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New Creative Relevant Search filters Albumen Silver Prints Stock Photos and Images  (3,188) Narrow your search: Black & white Page 1 of 32 Album of 226 albumen silver prints of Japan, Kusakabe Kimbei, 1860s–90s Album of 226 albumen silver prints of Japan, Kusakabe Kimbei, 1860s–90shttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-album-of-226-albumen-silver-prints-of-japan-kusakabe-kimbei-1860s90s-162555590.html Untitled, 1860/1900, Graham Vivian, British, active 1860s–1900, England, Albumen silver prints from wet collodion negatives and platinum prints, Album appro×. 10 × 13 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Untitled, 1860/1900, Graham Vivian, British, active 1860s–1900, England, Albumen silver prints from wet collodion negatives and platinum prints, Album appro×. 10 × 13 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-18601900-graham-vivian-british-active-1860s1900-england-albumen-silver-prints-from-wet-collodion-negatives-and-platinum-prints-album-appro-10-13-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349745622.html Author: Robert MacPherson. Photographs of Views of Rome - c. 1857 - Robert MacPherson Scottish, 1811'1872. 47 albumen silver prints. 1852'1862. Author: Robert MacPherson. Photographs of Views of Rome - c. 1857 - Robert MacPherson Scottish, 1811'1872. 47 albumen silver prints. 1852'1862.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-robert-macpherson-photographs-of-views-of-rome-c-1857-robert-macpherson-scottish-18111872-47-albumen-silver-prints-18521862-image360086937.html Ambroise Bernard Album. Artist: Carleton E. Watkins (American, 1829-1916); Attributed to Carleton E. Watkins (American, 1829-1916). Dimensions: 43.5 x 37.5 cm (17 1/8 x 14 3/4 in.). Date: 1870s. This deluxe 'Ambroise Bernard Sompayrac Album' contains 101 albumen silver prints (10½ x 13'), which seem to have been cut down from mammoth-plate (18 x 22') prints. There are a dozen cityscapes of San Francisco by Watkins as well as views of the great trees and hotels in Mariposa and Calaveras Groves, towns and cities of California from Oakland to Los Angeles, and landscapes in Nevada and Oregon. The Ambroise Bernard Album. Artist: Carleton E. Watkins (American, 1829-1916); Attributed to Carleton E. Watkins (American, 1829-1916). Dimensions: 43.5 x 37.5 cm (17 1/8 x 14 3/4 in.). Date: 1870s. This deluxe 'Ambroise Bernard Sompayrac Album' contains 101 albumen silver prints (10½ x 13'), which seem to have been cut down from mammoth-plate (18 x 22') prints. There are a dozen cityscapes of San Francisco by Watkins as well as views of the great trees and hotels in Mariposa and Calaveras Groves, towns and cities of California from Oakland to Los Angeles, and landscapes in Nevada and Oregon. Thehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ambroise-bernard-album-artist-carleton-e-watkins-american-1829-1916-attributed-to-carleton-e-watkins-american-1829-1916-dimensions-435-x-375-cm-17-18-x-14-34-in-date-1870s-this-deluxe-ambroise-bernard-sompayrac-album-contains-101-albumen-silver-prints-10-x-13-which-seem-to-have-been-cut-down-from-mammoth-plate-18-x-22-prints-there-are-a-dozen-cityscapes-of-san-francisco-by-watkins-as-well-as-views-of-the-great-trees-and-hotels-in-mariposa-and-calaveras-groves-towns-and-cities-of-california-from-oakland-to-los-angeles-and-landscapes-in-nevada-and-oregon-the-image213400060.html Panama from Mount Ancon 1875 photograph by Earweard Muybridge (1830-1904), Panama City, Central America, Smithsonian American Art Museum Panama from Mount Ancon 1875 photograph by Earweard Muybridge (1830-1904), Panama City, Central America, Smithsonian American Art Museumhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panama-from-mount-ancon-1875-photograph-by-earweard-muybridge-1830-1904-panama-city-central-america-smithsonian-american-art-museum-image345551645.html 19th century Photography of the Dome of the Rock [Here as Jerusalem, Site of the Temple on Mount Moriah] Photographs, Albumen silver prints, 1857 19th century Photography of the Dome of the Rock [Here as Jerusalem, Site of the Temple on Mount Moriah] Photographs, Albumen silver prints, 1857https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/19th-century-photography-of-the-dome-of-the-rock-here-as-jerusalem-site-of-the-temple-on-mount-moriah-photographs-albumen-silver-prints-1857-image377776553.html -Album of 226 albumen silver prints of Japan- -Album of 226 albumen silver prints of Japan-https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-of-226-albumen-silver-prints-of-japan-image231034492.html -Album of 226 albumen silver prints of Japan- MET DT229538 266993 -Album of 226 albumen silver prints of Japan- MET DT229538 266993https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-album-of-226-albumen-silver-prints-of-japan-met-dt229538-266993-168300356.html Robert MacPherson. Photographs of Views of Rome. 1852–1862. Scotland. 47 albumen silver prints Robert MacPherson. Photographs of Views of Rome. 1852–1862. Scotland. 47 albumen silver printshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-macpherson-photographs-of-views-of-rome-18521862-scotland-47-albumen-silver-prints-image338000532.html Ambroise Bernard Album, 1870s. The "Ambroise Bernard Sompayrac Album" contains 101 albumen silver prints (10½ x 13"), which seem to have been cut down from mammoth-plate (18 x 22") prints. There are a dozen cityscapes of San Francisco by Watkins as well as views of the great trees and hotels in Mariposa and Calaveras Groves, towns and cities of California from Oakland to Los Angeles, and landscapes in Nevada and Oregon. The central section includes forty-two views of Yosemite. Ambroise Bernard Album, 1870s. The "Ambroise Bernard Sompayrac Album" contains 101 albumen silver prints (10½ x 13"), which seem to have been cut down from mammoth-plate (18 x 22") prints. There are a dozen cityscapes of San Francisco by Watkins as well as views of the great trees and hotels in Mariposa and Calaveras Groves, towns and cities of California from Oakland to Los Angeles, and landscapes in Nevada and Oregon. The central section includes forty-two views of Yosemite.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ambroise-bernard-album-1870s-the-quotambroise-bernard-sompayrac-albumquot-contains-101-albumen-silver-prints-10xbd-x-13quot-which-seem-to-have-been-cut-down-from-mammoth-plate-18-x-22quot-prints-there-are-a-dozen-cityscapes-of-san-francisco-by-watkins-as-well-as-views-of-the-great-trees-and-hotels-in-mariposa-and-calaveras-groves-towns-and-cities-of-california-from-oakland-to-los-angeles-and-landscapes-in-nevada-and-oregon-the-central-section-includes-forty-two-views-of-yosemite-image365751693.html . English: Panorama of Edo (now Tokyo) showing daimyo residences, Japan. Five albumen silver prints joined to form a panorama. Original Beato's title: Panorama of Yedo from Atagoyama Following the end of the Shogunate in 1867, the daimyo residences in Edo (now Tokyo) were razed so that government, commercial and industrial buildings could be built in their place (Modot, p. 528). 