Basel 1536 1606 basel hi-res stock photography and images

Disc tear with two lions as shield attendants and the coat of arms of the Basel stand, in the upper picture battle against basilisk, c. 1568/73, feather in dark brown, brown and gray brown washed, leaf: 46 x 36.7 cm, Ludwig Ringler, (Umkreis / circle), Basel 1536–1606 Basel Stock Photo

RM2A2P1NP–Disc tear with two lions as shield attendants and the coat of arms of the Basel stand, in the upper picture battle against basilisk, c. 1568/73, feather in dark brown, brown and gray brown washed, leaf: 46 x 36.7 cm, Ludwig Ringler, (Umkreis / circle), Basel 1536–1606 Basel

RF2B9349P–Disc tear with two lions as shield attendants and the coat of arms of the Basel stand, in the upper picture battle against basilisk, c. 1568/73, feather in dark brown, brown and gray brown washed, leaf: 46 x 36.7 cm, Ludwig Ringler, (Umkreis / circle), Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Blazon of the University of Basel, 1560, stained glass, 42 x 30 cm |, 30.1 x 42 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: EX • DONO • ALMAE • UNIVERSITY • STUDY • BASILIS • 1560, Designation of the four allegorical figures: THEOLOGIA, IVS, MEDICINA, PHILOSOPHIA, Ludwig Ringler, Basel 1536–1606 Basel Stock Photo

RM2A2NY3A–Blazon of the University of Basel, 1560, stained glass, 42 x 30 cm |, 30.1 x 42 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: EX • DONO • ALMAE • UNIVERSITY • STUDY • BASILIS • 1560, Designation of the four allegorical figures: THEOLOGIA, IVS, MEDICINA, PHILOSOPHIA, Ludwig Ringler, Basel 1536–1606 Basel

RF2B92WX1–Blazon of the University of Basel, 1560, stained glass, 42 x 30 cm |, 30.1 x 42 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: EX • DONO • ALMAE • UNIVERSITY • STUDY • BASILIS • 1560, Designation of the four allegorical figures: THEOLOGIA, IVS, MEDICINA, PHILOSOPHIA, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Disc rupture with Pope Clement VII and Emperor Charles V as shield attendants and the Basel coat of arms (for the law faculty of the University of Basel), feather in black, traces of a preliminary drawing with black pencil, page: 43.3 x 31.8 cm |, Image: 42.7 x 31.3 cm, O. inscribed in the illustration: VERITAS, IVSITIA [sic], PRUDEN, CIG, Ludwig Ringler, Basel 1536–1606 Basel Stock Photo

RM2A2NYXX–Disc rupture with Pope Clement VII and Emperor Charles V as shield attendants and the Basel coat of arms (for the law faculty of the University of Basel), feather in black, traces of a preliminary drawing with black pencil, page: 43.3 x 31.8 cm |, Image: 42.7 x 31.3 cm, O. inscribed in the illustration: VERITAS, IVSITIA [sic], PRUDEN, CIG, Ludwig Ringler, Basel 1536–1606 Basel

RF2B9300D–Disc rupture with Pope Clement VII and Emperor Charles V as shield attendants and the Basel coat of arms (for the law faculty of the University of Basel), feather in black, traces of a preliminary drawing with black pencil, page: 43.3 x 31.8 cm |, Image: 42.7 x 31.3 cm, O. inscribed in the illustration: VERITAS, IVSITIA [sic], PRUDEN, CIG, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, mo

Disc rupture with two angels as shield attendants and the coat of arms of the Melchior von Lichtenfels, Prince-Bishop of Basel, above Angel Concerto, 1557, feather in gray-black, gray and brown washed, old mounted, sheet: 43.2 x 34 cm, U. inscribed and dated in the cartouche, : MELCHIOR OF GOD'S MERCY BISC, COURT ZV BASEL., ANNO., M.D.L.VII, u, ., r., monogrammed in the base: LR [lig.], underneath in cartouche: 57, Ludwig Ringler, Basel 1536–1606 Basel Stock Photo

RM2A2P0CM–Disc rupture with two angels as shield attendants and the coat of arms of the Melchior von Lichtenfels, Prince-Bishop of Basel, above Angel Concerto, 1557, feather in gray-black, gray and brown washed, old mounted, sheet: 43.2 x 34 cm, U. inscribed and dated in the cartouche, : MELCHIOR OF GOD'S MERCY BISC, COURT ZV BASEL., ANNO., M.D.L.VII, u, ., r., monogrammed in the base: LR [lig.], underneath in cartouche: 57, Ludwig Ringler, Basel 1536–1606 Basel

