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RMGNEYCD–Uzbekistan, Samarkand, Unesco World Heritage, Museum of Afrasiab, fresco of 7th century of Sogdian King, reception of dignitary
RMHWN8CB–Uzbekistan, Samarkand province, Samarkand, listed as World Heritage by UNESCO, murals at the Afrasiab Museum,
RMB5EEP7–Alexander the Great's fort dating from 335 BC, Afrasiab archaeological area, Samarkand, Uzbekistan, Central Asia
RM2A4WR65–Copy of one of the Afrasiab paintings at the Afrasiab Museum, Sogdian art. Afrasiab is the ancient and medieval city of Samarkand. Uzbekistan
RF2H2Y27E–Afrasiab Museum, Afrosiyob-Samarqand shahar tarixi muzeyi, Samarkand, Uzbekistan, Central Asia
RF2GEBR6J–Samarkand, Uzbekistan - April 17, 2021: Afrasiab Museum of Samarkand is a museum located at the historical site of Afrasiyab
RF2H81202–Facade of Afrasiab museum in Samarkand, Uzbekistan. Inscription above doorway translates as 'Museum of History of Samarkand'
RME2G3X1–Uzbekistan Silk Road Samarkand listed as World Heritage by UNESCO Afrasiab historical museum mural painting detail
RF2H70NYC–Panorama of typical residential area of Samarkand (Uzbekistan) near Afrasiab hill. Cows graze in meadow near river
RMFHG5ED–The Shah-i-Zindah Memorial complex, formed in the middle of the 14th century near the fortified wall of Afrasiab.
RF2H81205–Central Asian fresco of the 7th-8th centuries from the Ishhid palace. Depicted are court warriors or nobles with swords. Afrasiab Museum, Samarkand, U
RM2F8EN05–A unique ensemble of ancient tombs (1370-1449 years) is located near Afrasiab settlement. It is also called 'Street cemetery'. Building of mosques and
RMG28NYH–Sogdia. Pre-Islamic Central Asia. Ossuary cover with a male head. Clay; carving. 7th century. Afrasiab, Uzbekistan. The State Hermitage Museum. Saint Petersburg. Russia.
RMGNEYBY–Uzbekistan, Samarkand, Unesco World Heritage, Museum of Afrasiab, fresco of 7th century of Sogdian King, reception of dignitary
RM2B01T8N–The Afrasiab painting is a rare example of Sogdian art. It was discovered in 1965 when the local authorities decided on the construction of a road through the middle of Afrāsiāb mound, the old site of pre-Mongol Samarkand. It is now preserved in a special museum on the Afrāsiāb mound. It is the main painting we have of ancient Sogdian art. The painting dates back to the middle of the 7th century CE. On the four walls of the room of a private house, three or four different countries neighbouring Central Asia are depicted. On the northern wall China (a Chinese festival, with the Empress on a bo
RF2H2Y275–Afrasiab Museum, Afrosiyob-Samarqand shahar tarixi muzeyi, Samarkand, Uzbekistan, Central Asia
RF2GEBJG8–Afrasiyab or Afrosiyob is a one of the largest archaeological sites in the world in Samarkand city, Uzbekistan
RME2G3X0–Uzbekistan Silk Road Samarkand listed as World Heritage by UNESCO Afrasiab historical museum mural painting detail
RMFHG5DR–The Shah-i-Zindah Memorial complex, formed in the middle of the 14th century near the fortified wall of Afrasiab.
