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Art inspired by Card Players in a Drawing Room, Oil on canvas, 31 1/8 x 38 3/4 in. (79.1 x 98.4 cm), Paintings, Pierre Louis Dumesnil the Younger (French, Paris 1698–1781 Paris), The theatrical effect created by the firelight and candles is typical of the work of Dumesnil, who was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW8GEF–Art inspired by Card Players in a Drawing Room, Oil on canvas, 31 1/8 x 38 3/4 in. (79.1 x 98.4 cm), Paintings, Pierre Louis Dumesnil the Younger (French, Paris 1698–1781 Paris), The theatrical effect created by the firelight and candles is typical of the work of Dumesnil, who was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Smallsword with Scabbard. Culture: French, Paris. Dimensions: L. with scabbard 38 3/4 in. (98.4 cm); L. without scabbard 37 13/16 in. (96 cm); L. of blade 31 3/8 in. (79.7 cm); W. 4 5/16 in. (11 cm); D. 1 3/4 in. (4.5 cm); Wt. 12 oz. (340 g); Wt. of scabbard 2 oz. (56.7 g). Date: ca. 1785. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAXBF5–Smallsword with Scabbard. Culture: French, Paris. Dimensions: L. with scabbard 38 3/4 in. (98.4 cm); L. without scabbard 37 13/16 in. (96 cm); L. of blade 31 3/8 in. (79.7 cm); W. 4 5/16 in. (11 cm); D. 1 3/4 in. (4.5 cm); Wt. 12 oz. (340 g); Wt. of scabbard 2 oz. (56.7 g). Date: ca. 1785. Museum: Metropolitan Museum of Art, New York, USA.
Ketubah (marriage contract), 1879, 27 3/8 x 21 1/4 in. (69.53 x 53.98 cm) (sheet)31 1/8 x 25 1/4 in. (79.1 x 64.1 cm) (with added border), Paper, ink, pigment, Iran, 19th century, This ketubah, or marriage contract, was made for a wedding that took place in Isfahan, Persia (today's Iran) on April 4, 1879 (11 Nisan, 5639 on the Jewish calendar.) The bride was Bruriah, daughter of Joseph, and the groom was Moshe, son of Joseph. The lion and sun are ancient Persian symbols dating back to the Sassanian Period (226-651 BCE) and are often seen on 19th and 20th century marriage contracts in Isfahan Stock Photo
RM2T918X8–Ketubah (marriage contract), 1879, 27 3/8 x 21 1/4 in. (69.53 x 53.98 cm) (sheet)31 1/8 x 25 1/4 in. (79.1 x 64.1 cm) (with added border), Paper, ink, pigment, Iran, 19th century, This ketubah, or marriage contract, was made for a wedding that took place in Isfahan, Persia (today's Iran) on April 4, 1879 (11 Nisan, 5639 on the Jewish calendar.) The bride was Bruriah, daughter of Joseph, and the groom was Moshe, son of Joseph. The lion and sun are ancient Persian symbols dating back to the Sassanian Period (226-651 BCE) and are often seen on 19th and 20th century marriage contracts in Isfahan
Bartolomé Sureda y Miserol Painting; oil on canvas; overall: 119.7 x 79.3 cm (47 1/8 x 31 1/4 in.) framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in.); Goya - Bartolomé Sureda y Miserol Stock Photo
RMMMY89H–Bartolomé Sureda y Miserol Painting; oil on canvas; overall: 119.7 x 79.3 cm (47 1/8 x 31 1/4 in.) framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in.); Goya - Bartolomé Sureda y Miserol
