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New Creative Relevant Search filters All Have A Thyrsus Stock Photos and Images  (192) Narrow your search: Vectors | Black & white | Cut Outs Page 1 of 2 Design of a Wall with a Built-in Cabinet, Pen and ink, graphite on paper, The left bay of the wall, the left half of a door and the overdoor are shown. Children carry the Bacchus boy in the latter. A pilaster beside the door shows a wreath in the dado, a pendant of fruit in the pilaster strip. Near the corner, a pilaster decorated with a thyrsus in the dado, a waved bough in the pilaster strip., France, 1790, Drawing Design of a Wall with a Built-in Cabinet, Pen and ink, graphite on paper, The left bay of the wall, the left half of a door and the overdoor are shown. Children carry the Bacchus boy in the latter. A pilaster beside the door shows a wreath in the dado, a pendant of fruit in the pilaster strip. Near the corner, a pilaster decorated with a thyrsus in the dado, a waved bough in the pilaster strip., France, 1790, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-of-a-wall-with-a-built-in-cabinet-pen-and-ink-graphite-on-paper-the-left-bay-of-the-wall-the-left-half-of-a-door-and-the-overdoor-are-shown-children-carry-the-bacchus-boy-in-the-latter-a-pilaster-beside-the-door-shows-a-wreath-in-the-dado-a-pendant-of-fruit-in-the-pilaster-strip-near-the-corner-a-pilaster-decorated-with-a-thyrsus-in-the-dado-a-waved-bough-in-the-pilaster-strip-france-1790-drawing-image391671273.html Design for an Oblong Plaster Ceiling, George Richardson, British, ca. 1736 - 1813, Brush and wash, black and gray chalk on paper, Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal wreath formed by twigs within which are slopes formed by a garland. In the center is an urn, crossed, a thyrsus and a shepherd’s staff. The field is a rectangle, with parts of rosettes in the corners and tangent oblongs outside. They are decorated with two empty oblongs, laterally, and with a frieze of intertwined circles and segments with rosettes Design for an Oblong Plaster Ceiling, George Richardson, British, ca. 1736 - 1813, Brush and wash, black and gray chalk on paper, Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal wreath formed by twigs within which are slopes formed by a garland. In the center is an urn, crossed, a thyrsus and a shepherd’s staff. The field is a rectangle, with parts of rosettes in the corners and tangent oblongs outside. They are decorated with two empty oblongs, laterally, and with a frieze of intertwined circles and segments with rosetteshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-oblong-plaster-ceiling-george-richardson-british-ca-1736-1813-brush-and-wash-black-and-gray-chalk-on-paper-horizontal-format-design-for-an-oblong-plaster-ceiling-rosettes-in-the-four-corners-in-the-center-is-an-ovoidal-wreath-formed-by-twigs-within-which-are-slopes-formed-by-a-garland-in-the-center-is-an-urn-crossed-a-thyrsus-and-a-shepherds-staff-the-field-is-a-rectangle-with-parts-of-rosettes-in-the-corners-and-tangent-oblongs-outside-they-are-decorated-with-two-empty-oblongs-laterally-and-with-a-frieze-of-intertwined-circles-and-segments-with-rosettes-image391601371.html Design for a Cartouche Surmounted by a Tiger, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw resting on the head of a putto. Clusters of grapes and leaves decorate the cartouche. Enormous fish are at bottom foreground., France, 1740, ornament, Print Design for a Cartouche Surmounted by a Tiger, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw resting on the head of a putto. Clusters of grapes and leaves decorate the cartouche. Enormous fish are at bottom foreground., France, 1740, ornament, Printhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-cartouche-surmounted-by-a-tiger-jacques-de-lajoe-french-16871761-gabriel-huquier-french-16951772-engraving-on-white-laid-paper-a-tiger-holding-a-thyrsus-atop-a-barrel-that-is-probably-pouring-wine-his-paw-resting-on-the-head-of-a-putto-clusters-of-grapes-and-leaves-decorate-the-cartouche-enormous-fish-are-at-bottom-foreground-france-1740-ornament-print-image391578096.html Design for a Bowl with a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor on paper, A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus blossoms. A big and short column is surrounded by girls holding a thyrsus in either hand. The capital is shaped like a basket., Germany, 1827-1835, Drawing Design for a Bowl with a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor on paper, A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus blossoms. A big and short column is surrounded by girls holding a thyrsus in either hand. The capital is shaped like a basket., Germany, 1827-1835, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-bowl-with-a-stand-joseph-anton-seethaler-ii-german-17991868-pen-and-ink-brush-and-watercolor-on-paper-a-pedestal-of-complicated-design-showing-a-fruit-festoon-with-bearded-masks-and-plant-motifs-is-supported-by-lotus-blossoms-a-big-and-short-column-is-surrounded-by-girls-holding-a-thyrsus-in-either-hand-the-capital-is-shaped-like-a-basket-germany-1827-1835-drawing-image391498826.html Arabesque Design for a Panel, Pen and ink, brush and wash on paper, Gaine with the bust of Dionysus supporting a bowl full of bunches of grapes and leaves from which a faun with a thyrsus and two acanthus scrolls rise. A disk with roses and a trophy are suspended from the scroll at right. A flower basket standing upon the head of the half-figure of a lion, below. The left half shows the half-figure of a lion supporting a flower basket over which a thyrsus rises and to which a trophy of pastoral musical instruments is fastened. Framing strip., France, ca. 1775, ornament, Drawing Arabesque Design for a Panel, Pen and ink, brush and wash on paper, Gaine with the bust of Dionysus supporting a bowl full of bunches of grapes and leaves from which a faun with a thyrsus and two acanthus scrolls rise. A disk with roses and a trophy are suspended from the scroll at right. A flower basket standing upon the head of the half-figure of a lion, below. The left half shows the half-figure of a lion supporting a flower basket over which a thyrsus rises and to which a trophy of pastoral musical instruments is fastened. Framing strip., France, ca. 1775, ornament, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesque-design-for-a-panel-pen-and-ink-brush-and-wash-on-paper-gaine-with-the-bust-of-dionysus-supporting-a-bowl-full-of-bunches-of-grapes-and-leaves-from-which-a-faun-with-a-thyrsus-and-two-acanthus-scrolls-rise-a-disk-with-roses-and-a-trophy-are-suspended-from-the-scroll-at-right-a-flower-basket-standing-upon-the-head-of-the-half-figure-of-a-lion-below-the-left-half-shows-the-half-figure-of-a-lion-supporting-a-flower-basket-over-which-a-thyrsus-rises-and-to-which-a-trophy-of-pastoral-musical-instruments-is-fastened-framing-strip-france-ca-1775-ornament-drawing-image391473043.html Two Flying Putti with Attributes of Dionysus, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a pitcher and wreath, the right has a thyrsus., Italy, 1800–1820, figures, Drawing Two Flying Putti with Attributes of Dionysus, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a pitcher and wreath, the right has a thyrsus., Italy, 1800–1820, figures, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-flying-putti-with-attributes-of-dionysus-felice-giani-italian-17581823-felice-giani-italian-17581823-pen-and-ink-on-paper-vertical-rectangle-showing-two-loosely-drawn-putti-in-an-oval-frame-the-left-putto-raises-a-pitcher-and-wreath-the-right-has-a-thyrsus-italy-18001820-figures-drawing-image391437516.html Arabesque Design for a Panel, Pen and ink, brush and wash, pencil on paper, Candelabrum with two lateral framing growths. The central stem consists of a calyx section, a base with crouching lions flanking an ovoidal medallion, an urn, a thyrsus. Framing strip., France, 1780–90, ornament, Drawing Arabesque Design for a Panel, Pen and ink, brush and wash, pencil on paper, Candelabrum with two lateral framing growths. The central stem consists of a calyx section, a base with crouching lions flanking an ovoidal medallion, an urn, a thyrsus. Framing strip., France, 1780–90, ornament, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesque-design-for-a-panel-pen-and-ink-brush-and-wash-pencil-on-paper-candelabrum-with-two-lateral-framing-growths-the-central-stem-consists-of-a-calyx-section-a-base-with-crouching-lions-flanking-an-ovoidal-medallion-an-urn-a-thyrsus-framing-strip-france-178090-ornament-drawing-image391433952.html Desing for an Oil Lamp, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for an oil-burning lamp. Below is a moulded base. The figure of a menad is shown in three-quarter profile dancing upon a sphere and turned toward left. Her right hand holds her skirt, her left hand the thyrsus to which the lamp is fastened., Rome, Italy, mid- 19th century, lighting, Drawing Desing for an Oil Lamp, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for an oil-burning lamp. Below is a moulded base. The figure of a menad is shown in three-quarter profile dancing upon a sphere and turned toward left. Her right hand holds her skirt, her left hand the thyrsus to which the lamp is fastened., Rome, Italy, mid- 19th century, lighting, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/desing-for-an-oil-lamp-pen-and-ink-brush-and-gray-watercolor-graphite-on-paper-vertical-rectangle-design-for-an-oil-burning-lamp-below-is-a-moulded-base-the-figure-of-a-menad-is-shown-in-three-quarter-profile-dancing-upon-a-sphere-and-turned-toward-left-her-right-hand-holds-her-skirt-her-left-hand-the-thyrsus-to-which-the-lamp-is-fastened-rome-italy-mid-19th-century-lighting-drawing-image391314538.html Project for the decoration of a vertical panel, Gilles Paul Cauvet, French, 1731–1788, Graphite, Pen and black ink on paper with brush and wash, A candelabrum used as a vase, a medallion and a thyrsus surrounded by floral motifs and framed by mouldings., France, ca. 1775, Drawing Project for the decoration of a vertical panel, Gilles Paul Cauvet, French, 1731–1788, Graphite, Pen and black ink on paper with brush and wash, A candelabrum used as a vase, a medallion and a thyrsus surrounded by floral motifs and framed by mouldings., France, ca. 1775, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/project-for-the-decoration-of-a-vertical-panel-gilles-paul-cauvet-french-17311788-graphite-pen-and-black-ink-on-paper-with-brush-and-wash-a-candelabrum-used-as-a-vase-a-medallion-and-a-thyrsus-surrounded-by-floral-motifs-and-framed-by-mouldings-france-ca-1775-drawing-image391279152.html Design for Decorative Motifs, Graphite, pen and ink, brush and wash on paper, At left, a lyre with a bow, a thyrsus, a quiver in front of it, with a torch and a wreath on top of it. At right is the left half of the foot of a candelabrum., Italy, 1820–1830, ornament, Drawing Design for Decorative Motifs, Graphite, pen and ink, brush and wash on paper, At left, a lyre with a bow, a thyrsus, a quiver in front of it, with a torch and a wreath on top of it. At right is the left half of the foot of a candelabrum., Italy, 1820–1830, ornament, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-decorative-motifs-graphite-pen-and-ink-brush-and-wash-on-paper-at-left-a-lyre-with-a-bow-a-thyrsus-a-quiver-in-front-of-it-with-a-torch-and-a-wreath-on-top-of-it-at-right-is-the-left-half-of-the-foot-of-a-candelabrum-italy-18201830-ornament-drawing-image391197534.html Victory with a Garland, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper Support: beige wove paper, Fame raises garlands in both hands. On her left, putto with cornucopia; on her right, putto with garland. On ground at left, garland and trumpet; at right, garland and thyrsus. Ruled lines in black chalk suggest rectangular