RF2H8120A–Ancient Central Asian fresco of VI-VIII from Ishhid palace. It depicts pleasure trip of noble people in boat, river animals and birds. Afrasiab Museum
RM2AFAEA7–facade heavily decorated with blue tiles in necropolis Shah-i-Zinda, Samarqand, Uzbekistan, Central Asia
RMGNEYC3–Uzbekistan, Samarkand, Unesco World Heritage, Museum of Afrasiab, fresco of 7th century of Sogdian King, reception of dignitary
RM2B01T8K–The Afrasiab painting is a rare example of Sogdian art. It was discovered in 1965 when the local authorities decided on the construction of a road through the middle of Afrāsiāb mound, the old site of pre-Mongol Samarkand. It is now preserved in a special museum on the Afrāsiāb mound. It is the main painting we have of ancient Sogdian art. The painting dates back to the middle of the 7th century CE. On the four walls of the room of a private house, three or four different countries neighbouring Central Asia are depicted. On the northern wall China (a Chinese festival, with the Empress on a bo
RM2B028BJ–The Afrasiab painting is a rare example of Sogdian art. It was discovered in 1965 when the local authorities decided on the construction of a road through the middle of Afrāsiāb mound, the old site of pre-Mongol Samarkand. It is now preserved in a special museum on the Afrāsiāb mound. It is the main painting we have of ancient Sogdian art. The painting dates back to the middle of the 7th century CE. On the four walls of the room of a private house, three or four different countries neighbouring Central Asia are depicted. On the northern wall China (a Chinese festival, with the Empress on a bo
RF2H2Y27D–Afrasiab Museum, Afrosiyob-Samarqand shahar tarixi muzeyi, Samarkand, Uzbekistan, Central Asia
RM2B02X9K–The Afrasiab painting is a rare example of Sogdian art. It was discovered in 1965 when the local authorities decided on the construction of a road through the middle of Afrāsiāb mound, the old site of pre-Mongol Samarkand. It is now preserved in a special museum on the Afrāsiāb mound. It is the main painting we have of ancient Sogdian art. The painting dates back to the middle of the 7th century CE. On the four walls of the room of a private house, three or four different countries neighbouring Central Asia are depicted. On the northern wall China (a Chinese festival, with the Empress on a bo
RF2CB579R–Samarkand, Uzbekistan - Statues of a caravan group outside the Afrasiab Museum in Samarkand, Uzbekistan.
RF2GEBJKE–Afrasiyab or Afrosiyob is a one of the largest archaeological sites in the world in Samarkand city, Uzbekistan
RM2B02J7H–The Afrasiab painting is a rare example of Sogdian art. It was discovered in 1965 when the local authorities decided on the construction of a road through the middle of Afrāsiāb mound, the old site of pre-Mongol Samarkand. It is now preserved in a special museum on the Afrāsiāb mound. It is the main painting we have of ancient Sogdian art. The painting dates back to the middle of the 7th century CE. On the four walls of the room of a private house, three or four different countries neighbouring Central Asia are depicted. On the northern wall China (a Chinese festival, with the Empress on a bo
RMFHG4N0–The Shah-i-Zindah Memorial complex, formed in the middle of the 14th century near the fortified wall of Afrasiab.
RF2H81207–A 7-8 century fresco from Central Asia depicting journey of nobility on camels. At that time it was decorating Ishhid palace. Now it is in Afrasiab Mu
RF2H70NY7–Afrasiyab, most ancient site in Samarkand, Uzbekistan. Central hill is former citadel with royal palace and fortress with massive walls. Founded in VI
RMT62CDB–Chicago, USA. 28th Apr, 2019. Afrasiab Mian, a Northwestern University student, performs rap in Chinese during the talent presentation section of 2019 Midwest College Student Chinese Speech Contest in Chicago, the United States, on April 27, 2019. The 2019 Midwest College Student Chinese Speech Contest took place at Loyola University in Chicago, attended by 40 students in the U.S. Midwest. Credit: Wang Ping/Xinhua/Alamy Live News
RM2HWK566–The Battle Between Rustem and Afrasiab, from a manuscript of Hafiz-i Abru’s Majma’ al-tawarikh
RF2H2Y27P–Afrasiab Museum, Afrosiyob-Samarqand shahar tarixi muzeyi, Samarkand, Uzbekistan, Central Asia
RMG215YM–London, UK. 21st May, 2016 - Mr. Afrasiab Shekofteh - International workshop on media and civil society in the Middle-East by Ahwaz Human Rights Organisation and UNPO affiliated partners Credit: Aghil Maniavi/Alamy Live News
RF2CB57A6–Samarkand, Uzbekistan - Statues of a caravan group outside the Afrasiab Museum in Samarkand, Uzbekistan.
RMT5AWTP–21st Apr, 2019. Moon in Uzbekistan President Moon Jae-in (R) takes a look at the Afrasiab wall painting, a seventh century fresco that depicts foreign dignitaries from Asian countries, including Korea, during his trip to Uzbekistan's ancient city of Samarkand on April 20, 2019. Credit: Yonhap/Newcom/Alamy Live News
RMFHG5C6–The Shah-i-Zindah Memorial complex, formed in the middle of the 14th century near the fortified wall of Afrasiab.
