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Three bodied warrior Cyprus 7th century BC Pyrga Stock Photo
RMB21ADK–Three bodied warrior Cyprus 7th century BC Pyrga
Marble Stamp Seal, 8th-7th Century BC Stock Photo
RMHRNWND–Marble Stamp Seal, 8th-7th Century BC
Babylonian clay tablet with text. 7th century BC. Table with syllabary. Stock Photo
RMD95KCJ–Babylonian clay tablet with text. 7th century BC. Table with syllabary.
transport / transportation, navigation, ancient world, Phoenician war galley, 7th century BC, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photo
RM2FN4DBE–transport / transportation, navigation, ancient world, Phoenician war galley, 7th century BC, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
Cycladic relief. Pithos. Depiction of Potnia Theron, the Mistress of the Animals. Goddess of nature, crowned with flowers and shotts, flanked by two rampant lionesses and two submissive women. Second half 7th century BC. Island of Delos. National Archaeological Museum. Athens, Greece. Stock Photo
RM2AGY5W9–Cycladic relief. Pithos. Depiction of Potnia Theron, the Mistress of the Animals. Goddess of nature, crowned with flowers and shotts, flanked by two rampant lionesses and two submissive women. Second half 7th century BC. Island of Delos. National Archaeological Museum. Athens, Greece.
Head of a griffin, based on a 7th century BC Greek original, which formed part of a votive tripod, now in the Museum at Olympia. Stock Photo
RMMC6G1D–Head of a griffin, based on a 7th century BC Greek original, which formed part of a votive tripod, now in the Museum at Olympia.
Wadi Rum or Valley of the Moon (UNESCO World Heritage). Thamudic inscriptions in Khazali canyon (7th century BC). Jordan. Stock Photo
RM2HX2X0R–Wadi Rum or Valley of the Moon (UNESCO World Heritage). Thamudic inscriptions in Khazali canyon (7th century BC). Jordan.
Assyrian relief from the Palace of Ashurbanipal : Mesopotamian chariot , 7th Century BC Stock Photo
RMWHBB8P–Assyrian relief from the Palace of Ashurbanipal : Mesopotamian chariot , 7th Century BC
Handle of a flywhisk or fan, ca. 8th–7th century BC Stock Photo
RMKC6D2W–Handle of a flywhisk or fan, ca. 8th–7th century BC
Sphinx/siren. Sandstone 7th century BC. Necropolis of Villaricos, Almanzora, Almeria, Spain. Phoenician. Stock Photo
RMHH63KG–Sphinx/siren. Sandstone 7th century BC. Necropolis of Villaricos, Almanzora, Almeria, Spain. Phoenician.
Ashurbanipal II's lion-hunt scene. 7th century BC. From the North Palace at Nineveh, now in the British Museum, London, UKcivilisation Stock Photo
RM2E32ATA–Ashurbanipal II's lion-hunt scene. 7th century BC. From the North Palace at Nineveh, now in the British Museum, London, UKcivilisation
Ruins of Greek temple from 7th Century BC at Selinunte in Trapani Province on Sicily Stock Photo
RMA5TEJ0–Ruins of Greek temple from 7th Century BC at Selinunte in Trapani Province on Sicily
Inspired by Appliqué in the Form of a Winged Genie, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883–612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Sculpture, 1 11/16 in. (4.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK5XKY–Inspired by Appliqué in the Form of a Winged Genie, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883–612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Sculpture, 1 11/16 in. (4.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
'Animals fighting' (Belt buckle), 7th century BC. Artist: Unknown Stock Photo
RMDE1NY7–'Animals fighting' (Belt buckle), 7th century BC. Artist: Unknown
Assyrian bas-relief (8th-7th century BC), Pergamon Museum, Berlin, Germany Stock Photo
RMBEPJFM–Assyrian bas-relief (8th-7th century BC), Pergamon Museum, Berlin, Germany
Amon of Judah, c. 664 BC - c. 641 BC. 7th-century BC King of Judah. Stock Photo
RMFBARTR–Amon of Judah, c. 664 BC - c. 641 BC. 7th-century BC King of Judah.
