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A young man with a torch is accompanied by Faith on a road, also with a torch in his hand and a crucifix. The road leads to Caritas, in the clouds, although above and below devils can also be seen. On the right Diogenes with a lantern, Allegory of the way of true love., print maker: Johannes Vorsterman, (mentioned on object), Zaltbommel, 1661, paper, etching, h 168 mm × w 129 mm Stock Photo
RM2JE4PW1–A young man with a torch is accompanied by Faith on a road, also with a torch in his hand and a crucifix. The road leads to Caritas, in the clouds, although above and below devils can also be seen. On the right Diogenes with a lantern, Allegory of the way of true love., print maker: Johannes Vorsterman, (mentioned on object), Zaltbommel, 1661, paper, etching, h 168 mm × w 129 mm
Fishermen by moonlight, Johannes Pieter van Wisselingh, 1830 - 1878, Two fishermen are in a rowboat on a river. In the back left is a house. The landscape is lit by the moon., print maker: Johannes Pieter van Wisselingh, Netherlands, 1830 - 1878, paper, etching, h 100 mm × w 87 mm Stock Photo
RM2JE444J–Fishermen by moonlight, Johannes Pieter van Wisselingh, 1830 - 1878, Two fishermen are in a rowboat on a river. In the back left is a house. The landscape is lit by the moon., print maker: Johannes Pieter van Wisselingh, Netherlands, 1830 - 1878, paper, etching, h 100 mm × w 87 mm
Saint Servatius bridge over the Meuse in Maastricht, print maker: Henri Jonas, (signed by artist), 1917, paper, h 266 mm × w 353 mm Stock Photo
RM2JE5AJA–Saint Servatius bridge over the Meuse in Maastricht, print maker: Henri Jonas, (signed by artist), 1917, paper, h 266 mm × w 353 mm
Allegorical performance with in the middle the female personification of the Roman Church, crowned with a tiara. She tramples on a rabbi holding a Hebrew text and the personification of the Roman Empire, holding a statue of Victoria in her hands. Superstition (Idolatria) tries to take the image away from her. On the left, near a tree, the female personification of Christian faith, an open Bible in her hands. In front of her a priest baptizing a woman. In the foreground some Muslims looking up at a preaching man. One of them is holding a tablet. In the background temples and rituals of pagan Stock Photo
RM2JE5A6R–Allegorical performance with in the middle the female personification of the Roman Church, crowned with a tiara. She tramples on a rabbi holding a Hebrew text and the personification of the Roman Empire, holding a statue of Victoria in her hands. Superstition (Idolatria) tries to take the image away from her. On the left, near a tree, the female personification of Christian faith, an open Bible in her hands. In front of her a priest baptizing a woman. In the foreground some Muslims looking up at a preaching man. One of them is holding a tablet. In the background temples and rituals of pagan
Portrait bust of Cardinal Scipione Borghese, print maker: Anne Claude Philippe Caylus, Giovanni Lorenzo Bernini, (mentioned on object), Edme Bouchardon, (mentioned on object), Paris, 1708 - 1762, paper, etching, h 268 mm × w 189 mm Stock Photo
RM2JE3RYC–Portrait bust of Cardinal Scipione Borghese, print maker: Anne Claude Philippe Caylus, Giovanni Lorenzo Bernini, (mentioned on object), Edme Bouchardon, (mentioned on object), Paris, 1708 - 1762, paper, etching, h 268 mm × w 189 mm
A woman sits on a chair and holds in her hands two cards with which she purifies wool. Next to her are baskets of wool. Probably behind the woman is a spinning wheel, Woman sits on a chair and cards wool La cardeuse, print maker: Jean François Millet, Jean François Millet, 1855 - 1857, paper, etching, h 258 mm × w 177 mm Stock Photo
RM2JE4XMK–A woman sits on a chair and holds in her hands two cards with which she purifies wool. Next to her are baskets of wool. Probably behind the woman is a spinning wheel, Woman sits on a chair and cards wool La cardeuse, print maker: Jean François Millet, Jean François Millet, 1855 - 1857, paper, etching, h 258 mm × w 177 mm
Amor and putto on a beach, Gerrit Visscher, 1690 - 1710, Amor with bow and putto by fruit basket on a beach. In the distance sailing ships at sea. The scene is framed in an ornamental frame., print maker: Gerrit Visscher, (mentioned on object), Amsterdam, 1690 - 1710, paper, engraving, etching, h 118 mm × w 151 mm Stock Photo
RM2JE4CFR–Amor and putto on a beach, Gerrit Visscher, 1690 - 1710, Amor with bow and putto by fruit basket on a beach. In the distance sailing ships at sea. The scene is framed in an ornamental frame., print maker: Gerrit Visscher, (mentioned on object), Amsterdam, 1690 - 1710, paper, engraving, etching, h 118 mm × w 151 mm
Man and woman in forest, Albert Flamen, 1672, A man and a woman face each other in a forest. On a banderole a motto in Latin and a caption in French, both about love., print maker: Albert Flamen, publisher: Etienne Loyson, Lodewijk XIV (koning van Frankrijk), print maker: Paris, publisher: Paris, France, 1672, paper, etching, h 84 mm × w 68 mm Stock Photo
RM2JE4EB0–Man and woman in forest, Albert Flamen, 1672, A man and a woman face each other in a forest. On a banderole a motto in Latin and a caption in French, both about love., print maker: Albert Flamen, publisher: Etienne Loyson, Lodewijk XIV (koning van Frankrijk), print maker: Paris, publisher: Paris, France, 1672, paper, etching, h 84 mm × w 68 mm
In a room a family celebrates Epiphany evening. They sing, eat, drink and play music. On the floor are broken eggs and a pipe, Epiphany Evening The King's Night., print maker: Elisabeth Barbara Schmetterling, (mentioned on object), after: Jan Havicksz. Steen, (mentioned on object), Netherlands, 1814 - 1882, paper, etching, engraving, h 118 mm × w 90 mm Stock Photo
RM2JE4Y2M–In a room a family celebrates Epiphany evening. They sing, eat, drink and play music. On the floor are broken eggs and a pipe, Epiphany Evening The King's Night., print maker: Elisabeth Barbara Schmetterling, (mentioned on object), after: Jan Havicksz. Steen, (mentioned on object), Netherlands, 1814 - 1882, paper, etching, engraving, h 118 mm × w 90 mm
Arlequin and Piro talk about the pranks of little Arlequin Arlequin as educator of little Arlequin (title series) The newly opened Italian Theatre (title series), print maker: anonymous, intermediary draughtsman: Gerardus Josephus Xavery, publisher: Pieter Schenk (II), Amsterdam, 1720 - 1728, paper, etching, engraving, h 230 mm × w 206 mm Stock Photo
RM2JE515M–Arlequin and Piro talk about the pranks of little Arlequin Arlequin as educator of little Arlequin (title series) The newly opened Italian Theatre (title series), print maker: anonymous, intermediary draughtsman: Gerardus Josephus Xavery, publisher: Pieter Schenk (II), Amsterdam, 1720 - 1728, paper, etching, engraving, h 230 mm × w 206 mm
On the left the fall of Lucifer (Satan) and on the right the creation of Eve from a rib of Adam. In a frame two lines of Latin text. Underneath two columns of Dutch text, Fall of Lucifer (Satan) and the creation of Eve., print maker: Cornelis van Noorde, (mentioned on object), printer: Johannes Enschedé (I), (mentioned on object), Haarlem, 1762, paper, letterpress printing, h 332 mm × w 229 mm Stock Photo
RM2JE4W48–On the left the fall of Lucifer (Satan) and on the right the creation of Eve from a rib of Adam. In a frame two lines of Latin text. Underneath two columns of Dutch text, Fall of Lucifer (Satan) and the creation of Eve., print maker: Cornelis van Noorde, (mentioned on object), printer: Johannes Enschedé (I), (mentioned on object), Haarlem, 1762, paper, letterpress printing, h 332 mm × w 229 mm
Map of the municipality of Ferwerderadeel, Ferwerderadeel the second municipality of Ooster goo (...) (title on object), Top left cartouche with the coat of arms of Ferwerderadeel around it and a fisherman with fishing nets. Bottom left cartouche with administrative information about the grietij. Around it the coat of arms of grietman Jonker Bernard Heringa van Grovestins and two farmers. Top right legend, bottom right a scale: Maat van konings roeden van 1200 in een uure gaans, welker 1000 maaken een halve gemeene Duytsche myle van 15 in een graad., print maker: Caspar Luyken, (attributed to Stock Photo
RM2JE3RCT–Map of the municipality of Ferwerderadeel, Ferwerderadeel the second municipality of Ooster goo (...) (title on object), Top left cartouche with the coat of arms of Ferwerderadeel around it and a fisherman with fishing nets. Bottom left cartouche with administrative information about the grietij. Around it the coat of arms of grietman Jonker Bernard Heringa van Grovestins and two farmers. Top right legend, bottom right a scale: Maat van konings roeden van 1200 in een uure gaans, welker 1000 maaken een halve gemeene Duytsche myle van 15 in een graad., print maker: Caspar Luyken, (attributed to
