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Aesops fable Stock Photos and Images
The Ant and the Grasshopper by Jehan Georges Vibert, Minstrel begging for food from a monk, cold winter, Aesop's Fables Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ant-and-the-grasshopper-by-jehan-georges-vibert-minstrel-begging-for-food-from-a-monk-cold-winter-aesops-fables-image459018657.htmlRM2HJP2YD–The Ant and the Grasshopper by Jehan Georges Vibert, Minstrel begging for food from a monk, cold winter, Aesop's Fables
'The Fox and the Thorn Bush' fable by Aesop (circa 600BC). 17th century woodcut print illustrating Aesop's Fables. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-fox-and-the-thorn-bush-fable-by-aesop-circa-600bc-17th-century-85536285.htmlRMEY4EB9–'The Fox and the Thorn Bush' fable by Aesop (circa 600BC). 17th century woodcut print illustrating Aesop's Fables. See description for more information.
Samuel Howitt, 1756–1822, British, Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, The Fox who Lost His Tail, undated. Watercolor, with pen, in black ink, over graphite on medium, slightly textured, cream, wove paper, mounted on, moderately thick, moderately textured, beige, laid paper. animal art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-howitt-17561822-british-nine-foxes-gathered-around-a-tree-an-illustration-of-aesops-fable-the-fox-who-lost-his-tail-undated-watercolor-with-pen-in-black-ink-over-graphite-on-medium-slightly-textured-cream-wove-paper-mounted-on-moderately-thick-moderately-textured-beige-laid-paper-animal-art-image398441049.htmlRM2E46FHD–Samuel Howitt, 1756–1822, British, Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, The Fox who Lost His Tail, undated. Watercolor, with pen, in black ink, over graphite on medium, slightly textured, cream, wove paper, mounted on, moderately thick, moderately textured, beige, laid paper. animal art
The wolf and the stork depicted in the Romanesque capital dated from the 12th century on the west portal of the Autun Cathedral (Cathédrale Saint-Lazare d'Autun) in Autun, Burgundy, France. The capital was probably carved by French Romanesque sculptor Gislebertus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wolf-and-the-stork-depicted-in-the-romanesque-capital-dated-from-the-12th-century-on-the-west-portal-of-the-autun-cathedral-cathdrale-saint-lazare-dautun-in-autun-burgundy-france-the-capital-was-probably-carved-by-french-romanesque-sculptor-gislebertus-image328216653.htmlRM2A1YFK9–The wolf and the stork depicted in the Romanesque capital dated from the 12th century on the west portal of the Autun Cathedral (Cathédrale Saint-Lazare d'Autun) in Autun, Burgundy, France. The capital was probably carved by French Romanesque sculptor Gislebertus.
The Bear and The Bees, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bear-and-the-bees-one-of-aesops-fables-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image331858646.htmlRM2A7WD2E–The Bear and The Bees, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s
The Fable of the Miller, His Son, and the Donkey No. 6. Artist: Elihu Vedder (American, New York 1836-1923 Rome). Dimensions: 6 1/2 x 10 3/4 in. (16.5 x 27.3 cm). Date: ca. 1867-68. Vedder is best known for his visionary paintings that contain classical and allegorical allusions, which were precursors to the Symbolist movement in the United States. This series of paintings, however, has a literary theme based on a specific text--Aesop's fable 'The Miller, His Son, and the Donkey'. Vedder used his beloved Italy as the setting of the classic fable, in which a hapless miller and his son attempt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fable-of-the-miller-his-son-and-the-donkey-no-6-artist-elihu-vedder-american-new-york-1836-1923-rome-dimensions-6-12-x-10-34-in-165-x-273-cm-date-ca-1867-68-vedder-is-best-known-for-his-visionary-paintings-that-contain-classical-and-allegorical-allusions-which-were-precursors-to-the-symbolist-movement-in-the-united-states-this-series-of-paintings-however-has-a-literary-theme-based-on-a-specific-text-aesops-fable-the-miller-his-son-and-the-donkey-vedder-used-his-beloved-italy-as-the-setting-of-the-classic-fable-in-which-a-hapless-miller-and-his-son-attempt-image233343246.htmlRMRFHKKA–The Fable of the Miller, His Son, and the Donkey No. 6. Artist: Elihu Vedder (American, New York 1836-1923 Rome). Dimensions: 6 1/2 x 10 3/4 in. (16.5 x 27.3 cm). Date: ca. 1867-68. Vedder is best known for his visionary paintings that contain classical and allegorical allusions, which were precursors to the Symbolist movement in the United States. This series of paintings, however, has a literary theme based on a specific text--Aesop's fable 'The Miller, His Son, and the Donkey'. Vedder used his beloved Italy as the setting of the classic fable, in which a hapless miller and his son attempt
Landscape with Ruins, Cattle and Deer; Aesop's fable of the Stag Among The Cows. In a landscape on the right at a ruin, a deer and a hinde between the cows from a drinking trough. On the left a group of donkeys, more back in the middle some goats and two lying shepherds. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-ruins-cattle-and-deer-aesops-fable-of-the-stag-among-the-cows-in-a-landscape-on-the-right-at-a-ruin-a-deer-and-a-hinde-between-the-cows-from-a-drinking-trough-on-the-left-a-group-of-donkeys-more-back-in-the-middle-some-goats-and-two-lying-shepherds-image430241798.htmlRM2FYY5PE–Landscape with Ruins, Cattle and Deer; Aesop's fable of the Stag Among The Cows. In a landscape on the right at a ruin, a deer and a hinde between the cows from a drinking trough. On the left a group of donkeys, more back in the middle some goats and two lying shepherds.
