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Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, from Le Antichita Romane (Roman Antiquities), 1756-57. Giovanni Battista Piranesi (Italian, 1720 - 1778) While Piranesi was at work on the Antichita Romane, the result of years of research into the highly developed engineering skills of the Romans, the first threats to Roman preeminence were heard.
Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, from Le Antichita Romane (Roman Antiquities), 1756-57. Giovanni Battista Piranesi (Italian, 1720 - 1778) While Piranesi was at work on the Antichita Romane, the result of years of research into the highly developed engineering skills of the Romans, the first threats to Roman preeminence were heard. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/means-by-which-the-large-blocks-of-travertine-and-marble-were-lifted-during-the-construction-of-the-large-tomb-of-caecilia-metella-from-le-antichita-romane-roman-antiquities-1756-57-giovanni-battista-piranesi-italian-1720-1778-while-piranesi-was-at-work-on-the-antichita-romane-the-result-of-years-of-research-into-the-highly-developed-engineering-skills-of-the-romans-the-first-threats-to-roman-preeminence-were-heard-image246587838.html
Antichità
Antichità https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/antichit-image311182222.html
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Diana the huntress with her bow and arrow. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/diana-the-huntress-with-her-bow-and-arrow-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image331806767.html
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Siracusa - Cavea del teatro greco https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/siracusa-cavea-del-teatro-greco-image382910047.html
Scale pompieri d’epoca
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Sepino, Italy - August 19, 2017: the archaeological excavations of Saepinum in the archaeological area of Altilia
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Diana the huntress with her bow and arrow. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
Diana the huntress with her bow and arrow. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/diana-the-huntress-with-her-bow-and-arrow-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image231229996.html
Plate 11: Temple of Janus (Tempio di Giano) from the series 'Antichita Romana', ca. 1748.
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Abruzzo, Chieti, Chieti, Museo Nazionale di Antichita, Italy, 20th century, photo, photography, Europe. Reimagined https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/abruzzo-chieti-chieti-museo-nazionale-di-antichita-italy-20th-century-photo-photography-europe-reimagined-image230459963.html
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Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, from Le Antichita Romane (Roman Antiquities), 1756-57. Giovanni Battista Piranesi (Italian, 1720 - 1778) While Piranesi was at work on the Antichita Romane, the result of years of research into the highly developed engineering skills of the Romans, the first threats to Roman preeminence were heard. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/means-by-which-the-large-blocks-of-travertine-and-marble-were-lifted-during-the-construction-of-the-large-tomb-of-caecilia-metella-from-le-antichita-romane-roman-antiquities-1756-57-giovanni-battista-piranesi-italian-1720-1778-while-piranesi-was-at-work-on-the-antichita-romane-the-result-of-years-of-research-into-the-highly-developed-engineering-skills-of-the-romans-the-first-threats-to-roman-preeminence-were-heard-image246587814.html
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A stylish woman sitting outside Antichità Arredi d'Arte on Torcello, historical birthplace of Venice https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-stylish-woman-sitting-outside-antichit-arredi-darte-on-torcello-historical-birthplace-of-venice-image345837207.html
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Urania, muse of astronomy, with celestial globe and staff. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
Urania, muse of astronomy, with celestial globe and staff. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/urania-muse-of-astronomy-with-celestial-globe-and-staff-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image331806593.html
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Elevation and plan of the second-order portico at the Theater of Marcellus (Teatro di Marcello), Rome, from the series ´Le Antichità Romane´. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-elevation-and-plan-of-the-second-order-portico-at-the-theater-of-marcellus-168358905.html
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P from Le antichita Romane (Piranesi).
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Entrata della cattedrale
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allo specchio
allo specchio https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/allo-specchio-image223800522.html
View of Campiello Lazzari, from the portico of the cathedral, with the excavated baptistry in front: Torcello, Venice, Italy
View of Campiello Lazzari, from the portico of the cathedral, with the excavated baptistry in front: Torcello, Venice, Italy https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/view-of-campiello-lazzari-from-the-portico-of-the-cathedral-with-the-excavated-baptistry-in-front-torcello-venice-italy-image268944768.html
Urania, muse of astronomy, with celestial globe and staff. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
Urania, muse of astronomy, with celestial globe and staff. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/urania-muse-of-astronomy-with-celestial-globe-and-staff-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image231229944.html
. Delle antichità Picene . I.. H H 1 Spalmi t^ontam 4L
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Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, from Le Antichita Romane (Roman Antiquities), 1756-57. Giovanni Battista Piranesi (Italian, 1720 - 1778) While Piranesi was at work on the Antichita Romane, the result of years of research into the highly developed engineering skills of the Romans, the first threats to Roman preeminence were heard.
Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, from Le Antichita Romane (Roman Antiquities), 1756-57. Giovanni Battista Piranesi (Italian, 1720 - 1778) While Piranesi was at work on the Antichita Romane, the result of years of research into the highly developed engineering skills of the Romans, the first threats to Roman preeminence were heard. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/means-by-which-the-large-blocks-of-travertine-and-marble-were-lifted-during-the-construction-of-the-large-tomb-of-caecilia-metella-from-le-antichita-romane-roman-antiquities-1756-57-giovanni-battista-piranesi-italian-1720-1778-while-piranesi-was-at-work-on-the-antichita-romane-the-result-of-years-of-research-into-the-highly-developed-engineering-skills-of-the-romans-the-first-threats-to-roman-preeminence-were-heard-image246612507.html
Plate V vol II of Le Antichita Romane. Fragment of a stone wall, bearing an inscription.
Plate V vol II of Le Antichita Romane. Fragment of a stone wall, bearing an inscription. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-v-vol-ii-of-le-antichita-romane-fragment-of-a-stone-wall-bearing-an-inscription-image353568038.html
Foundation of the Engelenburcht and the Engelenbrug in Rome; Archaeological finds in and around Rome; Le Antichità Roman.The Foundation of the Engelenburcht and the Engelenbrug in Rome. Explanatory List or letters in the sub-margin. Numbered Above: Tom. IV. / Vi.
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Terpsichore, muse of dance, holding a cithara or lyre. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
Terpsichore, muse of dance, holding a cithara or lyre. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/terpsichore-muse-of-dance-holding-a-cithara-or-lyre-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image331806583.html
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CIL VI 3944 (Le antichità Romane, Piranesi).
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Siracusa – Via dei Sepolcri nel Parco Archeologico della Neapolis
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Sepino, Italy - August 19, 2017: the archaeological excavations of Saepinum in the archaeological area of Altilia
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Antico Campanile
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1450 , ITALY : The italian archaeologist , Umanist and traveller CIRIACO D'ANCONA aka DE' PIZZECOLLI aka PIZZICOLLI ( 1391 - 1452 ). Engraved portrait by M. Vignocchi , XIX century. - UMANISTA - UMANESIMO - VIAGGIATORE - VIAGGIO - TRAVEL - RINASCIMENTO - RENAISSANCE - RITRATTO - PORTRAIT - ANTIQUARIAN - ANTIQUARIO - Antichità - ANTIQUITY - ANTIQUARIATO - antiquities - ITALIA - ARCHEOLOGY - ARCHEOLOGIA - ARCHEOLOGO - Archaeologist - archaeologian - ARTS - ARTE - incisione - engraving - illustrazione - illustration -- ARCHIVIO GBB
1450 , ITALY : The italian archaeologist , Umanist and traveller CIRIACO D'ANCONA aka DE' PIZZECOLLI aka PIZZICOLLI ( 1391 - 1452 ). Engraved portrait by M. Vignocchi , XIX century. - UMANISTA - UMANESIMO - VIAGGIATORE - VIAGGIO - TRAVEL - RINASCIMENTO - RENAISSANCE - RITRATTO - PORTRAIT - ANTIQUARIAN - ANTIQUARIO - Antichità - ANTIQUITY - ANTIQUARIATO - antiquities - ITALIA - ARCHEOLOGY - ARCHEOLOGIA - ARCHEOLOGO - Archaeologist - archaeologian - ARTS - ARTE - incisione - engraving - illustrazione - illustration -- ARCHIVIO GBB https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/1450-italy-the-italian-archaeologist-umanist-and-traveller-ciriaco-dancona-aka-de-pizzecolli-aka-pizzicolli-1391-1452-engraved-portrait-by-m-vignocchi-xix-century-umanista-umanesimo-viaggiatore-viaggio-travel-rinascimento-renaissance-ritratto-portrait-antiquarian-antiquario-antichit-antiquity-antiquariato-antiquities-italia-archeology-archeologia-archeologo-archaeologist-archaeologian-arts-arte-incisione-engraving-illustrazione-illustration-archivio-gbb-image359209187.html
