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Snakemouth orchid, adder's tongue, rose pogonia, adder's-tongue-leaved pogonia, Pogonia ophioglossoides. Native to North America and Canada, introduced by English botanist Thomas Nuttall, drawn at James Colville's nursery in the King's Road, Chelsea. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CWB136–Snakemouth orchid, adder's tongue, rose pogonia, adder's-tongue-leaved pogonia, Pogonia ophioglossoides. Native to North America and Canada, introduced by English botanist Thomas Nuttall, drawn at James Colville's nursery in the King's Road, Chelsea. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Slime lily, Albuca prasina. Pea-green flowered Cape star-of Bethlehem, Ornithogalum prasinum. Native to the southern Cape, South Africa, sent by explorer and naturalist William John Burchell from South Africa, drawn at his father Matthew Burchell's nursery at Fulham. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CWB181–Slime lily, Albuca prasina. Pea-green flowered Cape star-of Bethlehem, Ornithogalum prasinum. Native to the southern Cape, South Africa, sent by explorer and naturalist William John Burchell from South Africa, drawn at his father Matthew Burchell's nursery at Fulham. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Woodland stonecrop or three-leaved American stone-crop, Sedum ternatum. Native to Virginia, Carolina, and Pennsylvania, North America, drawn at the nursery of Scottish nurserymen James Lee and Lewis Kennedy, Hammersmith. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CWB123–Woodland stonecrop or three-leaved American stone-crop, Sedum ternatum. Native to Virginia, Carolina, and Pennsylvania, North America, drawn at the nursery of Scottish nurserymen James Lee and Lewis Kennedy, Hammersmith. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Sweet calabash, conch apple, wild purple passionfruit, sweet cup or apple-fruited passionflower, Passiflora maliformis. Native to Jamaica and the West Indies, drawn from a plant in James Vere's collection at Kensington Gore. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CTYJJF–Sweet calabash, conch apple, wild purple passionfruit, sweet cup or apple-fruited passionflower, Passiflora maliformis. Native to Jamaica and the West Indies, drawn from a plant in James Vere's collection at Kensington Gore. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
False saffron, safflower or bastard saffron, Carthamus tinctorius. Native of Egypt, drawn at the nursery of Whitley, Brames and Milne on King's Road, Fulham. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CWB1BX–False saffron, safflower or bastard saffron, Carthamus tinctorius. Native of Egypt, drawn at the nursery of Whitley, Brames and Milne on King's Road, Fulham. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Dwarf arctotis, Arctotis acaulis. Native to the Cape of Good Hope, South Africa, drawn at the nursery of Scottish nurserymen James Lee and Lewis Kennedy, Hammersmith. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CTYK0K–Dwarf arctotis, Arctotis acaulis. Native to the Cape of Good Hope, South Africa, drawn at the nursery of Scottish nurserymen James Lee and Lewis Kennedy, Hammersmith. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Narrow glaucous-leaved cyrtanthus, Cyrtanthus collinus. Native to South Africa, found near Genadendal by explorer and naturalist William John Burchell, drawn at his father Matthew Burchell's nursery at Fulham. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CWB191–Narrow glaucous-leaved cyrtanthus, Cyrtanthus collinus. Native to South Africa, found near Genadendal by explorer and naturalist William John Burchell, drawn at his father Matthew Burchell's nursery at Fulham. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Stinging Barbadoes cherry or cowhage, Malpighia urens. Native to the West Indies, drawn from a plant in the hothouse of Scottish nurserymen James Lee and Lewis Kennedy’s nursery, Hammersmith. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CTYJRH–Stinging Barbadoes cherry or cowhage, Malpighia urens. Native to the West Indies, drawn from a plant in the hothouse of Scottish nurserymen James Lee and Lewis Kennedy’s nursery, Hammersmith. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Dracaena zeylanica. Ceylon bow-string-hemp, Sanseviera zeylanica. Native to India and Sri Lanka, drawn from a plant at John Hall’s collection at Notting Hill. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CWB18K–Dracaena zeylanica. Ceylon bow-string-hemp, Sanseviera zeylanica. Native to India and Sri Lanka, drawn from a plant at John Hall’s collection at Notting Hill. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Victorian Christmas bush, coranderrk, or villous-flowered prostanthera, Prostanthera lasianthos. Native to Van Diemen's Land (Tasmania) and New South Wales, Australia, introduced by botanist and topographer Aylmer Bourke Lambert, drawn at the collection of Lady Aylesford at Stanmore. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CWB127–Victorian Christmas bush, coranderrk, or villous-flowered prostanthera, Prostanthera lasianthos. Native to Van Diemen's Land (Tasmania) and New South Wales, Australia, introduced by botanist and topographer Aylmer Bourke Lambert, drawn at the collection of Lady Aylesford at Stanmore. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Gynura divaricata. Oval-leaved cacalia, Cacalia ovalis. Native to China, Asia. From a plant in the hothouse of Scottish nurserymen James Lee and Lewis Kennedy’s nursery, Hammersmith. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CTYJWN–Gynura divaricata. Oval-leaved cacalia, Cacalia ovalis. Native to China, Asia. From a plant in the hothouse of Scottish nurserymen James Lee and Lewis Kennedy’s nursery, Hammersmith. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Gymnocalycium gibbosum cactus. Mr. Vere's melon-thistle, Cactus gibbosus. Native to Argentina, cultivated in the hothouse of James Vere, Kensington Gore, from seeds sent from Jamaica. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816. Stock Photo
RM3CTYK5C–Gymnocalycium gibbosum cactus. Mr. Vere's melon-thistle, Cactus gibbosus. Native to Argentina, cultivated in the hothouse of James Vere, Kensington Gore, from seeds sent from Jamaica. Handcoloured copperplate engraving by P.W. Smith after a botanical illustration by Sydenham Edwards from his own Botanical Register, J. Ridgeway, London, 1816.
Jungle geranium, flame of the woods, jungle flame or pendkuli, Ixora coccinea var. coccinea. Ixora grandiflora. Handcoloured copperplate engraving by George Cooke after an illustration by George Loddiges from Conrad Loddiges' The Botanical Cabinet, London, 1818. Stock Photo
RM3CTG22X–Jungle geranium, flame of the woods, jungle flame or pendkuli, Ixora coccinea var. coccinea. Ixora grandiflora. Handcoloured copperplate engraving by George Cooke after an illustration by George Loddiges from Conrad Loddiges' The Botanical Cabinet, London, 1818.
Rock jasmine or fairy candelabras, Androsace chamaejasme. Handcoloured copperplate engraving by George Cooke after an illustration by George Loddiges from Conrad Loddiges' The Botanical Cabinet, London, 1818. Stock Photo
RM3CTG222–Rock jasmine or fairy candelabras, Androsace chamaejasme. Handcoloured copperplate engraving by George Cooke after an illustration by George Loddiges from Conrad Loddiges' The Botanical Cabinet, London, 1818.