The Satyr and the Peasant or The Satyr and the Peasant Family is the title commonly given to a number of paintings executed by the Flemish Baroque painter Jacob Jordaens and his workshop based on the fable of the Satyr and the Peasant from Aesop's Fables. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-satyr-and-the-peasant-or-the-satyr-and-the-peasant-family-is-the-title-commonly-given-to-a-number-of-paintings-executed-by-the-flemish-baroque-painter-jacob-jordaens-and-his-workshop-based-on-the-fable-of-the-satyr-and-the-peasant-from-aesops-fables-image633117354.htmlRM2YP0YJ2–The Satyr and the Peasant or The Satyr and the Peasant Family is the title commonly given to a number of paintings executed by the Flemish Baroque painter Jacob Jordaens and his workshop based on the fable of the Satyr and the Peasant from Aesop's Fables.
Fable - Partial Judge Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fable-partial-judge-56798334.htmlRMD8BARX–Fable - Partial Judge
Punch Bowl, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding with fox and grapes of Aesop's Fable, H. 10.2 cm (4 in.), diam. 22.9 cm (9 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/punch-bowl-c-1770-worcester-porcelain-factory-worcester-england-founded-1751-worcester-soft-paste-porcelain-polychrome-enamels-and-gilding-with-fox-and-grapes-of-aesops-fable-h-102-cm-4-in-diam-229-cm-9-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349742966.htmlRF2B904M6–Punch Bowl, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding with fox and grapes of Aesop's Fable, H. 10.2 cm (4 in.), diam. 22.9 cm (9 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. English: Aesop's fable of the countryman and the viper illustrated by Ernest Griset, 1870s . 1870s. Ernest Griset 552 Serpens griset Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-aesops-fable-of-the-countryman-and-the-viper-illustrated-by-ernest-griset-1870s-1870s-ernest-griset-552-serpens-griset-image187481468.htmlRMMW0EEM–. English: Aesop's fable of the countryman and the viper illustrated by Ernest Griset, 1870s . 1870s. Ernest Griset 552 Serpens griset
The Fowler and the Lark from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fowler-and-the-lark-from-aesops-fables-illustrated-by-joseph-benjamin-rundell-and-published-in-london-and-new-york-by-cassell-petter-and-galpin-in-1869-image448809759.htmlRF2H251BY–The Fowler and the Lark from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869
Carved bird sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-carved-bird-sculpture-54164714.htmlRMD43BJ2–Carved bird sculpture
The Ungrateful Wolf and The Fisherman and the Fish from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ungrateful-wolf-and-the-fisherman-and-the-fish-from-triplets-comprising-the-babys-opera-the-babys-bouquet-and-the-babys-own-sop-aesp-being-the-fables-condensed-in-rhyme-with-portable-morals-pictorially-pointed-by-walter-crane-engraved-and-printed-in-colours-by-walter-crane-lucy-crane-and-edmund-evans-published-in-1899-image453520896.htmlRF2H9RJET–The Ungrateful Wolf and The Fisherman and the Fish from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899
RED HOT SANDS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-hot-sands-image68056157.htmlRMDXM691–RED HOT SANDS
J.M. Conde's illustration of Aesop's fable the Cat and the Mice Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jm-condes-illustration-of-aesops-fable-the-cat-and-the-mice-24839424.htmlRFBCBEX8–J.M. Conde's illustration of Aesop's fable the Cat and the Mice
Teapot Manufactory Chelsea Porcelain Manufactory British Attributed to Jefferyes Hammett O'Neale British ca. 1752–55 The Chelsea factory often used illustrations drawn from Aesop’s Fables to decorate porcelain in the early 1750s. Much of the best painting of Fable scenes was executed by Jefferyes Hammet O’Neale, to whom the decoration of these pieces is attributed. View more. Teapot. British, Chelsea. ca. 1752–55. Soft-paste porcelain. Ceramics-Porcelain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/teapot-manufactory-chelsea-porcelain-manufactory-british-attributed-to-jefferyes-hammett-oneale-british-ca-175255-the-chelsea-factory-often-used-illustrations-drawn-from-aesops-fables-to-decorate-porcelain-in-the-early-1750s-much-of-the-best-painting-of-fable-scenes-was-executed-by-jefferyes-hammet-oneale-to-whom-the-decoration-of-these-pieces-is-attributed-view-more-teapot-british-chelsea-ca-175255-soft-paste-porcelain-ceramics-porcelain-image569498719.htmlRM2T2EWBY–Teapot Manufactory Chelsea Porcelain Manufactory British Attributed to Jefferyes Hammett O'Neale British ca. 1752–55 The Chelsea factory often used illustrations drawn from Aesop’s Fables to decorate porcelain in the early 1750s. Much of the best painting of Fable scenes was executed by Jefferyes Hammet O’Neale, to whom the decoration of these pieces is attributed. View more. Teapot. British, Chelsea. ca. 1752–55. Soft-paste porcelain. Ceramics-Porcelain
Aesop, c. 620 – 564 BC. Ancient Greek fabulist or story teller. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-aesop-c-620-564-bc-ancient-greek-fabulist-or-story-teller-124473689.htmlRMH6E7CW–Aesop, c. 620 – 564 BC. Ancient Greek fabulist or story teller.
