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RM2E3YWNY–Charles Brooking, 1723–1759, British, A Two-Decker on Fire at Night off a Fort, ca. 1740. Oil on canvas. boats , brigs , castle , fire , flames , fort , lifeboats , marine art , night , ocean , people , sea , seascape , ships , shipwreck , smoke
RM2E3YWNJ–John Francis Rigaud, 1742–1810, French, active in Britain (from 1771), Joseph Nollekens with His Bust of Laurence Sterne, 1772. Oil on canvas. artist , bust , clergyman , drawing , light , man , pencil , portrait , sculptor , sculpture. Nollekens, Joseph (1737–1823), sculptor
RM2E3YWPG–Peter Monamy, 1681–1749, British, Royal Yacht Becalmed at Anchor, between 1710 and 1730. Oil on canvas. anchor (watercraft equipment) , birds , boys , clouds , figures , flags , full-rigged ships , guns , hats , inlet , marine art , men , men-of-war , pennants , rowboats , sails , sea , ships , sky , sloops (sailing vessels) , yacht
RM2E3YWP4–Tilly Kettle, 1735–1786, British, active in India (1769–76), William, later Dr. Vyse, 1762. Oil on canvas. arm , gray , gray (color) , leaning , portrait. Vyse, William
RM2E3YWR8–George Morland, 1763–1804, British, Indian girl, 1793. Oil on canvas mounted on panel. female , genre subject , girl , Indian , Orientalism. India
RM2E3YWP2–John William Inchbold, 1830–1888, British, Ariccia, near Rome, Italy, 1860. Oil on panel. arches , boy , capuchin , church , city , cityscape , coat , cupolas , dog (animal) , fields (agricultural land) , friar , hill , landscape , lizard , palace , path , road , staff (walking stick) , top hat , town , travel , trees , trousers , walking , woman. Ariccia , Church of Santa Maria dell'Assunzione , Italy , Lazio , Palazzo Chigi , Roma
RM2E3YWPK–John Ferneley, 1782–1860, British, The Rev. and Mrs. Henry Palmer with their six younger children at Withcote Hall, Near Oakham, Leicestershire, 1838. Oil on canvas. baby carriage , bassinet , boys , conversation piece , daughters , donkey , family , girls , perambulator , portrait , sons , stairs , steps. England , Leicestershire , Oakham , United Kingdom , Withcote Hall. Palmer, Reverend Henry
RM2E3YWR6–Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), Lake Scene, 1790. oil on canvas. boat , lake , landscape , mountains , rocks (landforms) , sunlight , trees , water. Derbyshire , England , United Kingdom
RM2E3YWP7–John Downman, 1750–1824, British, The Ghost of Clytemnestra Awakening the Furies, 1781. Oil on panel. ghost , light , literary theme , mask (costume) , religious and mythological subject , serpent , snake , white (color) , women. Furies Clytemnestra, wife of Agamemnon and queen of Mycenae (or sometimes Argos) in ancient Greek legend Furies, Dirae (Erinyes), Eumenides; 'Furie' (Ripa)
RM2E3YWPY–Francis Alleyne, active 1774–1790, British, Margot Wheatley, 1786. Oil on canvas. chair , costume , oval , portrait , woman. Wheatley, Margot
RM2E3YWP9–Thomas Gainsborough RA, 1727–1788, British, The Rev. Samuel Uvedale, 1770 to 1774. Oil on canvas. black , clergyman , man , oval , portrait , white (color). Uvedale, Samuel
RM2E3YWNW–Sir William Beechey, 1753–1839, British, Reverend Dr. Charles Symmons, 1794. Oil on canvas. clergyman , costume , curtain , man , poet , portrait. Symmons, Charles (1749–1826), poet and biographer
RM2E3YWR1–Attributed to William Daniell, 1769–1837, British, The Banks of the Ganges, ca. 1825. Oil on canvas. banks , bathers , boat , flag , landscape , man , Orientalism , people , river , rocks (landforms) , roots , temple , water. Ganges , India
RM2E3YWPB–Paul Sandby RA, 1731–1809, British, Landscape with a Castle, ca. 1808. Oil on canvas. animals , castle , cattle , hill , horse (animal) , landscape , livestock , men , road
RM2E3YWP6–George Barret RA, ca. 1728/32–1784, Irish, Landscape with Cottagers, ca. 1775. Oil on canvas. boy , child , costume , cottages , dog (animal) , hills , houses , landscape , mother , path , peasants , people , son , trees , village , walking , woman
RM2E3YWNN–Sir William Beechey, 1753–1839, British, Portrait of a Girl, ca. 1790. Oil on canvas. child , clouds , costume , flowers (plants) , girl , landscape , portrait , sash
