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New Creative Relevant Search filters All Have A Thyrsus Stock Photos and Images  (192) Narrow your search: Vectors | Black & white | Cut Outs Page 1 of 2 Four female dancers : each carries a thyrsus, and one a tambourine as well. Four female dancers : each carries a thyrsus, and one a tambourine as well.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-four-female-dancers-each-carries-a-thyrsus-and-one-a-tambourine-as-105352664.html Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy. Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-campanian-red-figure-krater-depicting-a-warrior-with-helmet-shield-133328530.html Six satyrs or fauns performing on a tightrope. Two carry a thyrsus, one plays a tibia, one plays a lyre, one pours wine from one vase to another, and one balances with his hands together. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Six satyrs or fauns performing on a tightrope. Two carry a thyrsus, one plays a tibia, one plays a lyre, one pours wine from one vase to another, and one balances with his hands together. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/six-satyrs-or-fauns-performing-on-a-tightrope-two-carry-a-thyrsus-one-plays-a-tibia-one-plays-a-lyre-one-pours-wine-from-one-vase-to-another-and-one-balances-with-his-hands-together-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image331806996.html The ram has horns and has lifted one of the front legs. The hind legs are next to each other. Above the back of the animal a thyrsus-staff, gem, intaglio, ringstone, glass, Color: black, dark brown, opaque, Shape: oval, standing, Machined: Maaskant-Kleibrink, M., Catalog of the engraved gems in the Royal Coin Cabinet, 1978, p.60, fig.2, type F1, 11 x 10 mm. Thickness 2 mm., 1st - 3rd century after Chr. 100-300, Netherlands, Limburg, unknown, unknown The ram has horns and has lifted one of the front legs. The hind legs are next to each other. Above the back of the animal a thyrsus-staff, gem, intaglio, ringstone, glass, Color: black, dark brown, opaque, Shape: oval, standing, Machined: Maaskant-Kleibrink, M., Catalog of the engraved gems in the Royal Coin Cabinet, 1978, p.60, fig.2, type F1, 11 x 10 mm. Thickness 2 mm., 1st - 3rd century after Chr. 100-300, Netherlands, Limburg, unknown, unknownhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ram-has-horns-and-has-lifted-one-of-the-front-legs-the-hind-legs-are-next-to-each-other-above-the-back-of-the-animal-a-thyrsus-staff-gem-intaglio-ringstone-glass-color-black-dark-brown-opaque-shape-oval-standing-machined-maaskant-kleibrink-m-catalog-of-the-engraved-gems-in-the-royal-coin-cabinet-1978-p60-fig2-type-f1-11-x-10-mm-thickness-2-mm-1st-3rd-century-after-chr-100-300-netherlands-limburg-unknown-unknown-image344526232.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant subduing a charging centaur. She kneels on his rump, grabs his hair and beats him with a thyrsus or staff. The centaur has his hands tied behind his back. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant subduing a charging centaur. She kneels on his rump, grabs his hair and beats him with a thyrsus or staff. The centaur has his hands tied behind his back. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-bacchant-subduing-a-charging-centaur-she-kneels-on-his-rump-grabs-his-hair-and-beats-him-with-a-thyrsus-or-staff-the-centaur-has-his-hands-tied-behind-his-back-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681571.html Furious Maenad. Attic kylix by Brygos Painter dated from circa 490-480 BC on display in the Staatliche Antikensammlungen (Bavarian State Collection of Antiques) in Munich, Bavaria, Germany. Maenad is depicted in the tondo holding a thyrsus and shaking a panther in the air, while a whistling snake is rolled up over her head like a diadem. Furious Maenad. Attic kylix by Brygos Painter dated from circa 490-480 BC on display in the Staatliche Antikensammlungen (Bavarian State Collection of Antiques) in Munich, Bavaria, Germany. Maenad is depicted in the tondo holding a thyrsus and shaking a panther in the air, while a whistling snake is rolled up over her head like a diadem.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-furious-maenad-attic-kylix-by-brygos-painter-dated-from-circa-490-135597188.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-97273811.html Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy. Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/campanian-red-figure-krater-depicting-a-warrior-with-helmet-shield-cuirass-and-spear-looking-a-female-figure-with-a-thyrsus-and-a-bucket-situla-from-cumae-attributed-to-lno-painter-330-320-bc-stevens-collection-national-archaeological-museum-naples-italy-image220259034.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style with sunburst in the background. Illustration of a Thyrsus a staff of giant fennel topped with pine cone with grapevine leaves and ribbon set inside oval done in retro style with sunburst in the background.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-97273821.html Project for the decoration of a vertical panel, Gilles Paul Cauvet, French, 1731–1788, Graphite, Pen and black ink on paper with brush and wash, A candelabrum used as a vase, a medallion and a thyrsus surrounded by floral motifs and framed by mouldings., France, ca. 1775, Drawing Project for the decoration of a vertical panel, Gilles Paul Cauvet, French, 1731–1788, Graphite, Pen and black ink on paper with brush and wash, A candelabrum used as a vase, a medallion and a thyrsus surrounded by floral motifs and framed by mouldings., France, ca. 1775, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/project-for-the-decoration-of-a-vertical-panel-gilles-paul-cauvet-french-17311788-graphite-pen-and-black-ink-on-paper-with-brush-and-wash-a-candelabrum-used-as-a-vase-a-medallion-and-a-thyrsus-surrounded-by-floral-motifs-and-framed-by-mouldings-france-ca-1775-drawing-image391279152.html Bacchus Quam male Dive tuos, effundis Bacche racemos. Abstine tam charam nil facit illa manum (title on object), Bacchus, crowned with vine leaves and grapes, stands in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the bunch of grapes and has the juice collected in a bowl that is held by a maenade. The child sitting at the maenade tries to catch some of the grape juice. On the right in the background maenads play the flute., (Story of) Bacchus (Dionysus), Liber, maenad (s), female bacchant (es), Gerard de Lairesse (mentioned on object), 1675 - 1680, paper, etching, Bacchus Quam male Dive tuos, effundis Bacche racemos. Abstine tam charam nil facit illa manum (title on object), Bacchus, crowned with vine leaves and grapes, stands in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the bunch of grapes and has the juice collected in a bowl that is held by a maenade. The child sitting at the maenade tries to catch some of the grape juice. On the right in the background maenads play the flute., (Story of) Bacchus (Dionysus), Liber, maenad (s), female bacchant (es), Gerard de Lairesse (mentioned on object), 1675 - 1680, paper, etching,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-quam-male-dive-tuos-effundis-bacche-racemos-abstine-tam-charam-nil-facit-illa-manum-title-on-object-bacchus-crowned-with-vine-leaves-and-grapes-stands-in-a-landscape-with-a-thyrsus-and-a-bunch-of-grapes-in-his-hands-he-squeezes-the-bunch-of-grapes-and-has-the-juice-collected-in-a-bowl-that-is-held-by-a-maenade-the-child-sitting-at-the-maenade-tries-to-catch-some-of-the-grape-juice-on-the-right-in-the-background-maenads-play-the-flute-story-of-bacchus-dionysus-liber-maenad-s-female-bacchant-es-gerard-de-lairesse-mentioned-on-object-1675-1680-paper-etching-image350009636.html Design for Decorative Motifs, Graphite, pen and ink, brush and wash on paper, At left, a lyre with a bow, a thyrsus, a quiver in front of it, with a torch and a wreath on top of it. At right is the left half of the foot of a candelabrum., Italy, 1820–1830, ornament, Drawing Design for Decorative Motifs, Graphite, pen and ink, brush and wash on paper, At left, a lyre with a bow, a thyrsus, a quiver in front of it, with a torch and a wreath on top of it. At right is the left half of the foot of a candelabrum., Italy, 1820–1830, ornament, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-decorative-motifs-graphite-pen-and-ink-brush-and-wash-on-paper-at-left-a-lyre-with-a-bow-a-thyrsus-a-quiver-in-front-of-it-with-a-torch-and-a-wreath-on-top-of-it-at-right-is-the-left-half-of-the-foot-of-a-candelabrum-italy-18201830-ornament-drawing-image391197534.html N/A. English: Dancing satyr wearing a pardalis and holding a thyrsus in the right hand and a Panther fur-skin in the left hand; below a panther holding a thyrsus. Detail of the side A from the Borghese Vase. Attic work. Found in 1569 in the Horti Sallustiani, Rome. Français : Satyre dansant portant une pardalide et un thyrse ; détail de la face A du Vase Borghèse. Œuvre attique. Decouvert en 1569 dans les Jardins de Salluste à Rome. . between circa 40 and circa 30 BC. N/A 224 Borghese Vase Louvre Ma86 n4 N/A. English: Dancing satyr wearing a pardalis and holding a thyrsus in the right hand and a Panther fur-skin in the left hand; below a panther holding a thyrsus. Detail of the side A from the Borghese Vase. Attic work. Found in 1569 in the Horti Sallustiani, Rome. Français : Satyre dansant portant une pardalide et un thyrse ; détail de la face A du Vase Borghèse. Œuvre attique. Decouvert en 1569 dans les Jardins de Salluste à Rome. . between circa 40 and circa 30 BC. N/A 224 Borghese Vase Louvre Ma86 n4https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-dancing-satyr-wearing-a-pardalis-and-holding-a-thyrsus-in-the-right-hand-and-a-panther-fur-skin-in-the-left-hand-below-a-panther-holding-a-thyrsus-detail-of-the-side-a-from-the-borghese-vase-attic-work-found-in-1569-in-the-horti-sallustiani-rome-franais-satyre-dansant-portant-une-pardalide-et-un-thyrse-dtail-de-la-face-a-du-vase-borghse-uvre-attique-decouvert-en-1569-dans-les-jardins-de-salluste-rome-between-circa-40-and-circa-30-bc-na-224-borghese-vase-louvre-ma86-n4-image210050956.html Arabesque Design for a Panel, Pen and ink, brush and wash, pencil on paper, Candelabrum with two lateral framing growths. The central stem consists of a calyx section, a base with crouching lions flanking an ovoidal medallion, an urn, a thyrsus. Framing strip., France, 1780–90, ornament, Drawing Arabesque Design for a Panel, Pen and ink, brush and wash, pencil on paper, Candelabrum with two lateral framing growths. The central stem consists of a calyx section, a base with crouching lions flanking an ovoidal medallion, an urn, a thyrsus. Framing strip., France, 1780–90, ornament, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesque-design-for-a-panel-pen-and-ink-brush-and-wash-pencil-on-paper-candelabrum-with-two-lateral-framing-growths-the-central-stem-consists-of-a-calyx-section-a-base-with-crouching-lions-flanking-an-ovoidal-medallion-an-urn-a-thyrsus-framing-strip-france-178090-ornament-drawing-image391433952.html Bacchante with a Thyrsus - Stuart James & Revett Nicholas - 1794. Bacchante with a Thyrsus - Stuart James & Revett Nicholas - 1794.