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RM2JJ1FCA–Part of the rocky coastline around the southern tip of Holy Island, Borthwen, Anglesey, Wales, UK
RM2JJ1F8E–The eye-catching church of St Cwyfan on the tidal island of Cribinau, Porth Cwyfan, Anglesey, Wales
RM2JJ1F9W–Pausing by the medieval construction around St Gwenfaens well, Rhoscolyn Head, Anglesey, Wales
RM2JJ1HJN–Wild ponies grazing close to the ruins of St Dwynwens church, Llanddwyn Island, Anglesey, Wales
RM2JJ1F82–The 20th century high stone Celtic Cross celebrating the life of St Dwynwen (5th century) Patron Saint of lovers, Llanddwyn Island, Anglesey, Wales
RM2JJ1F6H–The historic lighthouse at Point Lynas framed by trees above the beach at Porth Eilian, Anglesey, Wales
RM2JJ1F23–Giuseppe Ruggier, Able Seaman from the doomed 'Royal Charter', pulling a lifeline up a cliff at Moefle in 1859, Moefle, Anglesey, Wales
RM2JJ1F0W–The bronze plate by Sam Holland in memory of the 1859 'Royal Charter' disaster off Moefle, Moefle, Anglesey, Wales
RM2JJ1F28–Dic Evans, lifeboat coxswain, facing the Irish Sea with Red Wharf Bay and Snowdonia in the background, Moelfre, Anglesey, Wales
RM2JJ1F0N–The striking memorial, by Sam Holland 2004, to the brave lifeboat coxswain Dic Evans BEM , Moelfre, Anglesey, Wales
RM2JAF3XY–The eye-catching house 'Derwentfolds' below the Eastern flank of Latrigg, Threlkeld, Cumbria, UK
RM2J9KA9W–A tantalising view of Morecambe Bay from the elegant Victorian railway station at Grange-over-Sands, Cumbria, UK
RM2J9KA8Y–The imposing Parish church of St Mary the Virgin and St Michael (Cartmel Priory) in the centre of Cartmel village, Cumbria, UK
RM2J9KAA6–Taking the dog for a walk along the empty 'seaside' promenade at Grange-over-Sands, Cumbria, UK
RM2J9KA58–The Resurrection of Christ as depicted by Wilhelmina Geddes (1924), Holy Trinity Church, Bardsea, Cumbria, UK
RM2J9KA4N–The Baptism of Jesus as depicted by Wilhelmina Geddes (1924), Holy Trinity Church, Bardsea, Cumbria, UK
RM2J9KA7J–Three lancet windows combined to show the Baptism, Crucifixion and Resurrection of Christ, Wilhelmina Geddes (1924), Bardsea Church, Cumbria, UK
RM2J9KA77–The 'second world war' memorial window by G.E.R. Smith (1947) with its powerful message of hope for the future, St Marks Church, Natland, Cumbria, UK
RM2J9KA4A–A section of the rune-inscribed Anglo-Saxon cross-shaft found at Urswick in 1911, St Mary's church, Urswick, Cumbria, UK
RM2J9KA4Y–The Crucifixion of Christ as depicted by Wilhelmina Geddes (2924), Holy Trinity Church, Bardsea, Cumbria, UK
RM2J9KA2W–Detail from stained glass depicting the Christian message told and foretold by St Paul and the Tiburtine Sybl 'Albunea', Irton Church, Cumbria, UK
RM2J9KA12–Detail from stained glass window of St Agnes and St Catherine by Edward Burne-Jones and William Morris, St Paul's Church, Irton, Cumbria, UK
RM2J9KA0R–Two 'Virgin martyrs', St Agnes and St Catherine, depicted by Edward Burne-Jones and William Morris, St Paul's Church, Irton, Cumbria, UK
RM2J9KA39–'The angel of the Lord announcing the Nativity' by Veronica Whall (1934), Aldingham Church, Cumbria, UK
RM2J9KA1G–Stained glass by Edward Burne-Jones depicting the Christian message told and foretold by St Paul and Albunea, Irton Church, Cumbria, UK
RM2J9KA3G–Joan of Arc and Jepthah's daughter, symbolic of self-sacrifice, by Paul Woodroffe (1913), St Mary's church, Urswick, Cumbria, UK
RM2J70H42–The peaceful and historic interior of St Ninians Church (Ninekirks), Brougham, Cumbria, UK
RM2J70H77–The rustic gate at the entrance to the 17th century church of St Ninian at Brougham, Cumbria, UK
RM2J70H6W–The homely and welcoming 17th century church of St Ninian in its secluded setting at Brougham, Cumbria, UK
RM2J65NHA–Walkers inspecting the entrance to an 18th century carved byre above Ravenstonedale, Upper Lune Valley, Yorkshire Dales National Park, UK
