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New Creative Relevant Search filters Bacchant Stock Photos and Images  (145) Narrow your search: Black & white | Cut Outs Page 1 of 2 French Quarter, New Orleans, Louisiana. Cast-iron Railings of the Gauche Villa, Built 1856, Showing a Bacchant. French Quarter, New Orleans, Louisiana. Cast-iron Railings of the Gauche Villa, Built 1856, Showing a Bacchant.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-french-quarter-new-orleans-louisiana-cast-iron-railings-of-the-gauche-77549184.html France, Herault, Beziers, Museum of Biterrois, head of bronze Bacchant of Jean Antoine Injalbert France, Herault, Beziers, Museum of Biterrois, head of bronze Bacchant of Jean Antoine Injalberthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-france-herault-beziers-museum-of-biterrois-head-of-bronze-bacchant-70344729.html Bacchant and Bacchante, Fragment of an ancient painting, vintage engraved illustration. Magasin Pittoresque 1844. Bacchant and Bacchante, Fragment of an ancient painting, vintage engraved illustration. Magasin Pittoresque 1844.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-and-bacchante-fragment-of-an-ancient-painting-vintage-engraved-illustration-magasin-pittoresque-1844-image363141533.html TRÉSOR D'ARGENTERIE.PLAT.BACCHANT DANSANT DEVANT UN AUTEL.MARLI DÉCORÉ DE MASQUES ET D'ANIMAUX.II E SIECLE APRES J.C.ARGENT.ART ROMAIN TRÉSOR D'ARGENTERIE.PLAT.BACCHANT DANSANT DEVANT UN AUTEL.MARLI DÉCORÉ DE MASQUES ET D'ANIMAUX.II E SIECLE APRES J.C.ARGENT.ART ROMAINhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trsor-dargenterieplatbacchant-dansant-devant-un-autelmarli-dcor-de-masques-et-danimauxii-e-siecle-apres-jcargentart-romain-image260695075.html Bacchant, Satyr, and Fauness, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid); Date: ca. 1740; Medium: Bacchant, Satyr, and Fauness, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid); Date: ca. 1740; Medium:https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bacchant-satyr-and-fauness-from-the-scherzi-artist-giovanni-battista-168368124.html A maenad carrying a panther and a thyrsos. See description for more information. A maenad carrying a panther and a thyrsos. See description for more information.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-maenad-carrying-a-panther-and-a-thyrsos-see-description-for-more-26908068.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows Venus, or a young dancer or bacchant representing her, gracefully dancing at a banquet of the gods. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows Venus, or a young dancer or bacchant representing her, gracefully dancing at a banquet of the gods. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-venus-or-a-young-dancer-or-bacchant-representing-her-gracefully-dancing-at-a-banquet-of-the-gods-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681557.html Bruni Feodor - Bacchant - Russian School - 19th Century Bruni Feodor - Bacchant - Russian School - 19th Centuryhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bruni-feodor-bacchant-russian-school-19th-century-image382105759.html bunch of grapes with vineleaf bunch of grapes with vineleafhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bunch-of-grapes-with-vineleaf-19212587.html Italy Emilia Romagna - Forlì - Palazzo Romagnoli -Ercole Drei - sleeping bacchant Italy Emilia Romagna - Forlì - Palazzo Romagnoli -Ercole Drei - sleeping bacchanthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-emilia-romagna-forl-palazzo-romagnoli-ercole-drei-sleeping-bacchant-image386179908.html The Young and old Bacchant after Raphael (?) (Bartsch 294) Marc Antoine Raimondi (1480-vers1534). Le Jeune et le vieux Bacchant d'après Raphaël (Bartsch 294). Eau-forte, burin. XVIème siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. The Young and old Bacchant after Raphael (?) (Bartsch 294) Marc Antoine Raimondi (1480-vers1534). Le Jeune et le vieux Bacchant d'après Raphaël (Bartsch 294). Eau-forte, burin. XVIème siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-young-and-old-bacchant-after-raphael-bartsch-294-marc-antoine-raimondi-1480-vers1534-le-jeune-et-le-vieux-bacchant-daprs-raphal-bartsch-294-eau-forte-burin-xvime-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349524934.html A Bacchanale, Raymond Lafage, French, 1656–1684, Black chalk, pen and ink, brush and gray wash on laid paper, A group of five dancers and a maenad who interrupted the dance is flanked by two maenads caring for a vomiting satyr, at left, and by a bacchant and two boys, at right. One of these mixes wine, the other drinks. The bacchant presses the juice of grapes into his mouth. Framing lines., France, ca. 1670–1684, Drawing A Bacchanale, Raymond Lafage, French, 1656–1684, Black chalk, pen and ink, brush and gray wash on laid paper, A group of five dancers and a maenad who interrupted the dance is flanked by two maenads caring for a vomiting satyr, at left, and by a bacchant and two boys, at right. One of these mixes wine, the other drinks. The bacchant presses the juice of grapes into his mouth. Framing lines., France, ca. 1670–1684, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bacchanale-raymond-lafage-french-16561684-black-chalk-pen-and-ink-brush-and-gray-wash-on-laid-paper-a-group-of-five-dancers-and-a-maenad-who-interrupted-the-dance-is-flanked-by-two-maenads-caring-for-a-vomiting-satyr-at-left-and-by-a-bacchant-and-two-boys-at-right-one-of-these-mixes-wine-the-other-drinks-the-bacchant-presses-the-juice-of-grapes-into-his-mouth-framing-lines-france-ca-16701684-drawing-image391709402.html Benczúr Bacchant 1881 Benczúr Bacchant 1881https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benczr-bacchant-1881-171336280.html Benczúr Bacchant 1881 Benczúr Bacchant 1881https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benczr-bacchant-1881-137825231.html Benczúr Bacchant 1881. Benczúr Bacchant 1881.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benczr-bacchant-1881-image218347273.html 5 Benczúr Bacchant 1881 5 Benczúr Bacchant 1881https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/5-benczr-bacchant-1881-image215025776.html Cima da Conegliano - Bacchant Cima da Conegliano - Bacchanthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cima-da-conegliano-bacchant-image260370691.html Lovis Corinth Selbstbildnis als Bacchant 1909 Lovis Corinth Selbstbildnis als Bacchant 1909https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lovis-corinth-selbstbildnis-als-bacchant-1909-140214067.html Lovis Corinth Selbstbildnis als Bacchant 1909. Lovis Corinth Selbstbildnis als Bacchant 1909.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lovis-corinth-selbstbildnis-als-bacchant-1909-image396830088.html Bacchant, Satyr, and Fauness, from the Scherzi MET DP854188 Bacchant, Satyr, and Fauness, from the Scherzi MET DP854188https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bacchant-satyr-and-fauness-from-the-scherzi-met-dp854188-170069004.html Bacchant, Satyr, and Fauness, from the Scherzi MET DP854188. Bacchant, Satyr, and Fauness, from the Scherzi MET DP854188.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-satyr-and-fauness-from-the-scherzi-met-dp854188-image233370322.html Cima da Conegliano Bacchant (Philadelphia Museum of Art) Cima da Conegliano Bacchant (Philadelphia Museum of Art)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cima-da-conegliano-bacchant-philadelphia-museum-of-art-137406821.html . Français : Satyre et Bacchante Deutsch: Satyr und Bacchantin English: Satyr and Bacchant 1887 35 E.A.-Marsal Satyre-bachante . Français : Satyre et Bacchante Deutsch: Satyr und Bacchantin English: Satyr and Bacchant 1887 35 E.A.