Saucer Manufactory Chelsea Porcelain Manufactory British Attributed to Jefferyes Hammett O'Neale British ca. 1752–55 The Chelsea factory often used illustrations drawn from Aesop’s Fables to decorate porcelain in the early 1750s. Much of the best painting of Fable scenes was executed by Jefferyes Hammet O’Neale, to whom the decoration of these pieces is attributed. View more. Saucer. British, Chelsea. ca. 1752–55. Soft-paste porcelain. Ceramics-Porcelain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saucer-manufactory-chelsea-porcelain-manufactory-british-attributed-to-jefferyes-hammett-oneale-british-ca-175255-the-chelsea-factory-often-used-illustrations-drawn-from-aesops-fables-to-decorate-porcelain-in-the-early-1750s-much-of-the-best-painting-of-fable-scenes-was-executed-by-jefferyes-hammet-oneale-to-whom-the-decoration-of-these-pieces-is-attributed-view-more-saucer-british-chelsea-ca-175255-soft-paste-porcelain-ceramics-porcelain-image569497892.htmlRM2T2ETAC–Saucer Manufactory Chelsea Porcelain Manufactory British Attributed to Jefferyes Hammett O'Neale British ca. 1752–55 The Chelsea factory often used illustrations drawn from Aesop’s Fables to decorate porcelain in the early 1750s. Much of the best painting of Fable scenes was executed by Jefferyes Hammet O’Neale, to whom the decoration of these pieces is attributed. View more. Saucer. British, Chelsea. ca. 1752–55. Soft-paste porcelain. Ceramics-Porcelain
The Wolf and the Stork from Aesop's Fables up to Date by artist F Sancha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-wolf-and-the-stork-from-aesops-fables-up-to-date-by-artist-f-sancha-51916768.htmlRFD0D0A8–The Wolf and the Stork from Aesop's Fables up to Date by artist F Sancha
'The Old Woman and the Physician' fable by Aesop (circa 600BC). 17th century woodcut print illustrating Aesop's Fables. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-old-woman-and-the-physician-fable-by-aesop-circa-600bc-17th-century-85536327.htmlRMEY4ECR–'The Old Woman and the Physician' fable by Aesop (circa 600BC). 17th century woodcut print illustrating Aesop's Fables. See description for more information.
Engraving of two German foxes discussing the difficulties faced in taking Verdun during World War One. From Punch magazine. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-two-german-foxes-discussing-the-difficulties-faced-in-taking-verdun-during-world-war-one-from-punch-magazine-image424584047.htmlRM2FJND7Y–Engraving of two German foxes discussing the difficulties faced in taking Verdun during World War One. From Punch magazine.
The Piper and The Fish Aesop’s Fables line illustration by female illustrator Edith Mendham Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-piper-and-the-fish-aesops-fables-line-illustration-by-female-illustrator-edith-mendham-image598991641.htmlRF2WPEBXH–The Piper and The Fish Aesop’s Fables line illustration by female illustrator Edith Mendham
The Cat and The Mice, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cat-and-the-mice-one-of-aesops-fables-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image331858727.htmlRM2A7WD5B–The Cat and The Mice, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s
The Fable of the Miller, His Son, and the Donkey No. 2. Artist: Elihu Vedder (American, New York 1836-1923 Rome). Dimensions: 6 1/2 x 10 3/4 in. (16.5 x 27.3 cm). Date: ca. 1867-68. Vedder is best known for his visionary paintings that contain classical and allegorical allusions, which were precursors to the Symbolist movement in the United States. This series of paintings, however, has a literary theme based on a specific text--Aesop's fable 'The Miller, His Son, and the Donkey'. Vedder used his beloved Italy as the setting of the classic fable, in which a hapless miller and his son attempt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fable-of-the-miller-his-son-and-the-donkey-no-2-artist-elihu-vedder-american-new-york-1836-1923-rome-dimensions-6-12-x-10-34-in-165-x-273-cm-date-ca-1867-68-vedder-is-best-known-for-his-visionary-paintings-that-contain-classical-and-allegorical-allusions-which-were-precursors-to-the-symbolist-movement-in-the-united-states-this-series-of-paintings-however-has-a-literary-theme-based-on-a-specific-text-aesops-fable-the-miller-his-son-and-the-donkey-vedder-used-his-beloved-italy-as-the-setting-of-the-classic-fable-in-which-a-hapless-miller-and-his-son-attempt-image233353177.htmlRMRFJ4A1–The Fable of the Miller, His Son, and the Donkey No. 2. Artist: Elihu Vedder (American, New York 1836-1923 Rome). Dimensions: 6 1/2 x 10 3/4 in. (16.5 x 27.3 cm). Date: ca. 1867-68. Vedder is best known for his visionary paintings that contain classical and allegorical allusions, which were precursors to the Symbolist movement in the United States. This series of paintings, however, has a literary theme based on a specific text--Aesop's fable 'The Miller, His Son, and the Donkey'. Vedder used his beloved Italy as the setting of the classic fable, in which a hapless miller and his son attempt
Mola textile by Kuna Indian artist, depicting a scene from Aesop's Fables called the Wolf and the Crane. From the San Blas Archipelago, Panama. Reverse applique design worn on female blouse. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mola-textile-by-kuna-indian-artist-depicting-a-scene-from-aesops-fables-image68554070.htmlRMDYEWBJ–Mola textile by Kuna Indian artist, depicting a scene from Aesop's Fables called the Wolf and the Crane. From the San Blas Archipelago, Panama. Reverse applique design worn on female blouse.
Fable, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fable-nd-image457045289.htmlRM2HFG5X1–Fable, n.d.