The Dromos of Sparta, a prominent city-state in ancient Greece on the banks of the Eurotas River in Laconia, in south-eastern Peloponnese. Around 650 BC, it rose to become the dominant military land-power in ancient Greece. The 5th century BCE Dromos, racecourse and gymnasia was a course for foot races where young Spartans were integrated into the city by offering sacrifices at the statue of Herakles when they reached adulthood. Stock Photo
RMTWM5F6–The Dromos of Sparta, a prominent city-state in ancient Greece on the banks of the Eurotas River in Laconia, in south-eastern Peloponnese. Around 650 BC, it rose to become the dominant military land-power in ancient Greece. The 5th century BCE Dromos, racecourse and gymnasia was a course for foot races where young Spartans were integrated into the city by offering sacrifices at the statue of Herakles when they reached adulthood.
Ex Voto, Iberian Sanctuary 7th century BC Museum of the 'Cueva de la Lobera', Castellar, Jaen-province, Andalusia, Spain, Europe Stock Photo
RMDCB7RN–Ex Voto, Iberian Sanctuary 7th century BC Museum of the 'Cueva de la Lobera', Castellar, Jaen-province, Andalusia, Spain, Europe
Detalle decorativo del medallón de Trayamar.Oro,con técnicas de filigrana y granulado.Época fenicia,siglo VII a.C.Necrópolis de Trayamar,Algarrobo.Decorative detail of the Trayamar medallion, Gold, with filigree and granulated techniques. Phoenician period, 7th century BC Necropolis of Trayamar, Algarrobo. Stock Photo
RM2HBD796–Detalle decorativo del medallón de Trayamar.Oro,con técnicas de filigrana y granulado.Época fenicia,siglo VII a.C.Necrópolis de Trayamar,Algarrobo.Decorative detail of the Trayamar medallion, Gold, with filigree and granulated techniques. Phoenician period, 7th century BC Necropolis of Trayamar, Algarrobo.
Square Hu ( Wine Vessel ) with dragon Design 770, 7th century BC Bronze Shanghai Museum of ancient Chinese art China Stock Photo
RMEY8M9T–Square Hu ( Wine Vessel ) with dragon Design 770, 7th century BC Bronze Shanghai Museum of ancient Chinese art China
Scaraboid Stamp Seal, 8th-7th Century BC Stock Photo
RMHRNWNB–Scaraboid Stamp Seal, 8th-7th Century BC
Bell idol. Terracotta figurine, 7th century BC (Late Geometric period). Theban workshop (Oinochoe type) Stock Photo
RMHHG961–Bell idol. Terracotta figurine, 7th century BC (Late Geometric period). Theban workshop (Oinochoe type)
writing, script, wedge writing, Assyria, prism with inscription of the King Assur-ahhe-iddina about his military campaigns, Nineveh, clay, 676 BC, National Museum Baghdad, Iraq, Assur ahhe iddina, Esarhaddon, Assyrian, Assyrian empire, campaign, campaigns, war, wars, document, documents, report, reports, deed report, Mesopotamia, stone, stones, 7th century BC, ancient world, ancient times, historic, historical, ancient world, Additional-Rights-Clearences-Not Available Stock Photo
RMGD2FMF–writing, script, wedge writing, Assyria, prism with inscription of the King Assur-ahhe-iddina about his military campaigns, Nineveh, clay, 676 BC, National Museum Baghdad, Iraq, Assur ahhe iddina, Esarhaddon, Assyrian, Assyrian empire, campaign, campaigns, war, wars, document, documents, report, reports, deed report, Mesopotamia, stone, stones, 7th century BC, ancient world, ancient times, historic, historical, ancient world, Additional-Rights-Clearences-Not Available
Archers of the Royal Guard. Relief from the Palace of Ashurbanipal, Niniveh, Iraq. 7th century BC. Louvre Museum. Paris, France. Stock Photo
RMMCM0XY–Archers of the Royal Guard. Relief from the Palace of Ashurbanipal, Niniveh, Iraq. 7th century BC. Louvre Museum. Paris, France.
Cuneiform tablet relating part of the Epic of Gilgamesh, Neo-Assyrian, 7th century BC. Artist: Unknown Stock Photo
RMAJ84M0–Cuneiform tablet relating part of the Epic of Gilgamesh, Neo-Assyrian, 7th century BC. Artist: Unknown
Wadi Rum or Valley of the Moon (UNESCO World Heritage). Thamudic inscriptions in Khazali canyon (7th century BC). Jordan. Stock Photo
RM2HX2WYY–Wadi Rum or Valley of the Moon (UNESCO World Heritage). Thamudic inscriptions in Khazali canyon (7th century BC). Jordan.
