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Art inspired by Punch bowl, 1890–1905, Made in White Mills, Pennsylvania, United States, American, Blown and cut glass, 14 3/4 x 14 1/8 in. (37.5 x 35.9 cm), Glass, Attirbuted to C. Dorflinger and Sons (American, White Mills, Pennsylviania, 1881–1921), The new, expensive “rich cut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9H49–Art inspired by Punch bowl, 1890–1905, Made in White Mills, Pennsylvania, United States, American, Blown and cut glass, 14 3/4 x 14 1/8 in. (37.5 x 35.9 cm), Glass, Attirbuted to C. Dorflinger and Sons (American, White Mills, Pennsylviania, 1881–1921), The new, expensive “rich cut, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sword with Scabbard, Chinese, 18th–19th century, Chinese, Steel, iron, leather, H. with scabbard 37 3/4 in. (95.9 cm); H. without scabbard 35 3/4 in. (90.8 cm); H. of blade 29 in. (73.7 cm); W. 3 1/2 in. (8.9 cm); W. of blade 1 3/4 in. (4.5 cm); Wt. 2 lb. 12 oz. (1247.4 g); Wt. of scabbard 1 lb. 0.1 oz. (456.4 g), Swords Stock Photo

RM2B0MMY7–Sword with Scabbard, Chinese, 18th–19th century, Chinese, Steel, iron, leather, H. with scabbard 37 3/4 in. (95.9 cm); H. without scabbard 35 3/4 in. (90.8 cm); H. of blade 29 in. (73.7 cm); W. 3 1/2 in. (8.9 cm); W. of blade 1 3/4 in. (4.5 cm); Wt. 2 lb. 12 oz. (1247.4 g); Wt. of scabbard 1 lb. 0.1 oz. (456.4 g), Swords

Art inspired by Repas de Corps. Epoque Mémorable de 1821, 1821, Lithograph, sheet: 14 x 14 15/16 in. (35.5 x 37.9 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXRW5–Art inspired by Repas de Corps. Epoque Mémorable de 1821, 1821, Lithograph, sheet: 14 x 14 15/16 in. (35.5 x 37.9 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Punch bowl. Culture: American. Dimensions: 14 3/4 x 14 1/8 in. (37.5 x 35.9 cm). Maker: Attirbuted to C. Dorflinger and Sons (American, White Mills, Pennsylviania, 1881-1921). Date: 1890-1905. The new, expensive 'rich cut' glass made use of curved miter cuts, which allowed every inch of the surface to be faceted and created unprecedented brilliance. Christian Dorflinger was one of the leading producers in this style. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPATHEF–Punch bowl. Culture: American. Dimensions: 14 3/4 x 14 1/8 in. (37.5 x 35.9 cm). Maker: Attirbuted to C. Dorflinger and Sons (American, White Mills, Pennsylviania, 1881-1921). Date: 1890-1905. The new, expensive 'rich cut' glass made use of curved miter cuts, which allowed every inch of the surface to be faceted and created unprecedented brilliance. Christian Dorflinger was one of the leading producers in this style. Museum: Metropolitan Museum of Art, New York, USA.

Statue of a Crouching Lion; Greece; about 380 B.C; Marble; 37.5 × 22.2 × 89.9 cm, 14 3,4 × 8 3,4 × 35 3,8 in Stock Photo

RMPPT204–Statue of a Crouching Lion; Greece; about 380 B.C; Marble; 37.5 × 22.2 × 89.9 cm, 14 3,4 × 8 3,4 × 35 3,8 in

. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1800 Display Dimensions: 6 15/32 in. x 5 7/8 in. (16.4 cm x 14.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1200 Collection: The San Diego Museum of Art . 15 October 2001, 11:37:35. English: thesandiegomuseumofartcollection 1039 Ragamala, Krishna flutes beneath a banana tree (6125129456) Stock Photo

RMMPAPFM–. English: Series Title: Ragamala Suite Name: Ragamala Creation Date: ca. 1800 Display Dimensions: 6 15/32 in. x 5 7/8 in. (16.4 cm x 14.9 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1200 Collection: The San Diego Museum of Art . 15 October 2001, 11:37:35. English: thesandiegomuseumofartcollection 1039 Ragamala, Krishna flutes beneath a banana tree (6125129456)

Urn, ca. 1825–35, Made in France, French, Porcelain, H. 14 3/4 in. (37.5 cm); Diam. 9 1/2 in. (24.1 cm), Ceramics Stock Photo

RMKC3JDC–Urn, ca. 1825–35, Made in France, French, Porcelain, H. 14 3/4 in. (37.5 cm); Diam. 9 1/2 in. (24.1 cm), Ceramics

. Deutsch: Caspar David Friedrich: Pflanzen- und Laubstudien. September 1811, 35,9 x 23 cm . 3 June 2014, 09:37:05. Caspar David Friedrich (1774–1840) Alternative names German: Caspar David Friedrich Description German painter, draughtsman and etcher Date of birth/death 5 September 1774 7 May 1840 Location of birth/death Greifswald Dresden Work period Romanticism Work location Berlin, Greifswald, Rügen, Dresden (1798) Authority control : Q104884 VIAF: 12145857793223021180 ISNI: 0000 0001 0855 1681 ULAN: 500116242 LCCN: n79059754 NLA: 35104582 WorldCat 480 Pflanzenstudien Stock Photo

RMMWMPD6–. Deutsch: Caspar David Friedrich: Pflanzen- und Laubstudien. September 1811, 35,9 x 23 cm . 3 June 2014, 09:37:05. Caspar David Friedrich (1774–1840) Alternative names German: Caspar David Friedrich Description German painter, draughtsman and etcher Date of birth/death 5 September 1774 7 May 1840 Location of birth/death Greifswald Dresden Work period Romanticism Work location Berlin, Greifswald, Rügen, Dresden (1798) Authority control : Q104884 VIAF: 12145857793223021180 ISNI: 0000 0001 0855 1681 ULAN: 500116242 LCCN: n79059754 NLA: 35104582 WorldCat 480 Pflanzenstudien

THE SOUTH EAST VIEW OF EWELM PALACE, IN THE COUNTY OF OXFORD. Author Buck, Samuel 35.45. Place of publication: [London] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1729] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm, on sheet 22.9 x 40.5 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HN92–THE SOUTH EAST VIEW OF EWELM PALACE, IN THE COUNTY OF OXFORD. Author Buck, Samuel 35.45. Place of publication: [London] Publisher: [Samuel and Nathaniel Buck] Date of publication: [1729] Item type: 1 print Medium: etching Dimensions: platemark 19.4 x 37.3 cm, on sheet 22.9 x 40.5 cm. Former owner: George III, King of Great Britain, 1738-1820

Sampler (Germany); Embroidered by Friederike Hanewald; cotton; 35.5 x 37 cm (14 x 14 9/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-215 Stock Photo

RM2PMJ2AK–Sampler (Germany); Embroidered by Friederike Hanewald; cotton; 35.5 x 37 cm (14 x 14 9/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-215

'Henri-Charles Guérard, Salomon and Cleopatra, c. 1890, mezzotint on laid paper, plate: 19.6 × 30.5 cm (7 11/16 × 12 in.) sheet: 23.5 × 35 cm (9 1/4 × 13 3/4 in.), Ailsa Mellon Bruce Fund, 2016.37.2' Stock Photo

RM2REFBPF–'Henri-Charles Guérard, Salomon and Cleopatra, c. 1890, mezzotint on laid paper, plate: 19.6 × 30.5 cm (7 11/16 × 12 in.) sheet: 23.5 × 35 cm (9 1/4 × 13 3/4 in.), Ailsa Mellon Bruce Fund, 2016.37.2'

Drawing, Floating Iceberg; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on paperboard; 18.9 × 37.5 cm (7 7/16 × 14 3/4 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.) Stock Photo

RM2PMGF28–Drawing, Floating Iceberg; Frederic Edwin Church (American, 1826–1900); USA; brush and oil paint, graphite on paperboard; 18.9 × 37.5 cm (7 7/16 × 14 3/4 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.)