Pleroma clavatum. (Rhexia holoserica, Tibouchina clavata). Native to South America. Handcoloured copperplate engraving by George Cooke after an illustration by George Loddiges from Conrad Loddiges' The Botanical Cabinet, London, 1818. Stock Photo
RM3CTG224–Pleroma clavatum. (Rhexia holoserica, Tibouchina clavata). Native to South America. Handcoloured copperplate engraving by George Cooke after an illustration by George Loddiges from Conrad Loddiges' The Botanical Cabinet, London, 1818.
Dayflower, Commelina tuberosa. Native to Mexico. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' The Botanical Cabinet, London, 1818. Stock Photo
RM3CTG20A–Dayflower, Commelina tuberosa. Native to Mexico. Handcoloured copperplate engraving by George Cooke from Conrad Loddiges' The Botanical Cabinet, London, 1818.
Regency man in hat and coat breaking a shop window with his umbrella in London The shop owner watches in horror from the door to Time Take-Inn, Stock Sold off at Prime Cost. Other men and women hold umbrellas in the rain. How to break a Shop Window with an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by George Moutard Woodward from Chesterfield Travestie, or School for Modern Manners, Thomas Tegg, London, 1808. Stock Photo
RM3CJME8D–Regency man in hat and coat breaking a shop window with his umbrella in London The shop owner watches in horror from the door to Time Take-Inn, Stock Sold off at Prime Cost. Other men and women hold umbrellas in the rain. How to break a Shop Window with an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by George Moutard Woodward from Chesterfield Travestie, or School for Modern Manners, Thomas Tegg, London, 1808.
Two pedigree dogs in the hunting pack of Timothy Tangent. The Black Straddler, expert in making his way home after a chase, and the Short Legg'd Shag Hound, with a weasel in its mouth. Hounds. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by George Moutard Woodward from Caleb Quizem’s Annals of Sporting, Thomas Tegg, London, 1809. Quizem was the pseudonym of the artist Woodward or the antiquary and dictionary compiler Francis Grose. Stock Photo
RM3CH2G9X–Two pedigree dogs in the hunting pack of Timothy Tangent. The Black Straddler, expert in making his way home after a chase, and the Short Legg'd Shag Hound, with a weasel in its mouth. Hounds. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by George Moutard Woodward from Caleb Quizem’s Annals of Sporting, Thomas Tegg, London, 1809. Quizem was the pseudonym of the artist Woodward or the antiquary and dictionary compiler Francis Grose.
Heads of Regency gentlemen in old wigs that came under the British game laws. Game wigs: Long Bob, Short Bob, Black Scratch, Physical Tie, Sir Cloudesley Shovel and a Three Tier. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by George Moutard Woodward from Caleb Quizem’s Annals of Sporting, Thomas Tegg, London, 1809. Quizem was the pseudonym of the artist Woodward or the antiquary and dictionary compiler Francis Grose. Stock Photo
RM3CH2G9M–Heads of Regency gentlemen in old wigs that came under the British game laws. Game wigs: Long Bob, Short Bob, Black Scratch, Physical Tie, Sir Cloudesley Shovel and a Three Tier. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by George Moutard Woodward from Caleb Quizem’s Annals of Sporting, Thomas Tegg, London, 1809. Quizem was the pseudonym of the artist Woodward or the antiquary and dictionary compiler Francis Grose.
Two hunters and their horses falling from a cliff, Regency era. The hunstmen have lost their hats and riding crops on the way down. Several hounds lie dead at the bottom of the drop, and more stand at the top barking. How to come in at the Death. Copperplate engraving drawn and etched by Thomas Rowlandson from Advice to Sportsmen, Thomas Tegg, London, 1809, by Marmaduke Markwell (pseudonym). Stock Photo
RM3CHKH76–Two hunters and their horses falling from a cliff, Regency era. The hunstmen have lost their hats and riding crops on the way down. Several hounds lie dead at the bottom of the drop, and more stand at the top barking. How to come in at the Death. Copperplate engraving drawn and etched by Thomas Rowlandson from Advice to Sportsmen, Thomas Tegg, London, 1809, by Marmaduke Markwell (pseudonym).
Two hunters are chased out of a farm by a yokel in a smock with pitchfork. One huntsman fires his musket by accident and shoots a thatcher on a ladder. Morning. Copperplate engraving drawn and etched by Thomas Rowlandson from Advice to Sportsmen, Thomas Tegg, London, 1809, by Marmaduke Markwell (pseudonym). Stock Photo
RM3CHKH6N–Two hunters are chased out of a farm by a yokel in a smock with pitchfork. One huntsman fires his musket by accident and shoots a thatcher on a ladder. Morning. Copperplate engraving drawn and etched by Thomas Rowlandson from Advice to Sportsmen, Thomas Tegg, London, 1809, by Marmaduke Markwell (pseudonym).
Two servants dropping dishes at a fashionable tea party in a Regency salon. A corpulent gentleman tells a story to other guests as the staff drop cakes and cups on the carpet. A lady in a plumed headdress pours milk into a teacup before the fireplace. Mr Ego's Marvellous Story. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from The Pleasures of Human Life, Longman, Hurst, Rees and Orme, London, 1807, by Hilaris Benevolus (pseudonym of John Britton, English antiquary, topographer, author and editor, 1771-1857). Stock Photo
RM3CHKH81–Two servants dropping dishes at a fashionable tea party in a Regency salon. A corpulent gentleman tells a story to other guests as the staff drop cakes and cups on the carpet. A lady in a plumed headdress pours milk into a teacup before the fireplace. Mr Ego's Marvellous Story. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from The Pleasures of Human Life, Longman, Hurst, Rees and Orme, London, 1807, by Hilaris Benevolus (pseudonym of John Britton, English antiquary, topographer, author and editor, 1771-1857).
A corpulent gentleman rider catching his neck on a low-hung branch riding in the woods. A woman rider ducks under a bough after the hounds in a fox hunt. How to twist your neck. Copperplate engraving drawn and etched by Thomas Rowlandson from Advice to Sportsmen, Thomas Tegg, London, 1809, by Marmaduke Markwell (pseudonym). Stock Photo
RM3CHKH6B–A corpulent gentleman rider catching his neck on a low-hung branch riding in the woods. A woman rider ducks under a bough after the hounds in a fox hunt. How to twist your neck. Copperplate engraving drawn and etched by Thomas Rowlandson from Advice to Sportsmen, Thomas Tegg, London, 1809, by Marmaduke Markwell (pseudonym).