Etruscan Bronze Cauldron with horsemen detail on legs Early 7th Century BC Stock Photo
RMWHBDGM–Etruscan Bronze Cauldron with horsemen detail on legs Early 7th Century BC
Corinthian Skyphos, 600s. Greece, 7th Century BC. Earthenware; overall: 7.3 cm (2 7/8 in Stock Photo
RMRY28JB–Corinthian Skyphos, 600s. Greece, 7th Century BC. Earthenware; overall: 7.3 cm (2 7/8 in
Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain. Stock Photo
RMTA0EE1–Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain.
. Tomba della scimmia . end of 7th century BC. see filename or category 611 Tomba della scimmia 03 Stock Photo
RMMWW5M1–. Tomba della scimmia . end of 7th century BC. see filename or category 611 Tomba della scimmia 03
Woman walking through ruins of Greek temple from 7th Century BC at Selinunte in Trapani Province on Sicily Stock Photo
RMAAXFNB–Woman walking through ruins of Greek temple from 7th Century BC at Selinunte in Trapani Province on Sicily
Inspired by Pair of Appliqués in the Form of Winged Genies, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883–612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Metalwork, height: 1 3/4 in. (4.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK5XKT–Inspired by Pair of Appliqués in the Form of Winged Genies, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883–612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Metalwork, height: 1 3/4 in. (4.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Bowl, 7th century BC. Artist: Unknown. Stock Photo
RMMPTKDK–Bowl, 7th century BC. Artist: Unknown.
MOLOCH the Phoenician deity to whom live children were sacrificed by fire Date: 7th century BC Stock Photo
RMG39N1G–MOLOCH the Phoenician deity to whom live children were sacrificed by fire Date: 7th century BC
Zaleucus, 7th century BC. Greek lawgiver of Epizephyrian Locri in Italy, and Pythagorean philosopher. Deviser of first written Greek law code Locrian. Stock Photo
RMB0RFBA–Zaleucus, 7th century BC. Greek lawgiver of Epizephyrian Locri in Italy, and Pythagorean philosopher. Deviser of first written Greek law code Locrian.
Delphi - the Pythian Priestess who also served as the oracle on the tripod in Apollo's Temple. The Pythia was established at the latest in the 8th century BC, and was widely credited for her prophecies inspired by being filled by the spirit of the god (or enthusiasmos), in this case Apollo. The Pythian priestess emerged pre-eminent by the end of 7th century BC and would continue to be consulted until the 4th century AD. Stock Photo
RMJH2F8P–Delphi - the Pythian Priestess who also served as the oracle on the tripod in Apollo's Temple. The Pythia was established at the latest in the 8th century BC, and was widely credited for her prophecies inspired by being filled by the spirit of the god (or enthusiasmos), in this case Apollo. The Pythian priestess emerged pre-eminent by the end of 7th century BC and would continue to be consulted until the 4th century AD.
Terracotta two-handled jar. Culture: Italic, Villanovan. Dimensions: H. 2 5/8 in. (6.7 cm). Date: early 7th-mid 7th century BC. Reddish-brown, two-handled, with incised curvilinear decoration. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAX8R8–Terracotta two-handled jar. Culture: Italic, Villanovan. Dimensions: H. 2 5/8 in. (6.7 cm). Date: early 7th-mid 7th century BC. Reddish-brown, two-handled, with incised curvilinear decoration. Museum: Metropolitan Museum of Art, New York, USA.
