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New Creative Relevant Search filters Andante Cantabile Stock Photos and Images  (23) Narrow your search: Black & white Page 1 of 1 'Andante Cantabile'. Detail of yacht. Stromeferry, Loch Carron, Ross, Skye and Lochaber, Scotland, United Kingdom, Europe. 'Andante Cantabile'. Detail of yacht. Stromeferry, Loch Carron, Ross, Skye and Lochaber, Scotland, United Kingdom, Europe.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-andante-cantabile-detail-of-yacht-stromeferry-loch-carron-ross-skye-140623154.html TCHAIKOVSKY, P.I.- Autograph score of 1st Quartet - 2nd movement , 'Andante cantabile'- 1874 Russian composer (1840-1893) TCHAIKOVSKY, P.I.- Autograph score of 1st Quartet - 2nd movement , 'Andante cantabile'- 1874 Russian composer (1840-1893)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tchaikovsky-pi-autograph-score-of-1st-quartet-2nd-movement-andante-image159142643.html Forty lessons for bass or baritone : op 17 . 10365 End of Book I. 46 Book II. Andante cantabile. (J = 70.. 10365 Forty lessons for bass or baritone : op 17 . 10365 End of Book I. 46 Book II. Andante cantabile. (J = 70.. 10365https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forty-lessons-for-bass-or-baritone-op-17-10365-end-of-book-i-46-book-ii-andante-cantabile-j-=-70-10365-image338397998.html Sacred songs : a standard collection of sacred solos by the best composers . S^S y ?y ?*. 14417 73 Pardoned. LINDSAY LENNOX. Andante cantabile M. PICCOLOMINI. Moderate Sacred songs : a standard collection of sacred solos by the best composers . S^S y ?y ?*. 14417 73 Pardoned. LINDSAY LENNOX. Andante cantabile M. PICCOLOMINI. Moderatehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacred-songs-a-standard-collection-of-sacred-solos-by-the-best-composers-ss-y-y-14417-73-pardoned-lindsay-lennox-andante-cantabile-m-piccolomini-moderate-image339159513.html Forty lessons for bass or baritone : op 17 . o- t* V H *r «- zee n: 5T — XT. 10365 End of Book I. 46 Book II. Andante cantabile. (J = 70. Forty lessons for bass or baritone : op 17 . o- t* V H *r «- zee n: 5T — XT. 10365 End of Book I. 46 Book II. Andante cantabile. (J = 70.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forty-lessons-for-bass-or-baritone-op-17-o-t-v-h-r-zee-n-5t-xt-10365-end-of-book-i-46-book-ii-andante-cantabile-j-=-70-image338398108.html Quinten Massys; zangspel in drie bedrijven . > 1 * fcö lau . wer. kroon! .grand vain.queur!.Lor . beer, krön! . m m *=£ tTs W& t lau . wer. kroon!.grand vain, queur!.Lor. beer, krön!_ O P ^F=JF lau . wer. kroon!grand vain.queur!Lor . beer, krön! . (lungo). ( f 5 A Andante cantabile, quasi adag-io loco 195 W Quinten Massys; zangspel in drie bedrijven . > 1 * fcö lau . wer. kroon! .grand vain.queur!.Lor . beer, krön! . m m *=£ tTs W& t lau . wer. kroon!.grand vain, queur!.Lor. beer, krön!_ O P ^F=JF lau . wer. kroon!grand vain.queur!Lor . beer, krön! . (lungo). ( f 5 A Andante cantabile, quasi adag-io loco 195 Whttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quinten-massys-zangspel-in-drie-bedrijven-gt-1-fc-lau-wer-kroon!-grand-vainqueur!lor-beer-krn!-m-m-=-tts-w-t-lau-wer-kroon!grand-vain-queur!lor-beer-krn!-o-p-f=jf-lau-wer-kroon!grand-vainqueur!lor-beer-krn!