RM2E3YWPX–Paul Sandby RA, 1731–1809, British, Landscape with a Lake, 1808. Oil on canvas. animals , castle , cattle , hills , horse (animal) , lake , landscape , livestock , men , mountains , view
RM2E3YWNP–John White Abbott, 1763–1851, British, An Italianate Landscape, ca. 1800. Oil on canvas. bridge (built work) , child , costume , genre subject , hill , Italian , Italianate (Romanist) , landscape , leisure , men , mountains , path , rocks (landforms) , tower (building division) , travel , trees , women. Italy
RM2E3YWPF–John Nost I, before 1660–1711/1712, Flemish, active in Britain (from before 1686), William III, ca. 1700 or ca. 1750. Lead. armor , king (person) , man , portrait , sword. William III and II (1650–1702), king of England, Scotland, and Ireland, and prince of Orange
RM2E3YWPR–unknown artist, eighteenth century, The Practical Joke, ca. 1740. Oil on panel boy , breeches , card table , children , conversation piece , furniture , games , genre subject , hat , parquetry , playing cards , sleeping , stairs , stockings , table
RM2E3YWPT–Ramsay Richard Reinagle, 1775–1862, British, A Wooded Landscape, 1833. Oil on artist's board mounted on panel. boulders , forest , landscape , path , rocks (landforms) , trees , woods
RM2E42MH2–Pieter de Jode, ca. 1606–1674, Flemish, Albert, Dux Fritland. Com. Wallest, Etc, ca.1635. Line engraving and stipple engraving on medium, slightly textured, blued white, laid paper.
RM2E427RN–John Glover, 1767–1849, British, A Yorkshire Road, undated. Watercolor over graphite with scraping out on moderately thick, slightly textured, blued white wove paper. hills , landscape , road , trees. England , Europe , United Kingdom , Yorkshire
RM2E45N5B–Niccoló Schiavonetti, 1771–1813, Italian, 'Cries of London' Plate 5: New Mackrel, New Mackrel, 1795. Colored engraving with stipple.
RM2E47295–unknown artist, Tattersall's Training School, 1771. Pen, in gray ink, brown ink, graphite and gray wash on medium, moderately textured, cream, laid paper. dog (animal) , figure study , harnesses , horse (animal) , manège , men , school , sporting art , whip , window
RM2E46HF6–Attributed to John Carter, 1748–1817, British, Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel, ca. 1781. Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together. architectural subject , church. City of Westminster , England , House of Commons , London , Palace of Westminster , St. Stephen's Chapel, Palace of Westminster , United Kingdom
RM2E46WDT–Thomas Rowlandson, 1756–1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper. Public Domain
RM2E41WJ4–Giovanni Battista Borra, 1713–1770, Italian, View of the Ruined Baths at Hadrian's Villa at Tivoli, ca. 1750. Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper. arches , architectural subject , bushes , hills , landscape , mountains , public bath , rocks (landforms) , ruins , trees. Hadrian's Villa , Italy , Lazio , Roma , Tivoli
RM2E421W3–Allan Ramsay, 1713–1784, British, Study for a Portrait of a Woman, undated. Black chalk with graphite on medium, slightly textured, brown laid paper. costume , curls , figure study , fur , oval , portrait , slashing , study (visual work) , vignette
RM2E477KF–John Sell Cotman, 1782–1842, British, Aylmerton Church; Norfolk, from the South-West, 1816. Graphite and brown wash on medium, smooth, cream wove paper. architectural subject , church , graveyard , tombstones. England , Norfolk , United Kingdom
RM2E4282T–Edward Fisher, 1722–1785, British, Miss Farren in the Character of Hermione, 1781. Mezzotint on medium, slightly textured, cream laid paper. actress , costume , drapery , gown , jewelry , literary theme , necklace , performance , plays by William Shakespeare , portrait , relief , robes , The Winter's Tale, play by William Shakespeare , theater (discipline) , veil , woman. Shakespeare, William (1564–1616), playwright and poet Farren, Elizabeth (1759x62–1829), actress Hermione (character in The Winter's Tale)
RM2E41X4D–Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, Two Jeyties, 1792. Watercolor and graphite on medium, slightly textured, cream laid paper.
RM2E42Y5P–Leslie Matthew 'Spy' Ward, 1851–1922, British, Vanity Fair: Teachers and Headmasters; 'Magdelen College', Mr. Thomas Herbert Warren, April 8, 1893, 1893. Chromolithograph.