Portrait of a Man - 1525/50 - North Netherlandish - Origin: Netherlandish, Date: 1525–1550, Medium: Oil on panel, Dimensions: 37.5 x 26.8 cm (14 3/4 Stock Photo

RMRKT7GT–Portrait of a Man - 1525/50 - North Netherlandish - Origin: Netherlandish, Date: 1525–1550, Medium: Oil on panel, Dimensions: 37.5 x 26.8 cm (14 3/4

Print, Abingdon; England; etching on paper; Plate: 25.2 × 35.5 cm (9 15/16 in. × 14 in.) Paper: 27.7 × 37.8 cm (10 7/8 × 14 7/8 in.); Bequest of George Campbell Cooper; 1896-3-406 Stock Photo

RM2PMGHYC–Print, Abingdon; England; etching on paper; Plate: 25.2 × 35.5 cm (9 15/16 in. × 14 in.) Paper: 27.7 × 37.8 cm (10 7/8 × 14 7/8 in.); Bequest of George Campbell Cooper; 1896-3-406

Card and backgammon table MET ADA3891 Card and backgammon table MET ADA3891 /1425 American, Card and backgammon table, 1760?90, Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar, 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1937 (37.122) Stock Photo

RMKNE10E–Card and backgammon table MET ADA3891 Card and backgammon table MET ADA3891 /1425 American, Card and backgammon table, 1760?90, Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar, 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1937 (37.122)

Art inspired by Designs featuring the allegories of the arts, second half 19th century, Graphite and watercolor, Overall: 14 1/8 x 14 3/4 in. (35.9 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW6RDE–Art inspired by Designs featuring the allegories of the arts, second half 19th century, Graphite and watercolor, Overall: 14 1/8 x 14 3/4 in. (35.9 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Urn. Culture: French. Dimensions: H. 14 3/4 in. (37.5 cm); Diam. 9 1/2 in. (24.1 cm). Date: ca. 1825-35. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAP094–Urn. Culture: French. Dimensions: H. 14 3/4 in. (37.5 cm); Diam. 9 1/2 in. (24.1 cm). Date: ca. 1825-35. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini, 1494?, Tempera on wood, Overall 19 3/4 x 14 5/8 in. (50.2 x 37.1 cm); painted surface 19 1/8 x 14 1/8 in. (48.6 x 35.9 cm), Paintings, Attributed to the Maestro delle Storie del Pane (Italian (Emilian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8R7A–Art inspired by Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini, 1494?, Tempera on wood, Overall 19 3/4 x 14 5/8 in. (50.2 x 37.1 cm); painted surface 19 1/8 x 14 1/8 in. (48.6 x 35.9 cm), Paintings, Attributed to the Maestro delle Storie del Pane (Italian (Emilian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Urn, ca. 1825–35, Made in France, French, Porcelain, H. 14 3/4 in. (37.5 cm); Diam. 9 1/2 in. (24.1 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2KD7–Art inspired by Urn, ca. 1825–35, Made in France, French, Porcelain, H. 14 3/4 in. (37.5 cm); Diam. 9 1/2 in. (24.1 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMKC3JDB–Urn, ca. 1825–35, Made in France, French, Porcelain, H. 14 3/4 in. (37.5 cm); Diam. 9 1/2 in. (24.1 cm), Ceramics

RMMYNDG8–. Deutsch: Caspar David Friedrich: Pflanzen- und Laubstudien. September 1811, 35,9 x 23 cm . 3 June 2014, 09:37:05. Caspar David Friedrich (1774–1840) Alternative names German: Caspar David Friedrich Description German painter, draughtsman and etcher Date of birth/death 5 September 1774 7 May 1840 Location of birth/death Greifswald Dresden Work period Romanticism Work location Berlin, Greifswald, Rügen, Dresden (1798) Authority control : Q104884 VIAF: 12145857793223021180 ISNI: 0000 0001 0855 1681 ULAN: 500116242 LCCN: n79059754 NLA: 35104582 WorldCat 419 Pflanzenstudien

Thomas Rowlandson, Sports of a Country Fair, Part the Second, Thomas Rowlandson (British, London 1757–1827 London), October 5, 1810, Hand-colored etching, Plate: 9 13/16 × 13 7/8 in. (24.9 × 35.2 cm), Sheet: 10 9/16 × 14 9/16 in. (26.8 × 37 cm), Prints Stock Photo

RM2B0M873–Thomas Rowlandson, Sports of a Country Fair, Part the Second, Thomas Rowlandson (British, London 1757–1827 London), October 5, 1810, Hand-colored etching, Plate: 9 13/16 × 13 7/8 in. (24.9 × 35.2 cm), Sheet: 10 9/16 × 14 9/16 in. (26.8 × 37 cm), Prints

AT PENRYN CORNWALL. Author Prout, Samuel 9.35.2. Place of publication: [London] Publisher: Published Novr 1814 by Thos. Palser, Surry Side, Westminster Bridge., Date of publication: [November 1814] Item type: 1 print Medium: soft-ground etching Dimensions: platemark 25.2 x 35.5 cm, 27 x 37 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9FWP0–AT PENRYN CORNWALL. Author Prout, Samuel 9.35.2. Place of publication: [London] Publisher: Published Novr 1814 by Thos. Palser, Surry Side, Westminster Bridge., Date of publication: [November 1814] Item type: 1 print Medium: soft-ground etching Dimensions: platemark 25.2 x 35.5 cm, 27 x 37 cm Former owner: George III, King of Great Britain, 1738-1820

'Elisha Kirkall after Raphael, The Holy Family, 1724, etching and mezzotint with woodcut printed in brown and ochre on laid paper, block: 27.9 x 35.1 cm (11 x 13 13/16 in.) sheet: 29.2 x 37.5 cm (11 1/2 x 14 3/4 in.), Paul Mellon Fund, 2001.118.18' Stock Photo

RM2REJMGT–'Elisha Kirkall after Raphael, The Holy Family, 1724, etching and mezzotint with woodcut printed in brown and ochre on laid paper, block: 27.9 x 35.1 cm (11 x 13 13/16 in.) sheet: 29.2 x 37.5 cm (11 1/2 x 14 3/4 in.), Paul Mellon Fund, 2001.118.18'

Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant - 1325/35 - Attributed to Ugolino di Stock Photo

RMRKPDWT–Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant - 1325/35 - Attributed to Ugolino di

Drawing, Studies after Lunettes by; Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brown wash, graphite on white laid paper; 37.2 x 25.2 cm (14 5/8 x 9 15/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Stock Photo

RM2PMJ7XT–Drawing, Studies after Lunettes by; Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brown wash, graphite on white laid paper; 37.2 x 25.2 cm (14 5/8 x 9 15/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

Card and backgammon table MET 114561 Card and backgammon table MET 114561 /1425 American, Card and backgammon table, 1760?90, Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar, 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1937 (37.122) Stock Photo

RMKNE108–Card and backgammon table MET 114561 Card and backgammon table MET 114561 /1425 American, Card and backgammon table, 1760?90, Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar, 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1937 (37.122)

Repas de Corps. Epoque Mémorable de 1821. Dimensions: sheet: 14 x 14 15/16 in. (35.5 x 37.9 cm). Lithographer: Charles Joseph Hullmandel (British, London 1789-1850 London). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAJ9BJ–Repas de Corps. Epoque Mémorable de 1821. Dimensions: sheet: 14 x 14 15/16 in. (35.5 x 37.9 cm). Lithographer: Charles Joseph Hullmandel (British, London 1789-1850 London). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA.

