Glass plaque fragment. Period: Early Imperial; Date: 1st century A.D; Culture: Roman; Medium: Glass; cast in an open mold in two layers; Dimensions:
Glass plaque fragment. Period: Early Imperial; Date: 1st century A.D; Culture: Roman; Medium: Glass; cast in an open mold in two layers; Dimensions: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/glass-plaque-fragment-period-early-imperial-date-1st-century-ad-culture-roman-medium-glass-cast-in-an-open-mold-in-two-layers-dimensions-image283533127.html
Bacchus Bacchus crowned with vine leaves and grapes , standing in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the fine bunch of grapes and leaves collecting the juice in a dish, which is held by a maenad. The child sits at the maenad try some of the grape juice to absorb. Left in the background playing maenads the fluit. Manufacturer : to print by Gerard de Lairesse Print Author: anonymous Date: 1675 - 1680 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 153 mm × W 112 mm Subject: (story of) Bacchus (Dionysus ) Libermaenad
Bacchus Bacchus crowned with vine leaves and grapes , standing in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the fine bunch of grapes and leaves collecting the juice in a dish, which is held by a maenad. The child sits at the maenad try some of the grape juice to absorb. Left in the background playing maenads the fluit. Manufacturer : to print by Gerard de Lairesse Print Author: anonymous Date: 1675 - 1680 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 153 mm × W 112 mm Subject: (story of) Bacchus (Dionysus ) Libermaenad https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bacchus-bacchus-crowned-with-vine-leaves-and-grapes-standing-in-a-landscape-with-a-thyrsus-and-a-bunch-of-grapes-in-his-hands-he-squeezes-the-fine-bunch-of-grapes-and-leaves-collecting-the-juice-in-a-dish-which-is-held-by-a-maenad-the-child-sits-at-the-maenad-try-some-of-the-grape-juice-to-absorb-left-in-the-background-playing-maenads-the-fluit-manufacturer-to-print-by-gerard-de-lairesse-print-author-anonymous-date-1675-1680-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-153-mm-w-112-mm-subject-story-of-bacchus-dionysus-libermaenad-image348154412.html
. English: Hermaphroditus and Silenus. On the right a maenad with thyrsus. Roman fresco from Pompeii, House of M. Epidi Sabini, IX.1.22. Museo Archeologico Nazionale (Naples), inv. nr. 27875. Deutsch: Hermaphroditos zupft ein alten Satyr (Silen) am Bart. Auf der rechten Seite eine Mänade mit Thyrsos. Römisches Fresko aus Pompeji. Museo Archeologico Nazionale (Neapel), inv. nr. 27875. 13 March 2009. WolfgangRieger 429 Pompeii - Hermaphroditus and Silenus
. English: Hermaphroditus and Silenus. On the right a maenad with thyrsus. Roman fresco from Pompeii, House of M. Epidi Sabini, IX.1.22. Museo Archeologico Nazionale (Naples), inv. nr. 27875. Deutsch: Hermaphroditos zupft ein alten Satyr (Silen) am Bart. Auf der rechten Seite eine Mänade mit Thyrsos. Römisches Fresko aus Pompeji. Museo Archeologico Nazionale (Neapel), inv. nr. 27875. 13 March 2009. WolfgangRieger 429 Pompeii - Hermaphroditus and Silenus https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-hermaphroditus-and-silenus-on-the-right-a-maenad-with-thyrsus-roman-fresco-from-pompeii-house-of-m-epidi-sabini-ix122-museo-archeologico-nazionale-naples-inv-nr-27875-deutsch-hermaphroditos-zupft-ein-alten-satyr-silen-am-bart-auf-der-rechten-seite-eine-mnade-mit-thyrsos-rmisches-fresko-aus-pompeji-museo-archeologico-nazionale-neapel-inv-nr-27875-13-march-2009-wolfgangrieger-429-pompeii-hermaphroditus-and-silenus-image189172826.html
Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside shield done in retro style.
Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside shield done in retro style. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-image65022106.html
annual yellow-woundwort, hedgenettle betony (Stachys annua), blooming in a field
annual yellow-woundwort, hedgenettle betony (Stachys annua), blooming in a field https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/annual-yellow-woundwort-hedgenettle-betony-stachys-annua-blooming-image8796186.html
Young boys walking past a priest after blessing the catch at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greece
Young boys walking past a priest after blessing the catch at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greece https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-young-boys-walking-past-a-priest-after-blessing-the-catch-at-a-fishing-163016589.html
Glass plaque fragment. Culture: Roman. Dimensions: Overall: 2 7/16 x 2 7/8 x 7/16 in. (6.1 x 7.4 x 1 cm). Date: 1st century A.D.. Translucent deep honey brown and opaque light blue. Rectangular flat plaque, with major axis vertical; beveled upper edges, grozed at top and on back surface. Decoration in high relief: upper part of a draped female, facing right, hair tied with long, flowing headband, holding tall slender thyrsus in outstretched proper left hand. On back, thick undecorated layer of brown. Broken and missing lower part of plaque, with only small part of left edge remaining; dull
Glass plaque fragment. Culture: Roman. Dimensions: Overall: 2 7/16 x 2 7/8 x 7/16 in. (6.1 x 7.4 x 1 cm). Date: 1st century A.D.. Translucent deep honey brown and opaque light blue. Rectangular flat plaque, with major axis vertical; beveled upper edges, grozed at top and on back surface. Decoration in high relief: upper part of a draped female, facing right, hair tied with long, flowing headband, holding tall slender thyrsus in outstretched proper left hand. On back, thick undecorated layer of brown. Broken and missing lower part of plaque, with only small part of left edge remaining; dull https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/glass-plaque-fragment-culture-roman-dimensions-overall-2-716-x-2-78-x-716-in-61-x-74-x-1-cm-date-1st-century-ad-translucent-deep-honey-brown-and-opaque-light-blue-rectangular-flat-plaque-with-major-axis-vertical-beveled-upper-edges-grozed-at-top-and-on-back-surface-decoration-in-high-relief-upper-part-of-a-draped-female-facing-right-hair-tied-with-long-flowing-headband-holding-tall-slender-thyrsus-in-outstretched-proper-left-hand-on-back-thick-undecorated-layer-of-brown-broken-and-missing-lower-part-of-plaque-with-only-small-part-of-left-edge-remaining-dull-image213258112.html
. Introduction to structural and systematic botany, and vegetable physiology. Botany. DETERMINATE INFLORESCENCE. 217 and more or less elongated inflorescence which is irregtdarly branched twice, thrice, or a greater number of times. 400. A Thyrsus, or Thyrsc, is a compact panicle of a pyramidal, ovaly or oblong outline ; such as the cluster of flowers of the Lilac and Horsechestnut, a bunch of grapes, &c. 401. Definite or Determinate Inflorescence. In this class, the flowers all represent terminal buds (380). The primary axis is directly terminated by a single flower-bud, as in Fig. 327, a
. Introduction to structural and systematic botany, and vegetable physiology. Botany. DETERMINATE INFLORESCENCE. 217 and more or less elongated inflorescence which is irregtdarly branched twice, thrice, or a greater number of times. 400. A Thyrsus, or Thyrsc, is a compact panicle of a pyramidal, ovaly or oblong outline ; such as the cluster of flowers of the Lilac and Horsechestnut, a bunch of grapes, &c. 401. Definite or Determinate Inflorescence. In this class, the flowers all represent terminal buds (380). The primary axis is directly terminated by a single flower-bud, as in Fig. 327, a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/introduction-to-structural-and-systematic-botany-and-vegetable-physiology-botany-determinate-inflorescence-217-and-more-or-less-elongated-inflorescence-which-is-irregtdarly-branched-twice-thrice-or-a-greater-number-of-times-400-a-thyrsus-or-thyrsc-is-a-compact-panicle-of-a-pyramidal-ovaly-or-oblong-outline-such-as-the-cluster-of-flowers-of-the-lilac-and-horsechestnut-a-bunch-of-grapes-ampc-401-definite-or-determinate-inflorescence-in-this-class-the-flowers-all-represent-terminal-buds-380-the-primary-axis-is-directly-terminated-by-a-single-flower-bud-as-in-fig-327-a-image232289984.html
Glass plaque fragment. Period: Early Imperial; Date: 1st century A.D; Culture: Roman; Medium: Glass; cast in an open mold in two layers; Dimensions:
Glass plaque fragment. Period: Early Imperial; Date: 1st century A.D; Culture: Roman; Medium: Glass; cast in an open mold in two layers; Dimensions: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-glass-plaque-fragment-period-early-imperial-date-1st-century-ad-culture-168231992.html
Herfst Der Herbst L'Automne (titel op object) De vier jaargetijden (serietitel) an allegory of autumn in a landscape with rocaille structure. Left a putto picking fruit from a tree. Right are two putti with a waterfall. The putti left drinking from a chalice, the putto on the right has a thyrsus and a laurel wreath. Atop the structure is a putto with a vine on a fountain with grapes. Publisher number 18. Manufacturer : printmaker: anonymous to drawing: Johann Adam Stockmann (listed building) Publisher: Johann Georg Hertel (I) (listed building) Place manufacture: Augsburg Date: 1720 - 1775 Phys
Herfst Der Herbst L'Automne (titel op object) De vier jaargetijden (serietitel) an allegory of autumn in a landscape with rocaille structure. Left a putto picking fruit from a tree. Right are two putti with a waterfall. The putti left drinking from a chalice, the putto on the right has a thyrsus and a laurel wreath. Atop the structure is a putto with a vine on a fountain with grapes. Publisher number 18. Manufacturer : printmaker: anonymous to drawing: Johann Adam Stockmann (listed building) Publisher: Johann Georg Hertel (I) (listed building) Place manufacture: Augsburg Date: 1720 - 1775 Phys https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/herfst-der-herbst-lautomne-titel-op-object-de-vier-jaargetijden-serietitel-an-allegory-of-autumn-in-a-landscape-with-rocaille-structure-left-a-putto-picking-fruit-from-a-tree-right-are-two-putti-with-a-waterfall-the-putti-left-drinking-from-a-chalice-the-putto-on-the-right-has-a-thyrsus-and-a-laurel-wreath-atop-the-structure-is-a-putto-with-a-vine-on-a-fountain-with-grapes-publisher-number-18-manufacturer-printmaker-anonymous-to-drawing-johann-adam-stockmann-listed-building-publisher-johann-georg-hertel-i-listed-building-place-manufacture-augsburg-date-1720-1775-phys-image348433863.html
. English: Hermaphroditus and Silenus. On the right a maenad with thyrsus. Roman fresco from Pompeii, House of M. Epidi Sabini, IX.1.22. Museo Archeologico Nazionale (Naples), inv. nr. 27875. Deutsch: Hermaphroditos zupft ein alten Satyr (Silen) am Bart. Auf der rechten Seite eine Mänade mit Thyrsos. Römisches Fresko aus Pompeji. Museo Archeologico Nazionale (Neapel), inv. nr. 27875. 13 March 2009. WolfgangRieger 492 Pompeii - Hermaphroditus and Silenus
. English: Hermaphroditus and Silenus. On the right a maenad with thyrsus. Roman fresco from Pompeii, House of M. Epidi Sabini, IX.1.22. Museo Archeologico Nazionale (Naples), inv. nr. 27875. Deutsch: Hermaphroditos zupft ein alten Satyr (Silen) am Bart. Auf der rechten Seite eine Mänade mit Thyrsos. Römisches Fresko aus Pompeji. Museo Archeologico Nazionale (Neapel), inv. nr. 27875. 13 March 2009. WolfgangRieger 492 Pompeii - Hermaphroditus and Silenus https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-hermaphroditus-and-silenus-on-the-right-a-maenad-with-thyrsus-roman-fresco-from-pompeii-house-of-m-epidi-sabini-ix122-museo-archeologico-nazionale-naples-inv-nr-27875-deutsch-hermaphroditos-zupft-ein-alten-satyr-silen-am-bart-auf-der-rechten-seite-eine-mnade-mit-thyrsos-rmisches-fresko-aus-pompeji-museo-archeologico-nazionale-neapel-inv-nr-27875-13-march-2009-wolfgangrieger-492-pompeii-hermaphroditus-and-silenus-image187941631.html
Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style.
Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-54166098.html
A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum played by the woman in
A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum played by the woman in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-a-bas-relief-depicting-a-satyr-at-left-holding-two-infants-another-168126990.html
annual yellow-woundwort, hedgenettle betony (Stachys annua), blooming in a field
annual yellow-woundwort, hedgenettle betony (Stachys annua), blooming in a field https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/annual-yellow-woundwort-hedgenettle-betony-stachys-annua-blooming-in-a-field-image282197175.html
Canephorae virgin with thyrsus, crown of vine leaves, and basket of fruit leading a rite of Bacchus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.
Canephorae virgin with thyrsus, crown of vine leaves, and basket of fruit leading a rite of Bacchus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/canephorae-virgin-with-thyrsus-crown-of-vine-leaves-and-basket-of-fruit-leading-a-rite-of-bacchus-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image231189254.html
. Pharmaceutical botany. Botany; Botany, Medical. 40 PHARMACEUTICAL BOTANY axils of opposite leaves. Ctusters of this kind are seen in Catnip, Horehound, Peppermint and other plants of the Labiatae. The raceme, corymb, umbel, etc., are frequently compounded. The compound raceme, or raceme with branched pedicels, is called a panicle. Ex.: Yucca and paniculate inflorescence of the oat. A Thyrsus is a compact panicle, of a pyramidal or oblong shape. Ex.: Lilac, Grape and Rhusglabra. A Mdced Anthotaxy is one in which the determinate and indeter- minate plans are combined, and illustrations of this
. Pharmaceutical botany. Botany; Botany, Medical. 40 PHARMACEUTICAL BOTANY axils of opposite leaves. Ctusters of this kind are seen in Catnip, Horehound, Peppermint and other plants of the Labiatae. The raceme, corymb, umbel, etc., are frequently compounded. The compound raceme, or raceme with branched pedicels, is called a panicle. Ex.: Yucca and paniculate inflorescence of the oat. A Thyrsus is a compact panicle, of a pyramidal or oblong shape. Ex.: Lilac, Grape and Rhusglabra. A Mdced Anthotaxy is one in which the determinate and indeter- minate plans are combined, and illustrations of this https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pharmaceutical-botany-botany-botany-medical-40-pharmaceutical-botany-axils-of-opposite-leaves-ctusters-of-this-kind-are-seen-in-catnip-horehound-peppermint-and-other-plants-of-the-labiatae-the-raceme-corymb-umbel-etc-are-frequently-compounded-the-compound-raceme-or-raceme-with-branched-pedicels-is-called-a-panicle-ex-yucca-and-paniculate-inflorescence-of-the-oat-a-thyrsus-is-a-compact-panicle-of-a-pyramidal-or-oblong-shape-ex-lilac-grape-and-rhusglabra-a-mdced-anthotaxy-is-one-in-which-the-determinate-and-indeter-minate-plans-are-combined-and-illustrations-of-this-image232103850.html
Fontein met panter Livre De Buffets (serietitel) a rocaille fountain with fish, a bagpipe, grapevines and at the top a tambourine, a putto and a panther with a thyrsus sitting on a (wine) vat. Manufacturer : printmaker: Gabriel Huquier (listed building), designed by Jacques de La Joue (II) (listed building) editor: Gabriel Huquierverlener of privilege: French crown (listed property) Place manufacture: Paris Date: 1705 - 1761 Physical features: etching material: paper technique: etching dimensions: plate edge: h 245 mm × W 212 mm Subject: ornamental fountain beasts of prey, predatory animals: l
Fontein met panter Livre De Buffets (serietitel) a rocaille fountain with fish, a bagpipe, grapevines and at the top a tambourine, a putto and a panther with a thyrsus sitting on a (wine) vat. Manufacturer : printmaker: Gabriel Huquier (listed building), designed by Jacques de La Joue (II) (listed building) editor: Gabriel Huquierverlener of privilege: French crown (listed property) Place manufacture: Paris Date: 1705 - 1761 Physical features: etching material: paper technique: etching dimensions: plate edge: h 245 mm × W 212 mm Subject: ornamental fountain beasts of prey, predatory animals: l https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fontein-met-panter-livre-de-buffets-serietitel-a-rocaille-fountain-with-fish-a-bagpipe-grapevines-and-at-the-top-a-tambourine-a-putto-and-a-panther-with-a-thyrsus-sitting-on-a-wine-vat-manufacturer-printmaker-gabriel-huquier-listed-building-designed-by-jacques-de-la-joue-ii-listed-building-editor-gabriel-huquierverlener-of-privilege-french-crown-listed-property-place-manufacture-paris-date-1705-1761-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-245-mm-w-212-mm-subject-ornamental-fountain-beasts-of-prey-predatory-animals-l-image348350170.html
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 14. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze; enamel dial within blue band. A dancing Bacchus and Bacchante displaying a lyre containing the clock above a Bacchic trophy, the garlanded frieze with thyrsus and double pipe motifs; on toupie (spinning top). This clock initially seems loaded with purely Bacchic imagery, as Satyrs and Bacchantes formed the retinue of Bacchus. Thus the trophy includes a Bacchante’s tambourine, bunches of grapes and a ewer and wine cup for convivial drinking, whereas the fri
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 14. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze; enamel dial within blue band. A dancing Bacchus and Bacchante displaying a lyre containing the clock above a Bacchic trophy, the garlanded frieze with thyrsus and double pipe motifs; on toupie (spinning top). This clock initially seems loaded with purely Bacchic imagery, as Satyrs and Bacchantes formed the retinue of Bacchus. Thus the trophy includes a Bacchante’s tambourine, bunches of grapes and a ewer and wine cup for convivial drinking, whereas the fri https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-gouache-and-pen-and-ink-on-laid-paper-numbered-14-dimensions-674cm-by-508cm-to-be-executed-in-gilt-bronze-enamel-dial-within-blue-band-a-dancing-bacchus-and-bacchante-displaying-a-lyre-containing-the-clock-above-a-bacchic-trophy-the-garlanded-frieze-with-thyrsus-and-double-pipe-motifs-on-toupie-spinning-top-this-clock-initially-seems-loaded-with-purely-bacchic-imagery-as-satyrs-and-bacchantes-formed-the-retinue-of-bacchus-thus-the-trophy-includes-a-bacchantes-tambourine-bunches-of-grapes-and-a-ewer-and-wine-cup-for-convivial-drinking-whereas-the-fri-image187985668.html
Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style.
Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-image65022105.html
Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside shield crest done in retro style.
Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside shield crest done in retro style. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-95190771.html
common motherwort (Leonurus cardiaca), inflorescence (cyme)
common motherwort (Leonurus cardiaca), inflorescence (cyme) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/common-motherwort-leonurus-cardiaca-inflorescence-cyme-image7929796.html
Spain. Castile and Leon. Sahagun. The Church of Saint Thyrsus (San Tirso). 12th century. Mudejar style with triple apse and a tower above the straight section of the central apse.
Spain. Castile and Leon. Sahagun. The Church of Saint Thyrsus (San Tirso). 12th century. Mudejar style with triple apse and a tower above the straight section of the central apse. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/spain-castile-and-leon-sahagun-the-church-of-saint-thyrsus-san-tirso-12th-century-mudejar-style-with-triple-apse-and-a-tower-above-the-straight-section-of-the-central-apse-image209564491.html
. Botany of the southern states. In two parts. Botany. If the secondary axes develop tertiary ones, a panicle is formed (Fig. 117), as in the Poa. The term deliquescent panicle is applied to that variety of the panicle, when the rachis is lost in its irregular divisions, and does not continue direct through the inflorescence. The ramification of the axes may proceed further, forming compound panicles. A very dense panicle, with the lower branches shorter than the middle ones, is called a thyrsus, as in the Lilac. Stamens. 117. Immediately within the corolla are situated a row of organs called
. Botany of the southern states. In two parts. Botany. If the secondary axes develop tertiary ones, a panicle is formed (Fig. 117), as in the Poa. The term deliquescent panicle is applied to that variety of the panicle, when the rachis is lost in its irregular divisions, and does not continue direct through the inflorescence. The ramification of the axes may proceed further, forming compound panicles. A very dense panicle, with the lower branches shorter than the middle ones, is called a thyrsus, as in the Lilac. Stamens. 117. Immediately within the corolla are situated a row of organs called https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/botany-of-the-southern-states-in-two-parts-botany-if-the-secondary-axes-develop-tertiary-ones-a-panicle-is-formed-fig-117-as-in-the-poa-the-term-deliquescent-panicle-is-applied-to-that-variety-of-the-panicle-when-the-rachis-is-lost-in-its-irregular-divisions-and-does-not-continue-direct-through-the-inflorescence-the-ramification-of-the-axes-may-proceed-further-forming-compound-panicles-a-very-dense-panicle-with-the-lower-branches-shorter-than-the-middle-ones-is-called-a-thyrsus-as-in-the-lilac-stamens-117-immediately-within-the-corolla-are-situated-a-row-of-organs-called-image234384118.html
Jongeman met Vreugde en Treurigheid a young man is dancing with joy, represented as a young woman with a glass of wine in her right hand and a thyrsus in her other left. It is closely followed by sadness, represented as a veiled old vrouw. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1778 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 105 mm (cut in the sheet edge) × W 64 mm (cut in the sheet edge) Explanation Ninth print from a series of twelve moralistic and satirical pe
Jongeman met Vreugde en Treurigheid a young man is dancing with joy, represented as a young woman with a glass of wine in her right hand and a thyrsus in her other left. It is closely followed by sadness, represented as a veiled old vrouw. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1778 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 105 mm (cut in the sheet edge) × W 64 mm (cut in the sheet edge) Explanation Ninth print from a series of twelve moralistic and satirical pe https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/jongeman-met-vreugde-en-treurigheid-a-young-man-is-dancing-with-joy-represented-as-a-young-woman-with-a-glass-of-wine-in-her-right-hand-and-a-thyrsus-in-her-other-left-it-is-closely-followed-by-sadness-represented-as-a-veiled-old-vrouw-manufacturer-printmaker-daniel-nikolaus-chodowie-ckinaar-own-design-daniel-nikolaus-chodowieckiplaats-manufacture-berlin-date-1778-physical-features-etching-material-paper-technique-etching-dimensions-sheet-h-105-mm-cut-in-the-sheet-edge-w-64-mm-cut-in-the-sheet-edge-explanation-ninth-print-from-a-series-of-twelve-moralistic-and-satirical-pe-image348467105.html
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 14. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze; enamel dial within blue band. A dancing Bacchus and Bacchante displaying a lyre containing the clock above a Bacchic trophy, the garlanded frieze with thyrsus and double pipe motifs; on toupie (spinning top). This clock initially seems loaded with purely Bacchic imagery, as Satyrs and Bacchantes formed the retinue of Bacchus. Thus the trophy includes a Bacchante’s tambourine, bunches of grapes and a ewer and wine cup for convivial drinking, whereas the fri
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 14. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze; enamel dial within blue band. A dancing Bacchus and Bacchante displaying a lyre containing the clock above a Bacchic trophy, the garlanded frieze with thyrsus and double pipe motifs; on toupie (spinning top). This clock initially seems loaded with purely Bacchic imagery, as Satyrs and Bacchantes formed the retinue of Bacchus. Thus the trophy includes a Bacchante’s tambourine, bunches of grapes and a ewer and wine cup for convivial drinking, whereas the fri https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-gouache-and-pen-and-ink-on-laid-paper-numbered-14-dimensions-674cm-by-508cm-to-be-executed-in-gilt-bronze-enamel-dial-within-blue-band-a-dancing-bacchus-and-bacchante-displaying-a-lyre-containing-the-clock-above-a-bacchic-trophy-the-garlanded-frieze-with-thyrsus-and-double-pipe-motifs-on-toupie-spinning-top-this-clock-initially-seems-loaded-with-purely-bacchic-imagery-as-satyrs-and-bacchantes-formed-the-retinue-of-bacchus-thus-the-trophy-includes-a-bacchantes-tambourine-bunches-of-grapes-and-a-ewer-and-wine-cup-for-convivial-drinking-whereas-the-fri-image188746555.html
common motherwort (Leonurus cardiaca), inflorescence
common motherwort (Leonurus cardiaca), inflorescence https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-common-motherwort-leonurus-cardiaca-inflorescence-13879070.html
Bacchus with thyrsus, tripod horn and crown of leaves standing in a forest. He stands on a drunken satyr in front of a statue of Priapus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.
Bacchus with thyrsus, tripod horn and crown of leaves standing in a forest. He stands on a drunken satyr in front of a statue of Priapus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bacchus-with-thyrsus-tripod-horn-and-crown-of-leaves-standing-in-a-forest-he-stands-on-a-drunken-satyr-in-front-of-a-statue-of-priapus-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image231189245.html
. Botany of the southern states. In two parts. Botany. Panicle. If the secondary axes develop tertiary ones, a panicle is formed (Fig. 117), as in the Poa. The term deliquescent panicle is applied to that variety of the panicle, when the rachis is lost in its irregular divisions, and does not continue direct through the inflorescence. The ramification of the axes may proceed further, forming compound panicles. A very dense panicle, with the lower branches shorter than the middle ones, is called a thyrsus, as in the Lilac. ..--a Stamens. 117. Immediately within the corolla are situated a row of
. Botany of the southern states. In two parts. Botany. Panicle. If the secondary axes develop tertiary ones, a panicle is formed (Fig. 117), as in the Poa. The term deliquescent panicle is applied to that variety of the panicle, when the rachis is lost in its irregular divisions, and does not continue direct through the inflorescence. The ramification of the axes may proceed further, forming compound panicles. A very dense panicle, with the lower branches shorter than the middle ones, is called a thyrsus, as in the Lilac. ..--a Stamens. 117. Immediately within the corolla are situated a row of https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/botany-of-the-southern-states-in-two-parts-botany-panicle-if-the-secondary-axes-develop-tertiary-ones-a-panicle-is-formed-fig-117-as-in-the-poa-the-term-deliquescent-panicle-is-applied-to-that-variety-of-the-panicle-when-the-rachis-is-lost-in-its-irregular-divisions-and-does-not-continue-direct-through-the-inflorescence-the-ramification-of-the-axes-may-proceed-further-forming-compound-panicles-a-very-dense-panicle-with-the-lower-branches-shorter-than-the-middle-ones-is-called-a-thyrsus-as-in-the-lilac-a-stamens-117-immediately-within-the-corolla-are-situated-a-row-of-image234291382.html
Jongeman met Vreugde en Treurigheid a young man is dancing with joy, represented as a young woman with a glass of wine in her right hand and a thyrsus in her other left. It is closely followed by sadness, represented as a veiled old vrouw. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1778 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 100 mm (cut off within the plate edge) × W 62 mm (cut off within the plate edge) Explanation of Eighth picture of a series of twelve moral a
Jongeman met Vreugde en Treurigheid a young man is dancing with joy, represented as a young woman with a glass of wine in her right hand and a thyrsus in her other left. It is closely followed by sadness, represented as a veiled old vrouw. Manufacturer : printmaker Daniel Nikolaus ChodoWie: ckinaar own design: Daniel Nikolaus ChodowieckiPlaats manufacture: Berlin Date: 1778 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 100 mm (cut off within the plate edge) × W 62 mm (cut off within the plate edge) Explanation of Eighth picture of a series of twelve moral a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/jongeman-met-vreugde-en-treurigheid-a-young-man-is-dancing-with-joy-represented-as-a-young-woman-with-a-glass-of-wine-in-her-right-hand-and-a-thyrsus-in-her-other-left-it-is-closely-followed-by-sadness-represented-as-a-veiled-old-vrouw-manufacturer-printmaker-daniel-nikolaus-chodowie-ckinaar-own-design-daniel-nikolaus-chodowieckiplaats-manufacture-berlin-date-1778-physical-features-etching-material-paper-technique-etching-dimensions-sheet-h-100-mm-cut-off-within-the-plate-edge-w-62-mm-cut-off-within-the-plate-edge-explanation-of-eighth-picture-of-a-series-of-twelve-moral-a-image348467135.html
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 14. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze; enamel dial within blue band. A dancing Bacchus and Bacchante displaying a lyre containing the clock above a Bacchic trophy, the garlanded frieze with thyrsus and double pipe motifs; on toupie (spinning top). This clock initially seems loaded with purely Bacchic imagery, as Satyrs and Bacchantes formed the retinue of Bacchus. Thus the trophy includes a Bacchante’s tambourine, bunches of grapes and a ewer and wine cup for convivial drinking, whereas the fri
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 14. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze; enamel dial within blue band. A dancing Bacchus and Bacchante displaying a lyre containing the clock above a Bacchic trophy, the garlanded frieze with thyrsus and double pipe motifs; on toupie (spinning top). This clock initially seems loaded with purely Bacchic imagery, as Satyrs and Bacchantes formed the retinue of Bacchus. Thus the trophy includes a Bacchante’s tambourine, bunches of grapes and a ewer and wine cup for convivial drinking, whereas the fri https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-gouache-and-pen-and-ink-on-laid-paper-numbered-14-dimensions-674cm-by-508cm-to-be-executed-in-gilt-bronze-enamel-dial-within-blue-band-a-dancing-bacchus-and-bacchante-displaying-a-lyre-containing-the-clock-above-a-bacchic-trophy-the-garlanded-frieze-with-thyrsus-and-double-pipe-motifs-on-toupie-spinning-top-this-clock-initially-seems-loaded-with-purely-bacchic-imagery-as-satyrs-and-bacchantes-formed-the-retinue-of-bacchus-thus-the-trophy-includes-a-bacchantes-tambourine-bunches-of-grapes-and-a-ewer-and-wine-cup-for-convivial-drinking-whereas-the-fri-image187474901.html
Firespike, Cardinal Guard, Scarlet Flame (Odontonema strictum), inflorescence
Firespike, Cardinal Guard, Scarlet Flame (Odontonema strictum), inflorescence https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/firespike-cardinal-guard-scarlet-flame-odontonema-strictum-inflorescence-image277326655.html
A bacchant surprised by a faun in a desolate mountain spot. At the faun's feet are his curved stick or pedum, seven-pipe flute or syrinx, and a Rhombus, a percussion instrument like a tambourine. At the bacchant's feet are a sacred staff or thyrsus decorated with a red ribbon, and a typanum drum decorated with a picture of a sistrum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneu
A bacchant surprised by a faun in a desolate mountain spot. At the faun's feet are his curved stick or pedum, seven-pipe flute or syrinx, and a Rhombus, a percussion instrument like a tambourine. At the bacchant's feet are a sacred staff or thyrsus decorated with a red ribbon, and a typanum drum decorated with a picture of a sistrum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneu https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-bacchant-surprised-by-a-faun-in-a-desolate-mountain-spot-at-the-fauns-feet-are-his-curved-stick-or-pedum-seven-pipe-flute-or-syrinx-and-a-rhombus-a-percussion-instrument-like-a-tambourine-at-the-bacchants-feet-are-a-sacred-staff-or-thyrsus-decorated-with-a-red-ribbon-and-a-typanum-drum-decorated-with-a-picture-of-a-sistrum-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneu-image231214382.html
The Eclogues and Georgics of Virgil . NOTES ON ECLOGUE V. 1G1 his orgies. It was twisted round with branches of vine and ivy,and was sometimes terminated by the apple of the pine or fir-cone,that tree being dedicated to Bacchus, in consequence of the use ofthe turpentine which flowed from it, and also of its cones, in themaking of wine. The monuments of ancient art, however, mostcommonly exhibit, instead of the pine-apple, a bunch of vine or ivyleaves, with grapes or berries arranged in the form of a cone. Thepreceding wood-cut shows the head of a thyrsus, composed of theleaves and berries of