-lungo-f-5-a-andante-cantabile-quasi-adag-io-loco-195-w-image338299326.html Beethoven and his nine symphonies . d goes on for forty barsin all. It is an early and good example of a feature which,though not Beethovens invention (see, for instance, the Finaleto Mozarts • Jupiter Symphony), was but rarely used byprevious writers of Symphonies, and first became a prominentcharacteristic in his works. II. The second movement, Andante cantabile con moto,which begins as follows— No. 9. Andante cantabile con moto. #? *=* yi jjjijH* g^i/jTJ*£ in zzrztt Viol. 2. Cello U JT ^ &0* is an old and well-known favourite. Here again we haveoccasionally to remark passages which recall t Beethoven and his nine symphonies . d goes on for forty barsin all. It is an early and good example of a feature which,though not Beethovens invention (see, for instance, the Finaleto Mozarts • Jupiter Symphony), was but rarely used byprevious writers of Symphonies, and first became a prominentcharacteristic in his works. II. The second movement, Andante cantabile con moto,which begins as follows— No. 9. Andante cantabile con moto. #? *=* yi jjjijH* g^i/jTJ*£ in zzrztt Viol. 2. Cello U JT ^ &0* is an old and well-known favourite. Here again we haveoccasionally to remark passages which recall thttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beethoven-and-his-nine-symphonies-d-goes-on-for-forty-barsin-all-it-is-an-early-and-good-example-of-a-feature-whichthough-not-beethovens-invention-see-for-instance-the-finaleto-mozarts-jupiter-symphony-was-but-rarely-used-byprevious-writers-of-symphonies-and-first-became-a-prominentcharacteristic-in-his-works-ii-the-second-movement-andante-cantabile-con-motowhich-begins-as-follows-no-9-andante-cantabile-con-moto-=-yi-jjjijh-gijtj-in-zzrztt-viol-2-cello-u-jt-0-is-an-old-and-well-known-favourite-here-again-we-haveoccasionally-to-remark-passages-which-recall-t-image339036351.html . The Argonaut . ndpiano), Bollinger, Messrs. Samuel Bollingerand H. Wismer; scherzo, B-minor (piano),Bollinger. Mrs. Mahle Gray Lachmund : an-dante, C-minor violin concerto. Mendels-sohn, Miss Antoinette Zoellner and JosephZoellner. Jr.: A Confession (song), Bol-linger, Mrs. Mable Gray Lachmund ; sonnet(to the words from Charles Keelers poem. Weep Fond Heart >, Bollinger; ballade, Romanzo Lamentoso, Bollinger; mazurka,B-fiat minor (piano), Bollinger, Samuel Bol-linger; concerto. No. 2, Bach. Messrs. Wis-mer and Bollinger: andante cantabile,Tscherkowsky. Zoellner Family Quartet; ro-mance 1 . The Argonaut . ndpiano), Bollinger, Messrs. Samuel Bollingerand H. Wismer; scherzo, B-minor (piano),Bollinger. Mrs. Mahle Gray Lachmund : an-dante, C-minor violin concerto. Mendels-sohn, Miss Antoinette Zoellner and JosephZoellner. Jr.: A Confession (song), Bol-linger, Mrs. Mable Gray Lachmund ; sonnet(to the words from Charles Keelers poem. Weep Fond Heart >, Bollinger; ballade, Romanzo Lamentoso, Bollinger; mazurka,B-fiat minor (piano), Bollinger, Samuel Bol-linger; concerto. No. 2, Bach. Messrs. Wis-mer and Bollinger: andante cantabile,Tscherkowsky. Zoellner Family Quartet; ro-mance 1https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-argonaut-ndpiano-bollinger-messrs-samuel-bollingerand-h-wismer-scherzo-b-minor-pianobollinger-mrs-mahle-gray-lachmund-an-dante-c-minor-violin-concerto-mendels-sohn-miss-antoinette-zoellner-and-josephzoellner-jr-a-confession-song-bol-linger-mrs-mable-gray-lachmund-sonnetto-the-words-from-charles-keelers-poem-weep-fond-heart-gt-bollinger-ballade-romanzo-lamentoso-bollinger-mazurkab-fiat-minor-piano-bollinger-samuel-bol-linger-concerto-no-2-bach-messrs-wis-mer-and-bollinger-andante-cantabiletscherkowsky-zoellner-family-quartet-ro-mance-1-image369802297.html . Harmony : a course of study . mji^r&z 228 HARMONY. 2. Mozart. Andante cantabile. tr. £^H ±=t i=i mm I. ^ J * [ £ f*-*-+$*m- if* * pf—*—=* ^ ■F—1 • 1 P=2=i: r ^=X 5=5 =t=q: 3t ^=^ :tH» V f¥T ttj =«44 ::^^£ iii1 .