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RMEE05XA–Carpet; Carpet made at the Beauvais Manufactory, French, founded 1664, Unknown; Beauvais, France, Europe; about 1690 - 1720
RMPMD87C–The Prince's Journey. Date/Period: 1700. Tapestry. Wool and silk. Height: 3,550 mm (11.64 ft); Width: 4,370 mm (14.33 ft). Author: Royal Beauvais Manufactory. ANONYMOUS.
RMGD2H6D–fine arts, tapestry, chinoiserie with astronomers and astrologers, detail, from the Mughal Emperor series, Beauvais manufactory, circa 1730, residence museum, Munich, Germany, Artist's Copyright has not to be cleared
RMWHA2MM–Metropolitan Mususeum of Arts, New York.. Gallery Eighteen, tapestry on left was woven in the Beauvais manufactory in 1733. the other three are part of a set of five Gobelin tapestries illustrating the story of Don Quixote.
RF2AAJCP3–Tapestry: The Collation from The Story of the Emperor of China Series; After cartoons by Guy-Louis Vernansal (French, 1648 - 1729), and Jean-Baptiste Monnoyer (French, 1636 - 1699), and Jean-Baptiste Belin de Fontenay (French, 1653 - 1715), Beauvais Manufactory (French, founded 1664), woven under the direction of Philippe Béhagle (French, 1641 - 1705); Beauvais, France; about 1697 - 1705; Wool and silk; 309.9 x 422.9 cm (122 x 166 1/2 in.)
RM2AE41AE–design and cartoon by François Boucher; woven under the direction of Jean-Baptiste Oudry and Nicolas Besnier at the Beauvais manufactory (French, 1714 - 1754 ), Dream of Rinaldo, c. 1751, tapestry: undyed wool warp; dyed wool and silk weft, Widener Collection 1942.9.452 Design and cartoon by François Boucher; woven under the direction of Jean-Baptiste Oudry and Nicolas Besnier at the Beauvais manufactory, Dream of Rinaldo, c 1751
RM2AAJA37–Tapestry: Psyche at the Basketmakers; After design by François Boucher (French, 1703 - 1770), woven under the direction of Nicolas Besnier (French, 1714 - 1754), and Jean-Baptiste Oudry (French, 1686 - 1755), or André Charlemagne Charron (French, active 1754 - 1780), Beauvais Manufactory (French, founded 1664); Beauvais, France; about 1750; Silk and wool
RM2HJ46PN–Chair back 1754–56 Beauvais This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller de
RFRAX48G–Carpet, Carpet made at the Beauvais Manufactory, French, founded 1664, Unknown, Beauvais, France, Europe, about 1690 reimagined
RM2GMWYR3–The Hunter from a set of the Italian Village Scenes. Designer: Designed by François Boucher (French, Paris 1703-1770 Paris); Manufactory: Beauvais;
RMMKFR41–A Napoleonic folding stool from the EmperorsGrand Cabinet at Grand Trianon, made by the Beauvais Imperial Manufactory, seen in Montreal Fine Arts Muse
RM2GMWR3H–Stag Hunt. Manufactory: Beauvais; Date: late 17th century; Culture: French, Beauvais; Medium: Wool, silk (18-20 warps per inch, 7-8 per cm.);
RF2R1JWWJ–The Chinese Folk Festival, China, after François Boucher, Historical, digitally restored reproduction from a 19th century original / Das chinesische Volksfest, China, nach François Boucher, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
RM2GMXPBA–Carpet. Manufactory: Beauvais; Date: ca. 1787-90; Culture: French, Beauvais; Medium: Wool; Dimensions: Overall (confirmed): 102-3/4 x 66-1/2 in. (261
RMEDYWG7–The Camel; Beauvais Manufactory, French, founded 1664, after designs by Jean-Baptiste Monnoyer, French, 1636 - 1699
RMR38KT4–Dream of Rinaldo. Dated: c. 1751. Dimensions: overall (approximate dimensions): 281.3 x 472.4 cm (110 3/4 x 186 in.). Medium: tapestry: undyed wool warp; dyed wool and silk weft. Museum: National Gallery of Art, Washington DC. Author: design and cartoon by François Boucher; woven under the direction of Jean-Baptiste Oudry and Nicolas Besnier at the Beauvais manufactory.