RF2HW2KDH–Art inspired by Urn, ca. 1825–35, Made in France, French, Porcelain, H. 14 3/4 in. (37.5 cm); Diam. 9 1/2 in. (24.1 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Hunchback Leaning on Staff, 10th–12th century, Mexico, Mesoamerica, Veracruz, Huastec, Sandstone, H. 35 x W. 5 3/4 x D. 14 3/4 in. (88.9 x 14.6 x 37.5 cm), Stone-Sculpture, The sculpture of the Huastec area of northern Veracruz is distinctly stylized. Here, the fluidly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX48E–Art inspired by Hunchback Leaning on Staff, 10th–12th century, Mexico, Mesoamerica, Veracruz, Huastec, Sandstone, H. 35 x W. 5 3/4 x D. 14 3/4 in. (88.9 x 14.6 x 37.5 cm), Stone-Sculpture, The sculpture of the Huastec area of northern Veracruz is distinctly stylized. Here, the fluidly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Staircase balustrade, British, probably ca. 1747, British, Wrought iron, Assembled dim: H. (approx.) 35 ft. (10.675 m); H. of stair railings 2-3 ft. (61-91.4 cm); W. between rails 12 ft. (3.66 m); W. of top of stairs 8 ft. (2.44 m); H. of tread 4 in. (10.2 cm), top rail: 36 1/2 × 76 × 3 1/2 in. (92.7 × 193 × 8.9 cm); Confirmed wt of conserved balcony railing: 185 lbs., Crated components:, 4 crates: 6 x 172 x 36 in. (15.2 x 436.9 x 91.4 cm), 1 crate: 6 x 131 x 34 in. (15.2 x 332.7 x 86.4 cm), 2 crates: 37 x 78 x 22 in. (94 x 198.1 x 55.9 cm), 1 crate: 38 x 77 x 20 in. (96.5 x 195.6 x 50.8 cm Stock Photo

RM2B0MRFT–Staircase balustrade, British, probably ca. 1747, British, Wrought iron, Assembled dim: H. (approx.) 35 ft. (10.675 m); H. of stair railings 2-3 ft. (61-91.4 cm); W. between rails 12 ft. (3.66 m); W. of top of stairs 8 ft. (2.44 m); H. of tread 4 in. (10.2 cm), top rail: 36 1/2 × 76 × 3 1/2 in. (92.7 × 193 × 8.9 cm); Confirmed wt of conserved balcony railing: 185 lbs., Crated components:, 4 crates: 6 x 172 x 36 in. (15.2 x 436.9 x 91.4 cm), 1 crate: 6 x 131 x 34 in. (15.2 x 332.7 x 86.4 cm), 2 crates: 37 x 78 x 22 in. (94 x 198.1 x 55.9 cm), 1 crate: 38 x 77 x 20 in. (96.5 x 195.6 x 50.8 cm

RMMW0BX3–. Deutsch: Caspar David Friedrich: Pflanzen- und Laubstudien. September 1811, 35,9 x 23 cm . 3 June 2014, 09:37:05. Caspar David Friedrich (1774–1840) Alternative names German: Caspar David Friedrich Description German painter, draughtsman and etcher Date of birth/death 5 September 1774 7 May 1840 Location of birth/death Greifswald Dresden Work period Romanticism Work location Berlin, Greifswald, Rügen, Dresden (1798) Authority control : Q104884 VIAF: 12145857793223021180 ISNI: 0000 0001 0855 1681 ULAN: 500116242 LCCN: n79059754 NLA: 35104582 WorldCat 479 Pflanzenstudien

SITUATIONS PLAN der Festung RATZEBURG Gelegen im Hertzogthum Saxen Lauenburg an der Hertzoglich Mecklenburg Strelitzischen GraÃàntze Author Du Plat, Georg Josua 100.80. Place of publication: [Germany] Publisher: Vermessen con G J: du Plat copiiret vom Conducteur SchroÃàcter, Date of publication: [about 1754.] Item type: 1 map Medium: manucript pen and ink with watercolour Dimensions: 35.5 x 47.8 cm, on sheet 37.9 x 50.6 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HH2P–SITUATIONS PLAN der Festung RATZEBURG Gelegen im Hertzogthum Saxen Lauenburg an der Hertzoglich Mecklenburg Strelitzischen GraÃàntze Author Du Plat, Georg Josua 100.80. Place of publication: [Germany] Publisher: Vermessen con G J: du Plat copiiret vom Conducteur SchroÃàcter, Date of publication: [about 1754.] Item type: 1 map Medium: manucript pen and ink with watercolour Dimensions: 35.5 x 47.8 cm, on sheet 37.9 x 50.6 cm Former owner: George III, King of Great Britain, 1738-1820

. The Angels Guarding Paradise at Night. Mezzotint, plate: 10 1/8 x 14 in. (25.7 x 35.6 cm); sheet: 11 x 14 3/4 in. (27.9 x 37.5 cm). Illustration for Paradise Lost by John Milton, Book 4, Line 866 . 1826. John Martin (1789–1854) Alternative names John Martin I; John, I Martin; J. Martin; Martin Description English painter and engraver Date of birth/death 19 July 1789 17 February 1854 Location of birth/death Haydon Bridge Douglas Work location England Authority control : Q937096 VIAF: 92133015 ISNI: 0000 0000 8164 7113 ULAN: 500023063 LCCN: n50040933 WGA: MARTIN, John WorldCat 733 Stock Photo

RMMNXB7W–. The Angels Guarding Paradise at Night. Mezzotint, plate: 10 1/8 x 14 in. (25.7 x 35.6 cm); sheet: 11 x 14 3/4 in. (27.9 x 37.5 cm). Illustration for Paradise Lost by John Milton, Book 4, Line 866 . 1826. John Martin (1789–1854) Alternative names John Martin I; John, I Martin; J. Martin; Martin Description English painter and engraver Date of birth/death 19 July 1789 17 February 1854 Location of birth/death Haydon Bridge Douglas Work location England Authority control : Q937096 VIAF: 92133015 ISNI: 0000 0000 8164 7113 ULAN: 500023063 LCCN: n50040933 WGA: MARTIN, John WorldCat 733

Art inspired by Enthroned Virgin and Child, mid-14th century, Made in probably Umbria, Tuscany, Central Italy, Italian, Wooden core, painted canvas and gesso, Overall (Virgin and Child only): 64 1/4 x 35 x 14 3/4 in., 54lb. (163.2 x 88.9 x 37.5 cm, 24.5kg), Sculpture-Wood, The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYJC3–Art inspired by Enthroned Virgin and Child, mid-14th century, Made in probably Umbria, Tuscany, Central Italy, Italian, Wooden core, painted canvas and gesso, Overall (Virgin and Child only): 64 1/4 x 35 x 14 3/4 in., 54lb. (163.2 x 88.9 x 37.5 cm, 24.5kg), Sculpture-Wood, The, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Poelzig Hans (1869-1936), Gebr. Meyer in Hannover-Vinnhorst. Administration building (1923): Director room III: Desk in oak, view, floor plan 1:10, (variant for Inv.No. 2901). Pencil on transparent, 37.9 x 35.5 cm (including scan edges) Stock Photo