—n i^ggrg^^pg^a^ 3. Adagio. m &J3|> :== aiB Haydn. 2=1=3 =?JEa --=l=n=5 155^f ^T:j^^EE j ai^ L7LT i=3=? I .■ !■, . Harmony : a course of study . mji^r&z 228 HARMONY. 2. Mozart. Andante cantabile. tr. £^H ±=t i=i mm I. ^ J * [ £ f*-*-+$*m- if* * pf—*—=* ^ ■F—1 • 1 P=2=i: r ^=X 5=5 =t=q: 3t ^=^ :tH» V f¥T ttj =«44 ::^^£ iii1 .—n i^ggrg^^pg^a^ 3. Adagio. m &J3|> :== aiB Haydn. 2=1=3 =?JEa --=l=n=5 155^f ^T:j^^EE j ai^ L7LT i=3=? I .■ !■,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harmony-a-course-of-study-mjirz-228-harmony-2-mozart-andante-cantabile-tr-h-=t-i=i-mm-i-j-f-m-if-pf=-f1-1-p=2=i-r-=x-5=5-=t=q-3t-=-th-v-ft-ttj-=44-iii1-n-iggrgpga-3-adagio-m-j3gt-==-aib-haydn-2=1=3-=jea-=l=n=5-155f-tjee-j-ai-l7lt-i=3=-i-!-image372101838.html . The Rotunda . t by Dr. J. L. Jarman and the S.T. C. Choral Club. The program was as follows: Minuet Handel Nocturne in E flat Chopin Andante Cantabile .... T.schaikow.skySolo: Fear Ye Not, O Israel-Dudley BuckDr. J. L. Jarman Jerusalem the Golden Spark Chorus: Sun of My Soul, A. StrickSoloist, Miss Florence CralleChorus, S. T. C. Choral Club Traumerei Schumann March in D Major Lemmens Mr. Strick has planned a series ofmusical programs both for the churchand the college. In this way he hasarou.sed a great interest in music, notonly in his students but also in thecommunity at large. THE ROTUND . The Rotunda . t by Dr. J. L. Jarman and the S.T. C. Choral Club. The program was as follows: Minuet Handel Nocturne in E flat Chopin Andante Cantabile .... T.schaikow.skySolo: Fear Ye Not, O Israel-Dudley BuckDr. J. L. Jarman Jerusalem the Golden Spark Chorus: Sun of My Soul, A. StrickSoloist, Miss Florence CralleChorus, S. T. C. Choral Club Traumerei Schumann March in D Major Lemmens Mr. Strick has planned a series ofmusical programs both for the churchand the college. In this way he hasarou.sed a great interest in music, notonly in his students but also in thecommunity at large. THE ROTUNDhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-rotunda-t-by-dr-j-l-jarman-and-the-st-c-choral-club-the-program-was-as-follows-minuet-handel-nocturne-in-e-flat-chopin-andante-cantabile-tschaikowskysolo-fear-ye-not-o-israel-dudley-buckdr-j-l-jarman-jerusalem-the-golden-spark-chorus-sun-of-my-soul-a-stricksoloist-miss-florence-crallechorus-s-t-c-choral-club-traumerei-schumann-march-in-d-major-lemmens-mr-strick-has-planned-a-series-ofmusical-programs-both-for-the-churchand-the-college-in-this-way-he-hasaroused-a-great-interest-in-music-notonly-in-his-students-but-also-in-thecommunity-at-large-the-rotund-image369682315.html Programme . ndante II. Andante cantabile, con alcuna licenza III. Valse: Allegro moderato IV. Finale: Andante maestoso; Allegro vivace STRAUSS . Waltz, On the Beautiful Blue Danube LALO Suite, Namouna* 1. Prelude 2. Serenade 3. Theme and Variations i j a. Market-Day Shows) b. Market-Day Festiv ROSSINI Overture, William Teir Tickets, $1, $1.50, $2. On sale at Box Office 434 JORDAN HALL, Thursday Afternoon, December 16, at 3 oclock SONG RECITAL by lemee§ - Ga bril© wit §dh Oh! Kindly Star . The Sea Queen ) Song of the Dark Forest 1 Little Snowflakes ArietteSong of the Shepherd Lehl Der TraumClii Programme . ndante II. Andante cantabile, con alcuna licenza III. Valse: Allegro moderato IV. Finale: Andante maestoso; Allegro vivace STRAUSS . Waltz, On the Beautiful Blue Danube LALO Suite, Namouna* 1. Prelude 2. Serenade 3. Theme and Variations i j a. Market-Day Shows) b. Market-Day Festiv ROSSINI Overture, William