RMKNDR15–Still Life, Autumn. Artist: After a painting by Theude Grönland (German, 1817-1876); Maker: Woven by Rigobert Milice; Manufactory: Beauvais; Date:
RMMMRE59–. English: An late 17th to early 18th century tapestry done by the Beauvais Manufactory depicting Chinese astronomers at the Beijing Ancient Observatory using new more accurate instruments brought to them by Europeans (Jesuits) which were installed in 1644. BeijingObservatoryUpdateTapestry
RMGD2H6M–fine arts, tapestry, nobleman with gun dog on forest track, Beauvais manufactory, 1727, residence museum, Munich, Germany, Artist's Copyright has not to be cleared
RMKNJDWX–The Gardener from a set of the Italian Village Scenes. Designer: Designed by François Boucher (French, Paris 1703-1770 Paris); Manufactory: Beauvais;
RM2H6AY36–Hanging Portière or Panel for a Bed, France, 1775/1825. Possibily designed by Gobelins Factory or René Beauvais.
RM2AJ9399–Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers . and with luminous grounds, possessing an excellence peculiarto themselves, but none the less admirable because unlike the productof Gobelin, Beauvais and Flemish looms. The Aubusson makers hadbeen authorised in 1665 to use the title Royal Manufactory, andan ordinance of 1732 provided that their tapestries should be dis
RF2AAJCXB–Tapestry: The Offering to Bacchus from The Grotesques Series; Woven after the design of Jean-Baptiste Monnoyer (French, 1636 - 1699), and Guy-Louis Vernansal (French, 1648 - 1729), Beauvais Manufactory (French, founded 1664); Beauvais, France; about 1688 - 1732; Wool and silk; modern cotton lining; 295.3 x 204.5 cm
RM2HJ4MDT–Four upholstery panels for an armchair 1754–56 Beauvais These tapestry panels are part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oud
RFRAE87Y–Carpet, Carpet made at the Beauvais Manufactory (French, founded 1664), Unknown, Beauvais, France, about 1690 - 1720 reimagined
RM2HH7XWF–Armchair (part of a set) ca. 1754–56 Frame by Nicolas-Quinibert Foliot This piece is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. This chair illustrates how French furniture and furnishings were imported all over Europe for the enric
RF2R1JWW9–the abandonment of Psyche, very common subject of the fine arts of antiquity, the mortal king's daughter Psyche, who is finally accepted among the immortals, Historical, digitally restored reproduction from an original from the 19th century / die Verlassenheit der Psyche, sehr verbreitetes Sujet der Bildenden Kunst der Antike, die sterblichen Königstochter Psyche, die schließlich unter die Unsterblichen aufgenommen wird, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert
RMEDYWG9–Musicians and Dancers; Beauvais Manufactory, French, founded 1664, after designs by Jean-Baptiste Monnoyer, French, 1636 - 1699
RMPAAA3A–The Dance from a set of the Italian Village Scenes. Culture: French, Beauvais. Designer: François Boucher (French, Paris 1703-1770 Paris). Dimensions: H. 127 x W. 95 inches (322.6 x 241.3 cm). Maker: Workshop of Nicolas Besnier (French, 1686-1754, master 1714); Workshop of Jean-Baptiste Oudry (French, Paris 1686-1755 Beauvais). Manufactory: Beauvais. Date: ca. 1744-53. Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance a
RMGD2H61–fine arts, tapestry, musicians and animals in phantastic architecture, from the grotesques series, by Philippe Behagle, after design by Jean Berain, Beauvais manufactory, circa 1700, silk, wool, knitted, Baden State Museum, Bruchsal castle, Artist's Copyright has not to be cleared
RMKNJEF2–Armchair (one of four). Factory: Tapestry probably woven at Royal Manufactory Beauvais 1664-1789; Date: ca. 1755-65; Culture: British and French,
RM2GMXMC5–Arms of Joseph Marie, Second Duc de Boufflers. Designer: Designer: Jean-Baptiste Oudry (French, Paris 1686-1755 Beauvais); Maker: Workshop of Nicolas
RMKNX796–Rocaille cartouches with flowers. Designer: After designs by Pierre Edmé Babel (French, Paris 1720-1775 Paris); Manufactory: Probably manufactured in
RM2AAJA31–Tapestry: The Abandonment of Psyche; After design by François Boucher (French, 1703 - 1770), and woven under the direction of Nicolas Besnier (French, 1714 - 1754), and Jean-Baptiste Oudry (French, 1686 - 1755), Beauvais Manufactory (French, founded 1664); Beauvais, France; about 1741 - 1742; Silk and wool; modern cotton lining; 377.8 x 282.2 cm (148 3/4 x 111 1/8 in.); 63.DD.3
RMKNJC8X–Vertumnus and Pomona from a set of Scenes from Operas. Designer: Designed by François Boucher (French, Paris 1703-1770 Paris); Manufactory: Produced
RF2AAJCXT–Tapestry: The Empress's Tea from The Story of the Emperor of China Series; Beauvais Manufactory (French, founded 1664), Woven under the direction of Philippe Béhagle (French, 1641 - 1705), After designs by Jean-Baptiste Monnoyer (French, 1636 - 1699), and Guy-Louis Vernansal (French, 1648 - 1729), and Jean-Baptiste Belin de Fontenay (French, 1653 - 1715); France; about 1697 - 1705; Wool and silk; 419.1 x 190.5 cm (165 x 75 in.)