RM2JMM6E6–Poelzig Hans (1869-1936), Gebr. Meyer in Hannover-Vinnhorst. Administration building (1923): Director room III: Desk in oak, view, floor plan 1:10, (variant for Inv.No. 2901). Pencil on transparent, 37.9 x 35.5 cm (including scan edges)

Art inspired by Sword with Scabbard, hilt, dated A.H. 1266/A.D. 1849–50; scabbard, dated A.H. 1271/A.D. 1854–55, Caucasian, Steel, niello, textile, silver, wood, H. with scabbard 37 3/4 in. (95.9 cm); H. without scabbard 35 1/2 in. (90.2 cm); W. 2 in. (5.1 cm); Wt. 1 lb. 5.1 oz. (598.2, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW31BY–Art inspired by Sword with Scabbard, hilt, dated A.H. 1266/A.D. 1849–50; scabbard, dated A.H. 1271/A.D. 1854–55, Caucasian, Steel, niello, textile, silver, wood, H. with scabbard 37 3/4 in. (95.9 cm); H. without scabbard 35 1/2 in. (90.2 cm); W. 2 in. (5.1 cm); Wt. 1 lb. 5.1 oz. (598.2, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Monju Riding Lion with Attendants, 1200s. Japan, Kamakura period (1185-1333). Hanging scroll; ink and color on silk; image: 96 x 60.5 cm (37 13/16 x 23 13/16 in.); overall: 195.6 x 88.9 cm (77 x 35 in.). Stock Photo

RM2H11DXP–Monju Riding Lion with Attendants, 1200s. Japan, Kamakura period (1185-1333). Hanging scroll; ink and color on silk; image: 96 x 60.5 cm (37 13/16 x 23 13/16 in.); overall: 195.6 x 88.9 cm (77 x 35 in.).

Print, Pangbourne Weir; England; etching in dark brown ink on paper; Plate: 25.2 × 35.5 cm (9 15/16 in. × 14 in.) Paper: 27.3 × 37.4 cm (10 3/4 × 14 3/4 in.); Bequest of George Campbell Cooper; 1896-3-405 Stock Photo

RM2PMHW9B–Print, Pangbourne Weir; England; etching in dark brown ink on paper; Plate: 25.2 × 35.5 cm (9 15/16 in. × 14 in.) Paper: 27.3 × 37.4 cm (10 3/4 × 14 3/4 in.); Bequest of George Campbell Cooper; 1896-3-405

'John Faber II after Edward Haytley, Mrs. Margaret Woffington in the Character of Mrs. Ford in the Merry Wives of Windsor, 1751, mezzotint on laid paper, plate: 50.5 x 35.4 cm (19 7/8 x 13 15/16 in.) sheet: 52.2 x 37 cm (20 9/16 x 14 9/16 in.), Paul Mellon Fund, 2001.118.77' Stock Photo

RM2RE9FBG–'John Faber II after Edward Haytley, Mrs. Margaret Woffington in the Character of Mrs. Ford in the Merry Wives of Windsor, 1751, mezzotint on laid paper, plate: 50.5 x 35.4 cm (19 7/8 x 13 15/16 in.) sheet: 52.2 x 37 cm (20 9/16 x 14 9/16 in.), Paul Mellon Fund, 2001.118.77'

RMRKPDR7–Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant - 1325/35 - Attributed to Ugolino di

Hunchback Leaning on Staff. Date: 10th-12th century; Geography: Mexico, Mesoamerica, Veracruz; Culture: Huastec; Medium: Sandstone; Dimensions: H. 35 Stock Photo

RMKNDXHH–Hunchback Leaning on Staff. Date: 10th-12th century; Geography: Mexico, Mesoamerica, Veracruz; Culture: Huastec; Medium: Sandstone; Dimensions: H. 35

Designs featuring the allegories of the arts. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 1/8 x 14 3/4 in. (35.9 x 37.5 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB690C–Designs featuring the allegories of the arts. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 1/8 x 14 3/4 in. (35.9 x 37.5 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

In the Snow at Tsukahara on Sado Island (Sashu Tsukahara setchu), from the series ''Concise Illustrated Biography of the Great Priest [Nichiren] Stock Photo

RMRKNRC5–In the Snow at Tsukahara on Sado Island (Sashu Tsukahara setchu), from the series ''Concise Illustrated Biography of the Great Priest [Nichiren]

One hundred thirty-five woodblock prints including New Year´s pictures (nianhua), door gods, historical figures and Taoist deities. Date: 19th-20th Stock Photo

RMKNDNRY–One hundred thirty-five woodblock prints including New Year´s pictures (nianhua), door gods, historical figures and Taoist deities. Date: 19th-20th

Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant, 1325/35, Attributed to Ugolino di Nerio, Italian, active 1317-1339/49, Italy, Tempera on panel, 37.2 × 23.2 cm (14 5/8 × 9 1/8 in Stock Photo

RM2A2JREJ–Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant, 1325/35, Attributed to Ugolino di Nerio, Italian, active 1317-1339/49, Italy, Tempera on panel, 37.2 × 23.2 cm (14 5/8 × 9 1/8 in

Art inspired by Dagger with Scabbard, 1605–27, Indian, Mughal, Steel, iron, gold, rubies, emeralds, glass, wood, textile, L. 14 5/8 in. (37.1 cm); L. without scabbard 13 15/16 in. (35.4 cm); L. of grip 4 13/16 in. (12.2 cm); L. of blade 9 1/8 in. (23.2 cm); W. of grip 1 3/4 in. (4.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2YF6–Art inspired by Dagger with Scabbard, 1605–27, Indian, Mughal, Steel, iron, gold, rubies, emeralds, glass, wood, textile, L. 14 5/8 in. (37.1 cm); L. without scabbard 13 15/16 in. (35.4 cm); L. of grip 4 13/16 in. (12.2 cm); L. of blade 9 1/8 in. (23.2 cm); W. of grip 1 3/4 in. (4.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Egypt and Nubia, Volume II: Philae, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 37.2 x 43.1 cm (14 5/8 x 16 15/16 in.); image: 25.3 x 35.3 cm (9 15/16 x 13 7/8 in.). Stock Photo

RM2H130G6–Egypt and Nubia, Volume II: Philae, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 37.2 x 43.1 cm (14 5/8 x 16 15/16 in.); image: 25.3 x 35.3 cm (9 15/16 x 13 7/8 in.).

Art inspired by Statuette of Huwebenef, New Kingdom, Dynasty 18, early, ca. 1550–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Hall (C), burial 24, inside coffin, Carnarvon/Carter excavations, 1911, Wood, H. 35 cm (13 3/4 in); w. 6.6 cm (2 5/8 in); d. 19.2 cm (7 9/16, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0H7E–Art inspired by Statuette of Huwebenef, New Kingdom, Dynasty 18, early, ca. 1550–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Hall (C), burial 24, inside coffin, Carnarvon/Carter excavations, 1911, Wood, H. 35 cm (13 3/4 in); w. 6.6 cm (2 5/8 in); d. 19.2 cm (7 9/16, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drawing, The Road to Caprarola; Felice Giani (Italian, 1758–1823); Italy; black chalk, pen and black ink, brush and brown watercolor, graphite on cream laid paper; Mat: 90.7 x 71.5 cm (35 11/16 x 28 1/8 in.) 37.9 x 25.5 cm (14 15/16 x 10 1/16 in.) Stock Photo

RM2PMGJW1–Drawing, The Road to Caprarola; Felice Giani (Italian, 1758–1823); Italy; black chalk, pen and black ink, brush and brown watercolor, graphite on cream laid paper; Mat: 90.7 x 71.5 cm (35 11/16 x 28 1/8 in.) 37.9 x 25.5 cm (14 15/16 x 10 1/16 in.)