Nineveh.Limestone relief showing soldiers and horse.7th century BC Stock Photo
RMKGB5XG–Nineveh.Limestone relief showing soldiers and horse.7th century BC
Silver Statuette Priestess Kybele 7th Century BC Bayindir Elmali Turkey Greek Greece Stock Photo
RMC6029F–Silver Statuette Priestess Kybele 7th Century BC Bayindir Elmali Turkey Greek Greece
Lapis Stamp Seal, 8th-7th Century BC Stock Photo
RMHRNWNC–Lapis Stamp Seal, 8th-7th Century BC
Storage Jar, Assyrian, late 7th century BC From Nimrud. This jar was found in one of the wine-cellars in the arsenal at Nimrud Stock Photo
RMEX74AN–Storage Jar, Assyrian, late 7th century BC From Nimrud. This jar was found in one of the wine-cellars in the arsenal at Nimrud
Draco, first lawgiver of ancient Athens, 621 BC, portrait, side view, engraving, circa 18th century, Artist's Copyright has not to be cleared Stock Photo
RMB48A09–Draco, first lawgiver of ancient Athens, 621 BC, portrait, side view, engraving, circa 18th century, Artist's Copyright has not to be cleared
Palace of Ashurbanipal, Nineveh, Iraq. Relief, detail. Music scene. Upper Mesopotamia. Neo-Assyrian Empire, 7th century BC. Louvre Museum. Paris, France. Stock Photo
RMMCM0YC–Palace of Ashurbanipal, Nineveh, Iraq. Relief, detail. Music scene. Upper Mesopotamia. Neo-Assyrian Empire, 7th century BC. Louvre Museum. Paris, France.
Taharqa in front of the falcon Hemen, Ancient Egyptian, 7th century BC. Artist: Unknown Stock Photo
RMA4K3DM–Taharqa in front of the falcon Hemen, Ancient Egyptian, 7th century BC. Artist: Unknown
1st 6th Century BC 7th Century BC 8th abandoned abandonment act again Aged almost ancient appear arch architecture Asia Stock Photo
RMEBA221–1st 6th Century BC 7th Century BC 8th abandoned abandonment act again Aged almost ancient appear arch architecture Asia
Five women prisoners in a palm grove. Assyrian 7th century BC. limestone Stock Photo
RMWHAC1P–Five women prisoners in a palm grove. Assyrian 7th century BC. limestone
Villanovan, Italic, Bracelet, 8th/7th Century BC, bronze, Max. dia. 3 3/4, Max. Th. 3/4 Stock Photo
RM2A2PB0C–Villanovan, Italic, Bracelet, 8th/7th Century BC, bronze, Max. dia. 3 3/4, Max. Th. 3/4
Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain. Stock Photo
RMTA0EDY–Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain.
. Tomba della scimmia . end of 7th century BC. see filename or category 610 Tomba della scimmia 02 Stock Photo
RMMW1TDX–. Tomba della scimmia . end of 7th century BC. see filename or category 610 Tomba della scimmia 02
religious sanctuary from Troy 8, 7th century BC, Troy Historic Site, Biga Peninsula, Turkey Stock Photo
RMF964HX–religious sanctuary from Troy 8, 7th century BC, Troy Historic Site, Biga Peninsula, Turkey
Art inspired by Terracotta two-handled jar, Orientalizing, early 7th–mid 7th century BC, Italic, Villanovan, Terracotta, H. 2 5/8 in. (6.7 cm), Vases, Reddish-brown, two-handled, with incised curvilinear decoration, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW46FR–Art inspired by Terracotta two-handled jar, Orientalizing, early 7th–mid 7th century BC, Italic, Villanovan, Terracotta, H. 2 5/8 in. (6.7 cm), Vases, Reddish-brown, two-handled, with incised curvilinear decoration, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fibula, 7th century BC. Artist: Unknown. Stock Photo
RMMPX582–Fibula, 7th century BC. Artist: Unknown.
A Phoenician deity to whom live children were sacrificed by fire Date: 7th century BC Stock Photo
RMG39N1K–A Phoenician deity to whom live children were sacrificed by fire Date: 7th century BC
Luristan bronze plate in the shape of the winged bull (lamassu) dated from the 8th or 7th century BC on display in the Louvre Museum in Paris, France. Stock Photo
RM2B7HEY3–Luristan bronze plate in the shape of the winged bull (lamassu) dated from the 8th or 7th century BC on display in the Louvre Museum in Paris, France.