Fable - Minerva's Olive Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fable-minervas-olive-56798315.htmlRMD8BAR7–Fable - Minerva's Olive
Aesop, c. 620-564 BCE, a Greek fabulist and story teller Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-aesop-c-620-564-bce-a-greek-fabulist-and-story-teller-139534844.htmlRMJ30A38–Aesop, c. 620-564 BCE, a Greek fabulist and story teller
. English: Aesop's fable of the countryman and the viper illustrated by Ernest Griset, 1870s . 1870s. Ernest Griset 553 Serpens griset Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-aesops-fable-of-the-countryman-and-the-viper-illustrated-by-ernest-griset-1870s-1870s-ernest-griset-553-serpens-griset-image187968862.htmlRMMWPM5J–. English: Aesop's fable of the countryman and the viper illustrated by Ernest Griset, 1870s . 1870s. Ernest Griset 553 Serpens griset
The Eagle and the Fox from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eagle-and-the-fox-from-aesops-fables-illustrated-by-joseph-benjamin-rundell-and-published-in-london-and-new-york-by-cassell-petter-and-galpin-in-1869-image448807751.htmlRF2H24XT7–The Eagle and the Fox from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869
Speeding Tortoise on Wheels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/speeding-tortoise-on-wheels-image226623128.htmlRFR4KG34–Speeding Tortoise on Wheels
The Lion in Love from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lion-in-love-from-triplets-comprising-the-babys-opera-the-babys-bouquet-and-the-babys-own-sop-aesp-being-the-fables-condensed-in-rhyme-with-portable-morals-pictorially-pointed-by-walter-crane-engraved-and-printed-in-colours-by-walter-crane-lucy-crane-and-edmund-evans-published-in-1899-image453520761.htmlRF2H9RJA1–The Lion in Love from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899
RED HOT SANDS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-hot-sands-image68056154.htmlRMDXM68X–RED HOT SANDS
J.M. Conde's illustration of Aesop's fable the Donkey and the Frogs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jm-condes-illustration-of-aesops-fable-the-donkey-and-the-frogs-24841654.htmlRFBCBHNX–J.M. Conde's illustration of Aesop's fable the Donkey and the Frogs
The grasshopper and the ants. Aesop's Fables. A new translation by V. S. Vernon Jones. With an introduction by G. K. Chesterton, and illustrations by Arthur Rackham. London : William Heinemann ; New York : Doubleday, Page & Co., 1912. Source: 12304.dd.30, page 125. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-grasshopper-and-the-ants-aesops-fables-a-new-translation-by-v-s-vernon-jones-with-an-introduction-by-g-k-chesterton-and-illustrations-by-arthur-rackham-london-william-heinemann-new-york-doubleday-page-co-1912-source-12304dd30-page-125-image226866208.htmlRMR52J4G–The grasshopper and the ants. Aesop's Fables. A new translation by V. S. Vernon Jones. With an introduction by G. K. Chesterton, and illustrations by Arthur Rackham. London : William Heinemann ; New York : Doubleday, Page & Co., 1912. Source: 12304.dd.30, page 125.
Red metal sculpture by artist Mark di Suvero at MIT in Boston, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-metal-sculpture-by-artist-mark-di-suvero-at-mit-in-boston-usa-image67452737.htmlRMDWMMJ9–Red metal sculpture by artist Mark di Suvero at MIT in Boston, USA
Hello There! A green grasshopper peeks over a sunflower. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hello-there!-a-green-grasshopper-peeks-over-a-sunflower-image569861713.htmlRF2T33CC1–Hello There! A green grasshopper peeks over a sunflower.
Birds of a feather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/birds-of-a-feather-image392245783.htmlRF2DP49DY–Birds of a feather
'The Goose That Laid the Golden Eggs' fable by Aesop (circa 600BC). 17th century woodcut print illustrating Aesop's Fables. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-goose-that-laid-the-golden-eggs-fable-by-aesop-circa-600bc-17th-85535674.htmlRMEY4DHE–'The Goose That Laid the Golden Eggs' fable by Aesop (circa 600BC). 17th century woodcut print illustrating Aesop's Fables. See description for more information.
Wangen Im Allgäu is a small but beautiful upcoming tourist destination that is worth a visit. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wangen-im-allgu-is-a-small-but-beautiful-upcoming-tourist-destination-82241916.htmlRMENPCB8–Wangen Im Allgäu is a small but beautiful upcoming tourist destination that is worth a visit.
Mercury and the Woodman, Aesop’s Fables line illustration by Fred H Ball of Nottingham and Worcester Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mercury-and-the-woodman-aesops-fables-line-illustration-by-fred-h-ball-of-nottingham-and-worcester-image598991682.htmlRF2WPEC02–Mercury and the Woodman, Aesop’s Fables line illustration by Fred H Ball of Nottingham and Worcester
The Crow and the Pitcher, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crow-and-the-pitcher-one-of-aesops-fables-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image331858811.htmlRM2A7WD8B–The Crow and the Pitcher, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Aesop's Fable: The Fox and the Crow. Date/Period: 1840. Sidewall. Block-printed on paper. Height: 535 mm (21.06 in); Width: 480 mm (18.89 in). Author: UNKNOWN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aesops-fable-the-fox-and-the-crow-dateperiod-1840-sidewall-block-printed-on-paper-height-535-mm-2106-in-width-480-mm-1889-in-author-unknown-image219068637.htmlRMPMBC7W–Aesop's Fable: The Fox and the Crow. Date/Period: 1840. Sidewall. Block-printed on paper. Height: 535 mm (21.06 in); Width: 480 mm (18.89 in). Author: UNKNOWN.
Aesops fables, the Fox and the Tiger, illustration by Percy James Billinghurst in 1898 The Studio an Illustrated Magazine of Fine and Applied Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aesops-fables-the-fox-and-the-tiger-illustration-by-percy-james-billinghurst-in-1898-the-studio-an-illustrated-magazine-of-fine-and-applied-art-image402611016.htmlRF2EB0ECT–Aesops fables, the Fox and the Tiger, illustration by Percy James Billinghurst in 1898 The Studio an Illustrated Magazine of Fine and Applied Art
Fable, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fable-nd-image457045266.htmlRM2HFG5W6–Fable, n.d.