RM2HH5B11–Armchair seat 1754–56 Beauvais This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller
RF2AAJCPD–Tapestry: The Harvesting of Pineapples from The Story of the Emperor of China Series; After cartoons by Guy-Louis Vernansal (French, 1648 - 1729), and Jean-Baptiste Monnoyer (French, 1636 - 1699), and Jean-Baptiste Belin de Fontenay (French, 1653 - 1715), Beauvais Manufactory (French, founded 1664), woven under the direction of Philippe Béhagle (French, 1641 - 1705); Beauvais, France; about 1697 - 1705; Wool and silk; 257.8 x 415.3 cm (101 1/2 x 163 1/2 in.)
RM2HHTMPN–Four upholstery panels for a settee 1754–56 Beauvais These tapestry panels are part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry
RF2AAJCR9–Tapestry: The Return from the Hunt from The Story of the Emperor of China Series; After cartoons by Guy-Louis Vernansal (French, 1648 - 1729), and Jean-Baptiste Monnoyer (French, 1636 - 1699), and Jean-Baptiste Belin de Fontenay (French, 1653 - 1715), Beauvais Manufactory (French, founded 1664), woven under the direction of Philippe Béhagle (French, 1641 - 1705); Beauvais, France; about 1697 - 1705; Wool and silk; modern cotton lining; 421.4 x 290 cm (165 7/8 x 114 3/16 in.)
RFRATRWD–Musicians and Dancers, Beauvais Manufactory, French, founded 1664, after designs by Jean-Baptiste Monnoyer, French reimagined
RMEDYWG6–The Offering to Pan; Beauvais Manufactory, French, founded 1664, after designs by Jean-Baptiste Monnoyer, French, 1636 - 1699
RMPA8ME7–Stag Hunt. Culture: French, Beauvais. Dimensions: H. 128 x W. 188 inches (325.1 x 477.5 cm). Manufactory: Beauvais. Date: late 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMW51D69–One Settee and Ten Armchairs, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery
RMGD2H59–fine arts, tapestry, Dionysus with thyrsos, from the grotesques series, by Philippe Behagle, after design by Jean Berain, Beauvais manufactory, circa 1700, silk, wool, knitted, 334 x 275 cm, Baden State Museum, Bruchsal castle, Artist's Copyright has not to be cleared
RMKNJCD8–Bacchus and Ariadne from a set of The Loves of the Gods. Designer: Designed by François Boucher (French, Paris 1703-1770 Paris); Manufactory:
RMKNHJ9J–The Collation from a set of the Italian Village Scenes. Designer: Designed by François Boucher (French, Paris 1703-1770 Paris); Manufactory:
RM2HHTB36–Armchair seat 1754–56 Beauvais This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller
RF2AAJCPY–Tapestry: The Emperor on a Journey from The Story of the Emperor of China Series; After cartoons by Guy-Louis Vernansal (French, 1648 - 1729), and Jean-Baptiste Monnoyer (French, 1636 - 1699), and Jean-Baptiste Belin de Fontenay (French, 1653 - 1715), Beauvais Manufactory (French, founded 1664), woven under the direction of Philippe Béhagle (French, 1641 - 1705); Beauvais, France; about 1690 - 1705; Wool and silk; 254 x 415.3 cm (100 x 163 1/2 in.); 83.DD.339
RFRATRWA–The Offering to Pan, Beauvais Manufactory, French, founded 1664, after designs by Jean-Baptiste Monnoyer, French reimagined
RMKNJDYH–Boreas and Orithyia from a set of scenes from Ovid´s Metamorphoses. Designer: René Antoine Houasse (French, Paris 1645-1710 Paris); Manufactory:
RMPANHGX–Vulcan Presenting Arms for Aeneas to Venus from the set The Loves of the Gods. Culture: French, Beauvais. Designer: François Boucher (French, Paris 1703-1770 Paris). Dimensions: Overall (confirmed): 118 5/8 x 217 in. (301.3 x 551.2 cm). Manufactory: Beauvais. Date: possibly 1771. Museum: Metropolitan Museum of Art, New York, USA.