-Marsal Satyre-bachantehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-satyre-et-bacchante-deutsch-satyr-und-bacchantin-english-satyr-and-bacchant-1887-35-ea-marsal-satyre-bachante-image210867403.html Bacchant, Satyr, and Fauness, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid); Date: ca. 1740; Medium: Bacchant, Satyr, and Fauness, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid); Date: ca. 1740; Medium:https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-satyr-and-fauness-from-the-scherzi-artist-giovanni-battista-tiepolo-italian-venice-1696-1770-madrid-date-ca-1740-medium-image282970918.html A Bacchant, a Meanad and a little Faun, by Gerard de Lairesse. A Bacchant, a Meanad and a little Faun *oil on canvas *152 x 107 cm *circa 1680 A Bacchant, a Meanad and a little Faun, by Gerard de Lairesse. A Bacchant, a Meanad and a little Faun *oil on canvas *152 x 107 cm *circa 1680https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bacchant-a-meanad-and-a-little-faun-by-gerard-de-lairesse-a-bacchant-a-meanad-and-a-little-faun-oil-on-canvas-152-x-107-cm-circa-1680-image211825501.html Bacchant. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack); Date: first half 20th century; Medium: brush and black ink, gouache, Bacchant. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack); Date: first half 20th century; Medium: brush and black ink, gouache,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bacchant-artist-sergey-sudeykin-russian-smolensk-1882-1946-nyack-date-168312687.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows Venus, or a dancer or bacchant representing her, dancing gracefully with a disk of gold and blue diaphanous veil. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows Venus, or a dancer or bacchant representing her, dancing gracefully with a disk of gold and blue diaphanous veil. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-venus-or-a-dancer-or-bacchant-representing-her-dancing-gracefully-with-a-disk-of-gold-and-blue-diaphanous-veil-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681560.html A Bacchanale. Research in ProgressA group of five dancers and a maenad who interrupted the dance is flanked by two maenads caring for a vomiting satyr, at left, and by a bacchant and two boys, at right. One of these mixes wine, the other drinks. A Bacchanale. Research in ProgressA group of five dancers and a maenad who interrupted the dance is flanked by two maenads caring for a vomiting satyr, at left, and by a bacchant and two boys, at right. One of these mixes wine, the other drinks.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bacchanale-research-in-progressa-group-of-five-dancers-and-a-maenad-who-interrupted-the-dance-is-flanked-by-two-maenads-caring-for-a-vomiting-satyr-at-left-and-by-a-bacchant-and-two-boys-at-right-one-of-these-mixes-wine-the-other-drinks-image359503713.html Triomf van Bacchus.Bacchant procession to the right. Bacchus sitting on a car that is being carried out by four lions. There are two saters behind Bacchus and floats a putto. On the right two bacchants. In the background Silenus on a donkey. Triomf van Bacchus.Bacchant procession to the right. Bacchus sitting on a car that is being carried out by four lions. There are two saters behind Bacchus and floats a putto. On the right two bacchants. In the background Silenus on a donkey.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triomf-van-bacchusbacchant-procession-to-the-right-bacchus-sitting-on-a-car-that-is-being-carried-out-by-four-lions-there-are-two-saters-behind-bacchus-and-floats-a-putto-on-the-right-two-bacchants-in-the-background-silenus-on-a-donkey-image414476166.html . Olga Raphael-Linden in Titus at Dramatiska teatern 1911. English: Olga Raphael-Linden as En bacchant in Titus at Dramatiska teatern 1911. Scanned glass negative. Svenska: Olga Raphael-Linden som En bacchant i Titus, Dramatiska teatern 1911. Skannat glasnegativ. 1911 293 Olga Raphael-Linden in Titus at Dramatiska teatern 1911 - SMV - GR019 . Olga Raphael-Linden in Titus at Dramatiska teatern 1911. English: Olga Raphael-Linden as En bacchant in Titus at Dramatiska teatern 1911. Scanned glass negative. Svenska: Olga Raphael-Linden som En bacchant i Titus, Dramatiska teatern 1911. Skannat glasnegativ. 1911 293 Olga Raphael-Linden in Titus at Dramatiska teatern 1911 - SMV - GR019https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olga-raphael-linden-in-titus-at-dramatiska-teatern-1911-english-olga-raphael-linden-as-en-bacchant-in-titus-at-dramatiska-teatern-1911-scanned-glass-negative-svenska-olga-raphael-linden-som-en-bacchant-i-titus-dramatiska-teatern-1911-skannat-glasnegativ-1911-293-olga-raphael-linden-in-titus-at-dramatiska-teatern-1911-smv-gr019-image211348403.html Drinking bacchantes at Priapus Bacchanals (series title) Drinkende bacchanten bij PriapusBacchanalen (serietitel) Object Type : prent Serienummer: ?/6Objectnummer: RP-P-OB-43.047Catalogusreferentie: IFF 17e siècle 17 Inscriptions / Merken: collector's mark , verso, gestempeld: Lugt 240 Manufacturer : prentmaker: Michel Dorigny (toegeschreven aan)Plaats manufacture: Frankrijk Dating: 1626 - 1665 Material: papier Techniek: graveren (drukprocedé) / etsen Dimensions: blad: h 229 mm (Binnen plaatrand afgesneden.) × b 302 mm (Binnen plaatrand afgesneden.) Subject: male bacchant(es)Priapus-herm Drinking bacchantes at Priapus Bacchanals (series title) Drinkende bacchanten bij PriapusBacchanalen (serietitel) Object Type : prent Serienummer: ?/6Objectnummer: RP-P-OB-43.047Catalogusreferentie: IFF 17e siècle 17 Inscriptions / Merken: collector's mark , verso, gestempeld: Lugt 240 Manufacturer : prentmaker: Michel Dorigny (toegeschreven aan)Plaats manufacture: Frankrijk Dating: 1626 - 1665 Material: papier Techniek: graveren (drukprocedé) / etsen Dimensions: blad: h 229 mm (Binnen plaatrand afgesneden.) × b 302 mm (Binnen plaatrand afgesneden.) Subject: male bacchant(es)Priapus-hermhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drinking-bacchantes-at-priapus-bacchanals-series-title-drinkende-bacchanten-bij-priapusbacchanalen-serietitel-object-type-prent-serienummer6objectnummer-rp-p-ob-43047catalogusreferentie-iff-17e-sicle-17-inscriptions-merken-collectors-mark-verso-gestempeld-lugt-240-manufacturer-prentmaker-michel-dorigny-toegeschreven-aanplaats-manufacture-frankrijk-dating-1626-1665-material-papier-techniek-graveren-drukproced-etsen-dimensions-blad-h-229-mm-binnen-plaatrand-afgesneden-b-302-mm-binnen-plaatrand-afgesneden-subject-male-bacchantespriapus-herm-image348322491.html Bacchant, Satyr, and Fauness, from the Scherzi, Giovanni Battista Tiepolo, ca. 1740 Bacchant, Satyr, and Fauness, from the Scherzi, Giovanni Battista Tiepolo, ca. 1740https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bacchant-satyr-and-fauness-from-the-scherzi-giovanni-battista-tiepolo-162553173.html Bacchant, male bacchant (es), Adriaen de Vries (signed by artist), Praag, 1626, bronze (metal), founding, h 108 cm × w 47.5 cm × d 58.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Bacchant, male bacchant (es), Adriaen de Vries (signed by artist), Praag, 1626, bronze (metal), founding, h 108 cm × w 47.5 cm × d 58.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-male-bacchant-es-adriaen-de-vries-signed-by-artist-praag-1626-bronze-metal-founding-h-108-cm-w-475-cm-d-585-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349962397.html Steinrelief mit einer Wirtshausszene in der Rheinstrasse von Koblenz, Rheinland-Pfalz, Zechbrueder, Kartenspieler, Zigarrenraucher Steinrelief mit einer Wirtshausszene in der Rheinstrasse von Koblenz, Rheinland-Pfalz, Zechbrueder, Kartenspieler, Zigarrenraucherhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-steinrelief-mit-einer-wirtshausszene-in-der-rheinstrasse-von-koblenz-38066615.html Portrait of a Bacchant in drunken ecstasy with grapes in hair, on beryl from Lord Bessborough's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863. Portrait of a Bacchant in drunken ecstasy with grapes in hair, on beryl from Lord Bessborough's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-bacchant-in-drunken-ecstasy-with-grapes-in-hair-on-beryl-from-lord-bessboroughs-collection-copperplate-engraving-by-thomas-worlidge-from-james-vallentins-one-hundred-and-eight-engravings-from-antique-gems-1863-image211128400.html Wirtshausschild vom Gasthaus Stuhlmacher am Prinzipalmarkt in Muenster, Westfalen, Nordrhein-Westfalen Wirtshausschild vom Gasthaus Stuhlmacher am Prinzipalmarkt in Muenster, Westfalen, Nordrhein-Westfalenhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wirtshausschild-vom-gasthaus-stuhlmacher-am-prinzipalmarkt-in-muenster-134439599.html Bacchant MET DP804945. Bacchant MET DP804945.