Worker letting a rope celebrate, Johannes Josephus Aarts, 1881 - 1934, A worker wearing a hat and boots lets a rope celebrate. In the background, among other things, a shovel, a tub, a fence, a hut and a machine., print maker: Johannes Josephus Aarts, 1881 - 1934, paper, engraving, h 339 mm × w 245 mm Stock Photo
RM2JE4KAY–Worker letting a rope celebrate, Johannes Josephus Aarts, 1881 - 1934, A worker wearing a hat and boots lets a rope celebrate. In the background, among other things, a shovel, a tub, a fence, a hut and a machine., print maker: Johannes Josephus Aarts, 1881 - 1934, paper, engraving, h 339 mm × w 245 mm
Beggars at China, Jan Evert Grave, after Bernard Picart, 1769 - 1805, Beggars and street performers in China. On the left a man balancing a stone on his head. Next to it a seated man with a cloud above his head. On the right, two Chinese are banging their heads together. At their feet a seated man banging his head against a stone. The print has a Dutch caption., print maker: Jan Evert Grave, (mentioned on object), Bernard Picart, Amsterdam, 1769 - 1805, paper, etching, engraving, w 137 mm × h 229 mm Stock Photo
RM2JE4022–Beggars at China, Jan Evert Grave, after Bernard Picart, 1769 - 1805, Beggars and street performers in China. On the left a man balancing a stone on his head. Next to it a seated man with a cloud above his head. On the right, two Chinese are banging their heads together. At their feet a seated man banging his head against a stone. The print has a Dutch caption., print maker: Jan Evert Grave, (mentioned on object), Bernard Picart, Amsterdam, 1769 - 1805, paper, etching, engraving, w 137 mm × h 229 mm
The fight of Lekkerbeetje. Fight on the Vughterheide near Den Bosch between the Spanish riders under Anthony Schetz van Grobbendonck and the State riders under the Pierre de Breauté, 5 February 1600. In the distance 's-Hertogenbosch, Battle of Lekkerbeetje, 1600., print maker: Joseph Mulder, (mentioned on object), Joseph Mulder, (mentioned on object), Northern Netherlands, 1682 - 1684, paper, etching, h 270 mm × w 340 mm Stock Photo
RM2JE53XN–The fight of Lekkerbeetje. Fight on the Vughterheide near Den Bosch between the Spanish riders under Anthony Schetz van Grobbendonck and the State riders under the Pierre de Breauté, 5 February 1600. In the distance 's-Hertogenbosch, Battle of Lekkerbeetje, 1600., print maker: Joseph Mulder, (mentioned on object), Joseph Mulder, (mentioned on object), Northern Netherlands, 1682 - 1684, paper, etching, h 270 mm × w 340 mm
Candle Play, I Moccoletti (title on object), Il Carnevale di Roma (series title on object), The candle play on the last day of the carnival, with the arrival of a carriage. Part of a print work containing a series of twenty prints on the celebration of carnival in Rome., print maker: Carl Gustaf Hjalmar Mörner, printer: Francesco Bourlié, Rome, 1820, paper, etching, height 205 mm × width 475 mm, height 413 mm × width 568 mm Stock Photo
RM2JE3MRY–Candle Play, I Moccoletti (title on object), Il Carnevale di Roma (series title on object), The candle play on the last day of the carnival, with the arrival of a carriage. Part of a print work containing a series of twenty prints on the celebration of carnival in Rome., print maker: Carl Gustaf Hjalmar Mörner, printer: Francesco Bourlié, Rome, 1820, paper, etching, height 205 mm × width 475 mm, height 413 mm × width 568 mm
Dancing peasant and peasant woman, Pieter Nolpe, after Pieter Jansz Quast, 1623 - 1653, A peasant woman and a peasant are dancing side by side in the grass. The peasant woman is smoking a pipe and has a bunch of keys and a knife hanging from her robe. The peasant holds a goblet in one hand and a violin in the other. Print is part of a series featuring scenes of peasant life., print maker: Pieter Nolpe, Pieter Jansz. Quast, publisher: Pieter Nolpe, (mentioned on object), Amsterdam, 1623 - 1653, paper, etching, engraving, h 80 mm - w 120 mm Stock Photo
RM2JE4DHK–Dancing peasant and peasant woman, Pieter Nolpe, after Pieter Jansz Quast, 1623 - 1653, A peasant woman and a peasant are dancing side by side in the grass. The peasant woman is smoking a pipe and has a bunch of keys and a knife hanging from her robe. The peasant holds a goblet in one hand and a violin in the other. Print is part of a series featuring scenes of peasant life., print maker: Pieter Nolpe, Pieter Jansz. Quast, publisher: Pieter Nolpe, (mentioned on object), Amsterdam, 1623 - 1653, paper, etching, engraving, h 80 mm - w 120 mm
Portrait of Wilhelm Leyser, Johann Christoph Boecklin, 1699, print maker: Johann Christoph Boecklin, (mentioned on object), Leipzig, 1699, paper, engraving, h 140 mm - w 178 mm Stock Photo
RM2JE46D5–Portrait of Wilhelm Leyser, Johann Christoph Boecklin, 1699, print maker: Johann Christoph Boecklin, (mentioned on object), Leipzig, 1699, paper, engraving, h 140 mm - w 178 mm
Portrait of artist Louis van Erven Dorens, print maker: August Allebé, (signed by artist), after: Louis van Erven Dorens, Amsterdam, 1858, paper, brush, h 358 mm × w 256 mm, h 244 mm × w 196 mm Stock Photo
RM2JE3TB3–Portrait of artist Louis van Erven Dorens, print maker: August Allebé, (signed by artist), after: Louis van Erven Dorens, Amsterdam, 1858, paper, brush, h 358 mm × w 256 mm, h 244 mm × w 196 mm
Portrait of Wolter Jan Gerit Baron Bentinck, bailiff at night of Holland and West Friesland, Portrait of Wolter Jan Gerit Baron Bentinck., print maker: Reinier Vinkeles (I), (mentioned on object), print maker: Cornelis Bogerts, (mentioned on object), intermediary draughtsman: Pieter Oets, (mentioned on object), Amsterdam, 1755 - 1816, paper, etching, engraving, h 225 mm × w 153 mm Stock Photo
RM2JE4NKX–Portrait of Wolter Jan Gerit Baron Bentinck, bailiff at night of Holland and West Friesland, Portrait of Wolter Jan Gerit Baron Bentinck., print maker: Reinier Vinkeles (I), (mentioned on object), print maker: Cornelis Bogerts, (mentioned on object), intermediary draughtsman: Pieter Oets, (mentioned on object), Amsterdam, 1755 - 1816, paper, etching, engraving, h 225 mm × w 153 mm
Building at Boppard, Johannes Tavenraat, 1819 - 1881, Building at Boppard with some figures on the road on the left., print maker: Johannes Tavenraat, Johannes Tavenraat, Cleves, 1819 - 1881, paper, etching, h 107 mm, w 146 mm Stock Photo
RM2JE43MC–Building at Boppard, Johannes Tavenraat, 1819 - 1881, Building at Boppard with some figures on the road on the left., print maker: Johannes Tavenraat, Johannes Tavenraat, Cleves, 1819 - 1881, paper, etching, h 107 mm, w 146 mm
Marco Papirio kills a Gaul, Bartolomeo Pinelli, 1818, Marco Papirio kills with his ivory staff a Gaul who grabs him by his beard., print maker: Bartolomeo Pinelli, (mentioned on object), Bartolomeo Pinelli, (mentioned on object), Rome, 1818, paper, etching, h 316 mm × w 427 mm Stock Photo
RM2JE4FCW–Marco Papirio kills a Gaul, Bartolomeo Pinelli, 1818, Marco Papirio kills with his ivory staff a Gaul who grabs him by his beard., print maker: Bartolomeo Pinelli, (mentioned on object), Bartolomeo Pinelli, (mentioned on object), Rome, 1818, paper, etching, h 316 mm × w 427 mm
Bust portrait of Johann-Balthasar Schneider. Bottom right: 122. The portrait is set in an oval frame with the coat of arms of the portrayed, decorations and an edge lettering in Latin. In the cartouche a five-line caption in Latin. Print from a series of portraits after paintings by Anselmus van Hulle of all delegates at the peace negotiations in Münster and Osnabrück, Portrait of Johann-Balthasar Schneider Hommes illustres (series title)., print maker: Pieter de Jode (II), (mentioned on object), after: Anselm van Hulle, (mentioned on object), Staten van Holland, (mentioned on object), Antwerp Stock Photo
RM2JE55N0–Bust portrait of Johann-Balthasar Schneider. Bottom right: 122. The portrait is set in an oval frame with the coat of arms of the portrayed, decorations and an edge lettering in Latin. In the cartouche a five-line caption in Latin. Print from a series of portraits after paintings by Anselmus van Hulle of all delegates at the peace negotiations in Münster and Osnabrück, Portrait of Johann-Balthasar Schneider Hommes illustres (series title)., print maker: Pieter de Jode (II), (mentioned on object), after: Anselm van Hulle, (mentioned on object), Staten van Holland, (mentioned on object), Antwerp
Portrait of Niclaus Weinstein, Johann Friedrich Leonard, 1671, print maker: Johann Friedrich Leonard, Praag, 1671, paper, h 132 mm × w 97 mm Stock Photo
RM2JE4EJN–Portrait of Niclaus Weinstein, Johann Friedrich Leonard, 1671, print maker: Johann Friedrich Leonard, Praag, 1671, paper, h 132 mm × w 97 mm
Above the motto 'Scientia et Potentia' with on the left three open books and on the right a helmet, Portrait of August II von Braunschweig-Lüneburg., print maker: Conrad Buno, (mentioned on object), after: Albert Freyse, (mentioned on object), Wolfenbüttel, 1650, paper, engraving, letterpress printing, h 249 mm - w 144 mm Stock Photo
