Save up to 30% when you upgrade to an image pack

Stock photos, 360° images, vectors and videos

Filters

443 bc Stock Photos and Images

(107)See 443 bc stock video clips

Quick filters:

Cut Outs | Black & white

Page 1 of 2

Pindaro Pindar Pindaros 522 – 443 BC was an Ancient Greek lyric poet from Thebes. Roman Rome Capitoline Museum Italy Italian Stock Photo

RMEEKH6T–Pindaro Pindar Pindaros 522 – 443 BC was an Ancient Greek lyric poet from Thebes. Roman Rome Capitoline Museum Italy Italian

Bust of Pindar, c. 522 – c. 443 BC. Ancient Greek lyric poet. Stock Photo

RMPTB3Y3–Bust of Pindar, c. 522 – c. 443 BC. Ancient Greek lyric poet.

Marble bust of Greek lyric poet Pindar (522-443 BC). Roman copy dated from 130-140 AD after a Greek original from the middle of the 5th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy. Stock Photo

RMJ57APC–Marble bust of Greek lyric poet Pindar (522-443 BC). Roman copy dated from 130-140 AD after a Greek original from the middle of the 5th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy.

Empedocles of Akragas (fl. 444-443 BC), Ancient Greek pre-Socratic philosopher, doctor, statesman and priest, best known for originating the cosmogonic theory of the four classical elements. Akragas (now Agrigento) was a Greek city in Sicily. Stock Photo

RM2M99YBK–Empedocles of Akragas (fl. 444-443 BC), Ancient Greek pre-Socratic philosopher, doctor, statesman and priest, best known for originating the cosmogonic theory of the four classical elements. Akragas (now Agrigento) was a Greek city in Sicily.

Pindar, c. 522 – c. 443 BC. Ancient Greek lyric poet. From Ward and Lock's Illustrated History of the World, published c.1882. Stock Photo

RMKHM9YD–Pindar, c. 522 – c. 443 BC. Ancient Greek lyric poet. From Ward and Lock's Illustrated History of the World, published c.1882.

Rome. Italy. Portrait bust of Pindar (Pindaros/Pindarus, ca. 522 – ca. 443 BC) ancient Greek lyric poet from Thebes in the Hall of the Philosophers, C Stock Photo

RMR1TC2B–Rome. Italy. Portrait bust of Pindar (Pindaros/Pindarus, ca. 522 – ca. 443 BC) ancient Greek lyric poet from Thebes in the Hall of the Philosophers, C

Pindar, c. 522-443 BC, an Ancient Greek lyric poet from Thebes Stock Photo

RMJ7JGC3–Pindar, c. 522-443 BC, an Ancient Greek lyric poet from Thebes

A meeting of Agesilaus and Pharnabazus. After victory in the Peloponnesian War, Agesilaus II (443 – 360 BCE), became king of the Greek city-state of Sparta ruling from 398 to about 360 BC, during which time he was commander and king of all Greece and became a threat for the Achaemenid Empire. Pharnabazus, a Persian soldier and statesman, and Satrap of Hellespontine Phrygia was involved in trying to stop defeated Greeks from entering and plundering Hellespontine Phrygia as they were returning from their failed campaign in the center of the Achaemenid Empire. Stock Photo

RMW21EH0–A meeting of Agesilaus and Pharnabazus. After victory in the Peloponnesian War, Agesilaus II (443 – 360 BCE), became king of the Greek city-state of Sparta ruling from 398 to about 360 BC, during which time he was commander and king of all Greece and became a threat for the Achaemenid Empire. Pharnabazus, a Persian soldier and statesman, and Satrap of Hellespontine Phrygia was involved in trying to stop defeated Greeks from entering and plundering Hellespontine Phrygia as they were returning from their failed campaign in the center of the Achaemenid Empire.

Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC Stock Photo

RMD96F51–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

Meeting between Agesilaus (left) and Pharnabazus II (right) in 395 BC, when Agesilaus agreed to remove himself from Hellespontine Phrygia. Agesilaus II, c. 444/443 – c. 360 BC. King of the ancient Greek city-state of Sparta and a member of the Eurypontid dynasty. Pharnabazus II, Persian soldier and statesman, and Satrap of Hellespontine Phrygia. From Cassell's Universal History, published 1888. Stock Photo

RM2F4T8E0–Meeting between Agesilaus (left) and Pharnabazus II (right) in 395 BC, when Agesilaus agreed to remove himself from Hellespontine Phrygia. Agesilaus II, c. 444/443 – c. 360 BC. King of the ancient Greek city-state of Sparta and a member of the Eurypontid dynasty. Pharnabazus II, Persian soldier and statesman, and Satrap of Hellespontine Phrygia. From Cassell's Universal History, published 1888.

. English: Quincussis, 225-217 BC Русский: Квинкуссис, 225-217 годы до н.э. . This file is lacking author information. 443 Quincussis Stock Photo

RMMYNYF5–. English: Quincussis, 225-217 BC Русский: Квинкуссис, 225-217 годы до н.э. . This file is lacking author information. 443 Quincussis

Sept. 8, 2011 - San Clemente, California, U.S. - TAYLOR KINGSMILL, 19, of San Clemente, an employee at BC Surf Shop in San Clemente, found other things to do like painting the store's front window, while waiting for the power to return on Thursday afternoon. Several million residents along with thou Stock Photo

RMCDX787–Sept. 8, 2011 - San Clemente, California, U.S. - TAYLOR KINGSMILL, 19, of San Clemente, an employee at BC Surf Shop in San Clemente, found other things to do like painting the store's front window, while waiting for the power to return on Thursday afternoon. Several million residents along with thou

. Herzog Karl Eugen von Württemberg und seine Zeit, hrsg. vom Württembergischen Geschichts- und Altertums-Verein . Bc)d)rcibung bcs iHarftflecfcns Kovnroeftbcim im 3- JS o Hegicrungsrat C?ber=amtmann Kern er. §ift. ijanbfdjrift F. Hr. 277 ber K. Sanbesbibliotljef. 3) S. aud) H)v)gob5insfi, Über altroiirttcmbcrgifdje Semeinbegütcrpoütif. Berliner 3naug.=3iff. ^894. ?*) TOürttemb. 3at)rbud)er 1844. 2. S. 313-443. ä) Scr fogenannte Kammeranfdjiag ber Haturalicn blieb nämlid; feit 1743 immer bcr gleid)e.£in Sdjeffel Hoggen, ben bcr Beamte in natura erl)ielt, würbe il)m ju 3 Bulben, 1 Sd)effel Dinf Stock Photo

RM2CE2BKF–. Herzog Karl Eugen von Württemberg und seine Zeit, hrsg. vom Württembergischen Geschichts- und Altertums-Verein . Bc)d)rcibung bcs iHarftflecfcns Kovnroeftbcim im 3- JS o Hegicrungsrat C?ber=amtmann Kern er. §ift. ijanbfdjrift F. Hr. 277 ber K. Sanbesbibliotljef. 3) S. aud) H)v)gob5insfi, Über altroiirttcmbcrgifdje Semeinbegütcrpoütif. Berliner 3naug.=3iff. ^894. ?*) TOürttemb. 3at)rbud)er 1844. 2. S. 313-443. ä) Scr fogenannte Kammeranfdjiag ber Haturalicn blieb nämlid; feit 1743 immer bcr gleid)e.£in Sdjeffel Hoggen, ben bcr Beamte in natura erl)ielt, würbe il)m ju 3 Bulben, 1 Sd)effel Dinf

RM2JYM3JF–China. 25th July, 2022. In this photo illustration, the American fashion retailer Forever 21 logo is displayed on a smartphone screen. (Credit Image: © Budrul Chukrut/SOPA Images via ZUMA Press Wire)

Comox Canada - Canadian Air Force AgustaWestland EHI CH-149 Cormorant (EH-101 Mk511) Stock Photo

RMAY6J4Y–Comox Canada - Canadian Air Force AgustaWestland EHI CH-149 Cormorant (EH-101 Mk511)