Fable - the Mock-Bird Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fable-the-mock-bird-56798318.htmlRMD8BARA–Fable - the Mock-Bird
Gustave Moreau, Le Lion Amoureux, (The Lion in Love), painting in watercolour and gouache, circa 1881 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustave-moreau-le-lion-amoureux-the-lion-in-love-painting-in-watercolour-and-gouache-circa-1881-image467771208.htmlRM2J50PXG–Gustave Moreau, Le Lion Amoureux, (The Lion in Love), painting in watercolour and gouache, circa 1881
. English: Hic Rhodus, hic salta. An illustration of Aesop's fable of The braggart in the Medici Manuscript dating from the 1480s. Hic rhodus aesop-medici Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-hic-rhodus-hic-salta-an-illustration-of-aesops-fable-of-the-braggart-in-the-medici-manuscript-dating-from-the-1480s-hic-rhodus-aesop-medici-image185014037.htmlRMMN0385–. English: Hic Rhodus, hic salta. An illustration of Aesop's fable of The braggart in the Medici Manuscript dating from the 1480s. Hic rhodus aesop-medici
The Lion and the Mouse from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lion-and-the-mouse-from-aesops-fables-illustrated-by-joseph-benjamin-rundell-and-published-in-london-and-new-york-by-cassell-petter-and-galpin-in-1869-image448807141.htmlRF2H24X2D–The Lion and the Mouse from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869
Roman Emperor (Claudius?) freeing the Slave Androcles (Androcles and the Lion), engraving by Agostino dei Musi, 1516-1517 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-emperor-claudius-freeing-the-slave-androcles-androcles-and-the-lion-engraving-by-agostino-dei-musi-1516-1517-image426566326.htmlRM2FNYNKJ–Roman Emperor (Claudius?) freeing the Slave Androcles (Androcles and the Lion), engraving by Agostino dei Musi, 1516-1517
The Frightened Lion from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-frightened-lion-from-triplets-comprising-the-babys-opera-the-babys-bouquet-and-the-babys-own-sop-aesp-being-the-fables-condensed-in-rhyme-with-portable-morals-pictorially-pointed-by-walter-crane-engraved-and-printed-in-colours-by-walter-crane-lucy-crane-and-edmund-evans-published-in-1899-image453520408.htmlRF2H9RHWC–The Frightened Lion from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899
RED HOT SANDS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-hot-sands-image68056155.htmlRMDXM68Y–RED HOT SANDS
J.M. Conde's illustration of Aesop's fable the Fox and the Crane Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jm-condes-illustration-of-aesops-fable-the-fox-and-the-crane-24839432.htmlRFBCBEXG–J.M. Conde's illustration of Aesop's fable the Fox and the Crane
Aesop, Greek fabulist, c1900. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aesop-greek-fabulist-c1900-artist-unknown-image262737555.htmlRMW7CMC3–Aesop, Greek fabulist, c1900. Artist: Unknown
Red metal sculpture by artist Mark di Suvero at MIT in Boston, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-metal-sculpture-by-artist-mark-di-suvero-at-mit-in-boston-usa-image67728068.htmlRMDX57RG–Red metal sculpture by artist Mark di Suvero at MIT in Boston, USA
Vintage illustration of Aesop Narrating His Fables by Roberto Fontana Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustration-of-aesop-narrating-his-fables-by-roberto-fontana-image459018450.htmlRM2HJP2M2–Vintage illustration of Aesop Narrating His Fables by Roberto Fontana
Flock together Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flock-together-image392245780.htmlRF2DP49DT–Flock together
'The Leap at Rhodes' or 'The Boasting Traveller' fable by Aesop (circa 600BC). Boasting of deeds done is lots of fun; at least until someone calls you on your boasting. 17th century woodcut print illustrating Aesop's Fables. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-leap-at-rhodes-or-the-boasting-traveller-fable-by-aesop-circa-85536298.htmlRMEY4EBP–'The Leap at Rhodes' or 'The Boasting Traveller' fable by Aesop (circa 600BC). Boasting of deeds done is lots of fun; at least until someone calls you on your boasting. 17th century woodcut print illustrating Aesop's Fables. See description for more information.
Wangen Im Allgäu is a small but beautiful upcoming tourist destination that is worth a visit. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wangen-im-allgu-is-a-small-but-beautiful-upcoming-tourist-destination-82241913.htmlRMENPCB5–Wangen Im Allgäu is a small but beautiful upcoming tourist destination that is worth a visit.
Jacob Jordaens (1593 – 1678). Flemish Baroque painter. The Satyr and the Peasant. 1620-1621. Alte Pinakothek. Munich. Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jacob-jordaens-1593-1678-flemish-baroque-painter-the-satyr-and-the-56868407.htmlRMD8EG6F–Jacob Jordaens (1593 – 1678). Flemish Baroque painter. The Satyr and the Peasant. 1620-1621. Alte Pinakothek. Munich. Germany.
The Fir and the Bramble, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fir-and-the-bramble-one-of-aesops-fables-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image331858736.htmlRM2A7WD5M–The Fir and the Bramble, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Punch Bowl. Worcester Porcelain Factory; Worcester, England, founded 1751. Date: 1765-1775. Dimensions: H. 10.2 cm (4 in.); diam. 22.9 cm (9 in.). Soft-paste porcelain, polychrome enamels and gilding with fox and grapes of Aesop's Fable. Origin: Worcester. Museum: The Chicago Art Institute. Author: Worcester Royal Porcelain Company. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/punch-bowl-worcester-porcelain-factory-worcester-england-founded-1751-date-1765-1775-dimensions-h-102-cm-4-in-diam-229-cm-9-in-soft-paste-porcelain-polychrome-enamels-and-gilding-with-fox-and-grapes-of-aesops-fable-origin-worcester-museum-the-chicago-art-institute-author-worcester-royal-porcelain-company-image240132971.htmlRMRXK01F–Punch Bowl. Worcester Porcelain Factory; Worcester, England, founded 1751. Date: 1765-1775. Dimensions: H. 10.2 cm (4 in.); diam. 22.9 cm (9 in.). Soft-paste porcelain, polychrome enamels and gilding with fox and grapes of Aesop's Fable. Origin: Worcester. Museum: The Chicago Art Institute. Author: Worcester Royal Porcelain Company.