RM2JE5704–Above the motto 'Scientia et Potentia' with on the left three open books and on the right a helmet, Portrait of August II von Braunschweig-Lüneburg., print maker: Conrad Buno, (mentioned on object), after: Albert Freyse, (mentioned on object), Wolfenbüttel, 1650, paper, engraving, letterpress printing, h 249 mm - w 144 mm
Painter in his studio, Leopold Löwenstam, after Adriaen van Ostade, 1852 - 1898, A painter at work in his studio. He is seated behind an easel near the window. At a table under a staircase, two assistants or apprentices prepare paints., print maker: Leopold Löwenstam, after: Adriaen van Ostade, 1852 - 1898, paper, engraving, etching, h 315 mm × w 275 mm Stock Photo
RM2JE4HBP–Painter in his studio, Leopold Löwenstam, after Adriaen van Ostade, 1852 - 1898, A painter at work in his studio. He is seated behind an easel near the window. At a table under a staircase, two assistants or apprentices prepare paints., print maker: Leopold Löwenstam, after: Adriaen van Ostade, 1852 - 1898, paper, engraving, etching, h 315 mm × w 275 mm
A restless horse, wearing a muzzle, pegged in front of a cart. The plasterer approaches, carrying two bags on his shoulder. From a series of twelve prints, The horse of the plasterer Le cheval du platrier Various studies of horses (series title) Etudes de chevaux (series title), print maker: Théodore Géricault, print maker: Joseph Simon Volmar, Théodore Géricault, (mentioned on object), print maker: France, print maker: France, printer: Paris, publisher: Paris, 1822, paper, h 256 mm × w 321 mm, h 376 mm × w 489 mm Stock Photo
RM2JE5AA8–A restless horse, wearing a muzzle, pegged in front of a cart. The plasterer approaches, carrying two bags on his shoulder. From a series of twelve prints, The horse of the plasterer Le cheval du platrier Various studies of horses (series title) Etudes de chevaux (series title), print maker: Théodore Géricault, print maker: Joseph Simon Volmar, Théodore Géricault, (mentioned on object), print maker: France, print maker: France, printer: Paris, publisher: Paris, 1822, paper, h 256 mm × w 321 mm, h 376 mm × w 489 mm
View of the El Escorial abbey complex near the city of Madrid, seen from the south side, Jean-François Daumont, 1745 - 1775, publisher: Jean-François Daumont, (mentioned on object), print maker: anonymous, publisher: Paris, print maker: France, 1745 - 1775, paper, etching, brush, h 267 mm × w 403 mm Stock Photo
RM2JE4CRW–View of the El Escorial abbey complex near the city of Madrid, seen from the south side, Jean-François Daumont, 1745 - 1775, publisher: Jean-François Daumont, (mentioned on object), print maker: anonymous, publisher: Paris, print maker: France, 1745 - 1775, paper, etching, brush, h 267 mm × w 403 mm
Visit of the Queen of Seba / Solomon's idolatry, Pieter Tanjé, 1791, Two Biblical representations. Above: King Solomon stands before his throne and welcomes the Queen of Seba. Below: under the influence of his pagan wives, Solomon makes a sacrifice to an idol. Below the representations a reference to the Bible texts and titles in Dutch and French., print maker: Pieter Tanjé, (mentioned on object), Amsterdam, 1716 - 1761 and/or 1791, paper, etching, engraving, h 328 mm × w 195 mm Stock Photo
RM2JE4HWN–Visit of the Queen of Seba / Solomon's idolatry, Pieter Tanjé, 1791, Two Biblical representations. Above: King Solomon stands before his throne and welcomes the Queen of Seba. Below: under the influence of his pagan wives, Solomon makes a sacrifice to an idol. Below the representations a reference to the Bible texts and titles in Dutch and French., print maker: Pieter Tanjé, (mentioned on object), Amsterdam, 1716 - 1761 and/or 1791, paper, etching, engraving, h 328 mm × w 195 mm
Portrait of Lucas Vorsterman I with caption LVCAS VORSTERMANS CALCOGRAPHVS ANTVERPIAE IN GELDRIA NATVS, Portrait of Lucas Vorsterman I Iconography (series title), print maker: Anthony van Dyck, (mentioned on object), print maker: anonymous, intermediary draughtsman: Anthony van Dyck, Low Countries, 1630 - 1632, paper, etching, engraving, h 245 mm × w 156 mm Stock Photo
RM2JE4YW6–Portrait of Lucas Vorsterman I with caption LVCAS VORSTERMANS CALCOGRAPHVS ANTVERPIAE IN GELDRIA NATVS, Portrait of Lucas Vorsterman I Iconography (series title), print maker: Anthony van Dyck, (mentioned on object), print maker: anonymous, intermediary draughtsman: Anthony van Dyck, Low Countries, 1630 - 1632, paper, etching, engraving, h 245 mm × w 156 mm
Portrait of Guillaume du Vair, Jan Lamsvelt, 1684 - 1743, Portrait bust in oval to the right of writer and lawyer Guillaume du Vair, bareheaded. Below the portrait is the name of the person portrayed. Print marked top left: Tom. 4. Page 203., print maker: Jan Lamsvelt, (mentioned on object), 1684 - 1743, paper, engraving, h 158 mm × w 91 mm Stock Photo
RM2JE4B02–Portrait of Guillaume du Vair, Jan Lamsvelt, 1684 - 1743, Portrait bust in oval to the right of writer and lawyer Guillaume du Vair, bareheaded. Below the portrait is the name of the person portrayed. Print marked top left: Tom. 4. Page 203., print maker: Jan Lamsvelt, (mentioned on object), 1684 - 1743, paper, engraving, h 158 mm × w 91 mm
View of a bullfight on the Plaza Mayor in Madrid, Louis-Joseph Mondhare, 1759 - c. 1796, publisher: Louis-Joseph Mondhare, (mentioned on object), print maker: anonymous, publisher: Paris, print maker: France, 1759 - c. 1796, paper, etching, brush, h 284 mm × w 438 mm Stock Photo
RM2JE4DK1–View of a bullfight on the Plaza Mayor in Madrid, Louis-Joseph Mondhare, 1759 - c. 1796, publisher: Louis-Joseph Mondhare, (mentioned on object), print maker: anonymous, publisher: Paris, print maker: France, 1759 - c. 1796, paper, etching, brush, h 284 mm × w 438 mm
Absalom's servants kill his brother Amnon, Joseph Mulder, after Gerard Hoet (I), 1720 - 1728, Absalom, right in chest cuirass and cloak, orders his servants to kill his brother Amnon. The other king's sons flee from the party. Below in the margin a reference to the Bible text and title in Hebrew, English, German, Latin, French and Dutch., print maker: Joseph Mulder, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), Amsterdam, 1720 - 1728, paper, engraving, etching, h 358 mm × w 221 mm Stock Photo
RM2JE4J5W–Absalom's servants kill his brother Amnon, Joseph Mulder, after Gerard Hoet (I), 1720 - 1728, Absalom, right in chest cuirass and cloak, orders his servants to kill his brother Amnon. The other king's sons flee from the party. Below in the margin a reference to the Bible text and title in Hebrew, English, German, Latin, French and Dutch., print maker: Joseph Mulder, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), Amsterdam, 1720 - 1728, paper, engraving, etching, h 358 mm × w 221 mm
The coat of arms of the Seven Provinces and the coat of arms of Maurice, Prince of Orange, front title page: Georgius Chanler, Nieuwe keysers chronica ofte Gheschicht-boeck van alle de roomsche, soo oostersche als westersche keyseren, 1617, print maker: Adolph Roelofsz Rutgers, publisher: Nicolaes Biestkens, (mentioned on object), Amsterdam, 1617, paper, letterpress printing, h 317 mm × w 195 mm Stock Photo
RM2JE4XW0–The coat of arms of the Seven Provinces and the coat of arms of Maurice, Prince of Orange, front title page: Georgius Chanler, Nieuwe keysers chronica ofte Gheschicht-boeck van alle de roomsche, soo oostersche als westersche keyseren, 1617, print maker: Adolph Roelofsz Rutgers, publisher: Nicolaes Biestkens, (mentioned on object), Amsterdam, 1617, paper, letterpress printing, h 317 mm × w 195 mm
The dog runs to the right of the shepherd, Shepherd with dog behind his flock, print maker: Willem Witsen, (signed by artist), printer: Jan Stronk, Ewijkshoeve, c. 1886 and/or 1909, paper, etching, h 243 mm × w 181 mm Stock Photo
RM2JE50KX–The dog runs to the right of the shepherd, Shepherd with dog behind his flock, print maker: Willem Witsen, (signed by artist), printer: Jan Stronk, Ewijkshoeve, c. 1886 and/or 1909, paper, etching, h 243 mm × w 181 mm
Portrait of August Benedicts Carpzov, Martin Bernigeroth, 1680 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Johann Heinrich Ernesti, (mentioned on object), Leipzig, 1680 - 1733, paper, engraving, h 347 mm × w 227 mm Stock Photo
RM2JE45CK–Portrait of August Benedicts Carpzov, Martin Bernigeroth, 1680 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Johann Heinrich Ernesti, (mentioned on object), Leipzig, 1680 - 1733, paper, engraving, h 347 mm × w 227 mm
Portrait of a gentleman with hat, Johannes Arnoldus Boland, after anonymous, 1860, print maker: Johannes Arnoldus Boland, (signed by artist), anonymous, Amsterdam, 15-Mar-1860, paper, engraving, h 253 mm × w 198 mm Stock Photo
RM2JE4HF2–Portrait of a gentleman with hat, Johannes Arnoldus Boland, after anonymous, 1860, print maker: Johannes Arnoldus Boland, (signed by artist), anonymous, Amsterdam, 15-Mar-1860, paper, engraving, h 253 mm × w 198 mm