LA PIAZZA DELLA BRAÃÄ DI VERONA. Author Urbani, Giovanni Antonio 79.41.b.(4) Place of publication: [Verona?] Publisher: [publisher not identified] Date of publication: [about 1750] Item type: 1 print Medium: etching and engraving Dimensions: 58.2 x 98 cm sheet Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9FKAW–LA PIAZZA DELLA BRAÃÄ DI VERONA. Author Urbani, Giovanni Antonio 79.41.b.(4) Place of publication: [Verona?] Publisher: [publisher not identified] Date of publication: [about 1750] Item type: 1 print Medium: etching and engraving Dimensions: 58.2 x 98 cm sheet Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Smallsword with Scabbard, ca. 1785, Paris, French, Paris, Steel, gold, wood, skin, L. with scabbard 38 3/4 in. (98.4 cm); L. without scabbard 37 13/16 in. (96 cm); L. of blade 31 3/8 in. (79.7 cm); W. 4 5/16 in. (11 cm); D. 1 3/4 in. (4.5 cm); Wt. 12 oz. (340 g); Wt. of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTT9AG–Art inspired by Smallsword with Scabbard, ca. 1785, Paris, French, Paris, Steel, gold, wood, skin, L. with scabbard 38 3/4 in. (98.4 cm); L. without scabbard 37 13/16 in. (96 cm); L. of blade 31 3/8 in. (79.7 cm); W. 4 5/16 in. (11 cm); D. 1 3/4 in. (4.5 cm); Wt. 12 oz. (340 g); Wt. of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ferrarese 15th Century, (artist), Portrait of a Man, c. 1470/1500, bronze, overall: 6.98 x 4.79 cm (2 3/4 x 1 7/8 in.), gross weight: 111.86 gr (0.247 lb Stock Photo
RM2DCB6F5–Ferrarese 15th Century, (artist), Portrait of a Man, c. 1470/1500, bronze, overall: 6.98 x 4.79 cm (2 3/4 x 1 7/8 in.), gross weight: 111.86 gr (0.247 lb
Smallsword with Scabbard. Date: ca. 1785; Geography: Paris; Culture: French, Paris; Medium: Steel, gold, wood, skin; Dimensions: L. with scabbard 38 Stock Photo
RM2GMX0J1–Smallsword with Scabbard. Date: ca. 1785; Geography: Paris; Culture: French, Paris; Medium: Steel, gold, wood, skin; Dimensions: L. with scabbard 38
Weekly Bulletin of the State Board of Health . OF WIND. VELOCITY OF WIND. STATE OF WEATHER.* RAIN-FALL. Week ending a fc p H P * 5 H fe S a S 3 g g o M % Ed Saturday, May 10, < < < CM < < Fm < Ph < cm •< P oo is 1902. «=; S CO CO H CO CO CO CO CO CO P Sunday, 4, 30.20 4S 52 44 75 90 82 N. E. S.E. 12 7 F. R. T Monday, 5, 29.98 58 69 47 91 72 82 s. w. N. 15 7 O. C. 0.14 Tuesday, 6, 30.14 56 63 49 59 50 54 N. S. 1 15 C. O. 0.00 Wednesday, i, 29.79 61 73 49 SS 52 70 S. N. W. 12 15 O. O. 0.05 brsday, . 8,9, •2V.SU29.70 ftO 52 7?.65 5& 40 56 58 4649 5154 N. W. W. n.Ty. 13 Stock Photo
RM2AJ6BX4–Weekly Bulletin of the State Board of Health . OF WIND. VELOCITY OF WIND. STATE OF WEATHER.* RAIN-FALL. Week ending a fc p H P * 5 H fe S a S 3 g g o M % Ed Saturday, May 10, < < < CM < < Fm < Ph < cm •< P oo is 1902. «=; S CO CO H CO CO CO CO CO CO P Sunday, 4, 30.20 4S 52 44 75 90 82 N. E. S.E. 12 7 F. R. T Monday, 5, 29.98 58 69 47 91 72 82 s. w. N. 15 7 O. C. 0.14 Tuesday, 6, 30.14 56 63 49 59 50 54 N. S. 1 15 C. O. 0.00 Wednesday, i, 29.79 61 73 49 SS 52 70 S. N. W. 12 15 O. O. 0.05 brsday, . 8,9, •2V.SU29.70 ftO 52 7?.65 5& 40 56 58 4649 5154 N. W. W. n.Ty. 13
Card Players in a Drawing Room. Artist: Pierre Louis Dumesnil the Younger (French, Paris 1698-1781 Paris); Medium: Oil on canvas; Dimensions: 31 1/8 Stock Photo
RMKNWWBF–Card Players in a Drawing Room. Artist: Pierre Louis Dumesnil the Younger (French, Paris 1698-1781 Paris); Medium: Oil on canvas; Dimensions: 31 1/8
. Denkschriften - Österreichische Akademie der Wissenschaften. '48 A. D efa ii t, Tabelle 20. Selbständige Gezeit des Kanalteils II Mitschwingungsgezeit des Kanalteils I (Nordsee) unter Einwirkung der perio- (englischer Kanal) mit der selbständigen dischen Kraft 7 cos (at + p). Gezeit des Kanalteils II. Quer- schnitt '7 km:' 2A7) cm 2-ri cm 17 0 500 + 2 21 1 a — 0 472 + 0 98 -t- 3 19 18 — 0 444 -+- 1 16 + 4 35 18 (? — 0 416 + 1 24 -f- 5 59 19 — 0 385 -f- 1 25 + 6 84 19 <7 — 0 323 + 0 79 -1- 7 63 20 — 0 199 Hh 0 44 + 8 07 21 + 0 121 H- 0 12 + 8 19 22 + 0 525 — 0 50 -t- 7 69 23 -t- 0 942 — 0 Stock Photo
