,Gainst knaves and thieves men shut their gate, For t
RM2ANFNH5–Brief traité de la predestination : avec l'Eschantillon de la doctrine de Calvin sur le mesme suiet ; et La response a Mde la Grace et autres questions de theologie . EPISTRE fepon de feruir j de r imprimer ces troisdiuers Traittèsj, que tay recueillis en ceVolume ^ ^ dont il ne Je trouuoit plusd*Exemplaires ; Jay çrcu que ie ne lesdeuois addrejfer a dautres qua Vous.£dr ^ outre quils Jemblent vous appar-tenir^ comme les ayant déjà faits vojlresfar la leSîure exaéîe j f0 par la médita-tion fruSlueufe ^ que fans doute vous en^^e:^ faite ; le me Juis imaginé quilsVOUS ejioient encore deus j puis
RM2AJ93K8–The comedies, histories, tragedies, and poems of William Shakspere . in coif, and on hisforehead he wears a crimson kind of mitre, witha gold border, and, behind, it turns up in formof a horn : on his shoulders he carries ermineskins to the middle, which is still a badge ofthe Consuls habit; on his feet he wears em-broidered sandals^, tied with gold buttons, andabout his middle a most rich belt, embroideredwith costly jewels, in so much, that the habit of n C. Vecellio, a much better authority, says slippers. Porta in piedi le piaiidelle piu del medesimo usasi ancheda cavallieri nobili di Vene
![. The comedies, histories, tragedies, and poems of William Shakspere. er to be found again, Lament till I am lost.Leon. O peace, Paulina; Thou shouldst a husband take by my consent, As I by thine, a wife: this is a match. And made between s by vows. Thou hast found mine; But how, is to be questiond: for I saw her. As I thought, dead; and have, in vain, said many A prayer upon her grave : I 11 not seek far (For him, I partly know his mind) to find thee An honourable husband: —Come, Camillo, And take her by the hand : whose worth, and honesty. Is richly noted; and here justified SCENE HI.] A WIN Stock Photo](https://c8.alamy.com/comp/2AG1EDT/the-comedies-histories-tragedies-and-poems-of-william-shakspere-er-to-be-found-again-lament-till-i-am-lostleon-o-peace-paulina-thou-shouldst-a-husband-take-by-my-consent-as-i-by-thine-a-wife-this-is-a-match-and-made-between-s-by-vows-thou-hast-found-mine-but-how-is-to-be-questiond-for-i-saw-her-as-i-thought-dead-and-have-in-vain-said-many-a-prayer-upon-her-grave-i-11-not-seek-far-for-him-i-partly-know-his-mind-to-find-thee-an-honourable-husband-come-camillo-and-take-her-by-the-hand-whose-worth-and-honesty-is-richly-noted-and-here-justified-scene-hi-a-win-2AG1EDT.jpg ". The comedies, histories, tragedies, and poems of William Shakspere. er to be found again, Lament till I am lost.Leon. O peace, Paulina; Thou shouldst a husband take by my consent, As I by thine, a wife: this is a match. And made between s by vows. Thou hast found mine; But how, is to be questiond: for I saw her. As I thought, dead; and have, in vain, said many A prayer upon her grave : I 11 not seek far (For him, I partly know his mind) to find thee An honourable husband: —Come, Camillo, And take her by the hand : whose worth, and honesty. Is richly noted; and here justified SCENE HI.] A WIN Stock Photo")