The Eclogues and Georgics of Virgil . NOTES ON ECLOGUE V. 1G1 his orgies. It was twisted round with branches of vine and ivy,and was sometimes terminated by the apple of the pine or fir-cone,that tree being dedicated to Bacchus, in consequence of the use ofthe turpentine which flowed from it, and also of its cones, in themaking of wine. The monuments of ancient art, however, mostcommonly exhibit, instead of the pine-apple, a bunch of vine or ivyleaves, with grapes or berries arranged in the form of a cone. Thepreceding wood-cut shows the head of a thyrsus, composed of theleaves and berries of https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-eclogues-and-georgics-of-virgil-notes-on-eclogue-v-1g1-his-orgies-it-was-twisted-round-with-branches-of-vine-and-ivyand-was-sometimes-terminated-by-the-apple-of-the-pine-or-fir-conethat-tree-being-dedicated-to-bacchus-in-consequence-of-the-use-ofthe-turpentine-which-flowed-from-it-and-also-of-its-cones-in-themaking-of-wine-the-monuments-of-ancient-art-however-mostcommonly-exhibit-instead-of-the-pine-apple-a-bunch-of-vine-or-ivyleaves-with-grapes-or-berries-arranged-in-the-form-of-a-cone-thepreceding-wood-cut-shows-the-head-of-a-thyrsus-composed-of-theleaves-and-berries-of-image343028574.html
Arabesken puts vrouw met kelk fourth Workbook Arabesques (serietitel) Arabesques On New Collection (serietitel) a satyr wearing a plateau where: a putto with vines and a woman with a thyrsus and stand a chalice. Moreover fly three putti with a can, they give something in the chalice of the woman. Around the whole arabesques, garlands, baskets with fruit, hoses, putti, birds, and on the underside a vaas. Manufacturer : print maker: Laurent Guyot In drawing: Etienne de Lavallée-Poussin (listed on Object), publisher: Ms Guyot (listed on Object ) a provider of privilege: French crown (indicated on
Arabesken puts vrouw met kelk fourth Workbook Arabesques (serietitel) Arabesques On New Collection (serietitel) a satyr wearing a plateau where: a putto with vines and a woman with a thyrsus and stand a chalice. Moreover fly three putti with a can, they give something in the chalice of the woman. Around the whole arabesques, garlands, baskets with fruit, hoses, putti, birds, and on the underside a vaas. Manufacturer : print maker: Laurent Guyot In drawing: Etienne de Lavallée-Poussin (listed on Object), publisher: Ms Guyot (listed on Object ) a provider of privilege: French crown (indicated on https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arabesken-puts-vrouw-met-kelk-fourth-workbook-arabesques-serietitel-arabesques-on-new-collection-serietitel-a-satyr-wearing-a-plateau-where-a-putto-with-vines-and-a-woman-with-a-thyrsus-and-stand-a-chalice-moreover-fly-three-putti-with-a-can-they-give-something-in-the-chalice-of-the-woman-around-the-whole-arabesques-garlands-baskets-with-fruit-hoses-putti-birds-and-on-the-underside-a-vaas-manufacturer-print-maker-laurent-guyot-in-drawing-etienne-de-lavalle-poussin-listed-on-object-publisher-ms-guyot-listed-on-object-a-provider-of-privilege-french-crown-indicated-on-image348142029.html
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 5. Dimensions: 65.4 cm. by 48.8 cm. To be executed in gilt bronze; enamel dial; black marble platform. The goddess, richly clothed and with a double string pearl necklace, beside an altar of Love on which she is displaying Cupid’s quiver and bow, the latter mounted with billing doves, to one side a laurel crown tied to a Bacchic thyrsus; the frieze with paired tazze of flowers between upright torches. Venus (Aphrodite), the goddess of love and fertility and mother of Cupid, possessed two guises, representing sacred (heav
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 5. Dimensions: 65.4 cm. by 48.8 cm. To be executed in gilt bronze; enamel dial; black marble platform. The goddess, richly clothed and with a double string pearl necklace, beside an altar of Love on which she is displaying Cupid’s quiver and bow, the latter mounted with billing doves, to one side a laurel crown tied to a Bacchic thyrsus; the frieze with paired tazze of flowers between upright torches. Venus (Aphrodite), the goddess of love and fertility and mother of Cupid, possessed two guises, representing sacred (heav https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-gouache-and-pen-and-ink-on-laid-paper-numbered-5-dimensions-654-cm-by-488-cm-to-be-executed-in-gilt-bronze-enamel-dial-black-marble-platform-the-goddess-richly-clothed-and-with-a-double-string-pearl-necklace-beside-an-altar-of-love-on-which-she-is-displaying-cupids-quiver-and-bow-the-latter-mounted-with-billing-doves-to-one-side-a-laurel-crown-tied-to-a-bacchic-thyrsus-the-frieze-with-paired-tazze-of-flowers-between-upright-torches-venus-aphrodite-the-goddess-of-love-and-fertility-and-mother-of-cupid-possessed-two-guises-representing-sacred-heav-image187985737.html
Firespike, Cardinal Guard, Scarlet Flame (Odontonema strictum), inflorescence
Firespike, Cardinal Guard, Scarlet Flame (Odontonema strictum), inflorescence https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/firespike-cardinal-guard-scarlet-flame-odontonema-strictum-inflorescence-image8795688.html
marsh betony, marsh woundwort, swamp hedge-nettle, marsh hedge-nettle (Stachys palustris), inflorescence, Germany, Saxony-Anhalt
marsh betony, marsh woundwort, swamp hedge-nettle, marsh hedge-nettle (Stachys palustris), inflorescence, Germany, Saxony-Anhalt https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/marsh-betony-marsh-woundwort-swamp-hedge-nettle-marsh-hedge-nettle-stachys-palustris-inflorescence-germany-saxony-anhalt-image279055150.html
Bacchic rite. Women offering figs on platters to Bacchus, and seated woman in an initiation rite accompanied by a genius of Ceres (boy with wings). Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.
Bacchic rite. Women offering figs on platters to Bacchus, and seated woman in an initiation rite accompanied by a genius of Ceres (boy with wings). Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bacchic-rite-women-offering-figs-on-platters-to-bacchus-and-seated-woman-in-an-initiation-rite-accompanied-by-a-genius-of-ceres-boy-with-wings-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image231206781.html
. Ancient Greek female costume : illustrated by one hundred and twelve plates and numerous smaller illustrations ; with descriptive letterpress and descriptive passages from the works of Homer, Hesiod, Herodotus, Aeschylus, Euripides, Aristophanes, Theocritus, Xenophon, Lucian, and other Greek authors . ANCIENT GREEK BACCHANT COSTUME, 67 or the wild whelps of wolves, gave them white milk .... andthey put on ivy chaplets and garlands of oak and blossoming yew;and one having taken a thyrsus, struck it against a rock, whence adewy stream of water springs out; another placed her wand on theground,
. Ancient Greek female costume : illustrated by one hundred and twelve plates and numerous smaller illustrations ; with descriptive letterpress and descriptive passages from the works of Homer, Hesiod, Herodotus, Aeschylus, Euripides, Aristophanes, Theocritus, Xenophon, Lucian, and other Greek authors . ANCIENT GREEK BACCHANT COSTUME, 67 or the wild whelps of wolves, gave them white milk .... andthey put on ivy chaplets and garlands of oak and blossoming yew;and one having taken a thyrsus, struck it against a rock, whence adewy stream of water springs out; another placed her wand on theground, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ancient-greek-female-costume-illustrated-by-one-hundred-and-twelve-plates-and-numerous-smaller-illustrations-with-descriptive-letterpress-and-descriptive-passages-from-the-works-of-homer-hesiod-herodotus-aeschylus-euripides-aristophanes-theocritus-xenophon-lucian-and-other-greek-authors-ancient-greek-bacchant-costume-67-or-the-wild-whelps-of-wolves-gave-them-white-milk-andthey-put-on-ivy-chaplets-and-garlands-of-oak-and-blossoming-yewand-one-having-taken-a-thyrsus-struck-it-against-a-rock-whence-adewy-stream-of-water-springs-out-another-placed-her-wand-on-theground-image372654735.html
Arabesques with a female half figure with wings and a male half horse figure with legs and a thyrsus on either side of a circular medallion with a seated woman and putti. Underneath arabesques with a face with winged helmet and two lions on either side of a medallion with men portrait and profil. Manufacturer : printmaker: Laurent Guyot (listed property) to drawing: Pierre Thomas Le Clerc (listed building) Publisher: Alexandre Lenoir Publisher: Treuttel & Wurtz Place manufacture: Paris Date: 1810 Physical features: etching and aquatint material: paper Technique: etching / aquatint dimensions:
Arabesques with a female half figure with wings and a male half horse figure with legs and a thyrsus on either side of a circular medallion with a seated woman and putti. Underneath arabesques with a face with winged helmet and two lions on either side of a medallion with men portrait and profil. Manufacturer : printmaker: Laurent Guyot (listed property) to drawing: Pierre Thomas Le Clerc (listed building) Publisher: Alexandre Lenoir Publisher: Treuttel & Wurtz Place manufacture: Paris Date: 1810 Physical features: etching and aquatint material: paper Technique: etching / aquatint dimensions: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arabesques-with-a-female-half-figure-with-wings-and-a-male-half-horse-figure-with-legs-and-a-thyrsus-on-either-side-of-a-circular-medallion-with-a-seated-woman-and-putti-underneath-arabesques-with-a-face-with-winged-helmet-and-two-lions-on-either-side-of-a-medallion-with-men-portrait-and-profil-manufacturer-printmaker-laurent-guyot-listed-property-to-drawing-pierre-thomas-le-clerc-listed-building-publisher-alexandre-lenoir-publisher-treuttel-wurtz-place-manufacture-paris-date-1810-physical-features-etching-and-aquatint-material-paper-technique-etching-aquatint-dimensions-image348142074.html
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 5. Dimensions: 65.4 cm. by 48.8 cm. To be executed in gilt bronze; enamel dial; black marble platform. The goddess, richly clothed and with a double string pearl necklace, beside an altar of Love on which she is displaying Cupid’s quiver and bow, the latter mounted with billing doves, to one side a laurel crown tied to a Bacchic thyrsus; the frieze with paired tazze of flowers between upright torches. Venus (Aphrodite), the goddess of love and fertility and mother of Cupid, possessed two guises, representing sacred (heav
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 5. Dimensions: 65.4 cm. by 48.8 cm. To be executed in gilt bronze; enamel dial; black marble platform. The goddess, richly clothed and with a double string pearl necklace, beside an altar of Love on which she is displaying Cupid’s quiver and bow, the latter mounted with billing doves, to one side a laurel crown tied to a Bacchic thyrsus; the frieze with paired tazze of flowers between upright torches. Venus (Aphrodite), the goddess of love and fertility and mother of Cupid, possessed two guises, representing sacred (heav https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-gouache-and-pen-and-ink-on-laid-paper-numbered-5-dimensions-654-cm-by-488-cm-to-be-executed-in-gilt-bronze-enamel-dial-black-marble-platform-the-goddess-richly-clothed-and-with-a-double-string-pearl-necklace-beside-an-altar-of-love-on-which-she-is-displaying-cupids-quiver-and-bow-the-latter-mounted-with-billing-doves-to-one-side-a-laurel-crown-tied-to-a-bacchic-thyrsus-the-frieze-with-paired-tazze-of-flowers-between-upright-torches-venus-aphrodite-the-goddess-of-love-and-fertility-and-mother-of-cupid-possessed-two-guises-representing-sacred-heav-image188746583.html
marsh betony, marsh woundwort, swamp hedge-nettle, marsh hedge-nettle (Stachys palustris), inflorescence, Germany, Saxony-Anhalt
marsh betony, marsh woundwort, swamp hedge-nettle, marsh hedge-nettle (Stachys palustris), inflorescence, Germany, Saxony-Anhalt https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-marsh-betony-marsh-woundwort-swamp-hedge-nettle-marsh-hedge-nettle-47846155.html
Ballota nigra ssp. meridionalis, Ballota nigra ssp. foetida (Ballota nigra ssp. meridionalis, Ballota nigra ssp. foetida), infl
Ballota nigra ssp. meridionalis, Ballota nigra ssp. foetida (Ballota nigra ssp. meridionalis, Ballota nigra ssp. foetida), infl https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ballota-nigra-ssp-meridionalis-ballota-nigra-ssp-foetida-ballota-nigra-ssp-meridionalis-ballota-nigra-ssp-foetida-infl-image283447245.html
Needlework as art . resembling anEgyptian sail with its fringes 2 (pi. 38) is looped up oneach side to the head of a thyrsus, and above it hangs alarge cluster of fruits. The lower part of the draperyrests upon water, and is somewhat like a boat, with ducksswimming towards it, and fish disporting themselves inthe rippling waves. Between the circles the ducks arerepeated, facing a shield enriched with rows of the crene-lated pattern surmounted by a vine. These fragments have belonged each to a very largeand freely woven silk shawl or mantle. The circles areabout two feet across. There is a diff
Needlework as art . resembling anEgyptian sail with its fringes 2 (pi. 38) is looped up oneach side to the head of a thyrsus, and above it hangs alarge cluster of fruits. The lower part of the draperyrests upon water, and is somewhat like a boat, with ducksswimming towards it, and fish disporting themselves inthe rippling waves. Between the circles the ducks arerepeated, facing a shield enriched with rows of the crene-lated pattern surmounted by a vine. These fragments have belonged each to a very largeand freely woven silk shawl or mantle. The circles areabout two feet across. There is a diff https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/needlework-as-art-resembling-anegyptian-sail-with-its-fringes-2-pi-38-is-looped-up-oneach-side-to-the-head-of-a-thyrsus-and-above-it-hangs-alarge-cluster-of-fruits-the-lower-part-of-the-draperyrests-upon-water-and-is-somewhat-like-a-boat-with-ducksswimming-towards-it-and-fish-disporting-themselves-inthe-rippling-waves-between-the-circles-the-ducks-arerepeated-facing-a-shield-enriched-with-rows-of-the-crene-lated-pattern-surmounted-by-a-vine-these-fragments-have-belonged-each-to-a-very-largeand-freely-woven-silk-shawl-or-mantle-the-circles-areabout-two-feet-across-there-is-a-diff-image339350538.html
Celebrating Couple Sala di Recezione Palazzo Quirinale Rome. Airborne couple: young man with garland and shouldered thyrsus holds hands with young woman. Ruled lines in black chalk suggest a rectangular molding.
