Apelles painting alexander Stock Photos and Images
Art inspired by Apelles Painting Alexander and Campaspe, Etching, Sheet: 17 7/16 x 11 7/8 in. (44.3 x 30.1 cm), Prints, Master I 0 V (active ca. 1542–45), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-apelles-painting-alexander-and-campaspe-etching-sheet-17-716-x-11-78-in-443-x-301-cm-prints-master-i-0-v-active-ca-154245-after-francesco-primaticcio-italian-bologna-150451570-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463015210.html
RF2HW84HE–Art inspired by Apelles Painting Alexander and Campaspe, Etching, Sheet: 17 7/16 x 11 7/8 in. (44.3 x 30.1 cm), Prints, Master I 0 V (active ca. 1542–45), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Alexander the Great and Apelles, painting in oil on canvas, circa late 17th or early 18th Century, anonymous artist from the circle of Antonio Balestra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-and-apelles-painting-in-oil-on-canvas-circa-late-17th-or-early-18th-century-anonymous-artist-from-the-circle-of-antonio-balestra-image243662160.html
RMT4BNG0–Alexander the Great and Apelles, painting in oil on canvas, circa late 17th or early 18th Century, anonymous artist from the circle of Antonio Balestra
Apelles Painting Alexander and Campaspe, Master I V Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-apelles-painting-alexander-and-campaspe-master-i-v-162523208.html
RMKCBG08–Apelles Painting Alexander and Campaspe, Master I V
Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands Alexander the Great visits the studio of Apelles ( Alexander I was Emperor of Russia from 1801, the first King of Congress Poland from 1815, and the Grand Duke of Finland from 1809 to his death. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apelles-painting-campaspe-1630-by-willem-van-haecht-1593-1637-dutch-99156775.html
RMFN8YDB–Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands Alexander the Great visits the studio of Apelles ( Alexander I was Emperor of Russia from 1801, the first King of Congress Poland from 1815, and the Grand Duke of Finland from 1809 to his death. )
Apelles Painting Alexander and Campaspe MET DP831919 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-alexander-and-campaspe-met-dp831919-image155473832.html
RMK0XCCT–Apelles Painting Alexander and Campaspe MET DP831919
Painting depicting Alexander the Great visiting the studio of Apelles. Alexander the Great (356 BC - 323 BC) king of the ancient Greek kingdom of Macedon and a member of the Argead dynasty. Dated 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-depicting-alexander-the-great-visiting-the-studio-of-apelles-alexander-the-great-356-bc-323-bc-king-of-the-ancient-greek-kingdom-of-macedon-and-a-member-of-the-argead-dynasty-dated-19th-century-image186348004.html
RMMR4TNT–Painting depicting Alexander the Great visiting the studio of Apelles. Alexander the Great (356 BC - 323 BC) king of the ancient Greek kingdom of Macedon and a member of the Argead dynasty. Dated 19th century
Alexander The Great in the studio of Apelles to arrange the painting of his portrait. Apelles of Kos, c.332–329 BC. Renowned painter of ancient Greece. Alexander III of Macedon, 356 BC – 323 BC, aka Alexander the Great. King of the Ancient Greek kingdom of Macedon. After the painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-alexander-the-great-in-the-studio-of-apelles-to-arrange-the-painting-161830563.html
RMKB80EY–Alexander The Great in the studio of Apelles to arrange the painting of his portrait. Apelles of Kos, c.332–329 BC. Renowned painter of ancient Greece. Alexander III of Macedon, 356 BC – 323 BC, aka Alexander the Great. King of the Ancient Greek kingdom of Macedon. After the painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915.
Apelles Painting Alexander and Campaspe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-alexander-and-campaspe-image232290579.html
RMRDWN03–Apelles Painting Alexander and Campaspe
Apelles Painting Campaspe in the Presence of Alexander the Great Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-campaspe-in-the-presence-of-alexander-the-great-image68141488.html
RMDXT34G–Apelles Painting Campaspe in the Presence of Alexander the Great
Allegory on the painting Pittura (title object) Allegory of painting: Apelles paints the portrait of Alexander the Grote. Manufacturer : printmaker Pieter Perret (listed property) designed by Hans Speck Aert (listed property) Place manufacture: Rome Date: 1582 Physical features: car material: paper Technique : engra (printing process) Dimensions: sheet: h 408 mm × W 287 mm Subject: Apelles painting Alexander holding a thunderbolt'Pictura ', symbolic representations, allegories and emblems painting; 'Pittura '(Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-on-the-painting-pittura-title-object-allegory-of-painting-apelles-paints-the-portrait-of-alexander-the-grote-manufacturer-printmaker-pieter-perret-listed-property-designed-by-hans-speck-aert-listed-property-place-manufacture-rome-date-1582-physical-features-car-material-paper-technique-engra-printing-process-dimensions-sheet-h-408-mm-w-287-mm-subject-apelles-painting-alexander-holding-a-thunderboltpictura-symbolic-representations-allegories-and-emblems-painting-pittura-ripa-image348124523.html
RM2B6ACAK–Allegory on the painting Pittura (title object) Allegory of painting: Apelles paints the portrait of Alexander the Grote. Manufacturer : printmaker Pieter Perret (listed property) designed by Hans Speck Aert (listed property) Place manufacture: Rome Date: 1582 Physical features: car material: paper Technique : engra (printing process) Dimensions: sheet: h 408 mm × W 287 mm Subject: Apelles painting Alexander holding a thunderbolt'Pictura ', symbolic representations, allegories and emblems painting; 'Pittura '(Ripa)
Apelles Painting Campaspe in the Presence of Alexander the Great. Artist: David, Jacques Louis (1748-1825) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-campaspe-in-the-presence-of-alexander-the-great-artist-image66617086.html
RMDTAJNJ–Apelles Painting Campaspe in the Presence of Alexander the Great. Artist: David, Jacques Louis (1748-1825)
Apelles of Kos (4th century BC). Painter of ancient Greece. Alexander the Great visiting the artist Apelles in his workshop. Color illustration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-of-kos-4th-century-bc-painter-of-ancient-greece-alexander-the-great-visiting-the-artist-apelles-in-his-workshop-color-illustration-image179832752.html
RMMCG2E8–Apelles of Kos (4th century BC). Painter of ancient Greece. Alexander the Great visiting the artist Apelles in his workshop. Color illustration.