RM2AG1EDT–. The comedies, histories, tragedies, and poems of William Shakspere. er to be found again, Lament till I am lost.Leon. O peace, Paulina; Thou shouldst a husband take by my consent, As I by thine, a wife: this is a match. And made between s by vows. Thou hast found mine; But how, is to be questiond: for I saw her. As I thought, dead; and have, in vain, said many A prayer upon her grave : I 11 not seek far (For him, I partly know his mind) to find thee An honourable husband: —Come, Camillo, And take her by the hand : whose worth, and honesty. Is richly noted; and here justified SCENE HI.] A WIN
RM2AKACRK–Sermons on several important subjects of religion and morality : to which are added two tracts ... . SERMON VIII. The Springs and Motives o£ falfe Pre--fences to the Holy Spirit ^ with theRules and Marks of tryiitg and de-teding them. I John iv. i. Beloved.^ believe not every Spirit^ hut trythe Spirits whether they are of God, U R prefent Feftival ^ is the Me-morial of the awfal coming ofGods Holy Spi?it upon the A-poftles, purfuant to our LordsPromife -, and is particularly de-dicated to the Honour of that Divine Perfon,the Third Perjbiz of the adorable Godhead.Him We ought to honour in every
![. The comedies, histories, tragedies, and poems of William Shakspere. s ingratitude;Thy tooth is not so keen,Because thou art not seen,Although thy breath be rude.Heigh ho ! sing, heigh ho! unto the green holly :Most friendship is feigning, most loving mere folly :Then, heigh ho ! the holly !This life is most jolly.II.Freeze, freeze, thou bitter sky.That dost not bite so nigh As benefits forgot:Though thou the waters warp **,Thy sting is not so sharpAs friend rememberd not.Heigh ho ! sing, heigh ho ! &c. a JJnhind—unnatural. Warp. There was an old Saxon pioverb, Winter shall warp water. VII.] Stock Photo](https://c8.alamy.com/comp/2AG2BB8/the-comedies-histories-tragedies-and-poems-of-william-shakspere-s-ingratitudethy-tooth-is-not-so-keenbecause-thou-art-not-seenalthough-thy-breath-be-rudeheigh-ho-!-sing-heigh-ho!-unto-the-green-holly-most-friendship-is-feigning-most-loving-mere-folly-then-heigh-ho-!-the-holly-!this-life-is-most-jollyiifreeze-freeze-thou-bitter-skythat-dost-not-bite-so-nigh-as-benefits-forgotthough-thou-the-waters-warp-thy-sting-is-not-so-sharpas-friend-rememberd-notheigh-ho-!-sing-heigh-ho-!-c-a-jjnhindunnatural-warp-there-was-an-old-saxon-pioverb-winter-shall-warp-water-vii-2AG2BB8.jpg ". The comedies, histories, tragedies, and poems of William Shakspere. s ingratitude;Thy tooth is not so keen,Because thou art not seen,Although thy breath be rude.Heigh ho ! sing, heigh ho! unto the green holly :Most friendship is feigning, most loving mere folly :Then, heigh ho ! the holly !This life is most jolly.II.Freeze, freeze, thou bitter sky.That dost not bite so nigh As benefits forgot:Though thou the waters warp **,Thy sting is not so sharpAs friend rememberd not.Heigh ho ! sing, heigh ho ! &c. a JJnhind—unnatural. Warp. There was an old Saxon pioverb, Winter shall warp water. VII.] Stock Photo")
RM2AG2BB8–. The comedies, histories, tragedies, and poems of William Shakspere. s ingratitude;Thy tooth is not so keen,Because thou art not seen,Although thy breath be rude.Heigh ho ! sing, heigh ho! unto the green holly :Most friendship is feigning, most loving mere folly :Then, heigh ho ! the holly !This life is most jolly.II.Freeze, freeze, thou bitter sky.That dost not bite so nigh As benefits forgot:Though thou the waters warp **,Thy sting is not so sharpAs friend rememberd not.Heigh ho ! sing, heigh ho ! &c. a JJnhind—unnatural. Warp. There was an old Saxon pioverb, Winter shall warp water. VII.]