Italy, Piedmont, Turin, Fondazione Museo delle Antichità Egizie: the main entrance
Italy, Piedmont, Turin, Fondazione Museo delle Antichità Egizie: the main entrance https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-italy-piedmont-turin-fondazione-museo-delle-antichit-egizie-the-main-139364659.html
Odysseus presenting his wife Penelope with his bow and quiver of arrows. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
Odysseus presenting his wife Penelope with his bow and quiver of arrows. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/odysseus-presenting-his-wife-penelope-with-his-bow-and-quiver-of-arrows-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image231215658.html
. Delle antichità Picene . IO 2a SO l+H+( i 1 H— O so. /.lM
. Delle antichità Picene . IO 2a SO l+H+( i 1 H— O so. /.lM https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/delle-antichit-picene-io-2a-so-lh-i-1-h-o-so-lm-image372495196.html
Piedmont Turin Polo Reale Museo di Antichità -6th Century coins
Piedmont Turin Polo Reale Museo di Antichità -6th Century coins https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/piedmont-turin-polo-reale-museo-di-antichit-6th-century-coins-image179878795.html
Young scholar reading a scroll, Delle antichità di Ercolano, Engraving, c. 1757-1792
Young scholar reading a scroll, Delle antichità di Ercolano, Engraving, c. 1757-1792 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/young-scholar-reading-a-scroll-delle-antichit-di-ercolano-engraving-c-1757-1792-image220680816.html
Abruzzo, Chieti, Chieti, Museo Nazionale di Antichita, Italy, 20th century, photo, photography, Europe. Reimagined
Abruzzo, Chieti, Chieti, Museo Nazionale di Antichita, Italy, 20th century, photo, photography, Europe. Reimagined https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/abruzzo-chieti-chieti-museo-nazionale-di-antichita-italy-20th-century-photo-photography-europe-reimagined-image230459983.html
Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, from Le Antichita Romane (Roman Antiquities), 1756-57. Giovanni Battista Piranesi (Italian, 1720 - 1778) While Piranesi was at work on the Antichita Romane, the result of years of research into the highly developed engineering skills of the Romans, the first threats to Roman preeminence were heard.
Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, from Le Antichita Romane (Roman Antiquities), 1756-57. Giovanni Battista Piranesi (Italian, 1720 - 1778) While Piranesi was at work on the Antichita Romane, the result of years of research into the highly developed engineering skills of the Romans, the first threats to Roman preeminence were heard. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/means-by-which-the-large-blocks-of-travertine-and-marble-were-lifted-during-the-construction-of-the-large-tomb-of-caecilia-metella-from-le-antichita-romane-roman-antiquities-1756-57-giovanni-battista-piranesi-italian-1720-1778-while-piranesi-was-at-work-on-the-antichita-romane-the-result-of-years-of-research-into-the-highly-developed-engineering-skills-of-the-romans-the-first-threats-to-roman-preeminence-were-heard-image246612506.html
Ruins of the Mausoleum of Octavian Augustus Le Antichita Romane II 1756. Collection of architectural and sculptural fragmets. A capitol on a carved socle, with an inset bust, an obelisk and a base bearing the inscription: 'OSSA / AGRIPPINAE .M. AGRIPPA...' A small tree between the obelisk and the base.