Archive image from page 443 of Die deutsche Landwirtschaft unter Kaiser. Die deutsche Landwirtschaft unter Kaiser Wilhelm II; Mutterland und Kolonien. Hrsg. von Prof. Dr. Dade diedeutschelandw02dadeuoft Year: 1913 452 hitibbaujcn. bc6 oudcv- -geljalt bei cclcgt, fo bap alle ?vÃ¼bctt cilciitnuiBigcn 0tanbrauin cvbicltcii. J'ic -13rÃ¼fimg bcr ciiijclncii 3Iadifpmmen- fitaftcn cuiab, ba[ ein gropcc Seil bec ?3iuttcrrÃ¼t>cn ungÃ¼nitig pcrcrbt battc unb bc- itcitigtc Me ?vidttigtcit bcr ffÃ¼bcv angcfÃ¼brten i->ciinutimc5. tSinc pcrbÃ¤ltniÃ¶inÃ¤Ãig Heine Slnjabl mit V X. bcrpmTagenber 23cter Stock Photo

RMW06N34–Archive image from page 443 of Die deutsche Landwirtschaft unter Kaiser. Die deutsche Landwirtschaft unter Kaiser Wilhelm II; Mutterland und Kolonien. Hrsg. von Prof. Dr. Dade diedeutschelandw02dadeuoft Year: 1913 452 hitibbaujcn. bc6 oudcv- -geljalt bei cclcgt, fo bap alle ?vÃ¼bctt cilciitnuiBigcn 0tanbrauin cvbicltcii. J'ic -13rÃ¼fimg bcr ciiijclncii 3Iadifpmmen- fitaftcn cuiab, ba[ ein gropcc Seil bec ?3iuttcrrÃ¼t>cn ungÃ¼nitig pcrcrbt battc unb bc- itcitigtc Me ?vidttigtcit bcr ffÃ¼bcv angcfÃ¼brten i->ciinutimc5. tSinc pcrbÃ¤ltniÃ¶inÃ¤Ãig Heine Slnjabl mit V X. bcrpmTagenber 23cter

RMEEKH72–Pindaro Pindar Pindaros 522 – 443 BC was an Ancient Greek lyric poet from Thebes. Roman Rome Capitoline Museum Italy Italian

RMJ57A1W–Marble bust of Greek lyric poet Pindar (522-443 BC). Roman copy dated from 130-140 AD after a Greek original from the middle of the 5th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy.

RMR1TC2J–Rome. Italy. Portrait bust of Pindar (Pindaros/Pindarus, ca. 522 – ca. 443 BC) ancient Greek lyric poet from Thebes in the Hall of the Philosophers, C

RMD96F4K–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

. Tiếng Việt: Bản đồ các khu vực lẻ tẻ do nhà Tần chiếm được của các nhóm tộc Bách Việt ở phía Nam sông Dương Tử (Trường Giang) sau năm 210 TCN. 28 December 2015. Itsmine 443 Qin Empire in the south of Yangtze River (210 BC) Stock Photo

RMMYNKF9–. Tiếng Việt: Bản đồ các khu vực lẻ tẻ do nhà Tần chiếm được của các nhóm tộc Bách Việt ở phía Nam sông Dương Tử (Trường Giang) sau năm 210 TCN. 28 December 2015. Itsmine 443 Qin Empire in the south of Yangtze River (210 BC)

. Güldene Aepfel in silbernen Schalen, das ist, Worte geredet zu seiner Zeit über 400 Sinnbilder von allerley Zeiten und Umständen des menschlichen Lebens zu Beförderung der Erbauung . -443 @ £»- 3? Setn^er ^viret. Irritaty non fatiaf. ^xxtt^Ux^ t)cr©onmn^fltif in fto b(ur)c( unD ^öt i^afft/S)cm hUxht m ^Ißintcr^jeit bc^ ^oD^ jie ?(rtifcbO(f e fcr;nKcf t t)er 3urt3 allein nur gut,Sen ^D^agen fdttist Doc^ nic^t tiefet: ^ccferbilTen;^er ttJirb nid;t tm b.ec äßcit Dicö auc^ befcnnen muflen,,^ic niema(ö fdttiöct/ ob jt^ ^leicft fufTe t^ut. in §?irt @reif / ticn ©Ott Uthi, i|l biefem ffcd^baum öfi Stock Photo