RM2J65NGG–Industrial history: The remains of a small farm lime kiln, Ash Fell Edge, Ravenstonedale, Upper Lune Valley, Yorkshire Dales National Park, UK
RM2J65PEX–Springtime lambs taking stock before scrambling under, over and past the obstacles confining them, Pennine way, Dufton, Eden Valley, Cumbria, UK
RM2J65NGA–Walkers approaching Jack's cairn on Ash Fell Edge, Ravenstonedale, Upper Lune Valley, Yorkshire Dales National Park, UK
RM2J65NK9–Springtime landscape in Ravenstonedale, Upper Lune Valley, Yorkshire Dales National Park, UK
RM2J65NG4–Stopping to discard a layer on the ascent to Ash Fell Edge, Ravenstonedale, Upper Lune Valley, Yorkshire Dales National Park, UK
RM2J65NKD–Ewes and their inquisitive lambs in a Ravenstonedale meadow, Upper Lune Valley, Yorkshire Dales National Park, UK
RM2J65NET–Winged angels in a flower garden by William Aikman (1899), All Saints Church, Watermillock, Cumbria, UK
RM2J65NHT–A wary ewe with its lambs, Ashfield Farm, Ravenstonedale, Upper Lune Valley, Yorkshire Dales National Park, UK
RM2J65NFN–Ewes grazing outside a substantial farm building below Ash Fell, Ravenstonedale, Upper Lune Valley, Yorkshire Dales National Park, UK
RM2J5P3G3–Medieval glass restored to depict aspects of the legend of St Andrew and St Matthew, Greystoke church, Cumbria, UK
RM2J5P3C9–Medieval stained glass depicting St Andrew with a family group, St Andrew's church, Greystoke, Cumbria, UK
RM2J5P3EB–Medieval stained glass depicting St Andrew landing in the City of Dogs in the legend of St Andrew and St Matthew, Greystoke church, Cumbria, UK
RM2J5P3EE–Naked figures restored to life in a scene from the apocryphal legend of St Andrew and St Matthew, St Andrews church, Greystoke, Cumbria, UK
RM2J5P3GD–Medieval mosaic fragments depicting Christ, St Andrew and St Peter, St Andrew's church, Greystoke, Cumbria, UK
RM2J5P3E9–Medieval stained glass depicting St Andrew outside the prison in the legend of St Andrew and St Matthew, St Andrew's church, Greystoke, Cumbria, UK
RM2J5P3CH–Medieval depiction of St Andrew and an early Christian church in the legend of St Andrew and St Matthew, St Andrew's church, Greystoke, Cumbria, UK
RM2J5P3C2–Medieval stained glass depicting Jesus on land and and his disciples in a boat on the sea of Galilee, St Andrew's church, Greystoke, Cumbria, UK
RM2J5P3EG–Medieval stained glass fragments depicting a prison scene from the legend of St Andrew and St Matthew, St Andrews church, Greystoke, Cumbria, UK
RM2J42DMX–Rough and Irregular stones constructed into a traditional boundary between green fields, a haven for flora and fauna, Orton, Cumbria, UK
RM2J42DK4–An inspirational message concerning ''Belief in God', All Saints Church, Orton, Upper Lune Valley, Cumbria, UK
RM2J42DH4–The unique depiction of 'motherhood' in a memorial window by Beatrice Whistler, All Saints Church, Orton, Cumbria, UK
RM2J42DHC–Stanley Murray Scott's (1959) depiction of two early Christian missionaries, All Saints Church, Orton, Cumbria, UK
RM2J42DKK–A traditional drystone wall, a haven for flora and fauna, in the Upper Lune Valley, Orton, Cumbria, UK
RM2J2185F–Saints Peter and Bartholomew depicted in stained glass designed by Leonard Walker (1929), St Peter's Church, Great Asby, Central Eden, Cumbria, UK
RM2J2187D–Looking towards Holborn Hill, the site of a late-iron-age settlement above Great Asby, Central Eden, Cumbria, UK
RM2J2186F–Roughly hewn limestone gateposts supporting a modern7-bar-gate near to Great Asby, Central Eden, Cumbria, UK
RM2J137MK–Yellow Star-of-Bethlehem plants 'waking-up' to a sunny Spring day in the Eden Valley, Cumbria
RM2HXPB7W–The sad but uplifting natural cycle of life, Addingham Church near to Glassonby, Eden Valley, Cumbria, UK
RM2HXPB9G–The memorial window by S. M. Scott (1973) in Addingham Church near Glassonby, Eden Valley, Cumbria, UK