moldings., Rome, Italy, Italy, 1812, interiors, Drawing Victory with a Garland, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper Support: beige wove paper, Fame raises garlands in both hands. On her left, putto with cornucopia; on her right, putto with garland. On ground at left, garland and trumpet; at right, garland and thyrsus. Ruled lines in black chalk suggest rectangular moldings., Rome, Italy, Italy, 1812, interiors, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victory-with-a-garland-sala-di-recezione-palazzo-quirinale-rome-felice-giani-italian-17581823-pen-and-dark-gray-ink-brush-and-color-washes-over-black-chalk-ruled-lines-on-beige-wove-paper-support-beige-wove-paper-fame-raises-garlands-in-both-hands-on-her-left-putto-with-cornucopia-on-her-right-putto-with-garland-on-ground-at-left-garland-and-trumpet-at-right-garland-and-thyrsus-ruled-lines-in-black-chalk-suggest-rectangular-moldings-rome-italy-italy-1812-interiors-drawing-image391193922.html Celebrating Couple, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper, Airborne couple: young man with garland and shouldered thyrsus holds hands with young woman. Ruled lines in black chalk suggest a rectangular molding., Rome, Italy, Italy, 1812, interiors, Drawing Celebrating Couple, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper, Airborne couple: young man with garland and shouldered thyrsus holds hands with young woman. Ruled lines in black chalk suggest a rectangular molding., Rome, Italy, Italy, 1812, interiors, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/celebrating-couple-sala-di-recezione-palazzo-quirinale-rome-felice-giani-italian-17581823-pen-and-dark-gray-ink-brush-and-color-washes-over-black-chalk-ruled-lines-on-beige-wove-paper-airborne-couple-young-man-with-garland-and-shouldered-thyrsus-holds-hands-with-young-woman-ruled-lines-in-black-chalk-suggest-a-rectangular-molding-rome-italy-italy-1812-interiors-drawing-image391189184.html Copy of Bacchante, Satyr, and Female Faun, from the series Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, In the center, a compact group of a bacchante, a satyr and a female faun. They face left. The bacchante holds a thyrsus in her left hand and her right hand rests on a vase. In the background, trees., Italy, 1750–1760, figures, Print Copy of Bacchante, Satyr, and Female Faun, from the series Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, In the center, a compact group of a bacchante, a satyr and a female faun. They face left. The bacchante holds a thyrsus in her left hand and her right hand rests on a vase. In the background, trees., Italy, 1750–1760, figures, Printhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copy-of-bacchante-satyr-and-female-faun-from-the-series-scherzi-di-fantasia-giovanni-battista-tiepolo-italian-1692-1770-etching-on-laid-paper-in-the-center-a-compact-group-of-a-bacchante-a-satyr-and-a-female-faun-they-face-left-the-bacchante-holds-a-thyrsus-in-her-left-hand-and-her-right-hand-rests-on-a-vase-in-the-background-trees-italy-17501760-figures-print-image391187261.html Design of a Cabinet in the Louis XVI Style, Pen and brown ink, brush and wash, gold paint, gouache on tracing paper, This drawing depicts a cabinet in the Louis XVI style ornately decorated with gilt-bronze mounts. The center panel consists of an oval medallion featuring a relief of the young Bacchus holding a thyrsus; he is supported by a standing Maenad (Bacchante) while he rides astride the back of a young satyr. Garlands, laurel leaves, herms, brackets and cartouches symmetrically decorate the cabinet., France, ca. 1860, furniture, Drawing Design of a Cabinet in the Louis XVI Style, Pen and brown ink, brush and wash, gold paint, gouache on tracing paper, This drawing depicts a cabinet in the Louis XVI style ornately decorated with gilt-bronze mounts. The center panel consists of an oval medallion featuring a relief of the young Bacchus holding a thyrsus; he is supported by a standing Maenad (Bacchante) while he rides astride the back of a young satyr. Garlands, laurel leaves, herms, brackets and cartouches symmetrically decorate the cabinet., France, ca. 1860, furniture, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-of-a-cabinet-in-the-louis-xvi-style-pen-and-brown-ink-brush-and-wash-gold-paint-gouache-on-tracing-paper-this-drawing-depicts-a-cabinet-in-the-louis-xvi-style-ornately-decorated-with-gilt-bronze-mounts-the-center-panel-consists-of-an-oval-medallion-featuring-a-relief-of-the-young-bacchus-holding-a-thyrsus-he-is-supported-by-a-standing-maenad-bacchante-while-he-rides-astride-the-back-of-a-young-satyr-garlands-laurel-leaves-herms-brackets-and-cartouches-symmetrically-decorate-the-cabinet-france-ca-1860-furniture-drawing-image391187241.html Design for a panel decoration showing a ewer, for a plate in the 'Recueil d' Ornements', Gilles Paul Cauvet, French, 1731–1788, Black chalk, pen and ink, brush and wash, A thyrsus is fastened to a pitcher by a festoon. The pitcher shows bacchic scenes; water pours from the dolphin forming the handle. A grape vine grows around it. Plates and fruit on the base., France, ca. 1775, Drawing Design for a panel decoration showing a ewer, for a plate in the 'Recueil d' Ornements', Gilles Paul Cauvet, French, 1731–1788, Black chalk, pen and ink, brush and wash, A thyrsus is fastened to a pitcher by a festoon. The pitcher shows bacchic scenes; water pours from the dolphin forming the handle. A grape vine grows around it. Plates and fruit on the base., France, ca. 1775, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-panel-decoration-showing-a-ewer-for-a-plate-in-the-recueil-d-ornements-gilles-paul-cauvet-french-17311788-black-chalk-pen-and-ink-brush-and-wash-a-thyrsus-is-fastened-to-a-pitcher-by-a-festoon-the-pitcher-shows-bacchic-scenes-water-pours-from-the-dolphin-forming-the-handle-a-grape-vine-grows-around-it-plates-and-fruit-on-the-base-france-ca-1775-drawing-image391173340.html The Young Bacchus with Two Companions, Black chalk, pen and ink, brush and gray watercolor on rough gray paper, Bacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus standing at right. Another child is at left, bending down to the ground., Netherlands, ca. 1750, Drawing The Young Bacchus with Two Companions, Black chalk, pen and ink, brush and gray watercolor on rough gray paper, Bacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus standing at right. Another child is at left, bending down to the ground., Netherlands, ca. 1750, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-young-bacchus-with-two-companions-black-chalk-pen-and-ink-brush-and-gray-watercolor-on-rough-gray-paper-bacchus-is-shown-frontally-sitting-and-gaizing-at-a-goblet-he-raises-with-his-right-hand-oblooing-is-a-boy-with-a-thyrsus-standing-at-right-another-child-is-at-left-bending-down-to-the-ground-netherlands-ca-1750-drawing-image391135643.html The ram has horns and has lifted one of the front legs. The hind legs are next to each other. Above the back of the animal a thyrsus-staff, gem, intaglio, ringstone, glass, Color: black, dark brown, opaque, Shape: oval, standing, Machined: Maaskant-Kleibrink, M., Catalog of the engraved gems in the Royal Coin Cabinet, 1978, p.60, fig.2, type F1, 11 x 10 mm. Thickness 2 mm., 1st - 3rd century after Chr. 100-300, Netherlands, Limburg, unknown, unknown The ram has horns and has lifted one of the front legs. The hind legs are next to each other. Above the back of the animal a thyrsus-staff, gem, intaglio, ringstone, glass, Color: black, dark brown, opaque, Shape: oval, standing, Machined: Maaskant-Kleibrink, M., Catalog of the engraved gems in the Royal Coin Cabinet, 1978, p.60, fig.2, type F1, 11 x 10 mm. Thickness 2 mm., 1st - 3rd century after Chr. 100-300, Netherlands, Limburg, unknown, unknownhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ram-has-horns-and-has-lifted-one-of-the-front-legs-the-hind-legs-are-next-to-each-other-above-the-back-of-the-animal-a-thyrsus-staff-gem-intaglio-ringstone-glass-color-black-dark-brown-opaque-shape-oval-standing-machined-maaskant-kleibrink-m-catalog-of-the-engraved-gems-in-the-royal-coin-cabinet-1978-p60-fig2-type-f1-11-x-10-mm-thickness-2-mm-1st-3rd-century-after-chr-100-300-netherlands-limburg-unknown-unknown-image344526232.html Thyrsus, a pole carried by Bacchus, and by Satyrs, Maenades, and others. The annexed cut shows the head of a thyrsus composed of the leaves and berrie Thyrsus, a pole carried by Bacchus, and by Satyrs, Maenades, and others. The annexed cut shows the head of a thyrsus composed of the leaves and berriehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thyrsus-a-pole-carried-by-bacchus-and-by-satyrs-maenades-and-others-the-annexed-cut-shows-the-head-of-a-thyrsus-composed-of-the-leaves-and-berrie-image367219001.html The head of a thyrsus composed of the leaves and berries of the ivy, and surrounded by acanthus leaves. Very frequently, also, a while fillet was tied The head of a thyrsus composed of the leaves and berries of the ivy, and surrounded by acanthus leaves. Very frequently, also, a while fillet was tiedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-head-of-a-thyrsus-composed-of-the-leaves-and-berries-of-the-ivy-and-surrounded-by-acanthus-leaves-very-frequently-also-a-while-fillet-was-tied-image367207529.html In this image there is Roman Bacchhante. Roman Bacchhante holding a thyrsus and a glass of wine, vintage line drawing or engraving illustration. In this image there is Roman Bacchhante. Roman Bacchhante holding a thyrsus and a glass of wine, vintage line drawing or engraving illustration.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-this-image-there-is-roman-bacchhante-roman-bacchhante-holding-a-thyrsus-and-a-glass-of-wine-vintage-line-drawing-or-engraving-illustration-image244547916.html Double-sided mask relief Roman 2nd century AD ( Bearded comic and an unsteady Dionysian mask stand on a narrow ledge, a small Eros has flown in and bounces back in horror from the grotesque masks. The Dionysian attributes on the upper right corner with , tympanum, double flute and thyrsus staff ) Double-sided mask relief Roman 2nd century AD ( Bearded comic and an unsteady Dionysian mask stand on a narrow ledge, a small Eros has flown in and bounces back in horror from the grotesque masks. The Dionysian attributes on the upper right corner with , tympanum, double flute and thyrsus staff )https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-sided-mask-relief-roman-2nd-century-ad-bearded-comic-and-an-unsteady-dionysian-mask-stand-on-a-narrow-ledge-a-small-eros-has-flown-in-and-bounces-back-in-horror-from-the-grotesque-masks-the-dionysian-attributes-on-the-upper-right-corner-with-tympanum-double-flute-and-thyrsus-staff-image221664941.html A couple walks by the Church of Saint Thyrsus in the Plaza de Alfonso II El Casto in Oviedo, Spain. The Asturian capital of Oviedo is the traditional A couple walks by the Church of Saint Thyrsus in the Plaza de Alfonso II El Casto in Oviedo, Spain. The Asturian capital of Oviedo is the traditionalhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-couple-walks-by-the-church-of-saint-thyrsus-in-the-plaza-de-alfonso-ii-el-casto-in-oviedo-spain-the-asturian-capital-of-oviedo-is-the-traditional-image263631085.html Young boys walking past a priest after blessing the catch at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greece Young boys walking past a priest after blessing the catch at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greecehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-young-boys-walking-past-a-priest-after-blessing-the-catch-at-a-fishing-163016589.html Local boys fishing off the end of a jetty at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greece Local boys fishing off the end of a jetty