Bride kidnapping among the Turkmens, 19th century. The groom and a group of young men on horseback pursue a young woman with a lamb on her saddle. Poursuite de la fiancee chez les Turcomans. Woodcut after an illustration by Achille-Louis-Joseph Sirouy from Charles Delon's Les Peuples de la terre, Peoples of the Earth, Paris, 1890. Stock Photo
RM3CBAKKT–Bride kidnapping among the Turkmens, 19th century. The groom and a group of young men on horseback pursue a young woman with a lamb on her saddle. Poursuite de la fiancee chez les Turcomans. Woodcut after an illustration by Achille-Louis-Joseph Sirouy from Charles Delon's Les Peuples de la terre, Peoples of the Earth, Paris, 1890.
Native Americans of Brazil in a procession at a Catholic mission. Men in feather headdresses and animal masks dance before musicians with drums, triangle and cymbals. They are followed by natives with standards, crucifix, idol figure of mother and child, and European monks. Procession chez les Indiens d'une mission au Bresil. Woodcut from Charles Delon's Les Peuples de la terre, Peoples of the Earth, Paris, 1890. Stock Photo
RM3CBAM1R–Native Americans of Brazil in a procession at a Catholic mission. Men in feather headdresses and animal masks dance before musicians with drums, triangle and cymbals. They are followed by natives with standards, crucifix, idol figure of mother and child, and European monks. Procession chez les Indiens d'une mission au Bresil. Woodcut from Charles Delon's Les Peuples de la terre, Peoples of the Earth, Paris, 1890.
Fly agaric or fly amanita, Amanita muscaria. Poisonous. Agaric fausse oronge, Agaricus muscarius. Veneneux. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876. Stock Photo
RM3BW1R1H–Fly agaric or fly amanita, Amanita muscaria. Poisonous. Agaric fausse oronge, Agaricus muscarius. Veneneux. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876.
False death cap or citron amanita, Amanita citrina 1, and panther cap or false blusher, Amanita pantherina 2. Poisonous. Agaric mappa, Agaricus mappa, Agaric panthere, Agaricus pantherinus. Veneneux. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876. Stock Photo
RM3BW1R3M–False death cap or citron amanita, Amanita citrina 1, and panther cap or false blusher, Amanita pantherina 2. Poisonous. Agaric mappa, Agaricus mappa, Agaric panthere, Agaricus pantherinus. Veneneux. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876.
Saffron milkcap, Lactarius deliciosus, edible 1, and ugly milkcap, Lactarius necator, poisonous 2. Agaric delicieux, Agaricus deliciosus, Agaric plombe, Agaricus plumbeus. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876. Stock Photo
RM3BW1T2M–Saffron milkcap, Lactarius deliciosus, edible 1, and ugly milkcap, Lactarius necator, poisonous 2. Agaric delicieux, Agaricus deliciosus, Agaric plombe, Agaricus plumbeus. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876.
St George's mushroom, Calocybe gambosa 1, and Calocybe graveolens 2. Edible. Agaric mousseron, Agaricus albellus, agaric a odeur forte, Agaricus graveolens. Comestible. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876. Stock Photo
RM3BW1R6F–St George's mushroom, Calocybe gambosa 1, and Calocybe graveolens 2. Edible. Agaric mousseron, Agaricus albellus, agaric a odeur forte, Agaricus graveolens. Comestible. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876.
Summer truffle, Tuber aestivum 2, Moroccan desert truffle, Terfezia arenaria 3, and Melanogaster variegatus 1. Edible. Melanogastre varie, truffe comestible, Tuber cibarius, terfezie leonis, Terfezia leonis. Comestible. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876. Stock Photo
RM3BW1TXB–Summer truffle, Tuber aestivum 2, Moroccan desert truffle, Terfezia arenaria 3, and Melanogaster variegatus 1. Edible. Melanogastre varie, truffe comestible, Tuber cibarius, terfezie leonis, Terfezia leonis. Comestible. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876.
Morel, Morille comestible, Morchella esculenta 1, semifree morel, Morchella semilibera 2, and false morel, Gyromitra esculenta 3. morille demi-libre, Morchella semi-libera, Helvelle comestible, Helvella esculenta. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876. Stock Photo
RM3BW1TTR–Morel, Morille comestible, Morchella esculenta 1, semifree morel, Morchella semilibera 2, and false morel, Gyromitra esculenta 3. morille demi-libre, Morchella semi-libera, Helvelle comestible, Helvella esculenta. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876.
Woolly milkcap, Lactarius torminosus, edible 1, and yellowdrop milkcap, Lactarius chrysorrheus, poisonous 2. Agaric a coliques, Agaricus torminosus, Agaric a lait jaune, Agaricus theiogalus. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876. Stock Photo
RM3BW1T3G–Woolly milkcap, Lactarius torminosus, edible 1, and yellowdrop milkcap, Lactarius chrysorrheus, poisonous 2. Agaric a coliques, Agaricus torminosus, Agaric a lait jaune, Agaricus theiogalus. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876.
The Miller mushroom, Clitopilus prunulus 1,2. Edible. Agaric orcelle, Agaricus orcella, Agaric prunulus, Agaricus prunulus. Comestible. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876. Stock Photo
RM3BW1R9G–The Miller mushroom, Clitopilus prunulus 1,2. Edible. Agaric orcelle, Agaricus orcella, Agaric prunulus, Agaricus prunulus. Comestible. Chromolithograph after a botanical illustration by woman artist Aimée-Eugénie Delville-Cordier from Francois Simeon Cordier's Les Champignons, Histoire, description, culture, usages, Mushrooms, history, description, cultivation, usage, J. Rothschild, Paris, 1876.
Fisherman and fishwife on the coast at Dieppe, English Channel, 19th century. The man in cap, jacket and trousers is mending a net in front of a leaning hulk. A fishwife in bonnet, blouse, apron and skirt, carries a basket full of fish. Pecheurs de la cote de Dieppe. Chromolithograph by S. Krakow after an illustration by Frederic Lix from Charles Delon's Les Peuples de la terre, Peoples of the Earth, Paris, 1890. Stock Photo
RM3C1ETRB–Fisherman and fishwife on the coast at Dieppe, English Channel, 19th century. The man in cap, jacket and trousers is mending a net in front of a leaning hulk. A fishwife in bonnet, blouse, apron and skirt, carries a basket full of fish. Pecheurs de la cote de Dieppe. Chromolithograph by S. Krakow after an illustration by Frederic Lix from Charles Delon's Les Peuples de la terre, Peoples of the Earth, Paris, 1890.