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-met-dp804945-image233370320.html Marcantonio Raimondi possibly after Raphael possibly after Giulio Romano, A Young and an Old Bacchant A Young and an Old Bacchant Marcantonio Raimondi possibly after Raphael possibly after Giulio Romano, A Young and an Old Bacchant A Young and an Old Bacchanthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marcantonio-raimondi-possibly-after-raphael-possibly-after-giulio-romano-a-young-and-an-old-bacchant-a-young-and-an-old-bacchant-image336014840.html Bacchant, Satyr, and Fauness, from the Scherzi MET DP854188 399443 Bacchant, Satyr, and Fauness, from the Scherzi MET DP854188 399443https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bacchant-satyr-and-fauness-from-the-scherzi-met-dp854188-399443-168080772.html http://www.metmuseum.org/art/collection/search/382061 Artist: Sergey Sudeykin, Russian, Smolensk 1882?1946 Nyack, Bacchant, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 9/16 x 7 13/16 in. (39.6 x 19.8 cm). The Metropolitan Museum of Art, New York. Gift of William S. Wasserman, 1965 (65.715.13) http://www.metmuseum.org/art/collection/search/382061 Artist: Sergey Sudeykin, Russian, Smolensk 1882?1946 Nyack, Bacchant, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 9/16 x 7 13/16 in. (39.6 x 19.8 cm). The Metropolitan Museum of Art, New York. Gift of William S. Wasserman, 1965 (65.715.13)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/httpwwwmetmuseumorgartcollectionsearch382061-artist-sergey-sudeykin-russian-smolensk-18821946-nyack-bacchant-first-half-20th-century-brush-and-black-ink-gouache-watercolor-traces-of-graphite-framing-lines-sheet-15-916-x-7-1316-in-396-x-198-cm-the-metropolitan-museum-of-art-new-york-gift-of-william-s-wasserman-1965-6571513-image231083389.html Cima da Conegliano - Bacchant (Philadelphia Museum of Art) Cima da Conegliano - Bacchant (Philadelphia Museum of Art)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cima-da-conegliano-bacchant-philadelphia-museum-of-art-146427430.html A Bacchant, a Meanad and a little Faun, by Gerard de Lairesse A Bacchant, a Meanad and a little Faun, by Gerard de Lairessehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-bacchant-a-meanad-and-a-little-faun-by-gerard-de-lairesse-142544820.html Lotz Sleeping Bacchant Lotz Sleeping Bacchanthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lotz-sleeping-bacchant-133420329.html Bacchant MET DP804945 Bacchant MET DP804945https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bacchant-met-dp804945-170085498.html The antiquities of Herculaneum . e. xxviii. pi. clxxxi. See Agojl.part i. tab. 22. where under the head of a Faun, befides the Fijlula, there is ano-ther inftrument like this, which that learned antiquary thinks to be the Tympanum,,with little plates of metal fattened to its circumference.. may 72 P L A T E XV. may belong either to the Bacchant, or to the Faun. Great was the fondnefs of the ancients for fuch immodeft fubjects [14]; and the moft obfcene are to be met with, particularly upon gems. D [t4] We (hallfpeak at large in the notes on the following plate, of the ufe of(uch reprefentation The antiquities of Herculaneum . e. xxviii. pi. clxxxi. See Agojl.part i. tab. 22. where under the head of a Faun, befides the Fijlula, there is ano-ther inftrument like this, which that learned antiquary thinks to be the Tympanum,,with little plates of metal fattened to its circumference.. may 72 P L A T E XV. may belong either to the Bacchant, or to the Faun. Great was the fondnefs of the ancients for fuch immodeft fubjects [14]; and the moft obfcene are to be met with, particularly upon gems. D [t4] We (hallfpeak at large in the notes on the following plate, of the ufe of(uch reprefentationhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-antiquities-of-herculaneum-e-xxviii-pi-clxxxi-see-agojlpart-i-tab-22-where-under-the-head-of-a-faun-befides-the-fijlula-there-is-ano-ther-inftrument-like-this-which-that-learned-antiquary-thinks-to-be-the-tympanumwith-little-plates-of-metal-fattened-to-its-circumference-may-72-p-l-a-t-e-xv-may-belong-either-to-the-bacchant-or-to-the-faun-great-was-the-fondnefs-of-the-ancients-for-fuch-immodeft-fubjects-14-and-the-moft-obfcene-are-to-be-met-with-particularly-upon-gems-d-t4-we-hallfpeak-at-large-in-the-notes-on-the-following-plate-of-the-ufe-ofuch-reprefentation-image343148151.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant subduing a charging centaur. She kneels on his rump, grabs his hair and beats him with a thyrsus or staff. The centaur has his hands tied behind his back. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant subduing a charging centaur. She kneels on his rump, grabs his hair and beats him with a thyrsus or staff. The centaur has his hands tied behind his back. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-bacchant-subduing-a-charging-centaur-she-kneels-on-his-rump-grabs-his-hair-and-beats-him-with-a-thyrsus-or-staff-the-centaur-has-his-hands-tied-behind-his-back-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681571.html Triomf van Bacchus.Bacchant procession to the right. Bacchus sitting on a car that is being carried out by four lions. There are two saters behind Bacchus and floats a putto. On the right two bacchants. In the background Silenus on a donkey. Triomf van Bacchus.Bacchant procession to the right. Bacchus sitting on a car that is being carried out by four lions. There are two saters behind Bacchus and floats a putto. On the right two bacchants. In the background Silenus on a donkey.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/triomf-van-bacchusbacchant-procession-to-the-right-bacchus-sitting-on-a-car-that-is-being-carried-out-by-four-lions-there-are-two-saters-behind-bacchus-and-floats-a-putto-on-the-right-two-bacchants-in-the-background-silenus-on-a-donkey-image414471754.html . Olga Raphael-Linden in Titus at Dramatiska teatern 1911. English: Olga Raphael-Linden as En bacchant in Titus at Dramatiska teatern 1911. Scanned glass negative. Svenska: Olga Raphael-Linden som En bacchant i Titus, Dramatiska teatern 1911. Skannat glasnegativ. 1911 293 Olga Raphael-Linden in Titus at Dramatiska teatern 1911 - SMV - GR018 . Olga Raphael-Linden in Titus at Dramatiska teatern 1911. English: Olga Raphael-Linden as En bacchant in Titus at Dramatiska teatern 1911. Scanned glass negative. Svenska: Olga Raphael-Linden som En bacchant i Titus, Dramatiska teatern 1911. Skannat glasnegativ. 1911 293 Olga Raphael-Linden in Titus at Dramatiska teatern 1911 - SMV - GR018https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olga-raphael-linden-in-titus-at-dramatiska-teatern-1911-english-olga-raphael-linden-as-en-bacchant-in-titus-at-dramatiska-teatern-1911-scanned-glass-negative-svenska-olga-raphael-linden-som-en-bacchant-i-titus-dramatiska-teatern-1911-skannat-glasnegativ-1911-293-olga-raphael-linden-in-titus-at-dramatiska-teatern-1911-smv-gr018-image211348388.html Antique triumphal train and bacchant rivets, study or design to a mural, unknown draftsman, 2nd half 18th century pen, graphite / paper. 