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchante-with-a-thyrsus-stuart-james-revett-nicholas-1794-image217679214.html Bacchante with a Thyrsus - Stuart James & Revett Nicholas - 1794 Bacchante with a Thyrsus - Stuart James & Revett Nicholas - 1794https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bacchante-with-a-thyrsus-stuart-james-revett-nicholas-1794-139559147.html Bacchante with a Thyrsus Stuart James & Revett Nicholas 1794 Bacchante with a Thyrsus Stuart James & Revett Nicholas 1794https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bacchante-with-a-thyrsus-stuart-james-revett-nicholas-1794-132512484.html 67 Bacchante with a Thyrsus - Stuart James & Revett Nicholas - 1794 67 Bacchante with a Thyrsus - Stuart James & Revett Nicholas - 1794https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/67-bacchante-with-a-thyrsus-stuart-james-amp-revett-nicholas-1794-image214238887.html Two Flying Putti with Attributes of Dionysus. Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a pitcher and wreath, the right has a thyrsus. Two Flying Putti with Attributes of Dionysus. Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a pitcher and wreath, the right has a thyrsus.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-flying-putti-with-attributes-of-dionysus-vertical-rectangle-showing-two-loosely-drawn-putti-in-an-oval-frame-the-left-putto-raises-a-pitcher-and-wreath-the-right-has-a-thyrsus-image353559745.html A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum played by the woman in center, around the relief, a vase decorated with the head of a satyr, plants, and a thyrsus, from 'Four Bacchanalia' (Quatre Bacchanales), 1763. A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum played by the woman in center, around the relief, a vase decorated with the head of a satyr, plants, and a thyrsus, from 'Four Bacchanalia' (Quatre Bacchanales), 1763.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bas-relief-depicting-a-satyr-at-left-holding-two-infants-another-child-satyr-to-right-dancing-to-the-sound-of-the-sistrum-played-by-the-woman-in-center-around-the-relief-a-vase-decorated-with-the-head-of-a-satyr-plants-and-a-thyrsus-from-four-bacchanalia-quatre-bacchanales-1763-image349005795.html Design for Decorative Motifs. At left, a lyre with a bow, a thyrsus, a quiver in front of it, with a torch and a wreath on top of it. At right is the left half of the foot of a candelabrum. Design for Decorative Motifs. At left, a lyre with a bow, a thyrsus, a quiver in front of it, with a torch and a wreath on top of it. At right is the left half of the foot of a candelabrum.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-decorative-motifs-at-left-a-lyre-with-a-bow-a-thyrsus-a-quiver-in-front-of-it-with-a-torch-and-a-wreath-on-top-of-it-at-right-is-the-left-half-of-the-foot-of-a-candelabrum-image353500635.html An historical guide to French interiors, furniture, decoration, woodwork, & allied arts during the last half of the seventeenth century, the whole of the eighteenth century, and the earlier part of the nineteenth . Music Stand. Cabinet. gilt bronze, the dial ornamented with paste diamonds. Thecrowning decoration is a figure of Love, with the emblemsand trophies of War. This clock is of the same style and period.At each side are bronze statuettes belonging to the middleof the 18th century. They represent Cupid with his bow andarrows and the infant Bacchus with a thyrsus and winecup. Also on thi An historical guide to French interiors, furniture, decoration, woodwork, & allied arts during the last half of the seventeenth century, the whole of the eighteenth century, and the earlier part of the nineteenth . Music Stand. Cabinet. gilt bronze, the dial ornamented with paste diamonds. Thecrowning decoration is a figure of Love, with the emblemsand trophies of War. This clock is of the same style and period.At each side are bronze statuettes belonging to the middleof the 18th century. They represent Cupid with his bow andarrows and the infant Bacchus with a thyrsus and winecup. Also on thihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-historical-guide-to-french-interiors-furniture-decoration-woodwork-allied-arts-during-the-last-half-of-the-seventeenth-century-the-whole-of-the-eighteenth-century-and-the-earlier-part-of-the-nineteenth-music-stand-cabinet-gilt-bronze-the-dial-ornamented-with-paste-diamonds-thecrowning-decoration-is-a-figure-of-love-with-the-emblemsand-trophies-of-war-this-clock-is-of-the-same-style-and-periodat-each-side-are-bronze-statuettes-belonging-to-the-middleof-the-18th-century-they-represent-cupid-with-his-bow-andarrows-and-the-infant-bacchus-with-a-thyrsus-and-winecup-also-on-thi-image339345626.html Arabesque Design for a Panel. Candelabrum with two lateral framing growths. The central stem consists of a calyx section, a base with crouching lions flanking an ovoidal medallion, an urn, a thyrsus. Framing strip. Arabesque Design for a Panel. Candelabrum with two lateral framing growths. The central stem consists of a calyx section, a base with crouching lions flanking an ovoidal medallion, an urn, a thyrsus. Framing strip.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesque-design-for-a-panel-candelabrum-with-two-lateral-framing-growths-the-central-stem-consists-of-a-calyx-section-a-base-with-crouching-lions-flanking-an-ovoidal-medallion-an-urn-a-thyrsus-framing-strip-image353496282.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. Centaur carrying a youth and teaching him to play the lyre, as Chiron taught Achilles. The boy holds a thyrsus decorated with a ribbon and a gold tympanum drum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. Centaur carrying a youth and teaching him to play the lyre, as Chiron taught Achilles. The boy holds a thyrsus decorated with a ribbon and a gold tympanum drum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-centaur-carrying-a-youth-and-teaching-him-to-play-the-lyre-as-chiron-taught-achilles-the-boy-holds-a-thyrsus-decorated-with-a-ribbon-and-a-gold-tympanum-drum-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681573.html The Young Bacchus with Two Companions. Research in ProgressBacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus standing at right. Another child is at left, bending down to the ground. The Young Bacchus with Two Companions. Research in ProgressBacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus standing at right. Another child is at left, bending down to the ground.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-young-bacchus-with-two-companions-research-in-progressbacchus-is-shown-frontally-sitting-and-gaizing-at-a-goblet-he-raises-with-his-right-hand-oblooing-is-a-boy-with-a-thyrsus-standing-at-right-another-child-is-at-left-bending-down-to-the-ground-image359435495.html 4 Female Greek Dancers 4 Female Greek Dancershttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/4-female-greek-dancers-image6559444.html Six satyrs or fauns performing on a tightrope. Two carry a thyrsus, one plays a tibia, one plays a lyre, one pours wine from one vase to another, and one balances with his hands together. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Six satyrs or fauns performing on a tightrope. Two carry a thyrsus, one plays a tibia, one plays a lyre, one pours wine from one vase to another, and one balances with his hands together. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/six-satyrs-or-fauns-performing-on-a-tightrope-two-carry-a-thyrsus-one-plays-a-tibia-one-plays-a-lyre-one-pours-wine-from-one-vase-to-another-and-one-balances-with-his-hands-together-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image231189461.html Design for a Cartouche Surmounted by a Tiger. A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw resting on the head of a putto. Clusters of grapes and leaves decorate the cartouche. Enormous fish are at bottom foreground. Design for a Cartouche Surmounted by a Tiger. A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw resting on the head of a putto. Clusters of grapes and leaves decorate the cartouche. Enormous fish are at bottom foreground.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-cartouche-surmounted-by-a-tiger-a-tiger-holding-a-thyrsus-atop-a-barrel-that-is-probably-pouring-wine-his-paw-resting-on-the-head-of-a-putto-clusters-of-grapes-and-leaves-decorate-the-cartouche-enormous-fish-are-at-bottom-foreground-image353513183.html A couple walks by the Church of Saint Thyrsus in the Plaza de Alfonso II El Casto in Oviedo, Spain. The Asturian capital of Oviedo is the traditional A couple walks by the Church of Saint Thyrsus in the Plaza de Alfonso II El Casto in Oviedo, Spain. The Asturian capital of Oviedo is the traditionalhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-couple-walks-by-the-church-of-saint-thyrsus-in-the-plaza-de-alfonso-ii-el-casto-in-oviedo-spain-the-asturian-capital-of-oviedo-is-the-traditional-image263631085.html Arabesque Design for a Panel. Gaine with the bust of Dionysus supporting a bowl full of bunches of grapes and leaves from which a faun with a thyrsus and two acanthus scrolls rise. A disk with roses and a trophy are suspended from the scroll at right. Arabesque Design for a Panel. Gaine with the bust of Dionysus supporting a bowl full of bunches of grapes and leaves from which a faun with a thyrsus and two acanthus scrolls rise. A disk with roses and a trophy are suspended from the scroll at right.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesque-design-for-a-panel-gaine-with-the-bust-of-dionysus-supporting-a-bowl-full-of-bunches-of-grapes-and-leaves-from-which-a-faun-with-a-thyrsus-and-two-acanthus-scrolls-rise-a-disk-with-roses-and-a-trophy-are-suspended-from-the-scroll-at-right-image353496286.html Apulian Bell Krater, Attributed to Thyrsus Painter, Apulia, South Italy, 360 - 350 B.C., Terracotta, 34.2 × 34.6 cm (13 7/16 × 13 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Apulian Bell Krater, Attributed to Thyrsus Painter, Apulia, South Italy, 360 - 350 B.C., Terracotta, 34.2 × 34.6 cm (13 7/16 × 13 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apulian-bell-krater-attributed-to-thyrsus-painter-apulia-south-italy-360-350-bc-terracotta-342-346-cm-13-716-13-58-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349893762.html Design for an Oblong Plaster Ceiling. Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal wreath formed by twigs within which are slopes formed by a garland. In the center is an urn, crossed, a thyrsus and a shepherd’s staff. Design for an Oblong Plaster Ceiling. Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal wreath formed by twigs within which are slopes formed by a garland. In the center is an urn, crossed, a thyrsus and a shepherd’s staff.