RMPFK6AM–. Denkschriften - Österreichische Akademie der Wissenschaften. '48 A. D efa ii t, Tabelle 20. Selbständige Gezeit des Kanalteils II Mitschwingungsgezeit des Kanalteils I (Nordsee) unter Einwirkung der perio- (englischer Kanal) mit der selbständigen dischen Kraft 7 cos (at + p). Gezeit des Kanalteils II. Quer- schnitt '7 km:' 2A7) cm 2-ri cm 17 0 500 + 2 21 1 a — 0 472 + 0 98 -t- 3 19 18 — 0 444 -+- 1 16 + 4 35 18 (? — 0 416 + 1 24 -f- 5 59 19 — 0 385 -f- 1 25 + 6 84 19 <7 — 0 323 + 0 79 -1- 7 63 20 — 0 199 Hh 0 44 + 8 07 21 + 0 121 H- 0 12 + 8 19 22 + 0 525 — 0 50 -t- 7 69 23 -t- 0 942 — 0
Tall clock. Maker: Case by John Townsend (1732-1809); Maker: Movement by William Tomlinson (active 1733); Date: 1789; Geography: Made in Newport, Stock Photo
RMKNF7MG–Tall clock. Maker: Case by John Townsend (1732-1809); Maker: Movement by William Tomlinson (active 1733); Date: 1789; Geography: Made in Newport,
Saber (Shamshir) with Scabbard. Date: hilt and scabbard, dated 1819; blade, 18th century; Geography: probably Lucknow, Uttar Pradesh; Culture: Stock Photo
RMKNDTAN–Saber (Shamshir) with Scabbard. Date: hilt and scabbard, dated 1819; blade, 18th century; Geography: probably Lucknow, Uttar Pradesh; Culture:
Bird peddler. Artist: Unidentified Artist; Period: Ming dynasty (1368-1644); Date: late 15th-early 16th century; Culture: China; Medium: Hanging Stock Photo
RMKNDKDT–Bird peddler. Artist: Unidentified Artist; Period: Ming dynasty (1368-1644); Date: late 15th-early 16th century; Culture: China; Medium: Hanging
Portrait of Jifei Ruyi (Sokuhi Nyoichi, 1616-1671). Artist: Kita Genki (active 1664-98). Culture: Japan. Dimensions: Image: 43 1/8 × 17 5/16 in. (109.5 × 44 cm) Overall with mounting: 79 1/4 × 22 1/4 in. (201.3 × 56.5 cm) Overall with knobs: 79 1/4 × 24 3/8 in. (201.3 × 61.9 cm). Date: 1666. Genki, a Nagasaki artist, painted this portrait of the Obaku master Jifei Ruyi, which was inscribed in Chinese by the subject himself while he was resident at Fukujuji, a temple patronized by the daimyo of Kokura (present-day Kita Kyushu). The port of Nagasaki was one of the few places under the tightly Stock Photo
RMPAXBJB–Portrait of Jifei Ruyi (Sokuhi Nyoichi, 1616-1671). Artist: Kita Genki (active 1664-98). Culture: Japan. Dimensions: Image: 43 1/8 × 17 5/16 in. (109.5 × 44 cm) Overall with mounting: 79 1/4 × 22 1/4 in. (201.3 × 56.5 cm) Overall with knobs: 79 1/4 × 24 3/8 in. (201.3 × 61.9 cm). Date: 1666. Genki, a Nagasaki artist, painted this portrait of the Obaku master Jifei Ruyi, which was inscribed in Chinese by the subject himself while he was resident at Fukujuji, a temple patronized by the daimyo of Kokura (present-day Kita Kyushu). The port of Nagasaki was one of the few places under the tightly
Painting; oil on panel; painted surface: 110.5 x 79.3 cm (43 1/2 x 31 1/4 in.) overall (panel): 111.8 x 80.6 cm (44 x 31 3/4 in.) framed: 129.8 x 98.7 x 10.7 cm (51 1/8 x 38 7/8 x 4 3/16 in.); Español: La Natividad circa 1508/1519. 785 La Natividad, por Juan de Flandes Stock Photo
RMMP8Y7X–Painting; oil on panel; painted surface: 110.5 x 79.3 cm (43 1/2 x 31 1/4 in.) overall (panel): 111.8 x 80.6 cm (44 x 31 3/4 in.) framed: 129.8 x 98.7 x 10.7 cm (51 1/8 x 38 7/8 x 4 3/16 in.); Español: La Natividad circa 1508/1519. 785 La Natividad, por Juan de Flandes