49 x 65.7 cm. Antique triumphal train and bacchant rivets, study or design to a mural, unknown draftsman, 2nd half 18th century pen, graphite / paper. 49 x 65.7 cm.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-triumphal-train-and-bacchant-rivets-study-or-design-to-a-mural-unknown-draftsman-2nd-half-18th-century-pen-graphite-paper-49-x-657-cm-image416144288.html N/A. English: A Bacchant, a Meanad and a little Faun oil on canvas 152 x 107 cm circa 1680 . circa 1680. Gerard de Lairesse  (–1711)   Alternative names Gerard Lairesse Description Flemish-Dutch painter, draughtsman, printmaker and ornamental painter Date of birth/death 11 September 1640 (baptised) 21 July 1711 (buried) Location of birth/death Liège Amsterdam Work location Liège (1655-1664), Cologne (1660), Utrecht (1664-1665), Amsterdam (1665-1711), The Hague (1684) Authority control : Q533958 VIAF:7436560 ISNI:0000 0001 0866 8097 ULAN:500024037 LCCN:n83136134 WGA:LAIRESSE, Gérard N/A. English: A Bacchant, a Meanad and a little Faun oil on canvas 152 x 107 cm circa 1680 . circa 1680. Gerard de Lairesse  (–1711)   Alternative names Gerard Lairesse Description Flemish-Dutch painter, draughtsman, printmaker and ornamental painter Date of birth/death 11 September 1640 (baptised) 21 July 1711 (buried) Location of birth/death Liège Amsterdam Work location Liège (1655-1664), Cologne (1660), Utrecht (1664-1665), Amsterdam (1665-1711), The Hague (1684) Authority control : Q533958 VIAF:7436560 ISNI:0000 0001 0866 8097 ULAN:500024037 LCCN:n83136134 WGA:LAIRESSE, Gérard https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-a-bacchant-a-meanad-and-a-little-faun-oil-on-canvas-152-x-107-cm-circa-1680-circa-1680-gerard-de-lairesse-1711-alternative-names-gerard-lairesse-description-flemish-dutch-painter-draughtsman-printmaker-and-ornamental-painter-date-of-birthdeath-11-september-1640-baptised-21-july-1711-buried-location-of-birthdeath-lige-amsterdam-work-location-lige-1655-1664-cologne-1660-utrecht-1664-1665-amsterdam-1665-1711-the-hague-1684-authority-control-q533958-viaf7436560-isni0000-0001-0866-8097-ulan500024037-lccnn83136134-wgalairesse-grard-image209966585.html Bacchant, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 9/16 x Bacchant, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 9/16 xhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bacchant-first-half-20th-century-brush-and-black-ink-gouache-watercolor-162463098.html Globe, Later addition to the image of a Bacchant. The globe (or celestial vault) made the statue Atlas of Hercules. The globe shows imaginary continents, male bacchant (es), anonymous, after 1626 - 1699, bronze (metal), founding, d 22.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Globe, Later addition to the image of a Bacchant. The globe (or celestial vault) made the statue Atlas of Hercules. The globe shows imaginary continents, male bacchant (es), anonymous, after 1626 - 1699, bronze (metal), founding, d 22.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/globe-later-addition-to-the-image-of-a-bacchant-the-globe-or-celestial-vault-made-the-statue-atlas-of-hercules-the-globe-shows-imaginary-continents-male-bacchant-es-anonymous-after-1626-1699-bronze-metal-founding-d-225-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349962399.html Bacchant, male bacchant (es), Adriaen de Vries (signed by artist), Praag, 1626, bronze (metal), founding, h 108 cm × w 47.5 cm × d 58.5 cm Bacchant, male bacchant (es), Adriaen de Vries (signed by artist), Praag, 1626, bronze (metal), founding, h 108 cm × w 47.5 cm × d 58.5 cmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-male-bacchant-es-adriaen-de-vries-signed-by-artist-praag-1626-bronze-metal-founding-h-108-cm-w-475-cm-d-585-cm-image261351384.html Wirtshausschild vom Gasthaus Stuhlmacher am Prinzipalmarkt in Muenster, Westfalen, Nordrhein-Westfalen Wirtshausschild vom Gasthaus Stuhlmacher am Prinzipalmarkt in Muenster, Westfalen, Nordrhein-Westfalenhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wirtshausschild-vom-gasthaus-stuhlmacher-am-prinzipalmarkt-in-muenster-134439597.html A Young and an Old Bacchant. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Marcantonio Raimondi possibly after Raphael possibly after Giulio Romano. A Young and an Old Bacchant. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Marcantonio Raimondi possibly after Raphael possibly after Giulio Romano.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-young-and-an-old-bacchant-medium-engraving-museum-national-gallery-of-art-washington-dc-author-marcantonio-raimondi-possibly-after-raphael-possibly-after-giulio-romano-image225511010.html Magnus Enckell - Bacchant. Magnus Enckell - Bacchant.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/magnus-enckell-bacchant-image397819900.html Sleeping Bacchant Unknown date. 822 Lotz Sleeping Bacchant Sleeping Bacchant Unknown date. 822 Lotz Sleeping Bacchanthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sleeping-bacchant-unknown-date-822-lotz-sleeping-bacchant-image185840058.html Bacchant with Roemer Bacchus pointing to a Roemer in his linkerhand. Manufacturer : print maker: Thomas Willeboirts Bosschaert (indicated on object) Date: 1628 - 1654 Physical characteristics: etching material: paper Technique: etching dimensions: image: h 91 mm × b 84 mm Subject: (story of) Bacchus (Dionysus), Liber Glass, rummer Bacchant with Roemer Bacchus pointing to a Roemer in his linkerhand. Manufacturer : print maker: Thomas Willeboirts Bosschaert (indicated on object) Date: 1628 - 1654 Physical characteristics: etching material: paper Technique: etching dimensions: image: h 91 mm × b 84 mm Subject: (story of) Bacchus (Dionysus), Liber Glass, rummerhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-with-roemer-bacchus-pointing-to-a-roemer-in-his-linkerhand-manufacturer-print-maker-thomas-willeboirts-bosschaert-indicated-on-object-date-1628-1654-physical-characteristics-etching-material-paper-technique-etching-dimensions-image-h-91-mm-b-84-mm-subject-story-of-bacchus-dionysus-liber-glass-rummer-image348154111.html Wirtshausschild Stuhlmacher am Prinzipalmarkt in Muenster, Westfalen, Nordrhein-Westfalen Wirtshausschild Stuhlmacher am Prinzipalmarkt in Muenster, Westfalen, Nordrhein-Westfalenhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wirtshausschild-stuhlmacher-am-prinzipalmarkt-in-muenster-westfalen-38060813.html Benczur, Gyula Bacchant (1881) Benczur, Gyula Bacchant (1881)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benczur-gyula-bacchant-1881-137333332.html Paul Hoecker Bacchant 1904. Paul Hoecker Bacchant 1904.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paul-hoecker-bacchant-1904-140280188.html . Ancient Greek female costume : illustrated by one hundred and twelve plates and numerous smaller illustrations ; with descriptive letterpress and descriptive passages from the works of Homer, Hesiod, Herodotus, Aeschylus, Euripides, Aristophanes, Theocritus, Xenophon, Lucian, and other Greek authors . ANCIENT GREEK BACCHANT COSTUME, 67 or the wild whelps of wolves, gave them white milk .... andthey put on ivy chaplets and garlands of oak and blossoming yew;and one having taken a thyrsus, struck it against a rock, whence adewy stream of water springs out; another placed her wand on theground, . Ancient Greek female costume : illustrated by one hundred and twelve plates and numerous smaller illustrations ; with descriptive letterpress and descriptive passages from the works of Homer, Hesiod, Herodotus, Aeschylus, Euripides, Aristophanes, Theocritus, Xenophon, Lucian, and other Greek authors . ANCIENT GREEK BACCHANT COSTUME, 67 or the wild whelps of wolves, gave them white milk .... andthey put on ivy chaplets and garlands of oak and blossoming yew;and one having taken a thyrsus, struck it against a rock, whence adewy stream of water springs out; another placed her wand on theground,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-greek-female-costume-illustrated-by-one-hundred-and-twelve-plates-and-numerous-smaller-illustrations-with-descriptive-letterpress-and-descriptive-passages-from-the-works-of-homer-hesiod-herodotus-aeschylus-euripides-aristophanes-theocritus-xenophon-lucian-and-other-greek-authors-ancient-greek-bacchant-costume-67-or-the-wild-whelps-of-wolves-gave-them-white-milk-andthey-put-on-ivy-chaplets-and-garlands-of-oak-and-blossoming-yewand-one-having-taken-a-thyrsus-struck-it-against-a-rock-whence-adewy-stream-of-water-springs-out-another-placed-her-wand-on-theground-image372654735.