at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greecehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-local-boys-fishing-off-the-end-of-a-jetty-at-a-fishing-festival-in-163016591.html Priest blessing the catch as local boys fish at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greece Priest blessing the catch as local boys fish at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greecehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-priest-blessing-the-catch-as-local-boys-fish-at-a-fishing-festival-163016588.html A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, th A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, thhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-carved-thyrsus-part-of-the-decoration-of-the-scene-of-the-hellenistic-theatre-ancient-stratonicea-eskihisar-turkey-built-on-a-natural-slope-th-image235539197.html A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, th A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, thhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-carved-thyrsus-part-of-the-decoration-of-the-scene-of-the-hellenistic-theatre-ancient-stratonicea-eskihisar-turkey-built-on-a-natural-slope-th-image235538834.html A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, th A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, thhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-carved-thyrsus-part-of-the-decoration-of-the-scene-of-the-hellenistic-theatre-ancient-stratonicea-eskihisar-turkey-built-on-a-natural-slope-th-image235538900.html A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrumhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-bas-relief-depicting-a-satyr-at-left-holding-two-infants-another-162523565.html Horse sorrel during the flowering period. Rumex confertus. Horse sorrel on the side of a rural road. Horse sorrel during the flowering period. Rumex confertus. Horse sorrel on the side of a rural road.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-sorrel-during-the-flowering-period-rumex-confertus-horse-sorrel-on-the-side-of-a-rural-road-image352729310.html Glass plaque fragment, Early Imperial, 1st century A.D., Roman, Glass; cast in an open mold in two layers, Overall: 2 7/16 x 2 7 Glass plaque fragment, Early Imperial, 1st century A.D., Roman, Glass; cast in an open mold in two layers, Overall: 2 7/16 x 2 7https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-glass-plaque-fragment-early-imperial-1st-century-ad-roman-glass-cast-162410031.html Furious Maenad. Attic kylix by Brygos Painter dated from circa 490-480 BC on display in the Staatliche Antikensammlungen (Bavarian State Collection of Antiques) in Munich, Bavaria, Germany. Maenad is depicted in the tondo holding a thyrsus and shaking a panther in the air, while a whistling snake is rolled up over her head like a diadem. Furious Maenad. Attic kylix by Brygos Painter dated from circa 490-480 BC on display in the Staatliche Antikensammlungen (Bavarian State Collection of Antiques) in Munich, Bavaria, Germany. Maenad is depicted in the tondo holding a thyrsus and shaking a panther in the air, while a whistling snake is rolled up over her head like a diadem.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-furious-maenad-attic-kylix-by-brygos-painter-dated-from-circa-490-135597188.html Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy. Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-campanian-red-figure-krater-depicting-a-warrior-with-helmet-shield-133328530.html Hermaphroditus, Silenus and maenad with thyrsus. Roman fresco. Pompeii, House of M. Epidi Sabini, IX-1-22. 1st century AD. National Archaeological Museum, Naples. Italy. Hermaphroditus, Silenus and maenad with thyrsus. Roman fresco. Pompeii, House of M. Epidi Sabini, IX-1-22. 1st century AD. National Archaeological Museum, Naples. Italy.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hermaphroditus-silenus-and-maenad-with-thyrsus-roman-fresco-pompeii-127088848.html Terracotta bowl. Period: Early Imperial, Augustan; Date: ca. 20 B.C.-A.D. 10; Culture: Roman; Medium: Terracotta; Arretine ware; Dimensions: H. 7 in. Terracotta bowl. Period: Early Imperial, Augustan; Date: ca. 20 B.C.-A.D. 10; Culture: Roman; Medium: Terracotta; Arretine ware; Dimensions: H. 7 in.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-bowl-period-early-imperial-augustan-date-ca-20-bc-ad-10-culture-roman-medium-terracotta-arretine-ware-dimensions-h-7-in-image275597143.html Terracotta bowl. Period: Early Imperial, Augustan; Date: ca. 20 B.C.-A.D. 10; Culture: Roman; Medium: Terracotta; Arretine ware; Dimensions: H. 7 in. Terracotta bowl. Period: Early Imperial, Augustan; Date: ca. 20 B.C.-A.D. 10; Culture: Roman; Medium: Terracotta; Arretine ware; Dimensions: H. 7 in.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-terracotta-bowl-period-early-imperial-augustan-date-ca-20-bc-ad-10-168232391.html Design for a Cartouche Surmounted by a Tiger. A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw resting on the head of a putto. Clusters of grapes and leaves decorate the cartouche. Enormous fish are at bottom foreground. Design for a Cartouche Surmounted by a Tiger. A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw resting on the head of a putto. Clusters of grapes and leaves decorate the cartouche. Enormous fish are at bottom foreground.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-cartouche-surmounted-by-a-tiger-a-tiger-holding-a-thyrsus-atop-a-barrel-that-is-probably-pouring-wine-his-paw-resting-on-the-head-of-a-putto-clusters-of-grapes-and-leaves-decorate-the-cartouche-enormous-fish-are-at-bottom-foreground-image353513183.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-97273811.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style with sunburst in the background. Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style with sunburst in the background.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-97273821.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside shield crest done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside shield crest done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-95190771.html Design for Decorative Motifs. At left, a lyre with a bow, a thyrsus, a quiver in front of it, with a torch and a wreath on top of it. At right is the left half of the foot of a candelabrum. Design for Decorative Motifs. At left, a lyre with a bow, a thyrsus, a quiver in front of it, with a torch and a wreath on top of it. At right is the left half of the foot of a candelabrum.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-decorative-motifs-at-left-a-lyre-with-a-bow-a-thyrsus-a-quiver-in-front-of-it-with-a-torch-and-a-wreath-on-top-of-it-at-right-is-the-left-half-of-the-foot-of-a-candelabrum-image353500635.html Project for a candelabrum. A vase shape stand upon a richly decorated baluster which rises from a base which is intended to be supported be four lion's feet. From a calyx on top of the case emerge two acanthus scrolls carrying the sockets with low burning candles and a thyrsus. Project for a candelabrum. A vase shape stand upon a richly decorated baluster which rises from a base which is intended to be supported be four lion's feet. From a calyx on top of the case emerge two acanthus scrolls carrying the sockets with low burning candles and a thyrsus.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/project-for-a-candelabrum-a-vase-shape-stand-upon-a-richly-decorated-baluster-which-rises-from-a-base-which-is-intended-to-be-supported-be-four-lions-feet-from-a-calyx-on-top-of-the-case-emerge-two-acanthus-scrolls-carrying-the-sockets-with-low-burning-candles-and-a-thyrsus-image353499889.html Arabesque Design for a Panel. Gaine with the bust of Dionysus supporting a bowl full of bunches of grapes and leaves from which a faun with a thyrsus and two acanthus scrolls rise. A disk with roses and a trophy are suspended from the scroll at right. Arabesque Design for a Panel. Gaine with the bust of Dionysus supporting a bowl full of bunches of grapes and leaves from which a faun with a thyrsus and two acanthus scrolls rise. A disk with roses and a trophy are suspended from the scroll at right.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesque-design-for-a-panel-gaine-with-the-bust-of-dionysus-supporting-a-bowl-full-of-bunches-of-grapes-and-leaves-from-which-a-faun-with-a-thyrsus-and-two-acanthus-scrolls-rise-a-disk-with-roses-and-a-trophy-are-suspended-from-the-scroll-at-right-image353496286.html Arabesque Design for a Panel. Candelabrum with two lateral framing growths. The central stem consists of a calyx section, a base with crouching lions flanking an ovoidal medallion, an urn, a thyrsus. Framing strip. Arabesque Design for a Panel. Candelabrum with two lateral framing growths. The central stem consists of a calyx section, a base with crouching lions flanking an ovoidal medallion, an urn, a thyrsus. Framing strip.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesque-design-for-a-panel-candelabrum-with-two-lateral-framing-growths-the-central-stem-consists-of-a-calyx-section-a-base-with-crouching-lions-flanking-an-ovoidal-medallion-an-urn-a-thyrsus-framing-strip-image353496282.html Copy of Bacchante Satyr and Female Faun from the series Scherzi di Fantasia. In the center, a compact group of a bacchante, a satyr and a female faun. They face left. The bacchante holds a thyrsus in her left hand and her right hand rests on a vase. In the background, trees. Copy of Bacchante Satyr and Female Faun from the series Scherzi di Fantasia. In the center, a compact group of a bacchante, a satyr and a female faun. They face left. The bacchante holds a thyrsus in her left hand and her right hand rests on a vase. In the background, trees.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copy-of-bacchante-satyr-and-female-faun-from-the-series-scherzi-di-fantasia-in-the-center-a-compact-group-of-a-bacchante-a-satyr-and-a-female-faun-they-face-left-the-bacchante-holds-a-thyrsus-in-her-left-hand-and-her-right-hand-rests-on-a-vase-in-the-background-trees-image353494166.html The Young Bacchus with Two Companions. Research in ProgressBacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus standing at right. Another child is at left, bending down to the ground. The Young Bacchus with Two Companions. Research in ProgressBacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus standing at right. Another child is at left, bending down to the ground.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-young-bacchus-with-two-companions-research-in-progressbacchus-is-shown-frontally-sitting-and-gaizing-at-a-goblet-he-raises-with-his-right-hand-oblooing-is-a-boy-with-a-thyrsus-standing-at-right-another-child-is-at-left-bending-down-to-the-ground-image359435495.html Design for a Bowl with a Stand. A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus blossoms. A big and short column is surrounded by girls holding a thyrsus in either hand. The capital is shaped like a basket. Design for a Bowl with a Stand. A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus blossoms. A big and short column is surrounded by girls holding a thyrsus in either hand. The capital is shaped like a basket.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-bowl-with-a-stand-a-pedestal-of-complicated-design-showing-a-fruit-festoon-with-bearded-masks-and-plant-motifs-is-supported-by-lotus-blossoms-a-big-and-short-column-is-surrounded-by-girls-holding-a-thyrsus-in-either-hand-the-capital-is-shaped-like-a-basket-image353485872.html Design for an Oblong Plaster Ceiling. Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal wreath formed by twigs within which are slopes formed by a garland. In the center is an urn, crossed, a thyrsus and a shepherd’s staff. Design for an Oblong Plaster Ceiling. Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal wreath formed by twigs within which are slopes formed by a garland. In the center is an urn, crossed, a thyrsus and a shepherd’s staff.