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Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset. Stock Photo
RMFDJHGH–Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset.
Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset. Stock Photo
RMFDJHHG–Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset.
Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset. Stock Photo
RMFDJHFW–Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset.
Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset. Stock Photo
RMFDJHH7–Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset.
Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset. Stock Photo
RMFDJHBB–Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset.
Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset. Stock Photo
RMFDJHFR–Hardy's Cottage, the birthplace in 1840 of novelist and poet Thomas Hardy , at Higher Brockhampton, near Dorchester, Dorset.
View across a wildflower meadow towards the Hall built between 1603 and 1620, with alterations in both the 18th and 19th centuries, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRAF–View across a wildflower meadow towards the Hall built between 1603 and 1620, with alterations in both the 18th and 19th centuries, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
View across a wildflower meadow to the Orangery at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJR9K–View across a wildflower meadow to the Orangery at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
View across a wildflower meadow towards the Hall built between 1603 and 1620, with alterations in both the 18th and 19th centuries, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRAJ–View across a wildflower meadow towards the Hall built between 1603 and 1620, with alterations in both the 18th and 19th centuries, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
View across a wildflower meadow to the Orangery at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJR9J–View across a wildflower meadow to the Orangery at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
View across a wildflower meadow to the Orangery at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJR9N–View across a wildflower meadow to the Orangery at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Topiary and wisteria in the Courtyard in May at Baddesley Clinton, Warwickshire. Stock Photo
RMFDJJHW–Topiary and wisteria in the Courtyard in May at Baddesley Clinton, Warwickshire.
Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, with alterations in both the 18th and 19th centuries. George Bowes inherited the estate in 1722 and landscaped the grounds the Gibside Hall. Stock Photo
RMFDJR9Y–Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, with alterations in both the 18th and 19th centuries. George Bowes inherited the estate in 1722 and landscaped the grounds the Gibside Hall.
View down the Long Walk or Avenue of oak trees from the Chapel at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPTT–View down the Long Walk or Avenue of oak trees from the Chapel at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Courtyard at Baddesley Clinton, Warwickshire, looking towards the Gatehouse Range and magnificent Great Parlour window. The Courtyard garden was created in 1889 by Edward Heneage Dering. Stock Photo
RMFDJJHM–The Courtyard at Baddesley Clinton, Warwickshire, looking towards the Gatehouse Range and magnificent Great Parlour window. The Courtyard garden was created in 1889 by Edward Heneage Dering.
View down the Long Walk or Avenue of oak trees from the Chapel at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPTN–View down the Long Walk or Avenue of oak trees from the Chapel at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
View down the Long Walk or Avenue of oak trees from the Chapel at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPTP–View down the Long Walk or Avenue of oak trees from the Chapel at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Courtyard at Baddesley Clinton, Warwickshire. The Courtyard garden was created in 1889 by Edward Heneage Dering with the lozenges of the Ferrers family coat of arms laid out on the lawn as flowerbeds.. Stock Photo
RMFDJJHH–The Courtyard at Baddesley Clinton, Warwickshire. The Courtyard garden was created in 1889 by Edward Heneage Dering with the lozenges of the Ferrers family coat of arms laid out on the lawn as flowerbeds..
View down the Long Walk or Avenue of oak trees towards the Column to Liberty, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRAN–View down the Long Walk or Avenue of oak trees towards the Column to Liberty, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJR8G–The Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Column to Liberty which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRAM–The Column to Liberty which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Stables Courtyard which forms part of the estate at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRAA–The Stables Courtyard which forms part of the estate at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
A hen in the cobbled Stables Courtyard which forms part of the estate at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRAD–A hen in the cobbled Stables Courtyard which forms part of the estate at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Church of St Michael, built in the fourteenth and fifteenth centuries of rough local stone, at Croft Castle, Herefordshire. The bell turret has a clock and is surmounted by by an ogee leaded cupola with a weathervane. Stock Photo
RMFDJK9J–The Church of St Michael, built in the fourteenth and fifteenth centuries of rough local stone, at Croft Castle, Herefordshire. The bell turret has a clock and is surmounted by by an ogee leaded cupola with a weathervane.
The Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR9H–The Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
The Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Stock Photo
RMFDJR8M–The Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside
The entrance tower of Castle Drogo, Devon. The building was designed by Edwin Lutyens and built between 1910 and 1925. The heraldic stone lion carving, that Drewe family crest, is by Herbert Palliser. Stock Photo
RMFDK3TE–The entrance tower of Castle Drogo, Devon. The building was designed by Edwin Lutyens and built between 1910 and 1925. The heraldic stone lion carving, that Drewe family crest, is by Herbert Palliser.
The East window of the Church of St Michael, built in the fourteenth and fifteenth centuries of rough local stone, at Croft Castle, Herefordshire. The bell turret has a clock and is surmounted by by an ogee leaded cupola with a weathervane. Stock Photo
RMFDJJK4–The East window of the Church of St Michael, built in the fourteenth and fifteenth centuries of rough local stone, at Croft Castle, Herefordshire. The bell turret has a clock and is surmounted by by an ogee leaded cupola with a weathervane.
The Stables at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRA9–The Stables at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
One of the two remaining pavilions in the East Court garden at Montacute House, Somerset. The pavilions have ogee-shaped roofs, turrets and obelisks and were built at the same time as the house, in the last decade of the sixteenth-century. Stock Photo
RMFDJJ3G–One of the two remaining pavilions in the East Court garden at Montacute House, Somerset. The pavilions have ogee-shaped roofs, turrets and obelisks and were built at the same time as the house, in the last decade of the sixteenth-century.
The Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR98–The Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hal Stock Photo
RMFDJR92–Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hal
Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR9C–Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
The Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR8N–The Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
Detail of the Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings arou Stock Photo
RMFDJR93–Detail of the Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings arou
Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hal Stock Photo
RMFDJR8Y–Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hal
The Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR8P–The Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
Detail of the Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. Stock Photo
RMFDJR95–Detail of the Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne.
Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hal Stock Photo
RMFDJR9D–Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hal
The Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR9A–The Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
The arched arcade and Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Stock Photo
RMFDJR8R–The arched arcade and Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside
The Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR8J–The Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
Detail of the Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings arou Stock Photo
RMFDJR94–Detail of the Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings arou
The Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Stock Photo
RMFDJR8W–The Tuscan columns and arched arcade of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside
The Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR99–The Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR9G–Tuscan columns of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
View through the arches and doorway of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Stock Photo
RMFDJR9E–View through the arches and doorway of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside
A long view over the landscape towards Ickworth, Bury St Edmunds, Suffolk. The central Rotunda of the house flanked by two massive wings and curved corridors was designed by the Italian architect Mario Asprucci and built between 1795 and 1830 for the 4th Stock Photo
RMFDJH88–A long view over the landscape towards Ickworth, Bury St Edmunds, Suffolk. The central Rotunda of the house flanked by two massive wings and curved corridors was designed by the Italian architect Mario Asprucci and built between 1795 and 1830 for the 4th
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPT8–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPT9–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPRW–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Topiary and wisteria in the Courtyard in May at Baddesley Clinton, Warwickshire. Stock Photo
RMFDJJHT–Topiary and wisteria in the Courtyard in May at Baddesley Clinton, Warwickshire.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJR87–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Topiary and wisteria in the Courtyard in May at Baddesley Clinton, Warwickshire. Stock Photo
RMFDJJHY–Topiary and wisteria in the Courtyard in May at Baddesley Clinton, Warwickshire.
Close view of architectural detail on the facade of Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, but the parapet with huge crosses replaced the upper floor in 1805. Stock Photo
RMFDJR9W–Close view of architectural detail on the facade of Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, but the parapet with huge crosses replaced the upper floor in 1805.
Close view of architectural detail on the facade of Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, but the parapet with huge crosses replaced the upper floor in 1805. Stock Photo
RMFDJR9T–Close view of architectural detail on the facade of Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, but the parapet with huge crosses replaced the upper floor in 1805.
Houghton Mill, an eighteenth-century watermill, the last working watermill on the Great Ouse in Cambridgeshire. Stock Photo
RMFDJHHC–Houghton Mill, an eighteenth-century watermill, the last working watermill on the Great Ouse in Cambridgeshire.