An antique round tumulus grave, Tomba della Capanna, 7th century BC, Etruscan Necropolis of La Banditaccia Stock Photo
RMDH058A–An antique round tumulus grave, Tomba della Capanna, 7th century BC, Etruscan Necropolis of La Banditaccia
Handle of a flywhisk or fan. Culture: Assyrian. Dimensions: H. 4 x W. 1 3/8 in. (10.2 x 3.5 cm). Date: ca. 8th-7th century BC. Both sides of this handle are decorated with two figures kneeling before a stylized tree, an image perhaps related to similar ritual scenes on reliefs from Assyrian palaces. Such Assyrian style ivories are usually carved using an incised technique, but this is a rare example carved in relief. As the figures are beardless, they may be eunuchs or, more likely, women. They are shown plucking what may be pomegranates, a fruit whose many seeds led it to be associated with Stock Photo
RMPA82T4–Handle of a flywhisk or fan. Culture: Assyrian. Dimensions: H. 4 x W. 1 3/8 in. (10.2 x 3.5 cm). Date: ca. 8th-7th century BC. Both sides of this handle are decorated with two figures kneeling before a stylized tree, an image perhaps related to similar ritual scenes on reliefs from Assyrian palaces. Such Assyrian style ivories are usually carved using an incised technique, but this is a rare example carved in relief. As the figures are beardless, they may be eunuchs or, more likely, women. They are shown plucking what may be pomegranates, a fruit whose many seeds led it to be associated with
Babylonian women in limestone relief.7th century BC.Nineveh Stock Photo
RMKGB5XW–Babylonian women in limestone relief.7th century BC.Nineveh
Bo ( musical instrument ) OF DUKE OF QIN 7th Century BC Shanghai Museum of ancient Chinese art China Bronze Stock Photo
RMEY7G00–Bo ( musical instrument ) OF DUKE OF QIN 7th Century BC Shanghai Museum of ancient Chinese art China Bronze
Mesopotamian Cylinder Seal, 7th Century BC Stock Photo
RMHRNWJ4–Mesopotamian Cylinder Seal, 7th Century BC
Anthropomorphic female statutte, Kaluraz, Iran, Iron Age 9th -7th century BC Stock Photo
RM2A264R7–Anthropomorphic female statutte, Kaluraz, Iran, Iron Age 9th -7th century BC
An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Ap ancient world, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMT8PF5B–An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Ap ancient world, Additional-Rights-Clearance-Info-Not-Available
Assyrians. Palace of Nineveh. 7th century BC. Relief depicting a knight on horseback. Access ramp R. Louvre Museum. Paris. Stock Photo
RM2AP9PBK–Assyrians. Palace of Nineveh. 7th century BC. Relief depicting a knight on horseback. Access ramp R. Louvre Museum. Paris.
Hilt of an early bronze sword, 7th century BC. Stock Photo
RMW7E6HT–Hilt of an early bronze sword, 7th century BC.
Proattic pottery from 7th century BC in Stoa of Attalos the museum of Ancient Angora in Athens Greece Europe Stock Photo
RMDFT7N4–Proattic pottery from 7th century BC in Stoa of Attalos the museum of Ancient Angora in Athens Greece Europe
King Ashurbanipal in a relief depicting a lion hunt - 7th Century BC , Nineveh Stock Photo
RMWHBB8R–King Ashurbanipal in a relief depicting a lion hunt - 7th Century BC , Nineveh
Villanovan, Italic, Axe Head, 8th/early 7th Century BC, bronze, 6 x 2 1/2 x 1 1/2in Stock Photo
RM2A2PYTG–Villanovan, Italic, Axe Head, 8th/early 7th Century BC, bronze, 6 x 2 1/2 x 1 1/2in
Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain. Stock Photo
RMTA0EDT–Treasure of El Carambolo. Tartessian and Phoecian culture. 5th-7th century BC. Camas, Andalusia, Spain. Archaeological Museum of Seville. Spain.
. Tomba della scimmia . end of 7th century BC. see filename or category 610 Tomba della scimmia 04 Stock Photo
RMMW1TE2–. Tomba della scimmia . end of 7th century BC. see filename or category 610 Tomba della scimmia 04
religious sanctuary from Troy 8, 7th century BC, Troy Historic Site, Biga Peninsula, Turkey Stock Photo
RMF964HY–religious sanctuary from Troy 8, 7th century BC, Troy Historic Site, Biga Peninsula, Turkey
Art inspired by Appliqué in the Form of a Winged Genie, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883-612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Sculpture, 1 11/16 in. (4.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKM4K7–Art inspired by Appliqué in the Form of a Winged Genie, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883-612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Sculpture, 1 11/16 in. (4.3 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Geometric Attic neck-amphora, 8th-7th century BC. Artist: Tapestry Workshop. Stock Photo
RMMPTKA4–Geometric Attic neck-amphora, 8th-7th century BC. Artist: Tapestry Workshop.