RM2AJ9XRW–The comedies, histories, tragedies, and poems of William Shakspere . Stow, in his Annals, speaks of long waggonsfor passengers and commodities in 1564; andthese, he says, were similar to those which tra-velled in the beginning of the next century toLondon from Canterbury and other large towns.These, it seems then, in Shaksperes time werecalled waggons, though they afterwards wereoccasionally named caravans. As late, how-ever, as 1660, we find from Sir William Dug-dales Diary that his daughter went towardsLondon in Co ventre waggon. ACT V. « Scene I.— Enter a gentle Astringer.An astringer is a
RM2AG19TY–. The comedies, histories, tragedies, and poems of William Shakspere. ian, a lord. Appears, hct.sc.. Act III. sc. 3. Act V. sc. 1. Feancisco, a lord. Appears, Act II. sc. I. Act III. sc. 3. Act V. sc. 1. Caliban, a savage and deformed slave. Appears, Act I. sc. 2. Act II. sc. 2. Act III. sc. 2. Act IV. s Act V. sc. 1. Trinculo, a jester. Appears, Act II. sc. 2. Act III. sc. 2. Act IV. sc. I.Act V. sc. I. Stephano, a drunlcen butler. Appears, Act II. sc. 2. Act III. sc. 2. Act IV. sc. 1. Act V. sc. I.Master of a ship, BoatsAvain, and Mariners. Appear, Act I. sc. 1. Act V. sc. 1. Miranda, dau
RM2AJ9BDB–The comedies, histories, tragedies, and poems of William Shakspere . ? where are these hearts ? QuiN. Bottom !—0 most courageous day! O most happy hour! BoT. Masters, I am, to discourse wonders: but ask me not what; for if I tellyou I am no true Athenian. I will tell you everything, right^ as it fell out. QuiN. Let us hear, sweet Bottom. BoT. Not a word of me. KW that I will tell 3^ou is, that the duke hath dined:Get your apparel together; good strings to your beards, new ribbons to yourpumps; meet presently at the palace; every mau look oer his part; for,the short and the long is, our play is
RM2AJAR31–The comedies, histories, tragedies, and poems of William Shakspere . [ Coin of Ephesus.. [Eei}iains of the Amphitheatre at Ephesus.^ ACT V. SCENE l.—The same. Enter Merchant and Angelo. Ang. I am sorry, sir, that I have hinderd you; But, I protest, he had the chain of me, Though most dishonestly he doth deny it.Mer. How is the man esteemd here in the city ?Ang. Of very reverent reputation, sir, Of credit infinite, highly belovd, Second to none that lives here in the city; His word might bear my wealth at any time.Mek. Speak softly; yonder, as I think, he walks. Enter Antipholus and Dkomio of S
RM2AJAY26–The comedies, histories, tragedies, and poems of William Shakspere . elaboratedevice than the pageant; and, therefore, weshall confine the remainder of this Illustrationto some few general observations on the subjectof pageants. We maj^ infer, from the expression of Julia in the fourth act,— At Pentecost,When all our pageants of delight were playd, that the pageant was a religious ceremonial,connected with the festivals of the church.And so it originally was. (See Studies, page 3.)It is clear, from the passage in which Juliadescribes her own part in the pageants ofdelight,— Ariadne passioningF
RM2AWDC3D–Conférences ecclésiastiques du diocèse d'Angers : tenues dans les années 1709 à 1760 et les suivantes . Tom. T. (:) a^ C-)v^(:-fftr(>^ r! ,^nri9Yt ,. RE S ULTAT DES CONFÉRENCES SUR LES CO MM AN D E MENS D E DIEU.Tenues au mois de Mai 1713. PREMIERE .QUESTION. X<* Foi eft-elle necejfalre four le falnt} EU-enoblige de favôr & de croire d une Foi explicite& dijilncte Us cbofes qui font de Foil I jA Foi eft abrolument nécefPiire à toutes fortesde perfonnes , pour ctre fauvées. Cette vérité nouscil clairement enfeignée dans les fainces Ecritures. LeSauveur nous dit en S. Marc, au dernier Chap
RM2AJFPY0–Conférences ecclésiastiques du diocèse d'Angers : tenues dans les années 1709 à 1760 et les suivantes . ..,:(mm^:^ La BibliothèqueUniversité dOttawa Echéance Celai qui rapporte un volume après ladernière date timbrée ci-dessous devrapayer une amende de cinq sons, plus unsou pour cliaque jour de retard. The LibraryUniversity of Ottawa Date due For failure to return a book on or b(fore tbe last date stamped belovy theiwill be a Êne of five cents, and an exlicharge of one cent for each additional da.