Celebrating Couple Sala di Recezione Palazzo Quirinale Rome. Airborne couple: young man with garland and shouldered thyrsus holds hands with young woman. Ruled lines in black chalk suggest a rectangular molding. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/celebrating-couple-sala-di-recezione-palazzo-quirinale-rome-airborne-couple-young-man-with-garland-and-shouldered-thyrsus-holds-hands-with-young-woman-ruled-lines-in-black-chalk-suggest-a-rectangular-molding-image353531038.html
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 5. Dimensions: 65.4 cm. by 48.8 cm. To be executed in gilt bronze; enamel dial; black marble platform. The goddess, richly clothed and with a double string pearl necklace, beside an altar of Love on which she is displaying Cupid’s quiver and bow, the latter mounted with billing doves, to one side a laurel crown tied to a Bacchic thyrsus; the frieze with paired tazze of flowers between upright torches. Venus (Aphrodite), the goddess of love and fertility and mother of Cupid, possessed two guises, representing sacred (heav
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 5. Dimensions: 65.4 cm. by 48.8 cm. To be executed in gilt bronze; enamel dial; black marble platform. The goddess, richly clothed and with a double string pearl necklace, beside an altar of Love on which she is displaying Cupid’s quiver and bow, the latter mounted with billing doves, to one side a laurel crown tied to a Bacchic thyrsus; the frieze with paired tazze of flowers between upright torches. Venus (Aphrodite), the goddess of love and fertility and mother of Cupid, possessed two guises, representing sacred (heav https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-gouache-and-pen-and-ink-on-laid-paper-numbered-5-dimensions-654-cm-by-488-cm-to-be-executed-in-gilt-bronze-enamel-dial-black-marble-platform-the-goddess-richly-clothed-and-with-a-double-string-pearl-necklace-beside-an-altar-of-love-on-which-she-is-displaying-cupids-quiver-and-bow-the-latter-mounted-with-billing-doves-to-one-side-a-laurel-crown-tied-to-a-bacchic-thyrsus-the-frieze-with-paired-tazze-of-flowers-between-upright-torches-venus-aphrodite-the-goddess-of-love-and-fertility-and-mother-of-cupid-possessed-two-guises-representing-sacred-heav-image187485488.html
Ballota nigra ssp. meridionalis, Ballota nigra ssp. foetida (Ballota nigra ssp. meridionalis, Ballota nigra ssp. foetida), infl
Ballota nigra ssp. meridionalis, Ballota nigra ssp. foetida (Ballota nigra ssp. meridionalis, Ballota nigra ssp. foetida), infl https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ballota-nigra-ssp-meridionalis-ballota-nigra-ssp-foetida-ballota-nigra-image8114606.html
Leonardo da Vinci, artist, thinker and man of science; . Titian varied the conception by leaving us a Madonnawif/i a Rabbit (the Louvre and the Naples Museum). It may have been during his second stay in Milan, from 1506onwards, that Leonardo painted the Bacchus of the Louvre. Theconception is well known. Seated on a rock, the left leg bent uponthe right, the left arm carelessly supporting a thyrsus, and the righthand extended, the vine-crowned god of wine seems to enjoy thebeauty of the landscape about him. The identity of motive between this picture and the S. John the Baptist—also in theLouv
Leonardo da Vinci, artist, thinker and man of science; . Titian varied the conception by leaving us a Madonnawif/i a Rabbit (the Louvre and the Naples Museum). It may have been during his second stay in Milan, from 1506onwards, that Leonardo painted the Bacchus of the Louvre. Theconception is well known. Seated on a rock, the left leg bent uponthe right, the left arm carelessly supporting a thyrsus, and the righthand extended, the vine-crowned god of wine seems to enjoy thebeauty of the landscape about him. The identity of motive between this picture and the S. John the Baptist—also in theLouv https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/leonardo-da-vinci-artist-thinker-and-man-of-science-titian-varied-the-conception-by-leaving-us-a-madonnawifi-a-rabbit-the-louvre-and-the-naples-museum-it-may-have-been-during-his-second-stay-in-milan-from-1506onwards-that-leonardo-painted-the-bacchus-of-the-louvre-theconception-is-well-known-seated-on-a-rock-the-left-leg-bent-uponthe-right-the-left-arm-carelessly-supporting-a-thyrsus-and-the-righthand-extended-the-vine-crowned-god-of-wine-seems-to-enjoy-thebeauty-of-the-landscape-about-him-the-identity-of-motive-between-this-picture-and-the-s-john-the-baptistalso-in-thelouv-image339234577.html
The arrival of Bacchus In the background arrives Bacchus in by leopards drawn wagon. In his hand he holds his staff, the Thyrsus. For him walk maenads and satyrs. In the foreground stands a Bacchus behind making music meanade. Before the awakening Ariadne seen from the back. Under a line of text in French. Right: Page. 56. Manufacturer : printmaker Abraham Jacobsz. Hulk (indicated on object) to a design of: Lebarbier (indicated on object) Date: 1766 - 1817 Physical characteristics: engra and etching material: paper Technique: engra (printing process) / etching dimensions: sheet: h 169 mm × W 1
The arrival of Bacchus In the background arrives Bacchus in by leopards drawn wagon. In his hand he holds his staff, the Thyrsus. For him walk maenads and satyrs. In the foreground stands a Bacchus behind making music meanade. Before the awakening Ariadne seen from the back. Under a line of text in French. Right: Page. 56. Manufacturer : printmaker Abraham Jacobsz. Hulk (indicated on object) to a design of: Lebarbier (indicated on object) Date: 1766 - 1817 Physical characteristics: engra and etching material: paper Technique: engra (printing process) / etching dimensions: sheet: h 169 mm × W 1 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-arrival-of-bacchus-in-the-background-arrives-bacchus-in-by-leopards-drawn-wagon-in-his-hand-he-holds-his-staff-the-thyrsus-for-him-walk-maenads-and-satyrs-in-the-foreground-stands-a-bacchus-behind-making-music-meanade-before-the-awakening-ariadne-seen-from-the-back-under-a-line-of-text-in-french-right-page-56-manufacturer-printmaker-abraham-jacobsz-hulk-indicated-on-object-to-a-design-of-lebarbier-indicated-on-object-date-1766-1817-physical-characteristics-engra-and-etching-material-paper-technique-engra-printing-process-etching-dimensions-sheet-h-169-mm-w-1-image348287533.html
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 3. Dimensions: 66 cm. by 50.4 cm. To be executed in gilt bronze; enamel dial; black marble platform. Cupid, holding a laurel wreath and his bow, the latter resting on the block, fronted by the clock, on which he is seated, his foot resting on a truncated column, a lyre and a circular shield to one side. The shield, ribbon tied to a staff with Bacchic thyrsus cone finial, is charged with a lion and carries Concord’s doves. The frieze is centered by a pair of billing doves within a pointed oval flanked by stylised palmette
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 3. Dimensions: 66 cm. by 50.4 cm. To be executed in gilt bronze; enamel dial; black marble platform. Cupid, holding a laurel wreath and his bow, the latter resting on the block, fronted by the clock, on which he is seated, his foot resting on a truncated column, a lyre and a circular shield to one side. The shield, ribbon tied to a staff with Bacchic thyrsus cone finial, is charged with a lion and carries Concord’s doves. The frieze is centered by a pair of billing doves within a pointed oval flanked by stylised palmette https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-gouache-and-pen-and-ink-on-laid-paper-numbered-3-dimensions-66-cm-by-504-cm-to-be-executed-in-gilt-bronze-enamel-dial-black-marble-platform-cupid-holding-a-laurel-wreath-and-his-bow-the-latter-resting-on-the-block-fronted-by-the-clock-on-which-he-is-seated-his-foot-resting-on-a-truncated-column-a-lyre-and-a-circular-shield-to-one-side-the-shield-ribbon-tied-to-a-staff-with-bacchic-thyrsus-cone-finial-is-charged-with-a-lion-and-carries-concords-doves-the-frieze-is-centered-by-a-pair-of-billing-doves-within-a-pointed-oval-flanked-by-stylised-palmette-image188746570.html
common hound's tongue, houndstoungue (Cynoglossum officinale), inflorescence against blue sky
common hound's tongue, houndstoungue (Cynoglossum officinale), inflorescence against blue sky https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/common-hounds-tongue-houndstoungue-cynoglossum-officinale-inflorescence-image7724697.html
Diamonds and precious stones, a popular account of gems .. . Fig. 74.—^Agate, Alexander the Great (reduced to three-quarters), its colour is quite different from that of the ground-work of the stone. It is set in a superb frame ofenamelled gold. I70 PRECIOUS STONES. The fig. following (Fig. 75) is a chalcedony dis-playing a bacchic bull with an ivy wreath aroundhis body and a thyrsus under his feet. It is one ofthe most celebrated of antique engraved gems, andbears the signature of the famous graver Hyllus. As a specimen of modern engraving, we representby Fig. y6 that celebrated stone known a
Diamonds and precious stones, a popular account of gems .. . Fig. 74.—^Agate, Alexander the Great (reduced to three-quarters), its colour is quite different from that of the ground-work of the stone. It is set in a superb frame ofenamelled gold. I70 PRECIOUS STONES. The fig. following (Fig. 75) is a chalcedony dis-playing a bacchic bull with an ivy wreath aroundhis body and a thyrsus under his feet. It is one ofthe most celebrated of antique engraved gems, andbears the signature of the famous graver Hyllus. As a specimen of modern engraving, we representby Fig. y6 that celebrated stone known a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/diamonds-and-precious-stones-a-popular-account-of-gems-fig-74agate-alexander-the-great-reduced-to-three-quarters-its-colour-is-quite-different-from-that-of-the-ground-work-of-the-stone-it-is-set-in-a-superb-frame-ofenamelled-gold-i70-precious-stones-the-fig-following-fig-75-is-a-chalcedony-dis-playing-a-bacchic-bull-with-an-ivy-wreath-aroundhis-body-and-a-thyrsus-under-his-feet-it-is-one-ofthe-most-celebrated-of-antique-engraved-gems-andbears-the-signature-of-the-famous-graver-hyllus-as-a-specimen-of-modern-engraving-we-representby-fig-y6-that-celebrated-stone-known-a-image342763905.html
Gesneden steen met de beeltenis van Apollo Reproduction of a carved stone from the collection of the Strozzi family. Apollo wearing a lion's and holds his lyre in hand. In addition to it on a basement in a putto with the hand the thyrsus, a rod with a knob in the form of a pine cone, an attribute of Bacchus. Between them in a crescent, which also appears on the coat of arms of the Florentine Strozzi family. Bottom right the true size of the stone. Middle numbered above: XX. Print is taken from a book of cut gems and glyptiek. Manufacturer : printmaker: Bernard Picart (listed property) Place ma
Gesneden steen met de beeltenis van Apollo Reproduction of a carved stone from the collection of the Strozzi family. Apollo wearing a lion's and holds his lyre in hand. In addition to it on a basement in a putto with the hand the thyrsus, a rod with a knob in the form of a pine cone, an attribute of Bacchus. Between them in a crescent, which also appears on the coat of arms of the Florentine Strozzi family. Bottom right the true size of the stone. Middle numbered above: XX. Print is taken from a book of cut gems and glyptiek. Manufacturer : printmaker: Bernard Picart (listed property) Place ma https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/gesneden-steen-met-de-beeltenis-van-apollo-reproduction-of-a-carved-stone-from-the-collection-of-the-strozzi-family-apollo-wearing-a-lions-and-holds-his-lyre-in-hand-in-addition-to-it-on-a-basement-in-a-putto-with-the-hand-the-thyrsus-a-rod-with-a-knob-in-the-form-of-a-pine-cone-an-attribute-of-bacchus-between-them-in-a-crescent-which-also-appears-on-the-coat-of-arms-of-the-florentine-strozzi-family-bottom-right-the-true-size-of-the-stone-middle-numbered-above-xx-print-is-taken-from-a-book-of-cut-gems-and-glyptiek-manufacturer-printmaker-bernard-picart-listed-property-place-ma-image348376531.html
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 3. Dimensions: 66 cm. by 50.4 cm. To be executed in gilt bronze; enamel dial; black marble platform. Cupid, holding a laurel wreath and his bow, the latter resting on the block, fronted by the clock, on which he is seated, his foot resting on a truncated column, a lyre and a circular shield to one side. The shield, ribbon tied to a staff with Bacchic thyrsus cone finial, is charged with a lion and carries Concord’s doves. The frieze is centered by a pair of billing doves within a pointed oval flanked by stylised palmette
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 3. Dimensions: 66 cm. by 50.4 cm. To be executed in gilt bronze; enamel dial; black marble platform. Cupid, holding a laurel wreath and his bow, the latter resting on the block, fronted by the clock, on which he is seated, his foot resting on a truncated column, a lyre and a circular shield to one side. The shield, ribbon tied to a staff with Bacchic thyrsus cone finial, is charged with a lion and carries Concord’s doves. The frieze is centered by a pair of billing doves within a pointed oval flanked by stylised palmette https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-gouache-and-pen-and-ink-on-laid-paper-numbered-3-dimensions-66-cm-by-504-cm-to-be-executed-in-gilt-bronze-enamel-dial-black-marble-platform-cupid-holding-a-laurel-wreath-and-his-bow-the-latter-resting-on-the-block-fronted-by-the-clock-on-which-he-is-seated-his-foot-resting-on-a-truncated-column-a-lyre-and-a-circular-shield-to-one-side-the-shield-ribbon-tied-to-a-staff-with-bacchic-thyrsus-cone-finial-is-charged-with-a-lion-and-carries-concords-doves-the-frieze-is-centered-by-a-pair-of-billing-doves-within-a-pointed-oval-flanked-by-stylised-palmette-image187985707.html
meadow clary, meadow sage (Salvia pratensis), inflorescence, Germany
meadow clary, meadow sage (Salvia pratensis), inflorescence, Germany https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-meadow-clary-meadow-sage-salvia-pratensis-inflorescence-germany-10882372.html
. Herbals, their origin and evolution, a chapter in the history of botany, 1470-1670. Botany; Botany; Herbals. V] De r Ecluse 129 inclines to a dark colour, and is speckled as in Tithymalus characia : the speckles are simply the remains of leaves which have fallen off. Meanwhile a thick pedicel covered. Text-fig. 60. "Battata VirgmULna." = Soianum tuberostim L., Potato [Gerard, The Herball, 1597]. with leaves springs out from the top of the larger branches, and bears, so to speak, a thyrsus of many yellow flowers,. Please note that these images are extracted from scanned page images
. Herbals, their origin and evolution, a chapter in the history of botany, 1470-1670. Botany; Botany; Herbals. V] De r Ecluse 129 inclines to a dark colour, and is speckled as in Tithymalus characia : the speckles are simply the remains of leaves which have fallen off. Meanwhile a thick pedicel covered. Text-fig. 60. "Battata VirgmULna." = Soianum tuberostim L., Potato [Gerard, The Herball, 1597]. with leaves springs out from the top of the larger branches, and bears, so to speak, a thyrsus of many yellow flowers,. Please note that these images are extracted from scanned page images https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/herbals-their-origin-and-evolution-a-chapter-in-the-history-of-botany-1470-1670-botany-botany-herbals-v-de-r-ecluse-129-inclines-to-a-dark-colour-and-is-speckled-as-in-tithymalus-characia-the-speckles-are-simply-the-remains-of-leaves-which-have-fallen-off-meanwhile-a-thick-pedicel-covered-text-fig-60-quotbattata-virgmulnaquot-=-soianum-tuberostim-l-potato-gerard-the-herball-1597-with-leaves-springs-out-from-the-top-of-the-larger-branches-and-bears-so-to-speak-a-thyrsus-of-many-yellow-flowers-please-note-that-these-images-are-extracted-from-scanned-page-images-image232201007.html