Diomedes and his soldiers turned into swans by Venus. In punishment for wounding love goddess Venus at the Siege of Troy, Diomedes in helmet and breastplate sprouting wings on the deck of the warship. Other swans fly away from the galleon which is decorated with a merman in chains on the prow. Soldats de Diomede en Oiseaux blancs. Copperplate engraving from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CG1ER0–Diomedes and his soldiers turned into swans by Venus. In punishment for wounding love goddess Venus at the Siege of Troy, Diomedes in helmet and breastplate sprouting wings on the deck of the warship. Other swans fly away from the galleon which is decorated with a merman in chains on the prow. Soldats de Diomede en Oiseaux blancs. Copperplate engraving from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
The fisherman Glaucus turned into a sea god. Glaucus was a Greek fisherman who ate a magical herb that made him immortal. He dives into the sea where he is transformed into a sea god. Two hippocampus wait for him in the waves. Glauque en Dieu marin. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CG1EKF–The fisherman Glaucus turned into a sea god. Glaucus was a Greek fisherman who ate a magical herb that made him immortal. He dives into the sea where he is transformed into a sea god. Two hippocampus wait for him in the waves. Glauque en Dieu marin. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Acis and the Nereid Galatea with the Cyclops Polyphemus. Mortal Acis embraces the sea-nymph Galatea under a rock. Cupid whispers in the ear of the giant Polyphemus playing the panpipes. Polyphemus kills Acis, and Galatea turns his blood into a river. Acis et Galatee. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CG1EKJ–Acis and the Nereid Galatea with the Cyclops Polyphemus. Mortal Acis embraces the sea-nymph Galatea under a rock. Cupid whispers in the ear of the giant Polyphemus playing the panpipes. Polyphemus kills Acis, and Galatea turns his blood into a river. Acis et Galatee. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Greek hero Heracles throwing his herald Lichas into the sea where he became a rock or island (Cape Lichada). Heracles wearing the Nemean lionskin hurls a young man from a cliff into the ocean. His club lies on the shore near cowrie shells. Lichas had brought him the Centaur Nessus's poisoned shirt. Lincas en rocher. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CE1YMY–Greek hero Heracles throwing his herald Lichas into the sea where he became a rock or island (Cape Lichada). Heracles wearing the Nemean lionskin hurls a young man from a cliff into the ocean. His club lies on the shore near cowrie shells. Lichas had brought him the Centaur Nessus's poisoned shirt. Lincas en rocher. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
King Midas watches his barber bury his secret. Midas had been given donkey ears by Apollo and his barber dug a hole in the earth and whispered the shameful secret into it. The reeds whisper King Midas has ass' ears.. Les Roseaux parlans. Copperplate engraving from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CG1EFT–King Midas watches his barber bury his secret. Midas had been given donkey ears by Apollo and his barber dug a hole in the earth and whispered the shameful secret into it. The reeds whisper King Midas has ass' ears.. Les Roseaux parlans. Copperplate engraving from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Psamathe transforms a monstrous wolf into stone on the shore. The Nereid Psamathe sent a wolf to destroy Peleus' herd of cattle to avenge the death of Phocus. Peleus begged his wife the sea nymph Thetis to intercede, and Psamathe turned the wolf into marble among the carcasses of the bulls. Loup Marin en rocher. Copperplate engraving from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CG1EG9–Psamathe transforms a monstrous wolf into stone on the shore. The Nereid Psamathe sent a wolf to destroy Peleus' herd of cattle to avenge the death of Phocus. Peleus begged his wife the sea nymph Thetis to intercede, and Psamathe turned the wolf into marble among the carcasses of the bulls. Loup Marin en rocher. Copperplate engraving from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
The three vengeful Furies in a cave with snakes and monsters. Three old women, Alecto, Megaera and Tisiphone, in rags with snakes for hair. In the background, Sisyphus pushing a rock up a hill, and victims on a Wheel of Fortune. Les Furies. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CE1YYJ–The three vengeful Furies in a cave with snakes and monsters. Three old women, Alecto, Megaera and Tisiphone, in rags with snakes for hair. In the background, Sisyphus pushing a rock up a hill, and victims on a Wheel of Fortune. Les Furies. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Daedalion turned into a bird of prey by Apollo. After the murder of his daughter Chione by Diana, Daedelion tried to commit suicide by jumping off Mount Parnassus. He is depicted as half human, half hawk as he descends. Dedalion en Oiseau de Proye. Copperplate engraving from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CG1EG6–Daedalion turned into a bird of prey by Apollo. After the murder of his daughter Chione by Diana, Daedelion tried to commit suicide by jumping off Mount Parnassus. He is depicted as half human, half hawk as he descends. Dedalion en Oiseau de Proye. Copperplate engraving from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Perdix transformed into a partridge by Minerva. Jealous Daedalus throws his genius nephew Perdix from a window in a tower. Perdix was a brilliant architect and inventor of the saw and compass. The goddess of warfare Minerva, in helmet and armed with spear and shield, catches Perdix, now a bird, while floating on a cloud. Perdix en Perdrix. Copperplate engraving by Sebastien LeClerc from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CE1YH8–Perdix transformed into a partridge by Minerva. Jealous Daedalus throws his genius nephew Perdix from a window in a tower. Perdix was a brilliant architect and inventor of the saw and compass. The goddess of warfare Minerva, in helmet and armed with spear and shield, catches Perdix, now a bird, while floating on a cloud. Perdix en Perdrix. Copperplate engraving by Sebastien LeClerc from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Daedalus making wings for his son Icarus for their flight. Daedalus, an Athenian craftsman and inventor, made the wings of metal feathers, leather and beeswax. He melts wax in a brazier to fix feathers on Icarus's wings. On the floor, mallet and chisel, feathers and a pair of wings. Icare. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3CE1YH6–Daedalus making wings for his son Icarus for their flight. Daedalus, an Athenian craftsman and inventor, made the wings of metal feathers, leather and beeswax. He melts wax in a brazier to fix feathers on Icarus's wings. On the floor, mallet and chisel, feathers and a pair of wings. Icare. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Shopfront of Jean-Louis Fargeon's perfumery. From a family of Montpelier apothecaries, he became perfumer to Marie Antoinette and later Empress Josephine. Facade with large windows decorated with crests of imperial eagles on the rue du Roule. (Now Gellé Frères.) Boutique de M Fargeon, parfumeur de SM Imperatrice Reine et de son AI Madame Mere. Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925. Stock Photo
RM3BRPH8J–Shopfront of Jean-Louis Fargeon's perfumery. From a family of Montpelier apothecaries, he became perfumer to Marie Antoinette and later Empress Josephine. Facade with large windows decorated with crests of imperial eagles on the rue du Roule. (Now Gellé Frères.) Boutique de M Fargeon, parfumeur de SM Imperatrice Reine et de son AI Madame Mere. Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925.