RM2AJACTE–The comedies, histories, tragedies, and poems of William Shakspere . ; and some wag wrote hisepitaph as described by Hamlet,—• For, O, for, O, the hobby-horse is forgot.The hobby-horse of the May-games required aperson of considerable skill to manage him,although his body was only of wicker work, andhis head and neck of pasteboard. Sogliardo, inBen Jonsons Every Man out of his Humour,describes how he danced in him :— Sogliardo. Nay, look you, sir, theres neer a gentle-man in the country has the like humors for the hobby-horse as I have; I have the method for the threading ofthe needle and all,
RM2AKABW8–Sermons on several important subjects of religion and morality : to which are added two tracts ... . .M4 SERMON 1 SERMON X. The Cafe of Deceivers^ and Deceived^Confidered. Ephes. iv. 14. V^at We henceforth he no more Children^tojfedto andfro^ and carried about withevery Wind of DoEirine^ by the Slight ofMen^ and cunning Craftinefsj wherebyThey lie in wait to deceive. ERE are tiioo Sorts of Perfonsmarkd out by thtApoJik in theText, the Deceivers and the De-ceived-j the Onc^fubtle and craf-ty^ and full of intrigue ; the O-ther, eafy and credulous^ and unfufpeBing; theOne, fuppofedto have all the
![. The comedies, histories, tragedies, and poems of William Shakspere. vely boy, stoln from an Indian kmg;She never had so sweet a changeling. SCENE III.] A WINTEE S TALE. 473 Clo. Youre a made^ old man; if the sins of your youth are forgiven you, you re well to live. Gold! all gold!Shep. This is fairy gold, boy, and t will prove so: up with it, keep it close; home, home, the next way. We are lucky, boy, and to be so still requires nothing but secrecy.—Let my sheep go:—Come, good boy, the next way home.Clo. Go you the next way with your findings ; I 11 go see if the bear be gone from the gentle Stock Photo](https://c8.alamy.com/comp/2AG1FTJ/the-comedies-histories-tragedies-and-poems-of-william-shakspere-vely-boy-stoln-from-an-indian-kmgshe-never-had-so-sweet-a-changeling-scene-iii-a-wintee-s-tale-473-clo-youre-a-made-old-man-if-the-sins-of-your-youth-are-forgiven-you-you-re-well-to-live-gold!-all-gold!shep-this-is-fairy-gold-boy-and-t-will-prove-so-up-with-it-keep-it-close-home-home-the-next-way-we-are-lucky-boy-and-to-be-so-still-requires-nothing-but-secrecylet-my-sheep-gocome-good-boy-the-next-way-homeclo-go-you-the-next-way-with-your-findings-i-11-go-see-if-the-bear-be-gone-from-the-gentle-2AG1FTJ.jpg ". The comedies, histories, tragedies, and poems of William Shakspere. vely boy, stoln from an Indian kmg;She never had so sweet a changeling. SCENE III.] A WINTEE S TALE. 473 Clo. Youre a made^ old man; if the sins of your youth are forgiven you, you re well to live. Gold! all gold!Shep. This is fairy gold, boy, and t will prove so: up with it, keep it close; home, home, the next way. We are lucky, boy, and to be so still requires nothing but secrecy.—Let my sheep go:—Come, good boy, the next way home.Clo. Go you the next way with your findings ; I 11 go see if the bear be gone from the gentle Stock Photo")
RM2AG1FTJ–. The comedies, histories, tragedies, and poems of William Shakspere. vely boy, stoln from an Indian kmg;She never had so sweet a changeling. SCENE III.] A WINTEE S TALE. 473 Clo. Youre a made^ old man; if the sins of your youth are forgiven you, you re well to live. Gold! all gold!Shep. This is fairy gold, boy, and t will prove so: up with it, keep it close; home, home, the next way. We are lucky, boy, and to be so still requires nothing but secrecy.—Let my sheep go:—Come, good boy, the next way home.Clo. Go you the next way with your findings ; I 11 go see if the bear be gone from the gentle