RM2E4658J–Robert Blyth, 1750–1784, Life and Death of a Soldier: Soldier's Death (note to number 56 of Catalogue Mortimer Exhibition 1968), 1781. Etching.
RM2E46MF0–Attributed to John Carter, 1748–1817, British, Buildings on North Side, Dean's Yard, between 1806 and 1815. Graphite and pen and black ink on slightly textured, medium, white laid paper. architectural subject , elevations , survey. City of Westminster , Dean's Yard , England , London , Palace of Westminster , United Kingdom
RM2E443XM–Adelaide Claxton, 1858–1905, British, Lady in Green Dress, undated. Watercolor and graphite on medium, slightly textured, beige wove paper mounted to card. costume , dress , figure study , green , hat , lady , woman
RM2E477G2–Print made by George Cruikshank, 1792–1878, British, 'May I be Cursed,' muttered Jack Sheppard, 'if ever I try to be honest again!', 1839. Etching on moderately thick, smooth, cream wove paper with beige chine collé. angry , boxes , chair , Chapter 5 - 'Hawk and Buzzard' , clocks , criminals , drinking , Epoch the Second: 'Thames Darrell.' , eyepatch , food , gesturing , illustration , Jack Sheppard (novel) , literary theme , men , novel , robbery , sitting , stealing , surprise , sword , thief , women. Jack Sheppard
RM2E43AG0–Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.
RM2E47BEX–Print made by Bernard Lens, 1659–1725, British, Acteon and Diana, undated. Mezzotint on medium, moderately textured, cream laid paper. accident , arrows , bathing , bow , cloak , crescent moons , dog , goddess , man , moon , nudes , nymphs , pool , quiver , religious and mythological subject , spear , trees , walking , walking. Diana Actaeon
RM2E42PT6–Robert Wallis, 1794–1878, British, Virginia Water. No. II, 1826-1837. Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper.
RM2E43X7Y–Sir Robert Smirke the younger, 1781–1867, British, Near Potsdam, 1802-1804. Brown wash and graphite on medium, moderately textured, beige, wove paper.
RM2E4717J–unknown artist, View of a Canal in Dordrecht, between 1875 and 1885. Graphite on thin, slightly textured, beige wove paper. architectural subject , boats , bridge (built work) , buildings , canal , cityscape , houses. Dordrecht , Dordrecht, Gemeente , Europe , Holland , Netherlands , Zuid-Holland
RM2E473M4–unknown artist, The Death of Cordelia, undated. Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper. beard , carrying , cloak , daughter , death , dress , father , figure study , gesturing , grief , holding , king (person) , King Lear, Act V, Scene III , King Lear, play by William Shakespeare , literary theme , man , murder , play , plays by William Shakespeare , princess , sadness , sash , woman. King Lear (character in King Lear) Shakespeare, William (1564–1616), playwright and poet Cordelia (character in King Lear)
RM2E478EH–attributed to Peter DeWint, 1784–1849, British, Still Life: Basket, undated. Brown wash and graphite on moderately thick, slightly textured, cream wove paper. baskets , cloth , still life
RM2E46E36–Thomas Rowlandson, 1756–1827, British, The Glass Works, undated. Watercolor, with pen and brown ink, over graphite on medium, slightly textured, cream, wove paper.
RM2E46M3E–Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written Sanchos letters, undated. Engraving.
RM2E470XN–Charles Hancock, 1802–1877, British, Two Shetland Ponies With a Groom, 1834. Oil, watercolor, gouache, and pen and brown ink on moderately thick, rough, beige wove paper. animal art , genre subject , groom , horses (animals) , ponies (animals)
RM2E42DE6–John Hamilton Mortimer, 1740–1779, British, York, Henry IV, Part II, Act V, Scene IV, 1775. Engraving.