ALTRA VEDUTA DELLA BRAÃÄ DI VERONA. Author Urbani, Giovanni Antonio 79.41.b.3. Place of publication: [Verona?] Publisher: [publisher not identified] Date of publication: [about 1750] Item type: 1 print Medium: etching and engraving Dimensions: 58.4 x 98 cm sheet Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9FKB0–ALTRA VEDUTA DELLA BRAÃÄ DI VERONA. Author Urbani, Giovanni Antonio 79.41.b.3. Place of publication: [Verona?] Publisher: [publisher not identified] Date of publication: [about 1750] Item type: 1 print Medium: etching and engraving Dimensions: 58.4 x 98 cm sheet Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Saber (Shamshir) with Scabbard, hilt and scabbard, dated 1819; blade, 18th century, probably Lucknow, Uttar Pradesh, probably Indian; hilt and scabbard, Indian, probably Lucknow, Steel, silver, enamel, ivory, gold, glass, L. with scabbard 38 3/4 in. (98.4 cm); L, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW31CC–Art inspired by Saber (Shamshir) with Scabbard, hilt and scabbard, dated 1819; blade, 18th century, probably Lucknow, Uttar Pradesh, probably Indian; hilt and scabbard, Indian, probably Lucknow, Steel, silver, enamel, ivory, gold, glass, L. with scabbard 38 3/4 in. (98.4 cm); L, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Francisco de Goya, (artist), Spanish, 1746 - 1828, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, overall: 119.7 x 79.4 cm (47 1/8 x 31 1/4 in.), framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in Stock Photo
RM2DCFDA5–Francisco de Goya, (artist), Spanish, 1746 - 1828, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, overall: 119.7 x 79.4 cm (47 1/8 x 31 1/4 in.), framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in
Shepherd with a Flute, Giovanni Girolamo Savoldo (Italian (Lombard), about 1480 - after 1548), about 1525, Oil on canvas, 98.4 × 79.4 cm (38 3,4 × 31 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo
RF2B9CN5X–Shepherd with a Flute, Giovanni Girolamo Savoldo (Italian (Lombard), about 1480 - after 1548), about 1525, Oil on canvas, 98.4 × 79.4 cm (38 3,4 × 31 1,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Denkschriften - Österreichische Akademie der Wissenschaften. '48 A. D efa ii t, Tabelle 20. Selbständige Gezeit des Kanalteils II Mitschwingungsgezeit des Kanalteils I (Nordsee) unter Einwirkung der perio- (englischer Kanal) mit der selbständigen dischen Kraft 7 cos (at + p). Gezeit des Kanalteils II. Quer- schnitt '7 km:' 2A7) cm 2-ri cm 17 0 500 + 2 21 1 a — 0 472 + 0 98 -t- 3 19 18 — 0 444 -+- 1 16 + 4 35 18 (? — 0 416 + 1 24 -f- 5 59 19 — 0 385 -f- 1 25 + 6 84 19 <7 — 0 323 + 0 79 -1- 7 63 20 — 0 199 Hh 0 44 + 8 07 21 + 0 121 H- 0 12 + 8 19 22 + 0 525 — 0 50 -t- 7 69 23 -t- 0 942 — 0 Stock Photo
RMRD23KT–. Denkschriften - Österreichische Akademie der Wissenschaften. '48 A. D efa ii t, Tabelle 20. Selbständige Gezeit des Kanalteils II Mitschwingungsgezeit des Kanalteils I (Nordsee) unter Einwirkung der perio- (englischer Kanal) mit der selbständigen dischen Kraft 7 cos (at + p). Gezeit des Kanalteils II. Quer- schnitt '7 km:' 2A7) cm 2-ri cm 17 0 500 + 2 21 1 a — 0 472 + 0 98 -t- 3 19 18 — 0 444 -+- 1 16 + 4 35 18 (? — 0 416 + 1 24 -f- 5 59 19 — 0 385 -f- 1 25 + 6 84 19 <7 — 0 323 + 0 79 -1- 7 63 20 — 0 199 Hh 0 44 + 8 07 21 + 0 121 H- 0 12 + 8 19 22 + 0 525 — 0 50 -t- 7 69 23 -t- 0 942 — 0