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant dancer striking a tympanum or tambourine with her hand. She wears a necklace and bracelets, and a fine robe in white lined with red, the colour of Bacchus. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant dancer striking a tympanum or tambourine with her hand. She wears a necklace and bracelets, and a fine robe in white lined with red, the colour of Bacchus. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-bacchant-dancer-striking-a-tympanum-or-tambourine-with-her-hand-she-wears-a-necklace-and-bracelets-and-a-fine-robe-in-white-lined-with-red-the-colour-of-bacchus-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681562.html Antique triumphal train and bacchant rivets, study or design to a mural, unknown draftsman, 2nd half 18th century pen, graphite / paper. 49 x 65.7 cm. Antique triumphal train and bacchant rivets, study or design to a mural, unknown draftsman, 2nd half 18th century pen, graphite / paper. 49 x 65.7 cm.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-triumphal-train-and-bacchant-rivets-study-or-design-to-a-mural-unknown-draftsman-2nd-half-18th-century-pen-graphite-paper-49-x-657-cm-image415652011.html Vintage, A landscape with a bacchant harvesting wine together with a large group of putti. Venus is in the foreground on the right. Under a banderole with text, vintage, grape harvest, (story of) Venus (Aphrodite), male bacchant (es), Giacinto Gimignani (mentioned on object), 1647, paper, etching, h 316 mm × w 427 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Vintage, A landscape with a bacchant harvesting wine together with a large group of putti. Venus is in the foreground on the right. Under a banderole with text, vintage, grape harvest, (story of) Venus (Aphrodite), male bacchant (es), Giacinto Gimignani (mentioned on object), 1647, paper, etching, h 316 mm × w 427 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-a-landscape-with-a-bacchant-harvesting-wine-together-with-a-large-group-of-putti-venus-is-in-the-foreground-on-the-right-under-a-banderole-with-text-vintage-grape-harvest-story-of-venus-aphrodite-male-bacchant-es-giacinto-gimignani-mentioned-on-object-1647-paper-etching-h-316-mm-w-427-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350006892.html Globe, Later addition to the image of a Bacchant. The globe (or celestial vault) made the statue Atlas of Hercules. The globe shows imaginary continents, male bacchant (es), anonymous, after 1626 - 1699, bronze (metal), founding, d 22.5 cm Globe, Later addition to the image of a Bacchant. The globe (or celestial vault) made the statue Atlas of Hercules. The globe shows imaginary continents, male bacchant (es), anonymous, after 1626 - 1699, bronze (metal), founding, d 22.5 cmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/globe-later-addition-to-the-image-of-a-bacchant-the-globe-or-celestial-vault-made-the-statue-atlas-of-hercules-the-globe-shows-imaginary-continents-male-bacchant-es-anonymous-after-1626-1699-bronze-metal-founding-d-225-cm-image261351388.html Bacchant. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack). Dimensions: sheet: 15 9/16 x 7 13/16 in. (39.6 x 19.8 cm). Date: first half 20th century. Museum: Metropolitan Museum of Art, New York, USA. Bacchant. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack). Dimensions: sheet: 15 9/16 x 7 13/16 in. (39.6 x 19.8 cm). Date: first half 20th century. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-artist-sergey-sudeykin-russian-smolensk-1882-1946-nyack-dimensions-sheet-15-916-x-7-1316-in-396-x-198-cm-date-first-half-20th-century-museum-metropolitan-museum-of-art-new-york-usa-image213307503.html Lotz Sleeping Bacchant. Lotz Sleeping Bacchant.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lotz-sleeping-bacchant-image396821490.html Paul Hoecker-Bacchant-1904.. Paul Hoecker-Bacchant-1904..https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-hoecker-bacchant-1904-image406831030.html Hoofd van een bacchant, naar rechts Head of a bacchant, to the right object type: drawing figure study Item number: RP-T 1988-31 Manufacturer : artist: John Tavenraatnaar painting by: anonymous to drawing: anonymous Date: 1819 - 1881 Physical features: black chalk material: paper chalk dimensions: h 482 mm × W 380 mmToelichtingAcademiestudie a painted or drawn werk. Hoofd van een bacchant, naar rechts Head of a bacchant, to the right object type: drawing figure study Item number: RP-T 1988-31 Manufacturer : artist: John Tavenraatnaar painting by: anonymous to drawing: anonymous Date: 1819 - 1881 Physical features: black chalk material: paper chalk dimensions: h 482 mm × W 380 mmToelichtingAcademiestudie a painted or drawn werk.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hoofd-van-een-bacchant-naar-rechts-head-of-a-bacchant-to-the-right-object-type-drawing-figure-study-item-number-rp-t-1988-31-manufacturer-artist-john-tavenraatnaar-painting-by-anonymous-to-drawing-anonymous-date-1819-1881-physical-features-black-chalk-material-paper-chalk-dimensions-h-482-mm-w-380-mmtoelichtingacademiestudie-a-painted-or-drawn-werk-image348443242.html Annibale Carracci - Junger Bacchant - Annibale Carracci - Junger Bacchant -https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annibale-carracci-junger-bacchant-image214976656.html Bertel Thorvaldsen - Bacchant (a Young Satyr) Offers a Panther to Drink - Bertel Thorvaldsen - Bacchant (a Young Satyr) Offers a Panther to Drink -https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bertel-thorvaldsen-bacchant-a-young-satyr-offers-a-panther-to-drink-146492709.html Benczur, Gyula Bacchant (1881) Benczur, Gyula Bacchant (1881)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-benczur-gyula-bacchant-1881-162208008.html The antiquities of Herculaneum . with Jerom on Ezech. chop. xvi. v. 10. and chap.xxvii. v. 24. in calling the colour of hyacinths azure. [10] Plutarch. Conviv. quejl. ix. prob. 17. fpeaking of the three parts of danc-ing (motion, figure, and expreflion), fays: that figure was the attitude in whichthe dancer remained, for a fhort time, without motion after the dance ; which cor-refponded to the character of the deity, or the bacchant, whom the dancer repre-fented. This dancer then may reprefent Venus, in the acl: of difcovering herfelf.And this calls to mind what Curtius fays, v. 1. § 38. that The antiquities of Herculaneum . with Jerom on Ezech. chop. xvi. v. 10. and chap.xxvii. v. 24. in calling the colour of hyacinths azure. [10] Plutarch. Conviv. quejl. ix. prob. 17. fpeaking of the three parts of danc-ing (motion, figure, and expreflion), fays: that figure was the attitude in whichthe dancer remained, for a fhort time, without motion after the dance ; which cor-refponded to the character of the deity, or the bacchant, whom the dancer repre-fented. This dancer then may reprefent Venus, in the acl: of difcovering herfelf.And this calls to mind what Curtius fays, v. 1. § 38. thathttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-antiquities-of-herculaneum-with-jerom-on-ezech-chop-xvi-v-10-and-chapxxvii-v-24-in-calling-the-colour-of-hyacinths-azure-10-plutarch-conviv-quejl-ix-prob-17-fpeaking-of-the-three-parts-of-danc-ing-motion-figure-and-expreflion-fays-that-figure-was-the-attitude-in-whichthe-dancer-remained-for-a-fhort-time-without-motion-after-the-dance-which-cor-refponded-to-the-character-of-the-deity-or-the-bacchant-whom-the-dancer-repre-fented-this-dancer-then-may-reprefent-venus-in-the-acl-of-difcovering-herfelfand-this-calls-to-mind-what-curtius-fays-v-1-38-that-image343146670.