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-oblong-plaster-ceiling-horizontal-format-design-for-an-oblong-plaster-ceiling-rosettes-in-the-four-corners-in-the-center-is-an-ovoidal-wreath-formed-by-twigs-within-which-are-slopes-formed-by-a-garland-in-the-center-is-an-urn-crossed-a-thyrsus-and-a-shepherds-staff-image353484255.html 221 Fresco depicting a menead carrying a thyrsus, from a ceiling of a domus in Colonia Narbo Martius (Narbonne), end of 1st century AD, Empire of colour. From Pompeii to Southern Gaul, Musée Saint-Raymond Toulouse (16279044212) 221 Fresco depicting a menead carrying a thyrsus, from a ceiling of a domus in Colonia Narbo Martius (Narbonne), end of 1st century AD, Empire of colour. From Pompeii to Southern Gaul, Musée Saint-Raymond Toulouse (16279044212)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/221-fresco-depicting-a-menead-carrying-a-thyrsus-from-a-ceiling-of-a-domus-in-colonia-narbo-martius-narbonne-end-of-1st-century-ad-empire-of-colour-from-pompeii-to-southern-gaul-muse-saint-raymond-toulouse-16279044212-image187577782.html Glass plaque fragment. Period: Early Imperial; Date: 1st century A.D; Culture: Roman; Medium: Glass; cast in an open mold in two layers; Dimensions: Glass plaque fragment. Period: Early Imperial; Date: 1st century A.D; Culture: Roman; Medium: Glass; cast in an open mold in two layers; Dimensions:https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-plaque-fragment-period-early-imperial-date-1st-century-ad-culture-roman-medium-glass-cast-in-an-open-mold-in-two-layers-dimensions-image283533127.html Glass plaque fragment. Period: Early Imperial; Date: 1st century A.D; Culture: Roman; Medium: Glass; cast in an open mold in two layers; Dimensions: Glass plaque fragment. Period: Early Imperial; Date: 1st century A.D; Culture: Roman; Medium: Glass; cast in an open mold in two layers; Dimensions:https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-glass-plaque-fragment-period-early-imperial-date-1st-century-ad-culture-168231992.html A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum played by the woman in A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum played by the woman inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-bas-relief-depicting-a-satyr-at-left-holding-two-infants-another-168126990.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside shield done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside shield done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-image65022106.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-image65022105.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-image65022104.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside shield done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside shield done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-54166102.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-54166098.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-54166094.html Bacchic rite. Women offering figs on platters to Bacchus, and seated woman in an initiation rite accompanied by a genius of Ceres (boy with wings). Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. Bacchic rite. Women offering figs on platters to Bacchus, and seated woman in an initiation rite accompanied by a genius of Ceres (boy with wings). Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchic-rite-women-offering-figs-on-platters-to-bacchus-and-seated-woman-in-an-initiation-rite-accompanied-by-a-genius-of-ceres-boy-with-wings-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image331806669.html Six satyrs or fauns performing on a tightrope. Two carry a thyrsus, one plays a tibia, one plays a lyre, one pours wine from one vase to another, and one balances with his hands together. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Six satyrs or fauns performing on a tightrope. Two carry a thyrsus, one plays a tibia, one plays a lyre, one pours wine from one vase to another, and one balances with his hands together. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/six-satyrs-or-fauns-performing-on-a-tightrope-two-carry-a-thyrsus-one-plays-a-tibia-one-plays-a-lyre-one-pours-wine-from-one-vase-to-another-and-one-balances-with-his-hands-together-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image331806996.html Bacchus with thyrsus, tripod horn and crown of leaves standing in a forest. He stands on a drunken satyr in front of a statue of Priapus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Bacchus with thyrsus, tripod horn and crown of leaves standing in a forest. He stands on a drunken satyr in front of a statue of Priapus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-with-thyrsus-tripod-horn-and-crown-of-leaves-standing-in-a-forest-he-stands-on-a-drunken-satyr-in-front-of-a-statue-of-priapus-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image331806917.html Canephorae virgin with thyrsus, crown of vine leaves, and basket of fruit leading a rite of Bacchus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Canephorae virgin with thyrsus, crown of vine leaves, and basket of fruit leading a rite of Bacchus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canephorae-virgin-with-thyrsus-crown-of-vine-leaves-and-basket-of-fruit-leading-a-rite-of-bacchus-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image331806913.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. Centaur carrying a youth and teaching him to play the lyre, as Chiron taught Achilles. The boy holds a thyrsus decorated with a ribbon and a gold tympanum drum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. Centaur carrying a youth and teaching him to play the lyre, as Chiron taught Achilles. The boy holds a thyrsus decorated with a ribbon and a gold tympanum drum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-centaur-carrying-a-youth-and-teaching-him-to-play-the-lyre-as-chiron-taught-achilles-the-boy-holds-a-thyrsus-decorated-with-a-ribbon-and-a-gold-tympanum-drum-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681573.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a female centaur or centauress carrying a bacchant carrying a thyrsus or staff. The centauress holds a sprig of foliage in her left hand and with her right hand drapes a garland under the bacchant's arm. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a female centaur or centauress carrying a bacchant carrying a thyrsus or staff. The centauress holds a sprig of foliage in her left hand and with her right hand drapes a garland under the bacchant's arm. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeiihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-female-centaur-or-centauress-carrying-a-bacchant-carrying-a-thyrsus-or-staff-the-centauress-holds-a-sprig-of-foliage-in-her-left-hand-and-with-her-right-hand-drapes-a-garland-under-the-bacchants-arm-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681572.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant subduing a charging centaur. She kneels on his rump, grabs his hair and beats him with a thyrsus or staff. The centaur has his hands tied behind his back. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant subduing a charging centaur. She kneels on his rump, grabs his hair and beats him with a thyrsus or staff. The centaur has his hands tied behind his back. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-bacchant-subduing-a-charging-centaur-she-kneels-on-his-rump-grabs-his-hair-and-beats-him-with-a-thyrsus-or-staff-the-centaur-has-his-hands-tied-behind-his-back-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681571.html A bacchant surprised by a faun in a desolate mountain spot. At the faun's feet are his curved stick or pedum, seven-pipe flute or syrinx, and a Rhombus, a percussion instrument like a tambourine. At the bacchant's feet are a sacred staff or thyrsus decorated with a red ribbon, and a typanum drum decorated with a picture of a sistrum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculane A bacchant surprised by a faun in a desolate mountain spot. At the faun's feet are his curved stick or pedum, seven-pipe flute or syrinx, and a Rhombus, a percussion instrument like a tambourine. At the bacchant's feet are a sacred staff or thyrsus decorated with a red ribbon, and a typanum drum decorated with a picture of a sistrum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculanehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bacchant-surprised-by-a-faun-in-a-desolate-mountain-spot-at-the-fauns-feet-are-his-curved-stick-or-pedum-seven-pipe-flute-or-syrinx-and-a-rhombus-a-percussion-instrument-like-a-tambourine-at-the-bacchants-feet-are-a-sacred-staff-or-thyrsus-decorated-with-a-red-ribbon-and-a-typanum-drum-decorated-with-a-picture-of-a-sistrum-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculane-image331681553.html Four female dancers : each carries a thyrsus, and one a tambourine as well. Four female dancers : each carries a thyrsus, and one a tambourine as well.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-four-female-dancers-each-carries-a-thyrsus-and-one-a-tambourine-as-105352664.html Roman Art. Spain. Mosaic of Bacchus. 2nd century A.C. It comes from Italica (Seville). Roman Art. Spain. Mosaic of Bacchus. 2nd century A.C. It comes from Italica (Seville).https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roman-art-spain-mosaic-of-bacchus-2nd-century-ac-it-comes-from-italica-48342410.html N/A. English: Dancing satyr wearing a pardalis and holding a thyrsus in the right hand and a Panther fur-skin in the left hand; below a panther holding a thyrsus. Detail of the side A from the Borghese Vase. Attic work. Found in 1569 in the Horti Sallustiani, Rome. Français : Satyre dansant portant une pardalide et un thyrse ; détail de la face A du Vase Borghèse. Œuvre attique. Decouvert en 1569 dans les Jardins de Salluste à Rome. . between circa 40 and circa 30 BC. N/A 224 Borghese Vase Louvre Ma86 n4 N/A. English: Dancing satyr wearing a pardalis and holding a thyrsus in the right hand and a Panther fur-skin in the left hand; below a panther holding a thyrsus. Detail of the side A from the Borghese Vase. Attic work. Found in 1569 in the Horti Sallustiani, Rome. Français : Satyre dansant portant une pardalide et un thyrse ; détail de la face A du Vase Borghèse. Œuvre attique. Decouvert en 1569 dans les Jardins de Salluste à Rome. . between circa 40 and circa 30 BC. N/A 224 Borghese Vase Louvre Ma86 n4https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-dancing-satyr-wearing-a-pardalis-and-holding-a-thyrsus-in-the-right-hand-and-a-panther-fur-skin-in-the-left-hand-below-a-panther-holding-a-thyrsus-detail-of-the-side-a-from-the-borghese-vase-attic-work-found-in-1569-in-the-horti-sallustiani-rome-franais-satyre-dansant-portant-une-pardalide-et-un-thyrse-dtail-de-la-face-a-du-vase-borghse-uvre-attique-decouvert-en-1569-dans-les-jardins-de-salluste-rome-between-circa-40-and-circa-30-bc-na-224-borghese-vase-louvre-ma86-n4-image210050956.html marsh betony, marsh woundwort, swamp hedge-nettle, marsh hedge-nettle (Stachys palustris), inflorescence, Germany, Saxony-Anhalt marsh betony, marsh woundwort, swamp hedge-nettle, marsh hedge-nettle (Stachys palustris), inflorescence, Germany, Saxony-Anhalthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-marsh-betony-marsh-woundwort-swamp-hedge-nettle-marsh-hedge-nettle-47846155.html marsh betony, marsh woundwort, swamp hedge-nettle, marsh hedge-nettle (Stachys palustris), inflorescence, Germany, Saxony-Anhalt marsh betony, marsh woundwort, swamp hedge-nettle, marsh hedge-nettle (Stachys palustris), inflorescence, Germany, Saxony-Anhalthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marsh-betony-marsh-woundwort-swamp-hedge-nettle-marsh-hedge-nettle-stachys-palustris-inflorescence-germany-saxony-anhalt-image279055150.html . Ancient faiths embodied in ancient names; or, An attempt to trace the religious belief, sacred rites, and holy emblems of certain nations . 