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-oblong-plaster-ceiling-horizontal-format-design-for-an-oblong-plaster-ceiling-rosettes-in-the-four-corners-in-the-center-is-an-ovoidal-wreath-formed-by-twigs-within-which-are-slopes-formed-by-a-garland-in-the-center-is-an-urn-crossed-a-thyrsus-and-a-shepherds-staff-image353484255.html Two Flying Putti with Attributes of Dionysus, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a pitcher and wreath, the right has a thyrsus., Italy, 1800–1820, figures, Drawing Two Flying Putti with Attributes of Dionysus, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Vertical rectangle showing two loosely drawn putti in an oval frame. The left putto raises a pitcher and wreath, the right has a thyrsus., Italy, 1800–1820, figures, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-flying-putti-with-attributes-of-dionysus-felice-giani-italian-17581823-felice-giani-italian-17581823-pen-and-ink-on-paper-vertical-rectangle-showing-two-loosely-drawn-putti-in-an-oval-frame-the-left-putto-raises-a-pitcher-and-wreath-the-right-has-a-thyrsus-italy-18001820-figures-drawing-image391437516.html Design for a Bowl with a Stand. A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus blossoms. A big and short column is surrounded by girls holding a thyrsus in either hand. The capital is shaped like a basket. Design for a Bowl with a Stand. A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus blossoms. A big and short column is surrounded by girls holding a thyrsus in either hand. The capital is shaped like a basket.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-bowl-with-a-stand-a-pedestal-of-complicated-design-showing-a-fruit-festoon-with-bearded-masks-and-plant-motifs-is-supported-by-lotus-blossoms-a-big-and-short-column-is-surrounded-by-girls-holding-a-thyrsus-in-either-hand-the-capital-is-shaped-like-a-basket-image353485872.html The Young Bacchus with Two Companions, Black chalk, pen and ink, brush and gray watercolor on rough gray paper, Bacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus standing at right. Another child is at left, bending down to the ground., Netherlands, ca. 1750, Drawing The Young Bacchus with Two Companions, Black chalk, pen and ink, brush and gray watercolor on rough gray paper, Bacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus standing at right. Another child is at left, bending down to the ground., Netherlands, ca. 1750, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-young-bacchus-with-two-companions-black-chalk-pen-and-ink-brush-and-gray-watercolor-on-rough-gray-paper-bacchus-is-shown-frontally-sitting-and-gaizing-at-a-goblet-he-raises-with-his-right-hand-oblooing-is-a-boy-with-a-thyrsus-standing-at-right-another-child-is-at-left-bending-down-to-the-ground-netherlands-ca-1750-drawing-image391135643.html Bacchante with a Thyrsus Stuart James & Revett Nicholas 1794 Bacchante with a Thyrsus Stuart James & Revett Nicholas 1794https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bacchante-with-a-thyrsus-stuart-james-revett-nicholas-1794-163707136.html Design for a Cartouche Surmounted by a Tiger, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw resting on the head of a putto. Clusters of grapes and leaves decorate the cartouche. Enormous fish are at bottom foreground., France, 1740, ornament, Print Design for a Cartouche Surmounted by a Tiger, Jacques de Lajoüe, French, 1687–1761, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, A tiger holding a thyrsus atop a barrel that is probably pouring wine, his paw resting on the head of a putto. Clusters of grapes and leaves decorate the cartouche. Enormous fish are at bottom foreground., France, 1740, ornament, Printhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-cartouche-surmounted-by-a-tiger-jacques-de-lajoe-french-16871761-gabriel-huquier-french-16951772-engraving-on-white-laid-paper-a-tiger-holding-a-thyrsus-atop-a-barrel-that-is-probably-pouring-wine-his-paw-resting-on-the-head-of-a-putto-clusters-of-grapes-and-leaves-decorate-the-cartouche-enormous-fish-are-at-bottom-foreground-france-1740-ornament-print-image391578096.html 28 Bacchante with a Thyrsus - Stuart James & Revett Nicholas - 1794 28 Bacchante with a Thyrsus - Stuart James & Revett Nicholas - 1794https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/28-bacchante-with-a-thyrsus-stuart-james-amp-revett-nicholas-1794-image212845973.html Copy of Bacchante, Satyr, and Female Faun, from the series Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, In the center, a compact group of a bacchante, a satyr and a female faun. They face left. The bacchante holds a thyrsus in her left hand and her right hand rests on a vase. In the background, trees., Italy, 1750–1760, figures, Print Copy of Bacchante, Satyr, and Female Faun, from the series Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, In the center, a compact group of a bacchante, a satyr and a female faun. They face left. The bacchante holds a thyrsus in her left hand and her right hand rests on a vase. In the background, trees., Italy, 1750–1760, figures, Printhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copy-of-bacchante-satyr-and-female-faun-from-the-series-scherzi-di-fantasia-giovanni-battista-tiepolo-italian-1692-1770-etching-on-laid-paper-in-the-center-a-compact-group-of-a-bacchante-a-satyr-and-a-female-faun-they-face-left-the-bacchante-holds-a-thyrsus-in-her-left-hand-and-her-right-hand-rests-on-a-vase-in-the-background-trees-italy-17501760-figures-print-image391187261.html 221 Fresco depicting a menead carrying a thyrsus, from a ceiling of a domus in Colonia Narbo Martius (Narbonne), end of 1st century AD, Empire of colour. From Pompeii to Southern Gaul, Musée Saint-Raymond Toulouse (16279044212) 221 Fresco depicting a menead carrying a thyrsus, from a ceiling of a domus in Colonia Narbo Martius (Narbonne), end of 1st century AD, Empire of colour. From Pompeii to Southern Gaul, Musée Saint-Raymond Toulouse (16279044212)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/221-fresco-depicting-a-menead-carrying-a-thyrsus-from-a-ceiling-of-a-domus-in-colonia-narbo-martius-narbonne-end-of-1st-century-ad-empire-of-colour-from-pompeii-to-southern-gaul-muse-saint-raymond-toulouse-16279044212-image187577782.html Design for a Bowl with a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor on paper, A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus blossoms. A big and short column is surrounded by girls holding a thyrsus in either hand. The capital is shaped like a basket., Germany, 1827-1835, Drawing Design for a Bowl with a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor on paper, A pedestal of complicated design showing a fruit festoon, with bearded masks and plant motifs, is supported by lotus blossoms. A big and short column is surrounded by girls holding a thyrsus in either hand. The capital is shaped like a basket., Germany, 1827-1835, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-bowl-with-a-stand-joseph-anton-seethaler-ii-german-17991868-pen-and-ink-brush-and-watercolor-on-paper-a-pedestal-of-complicated-design-showing-a-fruit-festoon-with-bearded-masks-and-plant-motifs-is-supported-by-lotus-blossoms-a-big-and-short-column-is-surrounded-by-girls-holding-a-thyrsus-in-either-hand-the-capital-is-shaped-like-a-basket-germany-1827-1835-drawing-image391498826.html Project for a candelabrum. A vase shape stand upon a richly decorated baluster which rises from a base which is intended to be supported be four lion's feet. From a calyx on top of the case emerge two acanthus scrolls carrying the sockets with low burning candles and a thyrsus. Project for a candelabrum. A vase shape stand upon a richly decorated baluster which rises from a base which is intended to be supported be four lion's feet. From a calyx on top of the case emerge two acanthus scrolls carrying the sockets with low burning candles and a thyrsus.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/project-for-a-candelabrum-a-vase-shape-stand-upon-a-richly-decorated-baluster-which-rises-from-a-base-which-is-intended-to-be-supported-be-four-lions-feet-from-a-calyx-on-top-of-the-case-emerge-two-acanthus-scrolls-carrying-the-sockets-with-low-burning-candles-and-a-thyrsus-image353499889.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a female centaur or centauress carrying a bacchant carrying a thyrsus or staff. The centauress holds a sprig of foliage in her left hand and with her right hand drapes a garland under the bacchant's arm. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a female centaur or centauress carrying a bacchant carrying a thyrsus or staff. The centauress holds a sprig of foliage in her left hand and with her right hand drapes a garland under the bacchant's arm. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeiihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-female-centaur-or-centauress-carrying-a-bacchant-carrying-a-thyrsus-or-staff-the-centauress-holds-a-sprig-of-foliage-in-her-left-hand-and-with-her-right-hand-drapes-a-garland-under-the-bacchants-arm-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image331681572.html Design for a panel decoration showing a ewer, for a plate in the 'Recueil d' Ornements', Gilles Paul Cauvet, French, 1731–1788, Black chalk, pen and ink, brush and wash, A thyrsus is fastened to a pitcher by a festoon. The pitcher shows bacchic scenes; water pours from the dolphin forming the handle. A grape vine grows around it. Plates and fruit on the base., France, ca. 1775, Drawing Design for a panel decoration showing a ewer, for a plate in the 'Recueil d' Ornements', Gilles Paul Cauvet, French, 1731–1788, Black chalk, pen and ink, brush and wash, A thyrsus is fastened to a pitcher by a festoon. The pitcher shows bacchic scenes; water pours from the dolphin forming the handle. A grape vine grows around it. Plates and fruit on the base., France, ca. 1775, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-panel-decoration-showing-a-ewer-for-a-plate-in-the-recueil-d-ornements-gilles-paul-cauvet-french-17311788-black-chalk-pen-and-ink-brush-and-wash-a-thyrsus-is-fastened-to-a-pitcher-by-a-festoon-the-pitcher-shows-bacchic-scenes-water-pours-from-the-dolphin-forming-the-handle-a-grape-vine-grows-around-it-plates-and-fruit-on-the-base-france-ca-1775-drawing-image391173340.html Copy of Bacchante Satyr and Female Faun from the series Scherzi di Fantasia. In the center, a compact group of a bacchante, a satyr and a female faun. They face left. The bacchante holds a thyrsus in her left hand and her right hand rests on a vase. In the background, trees. Copy of Bacchante Satyr and Female Faun from the series Scherzi di Fantasia. In the center, a compact group of a bacchante, a satyr and a female faun. They face left. The bacchante holds a thyrsus in her left hand and her right hand rests on a vase. In the background, trees.