Shopfront of the clockmaker and watchmaker Anselme Metral. Facade with large shop windows, decorated with paintings of clocks on pillars and within an arch above the glass door. Boutique de Mr Metral, horloger, 51 rue Saint-Avoye. Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925. Stock Photo
RM3BRPH8Y–Shopfront of the clockmaker and watchmaker Anselme Metral. Facade with large shop windows, decorated with paintings of clocks on pillars and within an arch above the glass door. Boutique de Mr Metral, horloger, 51 rue Saint-Avoye. Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925.
Shopfront of a fashion boutique. Large windows, doors under a decorative arch, surmounted by a frieze with griffins. Located at 50 Boulevard Montmartre, next to the Theatre des Varietes, Paris, circa 1800. Magasin de Modes, 50 Boulevard Montmartre, a cote des Varietes.Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925. Stock Photo
RM3BRPH9A–Shopfront of a fashion boutique. Large windows, doors under a decorative arch, surmounted by a frieze with griffins. Located at 50 Boulevard Montmartre, next to the Theatre des Varietes, Paris, circa 1800. Magasin de Modes, 50 Boulevard Montmartre, a cote des Varietes.Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925.
Shopfront of Pierre Edme Emery's cafe and lemonade shop, Cafe Turc. Painting of a Turk in turban drinking coffee above the door. Emery bought the Turkish Baths at 94 rue du Temple in 1812 and installed them in the Cafe Turc at 33 Blvd du Temple in 1814. The cafe was popular for its kiosks and hanging lanterns in the Turqueries style. Boutique de Mr Emerie, Limonadier, Boulevard du Temple. Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925. Stock Photo
RM3BRPH60–Shopfront of Pierre Edme Emery's cafe and lemonade shop, Cafe Turc. Painting of a Turk in turban drinking coffee above the door. Emery bought the Turkish Baths at 94 rue du Temple in 1812 and installed them in the Cafe Turc at 33 Blvd du Temple in 1814. The cafe was popular for its kiosks and hanging lanterns in the Turqueries style. Boutique de Mr Emerie, Limonadier, Boulevard du Temple. Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925.
Shopfront of Taillebosq's linen store. Store with large window panes and glass doors, set within marble columns under a lintel. Boutique de Mr Taillebosq, marchand linger, 38 rue Saint-Denis.Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925. Stock Photo
RM3BRPH8F–Shopfront of Taillebosq's linen store. Store with large window panes and glass doors, set within marble columns under a lintel. Boutique de Mr Taillebosq, marchand linger, 38 rue Saint-Denis.Handcoloured pochoir (stencil) lithograph after an engraving by Jean-Marie Mixelle from Hector Lefuel’s Boutiques Parisiennes du Premier Empire, Parisian Stores of the First Empire, Morance, Paris, 1925.
Madame de Stael, French philosopher, salonist and political theorist, 1766-1817. Oval portrait with vignettes of her salon in Paris with many philosophes. View of her chateau at Coppet. Le Salon de Necker. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889. Stock Photo
RM3BNK259–Madame de Stael, French philosopher, salonist and political theorist, 1766-1817. Oval portrait with vignettes of her salon in Paris with many philosophes. View of her chateau at Coppet. Le Salon de Necker. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889.
Anne of France or Anne de Beaujeu, French princess and regent, 1462-1522. Portrait in crown and veil, with vignette of her engagement to King Charles VIII at court before guards and courtiers. View of the chateau at Plessis les Tours. Fiancailles du Roi Charles VIII. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889. Stock Photo
RM3BNK26H–Anne of France or Anne de Beaujeu, French princess and regent, 1462-1522. Portrait in crown and veil, with vignette of her engagement to King Charles VIII at court before guards and courtiers. View of the chateau at Plessis les Tours. Fiancailles du Roi Charles VIII. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889.
Jean-Bart, French naval commander and Dunkirk Privateer, 1650-1702. Full-length portrait with tobacco pipe, and vignette of Jean-Bart brawling with foppish courtiers at Versailles before King Louis XIV. View of the port of Dunkirk. Jean-Bart a Versailles. Dunkerque. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889. Stock Photo
RM3BNK26Y–Jean-Bart, French naval commander and Dunkirk Privateer, 1650-1702. Full-length portrait with tobacco pipe, and vignette of Jean-Bart brawling with foppish courtiers at Versailles before King Louis XIV. View of the port of Dunkirk. Jean-Bart a Versailles. Dunkerque. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889.
Marie de' Medicis, Queen of France, wife of King Henry IV, 1578-1642. Portrait in of her in lace collar in gilt frame, vignette of her death of pleurisy in bed at Cologne, and view of Luxembourg palace. Mort de Marie de Medicis. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889. Stock Photo
RM3BNK26R–Marie de' Medicis, Queen of France, wife of King Henry IV, 1578-1642. Portrait in of her in lace collar in gilt frame, vignette of her death of pleurisy in bed at Cologne, and view of Luxembourg palace. Mort de Marie de Medicis. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889.
Charlotte Corday, French revolutionary assassin, 1768-1793. Portrait of Corday in a prison cell, with vignette of her arrest by rioting revolutionaries after killing political theorist Jean-Paul Marat in his bath. Exterior view of his house. Mort de Marat, Maison de Marat. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889. Stock Photo
RM3BNK25B–Charlotte Corday, French revolutionary assassin, 1768-1793. Portrait of Corday in a prison cell, with vignette of her arrest by rioting revolutionaries after killing political theorist Jean-Paul Marat in his bath. Exterior view of his house. Mort de Marat, Maison de Marat. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889.
Margaret of Valois, Marguerite de Valois, Queen of Navarre and France, 1493-1549. Portrait in gilt frame, with vignette of her captivity with her brother King Francis I in Madrid, 1525. View of the castle of Angouleme. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889. Stock Photo
RM3BNK26T–Margaret of Valois, Marguerite de Valois, Queen of Navarre and France, 1493-1549. Portrait in gilt frame, with vignette of her captivity with her brother King Francis I in Madrid, 1525. View of the castle of Angouleme. Chromolithograph after an illustration by Gilbert from Madame Gustave Demoulin (Anais Gillet)’s Les Francaises illustres, The French illustrated, Hachette, Paris, 1889.