![The comedies, histories, tragedies, and poems of William Shakspere . efavourite roundelay. Jost Amman, one of themost spirited of designers, has given us a repre-sentation of a German barbers shop, which maywell enough pass for such an English emporiumof intelligence. Scene II.—A moj-risfor May-day.In A Midsummer Nights Dream (Illustra-tions of Act I.) will be found a general notice SCENE II.] of the May-games. We take the opportunityof here introducing a copy of an ancient painted?window at Betley, in Staffordshire, an engravingand description of which are generally given inthe variorum editi Stock Photo](https://c8.alamy.com/comp/2AJA0GX/the-comedies-histories-tragedies-and-poems-of-william-shakspere-efavourite-roundelay-jost-amman-one-of-themost-spirited-of-designers-has-given-us-a-repre-sentation-of-a-german-barbers-shop-which-maywell-enough-pass-for-such-an-english-emporiumof-intelligence-scene-iia-moj-risfor-may-dayin-a-midsummer-nights-dream-illustra-tions-of-act-i-will-be-found-a-general-notice-scene-ii-of-the-may-games-we-take-the-opportunityof-here-introducing-a-copy-of-an-ancient-paintedwindow-at-betley-in-staffordshire-an-engravingand-description-of-which-are-generally-given-inthe-variorum-editi-2AJA0GX.jpg "The comedies, histories, tragedies, and poems of William Shakspere . efavourite roundelay. Jost Amman, one of themost spirited of designers, has given us a repre-sentation of a German barbers shop, which maywell enough pass for such an English emporiumof intelligence. Scene II.—A moj-risfor May-day.In A Midsummer Nights Dream (Illustra-tions of Act I.) will be found a general notice SCENE II.] of the May-games. We take the opportunityof here introducing a copy of an ancient painted?window at Betley, in Staffordshire, an engravingand description of which are generally given inthe variorum editi Stock Photo")
RM2AJA0GX–The comedies, histories, tragedies, and poems of William Shakspere . efavourite roundelay. Jost Amman, one of themost spirited of designers, has given us a repre-sentation of a German barbers shop, which maywell enough pass for such an English emporiumof intelligence. Scene II.—A moj-risfor May-day.In A Midsummer Nights Dream (Illustra-tions of Act I.) will be found a general notice SCENE II.] of the May-games. We take the opportunityof here introducing a copy of an ancient painted?window at Betley, in Staffordshire, an engravingand description of which are generally given inthe variorum editi
RM2ANFMM4–The dramatic works of William Shakespeare : accurately printed from the text of the corrected copy left by the late George Steevens, Esq: with a glossary, and notes, and a sketch of the life of Shakespeare . you hate them,) thatbetween you and the women, the play may please.If I were a woman, I would kiss as many of youas had beards that pleased me, complexions thatliked me,2 and breaths that I defied not; and, I amsure, as many as have good beards, or good faces,or sweet breaths, will, for my kind ofler, when Imake curtsy, bid me farewell. [Exeunt. Of this play the fable is wild and pleasing.
RM2AG28GG–. The comedies, histories, tragedies, and poems of William Shakspere. of thepractical part of the Eoman law, which it ispretty plain his commentators had not at theirfingers ends, we in our turn leave to the reader*to say. Scene Y.— Ducddme, ducddme, ducddme.Hanmer turned this into Latin—due ad me.When Amiens asks Whats that ducdamelJaques replies, T is a Greek invocation. Itwas not in the character of Jaques to talk Latinin this place. He was parodying the Comehither, come hither, come hither, of the previoussong. The conjecture, therefore, that he wasusing some country call of a woman to her
RM2AJC8RP–Report of a reconnaissance from Carroll, Montana Territory, on the upper Missouri, to the Yellowstone National Park, and return, made in the summer of 1875 .