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copy-of-bacchante-satyr-and-female-faun-from-the-series-scherzi-di-fantasia-in-the-center-a-compact-group-of-a-bacchante-a-satyr-and-a-female-faun-they-face-left-the-bacchante-holds-a-thyrsus-in-her-left-hand-and-her-right-hand-rests-on-a-vase-in-the-background-trees-image353494166.html Design of a Wall with a Built-in Cabinet, Pen and ink, graphite on paper, The left bay of the wall, the left half of a door and the overdoor are shown. Children carry the Bacchus boy in the latter. A pilaster beside the door shows a wreath in the dado, a pendant of fruit in the pilaster strip. Near the corner, a pilaster decorated with a thyrsus in the dado, a waved bough in the pilaster strip., France, 1790, Drawing Design of a Wall with a Built-in Cabinet, Pen and ink, graphite on paper, The left bay of the wall, the left half of a door and the overdoor are shown. Children carry the Bacchus boy in the latter. A pilaster beside the door shows a wreath in the dado, a pendant of fruit in the pilaster strip. Near the corner, a pilaster decorated with a thyrsus in the dado, a waved bough in the pilaster strip., France, 1790, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-of-a-wall-with-a-built-in-cabinet-pen-and-ink-graphite-on-paper-the-left-bay-of-the-wall-the-left-half-of-a-door-and-the-overdoor-are-shown-children-carry-the-bacchus-boy-in-the-latter-a-pilaster-beside-the-door-shows-a-wreath-in-the-dado-a-pendant-of-fruit-in-the-pilaster-strip-near-the-corner-a-pilaster-decorated-with-a-thyrsus-in-the-dado-a-waved-bough-in-the-pilaster-strip-france-1790-drawing-image391671273.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant subduing a charging centaur. She kneels on his rump, grabs his hair and beats him with a thyrsus or staff. The centaur has his hands tied behind his back. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a bacchant subduing a charging centaur. She kneels on his rump, grabs his hair and beats him with a thyrsus or staff. The centaur has his hands tied behind his back. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-bacchant-subduing-a-charging-centaur-she-kneels-on-his-rump-grabs-his-hair-and-beats-him-with-a-thyrsus-or-staff-the-centaur-has-his-hands-tied-behind-his-back-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image231230044.html Design of a Cabinet in the Louis XVI Style, Pen and brown ink, brush and wash, gold paint, gouache on tracing paper, This drawing depicts a cabinet in the Louis XVI style ornately decorated with gilt-bronze mounts. The center panel consists of an oval medallion featuring a relief of the young Bacchus holding a thyrsus; he is supported by a standing Maenad (Bacchante) while he rides astride the back of a young satyr. Garlands, laurel leaves, herms, brackets and cartouches symmetrically decorate the cabinet., France, ca. 1860, furniture, Drawing Design of a Cabinet in the Louis XVI Style, Pen and brown ink, brush and wash, gold paint, gouache on tracing paper, This drawing depicts a cabinet in the Louis XVI style ornately decorated with gilt-bronze mounts. The center panel consists of an oval medallion featuring a relief of the young Bacchus holding a thyrsus; he is supported by a standing Maenad (Bacchante) while he rides astride the back of a young satyr. Garlands, laurel leaves, herms, brackets and cartouches symmetrically decorate the cabinet., France, ca. 1860, furniture, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-of-a-cabinet-in-the-louis-xvi-style-pen-and-brown-ink-brush-and-wash-gold-paint-gouache-on-tracing-paper-this-drawing-depicts-a-cabinet-in-the-louis-xvi-style-ornately-decorated-with-gilt-bronze-mounts-the-center-panel-consists-of-an-oval-medallion-featuring-a-relief-of-the-young-bacchus-holding-a-thyrsus-he-is-supported-by-a-standing-maenad-bacchante-while-he-rides-astride-the-back-of-a-young-satyr-garlands-laurel-leaves-herms-brackets-and-cartouches-symmetrically-decorate-the-cabinet-france-ca-1860-furniture-drawing-image391187241.html Botany of the Southern states . Raceme.. Panicle. If the secondary axes develop tertiary ones, a panicle isformed (Fig. 117), as in the Poa. The term deliquescentpanicle is applied to that variety of the panicle, when therachis is iost in its irregular divisions, and does not continuedirect through the inflorescence. The ramification of the axesmay proceed further, forming compound panicles. A verydense panicle, with the lower branches shorter than the middleones, is called a thyrsus, as in the Lilac. Stamens. 117. Immediately within the corolla are situated a row oforgans called stamens. The Botany of the Southern states . Raceme.. Panicle. If the secondary axes develop tertiary ones, a panicle isformed (Fig. 117), as in the Poa. The term deliquescentpanicle is applied to that variety of the panicle, when therachis is iost in its irregular divisions, and does not continuedirect through the inflorescence. The ramification of the axesmay proceed further, forming compound panicles. A verydense panicle, with the lower branches shorter than the middleones, is called a thyrsus, as in the Lilac. Stamens. 117. Immediately within the corolla are situated a row oforgans called stamens. Thehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/botany-of-the-southern-states-raceme-panicle-if-the-secondary-axes-develop-tertiary-ones-a-panicle-isformed-fig-117-as-in-the-poa-the-term-deliquescentpanicle-is-applied-to-that-variety-of-the-panicle-when-therachis-is-iost-in-its-irregular-divisions-and-does-not-continuedirect-through-the-inflorescence-the-ramification-of-the-axesmay-proceed-further-forming-compound-panicles-a-verydense-panicle-with-the-lower-branches-shorter-than-the-middleones-is-called-a-thyrsus-as-in-the-lilac-stamens-117-immediately-within-the-corolla-are-situated-a-row-oforgans-called-stamens-the-image339067150.html Design for an Oblong Plaster Ceiling, George Richardson, British, ca. 1736 - 1813, Brush and wash, black and gray chalk on paper, Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal wreath formed by twigs within which are slopes formed by a garland. In the center is an urn, crossed, a thyrsus and a shepherd’s staff. The field is a rectangle, with parts of rosettes in the corners and tangent oblongs outside. They are decorated with two empty oblongs, laterally, and with a frieze of intertwined circles and segments with rosettes Design for an Oblong Plaster Ceiling, George Richardson, British, ca. 1736 - 1813, Brush and wash, black and gray chalk on paper, Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal wreath formed by twigs within which are slopes formed by a garland. In the center is an urn, crossed, a thyrsus and a shepherd’s staff. The field is a rectangle, with parts of rosettes in the corners and tangent oblongs outside. They are decorated with two empty oblongs, laterally, and with a frieze of intertwined circles and segments with rosetteshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-an-oblong-plaster-ceiling-george-richardson-british-ca-1736-1813-brush-and-wash-black-and-gray-chalk-on-paper-horizontal-format-design-for-an-oblong-plaster-ceiling-rosettes-in-the-four-corners-in-the-center-is-an-ovoidal-wreath-formed-by-twigs-within-which-are-slopes-formed-by-a-garland-in-the-center-is-an-urn-crossed-a-thyrsus-and-a-shepherds-staff-the-field-is-a-rectangle-with-parts-of-rosettes-in-the-corners-and-tangent-oblongs-outside-they-are-decorated-with-two-empty-oblongs-laterally-and-with-a-frieze-of-intertwined-circles-and-segments-with-rosettes-image391601371.html . Pharmaceutical botany. Botany; Botany, Medical. 40 PHARMACEUTICAL BOTANY axils of opposite leaves. Ctusters of this kind are seen in Catnip, Horehound, Peppermint and other plants of the Labiatae. The raceme, corymb, umbel, etc., are frequently compounded. The compound raceme, or raceme with branched pedicels, is called a panicle. Ex.: Yucca and paniculate inflorescence of the oat. A Thyrsus is a compact panicle, of a pyramidal or oblong shape. Ex.: Lilac, Grape and Rhusglabra. A Mdced Anthotaxy is one in which the determinate and indeter- minate plans are combined, and illustrations of this . Pharmaceutical botany. Botany; Botany, Medical. 40 PHARMACEUTICAL BOTANY axils of opposite leaves. Ctusters of this kind are seen in Catnip, Horehound, Peppermint and other plants of the Labiatae. The raceme, corymb, umbel, etc., are frequently compounded. The compound raceme, or raceme with branched pedicels, is called a panicle. Ex.: Yucca and paniculate inflorescence of the oat. A Thyrsus is a compact panicle, of a pyramidal or oblong shape. Ex.: Lilac, Grape and Rhusglabra. A Mdced Anthotaxy is one in which the determinate and indeter- minate plans are combined, and illustrations of thishttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pharmaceutical-botany-botany-botany-medical-40-pharmaceutical-botany-axils-of-opposite-leaves-ctusters-of-this-kind-are-seen-in-catnip-horehound-peppermint-and-other-plants-of-the-labiatae-the-raceme-corymb-umbel-etc-are-frequently-compounded-the-compound-raceme-or-raceme-with-branched-pedicels-is-called-a-panicle-ex-yucca-and-paniculate-inflorescence-of-the-oat-a-thyrsus-is-a-compact-panicle-of-a-pyramidal-or-oblong-shape-ex-lilac-grape-and-rhusglabra-a-mdced-anthotaxy-is-one-in-which-the-determinate-and-indeter-minate-plans-are-combined-and-illustrations-of-this-image216418075.html Italiano: Wilhelm von Gloeden (1856–1931), Due ragazzi in costume classico, uno dei quali con un tirso, sulla 'Terrazza di Taormina'. La vista è quella sull'Etna. Numero di catalogo: 0244. English: Wilhelm von Gloeden (1856–1931), Two boys in classical attire, one of them holding a thyrsus, on the so-called 'Terrazza di Taormina' facing mount Aetna. Catalogue number: 0244. . 1890s 128 Gloeden, Wilhelm von (1856-1931) - n. 0244 - Auc ich in Arkadien, p. 99 Italiano: Wilhelm von Gloeden (1856–1931), Due ragazzi in costume classico, uno dei quali con un tirso, sulla 'Terrazza di Taormina'. La vista è quella sull'Etna. Numero di catalogo: 0244. English: Wilhelm von Gloeden (1856–1931), Two boys in classical attire, one of them holding a thyrsus, on the so-called 'Terrazza di Taormina' facing mount Aetna. Catalogue number: 0244. . 