494 Pine Cone ] three wheat ears of Ceres, the caduceus ofand Thyrsus I Mercury, and the vine of Bacchus. Amongst the gems depicted in this work, thethyrsus seems to be occasionally replaced by the cor-nucopia, caduceus, etc. In the Musee Secret {Herculanum et Pompei, parRoux Aine, Paris, 1840,) of the celebrated Museumof Naples, the thyrsus is present in most of the amor-ous scenes pourtrayed. In plate i., it is associatedwith a patera, which bears upon . Ancient faiths embodied in ancient names; or, An attempt to trace the religious belief, sacred rites, and holy emblems of certain nations . 494 Pine Cone ] three wheat ears of Ceres, the caduceus ofand Thyrsus I Mercury, and the vine of Bacchus. Amongst the gems depicted in this work, thethyrsus seems to be occasionally replaced by the cor-nucopia, caduceus, etc. In the Musee Secret {Herculanum et Pompei, parRoux Aine, Paris, 1840,) of the celebrated Museumof Naples, the thyrsus is present in most of the amor-ous scenes pourtrayed. In plate i., it is associatedwith a patera, which bears uponhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-faiths-embodied-in-ancient-names-or-an-attempt-to-trace-the-religious-belief-sacred-rites-and-holy-emblems-of-certain-nations-494-pine-cone-three-wheat-ears-of-ceres-the-caduceus-ofand-thyrsus-i-mercury-and-the-vine-of-bacchus-amongst-the-gems-depicted-in-this-work-thethyrsus-seems-to-be-occasionally-replaced-by-the-cor-nucopia-caduceus-etc-in-the-musee-secret-herculanum-et-pompei-parroux-aine-paris-1840-of-the-celebrated-museumof-naples-the-thyrsus-is-present-in-most-of-the-amor-ous-scenes-pourtrayed-in-plate-i-it-is-associatedwith-a-patera-which-bears-upon-image376225031.html . An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations . onym forthe Latin Janua (q.v.). Thyrsus, R. {Qvpaos). A long staff, sur-mounted with a fir-cone, or a bunch of vine-leaves or ivy, with grapes or berries, carried byBacchus, and the satyrs, msenads, and others,during the celebration of religious rites. Be-neath the garland or fir-cone the thyrsus ends . An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations . onym forthe Latin Janua (q.v.). Thyrsus, R. {Qvpaos). A long staff, sur-mounted with a fir-cone, or a bunch of vine-leaves or ivy, with grapes or berries, carried byBacchus, and the satyrs, msenads, and others,during the celebration of religious rites. Be-neath the garland or fir-cone the thyrsus endshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-illustrated-dictionary-of-words-used-in-art-and-archaeology-explaining-terms-frequently-used-in-works-on-architecture-arms-bronzes-christian-art-colour-costume-decoration-devices-emblems-heraldry-lace-personal-ornaments-pottery-painting-sculpture-c-with-their-derivations-onym-forthe-latin-janua-qv-thyrsus-r-qvpaos-a-long-staff-sur-mounted-with-a-fir-cone-or-a-bunch-of-vine-leaves-or-ivy-with-grapes-or-berries-carried-bybacchus-and-the-satyrs-msenads-and-othersduring-the-celebration-of-religious-rites-be-neath-the-garland-or-fir-cone-the-thyrsus-ends-image375501848.html . Ancient faiths embodied in ancient names; or, An attempt to trace the religious belief, sacred rites, and holy emblems of certain nations . d a wife ; but in later times thedistinction between jtellex and meretrix was not bettermarked than at the present day is the differencebetween one who is protected and one who is common.Pine Cone and Thyrsus. In the previous volume, whenspeaking of the so-called Assyrian grove, I statedmy conviction that the pine cone, offered by priests tothe deity—represented by that curiously shaped em-blem—was typical of the testis, the analogue ofthe mundane egg. T . Ancient faiths embodied in ancient names; or, An attempt to trace the religious belief, sacred rites, and holy emblems of certain nations . d a wife ; but in later times thedistinction between jtellex and meretrix was not bettermarked than at the present day is the differencebetween one who is protected and one who is common.Pine Cone and Thyrsus. In the previous volume, whenspeaking of the so-called Assyrian grove, I statedmy conviction that the pine cone, offered by priests tothe deity—represented by that curiously shaped em-blem—was typical of the testis, the analogue ofthe mundane egg. Thttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-faiths-embodied-in-ancient-names-or-an-attempt-to-trace-the-religious-belief-sacred-rites-and-holy-emblems-of-certain-nations-d-a-wife-but-in-later-times-thedistinction-between-jtellex-and-meretrix-was-not-bettermarked-than-at-the-present-day-is-the-differencebetween-one-who-is-protected-and-one-who-is-commonpine-cone-and-thyrsus-in-the-previous-volume-whenspeaking-of-the-so-called-assyrian-grove-i-statedmy-conviction-that-the-pine-cone-offered-by-priests-tothe-deityrepresented-by-that-curiously-shaped-em-blemwas-typical-of-the-testis-the-analogue-ofthe-mundane-egg-t-image374721792.html . Ancient Greek female costume : illustrated by one hundred and twelve plates and numerous smaller illustrations ; with descriptive letterpress and descriptive passages from the works of Homer, Hesiod, Herodotus, Aeschylus, Euripides, Aristophanes, Theocritus, Xenophon, Lucian, and other Greek authors . ANCIENT GREEK BACCHANT COSTUME, 67 or the wild whelps of wolves, gave them white milk .... andthey put on ivy chaplets and garlands of oak and blossoming yew;and one having taken a thyrsus, struck it against a rock, whence adewy stream of water springs out; another placed her wand on theground, . Ancient Greek female costume : illustrated by one hundred and twelve plates and numerous smaller illustrations ; with descriptive letterpress and descriptive passages from the works of Homer, Hesiod, Herodotus, Aeschylus, Euripides, Aristophanes, Theocritus, Xenophon, Lucian, and other Greek authors . ANCIENT GREEK BACCHANT COSTUME, 67 or the wild whelps of wolves, gave them white milk .... andthey put on ivy chaplets and garlands of oak and blossoming yew;and one having taken a thyrsus, struck it against a rock, whence adewy stream of water springs out; another placed her wand on theground,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-greek-female-costume-illustrated-by-one-hundred-and-twelve-plates-and-numerous-smaller-illustrations-with-descriptive-letterpress-and-descriptive-passages-from-the-works-of-homer-hesiod-herodotus-aeschylus-euripides-aristophanes-theocritus-xenophon-lucian-and-other-greek-authors-ancient-greek-bacchant-costume-67-or-the-wild-whelps-of-wolves-gave-them-white-milk-andthey-put-on-ivy-chaplets-and-garlands-of-oak-and-blossoming-yewand-one-having-taken-a-thyrsus-struck-it-against-a-rock-whence-adewy-stream-of-water-springs-out-another-placed-her-wand-on-theground-image372654735.html . Illustrations of the remains of Roman art, in Cirencester, the site of antient Corinium . and jollityof temper one would expect from him as a teacher of Bacchus in thevirtues of the vine; his costume was no doubt commemorative of his havingaccompanied Bacchus in his celebrated eastern expedition. D. Bacchus. Only the bust remains of this group, which appears torepresent an effeminate young man, holding a thyrsus in his left hand;the fore paw and a portion of the chest of some animal with a spottedskin were also visible, from which it is concluded that this must have beena representation of B . Illustrations of the remains of Roman art, in Cirencester, the site of antient Corinium . and jollityof temper one would expect from him as a teacher of Bacchus in thevirtues of the vine; his costume was no doubt commemorative of his havingaccompanied Bacchus in his celebrated eastern expedition. D. Bacchus. Only the bust remains of this group, which appears torepresent an effeminate young man, holding a thyrsus in his left hand;the fore paw and a portion of the chest of some animal with a spottedskin were also visible, from which it is concluded that this must have beena representation of Bhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrations-of-the-remains-of-roman-art-in-cirencester-the-site-of-antient-corinium-and-jollityof-temper-one-would-expect-from-him-as-a-teacher-of-bacchus-in-thevirtues-of-the-vine-his-costume-was-no-doubt-commemorative-of-his-havingaccompanied-bacchus-in-his-celebrated-eastern-expedition-d-bacchus-only-the-bust-remains-of-this-group-which-appears-torepresent-an-effeminate-young-man-holding-a-thyrsus-in-his-left-handthe-fore-paw-and-a-portion-of-the-chest-of-some-animal-with-a-spottedskin-were-also-visible-from-which-it-is-concluded-that-this-must-have-beena-representation-of-b-image371641232.html . The history of Herodotus. A new English version, ed. with copious notes and appendices, illustrating the history and geography of Herodotus, from the most recent sources of information; and embodying the chief results, historical and ethnographical, which have been obtained in the progress of cuneiform and hieroglyphical discovery . Avesta of Persia. (See Jour. Americ.Or. Soc. vol. iii. No. 2, p. 299.) The thyrsus is shown by Plutarchto be the staff (fig. 1), often bound bya fillet, to which the spotted skin of aleopard is suspended near the figure ofOsiris; for it is the same that the highp . The history of Herodotus. A new English version, ed. with copious notes and appendices, illustrating the history and geography of Herodotus, from the most recent sources of information; and embodying the chief results, historical and ethnographical, which have been obtained in the progress of cuneiform and hieroglyphical discovery . Avesta of Persia. (See Jour. Americ.Or. Soc. vol. iii. No. 2, p. 299.) The thyrsus is shown by Plutarchto be the staff (fig. 1), often bound bya fillet, to which the spotted skin of aleopard is suspended near the figure ofOsiris; for it is the same that the highphttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-history-of-herodotus-a-new-english-version-ed-with-copious-notes-and-appendices-illustrating-the-history-and-geography-of-herodotus-from-the-most-recent-sources-of-information-and-embodying-the-chief-results-historical-and-ethnographical-which-have-been-obtained-in-the-progress-of-cuneiform-and-hieroglyphical-discovery-avesta-of-persia-see-jour-americor-soc-vol-iii-no-2-p-299-the-thyrsus-is-shown-by-plutarchto-be-the-staff-fig-1-often-bound-bya-fillet-to-which-the-spotted-skin-of-aleopard-is-suspended-near-the-figure-ofosiris-for-it-is-the-same-that-the-highp-image371635442.html . Living orators in America . esty. Such an orator, imbuedwith elegant thought and tender sensibilities, appears ibefore an audience much as Theseus did before Ariadne.Philostratus represents him as being adorned with aplain purple robe, wearing a garland of roses. His iwhole air is that of one intoxicated with love, calm inits fullness, and absorbed in the admiration of beauty.Every attribute is laid aside, not perfectly in keepingwith the subject and place. He has discarded the floridgarment, the soft doe skin, and the thyrsus. In him isseen only the refined and yet impassioned lover. Hiscom . Living orators in America . esty. Such an orator, imbuedwith elegant thought and tender sensibilities, appears ibefore an audience much as Theseus did before Ariadne.Philostratus represents him as being adorned with aplain purple robe, wearing a garland of roses. His iwhole air is that of one intoxicated with love, calm inits fullness, and absorbed in the admiration of beauty.Every attribute is laid aside, not perfectly in keepingwith the subject and place. He has discarded the floridgarment, the soft doe skin, and the thyrsus. In him isseen only the refined and yet impassioned lover. Hiscomhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/living-orators-in-america-esty-such-an-orator-imbuedwith-elegant-thought-and-tender-sensibilities-appears-ibefore-an-audience-much-as-theseus-did-before-ariadnephilostratus-represents-him-as-being-adorned-with-aplain-purple-robe-wearing-a-garland-of-roses-his-iwhole-air-is-that-of-one-intoxicated-with-love-calm-inits-fullness-and-absorbed-in-the-admiration-of-beautyevery-attribute-is-laid-aside-not-perfectly-in-keepingwith-the-subject-and-place-he-has-discarded-the-floridgarment-the-soft-doe-skin-and-the-thyrsus-in-him-isseen-only-the-refined-and-yet-impassioned-lover-hiscom-image370019332.html . The book of ballads . THE BOOK OF BALLADS. I I And already in his rearward Felt he Joves tremendous toes; When a brig-ht idea struck him— Dash my thyrsus I I 11 be bail— For you never were in India— That you know not Hodgsoivs Ale ! Bring- it! quoth the Cloud-comi5eller; And the wine-g-od Ijroug-ht the beer— Port and Claret are like water To the noble stuff thats here !And 8aturnius drank and nodded, Winking- with his lightning- eyes;And amidst the constellations Did the star of Hodgso rise ! m<. ^i ?