Great grey shrike, great cinereus shrike or ash-coloured shrike, Lanius excubitor. With dragonfly. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Incessores, Vol. XXV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BEE2W6–Great grey shrike, great cinereus shrike or ash-coloured shrike, Lanius excubitor. With dragonfly. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Incessores, Vol. XXV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Heracles wrestling Cerberus, the hound of Hades. Heracles, in lion skin and armed with a club, drags the monstrous three-headed guard dog from the entrance to Hell. The dog spews forth a foam which gives birth to the poisonous plant Aconite. Lecume de Cerbere. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3C8BRPT–Heracles wrestling Cerberus, the hound of Hades. Heracles, in lion skin and armed with a club, drags the monstrous three-headed guard dog from the entrance to Hell. The dog spews forth a foam which gives birth to the poisonous plant Aconite. Lecume de Cerbere. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Eggs of the common buzzard, Buteo buteo, honey buzzard, Pernis apivorus, and red kite, Milvus milvus. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BE8J6H–Eggs of the common buzzard, Buteo buteo, honey buzzard, Pernis apivorus, and red kite, Milvus milvus. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Clutch of eggs. Song thrush, Turdus philomelos 1, goldcrest, Regulus regulus 2, chimney swallow, Chaetura pelagica 3, common wren, Troglodytes troglodytes 4, jay, Garrulus glandarius 5 and kingfisher, Alcedo atthis 6. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Incessores, Vol. XXV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BEE30W–Clutch of eggs. Song thrush, Turdus philomelos 1, goldcrest, Regulus regulus 2, chimney swallow, Chaetura pelagica 3, common wren, Troglodytes troglodytes 4, jay, Garrulus glandarius 5 and kingfisher, Alcedo atthis 6. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Incessores, Vol. XXV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Apollo banished from heaven by Jupiter for killing the Cyclopes who forged his thunderbolts. He plays his flute as a cowherd to the cattle of King Admetus of Admetus. Apollon, Pasteur. Copperplate engraving by Sebastien LeClerc from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3C4FD26–Apollo banished from heaven by Jupiter for killing the Cyclopes who forged his thunderbolts. He plays his flute as a cowherd to the cattle of King Admetus of Admetus. Apollon, Pasteur. Copperplate engraving by Sebastien LeClerc from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Red-throated loon, Gavia stellata, male and female. Red-throated diver, Colymbus septentrionalis. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BEW1W0–Red-throated loon, Gavia stellata, male and female. Red-throated diver, Colymbus septentrionalis. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Collared pratincole, common pratincole or red-winged pratincole, Glareola pratincola (Glareola torquata). Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Rasores and Grallatores, Vol. XXVI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BET6AC–Collared pratincole, common pratincole or red-winged pratincole, Glareola pratincola (Glareola torquata). Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Rasores and Grallatores, Vol. XXVI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Western barn owl, Tyto alba. White owl, Strix flammea. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BE8J9P–Western barn owl, Tyto alba. White owl, Strix flammea. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Common moorhen or gallinule, Gallinula chloropus. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Rasores and Grallatores, Vol. XXVI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BET6C5–Common moorhen or gallinule, Gallinula chloropus. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Rasores and Grallatores, Vol. XXVI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Jupiter transforms into a Satyr to seduce Antiope. The daughter of Boeotian river god Asopus, or King Nycteus of Thebes, she was mother of Amphion and Zethus. Jupiter in a cloud with eagle, accompanied by Cupid with a bow and arrow. Jupiter en Satire. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3C8BM3K–Jupiter transforms into a Satyr to seduce Antiope. The daughter of Boeotian river god Asopus, or King Nycteus of Thebes, she was mother of Amphion and Zethus. Jupiter in a cloud with eagle, accompanied by Cupid with a bow and arrow. Jupiter en Satire. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Parasitic jaeger, Arctic skua or parasitic skua, male and female. Stercorarius parasiticus. Richardson's skua, Lestris richardsonii. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BEW200–Parasitic jaeger, Arctic skua or parasitic skua, male and female. Stercorarius parasiticus. Richardson's skua, Lestris richardsonii. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Common murre or common guillemot, Uria aalge. Bridled guillemot, Uria lacrymans. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BEW1W5–Common murre or common guillemot, Uria aalge. Bridled guillemot, Uria lacrymans. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Neptune transforms into a ram to seduce Theophane or Bisaltis, daughter of Bisaltes. A sheep embraces a woman on the shore. Cupid hovers above with his bow and arrow. Neptune's trident lies on the shore, and a putto holds two hippocampi driving his chariot. Neptune en Mouton. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3C8BM6B–Neptune transforms into a ram to seduce Theophane or Bisaltis, daughter of Bisaltes. A sheep embraces a woman on the shore. Cupid hovers above with his bow and arrow. Neptune's trident lies on the shore, and a putto holds two hippocampi driving his chariot. Neptune en Mouton. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Eurasian stone-curlew, Eurasian thick-knee or stone-curlew, Burhinus oedicnemus. Common thick-knee, Oedicnemus crepitans. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Rasores and Grallatores, Vol. XXVI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BET6A5–Eurasian stone-curlew, Eurasian thick-knee or stone-curlew, Burhinus oedicnemus. Common thick-knee, Oedicnemus crepitans. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Rasores and Grallatores, Vol. XXVI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Little owl, Athene noctua. Naked footed night owl, Scotophilus nudipes, Strix nudipes, Noctua passerina. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BE8JA9–Little owl, Athene noctua. Naked footed night owl, Scotophilus nudipes, Strix nudipes, Noctua passerina. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Firecrest, Regulus ignicapillus, and goldcrest, Regulus regulus. Fire-crowned gold-crest, common gold-crest, Regulus auricapillus. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Incessores, Vol. XXV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BEE2WK–Firecrest, Regulus ignicapillus, and goldcrest, Regulus regulus. Fire-crowned gold-crest, common gold-crest, Regulus auricapillus. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Incessores, Vol. XXV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Eggs of the marsh harrier, Circus aeruginosus, hen harrier, Circus cyaneus, tawny owl, Strix aluco, and short-eared owl, Asio flammeus. Handcoloured steel engraving by William Lizars after an illustration by James Stewart Prideaux John Selby from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BE8JTC–Eggs of the marsh harrier, Circus aeruginosus, hen harrier, Circus cyaneus, tawny owl, Strix aluco, and short-eared owl, Asio flammeus. Handcoloured steel engraving by William Lizars after an illustration by James Stewart Prideaux John Selby from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Clytie transformed into a flower. The Oceanid Clytie was in love with the sun-god Helios, but he preferred her sister princess Leucothea. Her father King Orchamas buried Clytie alive and she turned into a heliotrope. Clytie en Tournesol. Copperplate engraving by Sebastien LeClerc from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3C654X4–Clytie transformed into a flower. The Oceanid Clytie was in love with the sun-god Helios, but he preferred her sister princess Leucothea. Her father King Orchamas buried Clytie alive and she turned into a heliotrope. Clytie en Tournesol. Copperplate engraving by Sebastien LeClerc from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Dovekie, Alle alle. Little rotche or little auk, Mergulus alle, Alca alle. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BEW1WB–Dovekie, Alle alle. Little rotche or little auk, Mergulus alle, Alca alle. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Sabine's gull, Xema sabini, Larus sabini, summer plumage. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BEW205–Sabine's gull, Xema sabini, Larus sabini, summer plumage. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Natatores, Vol. XXVII of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Title page with vignette of medieval hawking. Aristocrats in plumed hats on horseback with a falcon watching a heron. A shepherd and hunting dogs. Steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BE8HBK–Title page with vignette of medieval hawking. Aristocrats in plumed hats on horseback with a falcon watching a heron. A shepherd and hunting dogs. Steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, British Birds, Birds of Prey, Vol. XXIV of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Pandora releasing curses into the world. In a classical room, Pandora throws up her hands in shock as her husband Epimetheus opens a large jar or pithos. A cloud of spirits, imps and evils flies out. Copperplate engraving by Sebastien LeClerc from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3C4FC9W–Pandora releasing curses into the world. In a classical room, Pandora throws up her hands in shock as her husband Epimetheus opens a large jar or pithos. A cloud of spirits, imps and evils flies out. Copperplate engraving by Sebastien LeClerc from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676.