. English: Watercolor and gouache over lithographic line, on paper. Inscribed: J. B. A. / Imprie Lithoque de C Motte rue des Marais Fg. St. Gn. Numbered: 16. Dimensions: 68 cm. by 50.4 cm. To be executed in gilt bronze and rouge marble; silvered metal dial; black marble platform. The youthful god, holding the thyrsus staff and raising a wine cup, aside an altar topped by a ewer and syrinx and fronted by the clock with a reclining Bacchante mount below the dial; the frieze with a hunting horn and cornucopiae within acanthus scrolls. Bacchic imagery was appropriate for dining room clocks. Here t
. English: Watercolor and gouache over lithographic line, on paper. Inscribed: J. B. A. / Imprie Lithoque de C Motte rue des Marais Fg. St. Gn. Numbered: 16. Dimensions: 68 cm. by 50.4 cm. To be executed in gilt bronze and rouge marble; silvered metal dial; black marble platform. The youthful god, holding the thyrsus staff and raising a wine cup, aside an altar topped by a ewer and syrinx and fronted by the clock with a reclining Bacchante mount below the dial; the frieze with a hunting horn and cornucopiae within acanthus scrolls. Bacchic imagery was appropriate for dining room clocks. Here t https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolor-and-gouache-over-lithographic-line-on-paper-inscribed-j-b-a-imprie-lithoque-de-c-motte-rue-des-marais-fg-st-gn-numbered-16-dimensions-68-cm-by-504-cm-to-be-executed-in-gilt-bronze-and-rouge-marble-silvered-metal-dial-black-marble-platform-the-youthful-god-holding-the-thyrsus-staff-and-raising-a-wine-cup-aside-an-altar-topped-by-a-ewer-and-syrinx-and-fronted-by-the-clock-with-a-reclining-bacchante-mount-below-the-dial-the-frieze-with-a-hunting-horn-and-cornucopiae-within-acanthus-scrolls-bacchic-imagery-was-appropriate-for-dining-room-clocks-here-t-image187485487.html
meadow clary, meadow sage (Salvia pratensis), inflorescence, Germany
meadow clary, meadow sage (Salvia pratensis), inflorescence, Germany https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/meadow-clary-meadow-sage-salvia-pratensis-inflorescence-germany-image277631669.html
. A tour round my garden . Natural history. LETTER XLIX. L'HERBE AU CHANTBE—RACINE—BOILEAU—SORCERERS—PLINT—HOMER —AND YELLOW GARLTC. Herb, now, is a plant whicli had. the honour of being the object of a correspondence between Racine and Boileau. Gardeners call it the yellow julienne; horticulturists, Velar de Sainte Barhe; savants, erysimum harharea; old women, herbe au chantre. It throws up, from a bunch of leaves shaped like a lyre, a stalk surmounted by a thyrsus of yellow flowers. It was formerly believed, even as late as the time of Louis XIV., that this herhe au chantre was, at least in
. A tour round my garden . Natural history. LETTER XLIX. L'HERBE AU CHANTBE—RACINE—BOILEAU—SORCERERS—PLINT—HOMER —AND YELLOW GARLTC. Herb, now, is a plant whicli had. the honour of being the object of a correspondence between Racine and Boileau. Gardeners call it the yellow julienne; horticulturists, Velar de Sainte Barhe; savants, erysimum harharea; old women, herbe au chantre. It throws up, from a bunch of leaves shaped like a lyre, a stalk surmounted by a thyrsus of yellow flowers. It was formerly believed, even as late as the time of Louis XIV., that this herhe au chantre was, at least in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-tour-round-my-garden-natural-history-letter-xlix-lherbe-au-chantberacineboileausorcerersplinthomer-and-yellow-garltc-herb-now-is-a-plant-whicli-had-the-honour-of-being-the-object-of-a-correspondence-between-racine-and-boileau-gardeners-call-it-the-yellow-julienne-horticulturists-velar-de-sainte-barhe-savants-erysimum-harharea-old-women-herbe-au-chantre-it-throws-up-from-a-bunch-of-leaves-shaped-like-a-lyre-a-stalk-surmounted-by-a-thyrsus-of-yellow-flowers-it-was-formerly-believed-even-as-late-as-the-time-of-louis-xiv-that-this-herhe-au-chantre-was-at-least-in-image232132101.html
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 3. Dimensions: 66 cm. by 50.4 cm. To be executed in gilt bronze; enamel dial; black marble platform. Cupid, holding a laurel wreath and his bow, the latter resting on the block, fronted by the clock, on which he is seated, his foot resting on a truncated column, a lyre and a circular shield to one side. The shield, ribbon tied to a staff with Bacchic thyrsus cone finial, is charged with a lion and carries Concord’s doves. The frieze is centered by a pair of billing doves within a pointed oval flanked by stylised palmette
. English: Watercolour, gouache and pen and ink, on laid paper. Numbered: 3. Dimensions: 66 cm. by 50.4 cm. To be executed in gilt bronze; enamel dial; black marble platform. Cupid, holding a laurel wreath and his bow, the latter resting on the block, fronted by the clock, on which he is seated, his foot resting on a truncated column, a lyre and a circular shield to one side. The shield, ribbon tied to a staff with Bacchic thyrsus cone finial, is charged with a lion and carries Concord’s doves. The frieze is centered by a pair of billing doves within a pointed oval flanked by stylised palmette https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-gouache-and-pen-and-ink-on-laid-paper-numbered-3-dimensions-66-cm-by-504-cm-to-be-executed-in-gilt-bronze-enamel-dial-black-marble-platform-cupid-holding-a-laurel-wreath-and-his-bow-the-latter-resting-on-the-block-fronted-by-the-clock-on-which-he-is-seated-his-foot-resting-on-a-truncated-column-a-lyre-and-a-circular-shield-to-one-side-the-shield-ribbon-tied-to-a-staff-with-bacchic-thyrsus-cone-finial-is-charged-with-a-lion-and-carries-concords-doves-the-frieze-is-centered-by-a-pair-of-billing-doves-within-a-pointed-oval-flanked-by-stylised-palmette-image187485453.html
common hemp nettle, brittle-stem hempnettle (Galeopsis tetrahit), Germany, Bavaria, NSG Eggstaetter Seenplatte
common hemp nettle, brittle-stem hempnettle (Galeopsis tetrahit), Germany, Bavaria, NSG Eggstaetter Seenplatte https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/common-hemp-nettle-brittle-stem-hempnettle-galeopsis-tetrahit-germany-image6692087.html
. The history of Herodotus. A new English version, ed. with copious notes and appendices, illustrating the history and geography of Herodotus, from the most recent sources of information; and embodying the chief results, historical and ethnographical, which have been obtained in the progress of cuneiform and hieroglyphical discovery . Avesta of Persia. (See Jour. Americ.Or. Soc. vol. iii. No. 2, p. 299.) The thyrsus is shown by Plutarchto be the staff (fig. 1), often bound bya fillet, to which the spotted skin of aleopard is suspended near the figure ofOsiris; for it is the same that the highp
. The history of Herodotus. A new English version, ed. with copious notes and appendices, illustrating the history and geography of Herodotus, from the most recent sources of information; and embodying the chief results, historical and ethnographical, which have been obtained in the progress of cuneiform and hieroglyphical discovery . Avesta of Persia. (See Jour. Americ.Or. Soc. vol. iii. No. 2, p. 299.) The thyrsus is shown by Plutarchto be the staff (fig. 1), often bound bya fillet, to which the spotted skin of aleopard is suspended near the figure ofOsiris; for it is the same that the highp https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-history-of-herodotus-a-new-english-version-ed-with-copious-notes-and-appendices-illustrating-the-history-and-geography-of-herodotus-from-the-most-recent-sources-of-information-and-embodying-the-chief-results-historical-and-ethnographical-which-have-been-obtained-in-the-progress-of-cuneiform-and-hieroglyphical-discovery-avesta-of-persia-see-jour-americor-soc-vol-iii-no-2-p-299-the-thyrsus-is-shown-by-plutarchto-be-the-staff-fig-1-often-bound-bya-fillet-to-which-the-spotted-skin-of-aleopard-is-suspended-near-the-figure-ofosiris-for-it-is-the-same-that-the-highp-image371635442.html
. English: Watercolor and gouache over lithographic line, on paper. Inscribed: J. B. A. / Imprie Lithoque de C Motte rue des Marais Fg. St. Gn. Numbered: 16. Dimensions: 68 cm. by 50.4 cm. To be executed in gilt bronze and rouge marble; silvered metal dial; black marble platform. The youthful god, holding the thyrsus staff and raising a wine cup, aside an altar topped by a ewer and syrinx and fronted by the clock with a reclining Bacchante mount below the dial; the frieze with a hunting horn and cornucopiae within acanthus scrolls. Bacchic imagery was appropriate for dining room clocks. Here t
. English: Watercolor and gouache over lithographic line, on paper. Inscribed: J. B. A. / Imprie Lithoque de C Motte rue des Marais Fg. St. Gn. Numbered: 16. Dimensions: 68 cm. by 50.4 cm. To be executed in gilt bronze and rouge marble; silvered metal dial; black marble platform. The youthful god, holding the thyrsus staff and raising a wine cup, aside an altar topped by a ewer and syrinx and fronted by the clock with a reclining Bacchante mount below the dial; the frieze with a hunting horn and cornucopiae within acanthus scrolls. Bacchic imagery was appropriate for dining room clocks. Here t https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolor-and-gouache-over-lithographic-line-on-paper-inscribed-j-b-a-imprie-lithoque-de-c-motte-rue-des-marais-fg-st-gn-numbered-16-dimensions-68-cm-by-504-cm-to-be-executed-in-gilt-bronze-and-rouge-marble-silvered-metal-dial-black-marble-platform-the-youthful-god-holding-the-thyrsus-staff-and-raising-a-wine-cup-aside-an-altar-topped-by-a-ewer-and-syrinx-and-fronted-by-the-clock-with-a-reclining-bacchante-mount-below-the-dial-the-frieze-with-a-hunting-horn-and-cornucopiae-within-acanthus-scrolls-bacchic-imagery-was-appropriate-for-dining-room-clocks-here-t-image187985741.html
common hemp nettle, brittle-stem hempnettle (Galeopsis tetrahit), Germany, Bavaria, NSG Eggstaetter Seenplatte
common hemp nettle, brittle-stem hempnettle (Galeopsis tetrahit), Germany, Bavaria, NSG Eggstaetter Seenplatte https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/common-hemp-nettle-brittle-stem-hempnettle-galeopsis-tetrahit-germany-bavaria-nsg-eggstaetter-seenplatte-image276198438.html
. A manual of botany. Botany. MORPHOLOGY OF REPEODUCTIVE ORGANS 127 main axis is racemose in its general arrangement, but it bears a ter- minal flower; the secondary and later axes are reversed racemes. 0. The Thyrsus.—This is somewhat more regular than the mixed panicle, which it resembles in having the main axis racemose. The secondary and later ones are cymose, and the successive branches are so disposed that the cluster is narrower at the apex and base than it is in the centre, having thus almost Fig, 241. Fio. 242. Please note that these images are extracted from scanned page images that
. A manual of botany. Botany. MORPHOLOGY OF REPEODUCTIVE ORGANS 127 main axis is racemose in its general arrangement, but it bears a ter- minal flower; the secondary and later axes are reversed racemes. 0. The Thyrsus.—This is somewhat more regular than the mixed panicle, which it resembles in having the main axis racemose. The secondary and later ones are cymose, and the successive branches are so disposed that the cluster is narrower at the apex and base than it is in the centre, having thus almost Fig, 241. Fio. 242. Please note that these images are extracted from scanned page images that https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-manual-of-botany-botany-morphology-of-repeoductive-organs-127-main-axis-is-racemose-in-its-general-arrangement-but-it-bears-a-ter-minal-flower-the-secondary-and-later-axes-are-reversed-racemes-0-the-thyrsusthis-is-somewhat-more-regular-than-the-mixed-panicle-which-it-resembles-in-having-the-main-axis-racemose-the-secondary-and-later-ones-are-cymose-and-the-successive-branches-are-so-disposed-that-the-cluster-is-narrower-at-the-apex-and-base-than-it-is-in-the-centre-having-thus-almost-fig-241-fio-242-please-note-that-these-images-are-extracted-from-scanned-page-images-that-image232377138.html
. English: Watercolour and gouache over lithographic line, on laid paper. Inscribed: J. B. A. del / Impri Lithoue de C Motte rue des Marais No.13 Fb. St. Gn. Numbered: 24. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze and black marble; silvered metal dial; black marble platform. The god, standing full face with his legs crossed below the knee, leans against an altar while holding the thyrsus by his side and a bunch of grapes aloft, a ewer to one side. The altar is topped by a wine cup and fronted by a crouching figure of Bacchus proffering a wine cup, having filled it from the a
. English: Watercolour and gouache over lithographic line, on laid paper. Inscribed: J. B. A. del / Impri Lithoue de C Motte rue des Marais No.13 Fb. St. Gn. Numbered: 24. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze and black marble; silvered metal dial; black marble platform. The god, standing full face with his legs crossed below the knee, leans against an altar while holding the thyrsus by his side and a bunch of grapes aloft, a ewer to one side. The altar is topped by a wine cup and fronted by a crouching figure of Bacchus proffering a wine cup, having filled it from the a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-and-gouache-over-lithographic-line-on-laid-paper-inscribed-j-b-a-del-impri-lithoue-de-c-motte-rue-des-marais-no13-fb-st-gn-numbered-24-dimensions-674cm-by-508cm-to-be-executed-in-gilt-bronze-and-black-marble-silvered-metal-dial-black-marble-platform-the-god-standing-full-face-with-his-legs-crossed-below-the-knee-leans-against-an-altar-while-holding-the-thyrsus-by-his-side-and-a-bunch-of-grapes-aloft-a-ewer-to-one-side-the-altar-is-topped-by-a-wine-cup-and-fronted-by-a-crouching-figure-of-bacchus-proffering-a-wine-cup-having-filled-it-from-the-a-image187474904.html
wild water mint (Mentha aquatica), inflorescence, France
wild water mint (Mentha aquatica), inflorescence, France https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/wild-water-mint-mentha-aquatica-inflorescence-france-image7631143.html
. Living orators in America . esty. Such an orator, imbuedwith elegant thought and tender sensibilities, appears ibefore an audience much as Theseus did before Ariadne.Philostratus represents him as being adorned with aplain purple robe, wearing a garland of roses. His iwhole air is that of one intoxicated with love, calm inits fullness, and absorbed in the admiration of beauty.Every attribute is laid aside, not perfectly in keepingwith the subject and place. He has discarded the floridgarment, the soft doe skin, and the thyrsus. In him isseen only the refined and yet impassioned lover. Hiscom