1890s 128 Gloeden, Wilhelm von (1856-1931) - n. 0244 - Auc ich in Arkadien, p. 99https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italiano-wilhelm-von-gloeden-18561931-due-ragazzi-in-costume-classico-uno-dei-quali-con-un-tirso-sulla-terrazza-di-taormina-la-vista-quella-sulletna-numero-di-catalogo-0244-english-wilhelm-von-gloeden-18561931-two-boys-in-classical-attire-one-of-them-holding-a-thyrsus-on-the-so-called-terrazza-di-taormina-facing-mount-aetna-catalogue-number-0244-1890s-128-gloeden-wilhelm-von-1856-1931-n-0244-auc-ich-in-arkadien-p-99-image210954552.html Grotesken met Bacchus en vrouwenfiguren Grotesken (serietitel) Groteschgen Werk vor Mahler Goldschmidte Stucato (serietitel) the upper print contained in the center Bacchus under a canopy with two satyrs. Left and right a female figure with a thyrsus. The bottom picture contains two seated women with a basket of flowers, putti and monkeys with a rookvat. Manufacturer : print maker: Lorenz Beger (indicated on object) to drawing of: Paul Decker (I), publisher: Johann Christoph WeigelPlaats manufacture: print maker: Germany To drawing of : Nuremberg (possible) publisher: Nürnberg Date: 1687 - 172 Grotesken met Bacchus en vrouwenfiguren Grotesken (serietitel) Groteschgen Werk vor Mahler Goldschmidte Stucato (serietitel) the upper print contained in the center Bacchus under a canopy with two satyrs. Left and right a female figure with a thyrsus. The bottom picture contains two seated women with a basket of flowers, putti and monkeys with a rookvat. Manufacturer : print maker: Lorenz Beger (indicated on object) to drawing of: Paul Decker (I), publisher: Johann Christoph WeigelPlaats manufacture: print maker: Germany To drawing of : Nuremberg (possible) publisher: Nürnberg Date: 1687 - 172https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grotesken-met-bacchus-en-vrouwenfiguren-grotesken-serietitel-groteschgen-werk-vor-mahler-goldschmidte-stucato-serietitel-the-upper-print-contained-in-the-center-bacchus-under-a-canopy-with-two-satyrs-left-and-right-a-female-figure-with-a-thyrsus-the-bottom-picture-contains-two-seated-women-with-a-basket-of-flowers-putti-and-monkeys-with-a-rookvat-manufacturer-print-maker-lorenz-beger-indicated-on-object-to-drawing-of-paul-decker-i-publisher-johann-christoph-weigelplaats-manufacture-print-maker-germany-to-drawing-of-nuremberg-possible-publisher-nrnberg-date-1687-172-image348421788.html Arion on a Sea Horse and Bacchante on a Panther (pair), 1855. These paintings are from a series of eight works that Bouguereau painted for a Parisian home decorated in the style inspired by ancient Roman wall paintings found at Pompeii. The ancient Greek poet Arion escaped pirates by fleeing on the back of a sea creature attracted by the poet's singing. In the companion picture, a bacchante, a female follower of the Roman god Bacchus, rides a panther and carries a pinecone-tipped spear called a thyrsus. The figures are silhouetted against a gold honeycomb-patterned background evoking ancient R Arion on a Sea Horse and Bacchante on a Panther (pair), 1855. These paintings are from a series of eight works that Bouguereau painted for a Parisian home decorated in the style inspired by ancient Roman wall paintings found at Pompeii. The ancient Greek poet Arion escaped pirates by fleeing on the back of a sea creature attracted by the poet's singing. In the companion picture, a bacchante, a female follower of the Roman god Bacchus, rides a panther and carries a pinecone-tipped spear called a thyrsus. The figures are silhouetted against a gold honeycomb-patterned background evoking ancient Rhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arion-on-a-sea-horse-and-bacchante-on-a-panther-pair-1855-these-paintings-are-from-a-series-of-eight-works-that-bouguereau-painted-for-a-parisian-home-decorated-in-the-style-inspired-by-ancient-roman-wall-paintings-found-at-pompeii-the-ancient-greek-poet-arion-escaped-pirates-by-fleeing-on-the-back-of-a-sea-creature-attracted-by-the-poets-singing-in-the-companion-picture-a-bacchante-a-female-follower-of-the-roman-god-bacchus-rides-a-panther-and-carries-a-pinecone-tipped-spear-called-a-thyrsus-the-figures-are-silhouetted-against-a-gold-honeycomb-patterned-background-evoking-ancient-r-image330075139.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-54166094.html Canephorae virgin with thyrsus, crown of vine leaves, and basket of fruit leading a rite of Bacchus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Canephorae virgin with thyrsus, crown of vine leaves, and basket of fruit leading a rite of Bacchus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canephorae-virgin-with-thyrsus-crown-of-vine-leaves-and-basket-of-fruit-leading-a-rite-of-bacchus-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image331806913.html Double-sided mask relief Roman 2nd century AD ( Bearded comic and an unsteady Dionysian mask stand on a narrow ledge, a small Eros has flown in and bounces back in horror from the grotesque masks. The Dionysian attributes on the upper right corner with , tympanum, double flute and thyrsus staff ) Double-sided mask relief Roman 2nd century AD ( Bearded comic and an unsteady Dionysian mask stand on a narrow ledge, a small Eros has flown in and bounces back in horror from the grotesque masks. The Dionysian attributes on the upper right corner with , tympanum, double flute and thyrsus staff )https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-sided-mask-relief-roman-2nd-century-ad-bearded-comic-and-an-unsteady-dionysian-mask-stand-on-a-narrow-ledge-a-small-eros-has-flown-in-and-bounces-back-in-horror-from-the-grotesque-masks-the-dionysian-attributes-on-the-upper-right-corner-with-tympanum-double-flute-and-thyrsus-staff-image221664941.html Thyrsus, a pole carried by Bacchus, and by Satyrs, Maenades, and others. The annexed cut shows the head of a thyrsus composed of the leaves and berrie Thyrsus, a pole carried by Bacchus, and by Satyrs, Maenades, and others. The annexed cut shows the head of a thyrsus composed of the leaves and berriehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thyrsus-a-pole-carried-by-bacchus-and-by-satyrs-maenades-and-others-the-annexed-cut-shows-the-head-of-a-thyrsus-composed-of-the-leaves-and-berrie-image367219001.html A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, th A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, thhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-carved-thyrsus-part-of-the-decoration-of-the-scene-of-the-hellenistic-theatre-ancient-stratonicea-eskihisar-turkey-built-on-a-natural-slope-th-image235538900.html In this image there is Roman Bacchhante. Roman Bacchhante holding a thyrsus and a glass of wine, vintage line drawing or engraving illustration. In this image there is Roman Bacchhante. Roman Bacchhante holding a thyrsus and a glass of wine, vintage line drawing or engraving illustration.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-this-image-there-is-roman-bacchhante-roman-bacchhante-holding-a-thyrsus-and-a-glass-of-wine-vintage-line-drawing-or-engraving-illustration-image244547916.html silver horehound (Marrubium incanum), blooming silver horehound (Marrubium incanum), bloominghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silver-horehound-marrubium-incanum-blooming-image8708743.html The head of a thyrsus composed of the leaves and berries of the ivy, and surrounded by acanthus leaves. Very frequently, also, a while fillet was tied The head of a thyrsus composed of the leaves and berries of the ivy, and surrounded by acanthus leaves. Very frequently, also, a while fillet was tiedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-head-of-a-thyrsus-composed-of-the-leaves-and-berries-of-the-ivy-and-surrounded-by-acanthus-leaves-very-frequently-also-a-while-fillet-was-tied-image367207529.html Roman Art. Spain. Mosaic of Bacchus. 2nd century A.C. It comes from Italica (Seville). Roman Art. Spain. Mosaic of Bacchus. 2nd century A.C. It comes from Italica (Seville).https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-roman-art-spain-mosaic-of-bacchus-2nd-century-ac-it-comes-from-italica-48342410.html Pendulum in the shape of an oval basket, Pendulum of partly gilt, partly patinated bronze, in the form of an oval basket with profiled plinth on legs adorned with pearl and crank edges. A fence of pointed arches runs around the curving upper edge. The enamelled dial on the dark patinated middle section shows petals and beaded edges. Below a burning torch with ribbon, flower wreath and leaf vines with berries. The further decoration consists of acanthus leaves, thyrsus staff, olive branches, rosettes and palmettes., Jacques Bollengier, The Hague, c. 1800 - c. 1825, bronze (metal), brass (alloy) Pendulum in the shape of an oval basket, Pendulum of partly gilt, partly patinated bronze, in the form of an oval basket with profiled plinth on legs adorned with pearl and crank edges. A fence of pointed arches runs around the curving upper edge. The enamelled dial on the dark patinated middle section shows petals and beaded edges. Below a burning torch with ribbon, flower wreath and leaf vines with berries. The further decoration consists of acanthus leaves, thyrsus staff, olive branches, rosettes and palmettes., Jacques Bollengier, The Hague, c. 1800 - c. 1825, bronze (metal), brass (alloy)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pendulum-in-the-shape-of-an-oval-basket-pendulum-of-partly-gilt-partly-patinated-bronze-in-the-form-of-an-oval-basket-with-profiled-plinth-on-legs-adorned-with-pearl-and-crank-edges-a-fence-of-pointed-arches-runs-around-the-curving-upper-edge-the-enamelled-dial-on-the-dark-patinated-middle-section-shows-petals-and-beaded-edges-below-a-burning-torch-with-ribbon-flower-wreath-and-leaf-vines-with-berries-the-further-decoration-consists-of-acanthus-leaves-thyrsus-staff-olive-branches-rosettes-and-palmettes-jacques-bollengier-the-hague-c-1800-c-1825-bronze-metal-brass-alloy-image349956402.html Hermaphroditus, Silenus and maenad with thyrsus. Roman fresco. Pompeii, House of M. Epidi Sabini, IX-1-22. 1st century AD. National Archaeological Museum, Naples. Italy. Hermaphroditus, Silenus and maenad with thyrsus. Roman fresco. Pompeii, House of M. Epidi Sabini, IX-1-22. 1st century AD. National Archaeological Museum, Naples. Italy.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hermaphroditus-silenus-and-maenad-with-thyrsus-roman-fresco-pompeii-127088848.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. Centaur carrying a youth and teaching him to play the lyre, as Chiron taught Achilles. The boy holds a thyrsus decorated with a ribbon and a gold tympanum drum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. Centaur carrying a youth and teaching him to play the lyre, as Chiron taught Achilles. The boy holds a thyrsus decorated with a ribbon and a gold tympanum drum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-centaur-carrying-a-youth-and-teaching-him-to-play-the-lyre-as-chiron-taught-achilles-the-boy-holds-a-thyrsus-decorated-with-a-ribbon-and-a-gold-tympanum-drum-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image231229913.html Bacchus procession Bacchus processionhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bacchus-procession-49855723.html . Illustrations of the remains of Roman art, in Cirencester, the site of antient Corinium . and jollityof temper one would expect from him as a teacher of Bacchus in thevirtues of the vine; his costume was no doubt commemorative of his havingaccompanied Bacchus in his celebrated eastern expedition. D. Bacchus. Only the bust remains of this group, which appears torepresent an effeminate young man, holding a thyrsus in his left hand;the fore paw and a portion of the chest of some animal with a spottedskin were also visible, from which it is concluded that this must have beena representation of B . Illustrations of the remains of Roman art, in Cirencester, the site of antient Corinium . and jollityof temper one would expect from him as a teacher of Bacchus in thevirtues of the vine; his costume was no doubt commemorative of his havingaccompanied Bacchus in his celebrated eastern expedition. D. Bacchus. Only the bust remains of this group, which appears