Ruins of the Mausoleum of Octavian Augustus Le Antichita Romane II 1756. Collection of architectural and sculptural fragmets. A capitol on a carved socle, with an inset bust, an obelisk and a base bearing the inscription: 'OSSA / AGRIPPINAE .M. AGRIPPA...' A small tree between the obelisk and the base. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ruins-of-the-mausoleum-of-octavian-augustus-le-antichita-romane-ii-1756-collection-of-architectural-and-sculptural-fragmets-a-capitol-on-a-carved-socle-with-an-inset-bust-an-obelisk-and-a-base-bearing-the-inscription-ossa-agrippinae-m-agrippa-a-small-tree-between-the-obelisk-and-the-base-image353528913.html
Foundation and cross-sections of the Engelenburcht and the Engelenbrug in Rome; Nella attn. precedenti Sono Dimostrati Gli Avanzo del Mausoleo (...); Archaeological finds in and around Rome; Le Antichità Roman.The Foundation and Cross-Sections of the Engelenburcht and the Engelenbrug in Rome. Title and Explanatory List or letters in undermarge. Numbered at the Top Right: Tom. IV. VII.
Foundation and cross-sections of the Engelenburcht and the Engelenbrug in Rome; Nella attn. precedenti Sono Dimostrati Gli Avanzo del Mausoleo (...); Archaeological finds in and around Rome; Le Antichità Roman.The Foundation and Cross-Sections of the Engelenburcht and the Engelenbrug in Rome. Title and Explanatory List or letters in undermarge. Numbered at the Top Right: Tom. IV. VII. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/foundation-and-cross-sections-of-the-engelenburcht-and-the-engelenbrug-in-rome-nella-attn-precedenti-sono-dimostrati-gli-avanzo-del-mausoleo-archaeological-finds-in-and-around-rome-le-antichit-romanthe-foundation-and-cross-sections-of-the-engelenburcht-and-the-engelenbrug-in-rome-title-and-explanatory-list-or-letters-in-undermarge-numbered-at-the-top-right-tom-iv-vii-image414442110.html
A winged Victory, with shield and wreath of oak leaves. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
A winged Victory, with shield and wreath of oak leaves. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-winged-victory-with-shield-and-wreath-of-oak-leaves-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image331806734.html
View of the Quirinal Hill in Rome with the fountain of the horse tamers at left. Series/Portfolio: Le Antichita di Roma; Artist: Luigi Rossini
View of the Quirinal Hill in Rome with the fountain of the horse tamers at left. Series/Portfolio: Le Antichita di Roma; Artist: Luigi Rossini https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-view-of-the-quirinal-hill-in-rome-with-the-fountain-of-the-horse-tamers-168326229.html
Delle antichitá italiche (1788) (14592511057)
Delle antichitá italiche (1788) (14592511057) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-delle-antichit-italiche-1788-14592511057-177274666.html
CIL VI 3960 (Le antichità Romane, Piranesi).
CIL VI 3960 (Le antichità Romane, Piranesi). https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cil-vi-3960-le-antichit-romane-piranesi-image260370326.html
CIL VI 3932 (Le antichità Romane, Piranesi)
CIL VI 3932 (Le antichità Romane, Piranesi) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cil-vi-3932-le-antichit-romane-piranesi-image184948516.html
Siracusa - Campane del teatro greco
Siracusa - Campane del teatro greco https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/siracusa-campane-del-teatro-greco-image382909869.html
Giovanni Battista Piranesi - Le Antichità romane, tomo III (segundo frontispício) 1750-53
Giovanni Battista Piranesi - Le Antichità romane, tomo III (segundo frontispício) 1750-53 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-giovanni-battista-piranesi-le-antichit-romane-tomo-iii-segundo-frontispcio-137922528.html
Sepino, Italy - August 19, 2017: the archaeological excavations of Saepinum in the archaeological area of Altilia
Sepino, Italy - August 19, 2017: the archaeological excavations of Saepinum in the archaeological area of Altilia https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sepino-italy-august-19-2017-the-archaeological-excavations-of-saepinum-in-the-archaeological-area-of-altilia-image366977748.html
Antico Campanile
Antico Campanile https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-antico-campanile-171069677.html
‘Frammenti di marmo della Pianta di Roma antica…’, illustration by Giovanni Battista Piranesi (1720-1778) of part of the Forma Urbis Severiana (Romae), a plan of the ancient city of Rome between 203-211AD engraved on wall mounted marble slabs 18 x 13 meters large located in the Temple of Peace in the Forum, Rome. There are currently 1,186 known fragments, approximately 10-15% of the total plan. See description for more information.