The Wolf and the Lamb, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wolf-and-the-lamb-one-of-aesops-fables-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image242458124.htmlRMT2CWPM–The Wolf and the Lamb, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Fable: The Boasting Traveler, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fable-the-boasting-traveler-nd-image457045271.htmlRM2HFG5WB–Fable: The Boasting Traveler, n.d.
Fable - the Fox and Goat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fable-the-fox-and-goat-56797739.htmlRMD8BA2K–Fable - the Fox and Goat
Annual catalogue of the Indiana Normal School of Pennsylvania . Second Year Reading Pupils should complete at least three Second Readers and much supplementary readingmatter.Texts. Stepping Stones to Literature, The Heath Readers, Book II. The Baldwin Readers, Fairy Stories and Fable.. Bird Study by a Pupil Teacher and Her Class in Normal Grove The Three Duellers,Hiawatha Primer,Aesops Fables,Pets and Companions. Classic Stories,Grimms Fairy TalesAnimal Life, Nature Study September. Fall wild flowers, leading ujj to Fall Seed Study.Legends of National Flowers.Trees to be observed.Migration of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annual-catalogue-of-the-indiana-normal-school-of-pennsylvania-second-year-reading-pupils-should-complete-at-least-three-second-readers-and-much-supplementary-readingmattertexts-stepping-stones-to-literature-the-heath-readers-book-ii-the-baldwin-readers-fairy-stories-and-fable-bird-study-by-a-pupil-teacher-and-her-class-in-normal-grove-the-three-duellershiawatha-primeraesops-fablespets-and-companions-classic-storiesgrimms-fairy-talesanimal-life-nature-study-september-fall-wild-flowers-leading-ujj-to-fall-seed-studylegends-of-national-flowerstrees-to-be-observedmigration-of-image338893286.htmlRM2AK9WRJ–Annual catalogue of the Indiana Normal School of Pennsylvania . Second Year Reading Pupils should complete at least three Second Readers and much supplementary readingmatter.Texts. Stepping Stones to Literature, The Heath Readers, Book II. The Baldwin Readers, Fairy Stories and Fable.. Bird Study by a Pupil Teacher and Her Class in Normal Grove The Three Duellers,Hiawatha Primer,Aesops Fables,Pets and Companions. Classic Stories,Grimms Fairy TalesAnimal Life, Nature Study September. Fall wild flowers, leading ujj to Fall Seed Study.Legends of National Flowers.Trees to be observed.Migration of
. English: An illustration of Aesop's fable of The Snake and the Crab in the Medici Manuscript dating from the 1470s . 20 December 2011. Unknown 357 Medici snake&crab Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-an-illustration-of-aesops-fable-of-the-snake-and-the-crab-in-the-medici-manuscript-dating-from-the-1470s-20-december-2011-unknown-357-medici-snakeampcrab-image189140876.htmlRMMYM338–. English: An illustration of Aesop's fable of The Snake and the Crab in the Medici Manuscript dating from the 1470s . 20 December 2011. Unknown 357 Medici snake&crab
THE SATYR AND THE TRAVELLER from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-satyr-and-the-traveller-from-aesops-fables-illustrated-by-joseph-benjamin-rundell-and-published-in-london-and-new-york-by-cassell-petter-and-galpin-in-1869-image448810386.htmlRF2H2526A–THE SATYR AND THE TRAVELLER from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869
Vintage illustration of The Donkey in a Lion's Skin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustration-of-the-donkey-in-a-lions-skin-image437932093.htmlRF2GCDERW–Vintage illustration of The Donkey in a Lion's Skin
The Fox and the Grapes from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fox-and-the-grapes-from-triplets-comprising-the-babys-opera-the-babys-bouquet-and-the-babys-own-sop-aesp-being-the-fables-condensed-in-rhyme-with-portable-morals-pictorially-pointed-by-walter-crane-engraved-and-printed-in-colours-by-walter-crane-lucy-crane-and-edmund-evans-published-in-1899-image453520397.htmlRF2H9RHW1–The Fox and the Grapes from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899
RED HOT SANDS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-hot-sands-image68056152.htmlRMDXM68T–RED HOT SANDS
Rooster in Aesop's Fables Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rooster-in-aesops-fables-23228393.htmlRFB9P41D–Rooster in Aesop's Fables
The tortise and the hare: A cottontail rabbit is set to race the turtle in a story that might not turn out as expected, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tortise-and-the-hare-a-cottontail-rabbit-is-set-to-race-the-turtle-image52788.htmlRMA0CE34–The tortise and the hare: A cottontail rabbit is set to race the turtle in a story that might not turn out as expected, USA
The Tortoise and the Hare. Illustration of Aesops fables. Seamless pattern. In the Greek style. With a meander ornament Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tortoise-and-the-hare-illustration-of-aesops-fables-seamless-pattern-in-the-greek-style-with-a-meander-ornament-image336442365.htmlRF2AFA7JN–The Tortoise and the Hare. Illustration of Aesops fables. Seamless pattern. In the Greek style. With a meander ornament
Daugavpils, Latvia - September 3, 2013: Urban sculpture turtles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-daugavpils-latvia-september-3-2013-urban-sculpture-turtles-78979960.htmlRFEGDRMT–Daugavpils, Latvia - September 3, 2013: Urban sculpture turtles
male blackbird Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/male-blackbird-image392245550.htmlRF2DP495J–male blackbird
'The Foxes and their Tails' fable by Aesop (circa 600BC). A fox got its tail cut off and tried to persuade other foxes to cut theirs off to hide her shame. 17th century woodcut print illustrating Aesop's Fables. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-foxes-and-their-tails-fable-by-aesop-circa-600bc-a-fox-got-its-85536311.htmlRMEY4EC7–'The Foxes and their Tails' fable by Aesop (circa 600BC). A fox got its tail cut off and tried to persuade other foxes to cut theirs off to hide her shame. 17th century woodcut print illustrating Aesop's Fables. See description for more information.