1865 or 1866. Felice Beato  (1832–1909)   Alternative names Felix Beato Description Italian photographer, journalist, war photographer and photojournalist Date of birth/death 1832 (or perhaps as late as 1834) 29 . English: Panorama of Edo (now Tokyo) showing daimyo residences, Japan. Five albumen silver prints joined to form a panorama. Original Beato's title: Panorama of Yedo from Atagoyama Following the end of the Shogunate in 1867, the daimyo residences in Edo (now Tokyo) were razed so that government, commercial and industrial buildings could be built in their place (Modot, p. 528). 1865 or 1866. Felice Beato  (1832–1909)   Alternative names Felix Beato Description Italian photographer, journalist, war photographer and photojournalist Date of birth/death 1832 (or perhaps as late as 1834) 29 https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-panorama-of-edo-now-tokyo-showing-daimyo-residences-japan-five-albumen-silver-prints-joined-to-form-a-panorama-original-beatos-title-panorama-of-yedo-from-atagoyama-following-the-end-of-the-shogunate-in-1867-the-daimyo-residences-in-edo-now-tokyo-were-razed-so-that-government-commercial-and-industrial-buildings-could-be-built-in-their-place-modot-p-528-1865-or-1866-felice-beato-18321909-alternative-names-felix-beato-description-italian-photographer-journalist-war-photographer-and-photojournalist-date-of-birthdeath-1832-or-perhaps-as-late-as-1834-29-image185498439.html The Great Wave, Sète; Gustave Le Gray (French, 1820 - 1884); Sète, France; about 1857; Albumen silver print; 34.3 × 41.9 cm (13 1/2 × 16 1/2 in.); 84.XM.637.1 The Great Wave, Sète; Gustave Le Gray (French, 1820 - 1884); Sète, France; about 1857; Albumen silver print; 34.3 × 41.9 cm (13 1/2 × 16 1/2 in.); 84.XM.637.1https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-great-wave-ste-gustave-le-gray-french-1820-1884-ste-france-about-1857-albumen-silver-print-343-419-cm-13-12-16-12-in-84xm6371-image348814153.html Albumen silver print; stereo Albumen silver print; stereohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albumen-silver-print-stereo-image381538702.html Steamboat approaching dock, at Silver Springs, Florida by Canadian photographer George Barker (1844-1894). 1886. Steamboat approaching dock, at Silver Springs, Florida by Canadian photographer George Barker (1844-1894). 1886.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-steamboat-approaching-dock-at-silver-springs-florida-by-canadian-photographer-50047494.html Steamboat approaching dock, at Silver Springs, Florida by Canadian photographer George Barker (1844-1894). 1886. Steamboat approaching dock, at Silver Springs, Florida by Canadian photographer George Barker (1844-1894). 1886.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-steamboat-approaching-dock-at-silver-springs-florida-by-canadian-photographer-32392242.html Alabama River, 1860s, Albumen silver prints, Mount: 10 x 17.7 cm (3 15/16 x 6 15/16 in.), Photographs, Unknown (American Alabama River, 1860s, Albumen silver prints, Mount: 10 x 17.7 cm (3 15/16 x 6 15/16 in.), Photographs, Unknown (Americanhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-alabama-river-1860s-albumen-silver-prints-mount-10-x-177-cm-3-1516-162453045.html An Effect of Sunlight - Ocean No. 23, Gustave Le Gray (French, 1820 - 1884), Normandy, France, 1857–1858, Albumen silver prints from glass negatives, 32.1 × 41.8 cm (12 5/8 × 16 7/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. An Effect of Sunlight - Ocean No. 23, Gustave Le Gray (French, 1820 - 1884), Normandy, France, 1857–1858, Albumen silver prints from glass negatives, 32.1 × 41.8 cm (12 5/8 × 16 7/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-effect-of-sunlight-ocean-no-23-gustave-le-gray-french-1820-1884-normandy-france-18571858-albumen-silver-prints-from-glass-negatives-321-418-cm-12-58-16-716-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349903522.html Author: Robert MacPherson. Photographs of Views of Rome - c. 1857 - Robert MacPherson Scottish, 1811'1872. 47 albumen silver prints. 1852'1862. Author: Robert MacPherson. Photographs of Views of Rome - c. 1857 - Robert MacPherson Scottish, 1811'1872. 47 albumen silver prints. 1852'1862.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-robert-macpherson-photographs-of-views-of-rome-c-1857-robert-macpherson-scottish-18111872-47-albumen-silver-prints-18521862-image360086939.html The Largest of the Cedars, Mount Lebanon. Date/Period: Negative 1856 - 1860; print 1862 - 1863. Print. Albumen silver. Height: 162 mm (6.37 in); Width: 230 mm (9.05 in). Author: Francis Frith. The Largest of the Cedars, Mount Lebanon. Date/Period: Negative 1856 - 1860; print 1862 - 1863. Print. Albumen silver. Height: 162 mm (6.37 in); Width: 230 mm (9.05 in). Author: Francis Frith.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-largest-of-the-cedars-mount-lebanon-dateperiod-negative-1856-1860-print-1862-1863-print-albumen-silver-height-162-mm-637-in-width-230-mm-905-in-author-francis-frith-image219734458.html Frontispiece to Eadweard Muybridge's Central American Album 1877, Smithsonian American Art Museum Frontispiece to Eadweard Muybridge's Central American Album 1877, Smithsonian American Art Museumhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frontispiece-to-eadweard-muybridges-central-american-album-1877-smithsonian-american-art-museum-image345486858.html -Album of 226 albumen silver prints of Japan- -Album of 226 albumen silver prints of Japan-https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-of-226-albumen-silver-prints-of-japan-image231034493.html -Album of 226 albumen silver prints of Japan- MET DT3682 266993 -Album of 226 albumen silver prints of Japan- MET DT3682 266993https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-album-of-226-albumen-silver-prints-of-japan-met-dt3682-266993-168300349.html Graham Vivian. Untitled. 1860–1900. England. Albumen silver prints from wet collodion negatives and platinum prints Graham Vivian. Untitled. 