RM2CT3HT6–. Güldene Aepfel in silbernen Schalen, das ist, Worte geredet zu seiner Zeit über 400 Sinnbilder von allerley Zeiten und Umständen des menschlichen Lebens zu Beförderung der Erbauung . -443 @ £»- 3? Setn^er ^viret. Irritaty non fatiaf. ^xxtt^Ux^ t)cr©onmn^fltif in fto b(ur)c( unD ^öt i^afft/S)cm hUxht m ^Ißintcr^jeit bc^ ^oD^ jie ?(rtifcbO(f e fcr;nKcf t t)er 3urt3 allein nur gut,Sen ^D^agen fdttist Doc^ nic^t tiefet: ^ccferbilTen;^er ttJirb nid;t tm b.ec äßcit Dicö auc^ befcnnen muflen,,^ic niema(ö fdttiöct/ ob jt^ ^leicft fufTe t^ut. in §?irt @reif / ticn ©Ott Uthi, i|l biefem ffcd^baum öfi

RMAY6J2M–Comox Canada - Canadian Air Force AgustaWestland EHI CH-149 Cormorant (EH-101 Mk511)

RMEEKH74–Pindaro Pindar Pindaros 522 – 443 BC was an Ancient Greek lyric poet from Thebes. Roman Rome Capitoline Museum Italy Italian

RMJ57ACY–Marble bust of Greek lyric poet Pindar (522-443 BC). Roman copy dated from 130-140 AD after a Greek original from the middle of the 5th century BC from the Farnese Collection on display in the National Archaeological Museum in Naples, Campania, Italy.

RMR1TC2H–Rome. Italy. Portrait bust of Pindar (Pindaros/Pindarus, ca. 522 – ca. 443 BC) ancient Greek lyric poet from Thebes in the Hall of the Philosophers, C

RMD96F4W–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

. GÃ¼ldene Aepfel in silbernen Schalen, das ist, Worte geredet zu seiner Zeit Ã¼ber 400 Sinnbilder von allerley Zeiten und UmstÃ¤nden des menschlichen Lebens zu BefÃ¶rderung der Erbauung . I. â¢443 @ 8^Â»- 43 FrtiBu emmet una. Abmjde Â£ff uhtcjue. jiegruc^tmacl;tt)icfcn^aum5[)Ã¶t: . ^^^ tvdc^ft in icbcnUmiD unt) itt Â» flnt)crn crfl befant, ^ fe^f Ã¶rolTa 3nl;(/ 5030 (ccre Q5Iutr)en fint)/ Da ()ibt c^ %i fuffc SRÃ¼bc fort â¬in â¬f}ri|I fc!?(ccf;tc Q5aite/ seiÃ¶tÃ¼bciÃ¶tt ^ietf)oricf;t fliegt man t)cinn in ^or^ !^et Â©eelcn Sruebtbacfdt^ imD in tcnâ¬^r*unb gi*cut)e? loicl cjuten ?lÃ¶crcfcn 5)i Stock Photo

RM2CT3HPP–. GÃ¼ldene Aepfel in silbernen Schalen, das ist, Worte geredet zu seiner Zeit Ã¼ber 400 Sinnbilder von allerley Zeiten und UmstÃ¤nden des menschlichen Lebens zu BefÃ¶rderung der Erbauung . I. â¢443 @ 8^Â»- 43 FrtiBu emmet una. Abmjde Â£ff uhtcjue. jiegruc^tmacl;tt)icfcn^aum5[)Ã¶t: . ^^^ tvdc^ft in icbcnUmiD unt) itt Â» flnt)crn crfl befant, ^ fe^f Ã¶rolTa 3nl;(/ 5030 (ccre Q5Iutr)en fint)/ Da ()ibt c^ %i fuffc SRÃ¼bc fort â¬in â¬f}ri|I fc!?(ccf;tc Q5aite/ seiÃ¶tÃ¼bciÃ¶tt ^ietf)oricf;t fliegt man t)cinn in ^or^ !^et Â©eelcn Sruebtbacfdt^ imD in tcnâ¬^r*unb gi*cut)e? loicl cjuten ?lÃ¶crcfcn 5)i