Teir Tickets, $1, $1.50, $2. On sale at Box Office 434 JORDAN HALL, Thursday Afternoon, December 16, at 3 oclock SONG RECITAL by lemee§ - Ga bril© wit §dh Oh! Kindly Star . The Sea Queen ) Song of the Dark Forest 1 Little Snowflakes ArietteSong of the Shepherd Lehl Der TraumCliihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/programme-ndante-ii-andante-cantabile-con-alcuna-licenza-iii-valse-allegro-moderato-iv-finale-andante-maestoso-allegro-vivace-strauss-waltz-on-the-beautiful-blue-danube-lalo-suite-namouna-1-prelude-2-serenade-3-theme-and-variations-i-j-a-market-day-shows-b-market-day-festiv-rossini-overture-william-teir-tickets-1-150-2-on-sale-at-box-office-434-jordan-hall-thursday-afternoon-december-16-at-3-oclock-song-recital-by-lemee-ga-bril-wit-dh-oh!-kindly-star-the-sea-queen-song-of-the-dark-forest-1-little-snowflakes-ariettesong-of-the-shepherd-lehl-der-traumclii-image338160592.html . Maimouna, ballet pantomime en un acte et deux tableaux de madame Tiny Beon et de Mr F. Ambrosiny : represente pour la premiere fois a Bruxelles sur la scene du Theatre Royal de la Monnaie Janvier 1906. tfjZXJ Lx7 foitlc seloipne. lis restent seuls caches a tons les veux ft £ *•=*: FcXllH^ p iL^ /loco mareatu 40 Pft * m 0. M ^=^ f// ;/i. w *f 1 s *7 S M.D. =± Andante cantabile (*- = 5ti) lis s« m fe s tr m ^=^ HI, J- espressivo ^ PP M.G. croisez I g & ss 7 *7 PP cherchent, se trouvent, Be desirent. lis echangent ties baisers lonps des m &. ZE5Z S fe croisez pixif W r «r ^ TT^LT caresses eperd . Maimouna, ballet pantomime en un acte et deux tableaux de madame Tiny Beon et de Mr F. Ambrosiny : represente pour la premiere fois a Bruxelles sur la scene du Theatre Royal de la Monnaie Janvier 1906. tfjZXJ Lx7 foitlc seloipne. lis restent seuls caches a tons les veux ft £ *•=*: FcXllH^ p iL^ /loco mareatu 40 Pft * m 0. M ^=^ f// ;/i. w *f 1 s *7 S M.D. =± Andante cantabile (*- = 5ti) lis s« m fe s tr m ^=^ HI, J- espressivo ^ PP M.G. croisez I g & ss 7 *7 PP cherchent, se trouvent, Be desirent. lis echangent ties baisers lonps des m &. ZE5Z S fe croisez pixif W r «r ^ TT^LT caresses eperdhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maimouna-ballet-pantomime-en-un-acte-et-deux-tableaux-de-madame-tiny-beon-et-de-mr-f-ambrosiny-represente-pour-la-premiere-fois-a-bruxelles-sur-la-scene-du-theatre-royal-de-la-monnaie-janvier-1906-tfjzxj-lx7-foitlc-seloipne-lis-restent-seuls-caches-a-tons-les-veux-ft-=-fcxllh-p-il-loco-mareatu-40-pft-m-0-m-=-f-i-w-f-1-s-7-s-md-=-andante-cantabile-=-5ti-lis-s-m-fe-s-tr-m-=-hi-j-espressivo-pp-mg-croisez-i-g-ss-7-7-pp-cherchent-se-trouvent-be-desirent-lis-echangent-ties-baisers-lonps-des-m-ze5z-s-fe-croisez-pixif-w-r-r-ttlt-caresses-eperd-image370607193.html Forty lessons for bass or baritone : op 17 . 6 Andante cantabile. (J = 88.) agPEE i zpz i ite jp dolce 1 J 3»^* ^^ AW 0P » J# ;g#—•** #—# #=«h 3. £> SP*3 F £ 2s: ^ 2? «• «? i.w r I £ »—» p , g M lp J p kb ^e3 I S =*3 r • # #—# z:tf vz: T T i|*L3 a» «=« «?• «-• as fe£ £ £ #—? J ;# /» I* P-: 5 i ^5717 s g f 3 i3*3=: F •^??•p p •• F as f £ 2: «?• ? w •&? zm £ ^f <y p | r r is p J* i i Forty lessons for bass or baritone : op 17 . 6 Andante cantabile. (J = 88.) agPEE i zpz i ite jp dolce 1 J 3»^* ^^ AW 0P » J# ;g#—•** #—# #=«h 3. £> SP*3 F £ 2s: ^ 2? «• «? i.w r I £ »—» p , g M lp J p kb ^e3 I S =*3 r • # #—# z:tf vz: T T i|*L3 a» «=« «?• «-• as fe£ £ £ #—? J ;# /» I* P-: 5 i ^5717 s g f 3 i3*3=: F •^??•p p •• F as f £ 2: «?