RM2E45HRM–Capt. Thomas Hastings, 1778–1854, British, Near the Tunnel on the Kenmare Road, Killarney, 4 September 1841, 1841. Graphite and pen and brown ink on medium, slightly textured, cream wove paper. child , hills , lake , landscape , man , rocks , trees , wall , woman. Ireland , Kenmare Road Tunnel , Killarney , Old Kenmare Road
RM2E46RC7–Christian von Mechel, 1737–1817, Swiss, Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam, 1792. Engraving on smooth, thick, cream wove paper. architectural subject
RM2E47988–Heneage Finch fourth Earl of Aylesford, 1751–1812, British, The Butcher, undated. Watercolor, pen, brown ink, and graphite on moderately thick, moderately textured, cream laid paper. apron , axe , basket , figure study , genre subject , man
RM2E46FJD–Henry Thomas Alken, 1785–1851, British, Steeplechasing: Five Riders Galloping Right, undated. Graphite and watercolor on medium, slightly textured, cream, wove paper. fields , galloping , horse racing , horseback riders , horseback riding , horses (animals) , houses , jockeys , landscape , men , race (event) , sporting art , trees , whips (animal equipment)
![Sir Richard Colt Hoare, 1758–1838, British, [One from] Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper. Public Domain Stock Photo](https://c8.alamy.com/comp/2E46XMP/sir-richard-colt-hoare-17581838-british-one-from-views-in-saxony-france-spain-reba-italy-sicily-ca-1817-watercolor-and-black-ink-over-graphite-on-wove-paper-public-domain-2E46XMP.jpg "Sir Richard Colt Hoare, 1758–1838, British, [One from] Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper. Public Domain Stock Photo")
RM2E46XMP–Sir Richard Colt Hoare, 1758–1838, British, [One from] Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper. Public Domain
RM2E473P0–James Ward, 1769–1859, British, A Cedar on a Rise with a Herd of Deer Grouped Beneath its Shade, 1814. Brown ink and graphite on medium, smooth, beige wove paper. cedar , deer , herd , landscape , shade , trees
RM2E43FT7–William Wilkins, 1778–1839, British, Elevation of a Proposed Design for Cambridge Colleges, undated. Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper. architectural subject
RM2E431FM–Henry Thomas Alken, 1785–1851, British, Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's, 1823. Hand colored soft-ground etching.
RM2E46MB5–Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), The Flight into Egypt, 1790. Engraving.
RM2E43919–Gerard Jean Baptiste Scotin, 1671–1716, Marriage A-La-Mode, Plate VI: The Death of the Countess, 1745. Engraving.
RM2E4711D–George Stubbs, 1724–1806, British, Tiger Body, Lateral View, 1795 to 1806. Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer with pin pricks along outer border. anatomical study , anatomy , figure study , skin , tail (hanging) , tiger
RM2E433Y1–David Roberts, 1796–1864, British, Group of Figures, Gadshill, 1862. Gray wash and graphite on medium, slightly textured, green wove paper. coats , figure study , figures , genre subject , hats , men
RM2E43A3P–Luigi Balugani, 1737–1770, Italian, A Fish from the Red Sea, undated. Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper. fish
RM2E473P2–John Frederick Tayler, 1802–1889, British, A Ploughboy Riding One of a Pair of Draught-horses Up a Hill, undated. Watercolor over graphite on medium, slightly textured, cream, wove paper. animal art
RM2E477YH–Print made by Richard Purcell, active 1746–1766, Irish, Rural Life, undated. Mezzotint on moderately thick, moderately textured, cream, laid iaper. figure study , genre subject , spinner
RM2E422W1–William Marlow, 1740–1813, British, Houses by the Riverside, undated. Watercolor and graphite on medium, slightly textured, cream laid paper. cityscape , fence , houses , riverbank , rooftops
RM2E42P05–Print made by James C. Allen, active 1821–1831, British, Ivy Bridge, Devonshire, 1816. Etching; open etching on medium, slightly textured, cream wove paper.
RM2E45A17–Capt. Thomas Hastings, 1778–1854, British, Sketch of Beached Sailboats and Stilt Cottages, Hastings, 1820. Graphite on medium, slightly textured, cream wove paper. portrait
RM2E46P61–Studio of Sir Jeffry Wyatville, 1766–1840, British, Elevation of an Unidentified Church, undated. Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper. architectural subject
RM2E437H8–unknown artist, nineteenth century, Man Standing (Madeira Jan 15/68), 1868. Watercolor and graphite on thick, moderately textured, cream wove paper. figure study , hat , standing
RM2E437YB–Etched by Joseph Mallord William Turner, 1775–1851, British, London from Greenwich, 1811. Etching on medium, slightly textured, cream wove paper. London
RM2E43CAA–Frederick Christian Lewis the Elder, 1779–1856, British, Frontispiece to Mr. Fawkes Catalogue, 1820. Soft-ground etching, and engraving on thin, smooth, beige, chine colle, mounted on, thik, smooth, white, wove paper.