Topiary and wisteria in the Courtyard in May at Baddesley Clinton, Warwickshire. Stock Photo
RMFDJJHX–Topiary and wisteria in the Courtyard in May at Baddesley Clinton, Warwickshire.
Close view of architectural detail on the facade of Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, with alterations in both the 18th and 19th centuries. Stock Photo
RMFDJR9R–Close view of architectural detail on the facade of Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, with alterations in both the 18th and 19th centuries.
Detail of a seventeenth-century door at All Saints Church (not NT) at Kedleston Hall, Derbyshire. All Saints Church is under the care of the Churches Conservation Trust. Stock Photo
RMFDJR77–Detail of a seventeenth-century door at All Saints Church (not NT) at Kedleston Hall, Derbyshire. All Saints Church is under the care of the Churches Conservation Trust.
Close view of architectural detail on the facade of Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, with alterations in both the 18th and 19th centuries. Stock Photo
RMFDJR9P–Close view of architectural detail on the facade of Gibside Hall, Newcastle upon Tyne. The house was built between 1603 and 1620, with alterations in both the 18th and 19th centuries.
Newly-planted trees in a restored woodland area at Gibside, Newcastle upon Tyne. Much of the estate is designated a Site of Scientific Special Interest. Stock Photo
RMFDJR9X–Newly-planted trees in a restored woodland area at Gibside, Newcastle upon Tyne. Much of the estate is designated a Site of Scientific Special Interest.
Newly-planted trees in a restored woodland area at Gibside, Newcastle upon Tyne. Much of the estate is designated a Site of Scientific Special Interest. Stock Photo
RMFDJRA5–Newly-planted trees in a restored woodland area at Gibside, Newcastle upon Tyne. Much of the estate is designated a Site of Scientific Special Interest.
Newly-planted trees in a restored woodland area at Gibside, Newcastle upon Tyne. Much of the estate is designated a Site of Scientific Special Interest. Stock Photo
RMFDJRA4–Newly-planted trees in a restored woodland area at Gibside, Newcastle upon Tyne. Much of the estate is designated a Site of Scientific Special Interest.
View down the Long Walk or Avenue of oak trees towards the Column to Liberty, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJR88–View down the Long Walk or Avenue of oak trees towards the Column to Liberty, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Portico of the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPT0–Portico of the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Pediment detail of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR9F–Pediment detail of the Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
The Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall. Stock Photo
RMFDJR9B–The Orangery, which was begun in 1772 to a design attributed to James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds and created buildings around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPRX–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
A long view over the landscape towards Ickworth, Bury St Edmunds, Suffolk. The central Rotunda of the house flanked by two massive wings and curved corridors was designed by the Italian architect Mario Asprucci and built between 1795 and 1830 for the 4th Stock Photo
RMFDJH89–A long view over the landscape towards Ickworth, Bury St Edmunds, Suffolk. The central Rotunda of the house flanked by two massive wings and curved corridors was designed by the Italian architect Mario Asprucci and built between 1795 and 1830 for the 4th
The Gatehouse or Entrance Range (East side) seen across the moat at Baddesley Clinton, Warwickshire. Most of the house was built in the fifteenth century. Stock Photo
RMFDJJJJ–The Gatehouse or Entrance Range (East side) seen across the moat at Baddesley Clinton, Warwickshire. Most of the house was built in the fifteenth century.
View across the roof at Castle Drogo, Devon to the surrounding Dartmoor countrside. The building was designed by Edwin Lutyens and built between 1910 and 1925. Stock Photo
RMFDK3RX–View across the roof at Castle Drogo, Devon to the surrounding Dartmoor countrside. The building was designed by Edwin Lutyens and built between 1910 and 1925.
