Save up to 30% when you upgrade to an image pack

Alamy logo
Filters

Stock Photos and Images

(44,325)
Marietta Robusti, Venetian portrait painter of the Renaissance period, 1560-1590. She was the daughter of Jacopo Robusti or Tintoretto and sometimes referred to as Tintoretta. Depicted with music score book and a spinet harpsichord. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXEC7–Marietta Robusti, Venetian portrait painter of the Renaissance period, 1560-1590. She was the daughter of Jacopo Robusti or Tintoretto and sometimes referred to as Tintoretta. Depicted with music score book and a spinet harpsichord. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Abraham Bloemaert, Dutch painter and printmaker in etching, engraving and chiaroscuro, 1566-1658. Painter of landscapes, allegory, mythology, animals and flowers. In ermine robe holding a letter. Abramo Bloemart, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXECK–Abraham Bloemaert, Dutch painter and printmaker in etching, engraving and chiaroscuro, 1566-1658. Painter of landscapes, allegory, mythology, animals and flowers. In ermine robe holding a letter. Abramo Bloemart, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Giovanni Battista Maganza the younger, Italian painter, 1577-1617. Son of Alessandro, painted history subjects and assisted his father in Vicenza, where he died of the plague in 1617. Maganza, Giovambatista Maganza il Giovane. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXF1W–Giovanni Battista Maganza the younger, Italian painter, 1577-1617. Son of Alessandro, painted history subjects and assisted his father in Vicenza, where he died of the plague in 1617. Maganza, Giovambatista Maganza il Giovane. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Pierre de Médicis, dilettante painter of the Duchy of Athens, 1567-1648. Pietro Medici de Duchi di Atene, Dilettante di Pittura. Copperplate drawn and engraved by Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXEG5–Pierre de Médicis, dilettante painter of the Duchy of Athens, 1567-1648. Pietro Medici de Duchi di Atene, Dilettante di Pittura. Copperplate drawn and engraved by Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Giacomo Cavedone, also called Giacomo Cavedoni, Italian Baroque painter of the Bolognese School, 1577-1660. Died of despair after his wife was accused of witchcraft and the death of his only son. Iacopo Cavedoni detto il Cavedone, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFBG–Giacomo Cavedone, also called Giacomo Cavedoni, Italian Baroque painter of the Bolognese School, 1577-1660. Died of despair after his wife was accused of witchcraft and the death of his only son. Iacopo Cavedoni detto il Cavedone, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Adam Elsheimer, German painter and engraver working in Rome, 1578-1610. influential in the early 17th century in the field of Baroque paintings. Depicted with paint brushes and palette. Adamo Elzheimer, detto Adamo di Francfort, o Tedesco, pittore e intagliore in rame. Copperplate engraving by Jacob Frey after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXEXJ–Adam Elsheimer, German painter and engraver working in Rome, 1578-1610. influential in the early 17th century in the field of Baroque paintings. Depicted with paint brushes and palette. Adamo Elzheimer, detto Adamo di Francfort, o Tedesco, pittore e intagliore in rame. Copperplate engraving by Jacob Frey after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Cesare Aretusi, Italian painter of the late-Renaissance period, 1549-1612. Native of Bologna, paintings in S. Benedetto, S. Francesco, and S. Giovanni. Cesare Aretusi, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXF9H–Cesare Aretusi, Italian painter of the late-Renaissance period, 1549-1612. Native of Bologna, paintings in S. Benedetto, S. Francesco, and S. Giovanni. Cesare Aretusi, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Giovanni Lanfranco, Italian painter and engraver of the Baroque period, 1581-1647. Also known as Cavaliere Giovanni di Stefano, painted religious subjects in Rome for Cardinal Sannese and Pope Paul V. Pittore e Intagliatore in rame. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFBJ–Giovanni Lanfranco, Italian painter and engraver of the Baroque period, 1581-1647. Also known as Cavaliere Giovanni di Stefano, painted religious subjects in Rome for Cardinal Sannese and Pope Paul V. Pittore e Intagliatore in rame. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Cavaliere Ventura Salimbene, or Ventura di Archangelo Salimbeni, Italian Counter-Maniera painter and printmaker, 1557-1613. Highly influenced by the vaghezza and reform of Federico Barocci. Called il Bevilacqua, after his patron Cardinal Bonifazio Bevilacqua. Depicted armed with flintlock pistol and sword. Pittore e intagliatore in rame. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Flor Stock Photo
RM2PHXDE2–Cavaliere Ventura Salimbene, or Ventura di Archangelo Salimbeni, Italian Counter-Maniera painter and printmaker, 1557-1613. Highly influenced by the vaghezza and reform of Federico Barocci. Called il Bevilacqua, after his patron Cardinal Bonifazio Bevilacqua. Depicted armed with flintlock pistol and sword. Pittore e intagliatore in rame. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Flor