RM2AWK615–Shakespeare's comedy of The merchant of Venice . MONUMENT AT STRATFORD.. JOHN Shakespeares house in henley street. View from an old Print. THE LIFE AND WORKS SHAKESPEARE, William Shakespeare was born at Stratford-upon-Avon,in the county of Warwick, England, in April, 1564. The rec-ord of his baptism bears the date of April 26th, and as it wasan old custom to christen children on the third day after birth,the tradition which makes his birthday the 23d has been com-monly accepted. His father, John Shakespeare, seems tohave belonged to the class of yeomen, and to have been aglover by trade. His m
RM2AG18CY–. The comedies, histories, tragedies, and poems of William Shakspere. rewell, farewell. [Sings drunkenly. Trin. A howling monster ; a drunken monster. Cal. No more dams I 11 make for fish ; Nor fetch in firingAt requiring, a Scamels. This is the ^vord of the original; and we leave it as we find it. The word has beenchanged into sea-mells, which the commentators tell us is a species of gull. Sea-maw or sea-meiois a species of bird, and Mr. Dyce quotes a passage in which E. Holme iises sea-mall. Mr. Dycethinks the right word is staniels—hawks which frequent high cliffs on the coast. Shakspere ha
RM2AWKD9R–Shakespeare's comedy of The merchant of Venice . DFC 27 J 883, NEW YORK: HARPER & BROTHERS, PUBLISHERS, FRANKLIN SQUARE. 1883. ENGLISH CLASSICS. Edited by WM. J. ROLFE, A.M. Illustrated. x6mo, Cloth, 56 cents per volume; Paper, 40 cents per volume. Shakespeake^s Works. The Merchant of Venice. King Lear. Othello. The Taming of the Shrew. Julius C^sar. All ;sWen that Ends Well. A Midsummer-Nights Dream. Coriolanus. Macbeth. The Comedy of Errors. Hamlet. Cymbeline. Much Ado about Nothing. Antony and Cleopatra. Romeo and Juliet. Measure for Measure. As You Like It. Merry Wives of Windsor. The Temp
![The comedies, histories, tragedies, and poems of William Shakspere . [^General View of Paris.]. Liril1i|[qL -CljJMIW1[i I [ Court of the Duhea Palace, Florence.^ ACT IIL SCENE I.—Florence. A Room in the Dukes Palace, Flourish. Enter the Duke of Flokence, attended; two Frenchmen, and Soldiers. Duke. So that, from point to point, now have you heard The fundamental reasons of this war; Whose great decision hath much blood let forth, And more thirsts after.1 Lord. Holy seems the quarrel Upon your graces part; black and fearful On the opposer.Duke. Therefore we marvel much, our cousin France Would, Stock Photo](https://c8.alamy.com/comp/2AJA56A/the-comedies-histories-tragedies-and-poems-of-william-shakspere-general-view-of-paris-liril1i-ql-cljjmiw1-i-i-court-of-the-duhea-palace-florence-act-iil-scene-iflorence-a-room-in-the-dukes-palace-flourish-enter-the-duke-of-flokence-attended-two-frenchmen-and-soldiers-duke-so-that-from-point-to-point-now-have-you-heard-the-fundamental-reasons-of-this-war-whose-great-decision-hath-much-blood-let-forth-and-more-thirsts-after1-lord-holy-seems-the-quarrel-upon-your-graces-part-black-and-fearful-on-the-opposerduke-therefore-we-marvel-much-our-cousin-france-would-2AJA56A.jpg "The comedies, histories, tragedies, and poems of William Shakspere . [^General View of Paris.]. Liril1i|[qL -CljJMIW1[i I [ Court of the Duhea Palace, Florence.^ ACT IIL SCENE I.—Florence. A Room in the Dukes Palace, Flourish. Enter the Duke of Flokence, attended; two Frenchmen, and Soldiers. Duke. So that, from point to point, now have you heard The fundamental reasons of this war; Whose great decision hath much blood let forth, And more thirsts after.1 Lord. Holy seems the quarrel Upon your graces part; black and fearful On the opposer.Duke. Therefore we marvel much, our cousin France Would, Stock Photo")