The statue atop the Column to Liberty monument which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRA3–The statue atop the Column to Liberty monument which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Column to Liberty monument which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRA0–The Column to Liberty monument which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Column to Liberty monument which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRA2–The Column to Liberty monument which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Column to Liberty monument which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRA1–The Column to Liberty monument which rises to 140 feet at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPTA–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPRT–The Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPW4–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Ornamental urns on the portico of the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. Stock Photo
RMFDJR8D–Ornamental urns on the portico of the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPW5–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPW6–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPTB–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPTK–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPWD–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPW9–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJPWE–Architectural detail on the Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJR8H–The Palladian Chapel, begun in 1760 to the design of James Paine, at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Courtyard at Baddesley Clinton, Warwickshire, looking towards the Gatehouse Range and magnificent Great Parlour window. The Courtyard garden was created in 1889 by Edward Heneage Dering. Stock Photo
RMFDJJHN–The Courtyard at Baddesley Clinton, Warwickshire, looking towards the Gatehouse Range and magnificent Great Parlour window. The Courtyard garden was created in 1889 by Edward Heneage Dering.
The Stables Courtyard which forms part of the estate at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRAB–The Stables Courtyard which forms part of the estate at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The Stables Courtyard which forms part of the estate at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall. Stock Photo
RMFDJRAC–The Stables Courtyard which forms part of the estate at Gibside, Newcastle upon Tyne. George Bowes inherited the estate in 1722 and landscaped the grounds around Gibside Hall.
The east front of Montacute House, Somerset. This Elizabethan Ham-stone house was built in the late sixteenth-century for Sir Edward Phelips. The east front is in the usual Elizabethan 'E' formation with projecting wings to either side and central frontis Stock Photo
RMFDJHGE–The east front of Montacute House, Somerset. This Elizabethan Ham-stone house was built in the late sixteenth-century for Sir Edward Phelips. The east front is in the usual Elizabethan 'E' formation with projecting wings to either side and central frontis
A view along the Orangery Terrace towards the house with the Orangery, designed by Lewis Wyatt in about 1815, to the right at Lyme Park, Cheshire. Stock Photo
RMFDJH9W–A view along the Orangery Terrace towards the house with the Orangery, designed by Lewis Wyatt in about 1815, to the right at Lyme Park, Cheshire.
The Courtyard at Baddesley Clinton, Warwickshire. The Courtyard garden was created in 1889 by Edward Heneage Dering. Stock Photo
RMFDJJHK–The Courtyard at Baddesley Clinton, Warwickshire. The Courtyard garden was created in 1889 by Edward Heneage Dering.
Houghton Mill, an eighteenth-century watermill, the last working watermill on the Great Ouse in Cambridgeshire. Stock Photo
RMFDJHB7–Houghton Mill, an eighteenth-century watermill, the last working watermill on the Great Ouse in Cambridgeshire.
Houghton Mill, an eighteenth-century watermill, the last working watermill on the Great Ouse in Cambridgeshire. Stock Photo
RMFDJHJ6–Houghton Mill, an eighteenth-century watermill, the last working watermill on the Great Ouse in Cambridgeshire.
Detail of a seventeenth-century door, within the thirteenth-century All Saints Church (not NT) at Kedleston Hall, Derbyshire. All Saints Church is under the care of the Churches Conservation Trust. Stock Photo
RMFDJR78–Detail of a seventeenth-century door, within the thirteenth-century All Saints Church (not NT) at Kedleston Hall, Derbyshire. All Saints Church is under the care of the Churches Conservation Trust.
The doorbell and bell pull at Max Gate, designed by and home of the novelist and poet Thomas Hardy from 1885 until his death in 1928, Dorchester Dorset. Stock Photo
RMFDJJ20–The doorbell and bell pull at Max Gate, designed by and home of the novelist and poet Thomas Hardy from 1885 until his death in 1928, Dorchester Dorset.
Detail of a window surrounded by climbing wisteria on the Courtyard walls at Baddesley Clinton, Warwickshire. Stock Photo
RMFDJJHR–Detail of a window surrounded by climbing wisteria on the Courtyard walls at Baddesley Clinton, Warwickshire.
Looking over the early eighteenth century Dutch Garden in spring with daffodils in bloom towards the house at Lyme Park, Cheshire. The house which was originally Elizabethan was transformed by Giacomo Leoni in the early eighteenth century. Stock Photo
RMFDJH0Y–Looking over the early eighteenth century Dutch Garden in spring with daffodils in bloom towards the house at Lyme Park, Cheshire. The house which was originally Elizabethan was transformed by Giacomo Leoni in the early eighteenth century.
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