Francesco Currado, Italian painter of the Counter-Maniera style, 1570-1661. Painter of historical subjects in Florence. In robes of a knight of the Order of Christ. Francesco Curradi, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXEKW–Francesco Currado, Italian painter of the Counter-Maniera style, 1570-1661. Painter of historical subjects in Florence. In robes of a knight of the Order of Christ. Francesco Curradi, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Giovanni Alberti, Italian painter, poet and art critic, 1558–1601. Known for his perspective painting (quadratura) in landscapes. Brother of Cherubino Alberti. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXDPY–Giovanni Alberti, Italian painter, poet and art critic, 1558–1601. Known for his perspective painting (quadratura) in landscapes. Brother of Cherubino Alberti. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Lodovico Cardi, also known as il Cigoli, Italian painter, scholar and architect of the late Mannerist and early Baroque period, 1559-1613. In fur hat holding paint brushes and pair of compasses. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXDXK–Lodovico Cardi, also known as il Cigoli, Italian painter, scholar and architect of the late Mannerist and early Baroque period, 1559-1613. In fur hat holding paint brushes and pair of compasses. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Sofonisba Angosciola, or Anguissola, Italian Renaissance painter born in Cremona, 1535-1625. Eminent portrait and history painter, one of six sisters. Sophonisba Anguisciola, pittrice. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXE2E–Sofonisba Angosciola, or Anguissola, Italian Renaissance painter born in Cremona, 1535-1625. Eminent portrait and history painter, one of six sisters. Sophonisba Anguisciola, pittrice. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Annibale Carracci, Italian painter, engraver and instructor, active in Bologna and later in Rome, 1560-1609. Annibale Caracci, pittore, intagliatore in rame. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXE8D–Annibale Carracci, Italian painter, engraver and instructor, active in Bologna and later in Rome, 1560-1609. Annibale Caracci, pittore, intagliatore in rame. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Pietro Francesco Mazzucchelli, Italian painter and draughtsman who was active in Rome, Venice and Milan, 1571–1626. Pier Francesco Mazzucchelli, detto il Morazzone, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXEPE–Pietro Francesco Mazzucchelli, Italian painter and draughtsman who was active in Rome, Venice and Milan, 1571–1626. Pier Francesco Mazzucchelli, detto il Morazzone, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Agnolo di Cosimo, also known as il Bronzino or Agnolo Bronzino, Italian Mannerist painter from Florence, 1503-1572. Painted portraits and religious subjects. (Mislabeled Cristofano Allori detto il Bronzino.) Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXEXN–Agnolo di Cosimo, also known as il Bronzino or Agnolo Bronzino, Italian Mannerist painter from Florence, 1503-1572. Painted portraits and religious subjects. (Mislabeled Cristofano Allori detto il Bronzino.) Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Alessandro Tiarini, Italian Baroque painter of the Bolognese School, 1577-1668. Self portrait with paintbrush and oils palette. Alessandro Tiarini. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXF5C–Alessandro Tiarini, Italian Baroque painter of the Bolognese School, 1577-1668. Self portrait with paintbrush and oils palette. Alessandro Tiarini. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Agostino Carracci, Italian painter, printmaker, tapestry designer, and art teacher, 1557-1602. Nephew of Lodovico Carracci. Agostino Caracci, Pittore, Intagliatore in rame. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXDRR–Agostino Carracci, Italian painter, printmaker, tapestry designer, and art teacher, 1557-1602. Nephew of Lodovico Carracci. Agostino Caracci, Pittore, Intagliatore in rame. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Cavaliere Carlo Ridolfi, Italian art biographer and painter of the Baroque period, 1602–1658. Author of Le Maraviglie dell'arte, 1648. Copperplate engraving by Silvestre Pomarede after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXE91–Cavaliere Carlo Ridolfi, Italian art biographer and painter of the Baroque period, 1602–1658. Author of Le Maraviglie dell'arte, 1648. Copperplate engraving by Silvestre Pomarede after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Frans Pourbus the Younger, Flemish portrait painter, son of Frans Pourbus the Elder, 1569–1622. Painter to Marie de' Medici and the Duke of Mantua. In ruff collar holding paint brushes and oil palette. Francesco Pourbus, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXEGF–Frans Pourbus the Younger, Flemish portrait painter, son of Frans Pourbus the Elder, 1569–1622. Painter to Marie de' Medici and the Duke of Mantua. In ruff collar holding paint brushes and oil palette. Francesco Pourbus, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Baldassare Aloisi, or Baldassare Galanino, Italian