‘Frammenti di marmo della Pianta di Roma antica…’, illustration by Giovanni Battista Piranesi (1720-1778) of part of the Forma Urbis Severiana (Romae), a plan of the ancient city of Rome between 203-211AD engraved on wall mounted marble slabs 18 x 13 meters large located in the Temple of Peace in the Forum, Rome. There are currently 1,186 known fragments, approximately 10-15% of the total plan. See description for more information. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-frammenti-di-marmo-della-pianta-di-roma-antica-illustration-by-giovanni-94264364.html
Italy, Piedmont, Turin, Fondazione Museo delle Antichità Egizie: the main entrance
Italy, Piedmont, Turin, Fondazione Museo delle Antichità Egizie: the main entrance https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-italy-piedmont-turin-fondazione-museo-delle-antichit-egizie-the-main-139364746.html
Terpsichore, muse of dance, holding a cithara or lyre. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
Terpsichore, muse of dance, holding a cithara or lyre. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/terpsichore-muse-of-dance-holding-a-cithara-or-lyre-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image231215439.html
Delle antichitá italiche . La Li iti piedi IO. Veni Arco di Pola in Istria.
Delle antichitá italiche . La Li iti piedi IO. Veni Arco di Pola in Istria. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/delle-antichit-italiche-la-li-iti-piedi-io-veni-arco-di-pola-in-istria-image342759279.html
Piedmont Turin Polo Reale Museo di Antichità - Tresue of Marengo - Zodiac Element - Gemini
Piedmont Turin Polo Reale Museo di Antichità - Tresue of Marengo - Zodiac Element - Gemini https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/piedmont-turin-polo-reale-museo-di-antichit-tresue-of-marengo-zodiac-element-gemini-image179879087.html
Young scholar reading a scroll, Delle antichità di Ercolano, Engraving, c. 1757-1792
Young scholar reading a scroll, Delle antichità di Ercolano, Engraving, c. 1757-1792 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/young-scholar-reading-a-scroll-delle-antichit-di-ercolano-engraving-c-1757-1792-image220680815.html
Abruzzo, Chieti, Chieti, Museo Nazionale di Antichita, Italy, 20th century, photo, photography, Europe. Reimagined
Abruzzo, Chieti, Chieti, Museo Nazionale di Antichita, Italy, 20th century, photo, photography, Europe. Reimagined https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/abruzzo-chieti-chieti-museo-nazionale-di-antichita-italy-20th-century-photo-photography-europe-reimagined-image230459977.html
Artworks stolen during the earthquake of 2016, adoring Madonna by Saturnino Gatti, stolen in Castelluccio di Norcia and Madonna with St Giovannino, stolen from amatrice Rome May 3rd 2019. Quirinale Palace. Preview of the exhibition 'The art of rescuing art' , a collection of antique artworks, paintings, statues, jewelry and terracotta artefacts rescued from the command of Carabinieri for the protection of the cultural heritage in 50 years. Many of these artworks were stolen on commission for private collections. Photo di Samantha Zucchi/Insidefoto
Artworks stolen during the earthquake of 2016, adoring Madonna by Saturnino Gatti, stolen in Castelluccio di Norcia and Madonna with St Giovannino, stolen from amatrice Rome May 3rd 2019. Quirinale Palace. Preview of the exhibition 'The art of rescuing art' , a collection of antique artworks, paintings, statues, jewelry and terracotta artefacts rescued from the command of Carabinieri for the protection of the cultural heritage in 50 years. Many of these artworks were stolen on commission for private collections. Photo di Samantha Zucchi/Insidefoto https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/artworks-stolen-during-the-earthquake-of-2016-adoring-madonna-by-saturnino-gatti-stolen-in-castelluccio-di-norcia-and-madonna-with-st-giovannino-stolen-from-amatrice-rome-may-3rd-2019-quirinale-palace-preview-of-the-exhibition-the-art-of-rescuing-art-a-collection-of-antique-artworks-paintings-statues-jewelry-and-terracotta-artefacts-rescued-from-the-command-of-carabinieri-for-the-protection-of-the-cultural-heritage-in-50-years-many-of-these-artworks-were-stolen-on-commission-for-private-collections-photo-di-samantha-zucchiinsidefoto-image245217306.html
The Catologue of the artists work Table of Contents of the Vedute di Roma. Unrecorded; Hind, p. 6 (14). Arranged like a bulletin board with lists, beginning 'Antichita Romane' nailed over examples of his work, notably the view of St. Peter's in Rome. Ornaments and fragments of classical details lie in the foreground.