Thérèse Louise de Sureda. Dated: c. 1803/1804. Dimensions: overall: 119.7 x 79.4 cm (47 1/8 x 31 1/4 in.) framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA. Stock Photo
RMPMB7BA–Thérèse Louise de Sureda. Dated: c. 1803/1804. Dimensions: overall: 119.7 x 79.4 cm (47 1/8 x 31 1/4 in.) framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.
A View at Mount Edgcombe on the Devonshire Coast. Author Jukes, Francis 11.98.f. Place of publication: London Publisher: Published June 1 1804 by F. Jukes Howland Street., Date of publication: [June 1 1804] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 54.6 x 67.2 cm, on sheet 58.4 x 79.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9G1XB–A View at Mount Edgcombe on the Devonshire Coast. Author Jukes, Francis 11.98.f. Place of publication: London Publisher: Published June 1 1804 by F. Jukes Howland Street., Date of publication: [June 1 1804] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 54.6 x 67.2 cm, on sheet 58.4 x 79.1 cm Former owner: George III, King of Great Britain, 1738-1820
Francisco de Goya, (artist), Spanish, 1746 - 1828, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, overall: 119.7 x 79.3 cm (47 1/8 x 31 1/4 in.), framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in Stock Photo
RM2DCG0X0–Francisco de Goya, (artist), Spanish, 1746 - 1828, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, overall: 119.7 x 79.3 cm (47 1/8 x 31 1/4 in.), framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in
Shepherd with a Flute, Giovanni Girolamo Savoldo (Italian (Lombard), about 1480 - after 1548), about 1525, Oil on reimagined Stock Photo
RFRAE551–Shepherd with a Flute, Giovanni Girolamo Savoldo (Italian (Lombard), about 1480 - after 1548), about 1525, Oil on reimagined
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 280 KATSUMA DAN r I > r- 1 ABLE Medium % cm. /sec. % cm. /sec. (; cm ./sec. % cm. /sec. % cm. /sec. Sea water pH 8.2 - 93 ft m v ^ 94.0* 0.08* 91.9 0.14 98.8* 0.27* 81.7* 0.42* 33.3 1.67 94.0* 0.24* 90.0* 0.39* 95.0* 0.77* 67.5 1.20 14.3 4.79 94.0 0.55 81.8 0.90 84.0 1.77 50.8 2.76 9.5 11.04 100.0* 0.21* 100.0* 0.34 84.3* 0.67* 53.7 1.04 16.7 4.17 100.0* 0.53* 96.2* 0.88 78.1* 1.73* 29.9 2.71 0 10.83 Sea water pH 4.7 (-18.5 m.v.) 100.0* 0.55* 100.0* 0.90* 100.0* 1.77* 98.5 2.76 95.8 1 1 .04 17.29 100.0* 0.85* 100.0* 1.41 Stock Photo
RMRHKYK5–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 280 KATSUMA DAN r I > r- 1 ABLE Medium % cm. /sec. % cm. /sec. (; cm ./sec. % cm. /sec. % cm. /sec. Sea water pH 8.2 - 93 ft m v ^ 94.0* 0.08* 91.9 0.14 98.8* 0.27* 81.7* 0.42* 33.3 1.67 94.0* 0.24* 90.0* 0.39* 95.0* 0.77* 67.5 1.20 14.3 4.79 94.0 0.55 81.8 0.90 84.0 1.77 50.8 2.76 9.5 11.04 100.0* 0.21* 100.0* 0.34 84.3* 0.67* 53.7 1.04 16.7 4.17 100.0* 0.53* 96.2* 0.88 78.1* 1.73* 29.9 2.71 0 10.83 Sea water pH 4.7 (-18.5 m.v.) 100.0* 0.55* 100.0* 0.90* 100.0* 1.77* 98.5 2.76 95.8 1 1 .04 17.29 100.0* 0.85* 100.0* 1.41
Large Vase with Flowers. Dated: c. 1912. Dimensions: overall: 73 x 54.6 cm (28 3/4 x 21 1/2 in.) framed: 98.7 x 79.7 x 6.9 cm (38 7/8 x 31 3/8 x 2 11/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon. Stock Photo
RMRFGT18–Large Vase with Flowers. Dated: c. 1912. Dimensions: overall: 73 x 54.6 cm (28 3/4 x 21 1/2 in.) framed: 98.7 x 79.7 x 6.9 cm (38 7/8 x 31 3/8 x 2 11/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.