RMW538AJ–Musicians and Dancers, Beauvais Manufactory (French, founded 1664), after designs by Jean-Baptiste Monnoyer (French, 1636 - 1699), border design attributed to Jean-Baptiste Monnoyer (French, 1636 - 1699), and Guy-Louis Vernansal (French, 1648 - 1729), 1690 - 1730, Wool and silk, 316.9 x 522 cm (124 3/4 x 205 1/2 in
RMKNDWA8–Valence for a bed (Lit à la duchesse en impériale). Factory: Tapestry made at Beauvais; Date: ca. 1780-90; Culture: French, Beauvais; Medium: Silk
RMGD2H63–fine arts, tapestry, musicians and animals in phantastic architecture, detail, trumpet player, from the grotesques series, by Philippe Behagle, after design by Jean Berain, Beauvais manufactory, circa 1700, silk, wool, knitted, Baden State Museum, Bruchsal castle, Artist's Copyright has not to be cleared
RMKNX79H–Tester bed (lit à la duchesse en impériale). Maker: Georges Jacob (French, 1739-1814); Factory: Tapestry made at Beauvais; Artist: After a design by
RMKNJECH–Coverlet for a bed (Lit à la duchesse en impériale). Factory: Tapestry made at Beauvais; Date: ca. 1780-90; Culture: French, Beauvais; Medium: Silk
RM2HHT6DK–Armchair seat 1754–56 Beauvais This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller
RF2AAJB6E–Tapestry: The Empress Sailing from The Story of the Emperor of China Series; After designs by Guy-Louis Vernansal (French, 1648 - 1729), and Jean-Baptiste Monnoyer (French, 1636 - 1699), and Jean-Baptiste Belin de Fontenay (French, 1653 - 1715), Woven at the Beauvais Manufactory (French, founded 1664), under the direction of Philippe Béhagle (French, 1641 - 1705); design about 1690; weave about 1697 - 1705; Wool and silk; 367.6 x 310.5 cm (144 3/4 x 122 1/4 in.)
RFRATRWC–The Camel, Beauvais Manufactory, French, founded 1664, after designs by Jean-Baptiste Monnoyer, French, 1636 - 1699 reimagined
RMPAAJF8–Still Life, Autumn. Artist: After a painting by Theude Grönland (German, 1817-1876). Culture: French, Beauvais. Dimensions: H. 25 x W. 21 inches (63.5 x 53.3 cm). Maker: Woven by Rigobert Milice. Manufactory: Beauvais. Date: designed 1845, woven 1846. Museum: Metropolitan Museum of Art, New York, USA.
RMW51D6H–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestry upholstery by the Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, wool and silk, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RMGD2H64–fine arts, tapestry, musicians and animals in phantastic architecture, detail, flute player, from the grotesques series, by Philippe Behagle, after design by Jean Berain, Beauvais manufactory, circa 1700, silk, wool, knitted, Baden State Museum, Bruchsal castle, Artist's Copyright has not to be cleared
RMKNJECB–Back panel for a bed (Lit à la duchesse en impériale). Factory: Tapestry made at Beauvais; Date: ca. 1780-90; Culture: French, Beauvais; Medium: Silk
RM2HHTB01–Armchair (part of a set) ca. 1754–56 Frame by Nicolas-Quinibert Foliot This piece is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. This chair illustrates how French furniture and furnishings were imported all over Europe for the enric
RF2B970GG–One Settee and Ten Armchairs, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPAB5W8–The Swing, The Harvest, and Cherry Picking from a set of the Pastorals with Blue Draperies. Culture: French, Beauvais. Designer: Jean-Baptiste Huet I (French, Paris 1745-1811 Paris). Dimensions: H. 140 x W. 231 inches (355.6 x 586.7 cm). Maker: Workshop of de Menou (French, active 1780-93). Manufactory: Beauvais. Date: designed ca. 1780, woven ca. 1782-90. Museum: Metropolitan Museum of Art, New York, USA.