Ancus Marcius, legendary fourth king of Rome, sending priests or Fetials to declare war against the Latins, 7th century BC. Ancus Martius envoie des Feciales declarer la guerre aux Latins. Copperplate engraving by János Blaschke after a design by Gabriel de St. Aubin from Professor Joseph Rudolf Zappe’s Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millot’s Abrege de l’Histoire Romaine. Stock Photo
RM2HWR2M1–Ancus Marcius, legendary fourth king of Rome, sending priests or Fetials to declare war against the Latins, 7th century BC. Ancus Martius envoie des Feciales declarer la guerre aux Latins. Copperplate engraving by János Blaschke after a design by Gabriel de St. Aubin from Professor Joseph Rudolf Zappe’s Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millot’s Abrege de l’Histoire Romaine.
Deer or elk depicted on the bronze terminal of Tagar culture from Minusinsk Steppe dated from the 8th or 7th century BC on display in the Hermitage Museum in Saint Petersburg, Russia. Stock Photo
RMP94385–Deer or elk depicted on the bronze terminal of Tagar culture from Minusinsk Steppe dated from the 8th or 7th century BC on display in the Hermitage Museum in Saint Petersburg, Russia.
Madness of King Nebuchadnezzar. Although by his ability and military prowess Nebuchadnezzar restored Babylonia to the position of first empire in the world, his mind gave way, and for a time he became a beast of the field. Fancying himself to be an animal, he spent his days in the grounds of the palace and tried to feed upon grass. The prophet Daniel, who tells us of this madness, says: “He was driven from men, and did eat grass as oxen, and his body was wet with the dew of heaven, til his hairs were grown like eagles’ feathers and his nails like birds’ claws. Nebuchadnezzar was king of Babylo Stock Photo
RF2GBMNYK–Madness of King Nebuchadnezzar. Although by his ability and military prowess Nebuchadnezzar restored Babylonia to the position of first empire in the world, his mind gave way, and for a time he became a beast of the field. Fancying himself to be an animal, he spent his days in the grounds of the palace and tried to feed upon grass. The prophet Daniel, who tells us of this madness, says: “He was driven from men, and did eat grass as oxen, and his body was wet with the dew of heaven, til his hairs were grown like eagles’ feathers and his nails like birds’ claws. Nebuchadnezzar was king of Babylo
Aristomenes was a king of Messenia, celebrated for his struggle with the Spartans in the Second Messenian War (685–668 BC), and his resistance to them on Mount Eira for 11 years. At length the mountain, near the Kakaletri, in the Peloponnese in Greece, fell to the enemy, while he escaped and, according to legend, was snatched up by the gods; in fact he died at Rhodes Stock Photo
RMW0K6B8–Aristomenes was a king of Messenia, celebrated for his struggle with the Spartans in the Second Messenian War (685–668 BC), and his resistance to them on Mount Eira for 11 years. At length the mountain, near the Kakaletri, in the Peloponnese in Greece, fell to the enemy, while he escaped and, according to legend, was snatched up by the gods; in fact he died at Rhodes
Nineveh.limestone relief showing victims in a river.7th century BC Stock Photo
RMKGB5XH–Nineveh.limestone relief showing victims in a river.7th century BC
Jewellery 7th Century BC Greek, Kamiros ,Rhodes, Melos, Dodona, Greece, ( Gold , Electrum, silvers, Bronze, 700 - 600 BC , Stock Photo
RMHPD1GB–Jewellery 7th Century BC Greek, Kamiros ,Rhodes, Melos, Dodona, Greece, ( Gold , Electrum, silvers, Bronze, 700 - 600 BC ,
Venus Tablet of Ammisaduqa, 7th Century BC Stock Photo
RMHRKR25–Venus Tablet of Ammisaduqa, 7th Century BC
Fragment of gold beltIron Age, 8th-7th century BC.Perhaps from Ziwiyeh, north-west Iran. Ibexes, stags and heads of lions appear on this fragment of gold sheet is said to come from Ziwiyeh in north-west Iran. This site is a large mountain top citadel fortified by a massive wall. The citadel is approached by a monumental staircase cut out of the rock which winds around the mountain. Stock Photo
RMD9889K–Fragment of gold beltIron Age, 8th-7th century BC.Perhaps from Ziwiyeh, north-west Iran. Ibexes, stags and heads of lions appear on this fragment of gold sheet is said to come from Ziwiyeh in north-west Iran. This site is a large mountain top citadel fortified by a massive wall. The citadel is approached by a monumental staircase cut out of the rock which winds around the mountain.