A bearded god creating man in his own image. A god in billowing robe shapes a male human form, under a tree near a waterfall. Several big cats, cheetahs and lion, watch. L'homme forme. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3C4FBX8–A bearded god creating man in his own image. A god in billowing robe shapes a male human form, under a tree near a waterfall. Several big cats, cheetahs and lion, watch. L'homme forme. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
The Four Seasons. Jupiter with eagle divides the year into four seasons: Spring, Summer, Autumn and Winter. Roman gods Bacchus with grapes, Vulcan with flaming coals, Venus and Cupid with flowers, etc. Les 4 saisons. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3C4FBY9–The Four Seasons. Jupiter with eagle divides the year into four seasons: Spring, Summer, Autumn and Winter. Roman gods Bacchus with grapes, Vulcan with flaming coals, Venus and Cupid with flowers, etc. Les 4 saisons. Copperplate engraving by Francois Chauveau from Metamorphoses d’Ovide en Rondeaux, Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Zeus, appalled by King Lycaon's offering of his son, unleashing a flood over the earth. Men and women drown in the flooded lands during the downpour.. Desperate people cling to trees and rocks in the rain. Le Deluge. Copperplate engraving from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676. Stock Photo
RM3C4FCA6–Zeus, appalled by King Lycaon's offering of his son, unleashing a flood over the earth. Men and women drown in the flooded lands during the downpour.. Desperate people cling to trees and rocks in the rain. Le Deluge. Copperplate engraving from Metamorphoses d’Ovide, Engravings for Ovid’s Metamorphoses, chez Audran, Paris, 1676.
Black-bellied sandgrouse, Pterocles orientalis arenarius, male. Banded sand grouse, Pterocles arenarius. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BDKX7N–Black-bellied sandgrouse, Pterocles orientalis arenarius, male. Banded sand grouse, Pterocles arenarius. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Pallas's sandgrouse, Syrrhaptes paradoxus. Pallas's sand grouse, Syrrheptes pallassii, Tetrao pallassii. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BDKX7G–Pallas's sandgrouse, Syrrhaptes paradoxus. Pallas's sand grouse, Syrrheptes pallassii, Tetrao pallassii. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Rufous-bellied seedsnipe, Attagis gayi latreillii. Latreille's attagis, Attagis latreillii. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BDKX6W–Rufous-bellied seedsnipe, Attagis gayi latreillii. Latreille's attagis, Attagis latreillii. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Long-tailed wood-partridge, Dendrortyx macroura. Long-tailed ortyx, Ortyx macroura. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BDKX70–Long-tailed wood-partridge, Dendrortyx macroura. Long-tailed ortyx, Ortyx macroura. Handcoloured steel engraving by William Lizars after an illustration from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Barbary partridge, Alectoris barbara. Rock partridge, Perdix petrosa, Perdrix gambra. Specimen in the Edinburgh Royal University Museum. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BDKX6J–Barbary partridge, Alectoris barbara. Rock partridge, Perdix petrosa, Perdrix gambra. Specimen in the Edinburgh Royal University Museum. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Black francolin, Francolinus francolinus. Common francolin, Perdix francolinus. Specimen in the Edinburgh Royal University Museum. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BDKX6N–Black francolin, Francolinus francolinus. Common francolin, Perdix francolinus. Specimen in the Edinburgh Royal University Museum. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Spruce grouse, Canachites canadensis. Canadian grouse, Tetrao canadensis. Specimen in the Edinburgh Royal University Museum. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843. Stock Photo
RM3BDKX74–Spruce grouse, Canachites canadensis. Canadian grouse, Tetrao canadensis. Specimen in the Edinburgh Royal University Museum. Handcoloured steel engraving by William Lizars after an illustration by James Stewart from Sir William Jardine’s Ornithology, Game Birds, Vol. XXI of The Naturalist’s Library, W.H. Lizars, Edinburgh, 1843.
Different types of effigies in heraldry. Virgin Mary, Prester John, bishop, man's leg, sinister hands, three legs armed, dexter arms, man's heart, blackamoor's head, befants, etc. Plate XIV of Effigies, etc. Copperplate engraving from Mark Anthony Porny’s The Elements of Heraldry, T. Carnan, London, 1771.  Mr Porny, Antoine Pyron du Martre, was French master at Eton College. Stock Photo
RM3BFJB4E–Different types of effigies in heraldry. Virgin Mary, Prester John, bishop, man's leg, sinister hands, three legs armed, dexter arms, man's heart, blackamoor's head, befants, etc. Plate XIV of Effigies, etc. Copperplate engraving from Mark Anthony Porny’s The Elements of Heraldry, T. Carnan, London, 1771.  Mr Porny, Antoine Pyron du Martre, was French master at Eton College.
Suzon and Monique having sex on a canopy bed. Two naked women scissoring in a tiny bedroom. Suzon et Monique. Photogravure after a copperplate engraving by Francois-Rolland Elluin after an illustration by Antoine Borel from Jean-Charles Gervaise de Latouche’s Memoiren des Saturnin, Le Portier des Chartreux, Bimini, Berlin, 1920. Stock Photo
RM3BC8WGE–Suzon and Monique having sex on a canopy bed. Two naked women scissoring in a tiny bedroom. Suzon et Monique. Photogravure after a copperplate engraving by Francois-Rolland Elluin after an illustration by Antoine Borel from Jean-Charles Gervaise de Latouche’s Memoiren des Saturnin, Le Portier des Chartreux, Bimini, Berlin, 1920.
Versand with Monique at her mother's wedding. A gentleman in powdered wig screws a woman on a chaise longue in a curtained alcove. Versand avec Monique au mariage de sa mère. Photogravure after a copperplate engraving by Francois-Rolland Elluin after an illustration by Antoine Borel from Jean-Charles Gervaise de Latouche’s Memoiren des Saturnin, Le Portier des Chartreux, Bimini, Berlin, 1920. Stock Photo
RM3BC8WJK–Versand with Monique at her mother's wedding. A gentleman in powdered wig screws a woman on a chaise longue in a curtained alcove. Versand avec Monique au mariage de sa mère. Photogravure after a copperplate engraving by Francois-Rolland Elluin after an illustration by Antoine Borel from Jean-Charles Gervaise de Latouche’s Memoiren des Saturnin, Le Portier des Chartreux, Bimini, Berlin, 1920.