Plan de la Ville d'Orleans telle qu'elle etoit en May 1728. Map information: Title: Plan de la Ville d'Orleans telle qu'elle etoit en May 1728. 122.98. Place of publication: [Place of production not identified] Publisher: [producer not identified] Date of publication: [1728?] Item type: 1 map on 4 sheets Medium: joined and laid on linen, manuscript pen and ink with watercolour over pencil Dimensions: 79 x 111 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9GN8P–Plan de la Ville d'Orleans telle qu'elle etoit en May 1728. Map information: Title: Plan de la Ville d'Orleans telle qu'elle etoit en May 1728. 122.98. Place of publication: [Place of production not identified] Publisher: [producer not identified] Date of publication: [1728?] Item type: 1 map on 4 sheets Medium: joined and laid on linen, manuscript pen and ink with watercolour over pencil Dimensions: 79 x 111 cm Former owner: George III, King of Great Britain, 1738-1820
Odilon Redon, (artist), French, 1840 - 1916, Large Vase with Flowers, c. 1912, oil on canvas, overall: 73 x 54.6 cm (28 3/4 x 21 1/2 in.), framed: 98.7 x 79.7 x 6.9 cm (38 7/8 x 31 3/8 x 2 11/16 in Stock Photo
RM2DC9YDH–Odilon Redon, (artist), French, 1840 - 1916, Large Vase with Flowers, c. 1912, oil on canvas, overall: 73 x 54.6 cm (28 3/4 x 21 1/2 in.), framed: 98.7 x 79.7 x 6.9 cm (38 7/8 x 31 3/8 x 2 11/16 in
Klomp Johannes Franziskus (1865-1946), Paulus Church and rectory, Nowy Bytom (former Friedenshütte) (1910-1911): Profile on the portal of the confessor chapel 1: 1. Pencil on transparent, 79.4 x 98.7 cm (including scan edges) Stock Photo
RM2JMY58Y–Klomp Johannes Franziskus (1865-1946), Paulus Church and rectory, Nowy Bytom (former Friedenshütte) (1910-1911): Profile on the portal of the confessor chapel 1: 1. Pencil on transparent, 79.4 x 98.7 cm (including scan edges)
The Nativity. Dated: c. 1508/1519. Dimensions: painted surface: 110.5 x 79.3 cm (43 1/2 x 31 1/4 in.) overall (panel): 111.8 x 80.6 cm (44 x 31 3/4 in.) framed: 129.8 x 98.7 x 10.7 cm (51 1/8 x 38 7/8 x 4 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JUAN DE FLANDES. FLANDES, JUAN DE. Stock Photo
RMPKWWBE–The Nativity. Dated: c. 1508/1519. Dimensions: painted surface: 110.5 x 79.3 cm (43 1/2 x 31 1/4 in.) overall (panel): 111.8 x 80.6 cm (44 x 31 3/4 in.) framed: 129.8 x 98.7 x 10.7 cm (51 1/8 x 38 7/8 x 4 3/16 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JUAN DE FLANDES. FLANDES, JUAN DE.