1860–1900. England. Albumen silver prints from wet collodion negatives and platinum printshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/graham-vivian-untitled-18601900-england-albumen-silver-prints-from-wet-collodion-negatives-and-platinum-prints-image337944736.html Battlefield of New Hope Church, Georgia, No. 2, 1865-1866. From the medium’s beginnings in the 1830s through the 1880s, most photographs were intimately scaled objects meant for the hand, the album, and the home. As the medium began being used to document landscapes and monuments in the 1850s, larger scale processes arose such as the glass-plate negative. The mammoth print truly seemed gargantuan in the 1860s. For much of the 20th century, the 8-x-10-inch gelatin silver print was the norm for photojournalism; these prints were destined for reproduction in books and magazines around the Battlefield of New Hope Church, Georgia, No. 2, 1865-1866. From the medium’s beginnings in the 1830s through the 1880s, most photographs were intimately scaled objects meant for the hand, the album, and the home. As the medium began being used to document landscapes and monuments in the 1850s, larger scale processes arose such as the glass-plate negative. The mammoth print truly seemed gargantuan in the 1860s. For much of the 20th century, the 8-x-10-inch gelatin silver print was the norm for photojournalism; these prints were destined for reproduction in books and magazines around thehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battlefield-of-new-hope-church-georgia-no-2-1865-1866-from-the-mediumx2019s-beginnings-in-the-1830s-through-the-1880s-most-photographs-were-intimately-scaled-objects-meant-for-the-hand-the-album-and-the-home-as-the-medium-began-being-used-to-document-landscapes-and-monuments-in-the-1850s-larger-scale-processes-arose-such-as-the-glass-plate-negative-the-mammoth-print-truly-seemed-gargantuan-in-the-1860s-for-much-of-the-20th-century-the-8-x-10-inch-gelatin-silver-print-was-the-norm-for-photojournalism-these-prints-were-destined-for-reproduction-in-books-and-magazines-around-the-image330077207.html . English: Le Ministère des Finances Incendie, vue exteriere. Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 36 . English: Le Ministère des Finances Incendie, vue exteriere. Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 36https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-le-ministre-des-finances-incendie-vue-exteriere-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-36-image188350829.html Albumen silver print; stereo Albumen silver print; stereohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albumen-silver-print-stereo-image387505062.html Untitled, 1860/1900, Graham Vivian, British, active 1860s–1900, England, Albumen silver prints from wet collodion negatives and platinum prints, Album appro×. 10 × 13 in Untitled, 1860/1900, Graham Vivian, British, active 1860s–1900, England, Albumen silver prints from wet collodion negatives and platinum prints, Album appro×. 10 × 13 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-18601900-graham-vivian-british-active-1860s1900-england-albumen-silver-prints-from-wet-collodion-negatives-and-platinum-prints-album-appro-10-13-in-image328658750.html Gardner's Photographic Sketch Book of the Civil War, Vol. II, Alexander Gardner (American, born Scotland, 1821 - 1882), John Reekie (American, active 1860s), Washington, District of Columbia, United States, 1865–1866, Albumen silver prints, Closed: 32 × 43.4 × 4.1 cm (12 5/8 × 17 1/16 × 1 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Gardner's Photographic Sketch Book of the Civil War, Vol. II, Alexander Gardner (American, born Scotland, 1821 - 1882), John Reekie (American, active 1860s), Washington, District of Columbia, United States, 1865–1866, Albumen silver prints, Closed: 32 × 43.4 × 4.1 cm (12 5/8 × 17 1/16 × 1 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gardners-photographic-sketch-book-of-the-civil-war-vol-ii-alexander-gardner-american-born-scotland-1821-1882-john-reekie-american-active-1860s-washington-district-of-columbia-united-states-18651866-albumen-silver-prints-closed-32-434-41-cm-12-58-17-116-1-58-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349903498.html Author: Robert MacPherson. Photographs of Views of Rome - c. 1857 - Robert MacPherson Scottish, 1811'1872. 47 albumen silver prints. 1852'1862. Author: Robert MacPherson. Photographs of Views of Rome - c. 1857 - Robert MacPherson Scottish, 1811'1872. 47 albumen silver prints. 1852'1862.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-robert-macpherson-photographs-of-views-of-rome-c-1857-robert-macpherson-scottish-18111872-47-albumen-silver-prints-18521862-image360086942.html Half Dome, 4967 feet, Yosemite. Date/Period: 1861-66. Photograph. Albumen silver print. Author: Carleton Watkins. Carleton E. Watkins. Watkins, Carleton Emmons. Half Dome, 4967 feet, Yosemite. Date/Period: 1861-66. Photograph. Albumen silver print. Author: Carleton Watkins. Carleton E. Watkins. Watkins, Carleton Emmons.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-dome-4967-feet-yosemite-dateperiod-1861-66-photograph-albumen-silver-print-author-carleton-watkins-carleton-e-watkins-watkins-carleton-emmons-image219682512.html Yosemite Valley from Union Point by Edweard Muybridge 1872, Smithsonian American Art Museum Yosemite Valley from Union Point by Edweard Muybridge 1872, Smithsonian American Art Museumhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yosemite-valley-from-union-point-by-edweard-muybridge-1872-smithsonian-american-art-museum-image345486863.html -Album of 226 albumen silver prints of Japan- MET DT229538 266993 -Album of 226 albumen silver prints of Japan- MET DT229538 266993https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-album-of-226-albumen-silver-prints-of-japan-met-dt229538-266993-168458052.html Unknown. The George Cowper Album. 1849–1860. England. Victorian album of albumen silver prints from wet-collodion glass negatives in red leather cover with fleur de lys and embossed initials G.C. (122) Unknown. The George Cowper Album. 1849–1860. England. Victorian album of albumen silver prints from wet-collodion glass negatives in red leather cover with fleur de lys and embossed initials G.C. (122)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-the-george-cowper-album-18491860-england-victorian-album-of-albumen-silver-prints-from-wet-collodion-glass-negatives-in-red-leather-cover-with-fleur-de-lys-and-embossed-initials-gc-122-image337933511.html Davoncastle Butte, Sierra Nevada, c. 1866-1870. From the medium’s beginnings in the 1830s through the 1880s, most photographs were intimately scaled objects meant for the hand, the album, and the home. As the medium began being used to document landscapes and monuments in the 1850s, larger scale processes arose such as the glass-plate negative. The mammoth print truly seemed gargantuan in the 1860s. For much of the 20th century, the 8-x-10-inch gelatin silver print was the norm for photojournalism; these prints were destined for reproduction in books and magazines around the same scale. Davoncastle Butte, Sierra Nevada, c. 1866-1870. From the medium’s beginnings in the 1830s through the 1880s, most photographs were intimately scaled objects meant for the hand, the album, and the home. As the medium began being used to document landscapes and monuments in the 1850s, larger scale processes arose such as the glass-plate negative. The mammoth print truly seemed gargantuan in the 1860s. For much of the 20th century, the 8-x-10-inch gelatin silver print was the norm for photojournalism; these prints were destined for reproduction in books and magazines around the same scale.