Saturnin and Toinette having sex. The woman, naked apart from a bonnet and stockings, guides the man's penis into her vagina as he fondles her breasts. Saturnin et Toinette. Photogravure after a copperplate engraving by Francois-Rolland Elluin after an illustration by Antoine Borel from Jean-Charles Gervaise de Latouche’s Memoiren des Saturnin, Le Portier des Chartreux, Bimini, Berlin, 1920. Stock Photo
RM3BC8WGJ–Saturnin and Toinette having sex. The woman, naked apart from a bonnet and stockings, guides the man's penis into her vagina as he fondles her breasts. Saturnin et Toinette. Photogravure after a copperplate engraving by Francois-Rolland Elluin after an illustration by Antoine Borel from Jean-Charles Gervaise de Latouche’s Memoiren des Saturnin, Le Portier des Chartreux, Bimini, Berlin, 1920.
Monks in habits having a debauched orgy. One monk screws a woman on a bench while another monk enters him from the rear. Other monks drink wine from bottles as they watch. Supper in the organ room. Souper dans les orgues. Photogravure after a copperplate engraving by Francois-Rolland Elluin after an illustration by Antoine Borel from Jean-Charles Gervaise de Latouche’s Memoiren des Saturnin, Le Portier des Chartreux, Bimini, Berlin, 1920. Stock Photo
RM3BC8WHY–Monks in habits having a debauched orgy. One monk screws a woman on a bench while another monk enters him from the rear. Other monks drink wine from bottles as they watch. Supper in the organ room. Souper dans les orgues. Photogravure after a copperplate engraving by Francois-Rolland Elluin after an illustration by Antoine Borel from Jean-Charles Gervaise de Latouche’s Memoiren des Saturnin, Le Portier des Chartreux, Bimini, Berlin, 1920.
Death of Captain James Cook at Kealakekua Bay, Hawaii, 1779. As Cook and his crew attempted to kidnap chief Kalaniʻōpuʻu, a crowd of Hawaiian men stop them with clubs and knives. English soldiers open fire with muskets. Mort de Cook. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785. Stock Photo
RM3BB6RTK–Death of Captain James Cook at Kealakekua Bay, Hawaii, 1779. As Cook and his crew attempted to kidnap chief Kalaniʻōpuʻu, a crowd of Hawaiian men stop them with clubs and knives. English soldiers open fire with muskets. Mort de Cook. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785.
Map of the harbour of Tongatapu, Tonga. Plan du Havre de Tongataboo, 1777. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785. Stock Photo
RM3BB6T48–Map of the harbour of Tongatapu, Tonga. Plan du Havre de Tongataboo, 1777. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785.
Map of the Friendly Islands (Tonga). Including 'Eua, Tongatapu, Nomuka, Ha'apai islands, Tofua, etc. Carte des Isles des Amis. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785. Stock Photo
RM3BB6T3W–Map of the Friendly Islands (Tonga). Including 'Eua, Tongatapu, Nomuka, Ha'apai islands, Tofua, etc. Carte des Isles des Amis. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785.
Yupik people of Norton Sound, Alaska, and their house. The man and his wife wear hooded parkas, trousers and boots made of animal skins. A child nestles on the mother's back. The lodge behind is made of timbers covered with grass and stones. Habitans et habitations de l'Entree de Norton. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785. Stock Photo
RM3BB6TBG–Yupik people of Norton Sound, Alaska, and their house. The man and his wife wear hooded parkas, trousers and boots made of animal skins. A child nestles on the mother's back. The lodge behind is made of timbers covered with grass and stones. Habitans et habitations de l'Entree de Norton. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785.
Reception of Captain James Cook in Hapaee (Ha'apai), Tonga. A large circle of spectators watch two martial arts performances. One pair of men box and another pair fight with clubs. The men wear tupenus (skirts). Reception du Capitaine Cook a Hapaee. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785. Stock Photo
RM3BB6T42–Reception of Captain James Cook in Hapaee (Ha'apai), Tonga. A large circle of spectators watch two martial arts performances. One pair of men box and another pair fight with clubs. The men wear tupenus (skirts). Reception du Capitaine Cook a Hapaee. Copperplate engraving directed by Robert Benard after an illustration by John Webber from the French translation of Captain James Cook's Third Voyage, Troisieme Voyage de Capitaine Cook, Hotel de Thou, Paris, 1785.
Salmonberry or elegant American bramble, Rubus spectabilis, and flowering raspberry, Rubus odoratus. Handcoloured copperplate engraving by W. Mallinson from Thomas Green's The Universal Herbal, or Botanical, Medical and Agricultural Dictionary, Caxton, London, 1824. Stock Photo
RM3B3DP3M–Salmonberry or elegant American bramble, Rubus spectabilis, and flowering raspberry, Rubus odoratus. Handcoloured copperplate engraving by W. Mallinson from Thomas Green's The Universal Herbal, or Botanical, Medical and Agricultural Dictionary, Caxton, London, 1824.
Improved flower stands. Candlelabra stand for the middle of a room 1, three-tier stand for a corner 2, tiered stand for a wall 3,4, arched stand for a window 5, and elaborate stand with water tubes for a landing 6. Handcoloured copperplate engraving by J. Davies after William Marshall Craig from Thomas Green's The Universal Herbal, or Botanical, Medical and Agricultural Dictionary, Caxton, London, 1824. Stock Photo
RM3B3DR0A–Improved flower stands. Candlelabra stand for the middle of a room 1, three-tier stand for a corner 2, tiered stand for a wall 3,4, arched stand for a window 5, and elaborate stand with water tubes for a landing 6. Handcoloured copperplate engraving by J. Davies after William Marshall Craig from Thomas Green's The Universal Herbal, or Botanical, Medical and Agricultural Dictionary, Caxton, London, 1824.
Plan for an ornamental garden with water features, pond, classical temple and statues, paths, flower beds, lake, benches, etc. Ornamental Gardening. How to make the most of a small irregular piece of ground. Handcoloured copperplate engraving from Thomas Green's The Universal Herbal, or Botanical, Medical and Agricultural Dictionary, Caxton, London, 1824. Stock Photo
RM3B3DPN7–Plan for an ornamental garden with water features, pond, classical temple and statues, paths, flower beds, lake, benches, etc. Ornamental Gardening. How to make the most of a small irregular piece of ground. Handcoloured copperplate engraving from Thomas Green's The Universal Herbal, or Botanical, Medical and Agricultural Dictionary, Caxton, London, 1824.
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