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RM2HWC56M–Olympic Games, 1-16 August 1936, Berlin Germany poster designed by Franz Würbel (1896-1944) featuring gold coloured male athlete with a laurel wreath behind a silhouette of the Brandenburg Gate.
RM2HTK7EN–Pierre François Lacenaire (1803-1836) French murderer and writer who achieved notoriety in French society when writing his memoirs whilst awaiting execution for a double murder. Photograph of an illustration published in 1864.
RM2HPBRH1–Auguste Rodin (1840-1917) French sculptor with his sculpture The Eternal Idol (1893) in the background.
RM2HND0M7–Noah’s Ark and the deluge, woodcut from 1550 edition of ‘Cosmographia’ by Sebastian Munster (1488-1552). Photograph from original 1550 Latin edition of 'Cosmographia'.
![Illustration from ‘Le Sportsman Parisien’ [The Parisian Sportsman] by Rodolphe d'Ornano (1861-1865) by Paul Gavarni (1804-1866). Photograph of an original hand coloured engraving published in 1840. Stock Photo](https://c8.alamy.com/comp/2HNB8N1/illustration-from-le-sportsman-parisien-the-parisian-sportsman-by-rodolphe-dornano-1861-1865-by-paul-gavarni-1804-1866-photograph-of-an-original-hand-coloured-engraving-published-in-1840-2HNB8N1.jpg "Illustration from ‘Le Sportsman Parisien’ [The Parisian Sportsman] by Rodolphe d'Ornano (1861-1865) by Paul Gavarni (1804-1866). Photograph of an original hand coloured engraving published in 1840. Stock Photo")
RM2HNB8N1–Illustration from ‘Le Sportsman Parisien’ [The Parisian Sportsman] by Rodolphe d'Ornano (1861-1865) by Paul Gavarni (1804-1866). Photograph of an original hand coloured engraving published in 1840.
RM2HN7ENP–Jane Eyre: An Autobiography. Edited by Currer Bell. Photograph of the title page to the first edition of Jane Eyre by Charlotte Brontë which was published in 1847 under her pen name Currer Bell.
RM2HMTM22–Backgammon set and players from Stichtelyke Zinnebeelde by Arnold Houbraken (1660-1719). Photograph of original engraving published in 1723.
RM2HMJEPR–‘The Woman and the Moon’ from ‘Salomé A Tragedy in One Act’ a play by Oscar Wilde (1854-1900) illustration by Aubrey Beardsley (1872-1898).
RM2HMHPX6–James Joyce (1882-1941) influential Irish writer whose novel Ulysses is widely considered one of the most important works of modernist literature.
RM2HKYRTC–Mr. Tumnus the faun with Lucy Pevensie from The Lion, the Witch and the Wardrobe by C. S. Lewis (1898-1963). Photograph of coloured illustration by Pauline Baynes (1922-2008) from a 2014 edition published by HarperCollins. Credit: Pauline Baynes / HarperCollins Publishers
![Là-bas [The Damned] by Joris-Karl Huysmans (J.-K./J.K.Huysmans) 1848-1907 French author and art critic first published in 1891 introducing the character Durtal who investigates Satanism in France. Photograph of title page from a 1924 edition featuring artwork by Henry Chapront (1876-1965). Stock Photo](https://c8.alamy.com/comp/2HKYRTM/l-bas-the-damned-by-joris-karl-huysmans-j-kjkhuysmans-1848-1907-french-author-and-art-critic-first-published-in-1891-introducing-the-character-durtal-who-investigates-satanism-in-france-photograph-of-title-page-from-a-1924-edition-featuring-artwork-by-henry-chapront-1876-1965-2HKYRTM.jpg "Là-bas [The Damned] by Joris-Karl Huysmans (J.-K./J.K.Huysmans) 1848-1907 French author and art critic first published in 1891 introducing the character Durtal who investigates Satanism in France. Photograph of title page from a 1924 edition featuring artwork by Henry Chapront (1876-1965). Stock Photo")
RM2HKYRTM–Là-bas [The Damned] by Joris-Karl Huysmans (J.-K./J.K.Huysmans) 1848-1907 French author and art critic first published in 1891 introducing the character Durtal who investigates Satanism in France. Photograph of title page from a 1924 edition featuring artwork by Henry Chapront (1876-1965).