Alexander the Great at the studio of Apelles, while the artist is painting the portrait of Alexander's mistress Campaspe, by Willem van Haecht , circa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-the-great-at-the-studio-of-apelles-while-the-artist-is-painting-135388655.html
RMHT7DH3–Alexander the Great at the studio of Apelles, while the artist is painting the portrait of Alexander's mistress Campaspe, by Willem van Haecht , circa
Apelles Painting Alexander and Campaspe Master IQV. Apelles Painting Alexander and Campaspe 416018 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-alexander-and-campaspe-master-iqv-apelles-painting-alexander-and-campaspe-416018-image458480463.html
RM2HHWGE7–Apelles Painting Alexander and Campaspe Master IQV. Apelles Painting Alexander and Campaspe 416018
Jacques-Louis David - Apelles Painting Campaspe in the Presence of Alexander the Great Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jacques-louis-david-apelles-painting-campaspe-in-the-presence-of-alexander-132772197.html
RMHM0885–Jacques-Louis David - Apelles Painting Campaspe in the Presence of Alexander the Great
Allegory in painting, Pieter Perret, After Hans Speckaert, 1582 print Allegory of painting: Apelles paints the portrait of Alexander the Great. Rome paper engraving Apelles painting Alexander holding a thunderbolt. 'Pictura', symbolic representations, allegories and emblems painting; 'Pittura' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-in-painting-pieter-perret-after-hans-speckaert-1582-print-allegory-of-painting-apelles-paints-the-portrait-of-alexander-the-great-rome-paper-engraving-apelles-painting-alexander-holding-a-thunderbolt-pictura-symbolic-representations-allegories-and-emblems-painting-pittura-ripa-image594935720.html
RM2WFWJG8–Allegory in painting, Pieter Perret, After Hans Speckaert, 1582 print Allegory of painting: Apelles paints the portrait of Alexander the Great. Rome paper engraving Apelles painting Alexander holding a thunderbolt. 'Pictura', symbolic representations, allegories and emblems painting; 'Pittura' (Ripa)
Alexander in the studio of Apelles, Salvator Rosa, printmaker, circa 1662, Rome, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This is an ambitious subject for an etching and equally appropriate as a larger 'historical genre' painting. Like its 'other half', Alexander and Diogenes, it relates to episodes in the life of Alexander the Great. This print shows him in the studio of Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-in-the-studio-of-apelles-salvator-rosa-printmaker-circa-1662-rome-etching-although-famous-and-influential-as-a-painter-of-haunting-rugged-landscapes-which-make-him-regarded-as-a-romantic-nearly-200-years-before-his-time-salvator-rosa-was-also-a-significant-etcher-this-is-an-ambitious-subject-for-an-etching-and-equally-appropriate-as-a-larger-historical-genre-painting-like-its-other-half-alexander-and-diogenes-it-relates-to-episodes-in-the-life-of-alexander-the-great-this-print-shows-him-in-the-studio-of-apelles-image454317377.html
RM2HB3XCH–Alexander in the studio of Apelles, Salvator Rosa, printmaker, circa 1662, Rome, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This is an ambitious subject for an etching and equally appropriate as a larger 'historical genre' painting. Like its 'other half', Alexander and Diogenes, it relates to episodes in the life of Alexander the Great. This print shows him in the studio of Apelles
Inspired by Alexander in the studio of Apelles, Salvator Rosa, printmaker, circa 1662, Rome, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-alexander-in-the-studio-of-apelles-salvator-rosa-printmaker-circa-1662-rome-etching-although-famous-and-influential-as-a-painter-of-haunting-rugged-landscapes-which-make-him-regarded-as-a-romantic-nearly-200-years-before-his-time-salvator-rosa-was-also-a-significant-etcher-this-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459331984.html
RF2HK8AHM–Inspired by Alexander in the studio of Apelles, Salvator Rosa, printmaker, circa 1662, Rome, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Painting, Pictura (title on object), Les Vertus et les Arts (series title), Liberal arts and virtues (series title), Alexander the Great in the studio of Apelles., print maker: Jacques-Antoine Friquet de Vauroze, after design by: Sébastien Bourdon, publisher: Jacques-Antoine Friquet de Vauroze, print maker: France, after design by: Paris, publisher: France, France, 1663 - 1716, paper, engraving, etching, height 317 mm × width 297 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-pictura-title-on-object-les-vertus-et-les-arts-series-title-liberal-arts-and-virtues-series-title-alexander-the-great-in-the-studio-of-apelles-print-maker-jacques-antoine-friquet-de-vauroze-after-design-by-sbastien-bourdon-publisher-jacques-antoine-friquet-de-vauroze-print-maker-france-after-design-by-paris-publisher-france-france-1663-1716-paper-engraving-etching-height-317-mm-width-297-mm-print-image599535819.html
RM2WRB61F–Painting, Pictura (title on object), Les Vertus et les Arts (series title), Liberal arts and virtues (series title), Alexander the Great in the studio of Apelles., print maker: Jacques-Antoine Friquet de Vauroze, after design by: Sébastien Bourdon, publisher: Jacques-Antoine Friquet de Vauroze, print maker: France, after design by: Paris, publisher: France, France, 1663 - 1716, paper, engraving, etching, height 317 mm × width 297 mm, print
Apelles Painting Campaspe in the Presence of Alexander the Great. Museum: Musée des Beaux-Arts, Lille. Author: DAVID, JACQUES LOUIS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-campaspe-in-the-presence-of-alexander-the-great-museum-muse-des-beaux-arts-lille-author-david-jacques-louis-image231684757.html
RMRCX47H–Apelles Painting Campaspe in the Presence of Alexander the Great. Museum: Musée des Beaux-Arts, Lille. Author: DAVID, JACQUES LOUIS.
Giovanni Battista Tiepolo, Alexander the Great and Campaspe in the Studio of Apelles, painting c. 1740 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-tiepolo-alexander-the-great-and-campaspe-in-the-studio-of-apelles-painting-c-1740-image243662193.html
RMT4BNH5–Giovanni Battista Tiepolo, Alexander the Great and Campaspe in the Studio of Apelles, painting c. 1740
Diogenes and Alexander, Salvator Rosa, artist, 1662, Italy, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This is an ambitious subject for an etching and would be equally appropriate as a larger 'historical genre' painting. Like its 'other half', Alexander and Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diogenes-and-alexander-salvator-rosa-artist-1662-italy-etching-although-famous-and-influential-as-a-painter-of-haunting-rugged-landscapes-which-make-him-regarded-as-a-romantic-nearly-200-years-before-his-time-salvator-rosa-was-also-a-significant-etcher-this-is-an-ambitious-subject-for-an-etching-and-would-be-equally-appropriate-as-a-larger-historical-genre-painting-like-its-other-half-alexander-and-apelles-image454314027.html
RM2HB3P4Y–Diogenes and Alexander, Salvator Rosa, artist, 1662, Italy, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This is an ambitious subject for an etching and would be equally appropriate as a larger 'historical genre' painting. Like its 'other half', Alexander and Apelles
Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands Alexander the Great visits the studio of Apelles ( Alexander I was Emperor of Russia from 1801, the first King of Congress Poland from 1815, and the Grand Duke of Finland from 1809 to his death. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apelles-painting-campaspe-1630-by-willem-van-haecht-1593-1637-dutch-99154853.html
RMFN8W0N–Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands Alexander the Great visits the studio of Apelles ( Alexander I was Emperor of Russia from 1801, the first King of Congress Poland from 1815, and the Grand Duke of Finland from 1809 to his death. )
Apelles Painting Alexander and Campaspe MET DP831919 416018 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-apelles-painting-alexander-and-campaspe-met-dp831919-416018-168036708.html
RMKNAMF0–Apelles Painting Alexander and Campaspe MET DP831919 416018
Giovanni Battista Tiepolo Alexander the Great and Campaspe in the Studio of Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giovanni-battista-tiepolo-alexander-the-great-and-campaspe-in-the-79332344.html
RMEH1W60–Giovanni Battista Tiepolo Alexander the Great and Campaspe in the Studio of Apelles
Apelles of Kos, ancient Greek painter, 4th century BC. Studied with the school of Sicyon, before working in the court of Alexander I of Macedonia. Pliny the Elder dates him to the 112th Olympiad, 332-329 BC. Apelles. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-of-kos-ancient-greek-painter-4th-century-bc-studied-with-the-school-of-sicyon-before-working-in-the-court-of-alexander-i-of-macedonia-pliny-the-elder-dates-him-to-the-112th-olympiad-332-329-bc-apelles-copperplate-engraving-by-philipp-kilian-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image551464599.html
RM2R15AM7–Apelles of Kos, ancient Greek painter, 4th century BC. Studied with the school of Sicyon, before working in the court of Alexander I of Macedonia. Pliny the Elder dates him to the 112th Olympiad, 332-329 BC. Apelles. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Jacques-Louis David - Apelles Painting Campaspe in the Presence of Alexander the Great. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-louis-david-apelles-painting-campaspe-in-the-presence-of-alexander-the-great-image367348365.html
RM2C9J4GD–Jacques-Louis David - Apelles Painting Campaspe in the Presence of Alexander the Great.