• ? w •&? zm £ ^f <y p | r r is p J* i ihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/forty-lessons-for-bass-or-baritone-op-17-6-andante-cantabile-j-=-88-agpee-i-zpz-i-ite-jp-dolce-1-j-3-aw-0p-j-g-=h-3-gt-sp3-f-2s-2-iw-r-i-p-g-m-lp-j-p-kb-e3-i-s-=3-r-ztf-vz-t-t-il3-a-=-as-fe-j-i-p-5-i-5717-s-g-f-3-i33=-f-p-p-f-as-f-2-w-zm-f-lty-p-r-r-is-p-j-i-i-image338404608.html Quinten Massys; zangspel in drie bedrijven . r w*àf£ e s was Quin.tijn!. Cest Quen.tin..war Quin.tyn _ pU f7 th f fcE U± f g^fg.fimi tef*£*£ #fft mmumm mh i - •TS jÖ^ mar ca t o m $ m : ^ Haar vader op het woord nemend.» Meno mosso.. « « rail. Floris. Andante cantabile. M.rjj »yf iii*rr p p pif ^^ s » * je™ men hem kunstnaar noe.me! Maar, tis . te, cest jus . ti . ce! Ma Recht nennt man ihn Künstler! Doch lief en dwe . pend kind, Watfil . le son . ge donc com.lie .bes schwärmrisch Kind. Welch* ite^g iiVî J- J r 1 Tî T *g 3#f^ S f- «f jg. * r fôfry^T? ^m w * Agitato Quinten Massys; zangspel in drie bedrijven . r w*àf£ e s was Quin.tijn!. Cest Quen.tin..war Quin.tyn _ pU f7 th f fcE U± f g^fg.fimi tef*£*£ #fft mmumm mh i - •TS jÖ^ mar ca t o m $ m : ^ Haar vader op het woord nemend.» Meno mosso.. « « rail. Floris. Andante cantabile. M.rjj »yf iii*rr p p pif ^^ s » * je™ men hem kunstnaar noe.me! Maar, tis . te, cest jus . ti . ce! Ma Recht nennt man ihn Künstler! Doch lief en dwe . pend kind, Watfil . le son . ge donc com.lie .bes schwärmrisch Kind. Welch* ite^g iiVî J- J r 1 Tî T *g 3#f^ S f- «f jg. * r fôfry^T? ^m w * Agitatohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quinten-massys-zangspel-in-drie-bedrijven-r-wf-e-s-was-quintijn!-cest-quentinwar-quintyn-pu-f7-th-f-fce-u-f-gfgfimi-tef-fft-mmumm-mh-i-ts-j-mar-ca-t-o-m-m-haar-vader-op-het-woord-nemend-meno-mosso-rail-floris-andante-cantabile-mrjj-yf-iiirr-p-p-pif-s-je-men-hem-kunstnaar-noeme!-maar-tis-te-cest-jus-ti-ce!-ma-recht-nennt-man-ihn-knstler!-doch-lief-en-dwe-pend-kind-watfil-le-son-ge-donc-comlie-bes-schwrmrisch-kind-welch-iteg-iiv-j-j-r-1-t-t-g-3f-s-f-f-jg-r-ffryt-m-w-agitato-image338334137.html Sacred songs : a standard collection of sacred solos by the best composers . 14417 73 Pardoned. LINDSAY LENNOX. Andante cantabile M. PICCOLOMINI. Moderate. 5a. * i WmJ- J^ J^^^F :S=f pif p r ceased to peal, A - cross the cit- y shad-ows fall, And down the dark and ipppf j j j j ff*f iff g r j 7 Sa. fiN= I /T 1 p J^ >l J t * JlJ. MJ^ *=? lone-ly street The cold wind drives the snow and sleet. Be - side the old ca-the-dral m $ IHhhH 2 r # # •» 9^f ¥ ^ 5a. * 5a. * 5a. * w 5a * l s h > ^ ^ Ji 3=^ ^^^ r:i-2Z gate # A wan - drer weeps,dis-con-so - late, And, JijMiJ ?» W V -0 ft >••» J fc A Sacred songs : a standard collection of sacred solos by the best composers . 14417 73 Pardoned. LINDSAY LENNOX. Andante cantabile M. PICCOLOMINI. Moderate. 5a. * i WmJ- J^ J^^^F :S=f pif p r ceased to peal, A - cross the cit- y shad-ows fall, And down the dark and ipppf j j j j ff*f iff g r j 7 Sa. fiN= I /T 1 p J^ >l J t * JlJ. MJ^ *=? lone-ly street The cold wind drives the snow and sleet. Be - side the old ca-the-dral m $ IHhhH 2 r # # •» 9^f ¥ ^ 5a. * 5a. * 5a. * w 5a * l s h > ^ ^ Ji 3=^ ^^^ r:i-2Z gate # A wan - drer weeps,dis-con-so - late, And, JijMiJ ?» W V -0 ft >••» J fc Ahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacred-songs-a-standard-collection-of-sacred-solos-by-the-best-composers-14417-73-pardoned-lindsay-lennox-andante-cantabile-m-piccolomini-moderate-5a-i-wmj-j-jf-s=f-pif-p-r-ceased-to-peal-a-cross-the-cit-y-shad-ows-fall-and-down-the-dark-and-ipppf-j-j-j-j-fff-iff-g-r-j-7-sa-fin=-i-t-1-p-j-gtl-j-t-jlj-mj-=-lone-ly-street-the-cold-wind-drives-the-snow-and-sleet-be-side-the-old-ca-the-dral-m-ihhhh-2-r-9f-5a-5a-5a-w-5a-l-s-h-gt-ji-3=-ri-2z-gate-a-wan-drer-weepsdis-con-so-late-and-jijmij-w-v-0-ft-gt-j-fc-a-image339159160.html . Our young folks [serial]. 