RM2E42BB8–Alphonse Legros, 1837–1911, French, active in Britain (1863–11), A Young Boy, 1903. Metalpoint; verso: graphite and pen and brown ink on medium, slightly textured, beige laid paper prepared with a white ground. boy , face , figure study
RM2E46TWK–Richard Dykes Alexander, 1788–1865, British, Professor Henslow with Plant, ca. 1855. Salted paper print from a wet collodion negative on thin, smooth, cream wove paper. chair , fruit , man , plant , portrait , table , tree
RM2E46JTW–Print made by Johann Lorenz Haid, 1702–1750, German, S. Johannes, early 1750s. Mezzotint on moderately thick, slightly textured, beige laid paper. apostle , book , chalice , Christian , Christianity , cloak , curls , disciple , halo , historical subject , quills , reading , religious , religious and mythological subject , solemn , steam , thoughtful , writing (processes). John the Evangelist, Saint (c. 1–c. 100 AD)
RM2E433X7–David Roberts, 1796–1864, British, From London Bridge, 1860. Graphite on medium, slightly textured, beige wove paper. architectural subject , boats , bridge (built work) , cityscape , river. England , Europe , London , London Bridge , United Kingdom
RM2E46PGD–Rev. William Gilpin, 1724–1804, British, River Landscape with Castles, between 1762 and 1783. Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper. boat , castles , landscape , men , mountains , river , trees
RM2E46XG6–Edmund Thomas Parris, 1793–1873, British, Sketches from Life, 1826. Graphite and watercolor on medium, smooth, cream wove paper. apron , basket , bonnet (hat) , costume , couple , dresses , figure study , hats , hats, top , horses (animals) , kerchief , ladder , men , parasols , people , tailcoats , women
RM2E4798T–Peter DeWint, 1784–1849, British, Two Girls with Shrimping Nets, undated. Watercolor and black chalk on medium, smooth, beige wove paper. baskets , beaches , bonnets , fishermen , girls , nets , sand , seashores
RM2E47ABP–Robert William Billings, 1813–1874, British, Court Yard of Caerlaverock Castle, 1848. Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper. architectural subject
RM2E42066–Mary Hoare, 1753–1820, British, The Three Witches from Macbeth: Double, Double, Toil and Trouble, 1781. Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border. barefoot , cauldron , cave , ceremony , chain , cloaks , dresses , fire , gesturing , hook , literary theme , Macbeth, Act IV, Scene I , Macbeth, play by William Shakespeare , magic , play , plays by William Shakespeare , ritual , smoke , witches. The Three Witches (characters in Macbeth) Shakespear
RM2E42TXC–Leslie Matthew 'Spy' Ward, 1851–1922, British, Politicians - Vanity Fair- 'A practical patriot'. Lord Ardilaun. May 8, 1880, 1880. Chromolithograph.
RM2E435GH–John Buckler FSA, 1770–1851, British, North view of Longford Castle, lately erected, 1811. Watercolor and pen and black ink on moderately thick, cream wove paper. architectural subject , battlements , castle , country house , mullions , towers , windows. England , Europe , Salisbury , United Kingdom , Wiltshire
RM2E46FFE–Albert-Ernest Carrier-Belleuse, 1824–1887, French, William Shakespeare, late 19th century. Bronze. portrait. Shakespeare, William (1564–1616), playwright and poet
RM2E46XP3–Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), Two Prize Fighters, ca. 1742. Brown wash, pen and brown ink and red chalk on medium, slightly textured, beige laid paper. bald , boxing , combat sport , fist , interior , men , pants , sporting art. Broughton, John (c.1703–1789), pugilist
RM2E479KM–Print made by John Greenwood, 1727–1792, American, active in Britain (from 1763), The Social Friends, 1768. Mezzotint on moderately thick, moderately textured, cream laid paper. barrels , bowls , chairs , drinking , eating , food , friends , gathering , genre subject , hats , interior , jars , jugs , men , peasants , pipes (smoking equipment) , smoke , smoking , talking , tobacco , window
RM2E434HM–Print made by Samuel Cousins, 1801–1887, British, The Calmady Children, 1835. Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper. baby , bows (costume accessories) , children , cloth , curls , dresses , gesture , girls , jewelry , necklace , nobility , portrait , profile (figure) , roundel (architectural element) , ruffle , sash , sisters , smile , tondo. Calmady, Miss Emily (1818–1906), daughter of Charles Biggs Calmady of Langdon Hall, Devonshire Calmady, Miss Laura Anne (1820–1894), daughter of Charles Biggs Calmady of Langdon Hall, D
RM2E4364R–James Holland, 1799–1870, British, Evening Sky on the Coast, between 1859 and 1861. Watercolor, graphite and white gouache on medium, slightly textured, cream laid paper. abstract art , coast , evening , light , marine art , sand , sky , sunset
RM2E42KMW–Print made by David Lucas, 1802–1881, British, Summer Morning, 1831. Mezzotint on moderately thick, slightly textured, cream wove paper with chine collé. Dedham Vale , England , Essex , Europe , Langham , United Kingdom
RM2E45349–S. Lacey, active 1830s, View in the Regents Park, East Gate, a Villa and St. Katherine's Hospital. Engraving.
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