The Catologue of the artists work Table of Contents of the Vedute di Roma. Unrecorded; Hind, p. 6 (14). Arranged like a bulletin board with lists, beginning 'Antichita Romane' nailed over examples of his work, notably the view of St. Peter's in Rome. Ornaments and fragments of classical details lie in the foreground. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-catologue-of-the-artists-work-table-of-contents-of-the-vedute-di-roma-unrecorded-hind-p-6-14-arranged-like-a-bulletin-board-with-lists-beginning-antichita-romane-nailed-over-examples-of-his-work-notably-the-view-of-st-peters-in-rome-ornaments-and-fragments-of-classical-details-lie-in-the-foreground-image353561163.html
Exhibition 'The Age of Conquest' Capitoline Museums, Rome, Italy.
Exhibition 'The Age of Conquest' Capitoline Museums, Rome, Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-exhibition-the-age-of-conquest-capitoline-museums-rome-italy-29883380.html
Odysseus presenting his wife Penelope with his bow and quiver of arrows. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
Odysseus presenting his wife Penelope with his bow and quiver of arrows. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/odysseus-presenting-his-wife-penelope-with-his-bow-and-quiver-of-arrows-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image331806756.html
Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from the series ´Le Antichità Romane´.
Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from the series ´Le Antichità Romane´. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-profile-of-the-temple-of-fortuna-virilis-profilo-del-tempio-della-168358910.html
Tombs from Le antichita Romane (Piranesi)
Tombs from Le antichita Romane (Piranesi) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-tombs-from-le-antichita-romane-piranesi-143406617.html
CIL VI 4169 (Le antichità Romane, Piranesi).
CIL VI 4169 (Le antichità Romane, Piranesi). https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cil-vi-4169-le-antichit-romane-piranesi-image260370498.html
CIL VI 4174 (Le antichità Romane, Piranesi)
CIL VI 4174 (Le antichità Romane, Piranesi) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cil-vi-4174-le-antichit-romane-piranesi-image184948665.html
Siracusa – Terrazzo del teatro greco
Siracusa – Terrazzo del teatro greco https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/siracusa-terrazzo-del-teatro-greco-image382909480.html
Giovanni Battista Piranesi - Le Antichità romane, tomo III prancha LI 1750-53
Giovanni Battista Piranesi - Le Antichità romane, tomo III prancha LI 1750-53 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-giovanni-battista-piranesi-le-antichit-romane-tomo-iii-prancha-li-137922527.html
Sepino, Italy - August 19, 2017: the archaeological excavations of Saepinum in the archaeological area of Altilia
Sepino, Italy - August 19, 2017: the archaeological excavations of Saepinum in the archaeological area of Altilia https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sepino-italy-august-19-2017-the-archaeological-excavations-of-saepinum-in-the-archaeological-area-of-altilia-image366977575.html
Antico Campanile
Antico Campanile https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-antico-campanile-171069822.html
Turin, Italy
Turin, Italy https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/turin-italy-image273760811.html
Italy, Piedmont, Turin, Fondazione Museo delle Antichità Egizie: the main entrance
Italy, Piedmont, Turin, Fondazione Museo delle Antichità Egizie: the main entrance https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-italy-piedmont-turin-fondazione-museo-delle-antichit-egizie-the-main-139364288.html
A winged Victory, with shield and wreath of oak leaves. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
A winged Victory, with shield and wreath of oak leaves. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-winged-victory-with-shield-and-wreath-of-oak-leaves-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image231229956.html
. Dialoghi di don Antonio Agostini archivescovo di Taracona, intorno alle medaglie, inscrittioni, & altre antichità .