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a female centaur or centauress carrying a bacchant carrying a thyrsus or staff. The centauress holds a sprig of foliage in her left hand and with her right hand drapes a garland under the bacchant's arm. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a female centaur or centauress carrying a bacchant carrying a thyrsus or staff. The centauress holds a sprig of foliage in her left hand and with her right hand drapes a garland under the bacchant's arm. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeiihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-female-centaur-or-centauress-carrying-a-bacchant-carrying-a-thyrsus-or-staff-the-centauress-holds-a-sprig-of-foliage-in-her-left-hand-and-with-her-right-hand-drapes-a-garland-under-the-bacchants-arm-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681572.html Bacchanalian Infants Playing with a Goat Bacchant children with a reluctant goat, In front of a drapery that is tied on both sides and in the middle, resulting in regular folds, there is a stiffly facing left, long-haired buck. This is pulled by a child by the horns, ridden by a second, while behind it a third tries to climb on him. Behind the pulling child there are two others: one turns and faces the animal, the other has put his hand on his neck. Behind the goat three children, the first of whom kneels and holds his tail, the second looks down at the first child and the third comes walking. Bacchanalian Infants Playing with a Goat Bacchant children with a reluctant goat, In front of a drapery that is tied on both sides and in the middle, resulting in regular folds, there is a stiffly facing left, long-haired buck. This is pulled by a child by the horns, ridden by a second, while behind it a third tries to climb on him. Behind the pulling child there are two others: one turns and faces the animal, the other has put his hand on his neck. Behind the goat three children, the first of whom kneels and holds his tail, the second looks down at the first child and the third comes walking.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchanalian-infants-playing-with-a-goat-bacchant-children-with-a-reluctant-goat-in-front-of-a-drapery-that-is-tied-on-both-sides-and-in-the-middle-resulting-in-regular-folds-there-is-a-stiffly-facing-left-long-haired-buck-this-is-pulled-by-a-child-by-the-horns-ridden-by-a-second-while-behind-it-a-third-tries-to-climb-on-him-behind-the-pulling-child-there-are-two-others-one-turns-and-faces-the-animal-the-other-has-put-his-hand-on-his-neck-behind-the-goat-three-children-the-first-of-whom-kneels-and-holds-his-tail-the-second-looks-down-at-the-first-child-and-the-third-comes-walking-image349962714.html Vintage, A landscape with a bacchant harvesting wine together with a large group of putti. Venus is in the foreground on the right. Under a banderole with text, vintage, grape harvest, (story of) Venus (Aphrodite), male bacchant (es), Giacinto Gimignani (mentioned on object), 1647, paper, etching, h 316 mm × w 427 mm Vintage, A landscape with a bacchant harvesting wine together with a large group of putti. Venus is in the foreground on the right. Under a banderole with text, vintage, grape harvest, (story of) Venus (Aphrodite), male bacchant (es), Giacinto Gimignani (mentioned on object), 1647, paper, etching, h 316 mm × w 427 mmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-a-landscape-with-a-bacchant-harvesting-wine-together-with-a-large-group-of-putti-venus-is-in-the-foreground-on-the-right-under-a-banderole-with-text-vintage-grape-harvest-story-of-venus-aphrodite-male-bacchant-es-giacinto-gimignani-mentioned-on-object-1647-paper-etching-h-316-mm-w-427-mm-image261403897.html Bacchant, Satyr, and Fauness, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 5 1/4 x 7 13/16 in. (13.3 x 19.8 cm) Sheet: 9 1/8 x 13 7/16 in. (23.2 x 34.1 cm). Date: ca. 1740. Museum: Metropolitan Museum of Art, New York, USA. Bacchant, Satyr, and Fauness, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 5 1/4 x 7 13/16 in. (13.3 x 19.8 cm) Sheet: 9 1/8 x 13 7/16 in. (23.2 x 34.1 cm). Date: ca. 1740. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-satyr-and-fauness-from-the-scherzi-artist-giovanni-battista-tiepolo-italian-venice-1696-1770-madrid-dimensions-plate-5-14-x-7-1316-in-133-x-198-cm-sheet-9-18-x-13-716-in-232-x-341-cm-date-ca-1740-museum-metropolitan-museum-of-art-new-york-usa-image213152319.html Dancing nymph or bacchante Dancing nymph or bacchante Object Type : drawing Object number: RP-T-1968-197 (V) Manufacture Vervaardiger: draftsman: Dionys of Nijmegen (possible) Date: 1715 - 1798 Physical characteristics: pen in brown, pencil, ink material: ink paper pencil Technique: pen Dimensions: h 177 mm × W 132 mm Subject: maenad (s), female bacchant (es) Dancing nymph or bacchante Dancing nymph or bacchante Object Type : drawing Object number: RP-T-1968-197 (V) Manufacture Vervaardiger: draftsman: Dionys of Nijmegen (possible) Date: 1715 - 1798 Physical characteristics: pen in brown, pencil, ink material: ink paper pencil Technique: pen Dimensions: h 177 mm × W 132 mm Subject: maenad (s), female bacchant (es)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dancing-nymph-or-bacchante-dancing-nymph-or-bacchante-object-type-drawing-object-number-rp-t-1968-197-v-manufacture-vervaardiger-draftsman-dionys-of-nijmegen-possible-date-1715-1798-physical-characteristics-pen-in-brown-pencil-ink-material-ink-paper-pencil-technique-pen-dimensions-h-177-mm-w-132-mm-subject-maenad-s-female-bacchant-es-image348280775.html Benczur, Gyula - Bacchant (1881). Benczur, Gyula - Bacchant (1881).https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/benczur-gyula-bacchant-1881-image218349925.html Bertel Thorvaldsen Bacchant (a Young Satyr) Offers a Panther to Drink Google Art Project Bertel Thorvaldsen Bacchant (a Young Satyr) Offers a Panther to Drink Google Art Projecthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bertel-thorvaldsen-bacchant-a-young-satyr-offers-a-panther-to-drink-137410911.html Janensch, Gerhard - Bacchant mit Panthern (1883, Bronze, Janensch, Gerhard - Bacchant mit Panthern (1883, Bronze,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/janensch-gerhard-bacchant-mit-panthern-1883-bronze-image367303719.html Bacchant, 1626, Adriaen de Vries (Rijksmuseum Amsterdam) Bacchant, 1626, Adriaen de Vries (Rijksmuseum Amsterdam)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bacchant-1626-adriaen-de-vries-rijksmuseum-amsterdam-170098931.html A bacchant surprised by a faun in a desolate mountain spot. At the faun's feet are his curved stick or pedum, seven-pipe flute or syrinx, and a Rhombus, a percussion instrument like a tambourine. At the bacchant's feet are a sacred staff or thyrsus decorated with a red ribbon, and a typanum drum decorated with a picture of a sistrum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculane A bacchant surprised by a faun in a desolate mountain spot. At the faun's feet are his curved stick or pedum, seven-pipe flute or syrinx, and a Rhombus, a percussion instrument like a tambourine. At the bacchant's feet are a sacred staff or thyrsus decorated with a red ribbon, and a typanum drum decorated with a picture of a sistrum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculanehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bacchant-surprised-by-a-faun-in-a-desolate-mountain-spot-at-the-fauns-feet-are-his-curved-stick-or-pedum-seven-pipe-flute-or-syrinx-and-a-rhombus-a-percussion-instrument-like-a-tambourine-at-the-bacchants-feet-are-a-sacred-staff-or-thyrsus-decorated-with-a-red-ribbon-and-a-typanum-drum-decorated-with-a-picture-of-a-sistrum-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculane-image331681553.html Bacchant, 1626, Adriaen de Vries (Rijksmuseum Amsterdam). Bacchant, 1626, Adriaen de Vries (Rijksmuseum Amsterdam).https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchant-1626-adriaen-de-vries-rijksmuseum-amsterdam-image233370321.html . Illustrated catalogue of a miscellaneous selection of rare engravings, etchings and original drawings of many schools and periods [electronic resource] : from the portfolios of R. Ederheimer Print-Cabinet . 