Juan de Flandes, (artist), Hispano-Flemish, active 1496 - 1519, The Nativity, Four Panels from the San Lazaro Altarpiece, (series), c. 1508/1519, oil on panel, painted surface: 110.5 x 79.3 cm (43 1/2 x 31 1/4 in.), overall (panel): 111.8 x 80.6 cm (44 x 31 3/4 in.), framed: 129.8 x 98.7 x 10.7 cm (51 1/8 x 38 7/8 x 4 3/16 in Stock Photo
RM2DCFXBD–Juan de Flandes, (artist), Hispano-Flemish, active 1496 - 1519, The Nativity, Four Panels from the San Lazaro Altarpiece, (series), c. 1508/1519, oil on panel, painted surface: 110.5 x 79.3 cm (43 1/2 x 31 1/4 in.), overall (panel): 111.8 x 80.6 cm (44 x 31 3/4 in.), framed: 129.8 x 98.7 x 10.7 cm (51 1/8 x 38 7/8 x 4 3/16 in
View of the Colosseum from the Orti Farnesiani, 1833, Antoine-Félix Boisselier, French, 1790 - 1857, 28 5/8 x 37 1/2 in. (72.71 x 95.25 cm) (sight)37 x 45 5/8 x 3 3/4 in. (93.98 x 115.89 x 9.53 cm) (outer frame)29 1/4 x 38 1/2 in. (74.3 x 97.79 cm) (canvas), Oil on canvas, France, 19th century, The virtues of heaven and earth merge in this luminous landscape, as a monk sits on an overturned capital (top of a column), repurposed as a place to rest. In the distance, the brilliant midday light envelops the ruins of the Colosseum and the Arch of Titus, reminders of the glory of ancient Rome. Stock Photo
RM2T91C49–View of the Colosseum from the Orti Farnesiani, 1833, Antoine-Félix Boisselier, French, 1790 - 1857, 28 5/8 x 37 1/2 in. (72.71 x 95.25 cm) (sight)37 x 45 5/8 x 3 3/4 in. (93.98 x 115.89 x 9.53 cm) (outer frame)29 1/4 x 38 1/2 in. (74.3 x 97.79 cm) (canvas), Oil on canvas, France, 19th century, The virtues of heaven and earth merge in this luminous landscape, as a monk sits on an overturned capital (top of a column), repurposed as a place to rest. In the distance, the brilliant midday light envelops the ruins of the Colosseum and the Arch of Titus, reminders of the glory of ancient Rome.
Smallsword with Scabbard, ca. 1785, Paris, French, Paris, Steel, gold, wood, skin, L. with scabbard 38 3/4 in. (98.4 cm Stock Photo
RMKCE6GC–Smallsword with Scabbard, ca. 1785, Paris, French, Paris, Steel, gold, wood, skin, L. with scabbard 38 3/4 in. (98.4 cm
The Piazza del Popolo, Rome, c. 1660, Johannes Lingelbach, Dutch, 1622 - 1674, 22 3/4 x 28 7/8 in. (57.79 x 73.34 cm) (canvas)31 1/2 x 37 x 5 in. (80.01 x 93.98 x 12.7 cm) (outer frame), Oil on canvas, Netherlands, 17th century, Johannes Lingelbach is usually considered a Dutch artist, because he moved with his parents from his native Germany to Amsterdam when he was about 15. In the later 1640s, he spent several years in Rome, and continued to paint scenes of southern Europe even after returning to Amsterdam. Here, he depicts a small market on the Piazza del Popolo, the first glimpse of Rome Stock Photo
RM2T90KJF–The Piazza del Popolo, Rome, c. 1660, Johannes Lingelbach, Dutch, 1622 - 1674, 22 3/4 x 28 7/8 in. (57.79 x 73.34 cm) (canvas)31 1/2 x 37 x 5 in. (80.01 x 93.98 x 12.7 cm) (outer frame), Oil on canvas, Netherlands, 17th century, Johannes Lingelbach is usually considered a Dutch artist, because he moved with his parents from his native Germany to Amsterdam when he was about 15. In the later 1640s, he spent several years in Rome, and continued to paint scenes of southern Europe even after returning to Amsterdam. Here, he depicts a small market on the Piazza del Popolo, the first glimpse of Rome