Apelles Painting Campaspe in the Presence of Alexander the Great Unknown date. 690 Jacques-Louis David - Apelles Painting Campaspe in the Presence of Alexander the Great Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-campaspe-in-the-presence-of-alexander-the-great-unknown-date-690-jacques-louis-david-apelles-painting-campaspe-in-the-presence-of-alexander-the-great-image185794436.html
RMMP7JKG–Apelles Painting Campaspe in the Presence of Alexander the Great Unknown date. 690 Jacques-Louis David - Apelles Painting Campaspe in the Presence of Alexander the Great
Apelles Painting Campaspe in the Presence of Alexander the Great by Jacques-Louis David Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-campaspe-in-the-presence-of-alexander-the-great-by-jacques-louis-david-image557365960.html
RM2RAP5Y4–Apelles Painting Campaspe in the Presence of Alexander the Great by Jacques-Louis David
The painter by love, Pieter Tanjé, after Cornelis Troost, 1761, The painter Eduard declares his love to Leonoor, whose portrait he has produced. At the door stands Leonoor's jealous husband Don Pedro, who is kept busy by the painter's servant. Above the door hangs a painting depicting Alexander, whom the painter Apelles presents to his mistress Campaspe. Below in the margin a four-line verse in Dutch and French. Scene from the second act of the play The Painter by Love, by Molière., print maker: Pieter Tanjé, (mentioned on object), after: Cornelis Troost, (mentioned on object), Lucas Pater, ( Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painter-by-love-pieter-tanj-after-cornelis-troost-1761-the-painter-eduard-declares-his-love-to-leonoor-whose-portrait-he-has-produced-at-the-door-stands-leonoors-jealous-husband-don-pedro-who-is-kept-busy-by-the-painters-servant-above-the-door-hangs-a-painting-depicting-alexander-whom-the-painter-apelles-presents-to-his-mistress-campaspe-below-in-the-margin-a-four-line-verse-in-dutch-and-french-scene-from-the-second-act-of-the-play-the-painter-by-love-by-molire-print-maker-pieter-tanj-mentioned-on-object-after-cornelis-troost-mentioned-on-object-lucas-pater-image473381003.html
RM2JE4A8B–The painter by love, Pieter Tanjé, after Cornelis Troost, 1761, The painter Eduard declares his love to Leonoor, whose portrait he has produced. At the door stands Leonoor's jealous husband Don Pedro, who is kept busy by the painter's servant. Above the door hangs a painting depicting Alexander, whom the painter Apelles presents to his mistress Campaspe. Below in the margin a four-line verse in Dutch and French. Scene from the second act of the play The Painter by Love, by Molière., print maker: Pieter Tanjé, (mentioned on object), after: Cornelis Troost, (mentioned on object), Lucas Pater, (
Giovanni Battista Tiepolo - Alexander and Campaspe in the Studio of Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-tiepolo-alexander-and-campaspe-in-the-studio-of-apelles-image431932883.html
RF2G2M6PB–Giovanni Battista Tiepolo - Alexander and Campaspe in the Studio of Apelles
Alexander the Great in the studio of Apelles Alexander the Great in the studio of his court painter Apelles. Alexander is right and points to the panel Where: are shown schematically on figures in a landscape. Behind Alexander are three soldiers. Apelles Alexander urges not to criticize the painting, because the students Alexander for his words would laugh. Central among three lines of Latin text (adapted from Pliny's Naturalis Historia ') Manufacture Creator:. Printmaker: Salvator Rosa (listed building) in its design: Salvator Rosa (listed property) Place manufacture: Italy Date: approx 1662 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-in-the-studio-of-apelles-alexander-the-great-in-the-studio-of-his-court-painter-apelles-alexander-is-right-and-points-to-the-panel-where-are-shown-schematically-on-figures-in-a-landscape-behind-alexander-are-three-soldiers-apelles-alexander-urges-not-to-criticize-the-painting-because-the-students-alexander-for-his-words-would-laugh-central-among-three-lines-of-latin-text-adapted-from-plinys-naturalis-historia-manufacture-creator-printmaker-salvator-rosa-listed-building-in-its-design-salvator-rosa-listed-property-place-manufacture-italy-date-approx-1662-image348120455.html
RM2B6A75B–Alexander the Great in the studio of Apelles Alexander the Great in the studio of his court painter Apelles. Alexander is right and points to the panel Where: are shown schematically on figures in a landscape. Behind Alexander are three soldiers. Apelles Alexander urges not to criticize the painting, because the students Alexander for his words would laugh. Central among three lines of Latin text (adapted from Pliny's Naturalis Historia ') Manufacture Creator:. Printmaker: Salvator Rosa (listed building) in its design: Salvator Rosa (listed property) Place manufacture: Italy Date: approx 1662
Alexander im Atelier des Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-im-atelier-des-apelles-132480858.html
RMHKF0K6–Alexander im Atelier des Apelles
Alexander the Great and Campaspe in the Studio of Apelles; Giovanni Battista Tiepolo (Italian, 1696 - 1770); Italy; about 1740; Oil on canvas; 42.5 × 54 cm (16 3/4 × 21 1/4 in.); 2000.6 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-and-campaspe-in-the-studio-of-apelles-giovanni-battista-tiepolo-italian-1696-1770-italy-about-1740-oil-on-canvas-425-54-cm-16-34-21-14-in-20006-image597274472.html
RF2WKM5K4–Alexander the Great and Campaspe in the Studio of Apelles; Giovanni Battista Tiepolo (Italian, 1696 - 1770); Italy; about 1740; Oil on canvas; 42.5 × 54 cm (16 3/4 × 21 1/4 in.); 2000.6
Apelles painting Campaspe, the mistress of Alexander the Great, one of a series of eight prints (Varii Baccanali et istorie…). Artist: Francesco Fontebasso, Italian, 1707–1769 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-campaspe-the-mistress-of-alexander-the-great-one-of-a-series-of-eight-prints-varii-baccanali-etistorie-artist-francesco-fontebasso-italian-17071769-image463162529.html
RM2HWETEW–Apelles painting Campaspe, the mistress of Alexander the Great, one of a series of eight prints (Varii Baccanali et istorie…). Artist: Francesco Fontebasso, Italian, 1707–1769
Art inspired by Alexander in the studio of Apelles, Salvator Rosa, printmaker, circa 1662, Rome, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-alexander-in-the-studio-of-apelles-salvator-rosa-printmaker-circa-1662-rome-etching-although-famous-and-influential-as-a-painter-of-haunting-rugged-landscapes-which-make-him-regarded-as-a-romantic-nearly-200-years-before-his-time-salvator-rosa-was-also-a-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459674552.html
RF2HKRYG8–Art inspired by Alexander in the studio of Apelles, Salvator Rosa, printmaker, circa 1662, Rome, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
SchIILDER CASH JACQUES-Antoine FIQUIET THE VURONS, EFRACOZE, Bourdon, 1663 - 1716 print Alexander the Great in the Apelles studio. print maker: Franceafter design by: Parispublisher: FranceFrance paper engraving / etching historical persons. 'Pictura', symbolic representations, allegories and emblems painting; 'Pittura' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schiilder-cash-jacques-antoine-fiquiet-the-vurons-efracoze-bourdon-1663-1716-print-alexander-the-great-in-the-apelles-studio-print-maker-franceafter-design-by-parispublisher-francefrance-paper-engraving-etching-historical-persons-pictura-symbolic-representations-allegories-and-emblems-painting-pittura-ripa-image594863388.html
RM2WFPA90–SchIILDER CASH JACQUES-Antoine FIQUIET THE VURONS, EFRACOZE, Bourdon, 1663 - 1716 print Alexander the Great in the Apelles studio. print maker: Franceafter design by: Parispublisher: FranceFrance paper engraving / etching historical persons. 'Pictura', symbolic representations, allegories and emblems painting; 'Pittura' (Ripa)
Alexander the Great and Campaspe in the Studio of Apelles. Date/Period: Ca. 1740. Painting. Oil on canvas. Height: 425 mm (16.73 in); Width: 540 mm (21.25 in). Author: Giovanni Battista Tiepolo. TIEPOLO, GIOVANNI BATTISTA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-and-campaspe-in-the-studio-of-apelles-dateperiod-ca-1740-painting-oil-on-canvas-height-425-mm-1673-in-width-540-mm-2125-in-author-giovanni-battista-tiepolo-tiepolo-giovanni-battista-image219747522.html
RMPNEA5P–Alexander the Great and Campaspe in the Studio of Apelles. Date/Period: Ca. 1740. Painting. Oil on canvas. Height: 425 mm (16.73 in); Width: 540 mm (21.25 in). Author: Giovanni Battista Tiepolo. TIEPOLO, GIOVANNI BATTISTA.