RF2B930TW–Disc rupture with two angels as shield attendants and the coat of arms of the Melchior von Lichtenfels, Prince-Bishop of Basel, above Angel Concerto, 1557, feather in gray-black, gray and brown washed, old mounted, sheet: 43.2 x 34 cm, U. inscribed and dated in the cartouche, : MELCHIOR OF GOD'S MERCY BISC, COURT ZV BASEL., ANNO., M.D.L.VII, u, ., r., monogrammed in the base: LR [lig.], underneath in cartouche: 57, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photog

Coat of Arms of the Basel Theology Professor Simon Sulzer, 1560, stained glass, 42.5 x 31.5 cm |, 31.3 x 42.5 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: SIMON SVLCERVS ECCLESIÆ BASI [liensi] s MINISTER ET SACRAR [UM] LITER [ARVM] PRO [FESSOR] • 1 • 5 • 6 • 0 •, in the script of the middle picture:, NOS PRÆDICAMVS CHRISTVM, ET HVNC CRUCIFIXVM, Name of the two allegorical standing figures: SPES, FIDES, Ludwig Ringler, Basel 1536–1606 Basel Stock Photo

RM2A2NY3G–Coat of Arms of the Basel Theology Professor Simon Sulzer, 1560, stained glass, 42.5 x 31.5 cm |, 31.3 x 42.5 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: SIMON SVLCERVS ECCLESIÆ BASI [liensi] s MINISTER ET SACRAR [UM] LITER [ARVM] PRO [FESSOR] • 1 • 5 • 6 • 0 •, in the script of the middle picture:, NOS PRÆDICAMVS CHRISTVM, ET HVNC CRUCIFIXVM, Name of the two allegorical standing figures: SPES, FIDES, Ludwig Ringler, Basel 1536–1606 Basel

Blazon of the Theological Faculty of the University of Basel, 1560, stained glass, 42.5 x 31.5 cm |, 31.3 x 42.5 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: ORDO: THEOLOG: ACADE • BAS: D [ONUM] D [EDIT], above in blue stripe: • 1 • 5 • 6 • 0 •, on the stone block above: PETRA • AUTEM • ERAT • CHRiSTUS, the four allegorical figures of the frame are: SPES, VIDES [sic!], IVSTITIA, CARITAS, Name of the two coats of arms in the arcade apex: MARTIN BORRHAVS, WOLFGANG WISSENBVRG, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brig Stock Photo

RF2B92WX3–Blazon of the Theological Faculty of the University of Basel, 1560, stained glass, 42.5 x 31.5 cm |, 31.3 x 42.5 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: ORDO: THEOLOG: ACADE • BAS: D [ONUM] D [EDIT], above in blue stripe: • 1 • 5 • 6 • 0 •, on the stone block above: PETRA • AUTEM • ERAT • CHRiSTUS, the four allegorical figures of the frame are: SPES, VIDES [sic!], IVSTITIA, CARITAS, Name of the two coats of arms in the arcade apex: MARTIN BORRHAVS, WOLFGANG WISSENBVRG, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brig

RM2A2NY3B–Blazon of the Theological Faculty of the University of Basel, 1560, stained glass, 42.5 x 31.5 cm |, 31.3 x 42.5 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: ORDO: THEOLOG: ACADE • BAS: D [ONUM] D [EDIT], above in blue stripe: • 1 • 5 • 6 • 0 •, on the stone block above: PETRA • AUTEM • ERAT • CHRiSTUS, the four allegorical figures of the frame are: SPES, VIDES [sic!], IVSTITIA, CARITAS, Name of the two coats of arms in the arcade apex: MARTIN BORRHAVS, WOLFGANG WISSENBVRG, Ludwig Ringler, Basel 1536–1606 Basel

RF2B92WX8–Coat of Arms of the Basel Theology Professor Simon Sulzer, 1560, stained glass, 42.5 x 31.5 cm |, 31.3 x 42.5 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: SIMON SVLCERVS ECCLESIÆ BASI [liensi] s MINISTER ET SACRAR [UM] LITER [ARVM] PRO [FESSOR] • 1 • 5 • 6 • 0 •, in the script of the middle picture:, NOS PRÆDICAMVS CHRISTVM, ET HVNC CRUCIFIXVM, Name of the two allegorical standing figures: SPES, FIDES, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twis

Blazon of the Faculty of Medicine of the University of Basel, 1560, stained glass, 40.5 x 30.5 cm |, 30.3 x 40.4 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: EX • DONO • FACVLTATIS • MEDICE • STVDY • BASILSIS • 1 • 5 • 6 • 0 •, Designation of coats of arms of Faculty members, from top to bottom: [Heinrich Panta] LEO • DECANVS, OSWALDVS • BERVS, ISACH • CELLAR, IOHANNES • HVBERVS, FELIX • PLATERVS, ADAM • DE • BODENSTEIN, GWILHELM • GRATAROL, IO • IACOB • HVGGELI, IOH • IACOB • ALARM, TEODORVS • ZWINGGER, Ludwig Ringler, Basel 1536–1606 Basel Stock Photo