. Dialoghi di don Antonio Agostini archivescovo di Taracona, intorno alle medaglie, inscrittioni, & altre antichità . https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dialoghi-di-don-antonio-agostini-archivescovo-di-taracona-intorno-alle-medaglie-inscrittioni-altre-antichit-image375103436.html
Piedmont Turin Polo Reale Museo di Antichità - Tresue of Marengo - band with ear of wheat
Piedmont Turin Polo Reale Museo di Antichità - Tresue of Marengo - band with ear of wheat https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/piedmont-turin-polo-reale-museo-di-antichit-tresue-of-marengo-band-with-ear-of-wheat-image179879135.html
I vestigi dell' antichità di Roma, Du Pérac, Etienne, d. 1604, Engraving, 1575, plate 35
I vestigi dell' antichità di Roma, Du Pérac, Etienne, d. 1604, Engraving, 1575, plate 35 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/i-vestigi-dell-antichit-di-roma-du-prac-etienne-d-1604-engraving-1575-plate-35-image220680681.html
Abruzzo, Chieti, Chieti, Museo Nazionale di Antichita, Italy, 20th century, photo, photography, Europe. Reimagined
Abruzzo, Chieti, Chieti, Museo Nazionale di Antichita, Italy, 20th century, photo, photography, Europe. Reimagined https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/abruzzo-chieti-chieti-museo-nazionale-di-antichita-italy-20th-century-photo-photography-europe-reimagined-image230459967.html
Mosaic coming from a Roman ship, built for the Emperors and adorned with marbles, found in the Nemi lake by an antique dealer, Eliseo Borghi. Rome May 3rd 2019. Quirinale Palace. Preview of the exhibition 'The art of rescuing art' , a collection of antique artworks, paintings, statues, jewelry and terracotta artefacts rescued from the command of Carabinieri for the protection of the cultural heritage in 50 years. Many of these artworks were stolen on commission for private collections. Photo di Samantha Zucchi/Insidefoto
Mosaic coming from a Roman ship, built for the Emperors and adorned with marbles, found in the Nemi lake by an antique dealer, Eliseo Borghi. Rome May 3rd 2019. Quirinale Palace. Preview of the exhibition 'The art of rescuing art' , a collection of antique artworks, paintings, statues, jewelry and terracotta artefacts rescued from the command of Carabinieri for the protection of the cultural heritage in 50 years. Many of these artworks were stolen on commission for private collections. Photo di Samantha Zucchi/Insidefoto https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mosaic-coming-from-a-roman-ship-built-for-the-emperors-and-adorned-with-marbles-found-in-the-nemi-lake-by-an-antique-dealer-eliseo-borghi-rome-may-3rd-2019-quirinale-palace-preview-of-the-exhibition-the-art-of-rescuing-art-a-collection-of-antique-artworks-paintings-statues-jewelry-and-terracotta-artefacts-rescued-from-the-command-of-carabinieri-for-the-protection-of-the-cultural-heritage-in-50-years-many-of-these-artworks-were-stolen-on-commission-for-private-collections-photo-di-samantha-zucchiinsidefoto-image245217308.html
Plate IV vol II of Le Antichita Romane. Research in ProgressVertical Rectangle. Fragment of the facade of a Roman Building, Bearing the inscription: 'C. POBLICIO. L. F. BIBVLO...' Below, scale, and six-line inscription. Inscribed, lower right : 'Piranesi Archit. Dis. et. inc.'Focillon 226 Plate IV vol II of Le Antichita Romane
Plate IV vol II of Le Antichita Romane. Research in ProgressVertical Rectangle. Fragment of the facade of a Roman Building, Bearing the inscription: 'C. POBLICIO. L. F. BIBVLO...' Below, scale, and six-line inscription. Inscribed, lower right : 'Piranesi Archit. Dis. et. inc.'Focillon 226 Plate IV vol II of Le Antichita Romane https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-iv-vol-ii-of-le-antichita-romane-research-in-progressvertical-rectangle-fragment-of-the-facade-of-a-roman-building-bearing-the-inscription-c-poblicio-l-f-bibvlo-below-scale-and-six-line-inscription-inscribed-lower-right-piranesi-archit-dis-et-incfocillon-226-plate-iv-vol-ii-of-le-antichita-romane-image352190110.html