history and portrait painter and engraver, 1578-1638. Painted religious and history subjects and engraved Raphael's works in the Loggia. Also known as Il Galanino. Baldassarre Aloisi, detto Galanino, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXF93–Baldassare Aloisi, or Baldassare Galanino, Italian history and portrait painter and engraver, 1578-1638. Painted religious and history subjects and engraved Raphael's works in the Loggia. Also known as Il Galanino. Baldassarre Aloisi, detto Galanino, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Tiberio di Tito, Italian painter, 1573–1627. Son of Santi di Tito, painter of portraits for Cardinal Leopoldo de' Medici. With palette of oil paints. Tiberio Titi, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXERB–Tiberio di Tito, Italian painter, 1573–1627. Son of Santi di Tito, painter of portraits for Cardinal Leopoldo de' Medici. With palette of oil paints. Tiberio Titi, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Andrea Commodi, Italian painter of the early-Baroque period, 1560-1638. Florentine artist who worked in Rome, Cortona and Florence painting Madonnas. Andrea Comodi, Pittore. Copperplate engraving by Joseph Wagner after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXE60–Andrea Commodi, Italian painter of the early-Baroque period, 1560-1638. Florentine artist who worked in Rome, Cortona and Florence painting Madonnas. Andrea Comodi, Pittore. Copperplate engraving by Joseph Wagner after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Pietro Faccini, Italian painter, draughtsman and printmaker, 1562–1602. Paintings in Pinacoteca, S. Domenico and S. Paolo in Bologna. Pietro Facini, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXECB–Pietro Faccini, Italian painter, draughtsman and printmaker, 1562–1602. Paintings in Pinacoteca, S. Domenico and S. Paolo in Bologna. Pietro Facini, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Sir Peter Paul Rubens, Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands, 1577-1640. Pietro Paolo Rubens, Pittore. Copperplate engraving by Georg Martin Preissler after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXEXX–Sir Peter Paul Rubens, Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands, 1577-1640. Pietro Paolo Rubens, Pittore. Copperplate engraving by Georg Martin Preissler after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Domenico Crespi, Italian painter of the late-Renaissance and Counter-Maniera, 1559-1638. Known as il Passignano. Depicted holding paint brushes. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXDK2–Domenico Crespi, Italian painter of the late-Renaissance and Counter-Maniera, 1559-1638. Known as il Passignano. Depicted holding paint brushes. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Giovanni da San Giovanni, also known as Giovanni Mannozzi, Italian painter of the early Baroque period, active in Florence, 1592-1636. Depicted holding paint brushes. Copperplate engraving by Giovanni Antonio Faldoni after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFP7–Giovanni da San Giovanni, also known as Giovanni Mannozzi, Italian painter of the early Baroque period, active in Florence, 1592-1636. Depicted holding paint brushes. Copperplate engraving by Giovanni Antonio Faldoni after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Pietro da Cortona, Italian Baroque painter and architect, known as Pietro Berrettini, 1596-1669. Painted a chapel in the church of Santa Bibiena for Pope Urban VIII, and the ceiling in the Palazzo Barberini. Pittore e Architetto. Copperplate engraving by Pietro Campana after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXG1X–Pietro da Cortona, Italian Baroque painter and architect, known as Pietro Berrettini, 1596-1669. Painted a chapel in the church of Santa Bibiena for Pope Urban VIII, and the ceiling in the Palazzo Barberini. Pittore e Architetto. Copperplate engraving by Pietro Campana after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Jan Miel, Flemish painter and etcher who was active in Italy, 1599-1664. Giovanni Miel, detto Giovannino della Vite, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXGCK–Jan Miel, Flemish painter and etcher who was active in Italy, 1599-1664. Giovanni Miel, detto Giovannino della Vite, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Luca Giordano, Italian late-Baroque painter and printmaker, 1634-1705. Identified by Nicola Spinosa in 2006. (Mislabeled Giuseppe de Ribera or Jose de Ribera, painter and printmaker, known as lo Spagnoletto.) Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFR7–Luca Giordano, Italian late-Baroque painter and printmaker, 1634-1705. Identified by Nicola Spinosa in 2006. (Mislabeled Giuseppe de Ribera or Jose de Ribera, painter and printmaker, known as lo Spagnoletto.) Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Angelo Michele Colonna, Italian painter of the Baroque period, active in Bologna, northern and central Italy and Spain, 1604-1687. Also known as Michelangelo Colonna. Angel Michele Colonna, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXGF3–Angelo Michele Colonna, Italian painter of the Baroque period, active in Bologna, northern and central Italy and Spain, 1604-1687. Also known as Michelangelo Colonna. Angel Michele Colonna, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Giovanni Battista Stefaneschi, Italian painter and miniaturist of the Baroque period, 1582-1659. A pupil of Andrea Commodi, Ligozzi and Pietro da Cortona, hermit monk who specialized in miniatures. Also called the Eremita di Monte Senario. Giovambatista Stefaneschi, Miniatore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFEG–Giovanni Battista Stefaneschi, Italian painter and miniaturist of the Baroque period, 1582-1659. A pupil of Andrea Commodi, Ligozzi and Pietro da Cortona, hermit monk who specialized in miniatures. Also called the Eremita di Monte Senario. Giovambatista Stefaneschi, Miniatore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Giovanni Stefano Marucelli, Italian painter and architect of the Baroque period, 1586-1646. Active in Tuscany, including Florence and Pisa. With pair of compasses and palette of oils. Giovanni Stefano Marucelli, Pittore e Architetto. Copperplate engraving by Carlo Gregori after Giuseppe Menabuoni after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFK2–Giovanni Stefano Marucelli, Italian painter and architect of the Baroque period, 1586-1646. Active in Tuscany, including Florence and Pisa. With pair of compasses and palette of oils. Giovanni Stefano Marucelli, Pittore e Architetto. Copperplate engraving by Carlo Gregori after Giuseppe Menabuoni after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Rutilio di Lorenzo Manetti, Italian painter of late-Mannerism or proto-Baroque, 1571-1639. Worked mainly in Siena. Rutilio Manetti, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXG4W–Rutilio di Lorenzo Manetti, Italian painter of late-Mannerism or proto-Baroque, 1571-1639. Worked mainly in Siena. Rutilio Manetti, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Francesco Carracci, Italian painter and engraver, 1595-1622. Nephew of the more famous Agostino Carracci. Francesco Caracci detto Franceschino, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFX7–Francesco Carracci, Italian painter and engraver, 1595-1622. Nephew of the more famous Agostino Carracci. Francesco Caracci detto Franceschino, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Diego Rodríguez de Silva y Velázquez, Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age, 1599-1660. Diego Velasquez de Silva, Pittore. Copperplate engraving by Girolamo Rossi after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFWR–Diego Rodríguez de Silva y Velázquez, Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age, 1599-1660. Diego Velasquez de Silva, Pittore. Copperplate engraving by Girolamo Rossi after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Sir Anthony van Dyck, Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy, 1599-1641. Antonio Vandyck, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXG93–Sir Anthony van Dyck, Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy, 1599-1641. Antonio Vandyck, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Domenico Zampieri, Italian Baroque painter and architect of the Bolognese School, 1581-1641. Domenico Zampieri detto il Domenichino. Pittore, Architetto. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFCA–Domenico Zampieri, Italian Baroque painter and architect of the Bolognese School, 1581-1641. Domenico Zampieri detto il Domenichino. Pittore, Architetto. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Willem Drost, Dutch Golden Age painter and printmaker of history paintings and portraits, 1633-1659. Shown with pair of compasses and stone. (Mislabeled Gerardo Hundhorst, detto Gerardo delle Notti, Pittore.) Copperplate engraving by Cosimo Mogalli after Giovanni Domenico Campiglia after a portrait by Gerard van Honthorst from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFPT–Willem Drost, Dutch Golden Age painter and printmaker of history paintings and portraits, 1633-1659. Shown with pair of compasses and stone. (Mislabeled Gerardo Hundhorst, detto Gerardo delle Notti, Pittore.) Copperplate engraving by Cosimo Mogalli after Giovanni Domenico Campiglia after a portrait by Gerard van Honthorst from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Simon Vouet, French historical painter, 1590-1649. Studied and rose to prominence in Rome, Italy, before being hired by King Louis XIII as Premier peintre du Roi in France. Simone Vouet, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFHW–Simon Vouet, French historical painter, 1590-1649. Studied and rose to prominence in Rome, Italy, before being hired by King Louis XIII as Premier peintre du Roi in France. Simone Vouet, Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Bartholomeus van der Helst, Dutch painter, 1613-1670. One of the leading portrait painters of the Dutch Golden Age. Self portrait with paint brush and palette, holding a miniature portrait. Bartolommeo Vander Heist, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXGFB–Bartholomeus van der Helst, Dutch painter, 1613-1670. One of the leading portrait painters of the Dutch Golden Age. Self portrait with paint brush and palette, holding a miniature portrait. Bartolommeo Vander Heist, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Arcangela Paladini or Arcangiola Palladini, Italian painter and embroiderer, singer and poet, 1599-1622. Daughter of portrait painter Filippo Paladini. Pittrice. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXGCE–Arcangela Paladini or Arcangiola Palladini, Italian painter and embroiderer, singer and poet, 1599-1622. Daughter of portrait painter Filippo Paladini. Pittrice. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Ventura Passarotti, fourth son of artist Bartolomeo Passarotti, mediocre artist who specialized in pen drawings, 1586-1630. Self portrait with dog. Ventura Passerotti, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFKF–Ventura Passarotti, fourth son of artist Bartolomeo Passarotti, mediocre artist who specialized in pen drawings, 1586-1630. Self portrait with dog. Ventura Passerotti, Pittore. Copperplate engraving by Carlo Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Francesco Cairo, also known as Francesco del Cairo, Italian Baroque painter active in Lombardy and Piedmont, 1607-1665. Francesco Cairo, detto il Cavalier del Cairo, Pittore. Copperplate engraving by Ferdinando Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXG8H–Francesco Cairo, also known as Francesco del Cairo, Italian Baroque painter active in Lombardy and Piedmont, 1607-1665. Francesco Cairo, detto il Cavalier del Cairo, Pittore. Copperplate engraving by Ferdinando Gregori after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Ottavio Vannini, Italian artist of the Baroque period, 1585-1643. Studied under Giovanni Battista Mercati and Passignano, worked mainly in Florence. Depicted with palette and paint brush before a painting on an easel. Pittore. Copperplate engraving by Pietro Campana after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFJC–Ottavio Vannini, Italian artist of the Baroque period, 1585-1643. Studied under Giovanni Battista Mercati and Passignano, worked mainly in Florence. Depicted with palette and paint brush before a painting on an easel. Pittore. Copperplate engraving by Pietro Campana after Giovanni Domenico Ferretti after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Jacob Jordaens, Flemish painter, draughtsman and designer of tapestries and prints, 1593-1678. Died of the plague in Antwerp. Jacopo Jordans, Pittore. Copperplate drawn and engraved by Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photo
RM2PHXFX0–Jacob Jordaens, Flemish painter, draughtsman and designer of tapestries and prints, 1593-1678. Died of the plague in Antwerp. Jacopo Jordans, Pittore. Copperplate drawn and engraved by Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Wolverine, glutton or carcajou, Gulo gulo 182,183, and kinkajou, Potos flavus 184. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31MK–Wolverine, glutton or carcajou, Gulo gulo 182,183, and kinkajou, Potos flavus 184. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
American marten or pine weasel, Martes americana 68, and stoat or Eurasian ermine, Mustela erminea, in different seasonal pelage as weasel 69, roselet 70, and ermine 71. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH337J–American marten or pine weasel, Martes americana 68, and stoat or Eurasian ermine, Mustela erminea, in different seasonal pelage as weasel 69, roselet 70, and ermine 71. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Black jaguar, Panthera onca, and endangered Bengal tiger, Panthera tigris. Black cougar 102 and tiger 101. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH323W–Black jaguar, Panthera onca, and endangered Bengal tiger, Panthera tigris. Black cougar 102 and tiger 101. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Leopard, Panthera pardus 103, and snow leopard or ounce, Panthera uncia 104. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH3265–Leopard, Panthera pardus 103, and snow leopard or ounce, Panthera uncia 104. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Endangered Asian elephant, Elephas maximus 133, and Indian rhinoceros, Rhinoceros unicornis 134. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32D0–Endangered Asian elephant, Elephas maximus 133, and Indian rhinoceros, Rhinoceros unicornis 134. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
White-tailed deer, Odocoileus virginianus subsp. cariacou 159, Sri Lankan axis deer, Axis axis ceylonensis 158, and Sri Lankan spotted chevrotain or white-spotted chevrotain, Moschiola meminna 157. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32N1–White-tailed deer, Odocoileus virginianus subsp. cariacou 159, Sri Lankan axis deer, Axis axis ceylonensis 158, and Sri Lankan spotted chevrotain or white-spotted chevrotain, Moschiola meminna 157. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Dromedary camel, Camelus dromedarius, in front of a pyramid (top), and Bactrian camel, Camelus bactrianus (bottom). Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32D3–Dromedary camel, Camelus dromedarius, in front of a pyramid (top), and Bactrian camel, Camelus bactrianus (bottom). Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Critically endangered European hamster, Cricetus cricetus 170, bobak marmot, Marmota bobak 171, and Egyptian mongoose, Herpestes ichneumon 172, eating a snake. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32YD–Critically endangered European hamster, Cricetus cricetus 170, bobak marmot, Marmota bobak 171, and Egyptian mongoose, Herpestes ichneumon 172, eating a snake. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Polar bear, Ursus maritimus, on ice floe 93 and brown bear, Ursus arctos 92. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH33D1–Polar bear, Ursus maritimus, on ice floe 93 and brown bear, Ursus arctos 92. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