RMW51D6B–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestry upholstery by the Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, wool and silk, 100.6 × 63.5 × 50.8 cm (39 5/8 × 25 × 20 in
RMGD2H5M–fine arts, tapestry, musicians in phantastic architecture, from the grotesques series, by Philippe Behagle, after design by Jean Berain, Beauvais manufactory, circa 1700, silk, wool, knitted, 331 x 199 cm, Baden State Museum, Bruchsal castle, Artist's Copyright has not to be cleared
RMKNJE0Y–Vulcan Presenting Arms for Aeneas to Venus from the set The Loves of the Gods. Designer: François Boucher (French, Paris 1703-1770 Paris);
RM2GMWPPB–The Dance from a set of the Italian Village Scenes. Designer: François Boucher (French, Paris 1703-1770 Paris); Maker: Workshop of Nicolas Besnier
RM2GMWYR2–Settee (canapé) (part of a set). Maker: Frame by Nicolas-Quinibert Foliot (1706-1776, warden 1750/52); Designer: Probably after a design by Pierre
RMKNKE2D–Arms of the Greder Family of Solothurn, Switzerland. Date: ca. 1691-94; Culture: French, possibly Paris or Lorraine; Medium: Wool, silk, metal thread
RM2HHT3DY–Armrest 1754–56 Beauvais This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller descr
RMKNJD9W–The Offering to Pan from a set of the Berain Grotesques. Designer: Jean-Baptiste Monnoyer (French, Lille 1636-1699 London); Maker: Workshop of
RF2B9CYB1–One Settee and Ten Armchairs, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RMPA9D7B–Rocaille cartouches with flowers. Culture: French, probably Beauvais. Designer: After designs by Pierre Edmé Babel (French, Paris 1720-1775 Paris). Dimensions: Back: H. 27 1/2 x W. 25 1/4 in. (69.9 x 64.1 cm); seat: H. 29 x W. 31 in. (73.7 x 78.7 cm). Manufactory: Probably manufactured in the Beauvais. Date: ca. 1735-50. Museum: Metropolitan Museum of Art, New York, USA.
RMW51D6C–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestries by Beauvais Manufactory (French, founded 1664), Beauvais, France, about 1810, Mahogany and beech, gilt-bronze mounts, silk and wool tapestry upholstery, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in
RMGD2H67–fine arts, tapestry, dancers in phantastic architecture, from the grotesques series, by Philippe Behagle, after design by Jean Berain, Beauvais manufactory, circa 1700, silk, wool, knitted, 326,5 x 317 cm, Baden State Museum, Bruchsal castle, Artist's Copyright has not to be cleared
RM2HHT3DF–Armchair seat 1754–56 Beauvais This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller
RMKNJDYP–Musicians and Dancers from a set of five Grotesques. Designer: Designed by Jean-Baptiste Monnoyer (French, Lille 1636-1699 London); Artist: Style of
![Europe from a set of The Four Continents designed ca. 1786, woven 1790–91 Jean Jacques François Le Barbier French This suite of four tapestries and its coordinating upholstery (MMA 1978.404.4a-c–.18a–c] were commissioned from the Beauvais manufactory in 1786 and woven between 1790 and 1791. ¹ As has been noted, 'The attractive and not impossible suggestion that the set was intended to be a gift from King Louis XVI to George Washington was made by the first scholar to publish the work.. but it is not supported by any contemporary evidence.'² Regardless of whether the suite was intended as a gif Stock Photo](https://c8.alamy.com/comp/2HHECM3/europe-from-a-set-of-the-four-continents-designed-ca-1786-woven-179091-jean-jacques-franois-le-barbier-french-this-suite-of-four-tapestries-and-its-coordinating-upholstery-mma-19784044a-c18ac-were-commissioned-from-the-beauvais-manufactory-in-1786-and-woven-between-1790-and-1791-as-has-been-noted-the-attractive-and-not-impossible-suggestion-that-the-set-was-intended-to-be-a-gift-from-king-louis-xvi-to-george-washington-was-made-by-the-first-scholar-to-publish-the-work-but-it-is-not-supported-by-any-contemporary-evidence-regardless-of-whether-the-suite-was-intended-as-a-gif-2HHECM3.jpg "Europe from a set of The Four Continents designed ca. 1786, woven 1790–91 Jean Jacques François Le Barbier French This suite of four tapestries and its coordinating upholstery (MMA 1978.404.4a-c–.18a–c] were commissioned from the Beauvais manufactory in 1786 and woven between 1790 and 1791. ¹ As has been noted, 'The attractive and not impossible suggestion that the set was intended to be a gift from King Louis XVI to George Washington was made by the first scholar to publish the work.. but it is not supported by any contemporary evidence.'² Regardless of whether the suite was intended as a gif Stock Photo")