Jacques-Louis David, Apelles Painting Campaspe in the Presence of Alexander the Great, 18th or 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-louis-david-apelles-painting-campaspe-in-the-presence-of-alexander-the-great-18th-or-19th-century-image243662185.html
RMT4BNGW–Jacques-Louis David, Apelles Painting Campaspe in the Presence of Alexander the Great, 18th or 19th Century
Jérôme-Martin Langlois (French - Alexander Ceding Campaspe to Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jrme-martin-langlois-french-alexander-ceding-campaspe-to-apelles-image454778199.html
RF2HBTX6F–Jérôme-Martin Langlois (French - Alexander Ceding Campaspe to Apelles
Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands Alexander the Great visits the studio of Apelles ( Alexander I was Emperor of Russia from 1801, the first King of Congress Poland from 1815, and the Grand Duke of Finland from 1809 to his death. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apelles-painting-campaspe-1630-by-willem-van-haecht-1593-1637-dutch-99154856.html
RMFN8W0T–Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands Alexander the Great visits the studio of Apelles ( Alexander I was Emperor of Russia from 1801, the first King of Congress Poland from 1815, and the Grand Duke of Finland from 1809 to his death. )
Apelles painting Campaspe the mistress of Alexander the Great, etching by Francesco Fontebasso, after 1744 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-campaspe-the-mistress-of-alexander-the-great-etching-by-francesco-fontebasso-after-1744-image347944565.html
RM2B626RH–Apelles painting Campaspe the mistress of Alexander the Great, etching by Francesco Fontebasso, after 1744
Alexander im Atelier des Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-im-atelier-des-apelles-139520597.html
RMJ2YKXD–Alexander im Atelier des Apelles
Alexander the Great and Campaspe in the Studio of Apelles by Giovanni Battista Tiepolo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-and-campaspe-in-the-studio-of-apelles-by-giovanni-battista-tiepolo-image602414671.html
RF2X02A1K–Alexander the Great and Campaspe in the Studio of Apelles by Giovanni Battista Tiepolo
Jacob Hoefnagel - Apelles painting Campaspe in the presence of Alexander. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacob-hoefnagel-apelles-painting-campaspe-in-the-presence-of-alexander-image592075141.html
RM2WB79TN–Jacob Hoefnagel - Apelles painting Campaspe in the presence of Alexander.
. Alexander mosaic, old reconstruction drawing . This file is lacking author information. 1044 Reconstruction of the mosaic depiction of the Battle of Issus after a painting by Apelles found in the House of the Faun at Pompeii (published 1893) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-mosaic-old-reconstruction-drawing-this-file-is-lacking-author-information-1044-reconstruction-of-the-mosaic-depiction-of-the-battle-of-issus-after-a-painting-by-apelles-found-in-the-house-of-the-faun-at-pompeii-published-1893-image185555802.html
RMMNTP8X–. Alexander mosaic, old reconstruction drawing . This file is lacking author information. 1044 Reconstruction of the mosaic depiction of the Battle of Issus after a painting by Apelles found in the House of the Faun at Pompeii (published 1893)
Alexander the Great and Campaspe in the Studio of Apelles 1726 by Giovanni Battista Tiepolo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-and-campaspe-in-the-studio-of-apelles-1726-by-giovanni-battista-tiepolo-image557906659.html
RM2RBJRHR–Alexander the Great and Campaspe in the Studio of Apelles 1726 by Giovanni Battista Tiepolo
Apelles Painting Campaspe. Artist: Vleughels, Nicolas (1668-1737) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apelles-painting-campaspe-artist-vleughels-nicolas-1668-1737-74093583.html
RME8F73B–Apelles Painting Campaspe. Artist: Vleughels, Nicolas (1668-1737)
A brief history of the nations and of their progress in civilization . s; Avliile per-haps the greatest of all was Apelles. Among his most famousworks Avas a painting of Venus rising from the sea, and aportrait of Alexander the Great. CHAPTER XIV THE PELOPONNESIAN WAR I. To THE Peace of Nicias (421 B.C.) To the Death of Pericles. — Athens under Pericles stoodexposed to two principal sources of danger. Her allies anddependents were discontented with her spirit of dominationand of extortion. On theother hand, jealousy ofher growth led the Do-rian and Aeolian states toband together against herund Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-brief-history-of-the-nations-and-of-their-progress-in-civilization-s-avliile-per-haps-the-greatest-of-all-was-apelles-among-his-most-famousworks-avas-a-painting-of-venus-rising-from-the-sea-and-aportrait-of-alexander-the-great-chapter-xiv-the-peloponnesian-war-i-to-the-peace-of-nicias-421-bc-to-the-death-of-pericles-athens-under-pericles-stoodexposed-to-two-principal-sources-of-danger-her-allies-anddependents-were-discontented-with-her-spirit-of-dominationand-of-extortion-on-theother-hand-jealousy-ofher-growth-led-the-do-rian-and-aeolian-states-toband-together-against-herund-image339253678.html
RM2AKX9EP–A brief history of the nations and of their progress in civilization . s; Avliile per-haps the greatest of all was Apelles. Among his most famousworks Avas a painting of Venus rising from the sea, and aportrait of Alexander the Great. CHAPTER XIV THE PELOPONNESIAN WAR I. To THE Peace of Nicias (421 B.C.) To the Death of Pericles. — Athens under Pericles stoodexposed to two principal sources of danger. Her allies anddependents were discontented with her spirit of dominationand of extortion. On theother hand, jealousy ofher growth led the Do-rian and Aeolian states toband together against herund
Giovanni Battista Tiepolo - Alexander the Great and Campaspe in the Studio of Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-tiepolo-alexander-the-great-and-campaspe-in-the-studio-of-apelles-image431932946.html
RF2G2M6TJ–Giovanni Battista Tiepolo - Alexander the Great and Campaspe in the Studio of Apelles
The painter painter by love by love L'amant peintre (title object) the painter Eduard explains Leonoor, Who: ns portrait he made his love. At the door stands Leonoor's jealous husband Don Pedro, which is occupied by the painter servant. Above the door hangs a painting with a depiction of Alexander, which the painter Apelles his mistress Campaspe give as gifts. Scene from the second act of the play The painter by love of Molière. Manufacturer : printmaker Pieter Tanjénaar painting by Cornelis Troost Place manufacture: Amsterdam Date: 1761 Physical features: etching and engra; proofing material: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painter-painter-by-love-by-love-lamant-peintre-title-object-the-painter-eduard-explains-leonoor-who-ns-portrait-he-made-his-love-at-the-door-stands-leonoors-jealous-husband-don-pedro-which-is-occupied-by-the-painter-servant-above-the-door-hangs-a-painting-with-a-depiction-of-alexander-which-the-painter-apelles-his-mistress-campaspe-give-as-gifts-scene-from-the-second-act-of-the-play-the-painter-by-love-of-molire-manufacturer-printmaker-pieter-tanjnaar-painting-by-cornelis-troost-place-manufacture-amsterdam-date-1761-physical-features-etching-and-engra-proofing-material-image348296777.html