1868.] The Happy Farmer. 249. %retto s Robert Schumann. v4 llegretto scherzando. -mm PIANO. ^4,. a—^iffffrrirf rr 53 21 532121 ai ^ *=i=Pf}- x=x *zJ_z1isi«_«ibj f ^^FT[grfe^^f -•.i^TJzz % > . 4 —H——5, Sc 45 r- l«—fcl 1 -r-5 K 1 r ^ ^tP ^^s? ^r^fe ^1 f ^s**7 7Lj ^ -c:_zp_. 0- £^?±—g zfcq =F=fr 250 Andante Cantabile. [April, „_G PT3-3—| „-, ■>L 1 g *—«I-T *?- r—M- — 1 1 H •^ *7 u *? b 7 ! -*? =^ T :f - i 0—«— —-i-a—S—S- »l —B| «_J • -art- -*-*■ -#- • P- -?-*- £=^ -*T- :=zE€Eii=*— *=j^ S3 Tfi teh ^L^^tr? ^s?*7 ru^ m^ fOf. s^ >-#-* 0 *S ■♦-♦■■*■ • -art- - . Our young folks [serial]. 1868.] The Happy Farmer. 249. %retto s Robert Schumann. v4 llegretto scherzando. -mm PIANO. ^4,. a—^iffffrrirf rr 53 21 532121 ai ^ *=i=Pf}- x=x *zJ_z1isi«_«ibj f ^^FT[grfe^^f -•.i^TJzz % > . 4 —H——5, Sc 45 r- l«—fcl 1 -r-5 K 1 r ^ ^tP ^^s? ^r^fe ^1 f ^s**7 7Lj ^ -c:_zp_. 0- £^?±—g zfcq =F=fr 250 Andante Cantabile. [April, „_G PT3-3—| „-, ■>L 1 g *—«I-T *?- r—M- — 1 1 H •^ *7 u *? b 7 ! -*? =^ T :f - i 0—«— —-i-a—S—S- »l —B| «_J • -art- -*-*■ -#- • P- -?-*- £=^ -*T- :=zE€Eii=*— *=j^ S3 Tfi teh ^L^^tr? ^s?*7 ru^ m^ fOf. s^ >-#-* 0 *S ■♦-♦■■*■ • -art- -https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-young-folks-serial-1868-the-happy-farmer-249-retto-s-robert-schumann-v4-llegretto-scherzando-mm-piano-4-aiffffrrirf-rr-53-21-532121-ai-=i=pf-x=x-zj-z1isi-ibj-f-ft-grfef-itjzz-gt-4-h5-sc-45-r-lfcl-1-r-5-k-1-r-tp-s-rfe-1-f-s7-7lj-c-zp-0-g-zfcq-=f=fr-250-andante-cantabile-april-g-pt3-3-gtl-1-g-i-t-rm-1-1-h-7-u-b-7-!-=-t-f-i-0-i-ass-l-b-j-art-p-=-t-=zeeii=-=j-s3-tfi-teh-ltr-s7-ru-m-fof-s-gt-0-s-art-image370482178.html . Voice and song : a practical method for the study of singing . $ (Bassoons)(Nos.76 to 80 arc examples of Cadenzas, defined on p.20) 76 Andante p u.-^r rail.. 77 Larghetto cantabile.4 p* >?V. J P P I J I eer be. . Voice and song : a practical method for the study of singing . $ (Bassoons)(Nos.76 to 80 arc examples of Cadenzas, defined on p.20) 76 Andante p u.-^r rail.. 77 Larghetto cantabile.4 p* >?V. J P P I J I eer be.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/voice-and-song-a-practical-method-for-the-study-of-singing-bassoonsnos76-to-80-arc-examples-of-cadenzas-defined-on-p20-76-andante-p-u-r-rail-77-larghetto-cantabile4-p-gtv-j-p-p-i-j-i-eer-be-image370051690.html Don Quichotte; comédie héroïque en 5 actes . La Foule sest répandue sur la place et dans les rues aroisinantes^^^m^^^ Rudriguez et Juan causent à l écart.. J ?? ?? ^^ ^^ p rail. m.g. Andante eantabilt- ^ RODRIGUEZ légèrement. ^ £ à / •/ z J rail 69 = J •Andante cantabile P Dul-ci . Don Quichotte; comédie héroïque en 5 actes . La Foule sest répandue sur la place et dans les rues aroisinantes^^^m^^^ Rudriguez et Juan causent à l écart.. J ?? ?? ^^ ^^ p rail. m.g. Andante eantabilt- ^ RODRIGUEZ légèrement. ^ £ à / •/ z J rail 69 = J •Andante cantabile P Dul-ci .https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/don-quichotte-comdie-hroque-en-5-actes-la-foule-sest-rpandue-sur-la-place-et-dans-les-rues-aroisinantesm-rudriguez-et-juan-causent-l-cart-j-p-rail-mg-andante-eantabilt-rodriguez-lgrement-z-j-rail-69-=-j-andante-cantabile-p-dul-ci-image339345755.html Don Quichotte; comédie héroïque en 5 actes . J ?? ?? ^^ ^^ p rail. m.g. Andante eantabilt- ^ RODRIGUEZ légèrement. ^ £ à / •/ z J rail 69 = J •Andante cantabile P Dul-ci .. 1^^ r- r F Me ^ -? -7 ?