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/davoncastle-butte-sierra-nevada-c-1866-1870-from-the-mediumx2019s-beginnings-in-the-1830s-through-the-1880s-most-photographs-were-intimately-scaled-objects-meant-for-the-hand-the-album-and-the-home-as-the-medium-began-being-used-to-document-landscapes-and-monuments-in-the-1850s-larger-scale-processes-arose-such-as-the-glass-plate-negative-the-mammoth-print-truly-seemed-gargantuan-in-the-1860s-for-much-of-the-20th-century-the-8-x-10-inch-gelatin-silver-print-was-the-norm-for-photojournalism-these-prints-were-destined-for-reproduction-in-books-and-magazines-around-the-same-scale-image330085341.html . English: Le Ministère des Finances Incendie, vue exteriere. Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 32 . English: Le Ministère des Finances Incendie, vue exteriere. Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 32https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-le-ministre-des-finances-incendie-vue-exteriere-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-32-image189116574.html Albumen silver print; stereo Albumen silver print; stereohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albumen-silver-print-stereo-image387505212.html Underwood & Underwood, The Wonderful Universe Explorer, The Great 36-inch Equatorial Telescope, Lick Observatory, Mt. Hamilton, California, 1902, Albumen silver prints, 3 7/16 × 7 in. (8.8 × 17.8 cm), Photographs Underwood & Underwood, The Wonderful Universe Explorer, The Great 36-inch Equatorial Telescope, Lick Observatory, Mt. Hamilton, California, 1902, Albumen silver prints, 3 7/16 × 7 in. (8.8 × 17.8 cm), Photographshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/underwood-underwood-the-wonderful-universe-explorer-the-great-36-inch-equatorial-telescope-lick-observatory-mt-hamilton-california-1902-albumen-silver-prints-3-716-7-in-88-178-cm-photographs-image344645416.html Photographs. A.A. Bell. (cover title) Presentation album, mostly portraits and views at St. Andrews, Scotland, Dr. John Adamson (Scottish, 1810 - 1870), Possibly Thomas Rodger (Scottish, 1832 - 1883), Possibly George Washington Wilson (Scottish, 1823 - 1893), Unknown, Scotland, 1862 - 1867, Albumen silver print prints, salted paper prints, Closed: 23.5 × 27 × 2.5 cm (9 1/4 × 10 5/8 × 1 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern Photographs. A.A. Bell. (cover title) Presentation album, mostly portraits and views at St. Andrews, Scotland, Dr. John Adamson (Scottish, 1810 - 1870), Possibly Thomas Rodger (Scottish, 1832 - 1883), Possibly George Washington Wilson (Scottish, 1823 - 1893), Unknown, Scotland, 1862 - 1867, Albumen silver print prints, salted paper prints, Closed: 23.5 × 27 × 2.5 cm (9 1/4 × 10 5/8 × 1 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modernhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photographs-aa-bell-cover-title-presentation-album-mostly-portraits-and-views-at-st-andrews-scotland-dr-john-adamson-scottish-1810-1870-possibly-thomas-rodger-scottish-1832-1883-possibly-george-washington-wilson-scottish-1823-1893-unknown-scotland-1862-1867-albumen-silver-print-prints-salted-paper-prints-closed-235-27-25-cm-9-14-10-58-1-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-image349903491.html Author: Robert MacPherson. Photographs of Views of Rome - c. 1857 - Robert MacPherson Scottish, 1811'1872. 47 albumen silver prints. 1852'1862. Author: Robert MacPherson. Photographs of Views of Rome - c. 1857 - Robert MacPherson Scottish, 1811'1872. 47 albumen silver prints. 1852'1862.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-robert-macpherson-photographs-of-views-of-rome-c-1857-robert-macpherson-scottish-18111872-47-albumen-silver-prints-18521862-image360086964.html Cañon of Kanab Wash, Colorado River, Looking South. Date/Period: 1873. Print. Albumen silver. Height: 275 mm (10.82 in); Width: 204 mm (8.03 in). Author: William H. Bell. Cañon of Kanab Wash, Colorado River, Looking South. Date/Period: 1873. Print. Albumen silver. Height: 275 mm (10.82 in); Width: 204 mm (8.03 in). Author: William H. Bell.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caon-of-kanab-wash-colorado-river-looking-south-dateperiod-1873-print-albumen-silver-height-275-mm-1082-in-width-204-mm-803-in-author-william-h-bell-image219109766.html -Album of 226 albumen silver prints of Japan- MET DT3682 266993 -Album of 226 albumen silver prints of Japan- MET DT3682 266993https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-album-of-226-albumen-silver-prints-of-japan-met-dt3682-266993-168458043.html ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park. Red paper laminate (cardboard) box with removable top, with printed black text on brown paper front, back and top. Holds 36 stereoviews (albumen silver prints) of the major scenic views of Yellowstone Park mounted on cream cardboard. ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park. Red paper laminate (cardboard) box with removable top, with printed black text on brown paper front, back and top. Holds 36 stereoviews (albumen silver prints) of the major scenic views of Yellowstone Park mounted on cream cardboard.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thirtysix-selected-haynes-stereoscopic-views-of-the-yellowstone-national-park-red-paper-laminate-cardboard-box-with-removable-top-with-printed-black-text-on-brown-paper-front-back-and-top-holds-36-stereoviews-albumen-silver-prints-of-the-major-scenic-views-of-yellowstone-park-mounted-on-cream-cardboard-image353503623.html Views of the Crystal Palace, ca. 1859. Views of the Crystal Palace, ca. 1859.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/views-of-the-crystal-palace-ca-1859-image368405341.html . English: Le Ministère des Finances Incendie, vue exteriere. Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 36 . English: Le Ministère des Finances Incendie, vue exteriere. Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 36https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-le-ministre-des-finances-incendie-vue-exteriere-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-36-image187827092.html 'Albumen silver print, stereo' 'Albumen silver print, stereo'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albumen-silver-print-stereo-image384036892.html François Aubert, [General Tomas Mejia, Emperor Maximilian, General Misamon], François Aubert (French, 1829–1906), Noriega, 1867, Albumen silver prints from glass negatives, Image (left, oval): 5.4 × 4 cm (2 1/8 × 1 9/16 in.), Image (center): 9.2 × 5.4 cm (3 5/8 × 2 1/8 in.), Image (right, oval): 5.3 × 4 cm (2 1/16 × 1 9/16 in.), Mount: 18.2 × 22.2 cm (7 3/16 × 8 3/4 in.), Photographs François Aubert, [General Tomas Mejia, Emperor Maximilian, General Misamon], François Aubert (French, 1829–1906), Noriega, 1867, Albumen silver prints from glass negatives, Image (left, oval): 5.4 × 4 cm (2 1/8 × 1 9/16 in.), Image (center): 9.2 × 5.4 cm (3 5/8 × 2 1/8 in.), Image (right, oval): 5.3 × 4 cm (2 1/16 × 1 9/16 in.), Mount: 18.2 × 22.2 cm (7 3/16 × 8 3/4 in.), Photographshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franois-aubert-general-tomas-mejia-emperor-maximilian-general-misamon-franois-aubert-french-18291906-noriega-1867-albumen-silver-prints-from-glass-negatives-image-left-oval-54-4-cm-2-18-1-916-in-image-center-92-54-cm-3-58-2-18-in-image-right-oval-53-4-cm-2-116-1-916-in-mount-182-222-cm-7-316-8-34-in-photographs-image344645137.html Boswell Family Album: mostly cartes-de-visite portraits, Antoine Claudet (French, 1797 - 1867), Henri Claudet (English, 1828 - 1880), H. Hughes (British, active 1850s - 1860s), John Eastman Palmer (British, about 1830 - about 1911), Pierre Eugène Fixon (French, 1811 - after 1875), Schwarzschild & Co., Southwell Brothers (English, 1862 - 1878), John G. Twyman & Son, Rolfe's Portrait Studio, Frank Briggs (British, active 1860s), Caldesi, Blanford & Co. (English, active 19th century), Frith & Hayward, James G. Tunny (Scottish, 1820 - 1887), H.T. Courlay (British, active 1850s), London Stereoscopi Boswell Family Album: mostly cartes-de-visite portraits, Antoine Claudet (French, 1797 - 1867), Henri Claudet (English, 1828 - 1880), H. Hughes (British, active 1850s - 1860s), John Eastman Palmer (British, about 1830 - about 1911), Pierre Eugène Fixon (French, 1811 - after 1875), Schwarzschild & Co., Southwell Brothers (English, 1862 - 1878), John G. Twyman & Son, Rolfe's Portrait Studio, Frank Briggs (British, active 1860s), Caldesi, Blanford & Co. (English, active 19th century), Frith & Hayward, James G. Tunny (Scottish, 1820 - 1887), H.T. Courlay (British, active 1850s), London Stereoscopihttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boswell-family-album-mostly-cartes-de-visite-portraits-antoine-claudet-french-1797-1867-henri-claudet-english-1828-1880-h-hughes-british-active-1850s-1860s-john-eastman-palmer-british-about-1830-about-1911-pierre-eugne-fixon-french-1811-after-1875-schwarzschild-co-southwell-brothers-english-1862-1878-john-g-twyman-son-rolfes-portrait-studio-frank-briggs-british-active-1860s-caldesi-blanford-co-english-active-19th-century-frith-hayward-james-g-tunny-scottish-1820-1887-ht-courlay-british-active-1850s-london-stereoscopi-image349903384.html The Treasury, London. Publisher: Stereoscopic Views; Artist: Unknown; Date: 1850s-1910s; Medium: Albumen silver prints; Classification: Photographs; The Treasury, London. Publisher: Stereoscopic Views; Artist: Unknown; Date: 1850s-1910s; Medium: Albumen silver prints; Classification: Photographs;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-treasury-london-publisher-stereoscopic-views-artist-unknown-date-168233943.html Ruins in Columbia, S.C. No. 2. Date/Period: Negative 1864; print 1866. Print. Albumen silver. Height: 257 mm (10.11 in); Width: 362 mm (14.25 in). Author: George N. Barnard. Ruins in Columbia, S.C. No. 2. Date/Period: Negative 1864; print 1866. Print. Albumen silver. Height: 257 mm (10.11 in); Width: 362 mm (14.25 in). Author: George N. Barnard.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruins-in-columbia-sc-no-2-dateperiod-negative-1864-print-1866-print-albumen-silver-height-257-mm-1011-in-width-362-mm-1425-in-author-george-n-barnard-image233329351.html ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park. Research in ProgressRed paper laminate (cardboard) box with removable top, with printed black text on brown paper front, back and top. Holds 36 stereoviews (albumen silver prints) of the major scenic views of Yellowstone Park mounted on cream cardboard. ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Park. Research in ProgressRed paper laminate (cardboard) box with removable top, with printed black text on brown paper front, back and top. Holds 36 stereoviews (albumen silver prints) of the major scenic views of Yellowstone Park mounted on cream cardboard. ThirtySix Selected Haynes Stereoscopic Views of the Yellowstone National Parkhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thirtysix-selected-haynes-stereoscopic-views-of-the-yellowstone-national-park-research-in-progressred-paper-laminate-cardboard-box-with-removable-top-with-printed-black-text-on-brown-paper-front-back-and-top-holds-36-stereoviews-albumen-silver-prints-of-the-major-scenic-views-of-yellowstone-park-mounted-on-cream-cardboard-thirtysix-selected-haynes-stereoscopic-views-of-the-yellowstone-national-park-image352146735.html [Emma Dillwyn Llewelyn's Album], 1853-56. [Emma Dillwyn Llewelyn's Album], 1853-56.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/emma-dillwyn-llewelyns-album-1853-56-image368403912.html . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 321 Les Ruines de Paris et de ses Environs 1870-1871, . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 321 Les Ruines de Paris et de ses Environs 1870-1871,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-321-les-ruines-de-paris-et-de-ses-environs-1870-1871-image189116601.html Medium: Albumen silver print; stereo Medium: Albumen silver print; stereohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medium-albumen-silver-print-stereo-image387505163.html The Treasury, London, 1850s–1910s, Albumen silver prints, Photographs, Unknown The Treasury, London, 1850s–1910s, Albumen silver prints, Photographs, Unknownhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-treasury-london-1850s1910s-albumen-silver-prints-photographs-unknown-162453086.html Views and Costumes of Japan. Artist: Raimund von Stillfried (Austrian, 1839-1911); Date: 1860s; Medium: Albumen silver prints; Classification: Views and Costumes of Japan. Artist: Raimund von Stillfried (Austrian, 1839-1911); Date: 1860s; Medium: Albumen silver prints; Classification:https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-views-and-costumes-of-japan-artist-raimund-von-stillfried-austrian-168242199.html Charles Walter Amory family album. Dated: 1888-1897. Dimensions: page size: 27 x 33.5 cm (10 5/8 x 13 3/16 in.) overall (open): 27 x 70.8 cm (10 5/8 x 27 7/8 in.). Medium: album of gelatin silver prints and albumen prints. Museum: National Gallery of Art, Washington DC. Author: American 19th Century. Charles Walter Amory family album. Dated: 1888-1897. Dimensions: page size: 27 x 33.5 cm (10 5/8 x 13 3/16 in.) overall (open): 27 x 70.8 cm (10 5/8 x 27 7/8 in.). Medium: album of gelatin silver prints and albumen prints. Museum: National Gallery of Art, Washington DC. Author: American 19th Century.