=^^^^-.,. THE BOOK OF BALLADS. 179 Coats at five-and-forty shillings! trousers ten-and- . The book of ballads . THE BOOK OF BALLADS. I I And already in his rearward Felt he Joves tremendous toes; When a brig-ht idea struck him— Dash my thyrsus I I 11 be bail— For you never were in India— That you know not Hodgsoivs Ale ! Bring- it! quoth the Cloud-comi5eller; And the wine-g-od Ijroug-ht the beer— Port and Claret are like water To the noble stuff thats here !And 8aturnius drank and nodded, Winking- with his lightning- eyes;And amidst the constellations Did the star of Hodgso rise ! m<. ^i ?=^^^^-.,. THE BOOK OF BALLADS. 179 Coats at five-and-forty shillings! trousers ten-and-https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-book-of-ballads-the-book-of-ballads-i-i-and-already-in-his-rearward-felt-he-joves-tremendous-toes-when-a-brig-ht-idea-struck-him-dash-my-thyrsus-i-i-11-be-bail-for-you-never-were-in-india-that-you-know-not-hodgsoivs-ale-!-bring-it!-quoth-the-cloud-comi5eller-and-the-wine-g-od-ijroug-ht-the-beer-port-and-claret-are-like-water-to-the-noble-stuff-thats-here-!and-8aturnius-drank-and-nodded-winking-with-his-lightning-eyesand-amidst-the-constellations-did-the-star-of-hodgso-rise-!-mlt-i-=-the-book-of-ballads-179-coats-at-five-and-forty-shillings!-trousers-ten-and-image369656304.html . Dictionary of Greek and Roman geography . infer thatit was situated on or near the Ionian sea, and thatit w;is the first town on the coast S. of the canal 1196 THYRSUS. which separated Leucas from the mainland. It isplaced by Leake in the plain of Zaverdha, but noruins of it have been discovered. Its name does notoccur in Strabo. Thyrium is first mentioned inB. c. 373, when its territory was invaded by Iphi-crates. (Xen. Hell. vi. 2. § 37.) Xenophou de-scribes it as a place of importance; and it appearsas one of the chief cities of Acarnania at the timeof the Roman wars in Greece, when its n . Dictionary of Greek and Roman geography . infer thatit was situated on or near the Ionian sea, and thatit w;is the first town on the coast S. of the canal 1196 THYRSUS. which separated Leucas from the mainland. It isplaced by Leake in the plain of Zaverdha, but noruins of it have been discovered. Its name does notoccur in Strabo. Thyrium is first mentioned inB. c. 373, when its territory was invaded by Iphi-crates. (Xen. Hell. vi. 2. § 37.) Xenophou de-scribes it as a place of importance; and it appearsas one of the chief cities of Acarnania at the timeof the Roman wars in Greece, when its nhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dictionary-of-greek-and-roman-geography-infer-thatit-was-situated-on-or-near-the-ionian-sea-and-thatit-wis-the-first-town-on-the-coast-s-of-the-canal-1196-thyrsus-which-separated-leucas-from-the-mainland-it-isplaced-by-leake-in-the-plain-of-zaverdha-but-noruins-of-it-have-been-discovered-its-name-does-notoccur-in-strabo-thyrium-is-first-mentioned-inb-c-373-when-its-territory-was-invaded-by-iphi-crates-xen-hell-vi-2-37-xenophou-de-scribes-it-as-a-place-of-importance-and-it-appearsas-one-of-the-chief-cities-of-acarnania-at-the-timeof-the-roman-wars-in-greece-when-its-n-image369646326.html Two Flying Putti with Attributes of Dionysus. Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a pitcher and wreath, the right has a thyrsus. Two Flying Putti with Attributes of Dionysus. Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a pitcher and wreath, the right has a thyrsus.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-flying-putti-with-attributes-of-dionysus-vertical-rectangle-showing-two-loosely-drawn-putti-in-an-oval-frame-the-left-putto-raises-a-pitcher-and-wreath-the-right-has-a-thyrsus-image353559745.html Celebrating Couple Sala di Recezione Palazzo Quirinale Rome. Airborne couple: young man with garland and shouldered thyrsus holds hands with young woman. Ruled lines in black chalk suggest a rectangular molding. Celebrating Couple Sala di Recezione Palazzo Quirinale Rome. Airborne couple: young man with garland and shouldered thyrsus holds hands with young woman. Ruled lines in black chalk suggest a rectangular molding.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/celebrating-couple-sala-di-recezione-palazzo-quirinale-rome-airborne-couple-young-man-with-garland-and-shouldered-thyrsus-holds-hands-with-young-woman-ruled-lines-in-black-chalk-suggest-a-rectangular-molding-image353531038.html Bacchus Quam male Dive tuos, effundis Bacche racemos. Abstine tam charam nil facit illa manum (title on object), Bacchus, crowned with vine leaves and grapes, stands in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the bunch of grapes and has the juice collected in a bowl that is held by a maenade. The child sitting at the maenade tries to catch some of the grape juice. On the right in the background maenads play the flute., (Story of) Bacchus (Dionysus), Liber, maenad (s), female bacchant (es), Gerard de Lairesse (mentioned on object), 1675 - 1680, paper, etching, Bacchus Quam male Dive tuos, effundis Bacche racemos. Abstine tam charam nil facit illa manum (title on object), Bacchus, crowned with vine leaves and grapes, stands in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the bunch of grapes and has the juice collected in a bowl that is held by a maenade. The child sitting at the maenade tries to catch some of the grape juice. On the right in the background maenads play the flute., (Story of) Bacchus (Dionysus), Liber, maenad (s), female bacchant (es), Gerard de Lairesse (mentioned on object), 1675 - 1680, paper, etching,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-quam-male-dive-tuos-effundis-bacche-racemos-abstine-tam-charam-nil-facit-illa-manum-title-on-object-bacchus-crowned-with-vine-leaves-and-grapes-stands-in-a-landscape-with-a-thyrsus-and-a-bunch-of-grapes-in-his-hands-he-squeezes-the-bunch-of-grapes-and-has-the-juice-collected-in-a-bowl-that-is-held-by-a-maenade-the-child-sitting-at-the-maenade-tries-to-catch-some-of-the-grape-juice-on-the-right-in-the-background-maenads-play-the-flute-story-of-bacchus-dionysus-liber-maenad-s-female-bacchant-es-gerard-de-lairesse-mentioned-on-object-1675-1680-paper-etching-image350009636.html Pendulum in the shape of an oval basket, Pendulum of partly gilt, partly patinated bronze, in the form of an oval basket with profiled plinth on legs adorned with pearl and crank edges. A fence of pointed arches runs around the curving upper edge. The enamelled dial on the dark patinated middle section shows petals and beaded edges. Below a burning torch with ribbon, flower wreath and leaf vines with berries. The further decoration consists of acanthus leaves, thyrsus staff, olive branches, rosettes and palmettes., Jacques Bollengier, The Hague, c. 1800 - c. 1825, bronze (metal), brass (alloy) Pendulum in the shape of an oval basket, Pendulum of partly gilt, partly patinated bronze, in the form of an oval basket with profiled plinth on legs adorned with pearl and crank edges. A fence of pointed arches runs around the curving upper edge. The enamelled dial on the dark patinated middle section shows petals and beaded edges. Below a burning torch with ribbon, flower wreath and leaf vines with berries. The further decoration consists of acanthus leaves, thyrsus staff, olive branches, rosettes and palmettes., Jacques Bollengier, The Hague, c. 1800 - c. 1825, bronze (metal), brass (alloy)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pendulum-in-the-shape-of-an-oval-basket-pendulum-of-partly-gilt-partly-patinated-bronze-in-the-form-of-an-oval-basket-with-profiled-plinth-on-legs-adorned-with-pearl-and-crank-edges-a-fence-of-pointed-arches-runs-around-the-curving-upper-edge-the-enamelled-dial-on-the-dark-patinated-middle-section-shows-petals-and-beaded-edges-below-a-burning-torch-with-ribbon-flower-wreath-and-leaf-vines-with-berries-the-further-decoration-consists-of-acanthus-leaves-thyrsus-staff-olive-branches-rosettes-and-palmettes-jacques-bollengier-the-hague-c-1800-c-1825-bronze-metal-brass-alloy-image349956402.html Apulian Bell Krater, Attributed to Thyrsus Painter, Apulia, South Italy, 360 - 350 B.C., Terracotta, 34.2 × 34.6 cm (13 7/16 × 13 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Apulian Bell Krater, Attributed to Thyrsus Painter, Apulia, South Italy, 360 - 350 B.C., Terracotta, 34.2 × 34.6 cm (13 7/16 × 13 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apulian-bell-krater-attributed-to-thyrsus-painter-apulia-south-italy-360-350-bc-terracotta-342-346-cm-13-716-13-58-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349893762.html A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum played by the woman in center, around the relief, a vase decorated with the head of a satyr, plants, and a thyrsus, from 'Four Bacchanalia' (Quatre Bacchanales), 1763. A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum played by the woman in center, around the relief, a vase decorated with the head of a satyr, plants, and a thyrsus, from 'Four Bacchanalia' (Quatre Bacchanales), 1763.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bas-relief-depicting-a-satyr-at-left-holding-two-infants-another-child-satyr-to-right-dancing-to-the-sound-of-the-sistrum-played-by-the-woman-in-center-around-the-relief-a-vase-decorated-with-the-head-of-a-satyr-plants-and-a-thyrsus-from-four-bacchanalia-quatre-bacchanales-1763-image349005795.html Jongeman met Vreugde en Treurigheid a young man is dancing with joy, represented as a young woman with a glass of wine in her right hand and a thyrsus in her other left. It is closely followed by sadness, represented as a veiled old vrouw. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1778 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 100 mm (cut off within the plate edge) × W 62 mm (cut off within the plate edge) Explanation of Eighth picture of a series of twelve moral a Jongeman met Vreugde en Treurigheid a young man is dancing with joy, represented as a young woman with a glass of wine in her right hand and a thyrsus in her other left. It is closely followed by sadness, represented as a veiled old vrouw. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1778 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 100 mm (cut off within the plate edge) × W 62 mm (cut off within the plate edge) Explanation of Eighth picture of a series of twelve moral ahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jongeman-met-vreugde-en-treurigheid-a-young-man-is-dancing-with-joy-represented-as-a-young-woman-with-a-glass-of-wine-in-her-right-hand-and-a-thyrsus-in-her-other-left-it-is-closely-followed-by-sadness-represented-as-a-veiled-old-vrouw-manufacturer-printmaker-daniel-nikolaus-chodowie-ckinaar-own-design-daniel-nikolaus-chodowieckiplaats-manufacture-berlin-date-1778-physical-features-etching-material-paper-technique-etching-dimensions-sheet-h-100-mm-cut-off-within-the-plate-edge-w-62-mm-cut-off-within-the-plate-edge-explanation-of-eighth-picture-of-a-series-of-twelve-moral-a-image348467135.html Jongeman met Vreugde en Treurigheid a young man is dancing with joy, represented as a young woman with a glass of wine in her right hand and a thyrsus in her other left. It is closely followed by sadness, represented as a veiled old vrouw. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1778 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 105 mm (cut in the sheet edge) × W 64 mm (cut in the sheet edge) Explanation Ninth print from a series of twelve moralistic and satirical pe Jongeman met Vreugde en Treurigheid a young man is dancing with joy, represented as a young woman with a glass of wine in her right hand and a thyrsus in her other left. It is closely followed by sadness, represented as a veiled old vrouw. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1778 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 105 mm (cut in the sheet edge) × W 64 mm (cut in the sheet edge) Explanation Ninth print from a series of twelve moralistic and satirical pehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jongeman-met-vreugde-en-treurigheid-a-young-man-is-dancing-with-joy-represented-as-a-young-woman-with-a-glass-of-wine-in-her-right-hand-and-a-thyrsus-in-her-other-left-it-is-closely-followed-by-sadness-represented-as-a-veiled-old-vrouw-manufacturer-printmaker-daniel-nikolaus-chodowie-ckinaar-own-design-daniel-nikolaus-chodowieckiplaats-manufacture-berlin-date-1778-physical-features-etching-material-paper-technique-etching-dimensions-sheet-h-105-mm-cut-in-the-sheet-edge-w-64-mm-cut-in-the-sheet-edge-explanation-ninth-print-from-a-series-of-twelve-moralistic-and-satirical-pe-image348467105.html Herfst Der Herbst L'Automne (titel op object) De vier jaargetijden (serietitel) an allegory of autumn in a landscape with rocaille structure. Left a putto picking fruit from a tree. Right are two putti with a waterfall. The putti left drinking from a chalice, the putto on the right has a thyrsus and a laurel wreath. Atop the structure is a putto with a vine on a fountain with grapes. Publisher number 18. Manufacturer : printmaker: anonymous to drawing: Johann Adam Stockmann (listed building) Publisher: Johann Georg Hertel (I) (listed building) Place manufacture: Augsburg Date: 1720 - 1775 Phys Herfst Der Herbst L'Automne (titel op object) De vier jaargetijden (serietitel) an allegory of autumn in a landscape with rocaille structure. Left a putto picking fruit from a tree. Right are two putti with a waterfall. The putti left drinking from a chalice, the putto on the right has a thyrsus and a laurel wreath. Atop the structure is a putto with a vine on a fountain with grapes. Publisher number 18. Manufacturer : printmaker: anonymous to drawing: Johann Adam Stockmann (listed building) Publisher: Johann Georg Hertel (I) (listed building) Place manufacture: Augsburg Date: 1720 - 1775 Physhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/herfst-der-herbst-lautomne-titel-op-object-de-vier-jaargetijden-serietitel-an-allegory-of-autumn-in-a-landscape-with-rocaille-structure-left-a-putto-picking-fruit-from-a-tree-right-are-two-putti-with-a-waterfall-the-putti-left-drinking-from-a-chalice-the-putto-on-the-right-has-a-thyrsus-and-a-laurel-wreath-atop-the-structure-is-a-putto-with-a-vine-on-a-fountain-with-grapes-publisher-number-18-manufacturer-printmaker-anonymous-to-drawing-johann-adam-stockmann-listed-building-publisher-johann-georg-hertel-i-listed-building-place-manufacture-augsburg-date-1720-1775-phys-image348433863.html Grotesken met Bacchus en vrouwenfiguren Grotesken (serietitel) Groteschgen Werk vor Mahler Goldschmidte Stucato (serietitel) the upper print contained in the center Bacchus under a canopy with two satyrs. Left and right a female figure with a thyrsus. The bottom picture contains two seated women with a basket of flowers, putti and monkeys with a rookvat. Manufacturer : print maker: Lorenz Beger (indicated on object) to drawing of: Paul Decker (I), publisher: Johann Christoph WeigelPlaats manufacture: print maker: Germany To drawing of : Nuremberg (possible) publisher: Nürnberg Date: 1687 - 172 Grotesken met Bacchus en vrouwenfiguren Grotesken (serietitel) Groteschgen Werk vor Mahler Goldschmidte Stucato (serietitel) the upper print contained in the center Bacchus under a canopy with two satyrs. Left and right a female figure with a thyrsus. The bottom picture contains two seated women with a basket of flowers, putti and monkeys with a rookvat. Manufacturer : print maker: Lorenz Beger (indicated on object) to drawing of: Paul Decker (I), publisher: Johann Christoph WeigelPlaats manufacture: print maker: Germany To drawing of : Nuremberg (possible) publisher: Nürnberg Date: 1687 - 172https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grotesken-met-bacchus-en-vrouwenfiguren-grotesken-serietitel-groteschgen-werk-vor-mahler-goldschmidte-stucato-serietitel-the-upper-print-contained-in-the-center-bacchus-under-a-canopy-with-two-satyrs-left-and-right-a-female-figure-with-a-thyrsus-the-bottom-picture-contains-two-seated-women-with-a-basket-of-flowers-putti-and-monkeys-with-a-rookvat-manufacturer-print-maker-lorenz-beger-indicated-on-object-to-drawing-of-paul-decker-i-publisher-johann-christoph-weigelplaats-manufacture-print-maker-germany-to-drawing-of-nuremberg-possible-publisher-nrnberg-date-1687-172-image348421788.html Girandole met thyrsus 3e Cahier Cahier des Girandoles de Bureau (serietitel op object) a two-armed girandole with branches, straw and a thyrsus. Manufacturer : printmaker Claude Dominique Vinsac (listed building) in its design: Claude Dominique Vinsac (listed object) publisher: Claude Dominique Vinsac (indicated on object) Place manufacture: Paris Date: 1759 - 1800 Physical characteristics: etching and aqua tint, printed in brown material: paper Technique: etching / aquatint dimensions: plate edge: h 270 mm × W 145 mm Subject: chandelier, candelabrumthyrsus attribute of Bacchus Girandole met thyrsus 3e Cahier Cahier des Girandoles de Bureau (serietitel op object) a two-armed girandole with branches, straw and a thyrsus. Manufacturer : printmaker Claude Dominique Vinsac (listed building) in its design: Claude Dominique Vinsac (listed object) publisher: Claude Dominique Vinsac (indicated on object) Place manufacture: Paris Date: 1759 - 1800 Physical characteristics: etching and aqua tint, printed in brown material: paper Technique: etching / aquatint dimensions: plate edge: h 270 mm × W 145 mm Subject: chandelier, candelabrumthyrsus attribute of Bacchushttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girandole-met-thyrsus-3e-cahier-cahier-des-girandoles-de-bureau-serietitel-op-object-a-two-armed-girandole-with-branches-straw-and-a-thyrsus-manufacturer-printmaker-claude-dominique-vinsac-listed-building-in-its-design-claude-dominique-vinsac-listed-object-publisher-claude-dominique-vinsac-indicated-on-object-place-manufacture-paris-date-1759-1800-physical-characteristics-etching-and-aqua-tint-printed-in-brown-material-paper-technique-etching-aquatint-dimensions-plate-edge-h-270-mm-w-145-mm-subject-chandelier-candelabrumthyrsus-attribute-of-bacchus-image348415267.html Gesneden steen met de beeltenis van Apollo Reproduction of a carved stone from the collection of the Strozzi family. Apollo wearing a lion's and holds his lyre in hand. In addition to it on a basement in a putto with the hand the thyrsus, a rod with a knob in the form of a pine cone, an attribute of Bacchus. Between them in a crescent, which also appears on the coat of arms of the Florentine Strozzi family. Bottom right the true size of the stone. Middle numbered above: XX. Print is taken from a book of cut gems and glyptiek. Manufacturer : printmaker: Bernard Picart (listed property) Place ma Gesneden steen met de beeltenis van Apollo Reproduction of a carved stone from the collection of the Strozzi family. Apollo wearing a lion's and holds his lyre in hand. In addition to it on a basement in a putto with the hand the thyrsus, a rod with a knob in the form of a pine cone, an attribute of Bacchus. Between them in a crescent, which also appears on the coat of arms of the Florentine Strozzi family. Bottom right the true size of the stone. Middle numbered above: XX. Print is taken from a book of cut gems and glyptiek. Manufacturer : printmaker: Bernard Picart (listed property) Place mahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gesneden-steen-met-de-beeltenis-van-apollo-reproduction-of-a-carved-stone-from-the-collection-of-the-strozzi-family-apollo-wearing-a-lions-and-holds-his-lyre-in-hand-in-addition-to-it-on-a-basement-in-a-putto-with-the-hand-the-thyrsus-a-rod-with-a-knob-in-the-form-of-a-pine-cone-an-attribute-of-bacchus-between-them-in-a-crescent-which-also-appears-on-the-coat-of-arms-of-the-florentine-strozzi-family-bottom-right-the-true-size-of-the-stone-middle-numbered-above-xx-print-is-taken-from-a-book-of-cut-gems-and-glyptiek-manufacturer-printmaker-bernard-picart-listed-property-place-ma-image348376531.html Fontein met panter Livre De Buffets (serietitel) a rocaille fountain with fish, a bagpipe, grapevines and at the top a tambourine, a putto and a panther with a thyrsus sitting on a (wine) vat. Manufacturer : printmaker: Gabriel Huquier (listed building), designed by Jacques de La Joue (II) (listed building) editor: Gabriel Huquierverlener of privilege: French crown (listed property) Place manufacture: Paris Date: 1705 - 1761 Physical features: etching material: paper technique: etching dimensions: plate edge: h 245 mm × W 212 mm Subject: ornamental fountain beasts of prey, predatory animals: l Fontein met panter Livre De Buffets (serietitel) a rocaille fountain with fish, a bagpipe, grapevines and at the top a tambourine, a putto and a panther with a thyrsus sitting on a (wine) vat. Manufacturer : printmaker: Gabriel Huquier (listed building), designed by Jacques de La Joue (II) (listed building) editor: Gabriel Huquierverlener of privilege: French crown (listed property) Place manufacture: Paris Date: 1705 - 1761 Physical features: etching material: paper technique: etching dimensions: plate edge: h 245 mm × W 212 mm Subject: ornamental fountain beasts of prey, predatory animals: lhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fontein-met-panter-livre-de-buffets-serietitel-a-rocaille-fountain-with-fish-a-bagpipe-grapevines-and-at-the-top-a-tambourine-a-putto-and-a-panther-with-a-thyrsus-sitting-on-a-wine-vat-manufacturer-printmaker-gabriel-huquier-listed-building-designed-by-jacques-de-la-joue-ii-listed-building-editor-gabriel-huquierverlener-of-privilege-french-crown-listed-property-place-manufacture-paris-date-1705-1761-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-245-mm-w-212-mm-subject-ornamental-fountain-beasts-of-prey-predatory-animals-l-image348350170.html The arrival of Bacchus In the background arrives Bacchus in by leopards drawn wagon. In his hand he holds his staff, the Thyrsus. For him walk maenads and satyrs. In the foreground stands a Bacchus behind making music meanade. Before the awakening Ariadne seen from the back. Under a line of text in French. Right: Page. 56. Manufacturer : printmaker Abraham Jacobsz. Hulk (indicated on object) to a design of: Lebarbier (indicated on object) Date: 1766 - 1817 Physical characteristics: engra and etching material: paper Technique: engra (printing process) / etching dimensions: sheet: h 169 mm × W 1 The arrival of Bacchus In the background arrives Bacchus in by leopards drawn wagon. In his hand he holds his staff, the Thyrsus. For him walk maenads and satyrs. In the foreground stands a Bacchus behind making music meanade. Before the awakening Ariadne seen from the back. Under a line of text in French. Right: Page. 