Art inspired by Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1614), ca. 1590–1600, Brescia, Italian, Brescia, Steel, wood, gold, brass, textile, L. 99 3/4 in. (253.37 cm); L. of head (excluding straps) 35 in. (88.9 cm); L. of blade 30 in. (76.2 cm); greatest W, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9JYT–Art inspired by Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1614), ca. 1590–1600, Brescia, Italian, Brescia, Steel, wood, gold, brass, textile, L. 99 3/4 in. (253.37 cm); L. of head (excluding straps) 35 in. (88.9 cm); L. of blade 30 in. (76.2 cm); greatest W, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 37, Château De La Ranciere (Maine et Loire), 1860. Victor Petit (French, 1817-1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 23.6 x 14.1 cm (9 5/16 x 5 9/16 in.). Stock Photo

RM2H0YHEY–Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 37, Château De La Ranciere (Maine et Loire), 1860. Victor Petit (French, 1817-1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 23.6 x 14.1 cm (9 5/16 x 5 9/16 in.).

Art inspired by Procession of Arhats, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album of ten leaves; ink on silk, (a): 11 7/8 x 20 in. (30.2 x 50.8 cm); (b): 11 x 10 in. (27.9 x 25.4 cm); (c): 11 3/4 x 16 1/4 in. (29.8 x 41.3 cm); (d) 11 7/8 x 14 5/8 in. (30.2 x 37.1 cm); (e, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTTTAF–Art inspired by Procession of Arhats, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album of ten leaves; ink on silk, (a): 11 7/8 x 20 in. (30.2 x 50.8 cm); (b): 11 x 10 in. (27.9 x 25.4 cm); (c): 11 3/4 x 16 1/4 in. (29.8 x 41.3 cm); (d) 11 7/8 x 14 5/8 in. (30.2 x 37.1 cm); (e, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left. Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Master of the Die (Italian, active Rome, ca. 1530-60). Dimensions: sheet: 14 9/16 x 10 7/16 in. (37 x 26.5 cm) plate: 14 x 10 1/16 in. (35.5 x 25.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1530-60. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1AE1–The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left. Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Master of the Die (Italian, active Rome, ca. 1530-60). Dimensions: sheet: 14 9/16 x 10 7/16 in. (37 x 26.5 cm) plate: 14 x 10 1/16 in. (35.5 x 25.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1530-60. Museum: Metropolitan Museum of Art, New York, USA.

The Monks, c. 1802-30. François Marius Granet (French, 1775-1849). Watercolor, pen and brown ink on laid paper; sheet: 35 x 25.2 cm (13 3/4 x 9 15/16 in.); primary mount: 37 x 27.4 cm (14 9/16 x 10 13/16 in.); secondary mount: 43.4 x 37.1 cm (17 1/16 x 14 5/8 in.). The French artist François Granet traveled to Rome in 1802, where he became fascinated by the lives of monks and priests, and the cloistered interiors where they lived and worked. For most of his career, these figures and settings remained the primary subject of his work. This drawing shows one such group in the midst of private st Stock Photo

RM2H0YWM8–The Monks, c. 1802-30. François Marius Granet (French, 1775-1849). Watercolor, pen and brown ink on laid paper; sheet: 35 x 25.2 cm (13 3/4 x 9 15/16 in.); primary mount: 37 x 27.4 cm (14 9/16 x 10 13/16 in.); secondary mount: 43.4 x 37.1 cm (17 1/16 x 14 5/8 in.). The French artist François Granet traveled to Rome in 1802, where he became fascinated by the lives of monks and priests, and the cloistered interiors where they lived and worked. For most of his career, these figures and settings remained the primary subject of his work. This drawing shows one such group in the midst of private st

Statue of a Crouching Lion, Greece, about 380 B.C, Marble, 37.5 × 22.2 × 89.9 cm (14 3,4 × 8 3,4 × 35 3,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9CYW2–Statue of a Crouching Lion, Greece, about 380 B.C, Marble, 37.5 × 22.2 × 89.9 cm (14 3,4 × 8 3,4 × 35 3,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMKNDNT1–One hundred thirty-five woodblock prints including New Year´s pictures (nianhua), door gods, historical figures and Taoist deities. Date: 19th-20th

In the Snow at Tsukahara on Sado Island (Sashu Tsukahara setchu), from the series Concise Illustrated Biography of the Great Priest [Nichiren] (Koso go ichidai ryakuzu), c. 1830/35, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Color woodblock print, oban, 23.7 x 37.3 cm (9 5/16 x 14 11/16 in Stock Photo

RM2A2J98H–In the Snow at Tsukahara on Sado Island (Sashu Tsukahara setchu), from the series Concise Illustrated Biography of the Great Priest [Nichiren] (Koso go ichidai ryakuzu), c. 1830/35, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Color woodblock print, oban, 23.7 x 37.3 cm (9 5/16 x 14 11/16 in

RMRY80H9–Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 37, Château De La Ranciere (Maine et Loire), 1860. Victor Petit (French, 1817-1874), Charles Boivin (publisher and editor); Lith de Godard a Paris (printer). Lithograph with tint stone, from portfolio of 100 lithographs with tint stone; sheet: 35.9 x 27.5 cm (14 1/8 x 10 13/16 in.); image: 23.6 x 14.1 cm (9 5/16 x 5 9/16 in

Lady Hamilton as The Sempstress, Print made by Thomas Cheesman, 1760–1834/35, British, after George Romney, 1734–1802, British, Published by John Boydell, 1720–1804, British, and Josiah Boydell, 1752–1817, British, 1787, Stipple engraving and etching on moderately thick, slightly textured, beige laid paper, Sheet: 14 3/4 × 11 5/16 inches (37.5 × 28.7 cm) and Image: 12 1/16 x 9 3/4 inches (30.6 x 24.7 cm), bracelet, building, chair, chair, curls, dress, genre subject, hat, labor, lambs, portrait, seamstress, sheep, sunbonnet, thoughtful, trees, trees, vines, woman, woman, working Stock Photo

RM2DHWRFB–Lady Hamilton as The Sempstress, Print made by Thomas Cheesman, 1760–1834/35, British, after George Romney, 1734–1802, British, Published by John Boydell, 1720–1804, British, and Josiah Boydell, 1752–1817, British, 1787, Stipple engraving and etching on moderately thick, slightly textured, beige laid paper, Sheet: 14 3/4 × 11 5/16 inches (37.5 × 28.7 cm) and Image: 12 1/16 x 9 3/4 inches (30.6 x 24.7 cm), bracelet, building, chair, chair, curls, dress, genre subject, hat, labor, lambs, portrait, seamstress, sheep, sunbonnet, thoughtful, trees, trees, vines, woman, woman, working

Repas de Corps. Epoque Mémorable de 1821, 1821, Lithograph, sheet: 14 x 14 15/16 in. (35.5 x 37.9 cm), Prints Stock Photo

RMKCA67N–Repas de Corps. Epoque Mémorable de 1821, 1821, Lithograph, sheet: 14 x 14 15/16 in. (35.5 x 37.9 cm), Prints

Thomas Rowlandson, Masquerading, Thomas Rowlandson (British, London 1757–1827 London), [August 30, 1811], reprinted, Hand-colored etching, Plate: 13 3/4 × 9 3/4 in. (35 × 24.8 cm), Sheet: 14 5/8 × 10 1/4 in. (37.1 × 26 cm), Prints Stock Photo