![Le Rouge et le Noir [The Red and the Black] by Stendhal (Marie-Henri Beyle) (1783-1842) title page from Book 1 featuring artwork by Henri Dubouchet (1833-1909) ) showing Julien Sorel looking on at Monsieur de Rênal's wife and Elisa the chambermaid who discovers their affair. Stock Photo](https://c8.alamy.com/comp/2HKYRTX/le-rouge-et-le-noir-the-red-and-the-black-by-stendhal-marie-henri-beyle-1783-1842-title-page-from-book-1-featuring-artwork-by-henri-dubouchet-1833-1909-showing-julien-sorel-looking-on-at-monsieur-de-rnals-wife-and-elisa-the-chambermaid-who-discovers-their-affair-2HKYRTX.jpg "Le Rouge et le Noir [The Red and the Black] by Stendhal (Marie-Henri Beyle) (1783-1842) title page from Book 1 featuring artwork by Henri Dubouchet (1833-1909) ) showing Julien Sorel looking on at Monsieur de Rênal's wife and Elisa the chambermaid who discovers their affair. Stock Photo")
RM2HKYRTX–Le Rouge et le Noir [The Red and the Black] by Stendhal (Marie-Henri Beyle) (1783-1842) title page from Book 1 featuring artwork by Henri Dubouchet (1833-1909) ) showing Julien Sorel looking on at Monsieur de Rênal's wife and Elisa the chambermaid who discovers their affair.
![Hortus Sanitatis [The Garden of Health] by Jacob Meydenbach published in 1491 in Mainz, Germany describes species of plants with medicinal uses. Photograph shows hand coloured woodcut illustration of a man extracting a swallow stone (chelidonius) which was believed to alleviate melancholy and periodic psychosis. Stock Photo](https://c8.alamy.com/comp/2HKYRTP/hortus-sanitatis-the-garden-of-health-by-jacob-meydenbach-published-in-1491-in-mainz-germany-describes-species-of-plants-with-medicinal-uses-photograph-shows-hand-coloured-woodcut-illustration-of-a-man-extracting-a-swallow-stone-chelidonius-which-was-believed-to-alleviate-melancholy-and-periodic-psychosis-2HKYRTP.jpg "Hortus Sanitatis [The Garden of Health] by Jacob Meydenbach published in 1491 in Mainz, Germany describes species of plants with medicinal uses. Photograph shows hand coloured woodcut illustration of a man extracting a swallow stone (chelidonius) which was believed to alleviate melancholy and periodic psychosis. Stock Photo")
RM2HKYRTP–Hortus Sanitatis [The Garden of Health] by Jacob Meydenbach published in 1491 in Mainz, Germany describes species of plants with medicinal uses. Photograph shows hand coloured woodcut illustration of a man extracting a swallow stone (chelidonius) which was believed to alleviate melancholy and periodic psychosis.
RM2HKYRTJ–House of Incest by Anaïs Nin (1903-1977) US first edition published by Gemor Press in 1947. Credit: Private Collection / AF Fotografie
![Quarto de Despejo: Diário de uma favelada [Child of the Dark: The Diary of Carolina Maria de Jesús ] by Carolina Maria de Jesus (1914- 1977) [ ( Carolina Maria De Jesus ). Photograph of 1960 first edition published by Francisco Alves. Credit: Private Collection / AF Fotografie Stock Photo](https://c8.alamy.com/comp/2HKYRTF/quarto-de-despejo-dirio-de-uma-favelada-child-of-the-dark-the-diary-of-carolina-maria-de-jess-by-carolina-maria-de-jesus-1914-1977-carolina-maria-de-jesus-photograph-of-1960-first-edition-published-by-francisco-alves-credit-private-collection-af-fotografie-2HKYRTF.jpg "Quarto de Despejo: Diário de uma favelada [Child of the Dark: The Diary of Carolina Maria de Jesús ] by Carolina Maria de Jesus (1914- 1977) [ ( Carolina Maria De Jesus ). Photograph of 1960 first edition published by Francisco Alves. Credit: Private Collection / AF Fotografie Stock Photo")
RM2HKYRTF–Quarto de Despejo: Diário de uma favelada [Child of the Dark: The Diary of Carolina Maria de Jesús ] by Carolina Maria de Jesus (1914- 1977) [ ( Carolina Maria De Jesus ). Photograph of 1960 first edition published by Francisco Alves. Credit: Private Collection / AF Fotografie