56. Manufacturer : printmaker Abraham Jacobsz. Hulk (indicated on object) to a design of: Lebarbier (indicated on object) Date: 1766 - 1817 Physical characteristics: engra and etching material: paper Technique: engra (printing process) / etching dimensions: sheet: h 169 mm × W 1https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-arrival-of-bacchus-in-the-background-arrives-bacchus-in-by-leopards-drawn-wagon-in-his-hand-he-holds-his-staff-the-thyrsus-for-him-walk-maenads-and-satyrs-in-the-foreground-stands-a-bacchus-behind-making-music-meanade-before-the-awakening-ariadne-seen-from-the-back-under-a-line-of-text-in-french-right-page-56-manufacturer-printmaker-abraham-jacobsz-hulk-indicated-on-object-to-a-design-of-lebarbier-indicated-on-object-date-1766-1817-physical-characteristics-engra-and-etching-material-paper-technique-engra-printing-process-etching-dimensions-sheet-h-169-mm-w-1-image348287533.html Bacchus Bacchus crowned with vine leaves and grapes , standing in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the fine bunch of grapes and leaves collecting the juice in a dish, which is held by a maenad. The child sits at the maenad try some of the grape juice to absorb. Left in the background playing maenads the fluit. Manufacturer : to print by Gerard de Lairesse Print Author: anonymous Date: 1675 - 1680 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 153 mm × W 112 mm Subject: (story of) Bacchus (Dionysus ) Libermaenad Bacchus Bacchus crowned with vine leaves and grapes , standing in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the fine bunch of grapes and leaves collecting the juice in a dish, which is held by a maenad. The child sits at the maenad try some of the grape juice to absorb. Left in the background playing maenads the fluit. Manufacturer : to print by Gerard de Lairesse Print Author: anonymous Date: 1675 - 1680 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 153 mm × W 112 mm Subject: (story of) Bacchus (Dionysus ) Libermaenadhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-bacchus-crowned-with-vine-leaves-and-grapes-standing-in-a-landscape-with-a-thyrsus-and-a-bunch-of-grapes-in-his-hands-he-squeezes-the-fine-bunch-of-grapes-and-leaves-collecting-the-juice-in-a-dish-which-is-held-by-a-maenad-the-child-sits-at-the-maenad-try-some-of-the-grape-juice-to-absorb-left-in-the-background-playing-maenads-the-fluit-manufacturer-to-print-by-gerard-de-lairesse-print-author-anonymous-date-1675-1680-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-153-mm-w-112-mm-subject-story-of-bacchus-dionysus-libermaenad-image348154412.html Bacchus poorly Divers will lay it out so desirous to refrain Bacchus clusters that do not make it out (titel op object) Bacchus crowned with vine leaves and grapes, standing in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the fine bunch of grapes and leaves collecting the juice in a dish, which is held by a maenad. The child sits at the maenad try some of the grape juice to absorb. Right background maenads play the fluit. Manufacturer : printmaker: Gerard de Lairesse (listed building) in its design: Gerard de Lairesse (listed building) Publisher: Gerard de Lairess Bacchus poorly Divers will lay it out so desirous to refrain Bacchus clusters that do not make it out (titel op object) Bacchus crowned with vine leaves and grapes, standing in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the fine bunch of grapes and leaves collecting the juice in a dish, which is held by a maenad. The child sits at the maenad try some of the grape juice to absorb. Right background maenads play the fluit. Manufacturer : printmaker: Gerard de Lairesse (listed building) in its design: Gerard de Lairesse (listed building) Publisher: Gerard de Lairesshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-poorly-divers-will-lay-it-out-so-desirous-to-refrain-bacchus-clusters-that-do-not-make-it-out-titel-op-object-bacchus-crowned-with-vine-leaves-and-grapes-standing-in-a-landscape-with-a-thyrsus-and-a-bunch-of-grapes-in-his-hands-he-squeezes-the-fine-bunch-of-grapes-and-leaves-collecting-the-juice-in-a-dish-which-is-held-by-a-maenad-the-child-sits-at-the-maenad-try-some-of-the-grape-juice-to-absorb-right-background-maenads-play-the-fluit-manufacturer-printmaker-gerard-de-lairesse-listed-building-in-its-design-gerard-de-lairesse-listed-building-publisher-gerard-de-lairess-image348154110.html Arabesques with a female half figure with wings and a male half horse figure with legs and a thyrsus on either side of a circular medallion with a seated woman and putti. Underneath arabesques with a face with winged helmet and two lions on either side of a medallion with men portrait and profil. Manufacturer : printmaker: Laurent Guyot (listed property) to drawing: Pierre Thomas Le Clerc (listed building) Publisher: Alexandre Lenoir Publisher: Treuttel & Wurtz Place manufacture: Paris Date: 1810 Physical features: etching and aquatint material: paper Technique: etching / aquatint dimensions: Arabesques with a female half figure with wings and a male half horse figure with legs and a thyrsus on either side of a circular medallion with a seated woman and putti. Underneath arabesques with a face with winged helmet and two lions on either side of a medallion with men portrait and profil. Manufacturer : printmaker: Laurent Guyot (listed property) to drawing: Pierre Thomas Le Clerc (listed building) Publisher: Alexandre Lenoir Publisher: Treuttel & Wurtz Place manufacture: Paris Date: 1810 Physical features: etching and aquatint material: paper Technique: etching / aquatint dimensions:https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesques-with-a-female-half-figure-with-wings-and-a-male-half-horse-figure-with-legs-and-a-thyrsus-on-either-side-of-a-circular-medallion-with-a-seated-woman-and-putti-underneath-arabesques-with-a-face-with-winged-helmet-and-two-lions-on-either-side-of-a-medallion-with-men-portrait-and-profil-manufacturer-printmaker-laurent-guyot-listed-property-to-drawing-pierre-thomas-le-clerc-listed-building-publisher-alexandre-lenoir-publisher-treuttel-wurtz-place-manufacture-paris-date-1810-physical-features-etching-and-aquatint-material-paper-technique-etching-aquatint-dimensions-image348142074.html Arabesken puts vrouw met kelk fourth Workbook Arabesques (serietitel) Arabesques On New Collection (serietitel) a satyr wearing a plateau where: a putto with vines and a woman with a thyrsus and stand a chalice. Moreover fly three putti with a can, they give something in the chalice of the woman. Around the whole arabesques, garlands, baskets with fruit, hoses, putti, birds, and on the underside a vaas. Manufacturer : print maker: Laurent Guyot In drawing: Etienne de Lavallée-Poussin (listed on Object), publisher: Ms Guyot (listed on Object ) a provider of privilege: French crown (indicated on Arabesken puts vrouw met kelk fourth Workbook Arabesques (serietitel) Arabesques On New Collection (serietitel) a satyr wearing a plateau where: a putto with vines and a woman with a thyrsus and stand a chalice. Moreover fly three putti with a can, they give something in the chalice of the woman. Around the whole arabesques, garlands, baskets with fruit, hoses, putti, birds, and on the underside a vaas. Manufacturer : print maker: Laurent Guyot In drawing: Etienne de Lavallée-Poussin (listed on Object), publisher: Ms Guyot (listed on Object ) a provider of privilege: French crown (indicated onhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesken-puts-vrouw-met-kelk-fourth-workbook-arabesques-serietitel-arabesques-on-new-collection-serietitel-a-satyr-wearing-a-plateau-where-a-putto-with-vines-and-a-woman-with-a-thyrsus-and-stand-a-chalice-moreover-fly-three-putti-with-a-can-they-give-something-in-the-chalice-of-the-woman-around-the-whole-arabesques-garlands-baskets-with-fruit-hoses-putti-birds-and-on-the-underside-a-vaas-manufacturer-print-maker-laurent-guyot-in-drawing-etienne-de-lavalle-poussin-listed-on-object-publisher-ms-guyot-listed-on-object-a-provider-of-privilege-french-crown-indicated-on-image348142029.html The Eclogues and Georgics of Virgil . NOTES ON ECLOGUE V. 1G1 his orgies. It was twisted round with branches of vine and ivy,and was sometimes terminated by the apple of the pine or fir-cone,that tree being dedicated to Bacchus, in consequence of the use ofthe turpentine which flowed from it, and also of its cones, in themaking of wine. The monuments of ancient art, however, mostcommonly exhibit, instead of the pine-apple, a bunch of vine or ivyleaves, with grapes or berries arranged in the form of a cone. Thepreceding wood-cut shows the head of a thyrsus, composed of theleaves and berries of The Eclogues and Georgics of Virgil . NOTES ON ECLOGUE V. 1G1 his orgies. It was twisted round with branches of vine and ivy,and was sometimes terminated by the apple of the pine or fir-cone,that tree being dedicated to Bacchus, in consequence of the use ofthe turpentine which flowed from it, and also of its cones, in themaking of wine. The monuments of ancient art, however, mostcommonly exhibit, instead of the pine-apple, a bunch of vine or ivyleaves, with grapes or berries arranged in the form of a cone. Thepreceding wood-cut shows the head of a thyrsus, composed of theleaves and berries ofhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-eclogues-and-georgics-of-virgil-notes-on-eclogue-v-1g1-his-orgies-it-was-twisted-round-with-branches-of-vine-and-ivyand-was-sometimes-terminated-by-the-apple-of-the-pine-or-fir-conethat-tree-being-dedicated-to-bacchus-in-consequence-of-the-use-ofthe-turpentine-which-flowed-from-it-and-also-of-its-cones-in-themaking-of-wine-the-monuments-of-ancient-art-however-mostcommonly-exhibit-instead-of-the-pine-apple-a-bunch-of-vine-or-ivyleaves-with-grapes-or-berries-arranged-in-the-form-of-a-cone-thepreceding-wood-cut-shows-the-head-of-a-thyrsus-composed-of-theleaves-and-berries-of-image343028574.html Diamonds and precious stones, a popular account of gems .. . Fig. 74.—^Agate, Alexander the Great (reduced to three-quarters), its colour is quite different from that of the ground-work of the stone. It is set in a superb frame ofenamelled gold. I70 PRECIOUS STONES. The fig. following (Fig. 75) is a chalcedony dis-playing a bacchic bull with an ivy wreath aroundhis body and a thyrsus under his feet. It is one ofthe most celebrated of antique engraved gems, andbears the signature of the famous graver Hyllus. As a specimen of modern engraving, we representby Fig. y6 that celebrated stone known a Diamonds and precious stones, a popular account of gems .. . Fig. 74.—^Agate, Alexander the Great (reduced to three-quarters), its colour is quite different from that of the ground-work of the stone. It is set in a superb frame ofenamelled gold. I70 PRECIOUS STONES. The fig. following (Fig. 75) is a chalcedony dis-playing a bacchic bull with an ivy wreath aroundhis body and a thyrsus under his feet. It is one ofthe most celebrated of antique engraved gems, andbears the signature of the famous graver Hyllus. As a specimen of modern engraving, we representby Fig. y6 that celebrated stone known ahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/diamonds-and-precious-stones-a-popular-account-of-gems-fig-74agate-alexander-the-great-reduced-to-three-quarters-its-colour-is-quite-different-from-that-of-the-ground-work-of-the-stone-it-is-set-in-a-superb-frame-ofenamelled-gold-i70-precious-stones-the-fig-following-fig-75-is-a-chalcedony-dis-playing-a-bacchic-bull-with-an-ivy-wreath-aroundhis-body-and-a-thyrsus-under-his-feet-it-is-one-ofthe-most-celebrated-of-antique-engraved-gems-andbears-the-signature-of-the-famous-graver-hyllus-as-a-specimen-of-modern-engraving-we-representby-fig-y6-that-celebrated-stone-known-a-image342763905.html Next page Recent searches: Search Results for All Have A Thyrsus Stock Photos and Images  (192) Page 1 of 2 12