RM2HHECM3–Europe from a set of The Four Continents designed ca. 1786, woven 1790–91 Jean Jacques François Le Barbier French This suite of four tapestries and its coordinating upholstery (MMA 1978.404.4a-c–.18a–c] were commissioned from the Beauvais manufactory in 1786 and woven between 1790 and 1791. ¹ As has been noted, 'The attractive and not impossible suggestion that the set was intended to be a gift from King Louis XVI to George Washington was made by the first scholar to publish the work.. but it is not supported by any contemporary evidence.'² Regardless of whether the suite was intended as a gif
RF2B98F4J–Musicians and Dancers, Beauvais Manufactory (French, founded 1664), after designs by Jean-Baptiste Monnoyer (French, 1636 - 1699), border design attributed to Jean-Baptiste Monnoyer (French, 1636 - 1699), and Guy-Louis Vernansal (French, 1648 - 1729), 1690 - 1730, Wool and silk, 316.9 x 522 cm (124 3/4 x 205 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2HHWEYC–Africa from a set of The Four Continents designed ca. 1786, woven 1790–91 Jean Jacques François Le Barbier French This suite of four tapestries and its coordinating upholstery (MMA 1978.404.4a-c–.18a–c) were commissioned from the Beauvais manufactory in 1786 and woven between 1790 and 1791.¹ As has been noted, 'The attractive and not impossible suggestion that the set was intended to be a gift from King Louis XVI to George Washington was made by the first scholar to publish the work.. but it is not supported by any contemporary evidence.'² Regardless of whether the suite was intended as a gift
RMPAJM7G–The Offering to Pan from a set of the Berain Grotesques. Artist: Related to a painting by Nicolas Poussin (French, Les Andelys 1594-1665 Rome) (The Triumph of Pan, National Gallery, London). Culture: French, Beauvais. Designer: Jean-Baptiste Monnoyer (French, Lille 1636-1699 London). Dimensions: H. 121 x W. 111 inches (307.3 x 281.9 cm). Maker: Workshop of Philippe Béhagle (French, 1641-1705) or his son. Manufactory: Beauvais. Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RMW538AE–The Offering to Pan, Beauvais Manufactory (French, founded 1664), after designs by Jean-Baptiste Monnoyer (French, 1636 - 1699), border design attributed to Jean-Baptiste Monnoyer (French, 1636 - 1699), and Guy-Louis Vernansal (French, 1648 - 1729), 1690 - 1730, Wool and silk, modern cotton lining, 322.6 x 302.3 cm (127 x 119 in
RMKNX46F–The Audience of the Emperor from the series The Story of the Emperor of China. Designer: Guy Louis Vernansal the Elder (French, Fontainebleau
RMGD2H5P–fine arts, tapestry, musicians and artists in phantastic architecture, from the grotesques series, by Philippe Behagle, after design by Jean Berain, Beauvais manufactory, circa 1700, silk, wool, knitted, 320 x 498 cm, Baden State Museum, Bruchsal castle, Artist's Copyright has not to be cleared
RMKNKXF6–The Offering to Bacchus (from a set of five Berain Grotesques). Designer: Jean-Baptiste Monnoyer (French, Lille 1636-1699 London); Artist: Style of
RMKNJD9F–The Repast from the set of Russian Entertainments. Designer: Jean-Baptiste Le Prince (French, Metz 1734-1781 Saint-Denis-du-Port); Maker: Workshop of
RMKNX71D–America from a set of The Four Continents. Designer: Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris); Maker: Workshop of de Menou
RMKNP7JE–Vertumnus and Pomona. Artist: François Boucher (French, Paris 1703-1770 Paris); Medium: Brown chalk; Dimensions: 13 9/16 x 8 15/16 in. (34.5 x 22.7
RMKNX791–Europe from a set of The Four Continents. Designer: Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris); Maker: Workshop of de Menou
RF2B970GW–One Armchair, Frames attributed to François-Honoré-Georges Jacob-Desmalter (French, 1770 - 1841), Tapestry upholstery by the Beauvais Manufactory (French, founded 1664), Paris, France, about 1810, Mahogany and beech, gilt-bronze mounts, wool and silk, 100.6 × 63.5 × 48.3 cm (39 5/8 × 25 × 19 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