![Le Rouge et le Noir [The Red and the Black] by Stendhal (Marie-Henri Beyle) (1783-1842) title page from Book 1 featuring artwork by Henri Dubouchet (1833-1909) ) showing Julien Sorel looking on at Monsieur de Rênal's wife and Elisa the chambermaid who discovers their affair. Stock Photo](https://c8.alamy.com/comp/2HKYRTT/le-rouge-et-le-noir-the-red-and-the-black-by-stendhal-marie-henri-beyle-1783-1842-title-page-from-book-1-featuring-artwork-by-henri-dubouchet-1833-1909-showing-julien-sorel-looking-on-at-monsieur-de-rnals-wife-and-elisa-the-chambermaid-who-discovers-their-affair-2HKYRTT.jpg "Le Rouge et le Noir [The Red and the Black] by Stendhal (Marie-Henri Beyle) (1783-1842) title page from Book 1 featuring artwork by Henri Dubouchet (1833-1909) ) showing Julien Sorel looking on at Monsieur de Rênal's wife and Elisa the chambermaid who discovers their affair. Stock Photo")
RM2HKYRTT–Le Rouge et le Noir [The Red and the Black] by Stendhal (Marie-Henri Beyle) (1783-1842) title page from Book 1 featuring artwork by Henri Dubouchet (1833-1909) ) showing Julien Sorel looking on at Monsieur de Rênal's wife and Elisa the chambermaid who discovers their affair.
RM2HETY34–General view of the Ur Royal Cemetery excavations looking South-East showing the grave of Meskalamdug the royal tomb and the great death pit. Photograph taken in 1928 during the Joint Expedition to Mesopotamia by the British Museum and the Museum of the University of Pennsylvania.
RM2H2CJAA–Benvenuto Cellini (1500-1571) Italian goldsmith and sculptor best remembered for his infamous and colourful autobiography about life during the Renaissance period. Photograph of an original 19th century engraving.
RM2H0PT40–Undine rises from the fountain weeping from ‘Undine’ illustrated by Arthur Rackham (1867-1939). Photograph of an original illustration from a 1909 first edition.
![‘République du Tchad’ [Republic of Chad] circa 1952 Tourism Poster by Chad tourism service with the French overseas agency showing a Wodaabe woman in headdress. Artwork by Alain Cornic. Credit: Private Collection / AF Fotografie Stock Photo](https://c8.alamy.com/comp/2GANNRB/rpublique-du-tchad-republic-of-chad-circa-1952-tourism-poster-by-chad-tourism-service-with-the-french-overseas-agency-showing-a-wodaabe-woman-in-headdress-artwork-by-alain-cornic-credit-private-collection-af-fotografie-2GANNRB.jpg "‘République du Tchad’ [Republic of Chad] circa 1952 Tourism Poster by Chad tourism service with the French overseas agency showing a Wodaabe woman in headdress. Artwork by Alain Cornic. Credit: Private Collection / AF Fotografie Stock Photo")
RM2GANNRB–‘République du Tchad’ [Republic of Chad] circa 1952 Tourism Poster by Chad tourism service with the French overseas agency showing a Wodaabe woman in headdress. Artwork by Alain Cornic. Credit: Private Collection / AF Fotografie
RM2G93YEN–Frontispiece from ‘Frankenstein; or, The Modern Prometheus’ by Mary Shelley (1797-1851) first published in 1818 showing Victor Frankenstein fleeing the room as the Creature comes to life. Photograph of an illustration by Theodor von Holst (1810-1844) from an original 1831 edition. Credit: Private Collection / AF Fotografie
RM2G74GRP–‘The Chief Way’ 1947 Sante Fe Railroad Travel Poster showing a head and shoulders portrait of a Native American wearing headdress staring directly at the viewer. The Atchison, Topeka and Santa Fe Railway (ATSF) flagship streamliner passenger train between Chicago and Los Angeles was called the ‘Super Chief’, and the name and iconic imagery of this poster are both evocative of the West of America. Credit: Private Collection / AF Fotografie
RM2G75HY4–‘The Lake District for Holidays’ circa 1930 Tourism Poster by LMS (London, Midland, & Scottish Railway) showing Honister Crag fell overlooking Fleetwith Pike. Artwork by Algernon Talmage (1871-1939). Credit: Private Collection / AF Fotografie
RM2G72A2J–‘Cornwall’ circa 1935 Tourism Poster for the American market by GWR (Great Western Railways) showing the cobbled streets of St Ives. Artwork by Sir Brian Caldwell Cook Batsford (1910-1991). Credit: Private Collection / AF Fotografie
RM2G72A2R–‘Hawaii’ circa 1958 Tourism poster showing surfers featuring artwork by Chas Allen. Credit: Private Collection / AF Fotografie
RM2G6TEKF–‘ENLIST’ 1915 poster showing a mother and child drowning published by the Boston Committee of Public Safety featuring artwork by Fred Spear. This iconic poster was published a month after the sinking of the RMS Lusitania on 7 May 1915 by a German U-boat. 1198 passengers and crew died including 128 American citizens which heightened tensions between the U.S. and Germany and helped sway American opinion to enter World War 1.