RM2B0KTPT–Thomas Rowlandson, Masquerading, Thomas Rowlandson (British, London 1757–1827 London), [August 30, 1811], reprinted, Hand-colored etching, Plate: 13 3/4 × 9 3/4 in. (35 × 24.8 cm), Sheet: 14 5/8 × 10 1/4 in. (37.1 × 26 cm), Prints

Drawing, The Siren's Grotto at Tivoli; Felice Giani (Italian, 1758–1823); Italy; black chalk, pen and black ink, brush and brown watercolor on cream laid paper; Mat: 90.7 x 71.5 cm (35 11/16 x 28 1/8 in.) 37.9 x 25.6 cm (14 15/16 x 10 1/16 in.) Stock Photo

RM2PMG5AY–Drawing, The Siren's Grotto at Tivoli; Felice Giani (Italian, 1758–1823); Italy; black chalk, pen and black ink, brush and brown watercolor on cream laid paper; Mat: 90.7 x 71.5 cm (35 11/16 x 28 1/8 in.) 37.9 x 25.6 cm (14 15/16 x 10 1/16 in.)

Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini. Artist: Attributed to the Maestro delle Storie del Pane (Italian (Emilian), active late 15th century). Dimensions: Overall 19 3/4 x 14 5/8 in. (50.2 x 37.1 cm); painted surface 19 1/8 x 14 1/8 in. (48.6 x 35.9 cm). Date: 1494?. This portrait and its pendant (1975.1.96) represent a husband and wife of the Gozzadini family of Bologna; the family's coat of arms appears prominently in both paintings. The inscribed architectural frieze in the background, which runs across both panels, attests to the commemorative function of the por Stock Photo

RMPB3NNW–Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini. Artist: Attributed to the Maestro delle Storie del Pane (Italian (Emilian), active late 15th century). Dimensions: Overall 19 3/4 x 14 5/8 in. (50.2 x 37.1 cm); painted surface 19 1/8 x 14 1/8 in. (48.6 x 35.9 cm). Date: 1494?. This portrait and its pendant (1975.1.96) represent a husband and wife of the Gozzadini family of Bologna; the family's coat of arms appears prominently in both paintings. The inscribed architectural frieze in the background, which runs across both panels, attests to the commemorative function of the por

Statue of a Crouching Lion, Greece, about 380 B.C, Marble, 37.5 × 22.2 × 89.9 cm (14 3,4 × 8 3,4 × 35 3,8 in reimagined Stock Photo

RFRAE8NP–Statue of a Crouching Lion, Greece, about 380 B.C, Marble, 37.5 × 22.2 × 89.9 cm (14 3,4 × 8 3,4 × 35 3,8 in reimagined

RMKNDNR8–One hundred thirty-five woodblock prints including New Year´s pictures (nianhua), door gods, historical figures and Taoist deities. Date: 19th-20th

Thomas Rowlandson, Hare Hunting, Thomas Rowlandson (British, London 1757–1827 London), February 1, 1789, Hand-colored etching and aquatint, Sheet: 10 3/8 × 14 5/8 in. (26.3 × 37.1 cm), Plate: 9 3/4 × 13 3/4 in. (24.7 × 35 cm), Prints Stock Photo

RM2B0M05E–Thomas Rowlandson, Hare Hunting, Thomas Rowlandson (British, London 1757–1827 London), February 1, 1789, Hand-colored etching and aquatint, Sheet: 10 3/8 × 14 5/8 in. (26.3 × 37.1 cm), Plate: 9 3/4 × 13 3/4 in. (24.7 × 35 cm), Prints

Woodblock Print, Under Mannen Bridge at Fukagawa,(Fukagawa Manne-bashi no shita) from Thirty-Six Views of Fuji; Japan; woodblock print (ukiyo-e) on mulberry paper (washi); Mat: 35.5 x 45.9 cm (14 in. x 18 1/16 in.) 25.5 x 37.5 cm (10 1/16 x 14 3/4 in.) Stock Photo

RM2PMHPX7–Woodblock Print, Under Mannen Bridge at Fukagawa,(Fukagawa Manne-bashi no shita) from Thirty-Six Views of Fuji; Japan; woodblock print (ukiyo-e) on mulberry paper (washi); Mat: 35.5 x 45.9 cm (14 in. x 18 1/16 in.) 25.5 x 37.5 cm (10 1/16 x 14 3/4 in.)

Enthroned Virgin and Child. Culture: Italian. Dimensions: Virgin and Child only: 64 1/4 × 35 × 14 3/4 in., 54 lb. (163.2 × 88.9 × 37.5 cm, 24.5 kg). Date: mid-14th century. The sculpture is created by pressing linen reinforced with glue into shallow molds and mounting the figure on a wood backing and adding paint and gilding. This work seems to be a unique surviving example of this technique. The Virgin is seated upon a throne displaying lion heads, a reference to the Throne of Solomon. Significantly, a number of votive offerings are incorporated into the interior of the figure: a pearl ros Stock Photo

RMPB3TAH–Enthroned Virgin and Child. Culture: Italian. Dimensions: Virgin and Child only: 64 1/4 × 35 × 14 3/4 in., 54 lb. (163.2 × 88.9 × 37.5 cm, 24.5 kg). Date: mid-14th century. The sculpture is created by pressing linen reinforced with glue into shallow molds and mounting the figure on a wood backing and adding paint and gilding. This work seems to be a unique surviving example of this technique. The Virgin is seated upon a throne displaying lion heads, a reference to the Throne of Solomon. Significantly, a number of votive offerings are incorporated into the interior of the figure: a pearl ros

RF2B8XJBH–Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant, 1325/35, Attributed to Ugolino di Nerio, Italian, active 1317-1339/49, Italy, Tempera on panel, 37.2 × 23.2 cm (14 5/8 × 9 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMKNDNR9–One hundred thirty-five woodblock prints including New Year´s pictures (nianhua), door gods, historical figures and Taoist deities. Date: 19th-20th

Ara antica. Additional title: Ancient altar. Charrington, John, 1856-1939 (Collector) Piranesi, Giovanni Battista, 1720-1778 (Artist) Piranesi, Stock Photo

RMRKNYFJ–Ara antica. Additional title: Ancient altar. Charrington, John, 1856-1939 (Collector) Piranesi, Giovanni Battista, 1720-1778 (Artist) Piranesi,

Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541-1614). Date: ca. 1590-1600; Geography: Brescia; Culture: Italian, Brescia; Stock Photo

RMKNGAHF–Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541-1614). Date: ca. 1590-1600; Geography: Brescia; Culture: Italian, Brescia;

Procession of Arhats. Artist: Unidentified Artist; Period: Ming (1368-1644) or Qing (1644-1911) dynasty; Culture: China; Medium: Album of ten leaves; Stock Photo

RMKNDMRR–Procession of Arhats. Artist: Unidentified Artist; Period: Ming (1368-1644) or Qing (1644-1911) dynasty; Culture: China; Medium: Album of ten leaves;

RMKNWGG2–Portrait of a Woman, possibly Ginevra d´Antonio Lupari Gozzadini. Artist: Attributed to the Maestro delle Storie del Pane (Italian (Emilian), active

A View of Lower Rydal Falls, Cumbria. Artist: Thomas Fearnley (Norwegian, Frederikshald 1802-1842 Munich); Date: 1837; Medium: Watercolor, pen and Stock Photo