Portrait of Petronella Voute, director of Asyl Steenbeek, the first shelter for prostitutes She wears a lace hat and collar and sits on a chair, her elbow resting on a table On her lap, she is holding a clasp bag Below the portrait her signature, Portrait of Petronella Voute, print maker: Dirk Jurriaan Sluyter, (mentioned on object), Amsterdam, 1845 - 1886, paper, steel engraving, etching, h 171 mm × w 114 mm Stock Photo
RM2JE3T2N–Portrait of Petronella Voute, director of Asyl Steenbeek, the first shelter for prostitutes She wears a lace hat and collar and sits on a chair, her elbow resting on a table On her lap, she is holding a clasp bag Below the portrait her signature, Portrait of Petronella Voute, print maker: Dirk Jurriaan Sluyter, (mentioned on object), Amsterdam, 1845 - 1886, paper, steel engraving, etching, h 171 mm × w 114 mm
Allegorical performance with female personification of justice (Justitia) and a woman with a snake. A man writes in a book and others are working in a library, Allegorical representation with personification of justice and legal scholars Kort begryp der Hollandtse consultatien en advysen, Titelpagina voor: S.n., Kort begryp van de ses de delen der Hollandse consultatien en advysen, inhoudende in alle de uitstekendelyke materien envallen, daar in inbegrip, 1709, print maker: Abraham de Blois, (mentioned on object), Ottmar Elliger, (mentioned on object), publisher: Abraham van Someren, Amsterdam Stock Photo
RM2JE58M4–Allegorical performance with female personification of justice (Justitia) and a woman with a snake. A man writes in a book and others are working in a library, Allegorical representation with personification of justice and legal scholars Kort begryp der Hollandtse consultatien en advysen, Titelpagina voor: S.n., Kort begryp van de ses de delen der Hollandse consultatien en advysen, inhoudende in alle de uitstekendelyke materien envallen, daar in inbegrip, 1709, print maker: Abraham de Blois, (mentioned on object), Ottmar Elliger, (mentioned on object), publisher: Abraham van Someren, Amsterdam
View of the Ponte Santa Trinita over the Arno River in Florence, Jean-François Daumont, 1745 - 1775, In the background the Ponte Vecchio and the Palazzo Vecchio., publisher: Jean-François Daumont, (mentioned on object), print maker: anonymous, publisher: Paris, print maker: France, 1745 - 1775, paper, etching, brush, h 292 mm × w 491 mm Stock Photo
RM2JE4DYC–View of the Ponte Santa Trinita over the Arno River in Florence, Jean-François Daumont, 1745 - 1775, In the background the Ponte Vecchio and the Palazzo Vecchio., publisher: Jean-François Daumont, (mentioned on object), print maker: anonymous, publisher: Paris, print maker: France, 1745 - 1775, paper, etching, brush, h 292 mm × w 491 mm
View of a farmhouse with a thatched roof. Opposite the doorway one person sits against a tall tree, thatched farmhouse with two trees., print maker: Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 82 mm × w 70 mm Stock Photo
RM2JE520K–View of a farmhouse with a thatched roof. Opposite the doorway one person sits against a tall tree, thatched farmhouse with two trees., print maker: Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 82 mm × w 70 mm
Monument commemorating the death of pastor Van Rossum in Delft with his portrait and two mourning allegorical women, Antonie and Pieter van der Beek, after Hermanus Fock, 1810, Monument commemorating the death of pastor Van Rossum in Delft with his portrait in oval frame on column. Two female allegorical figures mourn at the monument, on the left a woman sits with symbols of faith, hope and love and her foot resting on an orb. The other woman is holding a spear and has a star on her chest. On the base of the monument is a poem of praise., print maker: Antonie en Pieter van der Beek, (mentioned Stock Photo
RM2JE4C0A–Monument commemorating the death of pastor Van Rossum in Delft with his portrait and two mourning allegorical women, Antonie and Pieter van der Beek, after Hermanus Fock, 1810, Monument commemorating the death of pastor Van Rossum in Delft with his portrait in oval frame on column. Two female allegorical figures mourn at the monument, on the left a woman sits with symbols of faith, hope and love and her foot resting on an orb. The other woman is holding a spear and has a star on her chest. On the base of the monument is a poem of praise., print maker: Antonie en Pieter van der Beek, (mentioned
View of a street with wooden stalls in Vienna, anonymous, 1700 - 1799, Numbered top right: 12., publisher: anonymous, print maker: anonymous, 1700 - 1799, paper, etching, brush, h 297 mm × w 428 mm Stock Photo
RM2JE4DWJ–View of a street with wooden stalls in Vienna, anonymous, 1700 - 1799, Numbered top right: 12., publisher: anonymous, print maker: anonymous, 1700 - 1799, paper, etching, brush, h 297 mm × w 428 mm
Portrait of Jean-de-Dieu Soult, anonymous, 1822 - 1845, The person portrayed is wearing a military costume with a stand-up collar, over it a cloak. Below the portrait his name and signature., print maker: anonymous, printer: Hilmar Johannes Backer, (mentioned on object), Dordrecht, 1822 - 1845, paper, h 240 mm - w 150 mm Stock Photo
RM2JE4200–Portrait of Jean-de-Dieu Soult, anonymous, 1822 - 1845, The person portrayed is wearing a military costume with a stand-up collar, over it a cloak. Below the portrait his name and signature., print maker: anonymous, printer: Hilmar Johannes Backer, (mentioned on object), Dordrecht, 1822 - 1845, paper, h 240 mm - w 150 mm
Shoes with painting material Souvenirs de voyage., print maker: Jules Ferdinand Jacquemart, (mentioned on object), printer: Delâtre, (mentioned on object), publisher: A. Cadart & F. Chevalier, (mentioned on object), print maker: France, printer: Paris, publisher: Paris, 1862, paper, etching, drypoint, h 241 mm × w 341 mm Stock Photo
RM2JE505H–Shoes with painting material Souvenirs de voyage., print maker: Jules Ferdinand Jacquemart, (mentioned on object), printer: Delâtre, (mentioned on object), publisher: A. Cadart & F. Chevalier, (mentioned on object), print maker: France, printer: Paris, publisher: Paris, 1862, paper, etching, drypoint, h 241 mm × w 341 mm
Shell, harpa major, Wenceslaus Hollar, 1644 - 1652, print maker: Wenceslaus Hollar, Antwerp, 1644 - 1652, paper, etching, h 94 mm × w 140 mm Stock Photo
RM2JE4BK1–Shell, harpa major, Wenceslaus Hollar, 1644 - 1652, print maker: Wenceslaus Hollar, Antwerp, 1644 - 1652, paper, etching, h 94 mm × w 140 mm
Head of an Arabian horse Tête de cheval arabe, Parade of animals (series title) Cours d'animaux (series title), print maker: Victor Adam, (mentioned on object), printer: Alphonse Godard, (mentioned on object), publisher: Joseph Bulla & François Delarue, (mentioned on object), Paris, 1843 - 1844, paper, h 486 mm × w 320 mm Stock Photo
RM2JE52EC–Head of an Arabian horse Tête de cheval arabe, Parade of animals (series title) Cours d'animaux (series title), print maker: Victor Adam, (mentioned on object), printer: Alphonse Godard, (mentioned on object), publisher: Joseph Bulla & François Delarue, (mentioned on object), Paris, 1843 - 1844, paper, h 486 mm × w 320 mm
Front view of the cathedral of Strasbourg, Der Münster zu Strasburg / La Cathédrale de Strasbourg (title on object), print maker: anonymous, 1821 - 1826, paper, etching, height 644 mm × width 488 mm Stock Photo
RM2JE3PPA–Front view of the cathedral of Strasbourg, Der Münster zu Strasburg / La Cathédrale de Strasbourg (title on object), print maker: anonymous, 1821 - 1826, paper, etching, height 644 mm × width 488 mm
Map of Emden, Emden (title on object), print maker: anonymous, publisher: Frederik de Wit, (mentioned on object), publisher: Pieter van der Aa (I), (possibly), publisher: Amsterdam, publisher: Leiden, 1657 and/or after 1695 - 1728, paper, etching, engraving, height 407 mm × width 505 mm Stock Photo
RM2JE3PT3–Map of Emden, Emden (title on object), print maker: anonymous, publisher: Frederik de Wit, (mentioned on object), publisher: Pieter van der Aa (I), (possibly), publisher: Amsterdam, publisher: Leiden, 1657 and/or after 1695 - 1728, paper, etching, engraving, height 407 mm × width 505 mm
Middle above a representation of figures running towards a departing train. Among them are a number of depictions of events that took place in the month of June, including the Trip to Chatham in 1667. In the middle below meteorological and other observations for the month of June in 1849., June, print maker: Friedrich Robert Prinz, publisher: P. Kraaij jr., print maker: Netherlands, publisher: Amsterdam, 1849, paper, letterpress printing, h 155 mm × w 95 mm Stock Photo
RM2JE4W63–Middle above a representation of figures running towards a departing train. Among them are a number of depictions of events that took place in the month of June, including the Trip to Chatham in 1667. In the middle below meteorological and other observations for the month of June in 1849., June, print maker: Friedrich Robert Prinz, publisher: P. Kraaij jr., print maker: Netherlands, publisher: Amsterdam, 1849, paper, letterpress printing, h 155 mm × w 95 mm