RM2G6M46M–The Spy Who Loved Me by Ian Fleming (1908-1964) the ninth novel featuring British Secret Service agent 007 James Bond. A cautionary tale written from the perspective of a woman who finds herself in trouble and rescued by a chance encounter with Bond.
RM2G6GF9Y–‘La Lune à un mètre!’ (The Moon at One Meter!) 1900 poster showing the ‘Grande Lunette’ (the world’s largest refracting telescope) installed in the Palace of Optics at the 1900 Exposition Universelle in Paris with the image of the moon with a face projected on a screen inspired by Georges Méliès’ 1898 film of the same name. Artwork by Louis Abel-Truchet (1857-1918). Credit: Private Collection / AF Fotografie
RM2G69BAT–‘Air France, Africa’ 1962 Tourism Poster featuring tribal art by Jacques Nathan-Garamond (1910-2001). Credit: Private Collection / AF Fotografie
RM2G69BAM–'Canberra, Australia Federal Capital and Garden City’ 1934 Tourism Poster released by Australian National Travel Association designed by James Northfield (1887-1973). Credit: Private Collection / AF Fotografie
RM2C3W0DB–“Ladies whipping girls” illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society, Published in 1834 the book detailed the trade, abuse and corrupt life styles of those involved in slavery to further the abolitionist cause.
RM2C3W0D3–“Flogging American Women” illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society, Published in 1834 the book detailed the trade, abuse and corrupt life styles of those involved in slavery to further the abolitionist cause.
RM2C3W0DF–“Tanning a boy” illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society, showing a kidnapped white boy being darkened so that he could be sold as a slave. Published in 1834 the book detailed the trade, abuse and corrupt lifestyles of those involved in slavery to further the abolitionist cause.
RM2C3W0DY–“Kidnapping” illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society, Published in 1834 the book detailed the trade, abuse and corrupt life styles of those involved in slavery to further the abolitionist cause.
RM2C3W0D7–“Exchanging Citizens for Horses” illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society, Published in 1834 the book detailed the trade, abuse and corrupt life styles of those involved in slavery to further the abolitionist cause.
RM2C3W0DM–“Auction at Richmond” illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society, Published in 1834 the book detailed the trade, abuse and corrupt life styles of those involved in slavery to further the abolitionist cause.
RM2C3W0BH–“Selling females by the pound” illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society, Published in 1834 the book detailed the trade, abuse and corrupt life styles of those involved in slavery to further the abolitionist cause.
RM2C3W0BP–“A slave plantation” illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society, Published in 1834 the book detailed the trade, abuse and corrupt life styles of those involved in slavery to further the abolitionist cause.
RM2C3W0E8–“A woman exchange for a Ram and a Sheep” frontispiece illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society, Published in 1834 the book detailed the trade, abuse and corrupt life styles of those involved in slavery to further the abolitionist cause.
RM2C3W0E3–“Family Amalgamation among the Men-stealers” illustration from ‘Picture of slavery in the United States of America’ by George Bourne (1780-1845) a founder of the American Anti-Slavery Society. Published in 1834 the book detailed the trade, abuse and corrupt life styles of those involved in slavery to further the abolitionist cause.
RM2C3CJ3F–Kneeling slave emblem of the Anti-Slavery Society, showing a manacled African slave pleading to be set free beside him lies a whip symbolising the subhuman oppression slaves had to endure. Illustration from ‘The Narrative of William W. Brown, a Fugitive Slave, Written by Himself’ by William Wells Brown (c.1814-1884).