RMKP04TC–A View of Lower Rydal Falls, Cumbria. Artist: Thomas Fearnley (Norwegian, Frederikshald 1802-1842 Munich); Date: 1837; Medium: Watercolor, pen and

Relief block with the names and titles of Amenemhat I and Senwosret I, Middle Kingdom, Dynasty 12, reign of Amenemhat I (coregency with Senwosret I?), ca. 1962–1952 B.C., From Egypt, Memphite Region, Lisht North, Pyramid Temple of Amenemhat I, 1908–09, Limestone, H. 37 cm (14 3/4 in.); W. 88.9 cm (35 in.); D. 13 cm (5 1/8 in Stock Photo

RM2B0N9EP–Relief block with the names and titles of Amenemhat I and Senwosret I, Middle Kingdom, Dynasty 12, reign of Amenemhat I (coregency with Senwosret I?), ca. 1962–1952 B.C., From Egypt, Memphite Region, Lisht North, Pyramid Temple of Amenemhat I, 1908–09, Limestone, H. 37 cm (14 3/4 in.); W. 88.9 cm (35 in.); D. 13 cm (5 1/8 in

Drawing, Siren's Grotto at Tivoli; Felice Giani (Italian, 1758–1823); Italy; black chalk, pen and black ink, brush and brown watercolor, graphite on cream laid paper; Mat: 90.7 x 71.5 cm (35 11/16 x 28 1/8 in.) 37.9 x 25.2 cm (14 15/16 x 9 15/16 in.) Stock Photo

RM2PMG6K5–Drawing, Siren's Grotto at Tivoli; Felice Giani (Italian, 1758–1823); Italy; black chalk, pen and black ink, brush and brown watercolor, graphite on cream laid paper; Mat: 90.7 x 71.5 cm (35 11/16 x 28 1/8 in.) 37.9 x 25.2 cm (14 15/16 x 9 15/16 in.)

Nicolas Grillet. Dimensions: plate: 35 x 23.7 cm (13 3/4 x 9 5/16 in.) sheet: 37.1 x 25.4 cm (14 5/8 x 10 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MELLAN. Stock Photo

RMRFD6PM–Nicolas Grillet. Dimensions: plate: 35 x 23.7 cm (13 3/4 x 9 5/16 in.) sheet: 37.1 x 25.4 cm (14 5/8 x 10 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MELLAN.

RF2B8WNWA–In the Snow at Tsukahara on Sado Island (Sashu Tsukahara setchu), from the series Concise Illustrated Biography of the Great Priest [Nichiren] (Koso go ichidai ryakuzu), c. 1830/35, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Color woodblock print, oban, 23.7 x 37.3 cm (9 5/16 x 14 11/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Heinrich Joseph Schütz, No. 4: Soldiers Recruiting, Heinrich Joseph Schütz (German, Frankfurt 1760–1822 Frankfurt), After Thomas Rowlandson (British, London 1757–1827 London), August 1, 1798, Hand-colored etching and aquatint, Plate: 13 3/4 × 16 1/8 in. (35 × 40.9 cm), Sheet: 14 5/8 in. × 17 in. (37.2 × 43.2 cm), Prints Stock Photo

RM2B0KRP8–Heinrich Joseph Schütz, No. 4: Soldiers Recruiting, Heinrich Joseph Schütz (German, Frankfurt 1760–1822 Frankfurt), After Thomas Rowlandson (British, London 1757–1827 London), August 1, 1798, Hand-colored etching and aquatint, Plate: 13 3/4 × 16 1/8 in. (35 × 40.9 cm), Sheet: 14 5/8 in. × 17 in. (37.2 × 43.2 cm), Prints

Drawing, Villa Farnese: in the Moat of Caprarola; Felice Giani (Italian, 1758–1823); Italy; black chalk, pen and black ink, brush and brown watercolor on cream laid paper; Mat: 90.7 x 71.5 cm (35 11/16 x 28 1/8 in.) 37.9 x 25.2 cm (14 15/16 x 9 15/16 in.) Stock Photo

RM2PMFX7E–Drawing, Villa Farnese: in the Moat of Caprarola; Felice Giani (Italian, 1758–1823); Italy; black chalk, pen and black ink, brush and brown watercolor on cream laid paper; Mat: 90.7 x 71.5 cm (35 11/16 x 28 1/8 in.) 37.9 x 25.2 cm (14 15/16 x 9 15/16 in.)

Plate 4 from the 'Disparates': Simpleton. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 14 5/8 × 19 15/16 in. (37.2 × 50.6 cm). Date: ca. 1816-23 (published between 1854-63). Posthumous but prior to the first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRF5PF8–Plate 4 from the 'Disparates': Simpleton. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 14 5/8 × 19 15/16 in. (37.2 × 50.6 cm). Date: ca. 1816-23 (published between 1854-63). Posthumous but prior to the first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

François Antoine Aveline, Le Temps de L'Apres dinée, François Antoine Aveline (French, Paris 1718–1780 London), After Jean Mondon le fils (active Paris, 1736–45), 18th century, Engraving, plate: 14 x 17 1/8 in. (35.6 x 43.5 cm), sheet: 14 15/16 x 18 11/16 in. (37.9 x 47.5 cm), Prints Stock Photo

RM2B0MJA1–François Antoine Aveline, Le Temps de L'Apres dinée, François Antoine Aveline (French, Paris 1718–1780 London), After Jean Mondon le fils (active Paris, 1736–45), 18th century, Engraving, plate: 14 x 17 1/8 in. (35.6 x 43.5 cm), sheet: 14 15/16 x 18 11/16 in. (37.9 x 47.5 cm), Prints

Drawing, Portal Design,'la Prusse et la Religion,' design for plate 40 in the 'Nouvelle iconologie historique...'; Jean-Charles Delafosse (French, 1734–1791); France; pen and ink, brush and watercolor, graphite on laid paper; Mat: 45.9 x 35.7 cm (18 1/16 x 14 1/16 in.) (irregular): 37.1 x 22.6 cm (14 5/8 x 8 7/8 in.) Stock Photo

RM2PMG438–Drawing, Portal Design,'la Prusse et la Religion,' design for plate 40 in the 'Nouvelle iconologie historique...'; Jean-Charles Delafosse (French, 1734–1791); France; pen and ink, brush and watercolor, graphite on laid paper; Mat: 45.9 x 35.7 cm (18 1/16 x 14 1/16 in.) (irregular): 37.1 x 22.6 cm (14 5/8 x 8 7/8 in.)

Recreation: January. Artist: Henry Sumner Watson (American, Bordentown, New Jersey 1868-1933). Dimensions: Sheet: 16 7/16 in. × 14 in. (41.8 × 35.5 cm) Image: 14 9/16 × 10 15/16 in. (37 × 27.8 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPATE5R–Recreation: January. Artist: Henry Sumner Watson (American, Bordentown, New Jersey 1868-1933). Dimensions: Sheet: 16 7/16 in. × 14 in. (41.8 × 35.5 cm) Image: 14 9/16 × 10 15/16 in. (37 × 27.8 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.