The Philosopher, c. 1845-1855, Antoine Joseph Wiertz, Belgian, 1806 - 1865, 38 7/8 x 31 7/16 in. (98.74 x 79.85 cm) (canvas)42 3/4 x 35 1/2 x 2 3/4 in. (108.59 x 90.17 x 6.99 cm) (outer frame), Oil on canvas, Belgium, 19th century Stock Photo
RM2T90RP7–The Philosopher, c. 1845-1855, Antoine Joseph Wiertz, Belgian, 1806 - 1865, 38 7/8 x 31 7/16 in. (98.74 x 79.85 cm) (canvas)42 3/4 x 35 1/2 x 2 3/4 in. (108.59 x 90.17 x 6.99 cm) (outer frame), Oil on canvas, Belgium, 19th century
Great Generals of the East and West, c. 1874, Tsukioka Yoshitoshi, Japanese, 1839 - 1892, 63 3/4 × 39 13/16 in. (161.93 × 101.12 cm) (image)79 1/8 × 45 3/8 in. (200.98 × 115.25 cm) (without roller), Ink and color on silk, Japan, 19th century, One of the largest paintings by Yoshitoshi, this is also one of the most mysterious. The six people from right to left are the warlord and unifier of Japan Toyotomi Hideyoshi (1537–1598), as a child with dog; the first shogun of the Edo period (1603–1868), Tokugawa Ieyasu (1543–1616); the first president of the United States, George Washington Stock Photo
RM2T90GNH–Great Generals of the East and West, c. 1874, Tsukioka Yoshitoshi, Japanese, 1839 - 1892, 63 3/4 × 39 13/16 in. (161.93 × 101.12 cm) (image)79 1/8 × 45 3/8 in. (200.98 × 115.25 cm) (without roller), Ink and color on silk, Japan, 19th century, One of the largest paintings by Yoshitoshi, this is also one of the most mysterious. The six people from right to left are the warlord and unifier of Japan Toyotomi Hideyoshi (1537–1598), as a child with dog; the first shogun of the Edo period (1603–1868), Tokugawa Ieyasu (1543–1616); the first president of the United States, George Washington
Two Russian Officers, 19th century, Unknown Nagasaki School, 46 3/8 × 14 7/8 in. (117.79 × 37.78 cm) (image)70 1/8 × 18 3/8 in. (178.12 × 46.67 cm) (mount, visible)72 3/4 × 21 1/4 × 1 in. (184.79 × 53.98 × 2.54 cm) (outer frame), Ink and color on paper, Japan, 19th century, Though neighbors, Japan and Russia established official relations only in the 1850s, not long after the American navy compelled Japan to end its long-standing isolationist policies and commence trade with the West. The anonymous painter of this work portrays two Russian soldiers, both in three-quarter view Stock Photo
RM2T90FHN–Two Russian Officers, 19th century, Unknown Nagasaki School, 46 3/8 × 14 7/8 in. (117.79 × 37.78 cm) (image)70 1/8 × 18 3/8 in. (178.12 × 46.67 cm) (mount, visible)72 3/4 × 21 1/4 × 1 in. (184.79 × 53.98 × 2.54 cm) (outer frame), Ink and color on paper, Japan, 19th century, Though neighbors, Japan and Russia established official relations only in the 1850s, not long after the American navy compelled Japan to end its long-standing isolationist policies and commence trade with the West. The anonymous painter of this work portrays two Russian soldiers, both in three-quarter view
Card Players in a Drawing Room, Pierre Louis Dumesnil the Younger Stock Photo
RMKC7YGD–Card Players in a Drawing Room, Pierre Louis Dumesnil the Younger
Shepherd with a Flute; Giovanni Girolamo Savoldo, Italian, Lombard, about 1480 - after 1548, about 1525; Oil on canvas Stock Photo
RMPPXPFR–Shepherd with a Flute; Giovanni Girolamo Savoldo, Italian, Lombard, about 1480 - after 1548, about 1525; Oil on canvas
Saber (Shamshir) with Scabbard, hilt and scabbard, dated 1819; blade, 18th century Stock Photo
RMKC720B–Saber (Shamshir) with Scabbard, hilt and scabbard, dated 1819; blade, 18th century
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