Emperor Charles V in combat with a bull, Francisco de Goya, 1811 - 1816, Emperor Charles V seated on a horse while stabbing a lance into the neck of a bull., print maker: Francisco de Goya, (mentioned on object), Francisco de Goya, Spain, 1811 - 1816, paper, etching, drypoint, h 250 mm × w 350 mm Stock Photo
RM2JE4DB7–Emperor Charles V in combat with a bull, Francisco de Goya, 1811 - 1816, Emperor Charles V seated on a horse while stabbing a lance into the neck of a bull., print maker: Francisco de Goya, (mentioned on object), Francisco de Goya, Spain, 1811 - 1816, paper, etching, drypoint, h 250 mm × w 350 mm
Portrait of Matthias Gottfried Purmann, Samuel Blesendorf, 1691, print maker: Samuel Blesendorf, (mentioned on object), Andreas Horch, (mentioned on object), Berlin, 1691, paper, engraving, h 190 mm - w 138 mm Stock Photo
RM2JE467T–Portrait of Matthias Gottfried Purmann, Samuel Blesendorf, 1691, print maker: Samuel Blesendorf, (mentioned on object), Andreas Horch, (mentioned on object), Berlin, 1691, paper, engraving, h 190 mm - w 138 mm
Portrait of Sebald Justinus Brugmans, Willem van Senus, after Charles Howard Hodges, 1829, Portrait of the Dutch physician and botanist Sebald Justinus Brugmans., print maker: Willem van Senus, (mentioned on object), after: Charles Howard Hodges, (mentioned on object), publisher: Willem van Senus, (mentioned on object), Amsterdam, 1829, paper, etching, engraving, h 260 mm × w 203 mm Stock Photo
RM2JE4AWD–Portrait of Sebald Justinus Brugmans, Willem van Senus, after Charles Howard Hodges, 1829, Portrait of the Dutch physician and botanist Sebald Justinus Brugmans., print maker: Willem van Senus, (mentioned on object), after: Charles Howard Hodges, (mentioned on object), publisher: Willem van Senus, (mentioned on object), Amsterdam, 1829, paper, etching, engraving, h 260 mm × w 203 mm
Portrait of Johann Ulrich Riedner, Hieronymus Böllmann, 1708, print maker: Hieronymus Böllmann, (mentioned on object), Neurenberg, 1708, paper, engraving, h 321 mm × w 225 mm Stock Photo
RM2JE4BW9–Portrait of Johann Ulrich Riedner, Hieronymus Böllmann, 1708, print maker: Hieronymus Böllmann, (mentioned on object), Neurenberg, 1708, paper, engraving, h 321 mm × w 225 mm
Samson destroys the pillars of the temple, J. van Buysen, after Gerard Hoet (I), c. 1711 - c. 1720, Samson destroys the pillars of the temple with his last strength, killing himself and the Philistines present. Illustration for the Old Testament, Law. 16: 23-25. Below the illustration a title in Hebrew, English, German, Latin, French and Dutch., print maker: J. van Buysen, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), Amsterdam, (possibly), c. 1711 - c. 1720, paper, etching, engraving, h 352 mm × w 222 mm Stock Photo
RM2JE4J06–Samson destroys the pillars of the temple, J. van Buysen, after Gerard Hoet (I), c. 1711 - c. 1720, Samson destroys the pillars of the temple with his last strength, killing himself and the Philistines present. Illustration for the Old Testament, Law. 16: 23-25. Below the illustration a title in Hebrew, English, German, Latin, French and Dutch., print maker: J. van Buysen, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), Amsterdam, (possibly), c. 1711 - c. 1720, paper, etching, engraving, h 352 mm × w 222 mm
View of villa Groot Haesebroek from the garden, Simon Moulijn, 1926, In the foreground three trees., print maker: Simon Moulijn, (signed by artist), 1926, paper, h 297 mm × w 424 mm Stock Photo
RM2JE4FTY–View of villa Groot Haesebroek from the garden, Simon Moulijn, 1926, In the foreground three trees., print maker: Simon Moulijn, (signed by artist), 1926, paper, h 297 mm × w 424 mm
Horse, Anthonie de Winter (possibly), after Wolfgang Hieronimus von Bömmel, 1698, Sheet 6 from series of 6 (possibly 8) sheets of designs for goldsmiths with figures of foliate vines., print maker: Anthonie de Winter, (possibly), Wolfgang Hieronimus von Bömmel, publisher: Anthonie de Winter, (mentioned on object), print maker: Netherlands, Germany, (possibly), publisher: Amsterdam, 1698, paper, engraving, h 148 mm × w 211 mm Stock Photo
RM2JE41X2–Horse, Anthonie de Winter (possibly), after Wolfgang Hieronimus von Bömmel, 1698, Sheet 6 from series of 6 (possibly 8) sheets of designs for goldsmiths with figures of foliate vines., print maker: Anthonie de Winter, (possibly), Wolfgang Hieronimus von Bömmel, publisher: Anthonie de Winter, (mentioned on object), print maker: Netherlands, Germany, (possibly), publisher: Amsterdam, 1698, paper, engraving, h 148 mm × w 211 mm
Rest on the Flight into Egypt, Hans Horions, 1634 - 1672, The Holy Family, seated, surrounded by putti. In the background a palm tree., print maker: Hans Horions, print maker: Jan de Bray, (rejected attribution), Utrecht, 1634 - 1672, paper, etching, h 165 mm × w 230 mm Stock Photo
RM2JE4HAC–Rest on the Flight into Egypt, Hans Horions, 1634 - 1672, The Holy Family, seated, surrounded by putti. In the background a palm tree., print maker: Hans Horions, print maker: Jan de Bray, (rejected attribution), Utrecht, 1634 - 1672, paper, etching, h 165 mm × w 230 mm
Portrait of Pierre Jeannin, Reinier Vinkeles (I), after Jacobus Buys, 1783 - 1795, Portrait of French statesman Pierre Jeannin, advisor to King Henry IV of France., print maker: Reinier Vinkeles (I), (mentioned on object), print maker: Cornelis Bogerts, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1783 - 1795, paper, etching, engraving, h 163 mm × w 115 mm Stock Photo
RM2JE3X6D–Portrait of Pierre Jeannin, Reinier Vinkeles (I), after Jacobus Buys, 1783 - 1795, Portrait of French statesman Pierre Jeannin, advisor to King Henry IV of France., print maker: Reinier Vinkeles (I), (mentioned on object), print maker: Cornelis Bogerts, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1783 - 1795, paper, etching, engraving, h 163 mm × w 115 mm
Man reads morning paper La lecture du journal, Kleine genoegens en ongenoegens (series title) Silhouettes (series title on object), print maker: Honoré Daumier, (mentioned on object), printer: Aubert & Cie., (mentioned on object), publisher: Bauger, (mentioned on object), Paris, 1840, paper, letterpress printing, h 363 mm × w 245 mm Stock Photo
RM2JE5633–Man reads morning paper La lecture du journal, Kleine genoegens en ongenoegens (series title) Silhouettes (series title on object), print maker: Honoré Daumier, (mentioned on object), printer: Aubert & Cie., (mentioned on object), publisher: Bauger, (mentioned on object), Paris, 1840, paper, letterpress printing, h 363 mm × w 245 mm
De Rede urges the churches to be tolerant. The Pope, Luther and Calvin are seated at a table. Two cats sit on the shoulders of the pope who eats porridge, Luther plays the lute and Calvin squeezes orange juice on his veal. On the right, a baptist kneels by the fireplace. Above the fireplace a sculpture group of Charitas. In the foreground is a personification of the Reason (Ratio) in the figure of a kitchen maid, on the left at the door another kitchen maid who probably personifies Tolerance with a deer (a reference to Coornhert?). Allegory of the Reformation, ca. 1560. In the performance Stock Photo
RM2JE5ACX–De Rede urges the churches to be tolerant. The Pope, Luther and Calvin are seated at a table. Two cats sit on the shoulders of the pope who eats porridge, Luther plays the lute and Calvin squeezes orange juice on his veal. On the right, a baptist kneels by the fireplace. Above the fireplace a sculpture group of Charitas. In the foreground is a personification of the Reason (Ratio) in the figure of a kitchen maid, on the left at the door another kitchen maid who probably personifies Tolerance with a deer (a reference to Coornhert?). Allegory of the Reformation, ca. 1560. In the performance
View of the Custom House and Essex Bridge over the River Liffey at Dublin, Robert Sayer (possibly), after Joseph Tudor, 1753, publisher: Robert Sayer, (possibly), print maker: Fabr. Parr, (mentioned on object), intermediary draughtsman: Joseph Tudor, (mentioned on object), publisher: London, print maker: England, 1753, paper, etching, brush, h 240 mm × w 397 mm Stock Photo
RM2JE4H3D–View of the Custom House and Essex Bridge over the River Liffey at Dublin, Robert Sayer (possibly), after Joseph Tudor, 1753, publisher: Robert Sayer, (possibly), print maker: Fabr. Parr, (mentioned on object), intermediary draughtsman: Joseph Tudor, (mentioned on object), publisher: London, print maker: England, 1753, paper, etching, brush, h 240 mm × w 397 mm
Portrait of Maria Henrietta Stuart, Cornelis Visscher (II), after Gerard van Honthorst, 1649, Portrait of Maria Henrietta in an oval. In the lower margin her name., print maker: Cornelis Visscher (II), (mentioned on object), after: Gerard van Honthorst, (mentioned on object), Pieter Claesz. Soutman, (mentioned on object), Haarlem, 1649, paper, engraving, etching, h 416 mm × w 304 mm Stock Photo