An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Ap ancient world, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMT8PF7B–An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Ap ancient world, Additional-Rights-Clearance-Info-Not-Available
Assyrians. Upper Mesopotamia. Palace of Ashurbanipal, Nineveh, Iraq. 7th century BC. War chariot and riders of the Assyrian army. Alabaster. Louvre Museum. Paris, France. Stock Photo
RM2AP9PBD–Assyrians. Upper Mesopotamia. Palace of Ashurbanipal, Nineveh, Iraq. 7th century BC. War chariot and riders of the Assyrian army. Alabaster. Louvre Museum. Paris, France.
Excavated House Walls, 7th century BC. Artist: Unknown Stock Photo
RMW7EE6R–Excavated House Walls, 7th century BC. Artist: Unknown
Sa Caleta phoenician settlement (7th century BC), Ibiza. Balearic Islands, Spain Stock Photo
RMDEFYER–Sa Caleta phoenician settlement (7th century BC), Ibiza. Balearic Islands, Spain
Seated Etruscan . 7th Century BC , terracotta , height 57 1/8 inches or 144 cm. The Capitoline Museum and Gallery , Rome , Italy Stock Photo
RMWHBB53–Seated Etruscan . 7th Century BC , terracotta , height 57 1/8 inches or 144 cm. The Capitoline Museum and Gallery , Rome , Italy
Etruscan, Spear Head, 8th/7th Century BC, bronze, 11 3/4 x 1 7/8 x 1 1/8 in Stock Photo
RM2A2PYTF–Etruscan, Spear Head, 8th/7th Century BC, bronze, 11 3/4 x 1 7/8 x 1 1/8 in
Mesopotamia. Mesopotamia. Ashurbanipals Library.7th century BC. Assyrian Empire, Iraq. British Museum. London. GBR Stock Photo
RMKERP79–Mesopotamia. Mesopotamia. Ashurbanipals Library.7th century BC. Assyrian Empire, Iraq. British Museum. London. GBR
. Tomba della scimmia . end of 7th century BC. see filename or category 611 Tomba della scimmia 01 Stock Photo
RMMWW5KW–. Tomba della scimmia . end of 7th century BC. see filename or category 611 Tomba della scimmia 01
Bronze Ritual container - China, Eastern Zhou dynasty 7th century B.C. Stock Photo
RMB8AFF7–Bronze Ritual container - China, Eastern Zhou dynasty 7th century B.C.
Art inspired by Pair of Appliqués in the Form of Winged Genies, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883-612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Metalwork, height: 1 3/4 in. (4.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKM4KT–Art inspired by Pair of Appliqués in the Form of Winged Genies, Near Eastern, Mesopotamian, Assyrian, Neo-Assyrian period, 883-612 BC, 7th century BC, Gold, Ziwiye, Kurdistan province, Iran, Asia, Metalwork, height: 1 3/4 in. (4.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The city of Sardis or Sardes captured by the Cimmerians in the 7th century BC. From Hutchinson's History of the Nations, published 1915. Stock Photo
RMK8TN4Y–The city of Sardis or Sardes captured by the Cimmerians in the 7th century BC. From Hutchinson's History of the Nations, published 1915.
Atonement of Roman hero Horatius after killing his sister Camilla (or Horatia), 7th century BC. Horatius is shown at his trial for murder, his father promising to make sacrificial offerings on his behalf, while his sister's body is buried in a tomb. Expiation du jeune Horace apres avoir tue sa soeur. Copperplate engraving by János Blaschke after a design by Charles-Dominique-Joseph Eisen from Professor Joseph Rudolf Zappe’s Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millot’s Abrege de l’Histoi Stock Photo
RM2HWPPDF–Atonement of Roman hero Horatius after killing his sister Camilla (or Horatia), 7th century BC. Horatius is shown at his trial for murder, his father promising to make sacrificial offerings on his behalf, while his sister's body is buried in a tomb. Expiation du jeune Horace apres avoir tue sa soeur. Copperplate engraving by János Blaschke after a design by Charles-Dominique-Joseph Eisen from Professor Joseph Rudolf Zappe’s Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millot’s Abrege de l’Histoi
Siberian ibex (Capra sibirica) depicted on the bronze terminal of Tagar culture from Minusinsk Steppe dated from the 8th or 7th century BC on display in the Hermitage Museum in Saint Petersburg, Russia. Stock Photo
RMP943CC–Siberian ibex (Capra sibirica) depicted on the bronze terminal of Tagar culture from Minusinsk Steppe dated from the 8th or 7th century BC on display in the Hermitage Museum in Saint Petersburg, Russia.