RM2C3CJ45–“The slave-trader Walker and the author driving a gang of slaves to the southern market” illustration from ‘The Narrative of William W. Brown, a Fugitive Slave, Written by Himself’ by William Wells Brown (c.1814-1884). First published in 1847 this bestselling slave narrative sets out the author’s experience as the son of a white planter and mother of Native American and black ancestry working the steamships out of St Louis, Missouri before escaping in 1834 in the free state of Ohio.
RM2C3CJ3Y–“The author and his mother arrested and carried back into slavery” illustration from ‘The Narrative of William W. Brown, a Fugitive Slave, Written by Himself’ by William Wells Brown (c.1814-1884). First published in 1847 this best selling slave narrative sets out the author’s experience as the son of a white planter and mother of Native American and black ancestry working the steamships out of St Louis, Missouri before escaping in 1834 in the free state of Ohio.
RM2C3CJ3A–“The author caught by the bloodhounds” frontispiece illustration from ‘The Narrative of William W. Brown, a Fugitive Slave, Written by Himself’ by William Wells Brown (c.1814-1884). First published in 1847 this best selling slave narrative sets out the author’s experience as the son of a white planter and mother of Native American and black ancestry working the steamships out of St Louis, Missouri before escaping in 1834 in the free state of Ohio.
RM2C3F059–William Wells Brown (c.1814-1884) African-American abolitionist who was born into slavery before escaping, educating himself and writing a bestselling narrative of his life. He later became an accomplished playwright and novelist.
RM2C0PAEA–Plan of the slave ship Brookes designed to show the suffering of African slaves transported in the Middle Passage during the transatlantic slave trade. This famous illustration first published in 1787 was widely disseminated and did much to advance the abolitionist cause by showing the inhumanity of the slave trade.
RM2C0PAE1–Section of the slave ship Brookes designed to show the suffering of African slaves transported in the Middle Passage during the transatlantic slave trade. This famous illustration first published in 1787 was widely disseminated and did much to advance the abolitionist cause by showing the inhumanity of the slave trade.
RM2C0BPDA–Edward Colston (1636-1721) English merchant and philanthropist who did much to improve his native city of Bristol. Colston was involvement in the management of the Royal African Company between 1689-92 which has a monopoly on the transatlantic transportation and sale African slaves in the Americas. Engraving by George Vertue (1684-1756) published in 1722.
RM2BY9MYF–Charles Apthorp (1698-1758) English born merchant and slave trader who grow up in America after his parents emigrated and traded out of colonial Boston, Massachusetts. Oil painting by Robert Feke (c.1705-c.1752) painted in 1748.
RM2B16DD8–“My mistress’ brows are raven black” from ‘Of His Lady Love’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DDB–“I will be true, despite thy scythe and thee” from ‘Defiance to Time’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DFC–“Mark how one string, sweet husband to another, strikes each by each by mutual ordering” from ‘Harmony and Melody’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DBK–“Tearing of papers, breaking rings a-twain” from ‘A Lover’s Complaint’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DKA–“On a day – alack the day! Love, whose month is ever May, spied a blossom passing fair playing in the wanton air” from ‘The Longing the Cannot be Uttered (aka The Blossom)’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DFJ–“This fair child of mine” frontispiece from ‘A Revival - When Forty Winters Shall Besiege Thy Brow’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DEC–“Not marble, not the gilded monuments of Princes, shall outlive this powerful rhyme; But you shall shine more bright in these contents than upswept stone besmear’d with sluttish time” from ‘Exegi Monumentum’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DFP–“Hark, hark! The lark at heaven’s gate sings, and Phoebus ‘gins arise” frontispiece from ‘Reveillez’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DF7–“In the court of love” from ‘Soul and Body’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DDG–“Some glory in their birth” from ‘All things in Love’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DFF–“These lovers cry Oh! Oh! They die!” from ‘Winter’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B16DKG–Oscar Wilde (1854-1900) Irish author, poet and playwright photographed whilst visiting the USA in 1882 by Napoleon Sarony (1821-1896). This photograph later became the subject of a copyright infringement in Burrow-Giles Lithographic Co. v. Sarony, 111 U.S. 53 (1884) that resulted in the extension of copyright protection to photography. See more information below.