RMR1TC2D–Rome. Italy. Portrait bust of Pindar (Pindaros/Pindarus, ca. 522 – ca. 443 BC) ancient Greek lyric poet from Thebes in the Hall of the Philosophers, C

RMD96F5F–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

RMD96F56–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

RMR1TC28–Rome. Italy. Portrait bust of Pindar (Pindaros/Pindarus, ca. 522 – ca. 443 BC) ancient Greek lyric poet from Thebes in the Hall of the Philosophers, C

RMD96F55–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

RMD96F5H–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

RMD96F5A–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

RMD96F4Y–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

RMD96F5G–Detail from the South Frieze of the Parthenon, Athens. Showing 6 horsemen and their horses. Greek, circa 443-438 BC

Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses. Stock Photo

RMD96EP2–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D5Y–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D6R–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D29–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D2C–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96ET2–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96EN8–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D99–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FXD–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D9R–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96EX7–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96EMD–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FEY–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FKF–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FPF–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FT2–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FDA–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96F74–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FA7–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96F6A–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96F59–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FBR–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96F7K–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96F91–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FCH–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D81–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FHG–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FNK–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D90–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D69–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96DAA–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96G6P–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96G7F–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96DA1–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96FYY–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96G20–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96CY8–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D2P–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D11–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96GBX–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D5D–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D56–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96GFA–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D2J–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96GA8–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D2X–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D3W–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D45–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D1W–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D3B–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

RMD96D49–Detail from the Parthenon Frieze. Greek marble sculpture, made between 443-438 BC. The full frieze shows a narrative procession of men, women & horses.

Section of the Parthenon frieze is the low relief, Pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between ca. 443 and 438 BC, under the direction of Phidias. Acropolis Museum, Athens, Greece. Stock Photo

RMD9C9KD–Section of the Parthenon frieze is the low relief, Pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between ca. 443 and 438 BC, under the direction of Phidias. Acropolis Museum, Athens, Greece.

RMD9C9JT–Section of the Parthenon frieze is the low relief, Pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between ca. 443 and 438 BC, under the direction of Phidias. Acropolis Museum, Athens, Greece.

Head piece from the Parthenon Frieze, Acropolise, Athens. This head was sculptured between 443 and 438 BC. Stock Photo

RMD9C8HX–Head piece from the Parthenon Frieze, Acropolise, Athens. This head was sculptured between 443 and 438 BC.

Hephaistos overcoming a giant. From the Parthenon freize, Acropolise, Muesum, Athens - 443 and 438 BC Stock Photo

RMD9CCH1–Hephaistos overcoming a giant. From the Parthenon freize, Acropolise, Muesum, Athens - 443 and 438 BC

Soldiers depicted in the Parthenon frieze, a high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias Stock Photo

RMHHG97G–Soldiers depicted in the Parthenon frieze, a high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias

cavalry, depicted in the Parthenon frieze, a high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias Stock Photo

RMHHG97N–cavalry, depicted in the Parthenon frieze, a high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias

Gilded 19th century replica of the Parthenon frieze. The Frieze was a relief in pentelic marble, created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias Stock Photo

RMKJ1G3K–Gilded 19th century replica of the Parthenon frieze. The Frieze was a relief in pentelic marble, created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias

RMKJ1G36–Gilded 19th century replica of the Parthenon frieze. The Frieze was a relief in pentelic marble, created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias

RMKJ1G35–Gilded 19th century replica of the Parthenon frieze. The Frieze was a relief in pentelic marble, created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias

RMKJ1G3D–Gilded 19th century replica of the Parthenon frieze. The Frieze was a relief in pentelic marble, created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias

RMKJ1G3R–Gilded 19th century replica of the Parthenon frieze. The Frieze was a relief in pentelic marble, created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias

RMKJ1G3M–Gilded 19th century replica of the Parthenon frieze. The Frieze was a relief in pentelic marble, created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias

Page 1 of 2

443 bc Stock Photos and Images

Download Confirmation

Password Confirmation

Search Results for 443 bc Stock Photos and Images (107)

Customers