She goat 27 and he goat 26, domesticated goat, Capra hircus. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31YY–She goat 27 and he goat 26, domesticated goat, Capra hircus. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Guinea pig, Cavia porcellus 79, European hedgehog, Erinaceus europaeus 80 and common shrew, Sorex araneus 81. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH339P–Guinea pig, Cavia porcellus 79, European hedgehog, Erinaceus europaeus 80 and common shrew, Sorex araneus 81. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Cattle, bull in field 20 and cow in front of hay bales 21, Bos taurus. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31TF–Cattle, bull in field 20 and cow in front of hay bales 21, Bos taurus. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Racka or Hortobagy Racka rams with spiral horns, domesticated breed of Ovis aries, from Hungary. Wallachian rams. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31WC–Racka or Hortobagy Racka rams with spiral horns, domesticated breed of Ovis aries, from Hungary. Wallachian rams. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
European badger, Meles meles 64, and Eurasian otter, Lutra lutra 65. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH337F–European badger, Meles meles 64, and Eurasian otter, Lutra lutra 65. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Beaver, Castor canadensis 94, and raccoon, Procyon lotor 93. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH33D5–Beaver, Castor canadensis 94, and raccoon, Procyon lotor 93. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Endangered ring-tailed lemur, Lemur catta 173, common brown lemur, Eulemur fulvus 174, and critically endangered black-and-white ruffed lemur, Varecia variegata 175. Macauco, mongous and vari. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH3302–Endangered ring-tailed lemur, Lemur catta 173, common brown lemur, Eulemur fulvus 174, and critically endangered black-and-white ruffed lemur, Varecia variegata 175. Macauco, mongous and vari. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Maned or Barbary sheep, Ammotragus lervia 143, and chital or cheetal deer, Axis axis 144. Morvant sheep and Axis deer. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32F8–Maned or Barbary sheep, Ammotragus lervia 143, and chital or cheetal deer, Axis axis 144. Morvant sheep and Axis deer. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Jaguar of New Spain, Panthera onca 105, and cougar, Puma concolor 106. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH3268–Jaguar of New Spain, Panthera onca 105, and cougar, Puma concolor 106. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Southern flying squirrel or polatouch, Glaucomys volans 121, hairy long-eared bat or bearded bat, Nycteris hispida 120, Indian palm squirrel or palmist, Funambulus palmarum 123, alpine marmot or Swiss squirrel, Marmota marmota 122. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH3270–Southern flying squirrel or polatouch, Glaucomys volans 121, hairy long-eared bat or bearded bat, Nycteris hispida 120, Indian palm squirrel or palmist, Funambulus palmarum 123, alpine marmot or Swiss squirrel, Marmota marmota 122. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Wild boar, Sus scrofa 29, and boar, domesticated pig, Sus domesticus 28, outside a pig sty. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH322W–Wild boar, Sus scrofa 29, and boar, domesticated pig, Sus domesticus 28, outside a pig sty. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Serotine bat, Eptesicus serotinus 87, western barbastelle, Barbastella barbastellus 88, greater horseshoe bat, Rhinolophus ferrumequinum 89, European fat dormouse, Glis glis 90, and alpine marmot, Marmota marmota 91. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH33AP–Serotine bat, Eptesicus serotinus 87, western barbastelle, Barbastella barbastellus 88, greater horseshoe bat, Rhinolophus ferrumequinum 89, European fat dormouse, Glis glis 90, and alpine marmot, Marmota marmota 91. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