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-walter-amory-family-album-dated-1888-1897-dimensions-page-size-27-x-335-cm-10-58-x-13-316-in-overall-open-27-x-708-cm-10-58-x-27-78-in-medium-album-of-gelatin-silver-prints-and-albumen-prints-museum-national-gallery-of-art-washington-dc-author-american-19th-century-image225637650.html Egypt, Sinai and Palestine. Supplementary Volume, 1860s. Egypt, Sinai and Palestine. Supplementary Volume, 1860s.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-sinai-and-palestine-supplementary-volume-1860s-image368402922.html . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 321 Les Ruines de Paris et de ses Environs 1870-1871, . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 321 Les Ruines de Paris et de ses Environs 1870-1871,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-321-les-ruines-de-paris-et-de-ses-environs-1870-1871-image189116582.html Albumen silver print, stereo Albumen silver print, stereohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albumen-silver-print-stereo-image384037497.html Sinai and Palestine, 1860s, Albumen silver prints, Books, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes Sinai and Palestine, 1860s, Albumen silver prints, Books, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Canneshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sinai-and-palestine-1860s-albumen-silver-prints-books-francis-frith-162560682.html Mikroskopisch-Photographischer Atlas der Harnsedimente. Artist: Robert Ultzmann (Austrian, 1842-1889); Date: 1869; Medium: Albumen silver prints; Mikroskopisch-Photographischer Atlas der Harnsedimente. Artist: Robert Ultzmann (Austrian, 1842-1889); Date: 1869; Medium: Albumen silver prints;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-mikroskopisch-photographischer-atlas-der-harnsedimente-artist-robert-168260840.html Five Mile Avenue, Forty Mile Bush. Date/Period: Ca. 1875. Photographic prints. Black and white photograph, albumen silver print. Height: 216 mm (8.50 in); Width: 293 mm (11.53 in). Author: James Bragge. Five Mile Avenue, Forty Mile Bush. Date/Period: Ca. 1875. Photographic prints. Black and white photograph, albumen silver print. Height: 216 mm (8.50 in); Width: 293 mm (11.53 in). Author: James Bragge.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/five-mile-avenue-forty-mile-bush-dateperiod-ca-1875-photographic-prints-black-and-white-photograph-albumen-silver-print-height-216-mm-850-in-width-293-mm-1153-in-author-james-bragge-image219735001.html [Carte-de-visite Album of Collaged Portraits], 1850s-90s. [Carte-de-visite Album of Collaged Portraits], 1850s-90s.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carte-de-visite-album-of-collaged-portraits-1850s-90s-image382619897.html . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 368 Les Ruines de Paris et de ses Environs 1870-1871, . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 368 Les Ruines de Paris et de ses Environs 1870-1871,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-368-les-ruines-de-paris-et-de-ses-environs-1870-1871-image187827120.html Albumen silver print, stereo Albumen silver print, stereohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albumen-silver-print-stereo-image384037517.html Eton College, 1850s–1910s, Albumen silver prints, Mount: 8.5 x 17.8 cm (3 3/8 x 7 in.), Photographs, Unknown Eton College, 1850s–1910s, Albumen silver prints, Mount: 8.5 x 17.8 cm (3 3/8 x 7 in.), Photographs, Unknownhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-eton-college-1850s1910s-albumen-silver-prints-mount-85-x-178-cm-3-162453076.html Mikroskopisch-Photographischer Atlas der Harnsedimente. Artist: Robert Ultzmann (Austrian, 1842-1889); Date: 1869; Medium: Albumen silver prints; Mikroskopisch-Photographischer Atlas der Harnsedimente. Artist: Robert Ultzmann (Austrian, 1842-1889); Date: 1869; Medium: Albumen silver prints;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mikroskopisch-photographischer-atlas-der-harnsedimente-artist-robert-ultzmann-austrian-1842-1889-date-1869-medium-albumen-silver-prints-image278703839.html Mitre Peak, Milford Sound, NZ. From the album: 'Australasian scenery'. Date/Period: 1880s. Black-and-white prints. Black and white photograph, albumen silver print. Height: 143 mm (5.62 in); Width: 194 mm (7.63 in). Author: Frank Coxhead. Mitre Peak, Milford Sound, NZ. From the album: 'Australasian scenery'. Date/Period: 1880s. Black-and-white prints. Black and white photograph, albumen silver print. Height: 143 mm (5.62 in); Width: 194 mm (7.63 in). Author: Frank Coxhead.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mitre-peak-milford-sound-nz-from-the-album-australasian-scenery-dateperiod-1880s-black-and-white-prints-black-and-white-photograph-albumen-silver-print-height-143-mm-562-in-width-194-mm-763-in-author-frank-coxhead-image219717999.html Gardner's Photographic Sketchbook of the War, Volume 1, 1863. Gardner's Photographic Sketchbook of the War, Volume 1, 1863.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gardners-photographic-sketchbook-of-the-war-volume-1-1863-image368401594.html . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 369 Les Ruines de Paris et de ses Environs 1870-1871, . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 369 Les Ruines de Paris et de ses Environs 1870-1871,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-369-les-ruines-de-paris-et-de-ses-environs-1870-1871-image188350822.html 'Albumen silver print, stereo' 'Albumen silver print, stereo'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albumen-silver-print-stereo-image384036984.html The Charterhouse, 1850s–1910s, Albumen silver prints, Mount: 8.7 x 17.5 cm (3 7/16 x 6 7/8 in.), Photographs, Unknown The Charterhouse, 1850s–1910s, Albumen silver prints, Mount: 8.7 x 17.5 cm (3 7/16 x 6 7/8 in.), Photographs, Unknownhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-charterhouse-1850s1910s-albumen-silver-prints-mount-87-x-175-cm-162453079.html Sinai and Palestine. Artist: Francis Frith (British, Chesterfield, Derbyshire 1822-1898 Cannes, France); Date: 1860s; Medium: Albumen silver prints; Sinai and Palestine. Artist: Francis Frith (British, Chesterfield, Derbyshire 1822-1898 Cannes, France); Date: 1860s; Medium: Albumen silver prints;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sinai-and-palestine-artist-francis-frith-british-chesterfield-derbyshire-1822-1898-cannes-france-date-1860s-medium-albumen-silver-prints-image282303729.html [Governor General's State Elephant and Silver Howdah]. Artist: Unknown. Date: 1858-61. Museum: Metropolitan Museum of Art, New York, USA. [Governor General's State Elephant and Silver Howdah]. Artist: Unknown. Date: 1858-61. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/governor-generals-state-elephant-and-silver-howdah-artist-unknown-date-1858-61-museum-metropolitan-museum-of-art-new-york-usa-image219696390.html The Treasury, London, 1850s-1910s. The Treasury, London, 1850s-1910s.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-treasury-london-1850s-1910s-image368406222.html . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 369 Les Ruines de Paris et de ses Environs 1870-1871, . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 369 Les Ruines de Paris et de ses Environs 1870-1871,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-369-les-ruines-de-paris-et-de-ses-environs-1870-1871-image188350807.html Medium: Albumen silver print; stereo Medium: Albumen silver print; stereohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/medium-albumen-silver-print-stereo-image387505166.html The Mansion House, 1850s–1910s, Albumen silver prints, Mount: 8.7 x 17.5 cm (3 7/16 x 6 7/8 in.), Photographs, Unknown The Mansion House, 1850s–1910s, Albumen silver prints, Mount: 8.7 x 17.5 cm (3 7/16 x 6 7/8 in.), Photographs, Unknownhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-mansion-house-1850s1910s-albumen-silver-prints-mount-87-x-175-162453081.html Sinai and Palestine. Artist: Francis Frith (British, Chesterfield, Derbyshire 1822-1898 Cannes, France); Date: 1860s; Medium: Albumen silver prints; Sinai and Palestine. Artist: Francis Frith (British, Chesterfield, Derbyshire 1822-1898 Cannes, France); Date: 1860s; Medium: Albumen silver prints;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-sinai-and-palestine-artist-francis-frith-british-chesterfield-derbyshire-168242203.html Pine Mountain. George N. Barnard; American, 1819-1902. Date: 1866. Dimensions: 25.5 x 36.2 cm (image/paper); 41 x 50.9 cm (album page). Albumen print, plate 30 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute. Pine Mountain. George N. Barnard; American, 1819-1902. Date: 1866. Dimensions: 25.5 x 36.2 cm (image/paper); 41 x 50.9 cm (album page). Albumen print, plate 30 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pine-mountain-george-n-barnard-american-1819-1902-date-1866-dimensions-255-x-362-cm-imagepaper-41-x-509-cm-album-page-albumen-print-plate-30-from-the-album-photographic-views-of-the-sherman-campaign-1866-origin-united-states-museum-the-chicago-art-institute-image240055741.html The Wonderful Universe Explorer, The Great 36-inch Equatorial Telescope, Lick Observatory, Mt. Hamilton, California, 1902. The Wonderful Universe Explorer, The Great 36-inch Equatorial Telescope, Lick Observatory, Mt. Hamilton, California, 1902.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wonderful-universe-explorer-the-great-36-inch-equatorial-telescope-lick-observatory-mt-hamilton-california-1902-image382619905.html . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 368 Les Ruines de Paris et de ses Environs 1870-1871, . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 368 Les Ruines de Paris et de ses Environs 1870-1871,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-368-les-ruines-de-paris-et-de-ses-environs-1870-1871-image187827103.html The Ghost in the Stereoscope, ca. 1856, Albumen silver prints from glass negatives with applied color, Mount: 8.6 x 17.5 cm (3 3 The Ghost in the Stereoscope, ca. 1856, Albumen silver prints from glass negatives with applied color, Mount: 8.6 x 17.5 cm (3 3https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-ghost-in-the-stereoscope-ca-1856-albumen-silver-prints-from-glass-162432517.html Author: Unknown. The George Cowper Album - 1849/60 - Artist unknown English. Victorian album of albumen silver prints from wet-collodion glass Author: Unknown. The George Cowper Album - 1849/60 - Artist unknown English. Victorian album of albumen silver prints from wet-collodion glasshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/author-unknown-the-george-cowper-album-184960-artist-unknown-english-victorian-album-of-albumen-silver-prints-from-wet-collodion-glass-image355713899.html Battle Field of Atlanta, GA No. 1. George N. Barnard; American, 1819-1902. Date: 1864. Dimensions: 25.6 x 35.8 cm (image/paper); 41 x 50.8 cm (album page). Albumen print, plate 36 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute. Battle Field of Atlanta, GA No. 1. George N. Barnard; American, 1819-1902. Date: 1864. Dimensions: 25.6 x 35.8 cm (image/paper); 41 x 50.8 cm (album page). Albumen print, plate 36 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-field-of-atlanta-ga-no-1-george-n-barnard-american-1819-1902-date-1864-dimensions-256-x-358-cm-imagepaper-41-x-508-cm-album-page-albumen-print-plate-36-from-the-album-photographic-views-of-the-sherman-campaign-1866-origin-united-states-museum-the-chicago-art-institute-image240047828.html [Group of 266 Stereograph Views of the 1855 and/or 1867 Universal Expositions in Paris, France], 1850s-1910s. [Group of 266 Stereograph Views of the 1855 and/or 1867 Universal Expositions in Paris, France], 1850s-1910s.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/group-of-266-stereograph-views-of-the-1855-andor-1867-universal-expositions-in-paris-france-1850s-1910s-image368404871.html . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 368 Les Ruines de Paris et de ses Environs 1870-1871, . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 368 Les Ruines de Paris et de ses Environs 1870-1871,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-368-les-ruines-de-paris-et-de-ses-environs-1870-1871-image187827135.html Views in India - Beejapoor, 1870s–80s, Albumen silver prints, Albums, Unknown Views in India - Beejapoor, 1870s–80s, Albumen silver prints, Albums, Unknownhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-views-in-india-beejapoor-1870s80s-albumen-silver-prints-albums-unknown-162439079.html Flume House, Santa Cruz Mountains. Publisher: Davies Machine Shop (American); Artist: Unknown (American); Date: 1860s; Medium: Albumen silver prints; Flume House, Santa Cruz Mountains. Publisher: Davies Machine Shop (American); Artist: Unknown (American); Date: 1860s; Medium: Albumen silver prints;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-flume-house-santa-cruz-mountains-publisher-davies-machine-shop-american-168233853.html Orchard Knob from Mission Ridge. Dated: 1864-1866. Dimensions: image: 10 x 14 in. (25.4 x 35.6 cm) support: 41 x 51.1 cm (16 1/8 x 20 1/8 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: George N. Barnard. Orchard Knob from Mission Ridge. Dated: 1864-1866. Dimensions: image: 10 x 14 in. (25.4 x 35.6 cm) support: 41 x 51.1 cm (16 1/8 x 20 1/8 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: George N. Barnard.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orchard-knob-from-mission-ridge-dated-1864-1866-dimensions-image-10-x-14-in-254-x-356-cm-support-41-x-511-cm-16-18-x-20-18-in-medium-albumen-print-museum-national-gallery-of-art-washington-dc-author-george-n-barnard-image233324690.html Group of 8 Early Stereograph Views of British Monuments, Memorials, and Tombs, 1850s-1910s. Group of 8 Early Stereograph Views of British Monuments, Memorials, and Tombs, 1850s-1910s.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/group-of-8-early-stereograph-views-of-british-monuments-memorials-and-tombs-1850s-1910s-image368404275.html . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 Français : Salle des fêtes . 1870–71. Alphonse J. Liébert (French, 1827–1913) 321 Les Ruines de Paris et . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 Français : Salle des fêtes . 1870–71. Alphonse J. Liébert (French, 1827–1913) 321 Les Ruines de Paris ethttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-franais-salle-des-ftes-187071-alphonse-j-libert-french-18271913-321-les-ruines-de-paris-et-image189116558.html Album d'Études–Poses, ca. 1880, Albumen silver prints from glass negatives, Albums, Louis Igout (French, 1837–1881), This album Album d'Études–Poses, ca. 1880, Albumen silver prints from glass negatives, Albums, Louis Igout (French, 1837–1881), This albumhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-album-dtudesposes-ca-1880-albumen-silver-prints-from-glass-negatives-162402603.html Views in India - Beejapoor. Artist: Unknown; Date: 1870s-80s; Medium: Albumen silver prints; Classification: Albums; Credit Line: Rogers Fund, 1918, Views in India - Beejapoor. Artist: Unknown; Date: 1870s-80s; Medium: Albumen silver prints; Classification: Albums; Credit Line: Rogers Fund, 1918,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/views-in-india-beejapoor-artist-unknown-date-1870s-80s-medium-albumen-silver-prints-classification-albums-credit-line-rogers-fund-1918-image279461194.html Catalonia - Devil's Bridge, Martorell. Date/Period: 1860 - 1861. Photograph. Albumen print. Height: 307 mm (12.08 in); Width: 432 mm (17 in). Author: Charles Clifford. Catalonia - Devil's Bridge, Martorell. Date/Period: 1860 - 1861. Photograph. Albumen print. Height: 307 mm (12.08 in); Width: 432 mm (17 in). Author: Charles Clifford.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catalonia-devils-bridge-martorell-dateperiod-1860-1861-photograph-albumen-print-height-307-mm-1208-in-width-432-mm-17-in-author-charles-clifford-image219681315.html Photographic Views in Madura, Part III, 1858. Photographic Views in Madura, Part III, 1858.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photographic-views-in-madura-part-iii-1858-image368404324.html . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 368 Les Ruines de Paris et de ses Environs 1870-1871, . English: Les Ruines de Paris et de ses Environs 1870-1871: Cent Photographies: Premier Volume. Par A. Liébert, text par Alfred d'Aunay. Author: Alfred d'Aunay (French) Date: 1870–71 Medium: Albumen silver prints from glass negatives Dimensions: Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse Classification: Albums Credit Line: Joyce F. Menschel Photography Library Fund, 2007 Accession Number: 2007.454.1.1–.33 . 1870–71. Alphonse J. Liébert (French, 1827–1913) 368 Les Ruines de Paris et de ses Environs 1870-1871,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-les-ruines-de-paris-et-de-ses-environs-1870-1871-cent-photographies-premier-volume-par-a-libert-text-par-alfred-daunay-author-alfred-daunay-french-date-187071-medium-albumen-silver-prints-from-glass-negatives-dimensions-images-approx-19-x-25-cm-7-12-x-9-1316-in-or-the-reverse-mounts-328-x-413-cm-12-1516-x-16-14-in-or-the-reverse-classification-albums-credit-line-joyce-f-menschel-photography-library-fund-2007-accession-number-20074541133-187071-alphonse-j-libert-french-18271913-368-les-ruines-de-paris-et-de-ses-environs-1870-1871-image187827113.html Nam-Vian - Tombeaux, 1866, Albumen silver prints from glass negatives, 15.8 x 22 cm (6 1/4 x 8 11/16 in.), Photographs, Emile Nam-Vian - Tombeaux, 1866, Albumen silver prints from glass negatives, 15.8 x 22 cm (6 1/4 x 8 11/16 in.), Photographs, Emilehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-nam-vian-tombeaux-1866-albumen-silver-prints-from-glass-negatives-162423986.html Views in India - Beejapoor. Artist: Unknown; Date: 1870s-80s; Medium: Albumen silver prints; Classification: Albums; Credit Line: Rogers Fund, 1918, Views in India - Beejapoor. Artist: Unknown; Date: 1870s-80s; Medium: Albumen silver prints; Classification: Albums; Credit Line: Rogers Fund, 1918,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-views-in-india-beejapoor-artist-unknown-date-1870s-80s-medium-albumen-168242200.html Rebel Works in Front of Atlanta, GA, No. 2. George N. Barnard; American, 1819-1902. Date: 1864. Dimensions: 25.6 x 35.8 cm (image/paper); 41 x 50.8 cm (album page). Albumen print, plate 40 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute. Rebel Works in Front of Atlanta, GA, No. 2. George N. Barnard; American, 1819-1902. Date: 1864. Dimensions: 25.6 x 35.8 cm (image/paper); 41 x 50.8 cm (album page). Albumen print, plate 40 from the album 'Photographic Views of the Sherman Campaign' (1866). Origin: United States. Museum: The Chicago Art Institute.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rebel-works-in-front-of-atlanta-ga-no-2-george-n-barnard-american-1819-1902-date-1864-dimensions-256-x-358-cm-imagepaper-41-x-508-cm-album-page-albumen-print-plate-40-from-the-album-photographic-views-of-the-sherman-campaign-1866-origin-united-states-museum-the-chicago-art-institute-image240064521.html Next page Recent searches: Search Results for Albumen Silver Prints Stock Photos and Images  (3,188) Page 1 of 32 12345678910