RM2B16DD3–“She burn’d with love, as straw with fire flameth, she burn’d out love, as soon as straw out-burneth” from ‘Fair and False’ in The Songs and Sonnets of William Shakespeare illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XE5F–“The Russian princess” from ‘The Remarkable Rocket’ in The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XE3W–“The King of the Mountains of the Moon” frontispiece from The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XDY7–“In every tree he could see there was a little child” from ‘The Selfish Giant’ in The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XE5C–“The loveliest of the Queen’s maids of honour” from The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XDYX–“She will pass me by” from ‘The Nightingale and the Rose’ in The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XE09–“The rich making merry in their beautiful houses while the beggars were sitting at the gate” from The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XE2E–“The palace of Sans-Souci” from The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XDTT–“Hans in the garden” from ‘The Devoted Friend’ in The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XE52–“Let the fireworks being said the King” from ‘The Remarkable Rocket’ in The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XE44–Chapter end illustration showing an Angel holding a leaden heart and a dead bird from The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XDXW–“The little boy he had loved” from ‘The Selfish Giant’ in The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XDYJ–“His lips are as sweet as honey” from ‘The Nightingale and the Rose’ in The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0XDXH–“The green linnet” from ‘The Devoted Friend’ in The Happy Prince and Other Tales by Oscar Wilde (1854-1900) illustrated by Charles Robinson (1870-1937). See more information below.
RM2B0G8J8–Frances Hodgson Burnett (1849-1924) American writer best remembered for her children’s novels Little Lord Fauntleroy (1886) and The Secret Garden (1911). Photograph of original studio portrait taken by Herbert Rose Barraud (1845-1896) in 1888. See more information below.
RM2B04N41–“ ‘Praise God from whom all blessings flow’” from The Secret Garden by Frances Hodgson Burnett (1849-1924). Illustration shows singing to Ben Weatherstaff, Colin and Mary in the Rose garden. Photograph of first American edition published in 1911 with illustrations by Maria Louise Kirk (1860-1938).
RM2B04N55–“Dickon came in smiling his nicest wide smile” from The Secret Garden by Frances Hodgson Burnett (1849-1924). Illustration shows Dickon holding a new born lamb with Captain the fox and the squirrels Nut and Shell meeting Colin in his wheelchair with Mary. Photograph of first American edition published in 1911 with illustrations by Maria Louise Kirk (1860-1938).
RM2B04N4K–The Secret Garden by Frances Hodgson Burnett (1849-1924), a classic children’s story about an orphaned girl send to live with her uncle in Misselthwaite Manor where she discovers a key to a locked garden. Photograph of first American edition published in 1911 with illustrations by Maria Louise Kirk (1860-1938).
RM2B04N4D–“It seemed scarcely bearable to leave such delightfulness” from The Secret Garden by Frances Hodgson Burnett (1849-1924). Illustration shows Mary and Dickon in the locked garden with Captain the fox, Soot the crow, and Nut and Shell, two squirrels. Photograph of first American edition published in 1911 with illustrations by Maria Louise Kirk (1860-1938).
RM2B04N4Y–“ ‘Who are you?- Are you a ghost?’” from The Secret Garden by Frances Hodgson Burnett (1849-1924). Illustration shows Mary Lennox discovering the sick Colin Craven. Photograph of first American edition published in 1911 with illustrations by Maria Louise Kirk (1860-1938).
RM2AYHBT8–The Invisible Man – A Grotesque Romance by H.G. Wells (1866-1946) about a scientist who finds a method of turns invisible but slowly goes insane in the process. Photograph of title page from a 1897 first edition book. See more information below.
![T. S. Eliot [Thomas Stearns Eliot] (1888-1965) British poet and writer best remembered for his modernist poem The Waste Land published in 1922 and winner of the Nobel Prize in Literature in 1948. See more information below. Stock Photo](https://c8.alamy.com/comp/2AY2K09/t-s-eliot-thomas-stearns-eliot-1888-1965-british-poet-and-writer-best-remembered-for-his-modernist-poem-the-waste-land-published-in-1922-and-winner-of-the-nobel-prize-in-literature-in-1948-see-more-information-below-2AY2K09.jpg "T. S. Eliot [Thomas Stearns Eliot] (1888-1965) British poet and writer best remembered for his modernist poem The Waste Land published in 1922 and winner of the Nobel Prize in Literature in 1948. See more information below. Stock Photo")
RM2AY2K09–T. S. Eliot [Thomas Stearns Eliot] (1888-1965) British poet and writer best remembered for his modernist poem The Waste Land published in 1922 and winner of the Nobel Prize in Literature in 1948. See more information below.