European fallow deer, Dama dama, buck 57 and doe 56. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH334X–European fallow deer, Dama dama, buck 57 and doe 56. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Greater grison from Surinam, Galictis vittata 72, and red squirrel, Sciurus vulgaris 73. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH339G–Greater grison from Surinam, Galictis vittata 72, and red squirrel, Sciurus vulgaris 73. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Vison or American mink, Neogale vison 190, pecan or fisher, Pekania pennanti 189, and Canadian otter or North American river otter, Lontra canadensis 191. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31R0–Vison or American mink, Neogale vison 190, pecan or fisher, Pekania pennanti 189, and Canadian otter or North American river otter, Lontra canadensis 191. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Zebu, Bos indicus 145, and South American tapir, Tapirus terrestris 146. Zebu and tapir. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32FE–Zebu, Bos indicus 145, and South American tapir, Tapirus terrestris 146. Zebu and tapir. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Giraffe, Giraffa camelopardalis 165, Hoffmann's two-toed sloth, Choloepus hoffmanni 166, spectral tarsier, Tarsius spectrum 167. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32W2–Giraffe, Giraffa camelopardalis 165, Hoffmann's two-toed sloth, Choloepus hoffmanni 166, spectral tarsier, Tarsius spectrum 167. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Leopard, Panthera pardus 107, and caracal, Caracal caracal 108. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH3248–Leopard, Panthera pardus 107, and caracal, Caracal caracal 108. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Horse, Equus ferus caballus 18, in front of a portico with columns, and ass or donkey, Equus africanus asinus, in front of thatched cottage and thistles 19. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31R5–Horse, Equus ferus caballus 18, in front of a portico with columns, and ass or donkey, Equus africanus asinus, in front of thatched cottage and thistles 19. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Roe deer, Capreolus capreolus, buck 58 and doe 59. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH3354–Roe deer, Capreolus capreolus, buck 58 and doe 59. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Gray slender loris, Loris lydekkerianus 176, javelin bat or greater spear-nosed bat Phyllostomus hastatus 177, large-headed bat or Pallas's tube-nosed bat, Nyctimene cephalotes 178, and shrew bat or Pallas's long-tongued bat, Glossophaga soricina 179. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31ME–Gray slender loris, Loris lydekkerianus 176, javelin bat or greater spear-nosed bat Phyllostomus hastatus 177, large-headed bat or Pallas's tube-nosed bat, Nyctimene cephalotes 178, and shrew bat or Pallas's long-tongued bat, Glossophaga soricina 179. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
European mole, Talpa europaea 82, Cape mole-rat, Georychus capensis 83, long-eared bat, Plecotus auritus 84, and common pipistrelle bat, Pipistrellus pipistrellus 85,86. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH33B7–European mole, Talpa europaea 82, Cape mole-rat, Georychus capensis 83, long-eared bat, Plecotus auritus 84, and common pipistrelle bat, Pipistrellus pipistrellus 85,86. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Broad tailed sheep, Ovis aries subsp. laticaudata 141, 142, known as Barbary wedder, and Tunis sheep. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32F5–Broad tailed sheep, Ovis aries subsp. laticaudata 141, 142, known as Barbary wedder, and Tunis sheep. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Water buffalo, Bubalus bubalis 137, and American bison, Bison bison 138. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32D5–Water buffalo, Bubalus bubalis 137, and American bison, Bison bison 138. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Alpine chamois, Rupicapra rupicapra 151 and male Juda goat, a breed from Whydah (Benin), Africa, Capra hircus 150. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32J3–Alpine chamois, Rupicapra rupicapra 151 and male Juda goat, a breed from Whydah (Benin), Africa, Capra hircus 150. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Domesticated sheep, Ovis aries, ram 22 and ewe 23, with initial E painted on wool fleece. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31W1–Domesticated sheep, Ovis aries, ram 22 and ewe 23, with initial E painted on wool fleece. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Eurasian lynx, Lynx lynx 109, and striped hyena, Hyaena hyaena 110. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH326A–Eurasian lynx, Lynx lynx 109, and striped hyena, Hyaena hyaena 110. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Capybara, Hydrochoerus hydrochaeris 161, and North Sulawesi babirusa, Babyrousa celebensis 160. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32TG–Capybara, Hydrochoerus hydrochaeris 161, and North Sulawesi babirusa, Babyrousa celebensis 160. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Mouflon, Ovis gmelini 139 and long-haired, multi-horned Iceland ram, domesticated sheep breed, Ovis aries 140. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32DD–Mouflon, Ovis gmelini 139 and long-haired, multi-horned Iceland ram, domesticated sheep breed, Ovis aries 140. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Dama gazelle of Senegal, Nanger dama 155, and harnessed bushbuck, northern bushbuck or guib, Tragelaphus scriptus 156. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32MG–Dama gazelle of Senegal, Nanger dama 155, and harnessed bushbuck, northern bushbuck or guib, Tragelaphus scriptus 156. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Linnaeus's mouse opossum, Marmosa murina 132, lowland paca, Cuniculus paca 129, and Virginian opossum, male and female with young in pouch. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32CM–Linnaeus's mouse opossum, Marmosa murina 132, lowland paca, Cuniculus paca 129, and Virginian opossum, male and female with young in pouch. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Six-banded armadillo, Euphractus sexcinctus 127, and nine-banded armadillo, Dasypus novemcinctus 128. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32AX–Six-banded armadillo, Euphractus sexcinctus 127, and nine-banded armadillo, Dasypus novemcinctus 128. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