70 257 The Judgment of Paris (Raphael) Bartsch 245 Capital plate in very good impression of the firststate, invisibly repaired. 250.00 258 Mount Parnassus (Raphael) Bartsch 247Early, very beautiful impression, few small tearsrepaired. 275.00 259 The Young and the Old Bacchant Bartsch 294 Extremely fine impression : very rare. See reproduc-tion, page 72.Collections: Liphart and J. S. Morga . Illustrated catalogue of a miscellaneous selection of rare engravings, etchings and original drawings of many schools and periods [electronic resource] : from the portfolios of R. Ederheimer Print-Cabinet . 70 257 The Judgment of Paris (Raphael) Bartsch 245 Capital plate in very good impression of the firststate, invisibly repaired. 250.00 258 Mount Parnassus (Raphael) Bartsch 247Early, very beautiful impression, few small tearsrepaired. 275.00 259 The Young and the Old Bacchant Bartsch 294 Extremely fine impression : very rare. See reproduc-tion, page 72.Collections: Liphart and J. S. Morgahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrated-catalogue-of-a-miscellaneous-selection-of-rare-engravings-etchings-and-original-drawings-of-many-schools-and-periods-electronic-resource-from-the-portfolios-of-r-ederheimer-print-cabinet-70-257-the-judgment-of-paris-raphael-bartsch-245-capital-plate-in-very-good-impression-of-the-firststate-invisibly-repaired-25000-258-mount-parnassus-raphael-bartsch-247early-very-beautiful-impression-few-small-tearsrepaired-27500-259-the-young-and-the-old-bacchant-bartsch-294-extremely-fine-impression-very-rare-see-reproduc-tion-page-72collections-liphart-and-j-s-morga-image370196211.html Roemer with remains of a man playing a flute and a bacchant, Large roemer with stand ring pulled out in drops. Inserted bottom. The trunk, set with four rows of closely spaced thorn buds, is blown whole with the egg-shaped chalice. The transition from the stem to the chalice indicated by a smooth wire. The remains of a representation in gold on the chalice, you can see another man playing the flute and the head of a bacchant., anonymous, Germany, c. 1600, glass, gilding, h 22.9 cm × d 14.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic a Roemer with remains of a man playing a flute and a bacchant, Large roemer with stand ring pulled out in drops. Inserted bottom. The trunk, set with four rows of closely spaced thorn buds, is blown whole with the egg-shaped chalice. The transition from the stem to the chalice indicated by a smooth wire. The remains of a representation in gold on the chalice, you can see another man playing the flute and the head of a bacchant., anonymous, Germany, c. 1600, glass, gilding, h 22.9 cm × d 14.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic ahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roemer-with-remains-of-a-man-playing-a-flute-and-a-bacchant-large-roemer-with-stand-ring-pulled-out-in-drops-inserted-bottom-the-trunk-set-with-four-rows-of-closely-spaced-thorn-buds-is-blown-whole-with-the-egg-shaped-chalice-the-transition-from-the-stem-to-the-chalice-indicated-by-a-smooth-wire-the-remains-of-a-representation-in-gold-on-the-chalice-you-can-see-another-man-playing-the-flute-and-the-head-of-a-bacchant-anonymous-germany-c-1600-glass-gilding-h-229-cm-d-141-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-a-image349964938.html Roemer with remains of a man playing a flute and a bacchant, Large roemer with stand ring pulled out in drops. Inserted bottom. The trunk, set with four rows of closely spaced thorn buds, is blown whole with the egg-shaped chalice. The transition from the stem to the chalice indicated by a smooth wire. The remains of a representation in gold on the chalice, you can see another man playing the flute and the head of a bacchant., anonymous, Germany, c. 1600, glass, gilding, h 22.9 cm × d 14.1 cm Roemer with remains of a man playing a flute and a bacchant, Large roemer with stand ring pulled out in drops. Inserted bottom. The trunk, set with four rows of closely spaced thorn buds, is blown whole with the egg-shaped chalice. The transition from the stem to the chalice indicated by a smooth wire. The remains of a representation in gold on the chalice, you can see another man playing the flute and the head of a bacchant., anonymous, Germany, c. 1600, glass, gilding, h 22.9 cm × d 14.1 cmhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roemer-with-remains-of-a-man-playing-a-flute-and-a-bacchant-large-roemer-with-stand-ring-pulled-out-in-drops-inserted-bottom-the-trunk-set-with-four-rows-of-closely-spaced-thorn-buds-is-blown-whole-with-the-egg-shaped-chalice-the-transition-from-the-stem-to-the-chalice-indicated-by-a-smooth-wire-the-remains-of-a-representation-in-gold-on-the-chalice-you-can-see-another-man-playing-the-flute-and-the-head-of-a-bacchant-anonymous-germany-c-1600-glass-gilding-h-229-cm-d-141-cm-image261354789.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows Venus, or a dancer or bacchant representing her, dancing gracefully with a disk of gold and blue diaphanous veil. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows Venus, or a dancer or bacchant representing her, dancing gracefully with a disk of gold and blue diaphanous veil. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-venus-or-a-dancer-or-bacchant-representing-her-dancing-gracefully-with-a-disk-of-gold-and-blue-diaphanous-veil-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image231189635.html Bacchante with cymbals Bacchante with pelvic object type: Drawing Object number: RP-T 1948-584 Manufacturer : designed by: Carlo Maratti draftsman: anonymous Date: 1635 - 1763 Physical features: black, white and red chalk on blue paper material: paper chalk Dimensions: h 384 mm × W 269 mm Subject: maenad (s), female bacchant (es) maenad (s), female bacchant (es) Bacchante with cymbals Bacchante with pelvic object type: Drawing Object number: RP-T 1948-584 Manufacturer : designed by: Carlo Maratti draftsman: anonymous Date: 1635 - 1763 Physical features: black, white and red chalk on blue paper material: paper chalk Dimensions: h 384 mm × W 269 mm Subject: maenad (s), female bacchant (es) maenad (s), female bacchant (es)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchante-with-cymbals-bacchante-with-pelvic-object-type-drawing-object-number-rp-t-1948-584-manufacturer-designed-by-carlo-maratti-draftsman-anonymous-date-1635-1763-physical-features-black-white-and-red-chalk-on-blue-paper-material-paper-chalk-dimensions-h-384-mm-w-269-mm-subject-maenad-s-female-bacchant-es-maenad-s-female-bacchant-es-image348154115.html Bacchant MET DP804945 382061 Artist: Sergey Sudeykin, Russian, Smolensk 1882?1946 Nyack, Bacchant, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 9/16 x 7 13/16 in. (39.6 x 19.8 cm). The Metropolitan Museum of Art, New York. Gift of William S. Wasserman, 1965 (65.715.13) Bacchant MET DP804945 382061 Artist: Sergey Sudeykin, Russian, Smolensk 1882?1946 Nyack, Bacchant, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 9/16 x 7 13/16 in. (39.6 x 19.8 cm). The Metropolitan Museum of Art, New York. Gift of William S. Wasserman, 1965 (65.715.13)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bacchant-met-dp804945-382061-artist-sergey-sudeykin-russian-smolensk-168221488.