RM2AYHC5J–The Invisible Man – A Grotesque Romance by H.G. Wells (1866-1946) about a scientist who finds a method of turns invisible but slowly goes insane in the process. Photograph of original 1897 first edition front cover. See more information below.
RM2AWA86R–Diamonds Are Forever by Ian Fleming (1908-1964) is the fourth novel to feature British Secret Service agent James Bond. This time Bond investigates an international diamond-smuggling operation and falls in love with one of the smugglers, Tiffany Case. Photograph of 1956 first edition front cover featuring artwork by Pat Marriott (1920-2002).
RM2AW4PEE–You Only Live Twice by Ian Fleming (1908-1964) the eleventh novel featuring British Secret Service agent 007 James Bond. Following the death of his wife Bond is devastated and given a special mission to Japan and exact revenge on his nemesis Blofelt. Photograph of 1964 first edition front cover featuring artwork by Richard Chopping (1917-2008).
RM2AW1R2B–From Russia, with Love by Ian Fleming (1908-1964) the fifth novel to feature British Secret Service agent James Bond. SMERSH attempts to assassinate Bond luring him with the attractive Corporal Tatiana Romanova and the Specktor decoding machine. Photograph of 1957 first edition front cover featuring artwork by Richard Chopping (1917-2008).
RM2AW1R27–Goldfinger by Ian Fleming (1908-1964) the seventh novel to feature British Secret Service agent James Bond pitted against Auric Goldfinger and his Operation Grand Slam to steal gold from the United States Bullion Depository at Fort Knox. Photograph of 1959 first edition front cover featuring artwork by Richard Chopping (1917-2008).
RM2AW1R2E–Thunderball by Ian Fleming (1908-1964) the eighth novel to feature British Secret Service agent James Bond, the mission to recover stolen nuclear weapons stolen by SPECTRE and Emilio Largo. Photograph of 1961 first edition front cover featuring artwork by Richard Chopping (1917-2008).
RM2AW4PMC–Live and Let Die by Ian Fleming (1908-1964) the second novel to feature British Secret Service agent 007 James Bond who investigates Mr Big in Harlem with his fortune telling assistant Solitaire. Photograph of 1954 first edition front cover by Kenneth Lewis.
RM2ATYJH9–Dr. No by Ian Fleming (1908 – 1964) the sixth novel to feature British Secret Service agent 007, James Bond and the first to be adapted for the big screen in 1962. Photograph of 1958 first edition front cover featuring artwork by Pat Marriott (1920-2002).
RM2ATRN4N–Fahrenheit 451 by Ray Bradbury (1920-2012), a dystopian novel about Guy Montag, a fireman in a society where books are outlawed and destroyed by firemen. Photograph of 1953 first edition front cover featuring an illustration by Joe Mugnaini (1912-1992).
RM2ATRN4A–Fahrenheit 451 by Ray Bradbury (1920-2012), illustration by Joe Mugnaini (1912-1992) of Guy Montag, a fireman in a society where books are outlawed and destroyed by firemen. Photograph from a 1953 first edition.
RM2ARJ883–“In these lower levels we came upon the shadowy shapes of dead ships” illustration from The Voyages of Doctor Dolittle (1922) written and illustrated by Hugh Lofting (1886-1947). The second novel about a Doctor who can talk to animals. See more information below.
RM2ARJ8MX–“He talks English!” illustration from The Voyages of Doctor Dolittle (1922) written and illustrated by Hugh Lofting (1886-1947). The second novel about a Doctor who can talk to animals. See more information below.
RM2ARJ8B9–“And in her right foot she carried a lighted candle” illustration from The Voyages of Doctor Dolittle (1922) written and illustrated by Hugh Lofting (1886-1947). The second novel about a Doctor who can talk to animals. See more information below.
RM2ARJ8FN–“The Whispering Rocks” illustration from The Voyages of Doctor Dolittle (1922) written and illustrated by Hugh Lofting (1886-1947). The second novel about a Doctor who can talk to animals. See more information below.
RM2ARJ8FB–“Had to chase his butterflies with a crown upon his head” illustration from The Voyages of Doctor Dolittle (1922) written and illustrated by Hugh Lofting (1886-1947). The second novel about a Doctor who can talk to animals. See more information below.
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