Diana Scultori, The Holy Family in Egypt, with Joseph as a carpenter in the background at left, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio), [1577], republished 1774, Engraving, Plate: 14 3/4 × 11 in. (37.5 × 27.9 cm), Sheet: 19 5/16 × 14 1/16 in. (49 × 35.7 cm), Prints Stock Photo

RM2B0KXC9–Diana Scultori, The Holy Family in Egypt, with Joseph as a carpenter in the background at left, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome), After Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio), [1577], republished 1774, Engraving, Plate: 14 3/4 × 11 in. (37.5 × 27.9 cm), Sheet: 19 5/16 × 14 1/16 in. (49 × 35.7 cm), Prints

Print, Plate 37, from Neüw Grotteßken Buch (New Grotesque Book); Designed by Christoph Jamnitzer (German, 1563 - 1618); Germany; engraving on laid paper; Platemark: 14.3 × 18.4 cm (5 5/8 × 7 1/4 in.) 18.5 × 23 cm (7 5/16 × 9 1/16 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.) Stock Photo

RM2PMDARG–Print, Plate 37, from Neüw Grotteßken Buch (New Grotesque Book); Designed by Christoph Jamnitzer (German, 1563 - 1618); Germany; engraving on laid paper; Platemark: 14.3 × 18.4 cm (5 5/8 × 7 1/4 in.) 18.5 × 23 cm (7 5/16 × 9 1/16 in.) Mat: 35.6 × 45.7 cm (14 × 18 in.)

Recreation: February. Artist: Henry Sumner Watson (American, Bordentown, New Jersey 1868-1933). Dimensions: Sheet: 16 7/16 in. × 14 in. (41.8 × 35.5 cm) Image: 14 9/16 × 10 15/16 in. (37 × 27.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAPW1K–Recreation: February. Artist: Henry Sumner Watson (American, Bordentown, New Jersey 1868-1933). Dimensions: Sheet: 16 7/16 in. × 14 in. (41.8 × 35.5 cm) Image: 14 9/16 × 10 15/16 in. (37 × 27.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Kris with Sheath, Philippine, Maguindanao, 18th–19th century, Maguindanao, Philippine, Maguindanao, Steel, wood, horn, silver, H. with sheath 14 9/16 in. (37 cm); H. without sheath 13 7/8 in. (35.2 cm); H. of blade 10 1/8 in. (25.7 cm); W. 11/16 in. (1.7 cm); Wt. 4.3 oz. (121.9 g); Wt. of sheath 0.9 oz. (25.5 g), Krisses Stock Photo

RM2B0MMT8–Kris with Sheath, Philippine, Maguindanao, 18th–19th century, Maguindanao, Philippine, Maguindanao, Steel, wood, horn, silver, H. with sheath 14 9/16 in. (37 cm); H. without sheath 13 7/8 in. (35.2 cm); H. of blade 10 1/8 in. (25.7 cm); W. 11/16 in. (1.7 cm); Wt. 4.3 oz. (121.9 g); Wt. of sheath 0.9 oz. (25.5 g), Krisses

Annual report of the town officers of Wakefield Massachusetts : including the vital statistics for the year . 4 o . 53 cm o ElSc* *s to* 2 to £ to* E to-rt s * <eS^o5 S!Z i^aS SaSJ^i/: ^5 t*»S.o c: iJP5^ O ?*iS --M-;<* S —»? cPhW. 79 RECAPITULATION. Births registered in 1875,Males, . Females, . Nativity of Parents.Born in Wakefield, Other towns in the United States, British Provinces Ireland, England, Scotland, Poland, France, East Indies, 119 • 59 • 60 Fathers Mothers 11 8 47 54 6 11 35 37 8 oO 9 4 1 1 1 0 0 1 Marriages registered in 1875,Widowers, . 12 Widows, 8 60 Nativity.Born in Wa Stock Photo

RM2AN8T8Y–Annual report of the town officers of Wakefield Massachusetts : including the vital statistics for the year . 4 o . 53 cm o ElSc* *s to* 2 to £ to* E to-rt s * <eS^o5 S!Z i^aS SaSJ^i/: ^5 t*»S.o c: iJP5^ O ?*iS --M-;<* S —»? cPhW. 79 RECAPITULATION. Births registered in 1875,Males, . Females, . Nativity of Parents.Born in Wakefield, Other towns in the United States, British Provinces Ireland, England, Scotland, Poland, France, East Indies, 119 • 59 • 60 Fathers Mothers 11 8 47 54 6 11 35 37 8 oO 9 4 1 1 1 0 0 1 Marriages registered in 1875,Widowers, . 12 Widows, 8 60 Nativity.Born in Wa

Recreation: July. Artist: Henry Sumner Watson (American, Bordentown, New Jersey 1868-1933). Dimensions: Sheet: 16 9/16 × 13 7/8 in. (42 × 35.2 cm) Image: 14 5/8 × 10 15/16 in. (37.1 × 27.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAXX1H–Recreation: July. Artist: Henry Sumner Watson (American, Bordentown, New Jersey 1868-1933). Dimensions: Sheet: 16 9/16 × 13 7/8 in. (42 × 35.2 cm) Image: 14 5/8 × 10 15/16 in. (37.1 × 27.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Giuseppe Camerata II, Christ and the woman taken in adultery, Giuseppe Camerata II (Italian, Frascati or Venice 1718–1803 Dresden), Intermediary draftsman Francesco Gandini (Italian, Cremona 1723–after 1778), After Valerio Castello (Italian, Genoa 1624–1659 Genoa), After Bartolomeo Biscaino (Italian, Genoa 1629–1657 Genoa), 1750–57, Etching and engraving, Plate: 13 3/4 × 15 9/16 in. (35 × 39.5 cm), Sheet: 14 3/4 × 18 1/4 in. (37.5 × 46.4 cm), Prints Stock Photo

RM2B0KXP3–Giuseppe Camerata II, Christ and the woman taken in adultery, Giuseppe Camerata II (Italian, Frascati or Venice 1718–1803 Dresden), Intermediary draftsman Francesco Gandini (Italian, Cremona 1723–after 1778), After Valerio Castello (Italian, Genoa 1624–1659 Genoa), After Bartolomeo Biscaino (Italian, Genoa 1629–1657 Genoa), 1750–57, Etching and engraving, Plate: 13 3/4 × 15 9/16 in. (35 × 39.5 cm), Sheet: 14 3/4 × 18 1/4 in. (37.5 × 46.4 cm), Prints

RM2AN9BCE–Annual report of the town officers of Wakefield Massachusetts : including the vital statistics for the year . 4 o . 53 cm o ElSc* *s to* 2 to £ to* E to-rt s * <eS^o5 S!Z i^aS SaSJ^i/: ^5 t*»S.o c: iJP5^ O ?*iS --M-;<* S —»? cPhW. 79 RECAPITULATION. Births registered in 1875,Males, . Females, . Nativity of Parents.Born in Wakefield, Other towns in the United States, British Provinces Ireland, England, Scotland, Poland, France, East Indies, 119 • 59 • 60 Fathers Mothers 11 8 47 54 6 11 35 37 8 oO 9 4 1 1 1 0 0 1 Marriages registered in 1875,Widowers, . 12 Widows, 8 60 Nativity.Born in Wa

Portrait of Henry Fox. Artist: After Jean Étienne Liotard (Swiss, Geneva 1702-1789 Geneva); James McArdell (Irish, Dublin 1729-1765 London). Dimensions: plate: 13 7/8 x 9 13/16 in. (35.3 x 25 cm) sheet: 14 3/4 x 10 1/2 in. (37.5 x 26.7 cm). Date: 1756. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAXC8F–Portrait of Henry Fox. Artist: After Jean Étienne Liotard (Swiss, Geneva 1702-1789 Geneva); James McArdell (Irish, Dublin 1729-1765 London). Dimensions: plate: 13 7/8 x 9 13/16 in. (35.3 x 25 cm) sheet: 14 3/4 x 10 1/2 in. (37.5 x 26.7 cm). Date: 1756. Museum: Metropolitan Museum of Art, New York, USA.