RM2A2NY3D–Blazon of the Faculty of Medicine of the University of Basel, 1560, stained glass, 40.5 x 30.5 cm |, 30.3 x 40.4 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: EX • DONO • FACVLTATIS • MEDICE • STVDY • BASILSIS • 1 • 5 • 6 • 0 •, Designation of coats of arms of Faculty members, from top to bottom: [Heinrich Panta] LEO • DECANVS, OSWALDVS • BERVS, ISACH • CELLAR, IOHANNES • HVBERVS, FELIX • PLATERVS, ADAM • DE • BODENSTEIN, GWILHELM • GRATAROL, IO • IACOB • HVGGELI, IOH • IACOB • ALARM, TEODORVS • ZWINGGER, Ludwig Ringler, Basel 1536–1606 Basel

RF2B92WX4–Blazon of the Faculty of Medicine of the University of Basel, 1560, stained glass, 40.5 x 30.5 cm |, 30.3 x 40.4 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: EX • DONO • FACVLTATIS • MEDICE • STVDY • BASILSIS • 1 • 5 • 6 • 0 •, Designation of coats of arms of Faculty members, from top to bottom: [Heinrich Panta] LEO • DECANVS, OSWALDVS • BERVS, ISACH • CELLAR, IOHANNES • HVBERVS, FELIX • PLATERVS, ADAM • DE • BODENSTEIN, GWILHELM • GRATAROL, IO • IACOB • HVGGELI, IOH • IACOB • ALARM, TEODORVS • ZWINGGER, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design o

Enwurf for a middle picture with the judgment of Cambyses, feather in dark gray, remains of a preliminary drawing with black pencil, mounted, sheet: 34 x 24.7 cm |, Picture: 32.2 x 23.9 cm, U. l., monogrammed: LR [lig.], inscribed on the left: CIRVS, Ludwig Ringler, Basel 1536–1606 Basel Stock Photo

RM2A2P13C–Enwurf for a middle picture with the judgment of Cambyses, feather in dark gray, remains of a preliminary drawing with black pencil, mounted, sheet: 34 x 24.7 cm |, Picture: 32.2 x 23.9 cm, U. l., monogrammed: LR [lig.], inscribed on the left: CIRVS, Ludwig Ringler, Basel 1536–1606 Basel

RF2B932GA–Enwurf for a middle picture with the judgment of Cambyses, feather in dark gray, remains of a preliminary drawing with black pencil, mounted, sheet: 34 x 24.7 cm |, Picture: 32.2 x 23.9 cm, U. l., monogrammed: LR [lig.], inscribed on the left: CIRVS, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Broken glass with two shield attendants and the crests Falkner and Irmi, on the center pillar Cupid with bow and arrows, 1563/64, feather in black, Sheet: 42.2 x 38.2 cm /38.8 cm, Not marked, Jost Amman, Zürich 1539–1591 Nürnberg, Ludwig Ringler, (alternative Zuschreibung / alternative attribution), Basel 1536–1606 Basel Stock Photo

RM2A2P1NR–Broken glass with two shield attendants and the crests Falkner and Irmi, on the center pillar Cupid with bow and arrows, 1563/64, feather in black, Sheet: 42.2 x 38.2 cm /38.8 cm, Not marked, Jost Amman, Zürich 1539–1591 Nürnberg, Ludwig Ringler, (alternative Zuschreibung / alternative attribution), Basel 1536–1606 Basel

RF2B9349T–Broken glass with two shield attendants and the crests Falkner and Irmi, on the center pillar Cupid with bow and arrows, 1563/64, feather in black, Sheet: 42.2 x 38.2 cm /38.8 cm, Not marked, Jost Amman, Zürich 1539–1591 Nürnberg, Ludwig Ringler, (alternative Zuschreibung / alternative attribution), Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RM2A2P1NN–Disc tear with two blank escutcheons (Theodor Brand, Christina Kosin), in the upper picture Esther before Ahasver, 1558, feather in brown, remains of a preliminary drawing with black pencil, verso feathers and sketch with feather in purple, sheet: 39.2, 39.9 x 30.2 cm, U. monogrammed: LR [lig.], u, ., inscribed and dated in the cartouche: THEODER BRAND, CHRISTNA KOSIN 1558., Ludwig Ringler, Basel 1536–1606 Basel