African lion 99, and lioness 100, Panthera leo. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH33G8–African lion 99, and lioness 100, Panthera leo. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Dorcas gazelle, Gazella dorcas 153, and Senegalese corine (possibly the red-fronted gazelle, Eudorcas rufifrons) 154. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32M7–Dorcas gazelle, Gazella dorcas 153, and Senegalese corine (possibly the red-fronted gazelle, Eudorcas rufifrons) 154. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Grey wolf, Canis lupus 62, and red fox. Vulpes vulpes 63. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH335G–Grey wolf, Canis lupus 62, and red fox. Vulpes vulpes 63. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Variegated squirrel, Sciurus variegatoides 167, and common spotted cuscus, Spilocuscus maculatus 168. Coquallin and phalanger. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32WA–Variegated squirrel, Sciurus variegatoides 167, and common spotted cuscus, Spilocuscus maculatus 168. Coquallin and phalanger. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Endangered large flying fox, Pteropus vampyrus 117, velvety free-tailed bat or Pallas's mastiff bat, Molossus molossus 118, and Schreber's yellow bat, Scotophilus nigrita 119. Ternat bat, bulldog bat, Senegal bat. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH326H–Endangered large flying fox, Pteropus vampyrus 117, velvety free-tailed bat or Pallas's mastiff bat, Molossus molossus 118, and Schreber's yellow bat, Scotophilus nigrita 119. Ternat bat, bulldog bat, Senegal bat. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Potot or ysquiepatl, skunk species 185, chinch or hooded skunk, Mephitis macroura 186, conepate or striped skunk, Mephitis mephitis 187, and zorille, mauripita or eastern spotted skunk, Spilogale putorius 188. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31PP–Potot or ysquiepatl, skunk species 185, chinch or hooded skunk, Mephitis macroura 186, conepate or striped skunk, Mephitis mephitis 187, and zorille, mauripita or eastern spotted skunk, Spilogale putorius 188. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Harbour seal, Phoca vitulina 192, endangered West Indian manatee or monati, Trichechus manatus 194, and walrus, Odobenus rosmarus 193. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31R1–Harbour seal, Phoca vitulina 192, endangered West Indian manatee or monati, Trichechus manatus 194, and walrus, Odobenus rosmarus 193. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
European polecat, Mustela putorius 66, and ferret, Mustela furo 67. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH337G–European polecat, Mustela putorius 66, and ferret, Mustela furo 67. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Red-rumped agouti, Dasyprocta leporina 98, South American coati, Nasua nasua 96, and western mountain coati, Nasuella olivacea 97. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH33G4–Red-rumped agouti, Dasyprocta leporina 98, South American coati, Nasua nasua 96, and western mountain coati, Nasuella olivacea 97. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Ocelot, Leopardus pardalis 180, and golden jackal, Canis aureus 181. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH31MH–Ocelot, Leopardus pardalis 180, and golden jackal, Canis aureus 181. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Red deer, Cervus elaphus, stag 54 and hind 55. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH334P–Red deer, Cervus elaphus, stag 54 and hind 55. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Zibet or Asiatic civet cat, Viverra zibetha 113, common genet, Genetta genetta 112, and African civet, Civettictis civetta 111. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH326D–Zibet or Asiatic civet cat, Viverra zibetha 113, common genet, Genetta genetta 112, and African civet, Civettictis civetta 111. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Reindeer or caribou, Rangifer tarandus 150, and elk or wapiti, Cervus canadensis 149. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807. Stock Photo
RM2PH32HR–Reindeer or caribou, Rangifer tarandus 150, and elk or wapiti, Cervus canadensis 149. Handcoloured copperplate engraving after Jacques de Seve from James Smith Barr’s edition of Comte Buffon’s Natural History, A Theory of the Earth, General History of Man, Brute Creation, Vegetables, Minerals, T. Gillet, H. D. Symonds, Paternoster Row, London, 1807.
Next page
Page 1 of 444