. Living orators in America . esty. Such an orator, imbuedwith elegant thought and tender sensibilities, appears ibefore an audience much as Theseus did before Ariadne.Philostratus represents him as being adorned with aplain purple robe, wearing a garland of roses. His iwhole air is that of one intoxicated with love, calm inits fullness, and absorbed in the admiration of beauty.Every attribute is laid aside, not perfectly in keepingwith the subject and place. He has discarded the floridgarment, the soft doe skin, and the thyrsus. In him isseen only the refined and yet impassioned lover. Hiscom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/living-orators-in-america-esty-such-an-orator-imbuedwith-elegant-thought-and-tender-sensibilities-appears-ibefore-an-audience-much-as-theseus-did-before-ariadnephilostratus-represents-him-as-being-adorned-with-aplain-purple-robe-wearing-a-garland-of-roses-his-iwhole-air-is-that-of-one-intoxicated-with-love-calm-inits-fullness-and-absorbed-in-the-admiration-of-beautyevery-attribute-is-laid-aside-not-perfectly-in-keepingwith-the-subject-and-place-he-has-discarded-the-floridgarment-the-soft-doe-skin-and-the-thyrsus-in-him-isseen-only-the-refined-and-yet-impassioned-lover-hiscom-image370019332.html
. English: Watercolour and gouache over lithographic line, on laid paper. Inscribed: J. B. A. del / Impri Lithoue de C Motte rue des Marais No.13 Fb. St. Gn. Numbered: 24. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze and black marble; silvered metal dial; black marble platform. The god, standing full face with his legs crossed below the knee, leans against an altar while holding the thyrsus by his side and a bunch of grapes aloft, a ewer to one side. The altar is topped by a wine cup and fronted by a crouching figure of Bacchus proffering a wine cup, having filled it from the a
. English: Watercolour and gouache over lithographic line, on laid paper. Inscribed: J. B. A. del / Impri Lithoue de C Motte rue des Marais No.13 Fb. St. Gn. Numbered: 24. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze and black marble; silvered metal dial; black marble platform. The god, standing full face with his legs crossed below the knee, leans against an altar while holding the thyrsus by his side and a bunch of grapes aloft, a ewer to one side. The altar is topped by a wine cup and fronted by a crouching figure of Bacchus proffering a wine cup, having filled it from the a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-and-gouache-over-lithographic-line-on-laid-paper-inscribed-j-b-a-del-impri-lithoue-de-c-motte-rue-des-marais-no13-fb-st-gn-numbered-24-dimensions-674cm-by-508cm-to-be-executed-in-gilt-bronze-and-black-marble-silvered-metal-dial-black-marble-platform-the-god-standing-full-face-with-his-legs-crossed-below-the-knee-leans-against-an-altar-while-holding-the-thyrsus-by-his-side-and-a-bunch-of-grapes-aloft-a-ewer-to-one-side-the-altar-is-topped-by-a-wine-cup-and-fronted-by-a-crouching-figure-of-bacchus-proffering-a-wine-cup-having-filled-it-from-the-a-image188746557.html
hen-and-chickens, house-leek, houseleek, common houseleek (Sempervivum tectorum), between paving stones, Germany, Baden-Wuertte
hen-and-chickens, house-leek, houseleek, common houseleek (Sempervivum tectorum), between paving stones, Germany, Baden-Wuertte https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-hen-and-chickens-house-leek-houseleek-common-houseleek-sempervivum-17404443.html
Handbook of archaeology, Egyptian - Greek - Etruscan - Roman . 188 HANDBOOK OF ARCHAEOLOGY. fawn-skins, carrying in their hands the thyrsus. They are dis-tinguished by their revelling enthusiasm, dishevelled hair, and headthrown back, with thyrsi, swords, serpents, dismembered roe-calves,tympana, and fluttering, loose flying garments. Bas-Eelief :— Bacchante, attributed to Scopas, British Museum. Centaurs.In earlier times they were represented in front entirely as men,with the body of a horse growing on to them behind ; but afterwards,perhaps from the time of Phidias, the forms were blended mu
Handbook of archaeology, Egyptian - Greek - Etruscan - Roman . 188 HANDBOOK OF ARCHAEOLOGY. fawn-skins, carrying in their hands the thyrsus. They are dis-tinguished by their revelling enthusiasm, dishevelled hair, and headthrown back, with thyrsi, swords, serpents, dismembered roe-calves,tympana, and fluttering, loose flying garments. Bas-Eelief :— Bacchante, attributed to Scopas, British Museum. Centaurs.In earlier times they were represented in front entirely as men,with the body of a horse growing on to them behind ; but afterwards,perhaps from the time of Phidias, the forms were blended mu https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/handbook-of-archaeology-egyptian-greek-etruscan-roman-188-handbook-of-archaeology-fawn-skins-carrying-in-their-hands-the-thyrsus-they-are-dis-tinguished-by-their-revelling-enthusiasm-dishevelled-hair-and-headthrown-back-with-thyrsi-swords-serpents-dismembered-roe-calvestympana-and-fluttering-loose-flying-garments-bas-eelief-bacchante-attributed-to-scopas-british-museum-centaursin-earlier-times-they-were-represented-in-front-entirely-as-menwith-the-body-of-a-horse-growing-on-to-them-behind-but-afterwardsperhaps-from-the-time-of-phidias-the-forms-were-blended-mu-image340046620.html
. English: Watercolour and gouache over lithographic line, on laid paper. Inscribed: J. B. A. del / Impri Lithoue de C Motte rue des Marais No.13 Fb. St. Gn. Numbered: 24. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze and black marble; silvered metal dial; black marble platform. The god, standing full face with his legs crossed below the knee, leans against an altar while holding the thyrsus by his side and a bunch of grapes aloft, a ewer to one side. The altar is topped by a wine cup and fronted by a crouching figure of Bacchus proffering a wine cup, having filled it from the a
. English: Watercolour and gouache over lithographic line, on laid paper. Inscribed: J. B. A. del / Impri Lithoue de C Motte rue des Marais No.13 Fb. St. Gn. Numbered: 24. Dimensions: 67.4cm. by 50.8cm. To be executed in gilt bronze and black marble; silvered metal dial; black marble platform. The god, standing full face with his legs crossed below the knee, leans against an altar while holding the thyrsus by his side and a bunch of grapes aloft, a ewer to one side. The altar is topped by a wine cup and fronted by a crouching figure of Bacchus proffering a wine cup, having filled it from the a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-watercolour-and-gouache-over-lithographic-line-on-laid-paper-inscribed-j-b-a-del-impri-lithoue-de-c-motte-rue-des-marais-no13-fb-st-gn-numbered-24-dimensions-674cm-by-508cm-to-be-executed-in-gilt-bronze-and-black-marble-silvered-metal-dial-black-marble-platform-the-god-standing-full-face-with-his-legs-crossed-below-the-knee-leans-against-an-altar-while-holding-the-thyrsus-by-his-side-and-a-bunch-of-grapes-aloft-a-ewer-to-one-side-the-altar-is-topped-by-a-wine-cup-and-fronted-by-a-crouching-figure-of-bacchus-proffering-a-wine-cup-having-filled-it-from-the-a-image187985656.html
. Ancient faiths embodied in ancient names; or, An attempt to trace the religious belief, sacred rites, and holy emblems of certain nations . d a wife ; but in later times thedistinction between jtellex and meretrix was not bettermarked than at the present day is the differencebetween one who is protected and one who is common.Pine Cone and Thyrsus. In the previous volume, whenspeaking of the so-called Assyrian grove, I statedmy conviction that the pine cone, offered by priests tothe deity—represented by that curiously shaped em-blem—was typical of the testis, the analogue ofthe mundane egg. T
. Ancient faiths embodied in ancient names; or, An attempt to trace the religious belief, sacred rites, and holy emblems of certain nations . d a wife ; but in later times thedistinction between jtellex and meretrix was not bettermarked than at the present day is the differencebetween one who is protected and one who is common.Pine Cone and Thyrsus. In the previous volume, whenspeaking of the so-called Assyrian grove, I statedmy conviction that the pine cone, offered by priests tothe deity—represented by that curiously shaped em-blem—was typical of the testis, the analogue ofthe mundane egg. T https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ancient-faiths-embodied-in-ancient-names-or-an-attempt-to-trace-the-religious-belief-sacred-rites-and-holy-emblems-of-certain-nations-d-a-wife-but-in-later-times-thedistinction-between-jtellex-and-meretrix-was-not-bettermarked-than-at-the-present-day-is-the-differencebetween-one-who-is-protected-and-one-who-is-commonpine-cone-and-thyrsus-in-the-previous-volume-whenspeaking-of-the-so-called-assyrian-grove-i-statedmy-conviction-that-the-pine-cone-offered-by-priests-tothe-deityrepresented-by-that-curiously-shaped-em-blemwas-typical-of-the-testis-the-analogue-ofthe-mundane-egg-t-image374721792.html
N/A. Tab. XCV. Zur Mythologie. c) Herkules, mit seiner Keule und der Löwenhaut, unterredet sich mit Aesculap, welcher die Hände auf einem mit einer Schlange umwundenen Stocke stützt. Neben ihm liegt eine Sphinx, am Leibe eine Löwin, am Gesichte ein Mädchen. Nicht weit davon ist Bacchus, ein schöner Jüngling mit Wein bekränzt, den vollen Becher in der Rechten und den Thyrsus in der Linken haltend. Neben ihm reitet auf einem Esel Silen; ein Satyr hält ihn, daß er nicht falle. Über dieser Gruppe erscheint Janus mit zwei Gesichtern. Daneben Fortuna, die auf einer Kugel steht. Unter ihr reiten Cast
N/A. Tab. XCV. Zur Mythologie. c) Herkules, mit seiner Keule und der Löwenhaut, unterredet sich mit Aesculap, welcher die Hände auf einem mit einer Schlange umwundenen Stocke stützt. Neben ihm liegt eine Sphinx, am Leibe eine Löwin, am Gesichte ein Mädchen. Nicht weit davon ist Bacchus, ein schöner Jüngling mit Wein bekränzt, den vollen Becher in der Rechten und den Thyrsus in der Linken haltend. Neben ihm reitet auf einem Esel Silen; ein Satyr hält ihn, daß er nicht falle. Über dieser Gruppe erscheint Janus mit zwei Gesichtern. Daneben Fortuna, die auf einer Kugel steht. Unter ihr reiten Cast https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/na-tab-xcv-zur-mythologie-c-herkules-mit-seiner-keule-und-der-lwenhaut-unterredet-sich-mit-aesculap-welcher-die-hnde-auf-einem-mit-einer-schlange-umwundenen-stocke-sttzt-neben-ihm-liegt-eine-sphinx-am-leibe-eine-lwin-am-gesichte-ein-mdchen-nicht-weit-davon-ist-bacchus-ein-schner-jngling-mit-wein-bekrnzt-den-vollen-becher-in-der-rechten-und-den-thyrsus-in-der-linken-haltend-neben-ihm-reitet-auf-einem-esel-silen-ein-satyr-hlt-ihn-da-er-nicht-falle-ber-dieser-gruppe-erscheint-janus-mit-zwei-gesichtern-daneben-fortuna-die-auf-einer-kugel-steht-unter-ihr-reiten-cast-image209872322.html
. Synoptical flora of North America. Botany; Gamopetalae. 136 POLEMONIACE^. Collomia. # Cauline leaves simply pinnately parted into few (3 to 7) narrow-linear or often almost filiform divisions, very numerous, all alternate; inflorescence tliyrsiform or panicled: corolla sah'erform, with tube little if at all dilated upward. : C. Cavanillesiana, Don. Biennial {or perhaps perennial southward) with a somewhat woody base, more or less pubescent, virgately branched: flowers in small clusters in a narrow or raceme-like leafy thyrsus : pedicels very short or none : corolla white, ochroleu- cous, or
. Synoptical flora of North America. Botany; Gamopetalae. 136 POLEMONIACE^. Collomia. # Cauline leaves simply pinnately parted into few (3 to 7) narrow-linear or often almost filiform divisions, very numerous, all alternate; inflorescence tliyrsiform or panicled: corolla sah'erform, with tube little if at all dilated upward. : C. Cavanillesiana, Don. Biennial {or perhaps perennial southward) with a somewhat woody base, more or less pubescent, virgately branched: flowers in small clusters in a narrow or raceme-like leafy thyrsus : pedicels very short or none : corolla white, ochroleu- cous, or https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/synoptical-flora-of-north-america-botany-gamopetalae-136-polemoniace-collomia-cauline-leaves-simply-pinnately-parted-into-few-3-to-7-narrow-linear-or-often-almost-filiform-divisions-very-numerous-all-alternate-inflorescence-tliyrsiform-or-panicled-corolla-saherform-with-tube-little-if-at-all-dilated-upward-c-cavanillesiana-don-biennial-or-perhaps-perennial-southward-with-a-somewhat-woody-base-more-or-less-pubescent-virgately-branched-flowers-in-small-clusters-in-a-narrow-or-raceme-like-leafy-thyrsus-pedicels-very-short-or-none-corolla-white-ochroleu-cous-or-image232117060.html
Dictionary of Greek and Roman geography . infer thatit was situated on or near the Ionian sea, and thatit was the first town oa the coast S. of the cand 1196 THYRSUS, which separated Leucas from the mainland. It isplaced by Leiike in the plain of Zaverdha, but noruins of it have been discovered. Its name does notoccur in Strabo. Thyrium is first mentioned inB. c. 373, when its territory was invaded by Iphi-crates. (Xen. Hell. vi. 2. § 37.) Xenophon de-scribes it as a place of importance; and it appearsas one of tlie chief cities of Acarnania at the timeof the Roman wars in Greece, when its nam
Dictionary of Greek and Roman geography . infer thatit was situated on or near the Ionian sea, and thatit was the first town oa the coast S. of the cand 1196 THYRSUS, which separated Leucas from the mainland. It isplaced by Leiike in the plain of Zaverdha, but noruins of it have been discovered. Its name does notoccur in Strabo. Thyrium is first mentioned inB. c. 373, when its territory was invaded by Iphi-crates. (Xen. Hell. vi. 2. § 37.) Xenophon de-scribes it as a place of importance; and it appearsas one of tlie chief cities of Acarnania at the timeof the Roman wars in Greece, when its nam https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dictionary-of-greek-and-roman-geography-infer-thatit-was-situated-on-or-near-the-ionian-sea-and-thatit-was-the-first-town-oa-the-coast-s-of-the-cand-1196-thyrsus-which-separated-leucas-from-the-mainland-it-isplaced-by-leiike-in-the-plain-of-zaverdha-but-noruins-of-it-have-been-discovered-its-name-does-notoccur-in-strabo-thyrium-is-first-mentioned-inb-c-373-when-its-territory-was-invaded-by-iphi-crates-xen-hell-vi-2-37-xenophon-de-scribes-it-as-a-place-of-importance-and-it-appearsas-one-of-tlie-chief-cities-of-acarnania-at-the-timeof-the-roman-wars-in-greece-when-its-nam-image342672011.html
. A manual of botany. Botany. Fig. 241. Mixed panicle of the Privet {^Ligustrum vulgare). a'. Primary axis, a'', a". Secondary axes, a'", a"'. Tertiary axes, c, c. The central flowers of the respective clusters, which are seen to be in a more expanded state than those surrounding or below them. Fig. 242. Thyrsus of Vine. the shape of a double cone. Examples are seen in the inflo- rescence of the Lilac and the Horse Chestnut. An almost com- pound thyrsus is seen in the Vine (fig. 242). Light is often thrown upon the construction of the forms of the inflorescence by the study of t
. A manual of botany. Botany. Fig. 241. Mixed panicle of the Privet {^Ligustrum vulgare). a'. Primary axis, a'', a". Secondary axes, a'", a"'. Tertiary axes, c, c. The central flowers of the respective clusters, which are seen to be in a more expanded state than those surrounding or below them. Fig. 242. Thyrsus of Vine. the shape of a double cone. Examples are seen in the inflo- rescence of the Lilac and the Horse Chestnut. An almost com- pound thyrsus is seen in the Vine (fig. 242). Light is often thrown upon the construction of the forms of the inflorescence by the study of t https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-manual-of-botany-botany-fig-241-mixed-panicle-of-the-privet-ligustrum-vulgare-a-primary-axis-a-aquot-secondary-axes-aquot-aquot-tertiary-axes-c-c-the-central-flowers-of-the-respective-clusters-which-are-seen-to-be-in-a-more-expanded-state-than-those-surrounding-or-below-them-fig-242-thyrsus-of-vine-the-shape-of-a-double-cone-examples-are-seen-in-the-inflo-rescence-of-the-lilac-and-the-horse-chestnut-an-almost-com-pound-thyrsus-is-seen-in-the-vine-fig-242-light-is-often-thrown-upon-the-construction-of-the-forms-of-the-inflorescence-by-the-study-of-t-image232377133.html