RM2AJA56A–The comedies, histories, tragedies, and poems of William Shakspere . [^General View of Paris.]. Liril1i|[qL -CljJMIW1[i I [ Court of the Duhea Palace, Florence.^ ACT IIL SCENE I.—Florence. A Room in the Dukes Palace, Flourish. Enter the Duke of Flokence, attended; two Frenchmen, and Soldiers. Duke. So that, from point to point, now have you heard The fundamental reasons of this war; Whose great decision hath much blood let forth, And more thirsts after.1 Lord. Holy seems the quarrel Upon your graces part; black and fearful On the opposer.Duke. Therefore we marvel much, our cousin France Would,
![The comedies, histories, tragedies, and poems of William Shakspere . [Scene V.—A public Road.]. [ (jji t lUbU m Iarhia ] ACT V. SCENE I.—Padua. Before Lucentios House. Enter on one side Biondello, LucENxro, and Bianca; Gremio walking on the other side. BiON. Softl}^ and swiftly, sir; for the priest is ready. Luc. I fly, Biondello: but they may chance to need thee at home, therefore leave us.BiON. Nay, faith, I 11 see the church o your hack; and then come back to my master^ as soon as I can. [Exeunt Lucentio, Bianca, and Biondello. Gre. I marvel Cambio comes not all this while. Enter Peteucio, Stock Photo](https://c8.alamy.com/comp/2AJ9JYR/the-comedies-histories-tragedies-and-poems-of-william-shakspere-scene-va-public-road-jji-t-lubu-m-iarhia-act-v-scene-ipadua-before-lucentios-house-enter-on-one-side-biondello-lucenxro-and-bianca-gremio-walking-on-the-other-side-bion-softl-and-swiftly-sir-for-the-priest-is-ready-luc-i-fly-biondello-but-they-may-chance-to-need-thee-at-home-therefore-leave-usbion-nay-faith-i-11-see-the-church-o-your-hack-and-then-come-back-to-my-master-as-soon-as-i-can-exeunt-lucentio-bianca-and-biondello-gre-i-marvel-cambio-comes-not-all-this-while-enter-peteucio-2AJ9JYR.jpg "The comedies, histories, tragedies, and poems of William Shakspere . [Scene V.—A public Road.]. [ (jji t lUbU m Iarhia ] ACT V. SCENE I.—Padua. Before Lucentios House. Enter on one side Biondello, LucENxro, and Bianca; Gremio walking on the other side. BiON. Softl}^ and swiftly, sir; for the priest is ready. Luc. I fly, Biondello: but they may chance to need thee at home, therefore leave us.BiON. Nay, faith, I 11 see the church o your hack; and then come back to my master^ as soon as I can. [Exeunt Lucentio, Bianca, and Biondello. Gre. I marvel Cambio comes not all this while. Enter Peteucio, Stock Photo")
RM2AJ9JYR–The comedies, histories, tragedies, and poems of William Shakspere . [Scene V.—A public Road.]. [ (jji t lUbU m Iarhia ] ACT V. SCENE I.—Padua. Before Lucentios House. Enter on one side Biondello, LucENxro, and Bianca; Gremio walking on the other side. BiON. Softl}^ and swiftly, sir; for the priest is ready. Luc. I fly, Biondello: but they may chance to need thee at home, therefore leave us.BiON. Nay, faith, I 11 see the church o your hack; and then come back to my master^ as soon as I can. [Exeunt Lucentio, Bianca, and Biondello. Gre. I marvel Cambio comes not all this while. Enter Peteucio,
RM2AG1YX0–. The comedies, histories, tragedies, and poems of William Shakspere. ome corruption of the name of a place.Warburtou conjectures that Strachy was Tra- 334 ILLUSTEATIONS. chy, Thrace. Malvolio would hardly say, thelady of the governor, for the widovj of thegovernor; but he would say, the lady of such aland, for the princess. Unquestionably theallusion is to some popular story-book—one ofthose in which Fair truth have toldThat queens of oldHave now and thenMarried with private men.—R. Brome. Where the scene of the elevation of the yeomanof the wardrobe was placed by the story-bookwriter was of
![The comedies, histories, tragedies, and poems of William Shakspere . [^Restoration of the SecoM Temple of Diaiiaj at Epheaus,]. Stock Photo](https://c8.alamy.com/comp/2AJANH8/the-comedies-histories-tragedies-and-poems-of-william-shakspere-restoration-of-the-secom-temple-of-diaiiaj-at-epheaus-2AJANH8.jpg "The comedies, histories, tragedies, and poems of William Shakspere . [^Restoration of the SecoM Temple of Diaiiaj at Epheaus,]. Stock Photo")