Spin, Extremadura, Zalamea de la Serena, Sanctuary of Tartessian origin. It was occupied between the 7th and 4th centuries BC. Stock Photo
RM2J8HM8K–Spin, Extremadura, Zalamea de la Serena, Sanctuary of Tartessian origin. It was occupied between the 7th and 4th centuries BC.
The Battle of Carchemish was fought about 605 BC between the armies of Egypt allied with the remnants of the army of the former Assyrian Empire against the armies of Babylonia, allied with the Medes, Persians, and Scythians. The Egyptians met the full might of the Babylonian and Median army led by Nebuchadnezzar II at Carchemish, where the combined Egyptian and Assyrian forces were destroyed. Assyria ceased to exist as an independent power, and Egypt retreated and was no longer a significant force in the Ancient Near East. Babylonia went on to reach its economic peak after 605 BC. Stock Photo
RMTRNXYN–The Battle of Carchemish was fought about 605 BC between the armies of Egypt allied with the remnants of the army of the former Assyrian Empire against the armies of Babylonia, allied with the Medes, Persians, and Scythians. The Egyptians met the full might of the Babylonian and Median army led by Nebuchadnezzar II at Carchemish, where the combined Egyptian and Assyrian forces were destroyed. Assyria ceased to exist as an independent power, and Egypt retreated and was no longer a significant force in the Ancient Near East. Babylonia went on to reach its economic peak after 605 BC.
Nineveh.Limestone relief showing victims in a river.7th century BC Stock Photo
RMKGB5XR–Nineveh.Limestone relief showing victims in a river.7th century BC
MONUMENT OFFERED TO THE GOD BES by Eschmounillec, active sculptor in Cyprus in the 7th century BC Larnaca (Cyprus) 750-600 BC Limestone Stock Photo
RM2BPJ9C2–MONUMENT OFFERED TO THE GOD BES by Eschmounillec, active sculptor in Cyprus in the 7th century BC Larnaca (Cyprus) 750-600 BC Limestone
Colorized illustration of Aesop (620 - 564 BC, Greek fabulist and storyteller. Stock Photo
RF2GGP7W6–Colorized illustration of Aesop (620 - 564 BC, Greek fabulist and storyteller.
Fragment of gold beltIron Age, 8th-7th century BC.Perhaps from Ziwiyeh, north-west Iran. Ibexes, stags and heads of lions appear on this fragment of gold sheet is said to come from Ziwiyeh in north-west Iran. This site is a large mountain top citadel fortified by a massive wall. The citadel is approached by a monumental staircase cut out of the rock which winds around the mountain. Stock Photo
RMD988DG–Fragment of gold beltIron Age, 8th-7th century BC.Perhaps from Ziwiyeh, north-west Iran. Ibexes, stags and heads of lions appear on this fragment of gold sheet is said to come from Ziwiyeh in north-west Iran. This site is a large mountain top citadel fortified by a massive wall. The citadel is approached by a monumental staircase cut out of the rock which winds around the mountain.
An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Approximately 3 mm above ancient world, Additional-Rights-Clearance-Info-Not-Available Stock Photo
RMT8PF80–An Assyrian pointed, conical bronze helmet, 8th - 7th century BC Featuring an indistinct medial ridge and long stem crowned by a conical spike, probably used for the fastening of a crest. Approximately 3 mm above ancient world, Additional-Rights-Clearance-Info-Not-Available
Assyrians. Upper Mesopotamia. Palace of Ashurbanipal, Nineveh, Iraq. 7th century BC. Archers of the Royal Guard. Access ramp A. Bas-relief, alabaster. Louvre Museum. Paris. France. Stock Photo
RM2AP9PBW–Assyrians. Upper Mesopotamia. Palace of Ashurbanipal, Nineveh, Iraq. 7th century BC. Archers of the Royal Guard. Access ramp A. Bas-relief, alabaster. Louvre Museum. Paris. France.
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