RF2H70NYG–City park near Afrosiyob hill in Samarkand, Uzbekistan. Siab River flows through center. Mausoleum of prophet Doniyor is visible in distance
RM2AFAEAD–facade heavily decorated with blue tiles in necropolis Shah-i-Zinda, Samarqand, Uzbekistan, Central Asia
RMDN6MWY–Stone birds on front of Afrosiab (Afrosiyob) Museum depicting 2750th anniversary of Samarkand, Samarkand, Uzbekistan
RMMW3G17–. Français : La Grande procession . English: The Ambassordors' Painting, found in the hall of the ruin of an aristocratic house in Afrasiab, commissioned by the king of Samarkand, Varkhuman Description from http://www.iranicaonline.org/articles/afrasiab-ii-wall-paintings-2 :'The wall painting shows four geese and, more remarkably, an un-mounted horse, accompanied by men wearing the padām, the traditional face mask of Mazdean priests, and two men with sacrificial maces, sitting atop a camel. This scene could be interpreted as a parade of priests and sacrificial animals, which is, moreover, fo
RF2H2Y260–Elongated skulls, Afrasiab Museum, Afrosiyob-Samarqand shahar tarixi muzeyi, Samarkand, Uzbekistan, Central Asia
RM2HCHBGT–Wall paintings of the Sogdian palaces, Afrasiab Museum, Samarkand, Uzbekistan, Samarkand, Uzbekistan
RF2CB57A1–Samarkand, Uzbekistan - Statues of a caravan group outside the Afrasiab Museum in Samarkand, Uzbekistan.
RM2B01TYW–The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century. The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also
RM2DNNMB0–Hachette & Cie, Hugues Krafft, Dujardin, La grande course à Afrâsiâb pendant les fêtes du Sâli-Naou, from the book A travers le Turkestan Russe, paper, heliogravure, image size: height: 12,20 cm; width: 17,40 cm, travel photography, horse, festivities, mountains, mountains, competition (sports, games etc.), landscapes, waters, city view
RMGGCBXD–geography / travel, Uzbekistan, Samarkand, Afrasiab museum, mural paintings of the Sogdian palaces, 6th, 8th century, Additional-Rights-Clearance-Info-Not-Available
RMFHG4NC–The Shah-i-Zindah Memorial complex, formed in the middle of the 14th century near the fortified wall of Afrasiab.
RM2HTCJTY–Afrasiab murals: West wall: Ambassadors from various countries, Between 648 and 651. Found in the Collection of the Afrasiab Museum, Samarkand.
RM2B01T8H–The Afrasiab painting is a rare example of Sogdian art. It was discovered in 1965 when the local authorities decided on the construction of a road through the middle of Afrāsiāb mound, the old site of pre-Mongol Samarkand. It is now preserved in a special museum on the Afrāsiāb mound. It is the main painting we have of ancient Sogdian art. The painting dates back to the middle of the 7th century CE. On the four walls of the room of a private house, three or four different countries neighbouring Central Asia are depicted. On the northern wall China (a Chinese festival, with the Empress on a bo
RF2H70NYB–Panorama of Afrasiyab, most ancient place in Samarkand, Uzbekistan. What appears to be hill on left is former fortress and palace, founded in VII BC.
RMPPDCP5–Sogdia. Pre-Islamic Central Asia. Ossuary cover with a male head. Clay; carving. 7th century. Afrasiab, Uzbekistan. The State Hermitage Museum. Saint Petersburg. Russia.
RMDR6D2X–Stone birds on front of Afrosiab (Afrosiyob) Museum depicting 2750th anniversary of Samarkand, Samarkand, Uzbekistan
RMMX1NK6–. Français : La Grande procession . English: The Ambassordors' Painting, found in the hall of the ruin of an aristocratic house in Afrasiab, commissioned by the king of Samarkand, Varkhuman Description from http://www.iranicaonline.org/articles/afrasiab-ii-wall-paintings-2 :'The wall painting shows four geese and, more remarkably, an un-mounted horse, accompanied by men wearing the padām, the traditional face mask of Mazdean priests, and two men with sacrificial maces, sitting atop a camel. This scene could be interpreted as a parade of priests and sacrificial animals, which is, moreover, fo