RM2B6J82H–The painter painter by love by love L'amant peintre (title object) the painter Eduard explains Leonoor, Who: ns portrait he made his love. At the door stands Leonoor's jealous husband Don Pedro, which is occupied by the painter servant. Above the door hangs a painting with a depiction of Alexander, which the painter Apelles his mistress Campaspe give as gifts. Scene from the second act of the play The painter by love of Molière. Manufacturer : printmaker Pieter Tanjénaar painting by Cornelis Troost Place manufacture: Amsterdam Date: 1761 Physical features: etching and engra; proofing material:
Alexander the Great in the Workshop of Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-the-great-in-the-workshop-of-apelles-132575545.html
RMHKK9CW–Alexander the Great in the Workshop of Apelles
Giovanni Battista Tiepolo (1696-1770) - Alexander Great Campaspe Studio Apelles C 1726 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-tiepolo-1696-1770-alexander-great-campaspe-studio-apelles-c-1726-image431935093.html
RF2G2M9H9–Giovanni Battista Tiepolo (1696-1770) - Alexander Great Campaspe Studio Apelles C 1726
GAETANO GANDOLFI ALEXANDER PRESENTING CAMPASPE TO APELLES Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gaetano-gandolfi-alexander-presenting-campaspe-to-apelles-132707971.html
RMHKWAAB–GAETANO GANDOLFI ALEXANDER PRESENTING CAMPASPE TO APELLES
Inspired by Diogenes and Alexander, Salvator Rosa, artist, 1662, Italy, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This is an ambitious, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-diogenes-and-alexander-salvator-rosa-artist-1662-italy-etching-although-famous-and-influential-as-a-painter-of-haunting-rugged-landscapes-which-make-him-regarded-as-a-romantic-nearly-200-years-before-his-time-salvator-rosa-was-also-a-significant-etcher-this-is-an-ambitious-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459327607.html
RF2HK851B–Inspired by Diogenes and Alexander, Salvator Rosa, artist, 1662, Italy, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This is an ambitious, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Antonio Balestra (circle) Alexander the Great and Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antonio-balestra-circle-alexander-the-great-and-apelles-132586323.html
RMHKKR5R–Antonio Balestra (circle) Alexander the Great and Apelles
Apelles of Kos, ancient Greek painter, 4th century BC. Studied with the school of Sicyon, before working in the court of Alexander I of Macedonia. Pliny the Elder dates him to the 112th Olympiad, 332-329 BC. Apelles. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-of-kos-ancient-greek-painter-4th-century-bc-studied-with-the-school-of-sicyon-before-working-in-the-court-of-alexander-i-of-macedonia-pliny-the-elder-dates-him-to-the-112th-olympiad-332-329-bc-apelles-copperplate-engraving-by-philipp-kilian-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image571836419.html
RM2T69B57–Apelles of Kos, ancient Greek painter, 4th century BC. Studied with the school of Sicyon, before working in the court of Alexander I of Macedonia. Pliny the Elder dates him to the 112th Olympiad, 332-329 BC. Apelles. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Alexander the Great in the studio of Apelles, Salvator Rosa, c. 1662 print Alexander the Great in the studio of his court painter Apelles. Alexander sits on the right and points to the panel on which figures are sketched in a landscape. There are three soldiers behind Alexander. Apelles does not urge Alexander to criticize the painting because the students would laugh at Alexander for his words. In the middle of three lines of Latin text (free to Pliny '' Naturalis Historia '). Italy paper. ink etching / drypoint / pen . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-in-the-studio-of-apelles-salvator-rosa-c-1662-print-alexander-the-great-in-the-studio-of-his-court-painter-apelles-alexander-sits-on-the-right-and-points-to-the-panel-on-which-figures-are-sketched-in-a-landscape-there-are-three-soldiers-behind-alexander-apelles-does-not-urge-alexander-to-criticize-the-painting-because-the-students-would-laugh-at-alexander-for-his-words-in-the-middle-of-three-lines-of-latin-text-free-to-pliny-naturalis-historia-italy-paper-ink-etching-drypoint-pen-image594861415.html
RM2WFP7PF–Alexander the Great in the studio of Apelles, Salvator Rosa, c. 1662 print Alexander the Great in the studio of his court painter Apelles. Alexander sits on the right and points to the panel on which figures are sketched in a landscape. There are three soldiers behind Alexander. Apelles does not urge Alexander to criticize the painting because the students would laugh at Alexander for his words. In the middle of three lines of Latin text (free to Pliny '' Naturalis Historia '). Italy paper. ink etching / drypoint / pen .
Alexander the Great Giving Campaspe to Apelles, 1822 Charles Meynier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-giving-campaspe-to-apelles-1822-charles-meynier-image606077869.html
RM2X616E5–Alexander the Great Giving Campaspe to Apelles, 1822 Charles Meynier
Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apelles-painting-campaspe-1630-by-willem-van-haecht-1593-1637-dutch-99156781.html
RMFN8YDH–Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands
Alexander the Great Giving Campaspe to Apelles, 1822 Charles Meynier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-giving-campaspe-to-apelles-1822-charles-meynier-image606191601.html
RM2X66BG1–Alexander the Great Giving Campaspe to Apelles, 1822 Charles Meynier
Alexander the Great Offering His Concubine Campaspe to the Painter Apelles MET DP801355 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-offering-his-concubine-campaspe-to-the-painter-image155584127.html
RMK13D3Y–Alexander the Great Offering His Concubine Campaspe to the Painter Apelles MET DP801355
Willem van Haecht - Alexander the Great visits the studio of Apelles N08610-169-lr-1 (cropped Apelles painting Campaspe). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/willem-van-haecht-alexander-the-great-visits-the-studio-of-apelles-n08610-169-lr-1-cropped-apelles-painting-campaspe-image575608422.html
RM2TCD6BJ–Willem van Haecht - Alexander the Great visits the studio of Apelles N08610-169-lr-1 (cropped Apelles painting Campaspe).