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant dancer striking cymbals together. She wears a wreath of ivy, a necklace and bracelets, and a fine blue robe covered with an animal skin. The vignette below shows two lion cubs with cymbals. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant dancer striking cymbals together. She wears a wreath of ivy, a necklace and bracelets, and a fine blue robe covered with an animal skin. The vignette below shows two lion cubs with cymbals. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-bacchant-dancer-striking-cymbals-together-she-wears-a-wreath-of-ivy-a-necklace-and-bracelets-and-a-fine-blue-robe-covered-with-an-animal-skin-the-vignette-below-shows-two-lion-cubs-with-cymbals-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681563.html Félix Soulès Faune et bacchant ouFaunesse et satyre plâtre 1. Félix Soulès Faune et bacchant ouFaunesse et satyre plâtre 1.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flix-souls-faune-et-bacchant-oufaunesse-et-satyre-pltre-1-image345046903.html Portrait of a Bacchant in drunken ecstasy with grapes in hair, on beryl from Lord Bessborough's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863. Portrait of a Bacchant in drunken ecstasy with grapes in hair, on beryl from Lord Bessborough's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-a-bacchant-in-drunken-ecstasy-with-grapes-in-hair-on-beryl-84872714.html . Ancient Greek female costume : illustrated by one hundred and twelve plates and numerous smaller illustrations ; with descriptive letterpress and descriptive passages from the works of Homer, Hesiod, Herodotus, Aeschylus, Euripides, Aristophanes, Theocritus, Xenophon, Lucian, and other Greek authors . Victory in ivory. She held a spear in her hand;and at her feet lay a buckler and a dragon, supposed tobe Erichthonius. The Sphinx was represented on themiddle of her helmet, with a griffin on each side. Thestatue was thirty-nine feet high, and forty talents of gold ANCIENT GREEK BACCHANT COSTUM . Ancient Greek female costume : illustrated by one hundred and twelve plates and numerous smaller illustrations ; with descriptive letterpress and descriptive passages from the works of Homer, Hesiod, Herodotus, Aeschylus, Euripides, Aristophanes, Theocritus, Xenophon, Lucian, and other Greek authors . Victory in ivory. She held a spear in her hand;and at her feet lay a buckler and a dragon, supposed tobe Erichthonius. The Sphinx was represented on themiddle of her helmet, with a griffin on each side. Thestatue was thirty-nine feet high, and forty talents of gold ANCIENT GREEK BACCHANT COSTUMhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-greek-female-costume-illustrated-by-one-hundred-and-twelve-plates-and-numerous-smaller-illustrations-with-descriptive-letterpress-and-descriptive-passages-from-the-works-of-homer-hesiod-herodotus-aeschylus-euripides-aristophanes-theocritus-xenophon-lucian-and-other-greek-authors-victory-in-ivory-she-held-a-spear-in-her-handand-at-her-feet-lay-a-buckler-and-a-dragon-supposed-tobe-erichthonius-the-sphinx-was-represented-on-themiddle-of-her-helmet-with-a-griffin-on-each-side-thestatue-was-thirty-nine-feet-high-and-forty-talents-of-gold-ancient-greek-bacchant-costum-image371618707.html Bacchanal A Bacchanalian (title on object), The wine god Bacchus, a Bacchante, a satyr and a panther., maenad (s), female bacchant (es ), (story of) Bacchus (Dionysus), Liber, nymphs (in general), 'Ninfe in commune' (Ripa), Carlo Faucci (mentioned on object), 1763, paper, engraving, h 400 mm × w 327 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Bacchanal A Bacchanalian (title on object), The wine god Bacchus, a Bacchante, a satyr and a panther., maenad (s), female bacchant (es ), (story of) Bacchus (Dionysus), Liber, nymphs (in general), 'Ninfe in commune' (Ripa), Carlo Faucci (mentioned on object), 1763, paper, engraving, h 400 mm × w 327 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchanal-a-bacchanalian-title-on-object-the-wine-god-bacchus-a-bacchante-a-satyr-and-a-panther-maenad-s-female-bacchant-es-story-of-bacchus-dionysus-liber-nymphs-in-general-ninfe-in-commune-ripa-carlo-faucci-mentioned-on-object-1763-paper-engraving-h-400-mm-w-327-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350006816.html Bacchanalian Infants Playing with a Goat Bacchant children with a reluctant goat, In front of a drapery that is tied on both sides and in the middle, resulting in regular folds, there is a stiffly facing left, long-haired buck. This is pulled by a child by the horns, ridden by a second, while behind it a third tries to climb on him. Behind the pulling child there are two others: one turns and faces the animal, the other has put his hand on his neck. Behind the goat three children, the first of whom kneels and holds his tail, the second looks down at the first child and the third comes walking Bacchanalian Infants Playing with a Goat Bacchant children with a reluctant goat, In front of a drapery that is tied on both sides and in the middle, resulting in regular folds, there is a stiffly facing left, long-haired buck. This is pulled by a child by the horns, ridden by a second, while behind it a third tries to climb on him. Behind the pulling child there are two others: one turns and faces the animal, the other has put his hand on his neck. Behind the goat three children, the first of whom kneels and holds his tail, the second looks down at the first child and the third comes walkinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchanalian-infants-playing-with-a-goat-bacchant-children-with-a-reluctant-goat-in-front-of-a-drapery-that-is-tied-on-both-sides-and-in-the-middle-resulting-in-regular-folds-there-is-a-stiffly-facing-left-long-haired-buck-this-is-pulled-by-a-child-by-the-horns-ridden-by-a-second-while-behind-it-a-third-tries-to-climb-on-him-behind-the-pulling-child-there-are-two-others-one-turns-and-faces-the-animal-the-other-has-put-his-hand-on-his-neck-behind-the-goat-three-children-the-first-of-whom-kneels-and-holds-his-tail-the-second-looks-down-at-the-first-child-and-the-third-comes-walking-image261351805.html Speculum Romanae Magnificentiae: Young and Old Bacchant, Marcantonio Raimondi, ca. 1514–36 Speculum Romanae Magnificentiae: Young and Old Bacchant, Marcantonio Raimondi, ca. 1514–36https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-speculum-romanae-magnificentiae-young-and-old-bacchant-marcantonio-162553561.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant dancer striking a tympanum or tambourine with her hand. She wears a necklace and bracelets, and a fine robe in white lined with red, the colour of Bacchus. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant dancer striking a tympanum or tambourine with her hand. She wears a necklace and bracelets, and a fine robe in white lined with red, the colour of Bacchus. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-bacchant-dancer-striking-a-tympanum-or-tambourine-with-her-hand-she-wears-a-necklace-and-bracelets-and-a-fine-robe-in-white-lined-with-red-the-colour-of-bacchus-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image231189534.html Marcantonio Raimondi, (artist), Roman, c. 1480 - c. 1534, Giulio Romano, (artist after), Roman, 1499 - 1546, Raphael, (artist after), Marchigian, 1483 - 1520, A Young and an Old Bacchant, engraving Marcantonio Raimondi, (artist), Roman, c. 1480 - c. 1534, Giulio Romano, (artist after), Roman, 1499 - 1546, Raphael, (artist after), Marchigian, 1483 - 1520, A Young and an Old Bacchant, engravinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marcantonio-raimondi-artist-roman-c-1480-c-1534-giulio-romano-artist-after-roman-1499-1546-raphael-artist-after-marchigian-1483-1520-a-young-and-an-old-bacchant-engraving-image386354753.html Next page Recent searches: Search Results for Bacchant Stock Photos and Images  (145) Page 1 of 2 12