=^^ f: -née. est cer. tes jo . li _ e Mais on doit lai M ^ ^^^ i^i^^^i ^ %r^^^ j. ^ a i^ i FS: S ^ Don Quichotte; comédie héroïque en 5 actes . J ?? ?? ^^ ^^ p rail. m.g. Andante eantabilt- ^ RODRIGUEZ légèrement. ^ £ à / •/ z J rail 69 = J •Andante cantabile P Dul-ci .. 1^^ r- r F Me ^ -? -7 ?=^^ f: -née. est cer. tes jo . li _ e Mais on doit lai M ^ ^^^ i^i^^^i ^ %r^^^ j. ^ a i^ i FS: S ^https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/don-quichotte-comdie-hroque-en-5-actes-j-p-rail-mg-andante-eantabilt-rodriguez-lgrement-z-j-rail-69-=-j-andante-cantabile-p-dul-ci-1-r-r-f-me-7-=-f-ne-est-cer-tes-jo-li-e-mais-on-doit-lai-m-iii-r-j-a-i-i-fs-s-image339345262.html The Queen of spades : an opera in three acts and seven scenes . 225 1 I I l I. L. i i .) a j_i * i I r i i^ 0, I am wea _ ry and out .worn with grief. m ^ r> 4 Andante motto cantabile. (J = sc) J p p r p ^ip Ah, I am worn with my sor . row... i Andante molto cantabile. I i ^ p ^r «-* M FT / »/ Ln m^4g? The Queen of spades : an opera in three acts and seven scenes . 225 1 I I l I. L. i i .) a j_i * i I r i i^ 0, I am wea _ ry and out .worn with grief. m ^ r> 4 Andante motto cantabile. (J = sc) J p p r p ^ip Ah, I am worn with my sor . row... i Andante molto cantabile. I i ^ p ^r «-* M FT / »/ Ln m^4g?https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-queen-of-spades-an-opera-in-three-acts-and-seven-scenes-225-1-i-i-l-i-l-i-i-a-j-i-i-i-r-i-i-0-i-am-wea-ry-and-out-worn-with-grief-m-rgt-4-andante-motto-cantabile-j-=-sc-j-p-p-r-p-ip-ah-i-am-worn-with-my-sor-row-i-andante-molto-cantabile-i-i-p-r-m-ft-ln-m4g-image340279846.html Modern harmony, its explanation and application . This view of the octave being composed of twelve equaldivisions admits long successions of intervals or chordsexactly equal in quality. This constitutes a new harmonicprinciple capable of wide application, ranging from thesuggestion of a remote modal feeling to passages of purposelyevasive tonality, and to such beautiful expressions as thefollowing: Ex. 70. Andante. P CORDER, Elegy in E m^ ^^ fTT % (pf.) cantabile ma m ^ piano TT 10- _ una corda * * * * [equal major 3rds] 88 MODERN HARMONY. Ex.71. Andante. Voices.j^ ELGAR, King Olafi Modern harmony, its explanation and application . This view of the octave being composed of twelve equaldivisions admits long successions of intervals or chordsexactly equal in quality. This constitutes a new harmonicprinciple capable of wide application, ranging from thesuggestion of a remote modal feeling to passages of purposelyevasive tonality, and to such beautiful expressions as thefollowing: Ex. 70. Andante. P CORDER, Elegy in E m^ ^^ fTT % (pf.) cantabile ma m ^ piano TT 10- _ una corda * * * * [equal major 3rds] 88 MODERN HARMONY. Ex.71. Andante. Voices.j^ ELGAR, King Olafihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/modern-harmony-its-explanation-and-application-this-view-of-the-octave-being-composed-of-twelve-equaldivisions-admits-long-successions-of-intervals-or-chordsexactly-equal-in-quality-this-constitutes-a-new-harmonicprinciple-capable-of-wide-application-ranging-from-thesuggestion-of-a-remote-modal-feeling-to-passages-of-purposelyevasive-tonality-and-to-such-beautiful-expressions-as-thefollowing-ex-70-andante-p-corder-elegy-in-e-m-ftt-pf-cantabile-ma-m-piano-tt-10-una-corda-equal-major-3rds-88-modern-harmony-ex71-andante-voicesj-elgar-king-olafi-image340285767.html Modern harmony, its explanation and application . fM^ ^f^l^t*:^^ .;p^febl.ll^ J^li. %P-L>L ^ M 1 ^ J 1 ^?^^ l^u^ ^^ ^ . 