English: Alexander the Great visits the studio of Apelles, detail of Apelles painting Campaspe . This object is indexed in RKDimages, database of the Netherlands Institute for Art History, under the reference 50637. čeština | English | français | македонски | Nederlands | +/− . between 1628 and 1637. 1261 Willem van Haecht - Alexander the Great visits the studio of Apelles N08610-169-lr-1 (cropped Apelles painting Campaspe) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alexander-the-great-visits-the-studio-of-apelles-detail-of-apelles-painting-campaspe-this-object-is-indexed-in-rkdimages-database-of-the-netherlands-institute-for-art-historyunder-the-reference-50637-etina-english-franais-nederlands-between-1628-and-1637-1261-willem-van-haecht-alexander-the-great-visits-the-studio-of-apelles-n08610-169-lr-1-cropped-apelles-painting-campaspe-image185613090.html
RMMNYBAX–English: Alexander the Great visits the studio of Apelles, detail of Apelles painting Campaspe . This object is indexed in RKDimages, database of the Netherlands Institute for Art History, under the reference 50637. čeština | English | français | македонски | Nederlands | +/− . between 1628 and 1637. 1261 Willem van Haecht - Alexander the Great visits the studio of Apelles N08610-169-lr-1 (cropped Apelles painting Campaspe)
Alexander the Great and Campaspe in the Studio of Apelles circa 1740 by Giovanni Battista Tiepolo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-and-campaspe-in-the-studio-of-apelles-circa-1740-by-giovanni-battista-tiepolo-image543774204.html
RM2PGK1F8–Alexander the Great and Campaspe in the Studio of Apelles circa 1740 by Giovanni Battista Tiepolo
Alexander the Great and Campaspe in the Studio of Apelles, about 1740. Additional Info: A boyish artist gazes longingly at the regal woman whose portrait he is painting. The young artist is Alexander the Great's court painter, Apelles, whom ancient writers considered the greatest artist of their time. According to Pliny's Natural History of 77 A.D., Alexander commissioned Apelles to paint a portrait of his favorite concubine, Campaspe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-and-campaspe-in-the-studio-of-apelles-about-1740-additional-info-a-boyish-artist-gazes-longingly-at-the-regal-woman-whose-portrait-he-is-painting-the-young-artist-is-alexander-the-greats-court-painter-apelles-whom-ancient-writers-considered-the-greatest-artist-of-their-time-according-to-plinys-natural-history-of-77-ad-alexander-commissioned-apelles-to-paint-a-portrait-of-his-favorite-concubine-campaspe-image626632971.html
RM2YBDGMY–Alexander the Great and Campaspe in the Studio of Apelles, about 1740. Additional Info: A boyish artist gazes longingly at the regal woman whose portrait he is painting. The young artist is Alexander the Great's court painter, Apelles, whom ancient writers considered the greatest artist of their time. According to Pliny's Natural History of 77 A.D., Alexander commissioned Apelles to paint a portrait of his favorite concubine, Campaspe.
. The eastern nations and Greece. been called the Raphael ofantiquity, was the court painter of Alexander the Great. He wassuch a consummate master of the art of painting and carried it tosuch a state of perfection that the ancient writers spoke of it as theArt of Apelles. That Apelles, like Zeuxis and Parrhasius, painted lifelike picturesis shown by the following story. In a con-test between him and some rival artists, horseswere the objects represented. Perceiving thatthe judges were unfriendly to him, Apellesinsisted that less prejudiced judges, namely,some horses that were near, should pro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eastern-nations-and-greece-been-called-the-raphael-ofantiquity-was-the-court-painter-of-alexander-the-great-he-wassuch-a-consummate-master-of-the-art-of-painting-and-carried-it-tosuch-a-state-of-perfection-that-the-ancient-writers-spoke-of-it-as-theart-of-apelles-that-apelles-like-zeuxis-and-parrhasius-painted-lifelike-picturesis-shown-by-the-following-story-in-a-con-test-between-him-and-some-rival-artists-horseswere-the-objects-represented-perceiving-thatthe-judges-were-unfriendly-to-him-apellesinsisted-that-less-prejudiced-judges-namelysome-horses-that-were-near-should-pro-image370306970.html
RM2CECX8X–. The eastern nations and Greece. been called the Raphael ofantiquity, was the court painter of Alexander the Great. He wassuch a consummate master of the art of painting and carried it tosuch a state of perfection that the ancient writers spoke of it as theArt of Apelles. That Apelles, like Zeuxis and Parrhasius, painted lifelike picturesis shown by the following story. In a con-test between him and some rival artists, horseswere the objects represented. Perceiving thatthe judges were unfriendly to him, Apellesinsisted that less prejudiced judges, namely,some horses that were near, should pro
The painter painter by love by love L'amant peintre (title object) the painter Eduard explains Leonoor, Who: ns portrait he made his love. At the door stands Leonoor's jealous husband Don Pedro, which is occupied by the painter servant. Above the door hangs a painting with a depiction of Alexander, which the painter Apelles his mistress Campaspe give as gifts. a four-line verse in Dutch and French in the bottom margin. Scene from the second act of the play The painter by love of Molière. Manufacturer : printmaker Pieter Tanjé (listed property) to painting by Cornelis Troost (listed building) W Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painter-painter-by-love-by-love-lamant-peintre-title-object-the-painter-eduard-explains-leonoor-who-ns-portrait-he-made-his-love-at-the-door-stands-leonoors-jealous-husband-don-pedro-which-is-occupied-by-the-painter-servant-above-the-door-hangs-a-painting-with-a-depiction-of-alexander-which-the-painter-apelles-his-mistress-campaspe-give-as-gifts-a-four-line-verse-in-dutch-and-french-in-the-bottom-margin-scene-from-the-second-act-of-the-play-the-painter-by-love-of-molire-manufacturer-printmaker-pieter-tanj-listed-property-to-painting-by-cornelis-troost-listed-building-w-image348296796.html
RM2B6J838–The painter painter by love by love L'amant peintre (title object) the painter Eduard explains Leonoor, Who: ns portrait he made his love. At the door stands Leonoor's jealous husband Don Pedro, which is occupied by the painter servant. Above the door hangs a painting with a depiction of Alexander, which the painter Apelles his mistress Campaspe give as gifts. a four-line verse in Dutch and French in the bottom margin. Scene from the second act of the play The painter by love of Molière. Manufacturer : printmaker Pieter Tanjé (listed property) to painting by Cornelis Troost (listed building) W
Art inspired by Diogenes and Alexander, Salvator Rosa, artist, 1662, Italy, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-diogenes-and-alexander-salvator-rosa-artist-1662-italy-etching-although-famous-and-influential-as-a-painter-of-haunting-rugged-landscapes-which-make-him-regarded-as-a-romantic-nearly-200-years-before-his-time-salvator-rosa-was-also-a-significant-etcher-this-is-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459670726.html
RF2HKRPKJ–Art inspired by Diogenes and Alexander, Salvator Rosa, artist, 1662, Italy, etching, Although famous and influential as a painter of haunting, rugged landscapes which make him regarded as a 'Romantic' nearly 200 years before his time, Salvator Rosa was also a significant etcher. This is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Willem van Haecht - Alexander the Great visits the studio of Apelles N08610-169-lr-1 (cropped Apelles painting Campaspe) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-willem-van-haecht-alexander-the-great-visits-the-studio-of-apelles-134795067.html
RMHR8CDF–Willem van Haecht - Alexander the Great visits the studio of Apelles N08610-169-lr-1 (cropped Apelles painting Campaspe)
Apelles Painting Campaspe. Museum: The Mauritshuis, The Hague. Author: WILLEM VAN HAECHT. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-campaspe-museum-the-mauritshuis-the-hague-author-willem-van-haecht-image231335109.html
RMRCA685–Apelles Painting Campaspe. Museum: The Mauritshuis, The Hague. Author: WILLEM VAN HAECHT.