Wangen Im Allgäu is a small but beautiful upcoming tourist destination that is worth a visit. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wangen-im-allgu-is-a-small-but-beautiful-upcoming-tourist-destination-82241911.htmlRMENPCB3–Wangen Im Allgäu is a small but beautiful upcoming tourist destination that is worth a visit.
Aesop (c. 620Ð564 BC). Ancient Greek fabulist credited with a number of fables now collectively known as Aesop's Fables. First Book of the fables of Aesop. Fable I. Chapter 20th. From the treasure that Aesop had to find Xanthus. Catalan edition printed Ca. 18th century. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aesop-c-620564-bc-ancient-greek-fabulist-credited-with-a-number-of-fables-now-collectively-known-as-aesops-fables-first-book-of-the-fables-of-aesop-fable-i-chapter-20th-from-the-treasure-that-aesop-had-to-find-xanthus-catalan-edition-printed-ca-18th-century-engraving-image220294545.htmlRMPPB7X9–Aesop (c. 620Ð564 BC). Ancient Greek fabulist credited with a number of fables now collectively known as Aesop's Fables. First Book of the fables of Aesop. Fable I. Chapter 20th. From the treasure that Aesop had to find Xanthus. Catalan edition printed Ca. 18th century. Engraving.
The Wolf and the Sow, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wolf-and-the-sow-one-of-aesops-fables-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image242458138.htmlRMT2CWR6–The Wolf and the Sow, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Fable: The Envious Man and the Covetous, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fable-the-envious-man-and-the-covetous-nd-image457045301.htmlRM2HFG5XD–Fable: The Envious Man and the Covetous, n.d.
Fable - Dove and Ant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fable-dove-and-ant-56797634.htmlRMD8B9XX–Fable - Dove and Ant
Annual catalogue of the Indiana Normal School of Pennsylvania . ^ ^ SECOND YEAR.Reading. Pupils should complete at least three Second Readers and much supplemen-tary reading matter.Texts. Stepping- Stones to Literature. The Heath Readers, Book II. The Baldwin Readers. Fairy Stories and Fable. The Tree Dwellers. Classic Stories. Hiawatha Primer. Grimms Fairy Tales. Aesops Fables. Animal Life. Pets and Companions.Nature Study. Eskimo Stories.September.I. Fall wild flowers, leading up to Fall Seed Study. a Goldenrod and Aster. b Thistle. c Sunflower. d Milkweed. e Wild parsnip. 134 9 Mr pEiNNSVLV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annual-catalogue-of-the-indiana-normal-school-of-pennsylvania-second-yearreading-pupils-should-complete-at-least-three-second-readers-and-much-supplemen-tary-reading-mattertexts-stepping-stones-to-literature-the-heath-readers-book-ii-the-baldwin-readers-fairy-stories-and-fable-the-tree-dwellers-classic-stories-hiawatha-primer-grimms-fairy-tales-aesops-fables-animal-life-pets-and-companionsnature-study-eskimo-storiesseptemberi-fall-wild-flowers-leading-up-to-fall-seed-study-a-goldenrod-and-aster-b-thistle-c-sunflower-d-milkweed-e-wild-parsnip-134-9-mr-peinnsvlv-image338318168.htmlRM2AJBM7M–Annual catalogue of the Indiana Normal School of Pennsylvania . ^ ^ SECOND YEAR.Reading. Pupils should complete at least three Second Readers and much supplemen-tary reading matter.Texts. Stepping- Stones to Literature. The Heath Readers, Book II. The Baldwin Readers. Fairy Stories and Fable. The Tree Dwellers. Classic Stories. Hiawatha Primer. Grimms Fairy Tales. Aesops Fables. Animal Life. Pets and Companions.Nature Study. Eskimo Stories.September.I. Fall wild flowers, leading up to Fall Seed Study. a Goldenrod and Aster. b Thistle. c Sunflower. d Milkweed. e Wild parsnip. 134 9 Mr pEiNNSVLV
. English: An illustration of Aesop's fable of The Snake and the Crab in the Medici Manuscript dating from the 1470s . 20 December 2011. Unknown 410 Medici snake&crab Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-an-illustration-of-aesops-fable-of-the-snake-and-the-crab-in-the-medici-manuscript-dating-from-the-1470s-20-december-2011-unknown-410-medici-snakeampcrab-image188357638.htmlRMMXCC2E–. English: An illustration of Aesop's fable of The Snake and the Crab in the Medici Manuscript dating from the 1470s . 20 December 2011. Unknown 410 Medici snake&crab
The Fox and the Countryman from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fox-and-the-countryman-from-aesops-fables-illustrated-by-joseph-benjamin-rundell-and-published-in-london-and-new-york-by-cassell-petter-and-galpin-in-1869-image448807504.htmlRF2H24XFC–The Fox and the Countryman from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869
Hot and Cold from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hot-and-cold-from-triplets-comprising-the-babys-opera-the-babys-bouquet-and-the-babys-own-sop-aesp-being-the-fables-condensed-in-rhyme-with-portable-morals-pictorially-pointed-by-walter-crane-engraved-and-printed-in-colours-by-walter-crane-lucy-crane-and-edmund-evans-published-in-1899-image453520736.htmlRF2H9RJ94–Hot and Cold from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899
RED HOT SANDS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-hot-sands-image68056156.htmlRMDXM690–RED HOT SANDS
Aesop's Fox and Monkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-aesops-fox-and-monkey-22992321.htmlRFB9BAX9–Aesop's Fox and Monkey
female blackbird Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-blackbird-image392245548.htmlRF2DP495G–female blackbird
'The Fox and the Mask' fable by Aesop (circa 600BC). A fox comes across a mask anciently used by actors; after an examination, it remarks, 'So full of beauty, so empty of brains!' 17th century woodcut print illustrating Aesop's Fables. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-fox-and-the-mask-fable-by-aesop-circa-600bc-a-fox-comes-across-85536284.htmlRMEY4EB8–'The Fox and the Mask' fable by Aesop (circa 600BC). A fox comes across a mask anciently used by actors; after an examination, it remarks, 'So full of beauty, so empty of brains!' 17th century woodcut print illustrating Aesop's Fables. See description for more information.