torepresent an effeminate young man, holding a thyrsus in his left hand;the fore paw and a portion of the chest of some animal with a spottedskin were also visible, from which it is concluded that this must have beena representation of Bhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrations-of-the-remains-of-roman-art-in-cirencester-the-site-of-antient-corinium-and-jollityof-temper-one-would-expect-from-him-as-a-teacher-of-bacchus-in-thevirtues-of-the-vine-his-costume-was-no-doubt-commemorative-of-his-havingaccompanied-bacchus-in-his-celebrated-eastern-expedition-d-bacchus-only-the-bust-remains-of-this-group-which-appears-torepresent-an-effeminate-young-man-holding-a-thyrsus-in-his-left-handthe-fore-paw-and-a-portion-of-the-chest-of-some-animal-with-a-spottedskin-were-also-visible-from-which-it-is-concluded-that-this-must-have-beena-representation-of-b-image371641232.html Arabesque Design for a Panel, Pen and ink, brush and wash on paper, Gaine with the bust of Dionysus supporting a bowl full of bunches of grapes and leaves from which a faun with a thyrsus and two acanthus scrolls rise. A disk with roses and a trophy are suspended from the scroll at right. A flower basket standing upon the head of the half-figure of a lion, below. The left half shows the half-figure of a lion supporting a flower basket over which a thyrsus rises and to which a trophy of pastoral musical instruments is fastened. Framing strip., France, ca. 1775, ornament, Drawing Arabesque Design for a Panel, Pen and ink, brush and wash on paper, Gaine with the bust of Dionysus supporting a bowl full of bunches of grapes and leaves from which a faun with a thyrsus and two acanthus scrolls rise. A disk with roses and a trophy are suspended from the scroll at right. A flower basket standing upon the head of the half-figure of a lion, below. The left half shows the half-figure of a lion supporting a flower basket over which a thyrsus rises and to which a trophy of pastoral musical instruments is fastened. Framing strip., France, ca. 1775, ornament, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabesque-design-for-a-panel-pen-and-ink-brush-and-wash-on-paper-gaine-with-the-bust-of-dionysus-supporting-a-bowl-full-of-bunches-of-grapes-and-leaves-from-which-a-faun-with-a-thyrsus-and-two-acanthus-scrolls-rise-a-disk-with-roses-and-a-trophy-are-suspended-from-the-scroll-at-right-a-flower-basket-standing-upon-the-head-of-the-half-figure-of-a-lion-below-the-left-half-shows-the-half-figure-of-a-lion-supporting-a-flower-basket-over-which-a-thyrsus-rises-and-to-which-a-trophy-of-pastoral-musical-instruments-is-fastened-framing-strip-france-ca-1775-ornament-drawing-image391473043.html . Synoptical flora of North America. Botany; Gamopetalae. 136 POLEMONIACE^. Collomia. # Cauline leaves simply pinnately parted into few (3 to 7) narrow-linear or often almost filiform divisions, very numerous, all alternate; inflorescence tliyrsiform or panicled: corolla sah'erform, with tube little if at all dilated upward. : C. Cavanillesiana, Don. Biennial {or perhaps perennial southward) with a somewhat woody base, more or less pubescent, virgately branched: flowers in small clusters in a narrow or raceme-like leafy thyrsus : pedicels very short or none : corolla white, ochroleu- cous, or . Synoptical flora of North America. Botany; Gamopetalae. 136 POLEMONIACE^. Collomia. # Cauline leaves simply pinnately parted into few (3 to 7) narrow-linear or often almost filiform divisions, very numerous, all alternate; inflorescence tliyrsiform or panicled: corolla sah'erform, with tube little if at all dilated upward. : C. Cavanillesiana, Don. Biennial {or perhaps perennial southward) with a somewhat woody base, more or less pubescent, virgately branched: flowers in small clusters in a narrow or raceme-like leafy thyrsus : pedicels very short or none : corolla white, ochroleu- cous, or https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/synoptical-flora-of-north-america-botany-gamopetalae-136-polemoniace-collomia-cauline-leaves-simply-pinnately-parted-into-few-3-to-7-narrow-linear-or-often-almost-filiform-divisions-very-numerous-all-alternate-inflorescence-tliyrsiform-or-panicled-corolla-saherform-with-tube-little-if-at-all-dilated-upward-c-cavanillesiana-don-biennial-or-perhaps-perennial-southward-with-a-somewhat-woody-base-more-or-less-pubescent-virgately-branched-flowers-in-small-clusters-in-a-narrow-or-raceme-like-leafy-thyrsus-pedicels-very-short-or-none-corolla-white-ochroleu-cous-or-image216445998.html Bacchus Quam male Dive tuos, effundis Bacche racemos. Abstine tam charam nil facit illa manum (title on object), Bacchus, crowned with vine leaves and grapes, stands in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the bunch of grapes and has the juice collected in a bowl that is held by a maenade. The child sitting at the maenade tries to catch some of the grape juice. On the right in the background maenads play the flute., (Story of) Bacchus (Dionysus), Liber, maenad (s), female bacchant (es), Gerard de Lairesse (mentioned on object), 1675 - 1680, paper, etching Bacchus Quam male Dive tuos, effundis Bacche racemos. Abstine tam charam nil facit illa manum (title on object), Bacchus, crowned with vine leaves and grapes, stands in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the bunch of grapes and has the juice collected in a bowl that is held by a maenade. The child sitting at the maenade tries to catch some of the grape juice. On the right in the background maenads play the flute., (Story of) Bacchus (Dionysus), Liber, maenad (s), female bacchant (es), Gerard de Lairesse (mentioned on object), 1675 - 1680, paper, etchinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-quam-male-dive-tuos-effundis-bacche-racemos-abstine-tam-charam-nil-facit-illa-manum-title-on-object-bacchus-crowned-with-vine-leaves-and-grapes-stands-in-a-landscape-with-a-thyrsus-and-a-bunch-of-grapes-in-his-hands-he-squeezes-the-bunch-of-grapes-and-has-the-juice-collected-in-a-bowl-that-is-held-by-a-maenade-the-child-sitting-at-the-maenade-tries-to-catch-some-of-the-grape-juice-on-the-right-in-the-background-maenads-play-the-flute-story-of-bacchus-dionysus-liber-maenad-s-female-bacchant-es-gerard-de-lairesse-mentioned-on-object-1675-1680-paper-etching-image261406048.html Bacchus poorly Divers will lay it out so desirous to refrain Bacchus clusters that do not make it out (titel op object) Bacchus crowned with vine leaves and grapes, standing in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the fine bunch of grapes and leaves collecting the juice in a dish, which is held by a maenad. The child sits at the maenad try some of the grape juice to absorb. Right background maenads play the fluit. Manufacturer : printmaker: Gerard de Lairesse (listed building) in its design: Gerard de Lairesse (listed building) Publisher: Gerard de Lairess Bacchus poorly Divers will lay it out so desirous to refrain Bacchus clusters that do not make it out (titel op object) Bacchus crowned with vine leaves and grapes, standing in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the fine bunch of grapes and leaves collecting the juice in a dish, which is held by a maenad. The child sits at the maenad try some of the grape juice to absorb. Right background maenads play the fluit. Manufacturer : printmaker: Gerard de Lairesse (listed building) in its design: Gerard de Lairesse (listed building) Publisher: Gerard de Lairesshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-poorly-divers-will-lay-it-out-so-desirous-to-refrain-bacchus-clusters-that-do-not-make-it-out-titel-op-object-bacchus-crowned-with-vine-leaves-and-grapes-standing-in-a-landscape-with-a-thyrsus-and-a-bunch-of-grapes-in-his-hands-he-squeezes-the-fine-bunch-of-grapes-and-leaves-collecting-the-juice-in-a-dish-which-is-held-by-a-maenad-the-child-sits-at-the-maenad-try-some-of-the-grape-juice-to-absorb-right-background-maenads-play-the-fluit-manufacturer-printmaker-gerard-de-lairesse-listed-building-in-its-design-gerard-de-lairesse-listed-building-publisher-gerard-de-lairess-image348154110.html Italiano: Wilhelm von Gloeden (1856–1931), 'Uno studio'. Due ragazzi in costume classico, uno dei quali con un tirso, sulla 'Terrazza di Taormina'. La vista è quella sull'Etna. Numero di catalogo: 0240. L'immagine fu pubblicata col titolo 'A studio' su 'The sketch', 13 febbraio 1895 p. 130. English: Wilhelm von Gloeden (1856–1931), 'A studio' . Two boys in classical attire, one of them holding a thyrsus, on the so-called 'Terrazza di Taormina' facing mount Aetna. Catalogue number: 0240. This shot was published in 1895 under the title 'A studio' on 'The sketch', 13 february 1895, p. 130. . 18 Italiano: Wilhelm von Gloeden (1856–1931), 'Uno studio'. Due ragazzi in costume classico, uno dei quali con un tirso, sulla 'Terrazza di Taormina'. La vista è quella sull'Etna. Numero di catalogo: 0240. L'immagine fu pubblicata col titolo 'A studio' su 'The sketch', 13 febbraio 1895 p. 130. English: Wilhelm von Gloeden (1856–1931), 'A studio' . Two boys in classical attire, one of them holding a thyrsus, on the so-called 'Terrazza di Taormina' facing mount Aetna. Catalogue number: 0240. This shot was published in 1895 under the title 'A studio' on 'The sketch', 13 february 1895, p. 130. . 18https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italiano-wilhelm-von-gloeden-18561931-uno-studio-due-ragazzi-in-costume-classico-uno-dei-quali-con-un-tirso-sulla-terrazza-di-taormina-la-vista-quella-sulletna-numero-di-catalogo-0240-limmagine-fu-pubblicata-col-titolo-a-studio-su-the-sketch-13-febbraio-1895-p-130-english-wilhelm-von-gloeden-18561931-a-studio-two-boys-in-classical-attire-one-of-them-holding-a-thyrsus-on-the-so-called-terrazza-di-taormina-facing-mount-aetna-catalogue-number-0240-this-shot-was-published-in-1895-under-the-title-a-studio-on-the-sketch-13-february-1895-p-130-18-image210954546.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside shield done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside shield done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-54166102.html Bacchus with thyrsus, tripod horn and crown of leaves standing in a forest. He stands on a drunken satyr in front of a statue of Priapus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Bacchus with thyrsus, tripod horn and crown of leaves standing in a forest. He stands on a drunken satyr in front of a statue of Priapus. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-with-thyrsus-tripod-horn-and-crown-of-leaves-standing-in-a-forest-he-stands-on-a-drunken-satyr-in-front-of-a-statue-of-priapus-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image331806917.html A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrum A bas-relief depicting a satyr at left holding two infants, another child satyr to right, dancing to the sound of the sistrumhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-bas-relief-depicting-a-satyr-at-left-holding-two-infants-another-162523565.html A bacchant surprised by a faun in a desolate mountain spot. At the faun's feet are his curved stick or pedum, seven-pipe flute or syrinx, and a Rhombus, a percussion instrument like a tambourine. At the bacchant's feet are a sacred staff or thyrsus decorated with a red ribbon, and a typanum drum decorated with a picture of a sistrum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculane A bacchant surprised by a faun in a desolate mountain spot. At the faun's feet are his curved stick or pedum, seven-pipe flute or syrinx, and a Rhombus, a percussion instrument like a tambourine. At the bacchant's feet are a sacred staff or thyrsus decorated with a red ribbon, and a typanum drum decorated with a picture of a sistrum. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculanehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bacchant-surprised-by-a-faun-in-a-desolate-mountain-spot-at-the-fauns-feet-are-his-curved-stick-or-pedum-seven-pipe-flute-or-syrinx-and-a-rhombus-a-percussion-instrument-like-a-tambourine-at-the-bacchants-feet-are-a-sacred-staff-or-thyrsus-decorated-with-a-red-ribbon-and-a-typanum-drum-decorated-with-a-picture-of-a-sistrum-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculane-image331681553.html A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, th A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, thhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-carved-thyrsus-part-of-the-decoration-of-the-scene-of-the-hellenistic-theatre-ancient-stratonicea-eskihisar-turkey-built-on-a-natural-slope-th-image235539197.html Glass plaque fragment, Early Imperial, 1st century A.D., Roman, Glass; cast in an open mold in two layers, Overall: 2 7/16 x 2 7 Glass plaque fragment, Early Imperial, 1st century A.D., Roman, Glass; cast in an open mold in two layers, Overall: 2 7/16 x 2 7https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-glass-plaque-fragment-early-imperial-1st-century-ad-roman-glass-cast-162410031.html common bugle, creeping bugleweed (Ajuga reptans), in a meadow with common dandelion and cuckooflower, Germany common bugle, creeping bugleweed (Ajuga reptans), in a meadow with common dandelion and cuckooflower, Germanyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/common-bugle-creeping-bugleweed-ajuga-reptans-in-a-meadow-with-common-dandelion-and-cuckooflower-germany-image276953868.html Desing for an Oil Lamp, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for an oil-burning lamp. Below is a moulded base. The figure of a menad is shown in three-quarter profile dancing upon a sphere and turned toward left. Her right hand holds her skirt, her left hand the thyrsus to which the lamp is fastened., Rome, Italy, mid- 19th century, lighting, Drawing Desing for an Oil Lamp, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for an oil-burning lamp. Below is a moulded base. The figure of a menad is shown in three-quarter profile dancing upon a sphere and turned toward left. Her right hand holds her skirt, her left hand the thyrsus to which the lamp is fastened., Rome, Italy, mid- 19th century, lighting, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/desing-for-an-oil-lamp-pen-and-ink-brush-and-gray-watercolor-graphite-on-paper-vertical-rectangle-design-for-an-oil-burning-lamp-below-is-a-moulded-base-the-figure-of-a-menad-is-shown-in-three-quarter-profile-dancing-upon-a-sphere-and-turned-toward-left-her-right-hand-holds-her-skirt-her-left-hand-the-thyrsus-to-which-the-lamp-is-fastened-rome-italy-mid-19th-century-lighting-drawing-image391314538.html Bacchic rite. Women offering figs on platters to Bacchus, and seated woman in an initiation rite accompanied by a genius of Ceres (boy with wings). Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789. Bacchic rite. Women offering figs on platters to Bacchus, and seated woman in an initiation rite accompanied by a genius of Ceres (boy with wings). Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchic-rite-women-offering-figs-on-platters-to-bacchus-and-seated-woman-in-an-initiation-rite-accompanied-by-a-genius-of-ceres-boy-with-wings-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1789-image331806669.html Celebrating Couple, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper, Airborne couple: young man with garland and shouldered thyrsus holds hands with young woman. Ruled lines in black chalk suggest a rectangular molding., Rome, Italy, Italy, 1812, interiors, Drawing Celebrating Couple, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper, Airborne couple: young man with garland and shouldered thyrsus holds hands with young woman. Ruled lines in black chalk suggest a rectangular molding., Rome, Italy, Italy, 1812, interiors, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/celebrating-couple-sala-di-recezione-palazzo-quirinale-rome-felice-giani-italian-17581823-pen-and-dark-gray-ink-brush-and-color-washes-over-black-chalk-ruled-lines-on-beige-wove-paper-airborne-couple-young-man-with-garland-and-shouldered-thyrsus-holds-hands-with-young-woman-ruled-lines-in-black-chalk-suggest-a-rectangular-molding-rome-italy-italy-1812-interiors-drawing-image391189184.html Priest blessing the catch as local boys fish at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greece Priest blessing the catch as local boys fish at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greecehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-priest-blessing-the-catch-as-local-boys-fish-at-a-fishing-festival-163016588.html Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a female centaur or centauress carrying a bacchant carrying a thyrsus or staff. The centauress holds a sprig of foliage in her left hand and with her right hand drapes a garland under the bacchant's arm. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii. Painting removed from a wall of a room, possibly a triclinium or dining room, in a house in Pompeii in 1749. It shows a female centaur or centauress carrying a bacchant carrying a thyrsus or staff. The centauress holds a sprig of foliage in her left hand and with her right hand drapes a garland under the bacchant's arm. Copperplate engraved by Tommaso Piroli from his own 'Antichita di Ercolano' (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-removed-from-a-wall-of-a-room-possibly-a-triclinium-or-dining-room-in-a-house-in-pompeii-in-1749-it-shows-a-female-centaur-or-centauress-carrying-a-bacchant-carrying-a-thyrsus-or-staff-the-centauress-holds-a-sprig-of-foliage-in-her-left-hand-and-with-her-right-hand-drapes-a-garland-under-the-bacchants-arm-copperplate-engraved-by-tommaso-piroli-from-his-own-antichita-di-ercolano-antiquities-of-herculaneum-rome-1789-italian-artist-and-engraver-piroli-1752-1824-published-six-volumes-between-1789-and-1807-documenting-the-murals-and-bronzes-found-in-heraculaneum-and-pompeii-image231229984.html Terracotta bowl. Period: Early Imperial, Augustan; Date: ca. 20 B.C.-A.D. 10; Culture: Roman; Medium: Terracotta; Arretine ware; Dimensions: H. 7 in. Terracotta bowl. Period: Early Imperial, Augustan; Date: ca. 20 B.C.-A.D. 10; Culture: Roman; Medium: Terracotta; Arretine ware; Dimensions: H. 7 in.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-bowl-period-early-imperial-augustan-date-ca-20-bc-ad-10-culture-roman-medium-terracotta-arretine-ware-dimensions-h-7-in-image275597143.html An historical guide to French interiors, furniture, decoration, woodwork, & allied arts during the last half of the seventeenth century, the whole of the eighteenth century, and the earlier part of the nineteenth . Music Stand. Cabinet. gilt bronze, the dial ornamented with paste diamonds. Thecrowning decoration is a figure of Love, with the emblemsand trophies of War. This clock is of the same style and period.At each side are bronze statuettes belonging to the middleof the 18th century. They represent Cupid with his bow andarrows and the infant Bacchus with a thyrsus and winecup. Also on thi An historical guide to French interiors, furniture, decoration, woodwork, & allied arts during the last half of the seventeenth century, the whole of the eighteenth century, and the earlier part of the nineteenth . Music Stand. Cabinet. gilt bronze, the dial ornamented with paste diamonds. Thecrowning decoration is a figure of Love, with the emblemsand trophies of War. This clock is of the same style and period.At each side are bronze statuettes belonging to the middleof the 18th century. They represent Cupid with his bow andarrows and the infant Bacchus with a thyrsus and winecup. Also on thihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-historical-guide-to-french-interiors-furniture-decoration-woodwork-allied-arts-during-the-last-half-of-the-seventeenth-century-the-whole-of-the-eighteenth-century-and-the-earlier-part-of-the-nineteenth-music-stand-cabinet-gilt-bronze-the-dial-ornamented-with-paste-diamonds-thecrowning-decoration-is-a-figure-of-love-with-the-emblemsand-trophies-of-war-this-clock-is-of-the-same-style-and-periodat-each-side-are-bronze-statuettes-belonging-to-the-middleof-the-18th-century-they-represent-cupid-with-his-bow-andarrows-and-the-infant-bacchus-with-a-thyrsus-and-winecup-also-on-thi-image339344764.html Horse sorrel during the flowering period. Rumex confertus. Horse sorrel on the side of a rural road. Horse sorrel during the flowering period. Rumex confertus. Horse sorrel on the side of a rural road.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-sorrel-during-the-flowering-period-rumex-confertus-horse-sorrel-on-the-side-of-a-rural-road-image352729310.html . Indian trees : an account of trees, shrubs, woody climbers, bamboos, and palms indigenous or commonly cultivated in the British Indian Empire. Trees. Fayrcva] LXXV. LOGANIAOEiE 477. Fig. 171. Fagrsea obovata, Wall. J. B. M. 1 in. long or less. 6. F. morindsBfolia, Blume, Anclamaiis, Malaya. A. rambling slirub, L broadly elliptic, very shortly acuminate, blade 6-12, petiole | in., sec. n. prominent beneath. FL in trichotomous cymes, arranged in a terminal pedtincnlate thyrsus 6-9 in., pedicels J-J in. long. Calyx J in., corolla funnel-shaped, tube J in., lobes | in. long. Enrz, Jl racemosa, F . Indian trees : an account of trees, shrubs, woody climbers, bamboos, and palms indigenous or commonly cultivated in the British Indian Empire. Trees. Fayrcva] LXXV. LOGANIAOEiE 477. Fig. 171. Fagrsea obovata, Wall. J. B. M. 1 in. long or less. 6. F. morindsBfolia, Blume, Anclamaiis, Malaya. A. rambling slirub, L broadly elliptic, very shortly acuminate, blade 6-12, petiole | in., sec. n. prominent beneath. FL in trichotomous cymes, arranged in a terminal pedtincnlate thyrsus 6-9 in., pedicels J-J in. long. Calyx J in., corolla funnel-shaped, tube J in., lobes | in. long. Enrz, Jl racemosa, Fhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/indian-trees-an-account-of-trees-shrubs-woody-climbers-bamboos-and-palms-indigenous-or-commonly-cultivated-in-the-british-indian-empire-trees-fayrcva-lxxv-loganiaoeie-477-fig-171-fagrsea-obovata-wall-j-b-m-1-in-long-or-less-6-f-morindsbfolia-blume-anclamaiis-malaya-a-rambling-slirub-l-broadly-elliptic-very-shortly-acuminate-blade-6-12-petiole-in-sec-n-prominent-beneath-fl-in-trichotomous-cymes-arranged-in-a-terminal-pedtincnlate-thyrsus-6-9-in-pedicels-j-j-in-long-calyx-j-in-corolla-funnel-shaped-tube-j-in-lobes-in-long-enrz-jl-racemosa-f-image216330034.html