RF2B9349C–Disc tear with two blank escutcheons (Theodor Brand, Christina Kosin), in the upper picture Esther before Ahasver, 1558, feather in brown, remains of a preliminary drawing with black pencil, verso feathers and sketch with feather in purple, sheet: 39.2, 39.9 x 30.2 cm, U. monogrammed: LR [lig.], u, ., inscribed and dated in the cartouche: THEODER BRAND, CHRISTNA KOSIN 1558., Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dyn

Disc tear with warrior as a shield companion and the coat of arms of Beat Cold Dorneck, Vogt of Solothurn, in the Oberbild siege of a castle (Dorneck?), 1557, feather in black, gray washed, in places with pink and olive green watercolors, old laminated, page: 44.2, x 33.4 cm |, Image: 43.4 x 32.8 cm, U. r., monogrammed on the pillar: LR [lig.], u, ., in the cartouche inscribed: Batt., Cold., the ., tremble., Vogtt., too., Dorneck, ., l, ., and r., dated: 15 57, Ludwig Ringler, Basel 1536–1606 Basel Stock Photo

RM2A2P0C5–Disc tear with warrior as a shield companion and the coat of arms of Beat Cold Dorneck, Vogt of Solothurn, in the Oberbild siege of a castle (Dorneck?), 1557, feather in black, gray washed, in places with pink and olive green watercolors, old laminated, page: 44.2, x 33.4 cm |, Image: 43.4 x 32.8 cm, U. r., monogrammed on the pillar: LR [lig.], u, ., in the cartouche inscribed: Batt., Cold., the ., tremble., Vogtt., too., Dorneck, ., l, ., and r., dated: 15 57, Ludwig Ringler, Basel 1536–1606 Basel

RF2B930R2–Disc tear with warrior as a shield companion and the coat of arms of Beat Cold Dorneck, Vogt of Solothurn, in the Oberbild siege of a castle (Dorneck?), 1557, feather in black, gray washed, in places with pink and olive green watercolors, old laminated, page: 44.2, x 33.4 cm |, Image: 43.4 x 32.8 cm, U. r., monogrammed on the pillar: LR [lig.], u, ., in the cartouche inscribed: Batt., Cold., the ., tremble., Vogtt., too., Dorneck, ., l, ., and r., dated: 15 57, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Cla

Blazon of the Bonifacius Amerbach, 1560, stained glass, 42 x 30.5 cm |, 31 x 42.5 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: BONIFACIVS • AMERBACHIVS • I [VRRIS] C [ONSVLTVS] • 1 • 5 • 6 • 0 •, in the medallions on the upper corners: ESTI PORISMOS MEGAS E EUSEBEIA META AUTAPKEIAS (in Greek letters, left), CONTENTVM REBVS SVIS ESSE MAXIMÆ SVNT CERTISSIMÆQVE DIVITIÆ (right), Designation of the figures on the entablature (in Greek letters): AUTARKEIA, PHILARGURIA, Designation of the lateral figures: NEMESIS, IVSTITIA, Ludwig Ringler, Basel 1536–1606 Basel Stock Photo

RM2A2NY3F–Blazon of the Bonifacius Amerbach, 1560, stained glass, 42 x 30.5 cm |, 31 x 42.5 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: BONIFACIVS • AMERBACHIVS • I [VRRIS] C [ONSVLTVS] • 1 • 5 • 6 • 0 •, in the medallions on the upper corners: ESTI PORISMOS MEGAS E EUSEBEIA META AUTAPKEIAS (in Greek letters, left), CONTENTVM REBVS SVIS ESSE MAXIMÆ SVNT CERTISSIMÆQVE DIVITIÆ (right), Designation of the figures on the entablature (in Greek letters): AUTARKEIA, PHILARGURIA, Designation of the lateral figures: NEMESIS, IVSTITIA, Ludwig Ringler, Basel 1536–1606 Basel

RF2B92WX7–Blazon of the Bonifacius Amerbach, 1560, stained glass, 42 x 30.5 cm |, 31 x 42.5 x 2 cm, unsigned, but dated., In the scroll cartridge in the base: BONIFACIVS • AMERBACHIVS • I [VRRIS] C [ONSVLTVS] • 1 • 5 • 6 • 0 •, in the medallions on the upper corners: ESTI PORISMOS MEGAS E EUSEBEIA META AUTAPKEIAS (in Greek letters, left), CONTENTVM REBVS SVIS ESSE MAXIMÆ SVNT CERTISSIMÆQVE DIVITIÆ (right), Designation of the figures on the entablature (in Greek letters): AUTARKEIA, PHILARGURIA, Designation of the lateral figures: NEMESIS, IVSTITIA, Ludwig Ringler, Basel 1536–1606 Basel, Reimagined by Gi

Basel 1536 1606 basel Stock Photos and Images

Basel 1536 1606 basel Stock Photos and Images

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