The dog in the manger from illustration to John Ogilby's 'Æsopic's: Or A Second Collection of Fables... Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 9 13/16 × 7 11/16 in. (25 × 19.5 cm) cut outside borderline of image but within platemark. Series/Portfolio: Aesop's Fables. Date: 1666. Fable of the Dog in the Manger; a dog sitting at right in a manger below a hay rack in a farm building, snarling at an ox, approaching with a peasant, holding a stick in his lifted hand; illustration to John Ogilby's 'Æsopic's: Or A Second Collection of Fables, Paraphras'd i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dog-in-the-manger-from-illustration-to-john-ogilbys-sopics-or-a-second-collection-of-fables-artist-wenceslaus-hollar-bohemian-prague-1607-1677-london-dimensions-sheet-9-1316-7-1116-in-25-195-cm-cut-outside-borderline-of-image-but-within-platemark-seriesportfolio-aesops-fables-date-1666-fable-of-the-dog-in-the-manger-a-dog-sitting-at-right-in-a-manger-below-a-hay-rack-in-a-farm-building-snarling-at-an-ox-approaching-with-a-peasant-holding-a-stick-in-his-lifted-hand-illustration-to-john-ogilbys-sopics-or-a-second-collection-of-fables-paraphrasd-i-image213194888.htmlRMPART74–The dog in the manger from illustration to John Ogilby's 'Æsopic's: Or A Second Collection of Fables... Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 9 13/16 × 7 11/16 in. (25 × 19.5 cm) cut outside borderline of image but within platemark. Series/Portfolio: Aesop's Fables. Date: 1666. Fable of the Dog in the Manger; a dog sitting at right in a manger below a hay rack in a farm building, snarling at an ox, approaching with a peasant, holding a stick in his lifted hand; illustration to John Ogilby's 'Æsopic's: Or A Second Collection of Fables, Paraphras'd i
The Wolf and the Fox, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wolf-and-the-fox-one-of-aesops-fables-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image242458107.htmlRMT2CWP3–The Wolf and the Fox, one of Aesop's Fables, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Fable: A Man Bitten by a Dog, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fable-a-man-bitten-by-a-dog-nd-image457045314.htmlRM2HFG5XX–Fable: A Man Bitten by a Dog, n.d.
Fable - Old Man - Death Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fable-old-man-death-56798332.htmlRMD8BART–Fable - Old Man - Death
. Æsop's fables : with upwards of one hundred and fifty emblematical devices . ^,and leaves the other immured in the bottom ofa mortgage.. FABLE LXI. 127 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sops-fables-with-upwards-of-one-hundred-and-fifty-emblematical-devices-and-leaves-the-other-immured-in-the-bottom-ofa-mortgage-fable-lxi-127-image375583196.htmlRM2CR185G–. Æsop's fables : with upwards of one hundred and fifty emblematical devices . ^,and leaves the other immured in the bottom ofa mortgage.. FABLE LXI. 127
. English: An illustration of Aesop's fable of The Snake and the Crab in the Medici Manuscript dating from the 1470s . 20 December 2011. Unknown 410 Medici snake&crab Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-an-illustration-of-aesops-fable-of-the-snake-and-the-crab-in-the-medici-manuscript-dating-from-the-1470s-20-december-2011-unknown-410-medici-snakeampcrab-image187849370.htmlRMMWH7P2–. English: An illustration of Aesop's fable of The Snake and the Crab in the Medici Manuscript dating from the 1470s . 20 December 2011. Unknown 410 Medici snake&crab
The Frog and the Fox from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-frog-and-the-fox-from-aesops-fables-illustrated-by-joseph-benjamin-rundell-and-published-in-london-and-new-york-by-cassell-petter-and-galpin-in-1869-image448810360.htmlRF2H2525C–The Frog and the Fox from AEsop's fables Illustrated by Joseph Benjamin Rundell, and published in London and New York by Cassell Petter and Galpin in 1869
The Boaster from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-boaster-from-triplets-comprising-the-babys-opera-the-babys-bouquet-and-the-babys-own-sop-aesp-being-the-fables-condensed-in-rhyme-with-portable-morals-pictorially-pointed-by-walter-crane-engraved-and-printed-in-colours-by-walter-crane-lucy-crane-and-edmund-evans-published-in-1899-image453520536.htmlRF2H9RJ20–The Boaster from Triplets : comprising, The baby's opera, The baby's bouquet, and The baby's own Æsop ( Aesp ) being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Engraved and printed in colours by Walter Crane, Lucy Crane, and Edmund Evans, Published in 1899