1 J ^^^ ^= (Scheme.) efc.. This view of the octave being composed of twelve equaldivisions admits long successions of intervals or chordsexactly equal in quality. This constitutes a new harmonicprinciple capable of wide application, ranging from thesuggestion of a remote modal feeling to passages of purposelyevasive tonality, and to such beautiful expressions as thefollowing: Ex. 70. Andante. P CORDER, Elegy in E m^ ^^ fTT % (pf.) cantabile ma m ^ piano TT 10- _ una corda Modern harmony, its explanation and application . fM^ ^f^l^t*:^^ .;p^febl.ll^ J^li. %P-L>L ^ M 1 ^ J 1 ^?^^ l^u^ ^^ ^ . 1 J ^^^ ^= (Scheme.) efc.. This view of the octave being composed of twelve equaldivisions admits long successions of intervals or chordsexactly equal in quality. This constitutes a new harmonicprinciple capable of wide application, ranging from thesuggestion of a remote modal feeling to passages of purposelyevasive tonality, and to such beautiful expressions as thefollowing: Ex. 70. Andante. P CORDER, Elegy in E m^ ^^ fTT % (pf.) cantabile ma m ^ piano TT 10- _ una cordahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/modern-harmony-its-explanation-and-application-fm-flt-pfeblll-jli-p-lgtl-m-1-j-1-lu-1-j-=-scheme-efc-this-view-of-the-octave-being-composed-of-twelve-equaldivisions-admits-long-successions-of-intervals-or-chordsexactly-equal-in-quality-this-constitutes-a-new-harmonicprinciple-capable-of-wide-application-ranging-from-thesuggestion-of-a-remote-modal-feeling-to-passages-of-purposelyevasive-tonality-and-to-such-beautiful-expressions-as-thefollowing-ex-70-andante-p-corder-elegy-in-e-m-ftt-pf-cantabile-ma-m-piano-tt-10-una-corda-image340286149.html . Style in singing. I Ah non cre-dea mi - rar - - ti, Si Dre-sto e-stin-to. o fio - - re. This is but a suggestion of the composers idea. Theartist will therefore not follow too closely the printedversion; but following the evident indications for apathetic and expressive cantabile will perform it thus: espressivo J^g Ah! non cre-dea mi - rar - 9 _ PP. ti, Si JiJB..,Bir rrt/m pre-sto e-stin-to, o fio- Again a brief outline, as printed:Andante 7 re. I p- 9 m sa- stial par da i 3E3: Pas - sa-stial par da-mo re, cheun 4 p p HM gior - no, cheun gior - no sol du ro. 88 STYLE IN SINGING which, if su . Style in singing. I Ah non cre-dea mi - rar - - ti, Si Dre-sto e-stin-to. o fio - - re. This is but a suggestion of the composers idea. Theartist will therefore not follow too closely the printedversion; but following the evident indications for apathetic and expressive cantabile will perform it thus: espressivo J^g Ah! non cre-dea mi - rar - 9 _ PP. ti, Si JiJB..,Bir rrt/m pre-sto e-stin-to, o fio- Again a brief outline, as printed:Andante 7 re. I p- 9 m sa- stial par da i 3E3: Pas - sa-stial par da-mo re, cheun 4 p p HM gior - no, cheun gior - no sol du ro. 88 STYLE IN SINGING which, if suhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/style-in-singing-i-ah-non-cre-dea-mi-rar-ti-si-dre-sto-e-stin-to-o-fio-re-this-is-but-a-suggestion-of-the-composers-idea-theartist-will-therefore-not-follow-too-closely-the-printedversion-but-following-the-evident-indications-for-apathetic-and-expressive-cantabile-will-perform-it-thus-espressivo-jg-ah!-non-cre-dea-mi-rar-9-pp-ti-si-jijbbir-rrtm-pre-sto-e-stin-to-o-fio-again-a-brief-outline-as-printedandante-7-re-i-p-9-m-sa-stial-par-da-i-3e3-pas-sa-stial-par-da-mo-re-cheun-4-p-p-hm-gior-no-cheun-gior-no-sol-du-ro-88-style-in-singing-which-if-su-image370464243.html Recent searches: Search Results for Andante Cantabile Stock Photos and Images  (23) Page 1 of 1 1