RM2JE4A8Y–Portrait of Maria Henrietta Stuart, Cornelis Visscher (II), after Gerard van Honthorst, 1649, Portrait of Maria Henrietta in an oval. In the lower margin her name., print maker: Cornelis Visscher (II), (mentioned on object), after: Gerard van Honthorst, (mentioned on object), Pieter Claesz. Soutman, (mentioned on object), Haarlem, 1649, paper, engraving, etching, h 416 mm × w 304 mm
Painter in his studio, A painter in his studio, as Zeuxis smiles in front of a painting of an old woman. In the background, an apprentice rubs pigment. Below, an eight-line verse in Latin., print maker: Michael Hartwagner, (mentioned on object), after own design by: Michael Hartwagner, (mentioned on object), Jozef II (Duits keizer), (mentioned on object), Germany, 1769, paper, etching, height 227 mm × width 153 mm Stock Photo
RM2JE3N7N–Painter in his studio, A painter in his studio, as Zeuxis smiles in front of a painting of an old woman. In the background, an apprentice rubs pigment. Below, an eight-line verse in Latin., print maker: Michael Hartwagner, (mentioned on object), after own design by: Michael Hartwagner, (mentioned on object), Jozef II (Duits keizer), (mentioned on object), Germany, 1769, paper, etching, height 227 mm × width 153 mm
Shepherdess sitting on donkey amidst flock, Frédéric Théodore Faber, 1837, print maker: Frédéric Théodore Faber, (mentioned on object), Brussels, 1837 Stock Photo
RM2JE3WGY–Shepherdess sitting on donkey amidst flock, Frédéric Théodore Faber, 1837, print maker: Frédéric Théodore Faber, (mentioned on object), Brussels, 1837
Sheet with 12 scenes from the story of the Old Testament King David. In the middle above the seal of the Society for the benefit of the General. Beneath each picture a four-line verse. Numbered top right: La. EE., O children! in deez' Biblical print, / Are you depicted the long and active life, / Of King David, / In Samuel's story described, print maker: Jacob Plügger, (mentioned on object), publisher: Hendrik van Munster & Zoon, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1811 - 1829, paper, letterpress printing, h 405 mm × w 330 mm Stock Photo
RM2JE4W4K–Sheet with 12 scenes from the story of the Old Testament King David. In the middle above the seal of the Society for the benefit of the General. Beneath each picture a four-line verse. Numbered top right: La. EE., O children! in deez' Biblical print, / Are you depicted the long and active life, / Of King David, / In Samuel's story described, print maker: Jacob Plügger, (mentioned on object), publisher: Hendrik van Munster & Zoon, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1811 - 1829, paper, letterpress printing, h 405 mm × w 330 mm
Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Ground plan for a fortress, fortress or fortification (heptagon). Underneath, two fighting soldiers. In the upper right corner the number 4 (= the number of the page in the book against which the illustration is placed)., print maker: Romeyn de Hooghe, Romeyn de Hooghe, Amsterdam, 1672, paper, etching, h 185 mm × w 111 mm Stock Photo
RM2JE44PC–Illustration for 'Den Arbeid van Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672, Ground plan for a fortress, fortress or fortification (heptagon). Underneath, two fighting soldiers. In the upper right corner the number 4 (= the number of the page in the book against which the illustration is placed)., print maker: Romeyn de Hooghe, Romeyn de Hooghe, Amsterdam, 1672, paper, etching, h 185 mm × w 111 mm
View into the church of the Evangelical congregation in Zeist. On the left the church with the men on one side and the women on the other side of the aisle. On the right the preacher sitting behind a table. To his right women on a bench, to his left men on a bench. On the balcony four women in rich attire, church service of the Brotherhood in Zeist Image of the preacher at the Brotherhood in Seist., print maker: Abraham Jacobsz. Hulk, (mentioned on object), intermediary draughtsman: Abraham Pietersz. Hulk, Amsterdam, 1782, paper, engraving, etching, h 185 mm × w 244 mm Stock Photo
RM2JE4NYX–View into the church of the Evangelical congregation in Zeist. On the left the church with the men on one side and the women on the other side of the aisle. On the right the preacher sitting behind a table. To his right women on a bench, to his left men on a bench. On the balcony four women in rich attire, church service of the Brotherhood in Zeist Image of the preacher at the Brotherhood in Seist., print maker: Abraham Jacobsz. Hulk, (mentioned on object), intermediary draughtsman: Abraham Pietersz. Hulk, Amsterdam, 1782, paper, engraving, etching, h 185 mm × w 244 mm
Head of bovine animals Cows and sheep (series title), print maker: Marcus de Bye, (mentioned on object), Paulus Potter, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), print maker: The Hague, publisher: Amsterdam, 1657 - c. 1677 and/or 1761 - c. 1850, paper, etching, h 116 mm × w 149 mm Stock Photo
RM2JE5523–Head of bovine animals Cows and sheep (series title), print maker: Marcus de Bye, (mentioned on object), Paulus Potter, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), print maker: The Hague, publisher: Amsterdam, 1657 - c. 1677 and/or 1761 - c. 1850, paper, etching, h 116 mm × w 149 mm
Man tries to open new umbrella in the rain Parisian emotions (series title) Émotions Parisiennes (series title on object), print maker: Honoré Daumier, (mentioned on object), printer: Aubert & Cie., (mentioned on object), publisher: Bauger, (mentioned on object), Paris, 1840, paper, letterpress printing, h 363 mm × w 245 mm Stock Photo
RM2JE560D–Man tries to open new umbrella in the rain Parisian emotions (series title) Émotions Parisiennes (series title on object), print maker: Honoré Daumier, (mentioned on object), printer: Aubert & Cie., (mentioned on object), publisher: Bauger, (mentioned on object), Paris, 1840, paper, letterpress printing, h 363 mm × w 245 mm
Man and woman near farmhouse, print maker: Hermanus Jan Hendrik van Rijkelijkhuysen, Utrecht, 1823 - 1883, paper, etching, h 125 mm × w 166 mm Stock Photo
RM2JE3T93–Man and woman near farmhouse, print maker: Hermanus Jan Hendrik van Rijkelijkhuysen, Utrecht, 1823 - 1883, paper, etching, h 125 mm × w 166 mm
View of the River Thames at Millbank, London. Three men standing by a ship on the bank. Bottom right a four-line inscription in English, Millbank Sixteen etchings of scenes on the Thames and other subjects (series title)., print maker: James Abbott McNeill Whistler, (mentioned on object), James Abbott McNeill Whistler, Charles Lock Eastlake, (mentioned on object), 1861, paper, etching, drypoint, h 100 mm × w 126 mm Stock Photo
RM2JE5982–View of the River Thames at Millbank, London. Three men standing by a ship on the bank. Bottom right a four-line inscription in English, Millbank Sixteen etchings of scenes on the Thames and other subjects (series title)., print maker: James Abbott McNeill Whistler, (mentioned on object), James Abbott McNeill Whistler, Charles Lock Eastlake, (mentioned on object), 1861, paper, etching, drypoint, h 100 mm × w 126 mm
Beneath the portrait the signature of the person being portrayed, silhouette portrait of W Immink, print maker: Pieter Barbiers (IV), (possibly), print maker: Friedrich Heinrich Wilhelm Schröder, (rejected attribution), Netherlands, 1809 - 1848, paper, h 139 mm - w 103 mm, h 186 mm - w 139 mm Stock Photo
RM2JE3TG3–Beneath the portrait the signature of the person being portrayed, silhouette portrait of W Immink, print maker: Pieter Barbiers (IV), (possibly), print maker: Friedrich Heinrich Wilhelm Schröder, (rejected attribution), Netherlands, 1809 - 1848, paper, h 139 mm - w 103 mm, h 186 mm - w 139 mm
Beggars, Pieter Dupont, 1908, Two walking men with hat and walking stick. A church tower in the background on the right., print maker: Pieter Dupont, (mentioned on object), Amsterdam, 1908, paper, engraving, h 138 mm - w 100 mm Stock Photo
RM2JE454N–Beggars, Pieter Dupont, 1908, Two walking men with hat and walking stick. A church tower in the background on the right., print maker: Pieter Dupont, (mentioned on object), Amsterdam, 1908, paper, engraving, h 138 mm - w 100 mm
Two shepherds and a shepherdess with a dog are in a cave near classical ruins, Classical ruins in a cave, print maker: Pieter Anthony Wakkerdak, (mentioned on object), after: Jan Asselijn, (mentioned on object), publisher: Pieter Anthony Wakkerdak, (mentioned on object), Rotterdam, 1740 - 1774, paper, h 298 mm × w 222 mm Stock Photo
RM2JE4T7D–Two shepherds and a shepherdess with a dog are in a cave near classical ruins, Classical ruins in a cave, print maker: Pieter Anthony Wakkerdak, (mentioned on object), after: Jan Asselijn, (mentioned on object), publisher: Pieter Anthony Wakkerdak, (mentioned on object), Rotterdam, 1740 - 1774, paper, h 298 mm × w 222 mm