School dictionary of Greek and Roman antiquities . l^^^^^l^W^ I HEAD OP A THliRSns. thyrsus composed of the leaves and berriesof the ivy, and surrounded by acanthus-leaves. Ihe fabulous history of Bacchusrelates that he converted the thyrsi carriedby himself and his followers into danger-ous weapons, by concealing an iron pointin the head of the leaves. Hence his thyr-sus is called a a spear enveloped in vine-leaves, and its point was thought to inciteto madness. TIARA or TIARAS (ridpa or Tidpas:Alt. Kvp§aaia), a hat with a large highcrown. This was the head-dress whichcharacterised the north-
School dictionary of Greek and Roman antiquities . l^^^^^l^W^ I HEAD OP A THliRSns. thyrsus composed of the leaves and berriesof the ivy, and surrounded by acanthus-leaves. Ihe fabulous history of Bacchusrelates that he converted the thyrsi carriedby himself and his followers into danger-ous weapons, by concealing an iron pointin the head of the leaves. Hence his thyr-sus is called a a spear enveloped in vine-leaves, and its point was thought to inciteto madness. TIARA or TIARAS (ridpa or Tidpas:Alt. Kvp§aaia), a hat with a large highcrown. This was the head-dress whichcharacterised the north- https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/school-dictionary-of-greek-and-roman-antiquities-llw-i-head-op-a-thlirsns-thyrsus-composed-of-the-leaves-and-berriesof-the-ivy-and-surrounded-by-acanthus-leaves-ihe-fabulous-history-of-bacchusrelates-that-he-converted-the-thyrsi-carriedby-himself-and-his-followers-into-danger-ous-weapons-by-concealing-an-iron-pointin-the-head-of-the-leaves-hence-his-thyr-sus-is-called-a-a-spear-enveloped-in-vine-leaves-and-its-point-was-thought-to-inciteto-madness-tiara-or-tiaras-ridpa-or-tidpasalt-kvpaaia-a-hat-with-a-large-highcrown-this-was-the-head-dress-whichcharacterised-the-north-image338458427.html
. The book of ballads . THE BOOK OF BALLADS. I I And already in his rearward Felt he Joves tremendous toes; When a brig-ht idea struck him— Dash my thyrsus I I 11 be bail— For you never were in India— That you know not Hodgsoivs Ale ! Bring- it! quoth the Cloud-comi5eller; And the wine-g-od Ijroug-ht the beer— Port and Claret are like water To the noble stuff thats here !And 8aturnius drank and nodded, Winking- with his lightning- eyes;And amidst the constellations Did the star of Hodgso rise ! m<. ^i ?=^^^^-.,. THE BOOK OF BALLADS. 179 Coats at five-and-forty shillings! trousers ten-and-
. The book of ballads . THE BOOK OF BALLADS. I I And already in his rearward Felt he Joves tremendous toes; When a brig-ht idea struck him— Dash my thyrsus I I 11 be bail— For you never were in India— That you know not Hodgsoivs Ale ! Bring- it! quoth the Cloud-comi5eller; And the wine-g-od Ijroug-ht the beer— Port and Claret are like water To the noble stuff thats here !And 8aturnius drank and nodded, Winking- with his lightning- eyes;And amidst the constellations Did the star of Hodgso rise ! m<. ^i ?=^^^^-.,. THE BOOK OF BALLADS. 179 Coats at five-and-forty shillings! trousers ten-and- https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-book-of-ballads-the-book-of-ballads-i-i-and-already-in-his-rearward-felt-he-joves-tremendous-toes-when-a-brig-ht-idea-struck-him-dash-my-thyrsus-i-i-11-be-bail-for-you-never-were-in-india-that-you-know-not-hodgsoivs-ale-!-bring-it!-quoth-the-cloud-comi5eller-and-the-wine-g-od-ijroug-ht-the-beer-port-and-claret-are-like-water-to-the-noble-stuff-thats-here-!and-8aturnius-drank-and-nodded-winking-with-his-lightning-eyesand-amidst-the-constellations-did-the-star-of-hodgso-rise-!-mlt-i-=-the-book-of-ballads-179-coats-at-five-and-forty-shillings!-trousers-ten-and-image369656304.html
. The illustrated companion to the Latin dictionary and Greek lexicon; forming a glossary of all the words representing visible objects connected with the arts, manufactures, and every-day life of the Greeks and Romans, with representations of nearly two thousand objects from the antique. thyrsus under the foliaged head(Stat. Theb. vii. 654.), as in the an- nexed example, from a Pompeianpainting. 3. In the plural ; the bands orcords interlaced across the frame of a. bed or couch, to make a support forthe mattress (Pet. Sat. 97. 4.) ; as inthe annexed example, from a terra-cotta lamp. 4. Also,
. The illustrated companion to the Latin dictionary and Greek lexicon; forming a glossary of all the words representing visible objects connected with the arts, manufactures, and every-day life of the Greeks and Romans, with representations of nearly two thousand objects from the antique. thyrsus under the foliaged head(Stat. Theb. vii. 654.), as in the an- nexed example, from a Pompeianpainting. 3. In the plural ; the bands orcords interlaced across the frame of a. bed or couch, to make a support forthe mattress (Pet. Sat. 97. 4.) ; as inthe annexed example, from a terra-cotta lamp. 4. Also, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-illustrated-companion-to-the-latin-dictionary-and-greek-lexicon-forming-a-glossary-of-all-the-words-representing-visible-objects-connected-with-the-arts-manufactures-and-every-day-life-of-the-greeks-and-romans-with-representations-of-nearly-two-thousand-objects-from-the-antique-thyrsus-under-the-foliaged-headstat-theb-vii-654-as-in-the-an-nexed-example-from-a-pompeianpainting-3-in-the-plural-the-bands-orcords-interlaced-across-the-frame-of-a-bed-or-couch-to-make-a-support-forthe-mattress-pet-sat-97-4-as-inthe-annexed-example-from-a-terra-cotta-lamp-4-also-image336809114.html
The museum of classical antiquities : being a series of essays on ancient art . left panel of end wall has three figures reclining on thecushioned triclinium, two of whom are either speaking to, orkissing each other, and the third claps her hands, as if in keep-ing time; a fourth is seated at the extreme end, and playing alyre, while the principal figure is dancing in the middle, with anamphora or diota on his shoulder. Behind the canopy, which iscuriously disposed so as to hide less of his figure, is the beardedBacchus on a pedestal, holding his thyrsus in his left hand.That on right of end w
The museum of classical antiquities : being a series of essays on ancient art . left panel of end wall has three figures reclining on thecushioned triclinium, two of whom are either speaking to, orkissing each other, and the third claps her hands, as if in keep-ing time; a fourth is seated at the extreme end, and playing alyre, while the principal figure is dancing in the middle, with anamphora or diota on his shoulder. Behind the canopy, which iscuriously disposed so as to hide less of his figure, is the beardedBacchus on a pedestal, holding his thyrsus in his left hand.That on right of end w https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-museum-of-classical-antiquities-being-a-series-of-essays-on-ancient-art-left-panel-of-end-wall-has-three-figures-reclining-on-thecushioned-triclinium-two-of-whom-are-either-speaking-to-orkissing-each-other-and-the-third-claps-her-hands-as-if-in-keep-ing-time-a-fourth-is-seated-at-the-extreme-end-and-playing-alyre-while-the-principal-figure-is-dancing-in-the-middle-with-anamphora-or-diota-on-his-shoulder-behind-the-canopy-which-iscuriously-disposed-so-as-to-hide-less-of-his-figure-is-the-beardedbacchus-on-a-pedestal-holding-his-thyrsus-in-his-left-handthat-on-right-of-end-w-image342679217.html
. Dictionary of Greek and Roman geography . infer thatit was situated on or near the Ionian sea, and thatit w;is the first town on the coast S. of the canal 1196 THYRSUS. which separated Leucas from the mainland. It isplaced by Leake in the plain of Zaverdha, but noruins of it have been discovered. Its name does notoccur in Strabo. Thyrium is first mentioned inB. c. 373, when its territory was invaded by Iphi-crates. (Xen. Hell. vi. 2. § 37.) Xenophou de-scribes it as a place of importance; and it appearsas one of the chief cities of Acarnania at the timeof the Roman wars in Greece, when its n
. Dictionary of Greek and Roman geography . infer thatit was situated on or near the Ionian sea, and thatit w;is the first town on the coast S. of the canal 1196 THYRSUS. which separated Leucas from the mainland. It isplaced by Leake in the plain of Zaverdha, but noruins of it have been discovered. Its name does notoccur in Strabo. Thyrium is first mentioned inB. c. 373, when its territory was invaded by Iphi-crates. (Xen. Hell. vi. 2. § 37.) Xenophou de-scribes it as a place of importance; and it appearsas one of the chief cities of Acarnania at the timeof the Roman wars in Greece, when its n https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dictionary-of-greek-and-roman-geography-infer-thatit-was-situated-on-or-near-the-ionian-sea-and-thatit-wis-the-first-town-on-the-coast-s-of-the-canal-1196-thyrsus-which-separated-leucas-from-the-mainland-it-isplaced-by-leake-in-the-plain-of-zaverdha-but-noruins-of-it-have-been-discovered-its-name-does-notoccur-in-strabo-thyrium-is-first-mentioned-inb-c-373-when-its-territory-was-invaded-by-iphi-crates-xen-hell-vi-2-37-xenophou-de-scribes-it-as-a-place-of-importance-and-it-appearsas-one-of-the-chief-cities-of-acarnania-at-the-timeof-the-roman-wars-in-greece-when-its-n-image369646326.html
. Ancient faiths embodied in ancient names; or, An attempt to trace the religious belief, sacred rites, and holy emblems of certain nations . 494 Pine Cone ] three wheat ears of Ceres, the caduceus ofand Thyrsus I Mercury, and the vine of Bacchus. Amongst the gems depicted in this work, thethyrsus seems to be occasionally replaced by the cor-nucopia, caduceus, etc. In the Musee Secret {Herculanum et Pompei, parRoux Aine, Paris, 1840,) of the celebrated Museumof Naples, the thyrsus is present in most of the amor-ous scenes pourtrayed. In plate i., it is associatedwith a patera, which bears upon
. Ancient faiths embodied in ancient names; or, An attempt to trace the religious belief, sacred rites, and holy emblems of certain nations . 494 Pine Cone ] three wheat ears of Ceres, the caduceus ofand Thyrsus I Mercury, and the vine of Bacchus. Amongst the gems depicted in this work, thethyrsus seems to be occasionally replaced by the cor-nucopia, caduceus, etc. In the Musee Secret {Herculanum et Pompei, parRoux Aine, Paris, 1840,) of the celebrated Museumof Naples, the thyrsus is present in most of the amor-ous scenes pourtrayed. In plate i., it is associatedwith a patera, which bears upon https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/ancient-faiths-embodied-in-ancient-names-or-an-attempt-to-trace-the-religious-belief-sacred-rites-and-holy-emblems-of-certain-nations-494-pine-cone-three-wheat-ears-of-ceres-the-caduceus-ofand-thyrsus-i-mercury-and-the-vine-of-bacchus-amongst-the-gems-depicted-in-this-work-thethyrsus-seems-to-be-occasionally-replaced-by-the-cor-nucopia-caduceus-etc-in-the-musee-secret-herculanum-et-pompei-parroux-aine-paris-1840-of-the-celebrated-museumof-naples-the-thyrsus-is-present-in-most-of-the-amor-ous-scenes-pourtrayed-in-plate-i-it-is-associatedwith-a-patera-which-bears-upon-image376225031.html
. An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. ^ pubescent or hirsute,simple or sometimes branched, i3°-3° high.Lower leaves oval, acute, or obtuse, peti-oled, pubescent on both sides, usually den-tate, 2-5 long, i-2 wide; upper leavesoblong, sessile, acute, dentate or entire,smaller, sessile, heads about 3 high, crowd-ed in a dense narrow terminal thyrsus andalso often in racemose clusters in the upperaxils; rays yellow;
. An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian. ^ pubescent or hirsute,simple or sometimes branched, i3°-3° high.Lower leaves oval, acute, or obtuse, peti-oled, pubescent on both sides, usually den-tate, 2-5 long, i-2 wide; upper leavesoblong, sessile, acute, dentate or entire,smaller, sessile, heads about 3 high, crowd-ed in a dense narrow terminal thyrsus andalso often in racemose clusters in the upperaxils; rays yellow; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-illustrated-flora-of-the-northern-united-states-canada-and-the-british-possessions-from-newfoundland-to-the-parallel-of-the-southern-boundary-of-virginia-and-from-the-atlantic-ocean-westward-to-the-102nd-meridian-pubescent-or-hirsutesimple-or-sometimes-branched-i3-3-highlower-leaves-oval-acute-or-obtuse-peti-oled-pubescent-on-both-sides-usually-den-tate-2-5-long-i-2-wide-upper-leavesoblong-sessile-acute-dentate-or-entiresmaller-sessile-heads-about-3-high-crowd-ed-in-a-dense-narrow-terminal-thyrsus-andalso-often-in-racemose-clusters-in-the-upperaxils-rays-yellow-image337075502.html
Leonardo da Vinci, artist, thinker and man of science; . STUDY FOn THE MADONNA DEL GATTO. (Windsor Library.) Sant Eustorgio, at Milan, possesses a picture, certainly a 5. John the Baptist, identical in every respect with that in tlie Louvre, save for the crown of vine leaves. The same saint again is represented in the picture from the Penther Collection (sold at Vienna in December 1887), which is a textual reproduction of the Louvre picture.- The thyrsus must have usurped the place of the reed cross. On the other hand, Leonardos contemporary, F. A. Giraldi, celebrated the painters Bacchus in t
Leonardo da Vinci, artist, thinker and man of science; . STUDY FOn THE MADONNA DEL GATTO. (Windsor Library.) Sant Eustorgio, at Milan, possesses a picture, certainly a 5. John the Baptist, identical in every respect with that in tlie Louvre, save for the crown of vine leaves. The same saint again is represented in the picture from the Penther Collection (sold at Vienna in December 1887), which is a textual reproduction of the Louvre picture.- The thyrsus must have usurped the place of the reed cross. On the other hand, Leonardos contemporary, F. A. Giraldi, celebrated the painters Bacchus in t https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/leonardo-da-vinci-artist-thinker-and-man-of-science-study-fon-the-madonna-del-gatto-windsor-library-sant-eustorgio-at-milan-possesses-a-picture-certainly-a-5-john-the-baptist-identical-in-every-respect-with-that-in-tlie-louvre-save-for-the-crown-of-vine-leaves-the-same-saint-again-is-represented-in-the-picture-from-the-penther-collection-sold-at-vienna-in-december-1887-which-is-a-textual-reproduction-of-the-louvre-picture-the-thyrsus-must-have-usurped-the-place-of-the-reed-cross-on-the-other-hand-leonardos-contemporary-f-a-giraldi-celebrated-the-painters-bacchus-in-t-image339233970.html
An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian . P. PentstemonCorolla white or pinkish ; tube gibbous above the point of enlargement. 7. P. Digitalis.Calyx-lobes linear-subulate from a narrowly lanceolate base, becoming fully 5 long. 8. P. calycosus.Stem leaves linear-lanceolate. 9. P. gracilis. Thyrsus narrow, interrupted; calyx viscid. 10. P.tubiflorus. Corolla 2 long, the tube much enlarged above; leaves dentate. 11. P. C
An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian . P. PentstemonCorolla white or pinkish ; tube gibbous above the point of enlargement. 7. P. Digitalis.Calyx-lobes linear-subulate from a narrowly lanceolate base, becoming fully 5 long. 8. P. calycosus.Stem leaves linear-lanceolate. 9. P. gracilis. Thyrsus narrow, interrupted; calyx viscid. 10. P.tubiflorus. Corolla 2 long, the tube much enlarged above; leaves dentate. 11. P. C https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-illustrated-flora-of-the-northern-united-states-canada-and-the-british-possessions-from-newfoundland-to-the-parallel-of-the-southern-boundary-of-virginia-and-from-the-atlantic-ocean-westward-to-the-102nd-meridian-p-pentstemoncorolla-white-or-pinkish-tube-gibbous-above-the-point-of-enlargement-7-p-digitaliscalyx-lobes-linear-subulate-from-a-narrowly-lanceolate-base-becoming-fully-5-long-8-p-calycosusstem-leaves-linear-lanceolate-9-p-gracilis-thyrsus-narrow-interrupted-calyx-viscid-10-ptubiflorus-corolla-2-long-the-tube-much-enlarged-above-leaves-dentate-11-p-c-image338110890.html
. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations . onym forthe Latin Janua (q.v.). Thyrsus, R. {Qvpaos). A long staff, sur-mounted with a fir-cone, or a bunch of vine-leaves or ivy, with grapes or berries, carried byBacchus, and the satyrs, msenads, and others,during the celebration of religious rites. Be-neath the garland or fir-cone the thyrsus ends
. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations . onym forthe Latin Janua (q.v.). Thyrsus, R. {Qvpaos). A long staff, sur-mounted with a fir-cone, or a bunch of vine-leaves or ivy, with grapes or berries, carried byBacchus, and the satyrs, msenads, and others,during the celebration of religious rites. Be-neath the garland or fir-cone the thyrsus ends https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-illustrated-dictionary-of-words-used-in-art-and-archaeology-explaining-terms-frequently-used-in-works-on-architecture-arms-bronzes-christian-art-colour-costume-decoration-devices-emblems-heraldry-lace-personal-ornaments-pottery-painting-sculpture-c-with-their-derivations-onym-forthe-latin-janua-qv-thyrsus-r-qvpaos-a-long-staff-sur-mounted-with-a-fir-cone-or-a-bunch-of-vine-leaves-or-ivy-with-grapes-or-berries-carried-bybacchus-and-the-satyrs-msenads-and-othersduring-the-celebration-of-religious-rites-be-neath-the-garland-or-fir-cone-the-thyrsus-ends-image375501848.html
The cities and cemeteries of Etruria . T a broadstephane over her forehead, stands by hisside; she passes one arm round his neck,and regards him with looks of intenseaffection. On one side of this beautifulpair, a nymph, draped also to her feet, butwith a nebris, or deer-skin, over her chiton, AMPH0RA wand crowned with a garland of ivy-leaves, is paying attention to a fawn. On the other side a Satyr, nakedsave that a nebris is tied about his neck, stands looking on,thyrsus in one hand, and kantliaros in the other, resting onefoot on an empty amphora with pointed base, of the same rareform as t
The cities and cemeteries of Etruria . T a broadstephane over her forehead, stands by hisside; she passes one arm round his neck,and regards him with looks of intenseaffection. On one side of this beautifulpair, a nymph, draped also to her feet, butwith a nebris, or deer-skin, over her chiton, AMPH0RA wand crowned with a garland of ivy-leaves, is paying attention to a fawn. On the other side a Satyr, nakedsave that a nebris is tied about his neck, stands looking on,thyrsus in one hand, and kantliaros in the other, resting onefoot on an empty amphora with pointed base, of the same rareform as t https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-cities-and-cemeteries-of-etruria-t-a-broadstephane-over-her-forehead-stands-by-hisside-she-passes-one-arm-round-his-neckand-regards-him-with-looks-of-intenseaffection-on-one-side-of-this-beautifulpair-a-nymph-draped-also-to-her-feet-butwith-a-nebris-or-deer-skin-over-her-chiton-amph0ra-wand-crowned-with-a-garland-of-ivy-leaves-is-paying-attention-to-a-fawn-on-the-other-side-a-satyr-nakedsave-that-a-nebris-is-tied-about-his-neck-stands-looking-onthyrsus-in-one-hand-and-kantliaros-in-the-other-resting-onefoot-on-an-empty-amphora-with-pointed-base-of-the-same-rareform-as-t-image340184449.html
A dictionary of Greek and Roman antiquities.. . ) As a chair for common use wassometimes made to hold two persons (Horn. II. iii.424, Od. xvii. 330) and a throne shared by twopotentates {Slcppov, Doris, ap. Athen. i. p. 17, f.), sotwo divinities were sometimes supposed to occupythe same throne. (Paus. viii. 37. § 2.) Besides thosebelonging to the statues of the gods, the thrones of THYRSUS. 1129 monarchs were sometimes deposited in the templesas Donaria. (Paus. ii. 19. § 4, v. 12. § 3.) The following woodcut, taken from a fictile vasein the Museo Borbonico at Naples, represents Junoseated on a
A dictionary of Greek and Roman antiquities.. . ) As a chair for common use wassometimes made to hold two persons (Horn. II. iii.424, Od. xvii. 330) and a throne shared by twopotentates {Slcppov, Doris, ap. Athen. i. p. 17, f.), sotwo divinities were sometimes supposed to occupythe same throne. (Paus. viii. 37. § 2.) Besides thosebelonging to the statues of the gods, the thrones of THYRSUS. 1129 monarchs were sometimes deposited in the templesas Donaria. (Paus. ii. 19. § 4, v. 12. § 3.) The following woodcut, taken from a fictile vasein the Museo Borbonico at Naples, represents Junoseated on a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-dictionary-of-greek-and-roman-antiquities-as-a-chair-for-common-use-wassometimes-made-to-hold-two-persons-horn-ii-iii424-od-xvii-330-and-a-throne-shared-by-twopotentates-slcppov-doris-ap-athen-i-p-17-f-sotwo-divinities-were-sometimes-supposed-to-occupythe-same-throne-paus-viii-37-2-besides-thosebelonging-to-the-statues-of-the-gods-the-thrones-of-thyrsus-1129-monarchs-were-sometimes-deposited-in-the-templesas-donaria-paus-ii-19-4-v-12-3-the-following-woodcut-taken-from-a-fictile-vasein-the-museo-borbonico-at-naples-represents-junoseated-on-a-image339168057.html
The plays of Euripides . Nor I gaze back ; no thyrsus stem,Nor song, nor memory in the air.Oh, other Bacchanals be there,Not I, not I, to dream of them ! [Agave with her group of attendants goes out onthe side away from the Mountain, Dionysusrises upon the Cloud and disappears^ Chorus. There be many shapes of mystery.And many things God makes to be,Past hope or fear.I [And the end men looked for cometh not,1/ And a path is there where no man thought. So hath It fallen here, [^Exeunt,. NOTES ON THE BACCHAE INTRODUCTORY NOTE The Bacchae^ being from one point of view a religious I /drama, a kind
The plays of Euripides . Nor I gaze back ; no thyrsus stem,Nor song, nor memory in the air.Oh, other Bacchanals be there,Not I, not I, to dream of them ! [Agave with her group of attendants goes out onthe side away from the Mountain, Dionysusrises upon the Cloud and disappears^ Chorus. There be many shapes of mystery.And many things God makes to be,Past hope or fear.I [And the end men looked for cometh not,1/ And a path is there where no man thought. So hath It fallen here, [^Exeunt,. NOTES ON THE BACCHAE INTRODUCTORY NOTE The Bacchae^ being from one point of view a religious I /drama, a kind https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-plays-of-euripides-nor-i-gaze-back-no-thyrsus-stemnor-song-nor-memory-in-the-airoh-other-bacchanals-be-therenot-i-not-i-to-dream-of-them-!-agave-with-her-group-of-attendants-goes-out-onthe-side-away-from-the-mountain-dionysusrises-upon-the-cloud-and-disappears-chorus-there-be-many-shapes-of-mysteryand-many-things-god-makes-to-bepast-hope-or-feari-and-the-end-men-looked-for-cometh-not1-and-a-path-is-there-where-no-man-thought-so-hath-it-fallen-here-exeunt-notes-on-the-bacchae-introductory-note-the-bacchae-being-from-one-point-of-view-a-religious-i-drama-a-kind-image340053263.html
The lives of the saints With introd and additional lives of English martyrs, Cornish, Scottish, and Welsh saints, and a full index to the entire work . L iff^:---. J6 .fi « ^^i* S. VICTOR OF MARSEILLES (see July 21).After the Painting by Giov. Antonio de Bazzi at Siena. Oct., Part I. p, 60.] ^- ^ SS. Crisp2fs and Caius. 61 Oct. 4-] October 4. SS. Crispus and Caius, at Corinth ; st cent. SS. Lucius and Ch^eremon, MM. at Alcxntidria; endofirdcetit. SS. Thyrsus and Companions, MM. at Treves; circ. a.d. 303. SS. Boniface and Companions, MM. at Treves; circ. a.d. 303. SS. Marcus and Marcian, MM. i
The lives of the saints With introd and additional lives of English martyrs, Cornish, Scottish, and Welsh saints, and a full index to the entire work . L iff^:---. J6 .fi « ^^i* S. VICTOR OF MARSEILLES (see July 21).After the Painting by Giov. Antonio de Bazzi at Siena. Oct., Part I. p, 60.] ^- ^ SS. Crisp2fs and Caius. 61 Oct. 4-] October 4. SS. Crispus and Caius, at Corinth ; st cent. SS. Lucius and Ch^eremon, MM. at Alcxntidria; endofirdcetit. SS. Thyrsus and Companions, MM. at Treves; circ. a.d. 303. SS. Boniface and Companions, MM. at Treves; circ. a.d. 303. SS. Marcus and Marcian, MM. i https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-lives-of-the-saints-with-introd-and-additional-lives-of-english-martyrs-cornish-scottish-and-welsh-saints-and-a-full-index-to-the-entire-work-l-iff-j6-fi-i-s-victor-of-marseilles-see-july-21after-the-painting-by-giov-antonio-de-bazzi-at-siena-oct-part-i-p-60-ss-crisp2fs-and-caius-61-oct-4-october-4-ss-crispus-and-caius-at-corinth-st-cent-ss-lucius-and-cheremon-mm-at-alcxntidria-endofirdcetit-ss-thyrsus-and-companions-mm-at-treves-circ-ad-303-ss-boniface-and-companions-mm-at-treves-circ-ad-303-ss-marcus-and-marcian-mm-i-image338474875.html
. Indian trees : an account of trees, shrubs, woody climbers, bamboos, and palms indigenous or commonly cultivated in the British Indian Empire. Trees. Fayrcva] LXXV. LOGANIAOEiE 477. Fig. 171. Fagrsea obovata, Wall. J. B. M. 1 in. long or less. 6. F. morindsBfolia, Blume, Anclamaiis, Malaya. A. rambling slirub, L broadly elliptic, very shortly acuminate, blade 6-12, petiole | in., sec. n. prominent beneath. FL in trichotomous cymes, arranged in a terminal pedtincnlate thyrsus 6-9 in., pedicels J-J in. long. Calyx J in., corolla funnel-shaped, tube J in., lobes | in. long. Enrz, Jl racemosa, F
. Indian trees : an account of trees, shrubs, woody climbers, bamboos, and palms indigenous or commonly cultivated in the British Indian Empire. Trees. Fayrcva] LXXV. LOGANIAOEiE 477. Fig. 171. Fagrsea obovata, Wall. J. B. M. 1 in. long or less. 6. F. morindsBfolia, Blume, Anclamaiis, Malaya. A. rambling slirub, L broadly elliptic, very shortly acuminate, blade 6-12, petiole | in., sec. n. prominent beneath. FL in trichotomous cymes, arranged in a terminal pedtincnlate thyrsus 6-9 in., pedicels J-J in. long. Calyx J in., corolla funnel-shaped, tube J in., lobes | in. long. Enrz, Jl racemosa, F https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/indian-trees-an-account-of-trees-shrubs-woody-climbers-bamboos-and-palms-indigenous-or-commonly-cultivated-in-the-british-indian-empire-trees-fayrcva-lxxv-loganiaoeie-477-fig-171-fagrsea-obovata-wall-j-b-m-1-in-long-or-less-6-f-morindsbfolia-blume-anclamaiis-malaya-a-rambling-slirub-l-broadly-elliptic-very-shortly-acuminate-blade-6-12-petiole-in-sec-n-prominent-beneath-fl-in-trichotomous-cymes-arranged-in-a-terminal-pedtincnlate-thyrsus-6-9-in-pedicels-j-j-in-long-calyx-j-in-corolla-funnel-shaped-tube-j-in-lobes-in-long-enrz-jl-racemosa-f-image231919818.html
![. Herbals, their origin and evolution, a chapter in the history of botany, 1470-1670. Botany; Botany; Herbals. V] De r Ecluse 129 inclines to a dark colour, and is speckled as in Tithymalus characia : the speckles are simply the remains of leaves which have fallen off. Meanwhile a thick pedicel covered. Text-fig. 60. "Battata VirgmULna." = Soianum tuberostim L., Potato [Gerard, The Herball, 1597]. with leaves springs out from the top of the larger branches, and bears, so to speak, a thyrsus of many yellow flowers,. Please note that these images are extracted from scanned page images - Stock Image](https://c8.alamy.com/comp/RDNJN3/herbals-their-origin-and-evolution-a-chapter-in-the-history-of-botany-1470-1670-botany-botany-herbals-v-de-r-ecluse-129-inclines-to-a-dark-colour-and-is-speckled-as-in-tithymalus-characia-the-speckles-are-simply-the-remains-of-leaves-which-have-fallen-off-meanwhile-a-thick-pedicel-covered-text-fig-60-quotbattata-virgmulnaquot-=-soianum-tuberostim-l-potato-gerard-the-herball-1597-with-leaves-springs-out-from-the-top-of-the-larger-branches-and-bears-so-to-speak-a-thyrsus-of-many-yellow-flowers-please-note-that-these-images-are-extracted-from-scanned-page-images-RDNJN3.jpg)
![. Ancient faiths embodied in ancient names; or, An attempt to trace the religious belief, sacred rites, and holy emblems of certain nations . 494 Pine Cone ] three wheat ears of Ceres, the caduceus ofand Thyrsus I Mercury, and the vine of Bacchus. Amongst the gems depicted in this work, thethyrsus seems to be occasionally replaced by the cor-nucopia, caduceus, etc. In the Musee Secret {Herculanum et Pompei, parRoux Aine, Paris, 1840,) of the celebrated Museumof Naples, the thyrsus is present in most of the amor-ous scenes pourtrayed. In plate i., it is associatedwith a patera, which bears upon - Stock Image](https://c8.alamy.com/comp/2CT2ET7/ancient-faiths-embodied-in-ancient-names-or-an-attempt-to-trace-the-religious-belief-sacred-rites-and-holy-emblems-of-certain-nations-494-pine-cone-three-wheat-ears-of-ceres-the-caduceus-ofand-thyrsus-i-mercury-and-the-vine-of-bacchus-amongst-the-gems-depicted-in-this-work-thethyrsus-seems-to-be-occasionally-replaced-by-the-cor-nucopia-caduceus-etc-in-the-musee-secret-herculanum-et-pompei-parroux-aine-paris-1840-of-the-celebrated-museumof-naples-the-thyrsus-is-present-in-most-of-the-amor-ous-scenes-pourtrayed-in-plate-i-it-is-associatedwith-a-patera-which-bears-upon-2CT2ET7.jpg)
![The lives of the saints With introd and additional lives of English martyrs, Cornish, Scottish, and Welsh saints, and a full index to the entire work . L iff^:---. J6 .fi « ^^i* S. VICTOR OF MARSEILLES (see July 21).After the Painting by Giov. Antonio de Bazzi at Siena. Oct., Part I. p, 60.] ^- ^ SS. Crisp2fs and Caius. 61 Oct. 4-] October 4. SS. Crispus and Caius, at Corinth ; st cent. SS. Lucius and Ch^eremon, MM. at Alcxntidria; endofirdcetit. SS. Thyrsus and Companions, MM. at Treves; circ. a.d. 303. SS. Boniface and Companions, MM. at Treves; circ. a.d. 303. SS. Marcus and Marcian, MM. i - Stock Image](https://c8.alamy.com/comp/2AJJT4B/the-lives-of-the-saints-with-introd-and-additional-lives-of-english-martyrs-cornish-scottish-and-welsh-saints-and-a-full-index-to-the-entire-work-l-iff-j6-fi-i-s-victor-of-marseilles-see-july-21after-the-painting-by-giov-antonio-de-bazzi-at-siena-oct-part-i-p-60-ss-crisp2fs-and-caius-61-oct-4-october-4-ss-crispus-and-caius-at-corinth-st-cent-ss-lucius-and-cheremon-mm-at-alcxntidria-endofirdcetit-ss-thyrsus-and-companions-mm-at-treves-circ-ad-303-ss-boniface-and-companions-mm-at-treves-circ-ad-303-ss-marcus-and-marcian-mm-i-2AJJT4B.jpg)
![. Indian trees : an account of trees, shrubs, woody climbers, bamboos, and palms indigenous or commonly cultivated in the British Indian Empire. Trees. Fayrcva] LXXV. LOGANIAOEiE 477. Fig. 171. Fagrsea obovata, Wall. J. B. M. 1 in. long or less. 6. F. morindsBfolia, Blume, Anclamaiis, Malaya. A. rambling slirub, L broadly elliptic, very shortly acuminate, blade 6-12, petiole | in., sec. n. prominent beneath. FL in trichotomous cymes, arranged in a terminal pedtincnlate thyrsus 6-9 in., pedicels J-J in. long. Calyx J in., corolla funnel-shaped, tube J in., lobes | in. long. Enrz, Jl racemosa, F - Stock Image](https://c8.alamy.com/comp/RD8T2J/indian-trees-an-account-of-trees-shrubs-woody-climbers-bamboos-and-palms-indigenous-or-commonly-cultivated-in-the-british-indian-empire-trees-fayrcva-lxxv-loganiaoeie-477-fig-171-fagrsea-obovata-wall-j-b-m-1-in-long-or-less-6-f-morindsbfolia-blume-anclamaiis-malaya-a-rambling-slirub-l-broadly-elliptic-very-shortly-acuminate-blade-6-12-petiole-in-sec-n-prominent-beneath-fl-in-trichotomous-cymes-arranged-in-a-terminal-pedtincnlate-thyrsus-6-9-in-pedicels-j-j-in-long-calyx-j-in-corolla-funnel-shaped-tube-j-in-lobes-in-long-enrz-jl-racemosa-f-RD8T2J.jpg)