The painter by Love, Pieter Tanjé, After Cornelis Troost, 1761 print The painter Eduard explains Leonoor, whose portrait he has manufactured, his love. At the door is Leonoor's jealous husband Don Pedro, who is kept busy by the painter's servant. Above the door hangs a painting with a representation of Alexander, which gives the painter Apelles his mistress campaspe. At the bottom of the margin a four -line verse in Dutch and French. Scene from the second company of the play De Schilder by Love, Van Molière. Amsterdam paper etching / engraving kneeling figure. painter working from clothed mode Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painter-by-love-pieter-tanj-after-cornelis-troost-1761-print-the-painter-eduard-explains-leonoor-whose-portrait-he-has-manufactured-his-love-at-the-door-is-leonoors-jealous-husband-don-pedro-who-is-kept-busy-by-the-painters-servant-above-the-door-hangs-a-painting-with-a-representation-of-alexander-which-gives-the-painter-apelles-his-mistress-campaspe-at-the-bottom-of-the-margin-a-four-line-verse-in-dutch-and-french-scene-from-the-second-company-of-the-play-de-schilder-by-love-van-molire-amsterdam-paper-etching-engraving-kneeling-figure-painter-working-from-clothed-mode-image594013208.html
RM2WEBHWC–The painter by Love, Pieter Tanjé, After Cornelis Troost, 1761 print The painter Eduard explains Leonoor, whose portrait he has manufactured, his love. At the door is Leonoor's jealous husband Don Pedro, who is kept busy by the painter's servant. Above the door hangs a painting with a representation of Alexander, which gives the painter Apelles his mistress campaspe. At the bottom of the margin a four -line verse in Dutch and French. Scene from the second company of the play De Schilder by Love, Van Molière. Amsterdam paper etching / engraving kneeling figure. painter working from clothed mode
Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apelles-painting-campaspe-1630-by-willem-van-haecht-1593-1637-dutch-99156788.html
RMFN8YDT–Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands
Appelles Paint Campaspe 1600 Jodocus de Winghe (1544-1603) actif à Brüssel, Francfort-sur-le-Main et Hanau Belgian, Belgium, Flemish, ( Alexander the Great assignor Campaspe to Apelles ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appelles-paint-campaspe-1600-jodocus-de-winghe-1544-1603-actif-brssel-francfort-sur-le-main-et-hanau-belgian-belgium-flemish-alexander-the-great-assignor-campaspe-to-apelles-image221239911.html
RMPRX9NB–Appelles Paint Campaspe 1600 Jodocus de Winghe (1544-1603) actif à Brüssel, Francfort-sur-le-Main et Hanau Belgian, Belgium, Flemish, ( Alexander the Great assignor Campaspe to Apelles )
Giovanni Battista Tiepolo (Italian Alexander the Great and Campaspe in the Studio of Apelles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-tiepolo-italian-alexander-the-great-and-campaspe-image152760437.html
RMJTERDW–Giovanni Battista Tiepolo (Italian Alexander the Great and Campaspe in the Studio of Apelles
Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands , Alexander the Great visits the studio of Apelles Alexander the Great, visits , studio of Apelles Alexander I was Emperor of Russia from 1801, the first King of Congress Poland from 1815, and the Grand Duke of Finland from 1809 to his death. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-painting-campaspe-1630-by-willem-van-haecht-1593-1637-dutch-netherlands-alexander-the-great-visits-the-studio-of-apelles-alexander-the-great-visits-studio-of-apelles-alexander-i-was-emperor-of-russia-from-1801-the-first-king-of-congress-poland-from-1815-and-the-grand-duke-of-finland-from-1809-to-his-death-image509486809.html
RM2MGW3HD–Apelles Painting Campaspe 1630 by Willem van Haecht 1593-1637 Dutch Netherlands , Alexander the Great visits the studio of Apelles Alexander the Great, visits , studio of Apelles Alexander I was Emperor of Russia from 1801, the first King of Congress Poland from 1815, and the Grand Duke of Finland from 1809 to his death.
Mistress Campaspe to Apelles Pancaste Alexander the Great and a prominent citizen of Larissa by Jean Restout 1692-1768 France French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mistress-campaspe-to-apelles-pancaste-alexander-the-great-and-a-prominent-78462276.html
RMEFJ7C4–Mistress Campaspe to Apelles Pancaste Alexander the Great and a prominent citizen of Larissa by Jean Restout 1692-1768 France French
Alexander the Great assignor Campaspe to Apelles by Charles Meynier (1768-1832) France French ( Alexandre control Apelles (his favorite painter) portrait of his mistress, the beautiful courtesan Campaspe. Alexander noticed that the painter was enamored of his model, he gives him Campaspe ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-the-great-assignor-campaspe-to-apelles-by-charles-meynier-94993766.html
RMFEF9EE–Alexander the Great assignor Campaspe to Apelles by Charles Meynier (1768-1832) France French ( Alexandre control Apelles (his favorite painter) portrait of his mistress, the beautiful courtesan Campaspe. Alexander noticed that the painter was enamored of his model, he gives him Campaspe )
Willem van Haecht - Alexander the Great visits the studio of Apelles N08610-169-lr-1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-willem-van-haecht-alexander-the-great-visits-the-studio-of-apelles-134795056.html
RMHR8CD4–Willem van Haecht - Alexander the Great visits the studio of Apelles N08610-169-lr-1
The painter by Love, Pieter Tanjé, After Cornelis Troost, 1761 print The painter Eduard explains Leonoor, whose portrait he has manufactured, his love. At the door is Leonoor's jealous husband Don Pedro, who is kept busy by the painter's servant. Above the door hangs a painting with a representation of Alexander, which gives the painter Apelles his mistress campaspe. Scene from the second company of the play De Schilder by Love, Van Molière. Amsterdam paper etching / engraving kneeling figure. painter working from clothed model. Apelles paints Campaspe and falls in love with her; Alexander yie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painter-by-love-pieter-tanj-after-cornelis-troost-1761-print-the-painter-eduard-explains-leonoor-whose-portrait-he-has-manufactured-his-love-at-the-door-is-leonoors-jealous-husband-don-pedro-who-is-kept-busy-by-the-painters-servant-above-the-door-hangs-a-painting-with-a-representation-of-alexander-which-gives-the-painter-apelles-his-mistress-campaspe-scene-from-the-second-company-of-the-play-de-schilder-by-love-van-molire-amsterdam-paper-etching-engraving-kneeling-figure-painter-working-from-clothed-model-apelles-paints-campaspe-and-falls-in-love-with-her-alexander-yie-image595237481.html
RM2WGBBDD–The painter by Love, Pieter Tanjé, After Cornelis Troost, 1761 print The painter Eduard explains Leonoor, whose portrait he has manufactured, his love. At the door is Leonoor's jealous husband Don Pedro, who is kept busy by the painter's servant. Above the door hangs a painting with a representation of Alexander, which gives the painter Apelles his mistress campaspe. Scene from the second company of the play De Schilder by Love, Van Molière. Amsterdam paper etching / engraving kneeling figure. painter working from clothed model. Apelles paints Campaspe and falls in love with her; Alexander yie
Alexander the Great in the studio of Apelles.Alexander the Great in the studio of his court Painter Apelles. Alexander is on the right and points to the panel on which figures are shown in a landscape. There are three soldiers behind Alexander. Apelles Maant Alexander cannot criticize the painting because the students would laugh at Alexander to his words. In the middle of three lines of Latin text (free to Pliny '' Naturis Historia '). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-in-the-studio-of-apellesalexander-the-great-in-the-studio-of-his-court-painter-apelles-alexander-is-on-the-right-and-points-to-the-panel-on-which-figures-are-shown-in-a-landscape-there-are-three-soldiers-behind-alexander-apelles-maant-alexander-cannot-criticize-the-painting-because-the-students-would-laugh-at-alexander-to-his-words-in-the-middle-of-three-lines-of-latin-text-free-to-pliny-naturis-historia-image414478739.html
RM2F293T3–Alexander the Great in the studio of Apelles.Alexander the Great in the studio of his court Painter Apelles. Alexander is on the right and points to the panel on which figures are shown in a landscape. There are three soldiers behind Alexander. Apelles Maant Alexander cannot criticize the painting because the students would laugh at Alexander to his words. In the middle of three lines of Latin text (free to Pliny '' Naturis Historia ').