Portrait of Friedrich VI von Baden-Durlach, Cornelis Meyssens, after Adriaen van Bloemen, 1670, Portrait of Marquis Friedrich VI von Baden-Durlach. Below in the margin his title in Italian. Numbered top left: 282., print maker: Cornelis Meyssens, (mentioned on object), intermediary draughtsman: Adriaen van Bloemen, (mentioned on object), publisher: Giovanni Battista Hacque, Vienna, 1670, paper, engraving, h 248 mm × w 157 mm Stock Photo
RM2JE411X–Portrait of Friedrich VI von Baden-Durlach, Cornelis Meyssens, after Adriaen van Bloemen, 1670, Portrait of Marquis Friedrich VI von Baden-Durlach. Below in the margin his title in Italian. Numbered top left: 282., print maker: Cornelis Meyssens, (mentioned on object), intermediary draughtsman: Adriaen van Bloemen, (mentioned on object), publisher: Giovanni Battista Hacque, Vienna, 1670, paper, engraving, h 248 mm × w 157 mm
Sheet with three representations of grotesque masks, Three grotesque masks Masks (series title), print maker: Adamo Scultori, Giulio Romano, Italy, 1540 - 1585, paper, etching, h 110 mm × w 88 mm × h 110 mm × w 90 mm × h 111 mm × w 91 mm Stock Photo
RM2JE58TT–Sheet with three representations of grotesque masks, Three grotesque masks Masks (series title), print maker: Adamo Scultori, Giulio Romano, Italy, 1540 - 1585, paper, etching, h 110 mm × w 88 mm × h 110 mm × w 90 mm × h 111 mm × w 91 mm
District bill of the Amsterdam militia, 1795, Theodoor Koning, after Jan Bulthuis, 1795, Unfilled district bill or guard bill of the Amsterdam militia or other membership certificate, 1795. Stone pedestal surmounted by a small representation of the Amsterdam Freedom Festival. On the left Liberty with a shield bearing 'Rechten van den Mensch', on the right Equality. In the foreground are all kinds of weapons., print maker: Theodoor Koning, (mentioned on object), Jan Bulthuis, (mentioned on object), publisher: Johannes Wessing Willemsz., (mentioned on object), print maker: Netherlands, publisher Stock Photo
RM2JE42EC–District bill of the Amsterdam militia, 1795, Theodoor Koning, after Jan Bulthuis, 1795, Unfilled district bill or guard bill of the Amsterdam militia or other membership certificate, 1795. Stone pedestal surmounted by a small representation of the Amsterdam Freedom Festival. On the left Liberty with a shield bearing 'Rechten van den Mensch', on the right Equality. In the foreground are all kinds of weapons., print maker: Theodoor Koning, (mentioned on object), Jan Bulthuis, (mentioned on object), publisher: Johannes Wessing Willemsz., (mentioned on object), print maker: Netherlands, publisher
François de Maucroix flanked by the Church and Hymen, Bernard Picart, 1718, The poet François de Maucroix on a pedestal is flanked by the personification of the Church, dressed as the Pope, and the marriage god Hymen, who offers him the yoke of marriage. The representation is framed in an ornamental frame., print maker: Bernard Picart, (mentioned on object), Amsterdam, 1718, paper, etching, engraving, h 100 mm × w 127 mm Stock Photo
RM2JE4CK0–François de Maucroix flanked by the Church and Hymen, Bernard Picart, 1718, The poet François de Maucroix on a pedestal is flanked by the personification of the Church, dressed as the Pope, and the marriage god Hymen, who offers him the yoke of marriage. The representation is framed in an ornamental frame., print maker: Bernard Picart, (mentioned on object), Amsterdam, 1718, paper, etching, engraving, h 100 mm × w 127 mm
View of Wiesbaden, Vue de Wiesbaden (title on object), print maker: Monogrammist DS (graveur), (mentioned on object), 1800 - 1899, paper, height 528 mm × width 648 mm Stock Photo
RM2JE3NAM–View of Wiesbaden, Vue de Wiesbaden (title on object), print maker: Monogrammist DS (graveur), (mentioned on object), 1800 - 1899, paper, height 528 mm × width 648 mm
Return to Jerusalem, Adriaen Lommelin, after Peter Paul Rubens, 1630 - 1677, Joseph and Mary return to Jerusalem. The city can be seen in the distance on the left. In the margin a Bible verse in Latin., print maker: Adriaen Lommelin, Peter Paul Rubens, (free after), publisher: Gilles Hendricx, (mentioned on object), Antwerp, 1630 - 1677, paper, engraving, h 449 mm × w 340 mm Stock Photo
RM2JE4KKG–Return to Jerusalem, Adriaen Lommelin, after Peter Paul Rubens, 1630 - 1677, Joseph and Mary return to Jerusalem. The city can be seen in the distance on the left. In the margin a Bible verse in Latin., print maker: Adriaen Lommelin, Peter Paul Rubens, (free after), publisher: Gilles Hendricx, (mentioned on object), Antwerp, 1630 - 1677, paper, engraving, h 449 mm × w 340 mm
In a hilly landscape, a shepherd and a shepherdess are resting between their cattle. The shepherdess is spinning wool and the shepherd seems to be snapping an owl. In the background two men with cattle are working the land, hilly landscape with shepherds and farmers Pastoral landscapes after Berchem I (series title)., print maker: Jan de Visscher, (mentioned on object), Nicolaes Pietersz. Berchem, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), print maker: Northern Netherlands, publisher: Amsterdam, 1643 - 1709, paper, etching, engraving, h 156 mm × w 232 mm Stock Photo
RM2JE52XX–In a hilly landscape, a shepherd and a shepherdess are resting between their cattle. The shepherdess is spinning wool and the shepherd seems to be snapping an owl. In the background two men with cattle are working the land, hilly landscape with shepherds and farmers Pastoral landscapes after Berchem I (series title)., print maker: Jan de Visscher, (mentioned on object), Nicolaes Pietersz. Berchem, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), print maker: Northern Netherlands, publisher: Amsterdam, 1643 - 1709, paper, etching, engraving, h 156 mm × w 232 mm
Top left and top right a coat of arms, Portrait of Cardinal Giacomo Corradi Portraits of cardinals with two coats of arms Effigies, print maker: Giuseppe Maria Testana, (mentioned on object), Giuseppe Maria Testana, (mentioned on object), publisher: Giovanni Giacomo de'Rossi, (mentioned on object), print maker: Italy, Italy, publisher: Rome, Vaticaanstad, 1658 - 1679, paper, engraving, h 193 mm - w 143 mm Stock Photo
RM2JE3RTG–Top left and top right a coat of arms, Portrait of Cardinal Giacomo Corradi Portraits of cardinals with two coats of arms Effigies, print maker: Giuseppe Maria Testana, (mentioned on object), Giuseppe Maria Testana, (mentioned on object), publisher: Giovanni Giacomo de'Rossi, (mentioned on object), print maker: Italy, Italy, publisher: Rome, Vaticaanstad, 1658 - 1679, paper, engraving, h 193 mm - w 143 mm
Portrait of artist Michiel van Musscher Portraits of artists (series title), print maker: Giovanni Battista Jacoboni, (mentioned on object), intermediary draughtsman: Giovanni Domenico Campiglia, (mentioned on object), Italy, 1752 - 1762, paper, engraving, h 268 mm × w 176 mm Stock Photo
RM2JE4YEE–Portrait of artist Michiel van Musscher Portraits of artists (series title), print maker: Giovanni Battista Jacoboni, (mentioned on object), intermediary draughtsman: Giovanni Domenico Campiglia, (mentioned on object), Italy, 1752 - 1762, paper, engraving, h 268 mm × w 176 mm
Man with turban sitting in tailor's seat and 19 soldiers all wearing fez, Henricus Wilhelmus Couwenberg, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, Amsterdam, 1830 - 1845, paper, steel engraving, h 128 mm × w 160 mm Stock Photo
RM2JE433X–Man with turban sitting in tailor's seat and 19 soldiers all wearing fez, Henricus Wilhelmus Couwenberg, 1830 - 1845, print maker: Henricus Wilhelmus Couwenberg, Amsterdam, 1830 - 1845, paper, steel engraving, h 128 mm × w 160 mm
Self-portrait, Self-portrait Stock Photo
RM2JE3P76–Self-portrait, Self-portrait
Portrait of Guy-Victor Duperré, A. Houchard, after Henri Decaisne, 1844, print maker: A. Houchard, (mentioned on object), Henri Decaisne, (mentioned on object), printer: Pernel, (mentioned on object), print maker: France, printer: Paris, publisher: Paris, 1844, paper, etching, h 319 mm - w 243 mm Stock Photo
RM2JE3XGC–Portrait of Guy-Victor Duperré, A. Houchard, after Henri Decaisne, 1844, print maker: A. Houchard, (mentioned on object), Henri Decaisne, (mentioned on object), printer: Pernel, (mentioned on object), print maker: France, printer: Paris, publisher: Paris, 1844, paper, etching, h 319 mm - w 243 mm
Portrait of Hugo Everhard Cratz count of Scharfenstein Hugo Everhardus Cratz (...) legatus Primarius etc., print maker: Pieter de Bailliu (I), anonymous, publisher: Rombout van den Hoeje, (mentioned on object), 1623 - 1660, paper, engraving, h 217 mm × w 139 mm Stock Photo
RM2JE52A1–Portrait of Hugo Everhard Cratz count of Scharfenstein Hugo Everhardus Cratz (...) legatus Primarius etc., print maker: Pieter de Bailliu (I), anonymous, publisher: Rombout van den Hoeje, (mentioned on object), 1623 - 1660, paper, engraving, h 217 mm × w 139 mm