Girandole met thyrsus 3e Cahier Cahier des Girandoles de Bureau (serietitel op object) a two-armed girandole with branches, straw and a thyrsus. Manufacturer : printmaker Claude Dominique Vinsac (listed building) in its design: Claude Dominique Vinsac (listed object) publisher: Claude Dominique Vinsac (indicated on object) Place manufacture: Paris Date: 1759 - 1800 Physical characteristics: etching and aqua tint, printed in brown material: paper Technique: etching / aquatint dimensions: plate edge: h 270 mm × W 145 mm Subject: chandelier, candelabrumthyrsus attribute of Bacchus Girandole met thyrsus 3e Cahier Cahier des Girandoles de Bureau (serietitel op object) a two-armed girandole with branches, straw and a thyrsus. Manufacturer : printmaker Claude Dominique Vinsac (listed building) in its design: Claude Dominique Vinsac (listed object) publisher: Claude Dominique Vinsac (indicated on object) Place manufacture: Paris Date: 1759 - 1800 Physical characteristics: etching and aqua tint, printed in brown material: paper Technique: etching / aquatint dimensions: plate edge: h 270 mm × W 145 mm Subject: chandelier, candelabrumthyrsus attribute of Bacchushttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girandole-met-thyrsus-3e-cahier-cahier-des-girandoles-de-bureau-serietitel-op-object-a-two-armed-girandole-with-branches-straw-and-a-thyrsus-manufacturer-printmaker-claude-dominique-vinsac-listed-building-in-its-design-claude-dominique-vinsac-listed-object-publisher-claude-dominique-vinsac-indicated-on-object-place-manufacture-paris-date-1759-1800-physical-characteristics-etching-and-aqua-tint-printed-in-brown-material-paper-technique-etching-aquatint-dimensions-plate-edge-h-270-mm-w-145-mm-subject-chandelier-candelabrumthyrsus-attribute-of-bacchus-image348415267.html . English: Hermaphroditus and Silenus. On the right a maenad with thyrsus. Roman fresco from Pompeii, House of M. Epidi Sabini, IX.1.22. Museo Archeologico Nazionale (Naples), inv. nr. 27875. Deutsch: Hermaphroditos zupft ein alten Satyr (Silen) am Bart. Auf der rechten Seite eine Mänade mit Thyrsos. Römisches Fresko aus Pompeji. Museo Archeologico Nazionale (Neapel), inv. nr. 27875. 13 March 2009. WolfgangRieger 492 Pompeii - Hermaphroditus and Silenus . English: Hermaphroditus and Silenus. On the right a maenad with thyrsus. Roman fresco from Pompeii, House of M. Epidi Sabini, IX.1.22. Museo Archeologico Nazionale (Naples), inv. nr. 27875. Deutsch: Hermaphroditos zupft ein alten Satyr (Silen) am Bart. Auf der rechten Seite eine Mänade mit Thyrsos. Römisches Fresko aus Pompeji. Museo Archeologico Nazionale (Neapel), inv. nr. 27875. 13 March 2009. WolfgangRieger 492 Pompeii - Hermaphroditus and Silenushttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-hermaphroditus-and-silenus-on-the-right-a-maenad-with-thyrsus-roman-fresco-from-pompeii-house-of-m-epidi-sabini-ix122-museo-archeologico-nazionale-naples-inv-nr-27875-deutsch-hermaphroditos-zupft-ein-alten-satyr-silen-am-bart-auf-der-rechten-seite-eine-mnade-mit-thyrsos-rmisches-fresko-aus-pompeji-museo-archeologico-nazionale-neapel-inv-nr-27875-13-march-2009-wolfgangrieger-492-pompeii-hermaphroditus-and-silenus-image187456329.html Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style. Illustration of a Thyrsus a staff of giant fennel topped with pine cone and ribbon set inside circle done in retro style.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-a-thyrsus-a-staff-of-giant-fennel-topped-with-pine-image65022104.html A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, th A carved Thyrsus, part of the decoration of the scene of the Hellenistic theatre, ancient Stratonicea, Eskihisar, Turkey. Built on a natural slope, thhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-carved-thyrsus-part-of-the-decoration-of-the-scene-of-the-hellenistic-theatre-ancient-stratonicea-eskihisar-turkey-built-on-a-natural-slope-th-image235538834.html common bugle, creeping bugleweed (Ajuga reptans), in a meadow with common dandelion and cuckooflower, Germany common bugle, creeping bugleweed (Ajuga reptans), in a meadow with common dandelion and cuckooflower, Germanyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-common-bugle-creeping-bugleweed-ajuga-reptans-in-a-meadow-with-common-10883647.html Victory with a Garland, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper Support: beige wove paper, Fame raises garlands in both hands. On her left, putto with cornucopia; on her right, putto with garland. On ground at left, garland and trumpet; at right, garland and thyrsus. Ruled lines in black chalk suggest rectangular moldings., Rome, Italy, Italy, 1812, interiors, Drawing Victory with a Garland, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper Support: beige wove paper, Fame raises garlands in both hands. On her left, putto with cornucopia; on her right, putto with garland. On ground at left, garland and trumpet; at right, garland and thyrsus. Ruled lines in black chalk suggest rectangular moldings., Rome, Italy, Italy, 1812, interiors, Drawinghttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victory-with-a-garland-sala-di-recezione-palazzo-quirinale-rome-felice-giani-italian-17581823-pen-and-dark-gray-ink-brush-and-color-washes-over-black-chalk-ruled-lines-on-beige-wove-paper-support-beige-wove-paper-fame-raises-garlands-in-both-hands-on-her-left-putto-with-cornucopia-on-her-right-putto-with-garland-on-ground-at-left-garland-and-trumpet-at-right-garland-and-thyrsus-ruled-lines-in-black-chalk-suggest-rectangular-moldings-rome-italy-italy-1812-interiors-drawing-image391193922.html Local boys fishing off the end of a jetty at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greece Local boys fishing off the end of a jetty at a fishing festival in Polis harbour near the village of Stavros on Ithaka Greecehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-local-boys-fishing-off-the-end-of-a-jetty-at-a-fishing-festival-in-163016591.html Roman Art. Spain. Mosaic of Bacchus. 2nd century A.C. It comes from Italica (Seville). Bacchus crowned with vine leaves and armed with thyrsus topped with the spearhead. Archaeological Museum of Seville. Andalusia. Roman Art. Spain. Mosaic of Bacchus. 2nd century A.C. It comes from Italica (Seville). Bacchus crowned with vine leaves and armed with thyrsus topped with the spearhead. Archaeological Museum of Seville. Andalusia.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roman-art-spain-mosaic-of-bacchus-2nd-century-ac-it-comes-from-italica-seville-bacchus-crowned-with-vine-leaves-and-armed-with-thyrsus-topped-with-the-spearhead-archaeological-museum-of-seville-andalusia-image231212690.html Pendulum in the shape of an oval basket, Pendulum of partly gilt, partly patinated bronze, in the form of an oval basket with profiled plinth on legs adorned with pearl and crank edges. A fence of pointed arches runs around the curving upper edge. The enamelled dial on the dark patinated middle section shows petals and beaded edges. Below a burning torch with ribbon, flower wreath and leaf vines with berries. The further decoration consists of acanthus leaves, thyrsus staff, olive branches, rosettes and palmettes., Jacques Bollengier, The Hague, c. 1800 - c. 1825, bronze (metal), brass (alloy Pendulum in the shape of an oval basket, Pendulum of partly gilt, partly patinated bronze, in the form of an oval basket with profiled plinth on legs adorned with pearl and crank edges. A fence of pointed arches runs around the curving upper edge. The enamelled dial on the dark patinated middle section shows petals and beaded edges. Below a burning torch with ribbon, flower wreath and leaf vines with berries. The further decoration consists of acanthus leaves, thyrsus staff, olive branches, rosettes and palmettes., Jacques Bollengier, The Hague, c. 1800 - c. 1825, bronze (metal), brass (alloyhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pendulum-in-the-shape-of-an-oval-basket-pendulum-of-partly-gilt-partly-patinated-bronze-in-the-form-of-an-oval-basket-with-profiled-plinth-on-legs-adorned-with-pearl-and-crank-edges-a-fence-of-pointed-arches-runs-around-the-curving-upper-edge-the-enamelled-dial-on-the-dark-patinated-middle-section-shows-petals-and-beaded-edges-below-a-burning-torch-with-ribbon-flower-wreath-and-leaf-vines-with-berries-the-further-decoration-consists-of-acanthus-leaves-thyrsus-staff-olive-branches-rosettes-and-palmettes-jacques-bollengier-the-hague-c-1800-c-1825-bronze-metal-brass-alloy-image261343238.html . Botany of the southern states. In two parts. Botany. Panicle. If the secondary axes develop tertiary ones, a panicle is formed (Fig. 117), as in the Poa. The term deliquescent panicle is applied to that variety of the panicle, when the rachis is lost in its irregular divisions, and does not continue direct through the inflorescence. The ramification of the axes may proceed further, forming compound panicles. A very dense panicle, with the lower branches shorter than the middle ones, is called a thyrsus, as in the Lilac. ..--a Stamens. 117. Immediately within the corolla are situated a row of . Botany of the southern states. In two parts. Botany. Panicle. If the secondary axes develop tertiary ones, a panicle is formed (Fig. 117), as in the Poa. The term deliquescent panicle is applied to that variety of the panicle, when the rachis is lost in its irregular divisions, and does not continue direct through the inflorescence. The ramification of the axes may proceed further, forming compound panicles. A very dense panicle, with the lower branches shorter than the middle ones, is called a thyrsus, as in the Lilac. ..--a Stamens. 117. Immediately within the corolla are situated a row ofhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/botany-of-the-southern-states-in-two-parts-botany-panicle-if-the-secondary-axes-develop-tertiary-ones-a-panicle-is-formed-fig-117-as-in-the-poa-the-term-deliquescent-panicle-is-applied-to-that-variety-of-the-panicle-when-the-rachis-is-lost-in-its-irregular-divisions-and-does-not-continue-direct-through-the-inflorescence-the-ramification-of-the-axes-may-proceed-further-forming-compound-panicles-a-very-dense-panicle-with-the-lower-branches-shorter-than-the-middle-ones-is-called-a-thyrsus-as-in-the-lilac-a-stamens-117-immediately-within-the-corolla-are-situated-a-row-of-image234291396.html Terracotta bowl. Period: Early Imperial, Augustan; Date: ca. 20 B.C.-A.D. 10; Culture: Roman; Medium: Terracotta; Arretine ware; Dimensions: H. 7 in. Terracotta bowl. Period: Early Imperial, Augustan; Date: ca. 20 B.C.-A.D. 10; Culture: Roman; Medium: Terracotta; Arretine ware; Dimensions: H. 7 in.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-terracotta-bowl-period-early-imperial-augustan-date-ca-20-bc-ad-10-168232391.html Next page Recent searches: Search Results for All Have A Thyrsus Stock Photos and Images  (192) Page 1 of 2 12