Allegory on painting; Pittura. Allegory on painting: Apelles paints the portrait of Alexander the Great. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-on-painting-pittura-allegory-on-painting-apelles-paints-the-portrait-of-alexander-the-great-image431622545.html
RM2G262XW–Allegory on painting; Pittura. Allegory on painting: Apelles paints the portrait of Alexander the Great.
. The painter Eduard explains Leonoor, whose portrait he has manufactured his love. At the door is Leonoor's Jaloors Man Don Pedro, which is held by the paintsman. Above the door hangs a painting with a representation of Alexander, who gives the painter Apelles his mistake campaspe. Scene from the second company of the play The painter by love, from Molière. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painter-eduard-explains-leonoor-whose-portrait-he-has-manufactured-his-love-at-the-door-is-leonoors-jaloors-man-don-pedro-which-is-held-by-the-paintsman-above-the-door-hangs-a-painting-with-a-representation-of-alexander-who-gives-the-painter-apelles-his-mistake-campaspe-scene-from-the-second-company-of-the-play-the-painter-by-love-from-molire-image433096463.html
RM2G4H6XR–. The painter Eduard explains Leonoor, whose portrait he has manufactured his love. At the door is Leonoor's Jaloors Man Don Pedro, which is held by the paintsman. Above the door hangs a painting with a representation of Alexander, who gives the painter Apelles his mistake campaspe. Scene from the second company of the play The painter by love, from Molière.
Alexander the Great assignor Campaspe to Apelles by Charles Meynier (1768-1832) France French ( Alexandre control Apelles (his favorite painter) portrait of his mistress, the beautiful courtesan Campaspe. Alexander noticed that the painter was enamored of his model, he gives him Campaspe ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-the-great-assignor-campaspe-to-apelles-by-charles-meynier-94993754.html
RMFEF9E2–Alexander the Great assignor Campaspe to Apelles by Charles Meynier (1768-1832) France French ( Alexandre control Apelles (his favorite painter) portrait of his mistress, the beautiful courtesan Campaspe. Alexander noticed that the painter was enamored of his model, he gives him Campaspe )
Jérôme-Martin Langlois (French - Alexander Ceding Campaspe to Apelles - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jrme-martin-langlois-french-alexander-ceding-campaspe-to-apelles-137853486.html
RMJ07NEP–Jérôme-Martin Langlois (French - Alexander Ceding Campaspe to Apelles -
Apelles of Kos (4th century BC). Painter of ancient Greece. Alexander the Great visiting the artist Apelles in his workshop. Color illustration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apelles-of-kos-4th-century-bc-painter-of-ancient-greece-alexander-the-great-visiting-the-artist-apelles-in-his-workshop-color-illustration-image220390463.html
RMPPFJ7Y–Apelles of Kos (4th century BC). Painter of ancient Greece. Alexander the Great visiting the artist Apelles in his workshop. Color illustration.
. The painter Eduard explains Leonoor, whose portrait he has manufactured his love. At the door is Leonoor's Jaloors Man Don Pedro, which is held by the paintsman. Above the door hangs a painting with a representation of Alexander, who gives the painter Apelles his mistake campaspe. At the bottom of the margin a four-line verse in Dutch and French. Scene from the second company of the play The painter by love, from Molière. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painter-eduard-explains-leonoor-whose-portrait-he-has-manufactured-his-love-at-the-door-is-leonoors-jaloors-man-don-pedro-which-is-held-by-the-paintsman-above-the-door-hangs-a-painting-with-a-representation-of-alexander-who-gives-the-painter-apelles-his-mistake-campaspe-at-the-bottom-of-the-margin-a-four-line-verse-in-dutch-and-french-scene-from-the-second-company-of-the-play-the-painter-by-love-from-molire-image433074200.html
RM2G4G6FM–. The painter Eduard explains Leonoor, whose portrait he has manufactured his love. At the door is Leonoor's Jaloors Man Don Pedro, which is held by the paintsman. Above the door hangs a painting with a representation of Alexander, who gives the painter Apelles his mistake campaspe. At the bottom of the margin a four-line verse in Dutch and French. Scene from the second company of the play The painter by love, from Molière.
Alexander the Great assignor Campaspe to Apelles by Charles Meynier (1768-1832) France French ( Alexandre control Apelles (his favorite painter) portrait of his mistress, the beautiful courtesan Campaspe. Alexander noticed that the painter was enamored of his model, he gives him Campaspe ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-the-great-assignor-campaspe-to-apelles-by-charles-meynier-94994067.html
RMFEF9W7–Alexander the Great assignor Campaspe to Apelles by Charles Meynier (1768-1832) France French ( Alexandre control Apelles (his favorite painter) portrait of his mistress, the beautiful courtesan Campaspe. Alexander noticed that the painter was enamored of his model, he gives him Campaspe )
Alexander Giving Campaspe to Apelles Francesco Morandini il Poppi, 1571 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-giving-campaspe-to-apelles-francesco-morandini-il-poppi-137310889.html
RMHYB1C9–Alexander Giving Campaspe to Apelles Francesco Morandini il Poppi, 1571
'Alexander the Great in the Workshop of Apelles'. Italy, 1792. Dimensions: 80,5x114 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE CADES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-in-the-workshop-of-apelles-italy-1792-dimensions-805x114-cm-museum-state-hermitage-st-petersburg-author-giuseppe-cades-image241206433.html
RMT0BW7D–'Alexander the Great in the Workshop of Apelles'. Italy, 1792. Dimensions: 80,5x114 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE CADES.
Alexander the Great assignor Campaspe to Apelles by Charles Meynier (1768-1832) France French ( Alexandre control Apelles (his favorite painter) portrait of his mistress, the beautiful courtesan Campaspe. Alexander noticed that the painter was enamored of his model, he gives him Campaspe ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-the-great-assignor-campaspe-to-apelles-by-charles-meynier-94993756.html
RMFEF9E4–Alexander the Great assignor Campaspe to Apelles by Charles Meynier (1768-1832) France French ( Alexandre control Apelles (his favorite painter) portrait of his mistress, the beautiful courtesan Campaspe. Alexander noticed that the painter was enamored of his model, he gives him Campaspe )
Giovanni Battista Tiepolo (Italian Alexander the Great and Campaspe in the Studio of Apelles Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giovanni-battista-tiepolo-italian-alexander-the-great-and-campaspe-137387196.html
RMHYEENG–Giovanni Battista Tiepolo (Italian Alexander the Great and Campaspe in the Studio of Apelles Google Art Project
'Alexander the Great, Apelles and Campaspe'. Holland, Circa 1707-1710. Dimensions: 55,5x43,5 cm. Museum: State Hermitage, St. Petersburg. Author: Gerard Wigmana. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-apelles-and-campaspe-holland-circa-1707-1710-dimensions-555x435-cm-museum-state-hermitage-st-petersburg-author-gerard-wigmana-image241120958.html
RMT0806P–'Alexander the Great, Apelles and Campaspe'. Holland, Circa 1707-1710. Dimensions: 55,5x43,5 cm. Museum: State Hermitage, St. Petersburg. Author: Gerard Wigmana.
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