Portrait of Johann Christoph Wilhelm von Steck, Wilhelm Arndt, after Joseph Friedrich August Darbes, 1760 - 1813, print maker: Wilhelm Arndt, (mentioned on object), after: Joseph Friedrich August Darbes, (mentioned on object), Germany, 1760 - 1813, paper, h 175 mm - w 114 mm Stock Photo
RM2JE490F–Portrait of Johann Christoph Wilhelm von Steck, Wilhelm Arndt, after Joseph Friedrich August Darbes, 1760 - 1813, print maker: Wilhelm Arndt, (mentioned on object), after: Joseph Friedrich August Darbes, (mentioned on object), Germany, 1760 - 1813, paper, h 175 mm - w 114 mm
Houses in Nes, Otto Hanrath, 1925, In the foreground a meadow with two calves and a rooster. Next to the meadow a farm with barn. In the background dunes., print maker: Otto Hanrath, (signed by artist), 1925, paper, h 352 mm × w 407 mm Stock Photo
RM2JE4E4Y–Houses in Nes, Otto Hanrath, 1925, In the foreground a meadow with two calves and a rooster. Next to the meadow a farm with barn. In the background dunes., print maker: Otto Hanrath, (signed by artist), 1925, paper, h 352 mm × w 407 mm
Portrait of François Leclerc du Tremblay, Jan de Leeuw, 1704, Portrait bust in oval to the left of the French monk François Leclerc du Tremblay, clad in a pipe. Below the portrait, a plaque lists the name of the person portrayed. Print numbered top right: Tome. 6. Pag. 425., print maker: Jan de Leeuw, (mentioned on object), 1704, paper, engraving, h 157 mm × w 97 mm Stock Photo
RM2JE3X22–Portrait of François Leclerc du Tremblay, Jan de Leeuw, 1704, Portrait bust in oval to the left of the French monk François Leclerc du Tremblay, clad in a pipe. Below the portrait, a plaque lists the name of the person portrayed. Print numbered top right: Tome. 6. Pag. 425., print maker: Jan de Leeuw, (mentioned on object), 1704, paper, engraving, h 157 mm × w 97 mm
Recumbent sheep, Ernst Willem Jan Bagelaar, after Karel du Jardin, after Nicolaes Pietersz Berchem, 1798 - 1837, print maker: Ernst Willem Jan Bagelaar, Karel du Jardin, (attributed to), Nicolaes Pietersz. Berchem, (rejected attribution), Netherlands, 1798 - 1837, paper, etching, h 66 mm - w 76 mm Stock Photo
RM2JE4KWB–Recumbent sheep, Ernst Willem Jan Bagelaar, after Karel du Jardin, after Nicolaes Pietersz Berchem, 1798 - 1837, print maker: Ernst Willem Jan Bagelaar, Karel du Jardin, (attributed to), Nicolaes Pietersz. Berchem, (rejected attribution), Netherlands, 1798 - 1837, paper, etching, h 66 mm - w 76 mm
Historical map of the Netherlands with the areas of the Batavians and Frisians, Descriptio Frisiae sub Francorum reditum (...) (title on object), Map of the Netherlands and Germany in Roman times with the area where the Frisians lived. Top left cartouche with title, a river god and a triton. Scale bar below cartouche: Bes gradus. Degrees along left and right edges., print maker: Gerrit de Broen (I), (mentioned on object), Menso Alting, (mentioned on object), Amsterdam, 1697 - 1700 and/or 1725, paper, engraving, etching, height 317 mm × width 417 mm Stock Photo
RM2JE3R3J–Historical map of the Netherlands with the areas of the Batavians and Frisians, Descriptio Frisiae sub Francorum reditum (...) (title on object), Map of the Netherlands and Germany in Roman times with the area where the Frisians lived. Top left cartouche with title, a river god and a triton. Scale bar below cartouche: Bes gradus. Degrees along left and right edges., print maker: Gerrit de Broen (I), (mentioned on object), Menso Alting, (mentioned on object), Amsterdam, 1697 - 1700 and/or 1725, paper, engraving, etching, height 317 mm × width 417 mm
Physical instruments and models, Nicolaas van Frankendaal, 1759, Representation of instruments and models for physical research, provided with numbers and letters. Print marked top center: Tom. II.5me Leçon. Pl. 3., print maker: Nicolaas van Frankendaal, publisher: Kornelis van Tongerlo, Amsterdam, 1759, paper, etching, h 163 mm × w 126 mm Stock Photo
RM2JE3WTC–Physical instruments and models, Nicolaas van Frankendaal, 1759, Representation of instruments and models for physical research, provided with numbers and letters. Print marked top center: Tom. II.5me Leçon. Pl. 3., print maker: Nicolaas van Frankendaal, publisher: Kornelis van Tongerlo, Amsterdam, 1759, paper, etching, h 163 mm × w 126 mm
Portrait of Johann Joachim von Roeber, Martin Bernigeroth, 1732 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1732 - 1733, paper, engraving, h 309 mm × w 200 mm Stock Photo
RM2JE462C–Portrait of Johann Joachim von Roeber, Martin Bernigeroth, 1732 - 1733, print maker: Martin Bernigeroth, (mentioned on object), Leipzig, 1732 - 1733, paper, engraving, h 309 mm × w 200 mm
View of the Herengracht, coming from te Leidsestraat, Jan van Call (I), Pieter Schenk (I), 1694 - 1697, View of the Herengracht in Amsterdam, seen from the Leidsestraat (part of the Golden Bend). In the center right is the beginning of Nieuwe Spiegelstraat. Below the image the title in Latin and Dutch. Numbered in the lower right corner: 63., print maker: Jan van Call (I), publisher: Pieter Schenk (I), (mentioned on object), Staten van Holland en West-Friesland, (mentioned on object), Amsterdam, 1694 - 1697, paper, etching, engraving, h 131 mm × w 164 mm Stock Photo
RM2JE4CCW–View of the Herengracht, coming from te Leidsestraat, Jan van Call (I), Pieter Schenk (I), 1694 - 1697, View of the Herengracht in Amsterdam, seen from the Leidsestraat (part of the Golden Bend). In the center right is the beginning of Nieuwe Spiegelstraat. Below the image the title in Latin and Dutch. Numbered in the lower right corner: 63., print maker: Jan van Call (I), publisher: Pieter Schenk (I), (mentioned on object), Staten van Holland en West-Friesland, (mentioned on object), Amsterdam, 1694 - 1697, paper, etching, engraving, h 131 mm × w 164 mm
View of the Rhine and the Hunneschans near the village of Uddel by moonlight, Henricus Wilhelmus Couwenberg, after Abraham Johannes Couwenberg, 1838, print maker: Henricus Wilhelmus Couwenberg, (mentioned on object), intermediary draughtsman: Abraham Johannes Couwenberg, (mentioned on object), 1838, paper, steel engraving, h 250 mm × w 300 mm Stock Photo
RM2JE4349–View of the Rhine and the Hunneschans near the village of Uddel by moonlight, Henricus Wilhelmus Couwenberg, after Abraham Johannes Couwenberg, 1838, print maker: Henricus Wilhelmus Couwenberg, (mentioned on object), intermediary draughtsman: Abraham Johannes Couwenberg, (mentioned on object), 1838, paper, steel engraving, h 250 mm × w 300 mm
At the body of the murdered Persian king Darius, an angel hands over a laurel wreath and a paper as a symbol of the Persian Empire to Macedonian soldiers, possibly including King Alexander the Great. In the background a ruined landscape. In the frame of the cartouche sitting putti with globes and a representation of the four empires as beasts, seen by Daniel, Cartouche with allegory on the downfall of Persia Title page in front: Kornelis Westerbaen, General histori, 1736, print maker: Jan Caspar Philips, (mentioned on object), Jan Caspar Philips, (mentioned on object), publisher: Hermanus Stock Photo
RM2JE58HD–At the body of the murdered Persian king Darius, an angel hands over a laurel wreath and a paper as a symbol of the Persian Empire to Macedonian soldiers, possibly including King Alexander the Great. In the background a ruined landscape. In the frame of the cartouche sitting putti with globes and a representation of the four empires as beasts, seen by Daniel, Cartouche with allegory on the downfall of Persia Title page in front: Kornelis Westerbaen, General histori, 1736, print maker: Jan Caspar Philips, (mentioned on object), Jan Caspar Philips, (mentioned on object), publisher: Hermanus
Standard-bearer with banner of Zurich, Zurich (title on object), Swiss standard-bearers (series title), print maker: Virgilius Solis, (mentioned on object), after print by: Urs Graf, Neurenberg, 1524 - 1562, paper, engraving, etching, height 97 mm × width 65 mm Stock Photo
RM2JE3MK0–Standard-bearer with banner of Zurich, Zurich (title on object), Swiss standard-bearers (series title), print maker: Virgilius Solis, (mentioned on object), after print by: Urs Graf, Neurenberg, 1524 - 1562, paper, engraving, etching, height 97 mm × width 65 mm
On the right case, a hunter kneels with a rifle, two dogs are hunting a hare, a deer and a wild boar, Octagonal dial between two octagonal watch cases Watch cases and dials with foliate scrolls, print maker: Michiel le Blon, (mentioned on object), Michiel le Blon, publisher: Michiel le Blon, Amsterdam, c. 1620 - c. 1626, paper, etching, h 80 mm × w 105 mm Stock Photo
RM2JE3W9X–On the right case, a hunter kneels with a rifle, two dogs are hunting a hare, a deer and a wild boar, Octagonal dial between two octagonal watch cases Watch cases and dials with foliate scrolls, print maker: Michiel le Blon, (mentioned on object), Michiel le Blon, publisher: Michiel le Blon, Amsterdam, c. 1620 - c. 1626, paper, etching, h 80 mm × w 105 mm
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