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New Creative Relevant Search filters 36 3 X 26 7 Cm Stock Photos and Images  (446) Narrow your search: Black & white Page 1 of 5 S. Simon, Print made by Johann Jacobus Haid, 1704–1767, after Johann Kupezky, 1667–1740, Hungarian, undated, Mezzotint on moderately thick, moderately textured, cream wove paper, Sheet: 21 1/4 x 14 11/16 inches (53.9 x 37.3 cm), Plate: 15 13/16 x 10 1/2 inches (40.2 x 26.7 cm), and Image: 14 5/16 x 10 1/2 inches (36.3 x 26.7 cm), apostle, beard, cane, Christian, Christianity, cloak, gaze, historical subject, leaning, man, religious, religious and mythological subject, saw, solemn, thoughtful S. Simon, Print made by Johann Jacobus Haid, 1704–1767, after Johann Kupezky, 1667–1740, Hungarian, undated, Mezzotint on moderately thick, moderately textured, cream wove paper, Sheet: 21 1/4 x 14 11/16 inches (53.9 x 37.3 cm), Plate: 15 13/16 x 10 1/2 inches (40.2 x 26.7 cm), and Image: 14 5/16 x 10 1/2 inches (36.3 x 26.7 cm), apostle, beard, cane, Christian, Christianity, cloak, gaze, historical subject, leaning, man, religious, religious and mythological subject, saw, solemn, thoughtfulhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/s-simon-print-made-by-johann-jacobus-haid-17041767-after-johann-kupezky-16671740-hungarian-undated-mezzotint-on-moderately-thick-moderately-textured-cream-wove-paper-sheet-21-14-x-14-1116-inches-539-x-373-cm-plate-15-1316-x-10-12-inches-402-x-267-cm-and-image-14-516-x-10-12-inches-363-x-267-cm-apostle-beard-cane-christian-christianity-cloak-gaze-historical-subject-leaning-man-religious-religious-and-mythological-subject-saw-solemn-thoughtful-image389651559.html Illustrations for a Confucian Text (image 3 of 3); Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodbk print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797; Illustrations for a Confucian Text (image 3 of 3); Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodbk print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrations-for-a-confucian-text-image-3-of-3-korea-korean-joseon-dynasty-1392-1910-dated-1797-prints-woodcuts-woodbk-print-ink-on-paper-image-8-34-x-22-78-in-2223-x-581-cm-mount-12-58-x-26-18-in-3207-x-6636-cm-gift-of-hong-seok-kim-m822156-korean-art-dated-1797-image257062760.html Spring, ca. 1720-36. Jean-Baptiste Pater (French, 1695-1736). Oil on canvas; framed: 76.5 x 66 x 9 cm (30 1/8 x 26 x 3 9/16 in.); unframed: 65 x 53.7 cm (25 9/16 x 21 1/8 in Spring, ca. 1720-36. Jean-Baptiste Pater (French, 1695-1736). Oil on canvas; framed: 76.5 x 66 x 9 cm (30 1/8 x 26 x 3 9/16 in.); unframed: 65 x 53.7 cm (25 9/16 x 21 1/8 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spring-ca-1720-36-jean-baptiste-pater-french-1695-1736-oil-on-canvas-framed-765-x-66-x-9-cm-30-18-x-26-x-3-916-in-unframed-65-x-537-cm-25-916-x-21-18-in-image240400611.html The Calvary (fragment), c. 1470, woodcut, colored (unique), unique, leaf: 36.3 x 26.7 cm, Anonym, Oberrhein, 15. Jh., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Calvary (fragment), c. 1470, woodcut, colored (unique), unique, leaf: 36.3 x 26.7 cm, Anonym, Oberrhein, 15. Jh., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-calvary-fragment-c-1470-woodcut-colored-unique-unique-leaf-363-x-267-cm-anonym-oberrhein-15-jh-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349805081.html Jerusalem, Plate 36, 'Reuben returnd to his place....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/8 x 5 7/8 inches (21.2 x 15 cm), fire, flames, hammer, literary theme, men, religious and mythological subject, sun, text, vegetation Jerusalem, Plate 36, 'Reuben returnd to his place....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/8 x 5 7/8 inches (21.2 x 15 cm), fire, flames, hammer, literary theme, men, religious and mythological subject, sun, text, vegetationhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerusalem-plate-36-reuben-returnd-to-his-place-print-made-by-william-blake-17571827-british-1804-to-1820-relief-etching-printed-in-orange-with-pen-and-black-ink-and-watercolor-on-moderately-thick-smooth-cream-wove-paper-sheet-13-12-x-10-38-inches-343-x-264-cm-and-plate-8-38-x-5-78-inches-212-x-15-cm-fire-flames-hammer-literary-theme-men-religious-and-mythological-subject-sun-text-vegetation-image389695334.html 'Illustrations for a Confucian Text (image 1 of 3); English: Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodblock print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797; ' 'Illustrations for a Confucian Text (image 1 of 3); English: Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodblock print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrations-for-a-confucian-text-image-1-of-3-english-korea-korean-joseon-dynasty-1392-1910-dated-1797-prints-woodcuts-woodblock-print-ink-on-paper-image-8-34-x-22-78-in-2223-x-581-cm-mount-12-58-x-26-18-in-3207-x-6636-cm-gift-of-hong-seok-kim-m822156-korean-art-dated-1797-image349626192.html The Calvary (fragment), c. 1470, woodcut, colored (unique), unique, leaf: 36.3 x 26.7 cm, Anonym, Oberrhein, 15. Jh The Calvary (fragment), c. 1470, woodcut, colored (unique), unique, leaf: 36.3 x 26.7 cm, Anonym, Oberrhein, 15. Jhhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-calvary-fragment-c-1470-woodcut-colored-unique-unique-leaf-363-x-267-cm-anonym-oberrhein-15-jh-image328709154.html . English: Robert S. Duncanson, American, 1821–1872 Untitled (Landscape), late 1850s Oil on canvas 61 x 66 cm. (24 x 26 in.) frame: 92.3 × 120.5 × 7.5 cm. (36 5/16 × 47 7/16 × 2 15/16 in.) Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art and Mary Trumbull Adams Art Fund 2011-107 . late 1850s 8 1850s, Duncanson, Robert S., Untitled (Landscape) . English: Robert S. Duncanson, American, 1821–1872 Untitled (Landscape), late 1850s Oil on canvas 61 x 66 cm. (24 x 26 in.) frame: 92.3 × 120.5 × 7.5 cm. (36 5/16 × 47 7/16 × 2 15/16 in.) Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art and Mary Trumbull Adams Art Fund 2011-107 . late 1850s 8 1850s, Duncanson, Robert S., Untitled (Landscape)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-robert-s-duncanson-american-18211872-untitled-landscape-late-1850s-oil-on-canvas-61-x-66-cm-24-x-26-in-frame-923-1205-75-cm-36-516-47-716-2-1516-in-museum-purchase-kathleen-compton-sherrerd-fund-for-acquisitions-in-american-art-and-mary-trumbull-adams-art-fund-2011-107-late-1850s-8-1850s-duncanson-robert-s-untitled-landscape-image188119400.html Qur'an Manuscript Folio , 800s. North Africa, Aghlabid or Abbasid, 9th century. Gold, ink and colors on parchment; sheet: 26.7 x 36.3 cm (10 1/2 x 14 5/16 in Qur'an Manuscript Folio , 800s. North Africa, Aghlabid or Abbasid, 9th century. Gold, ink and colors on parchment; sheet: 26.7 x 36.3 cm (10 1/2 x 14 5/16 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quran-manuscript-folio-800s-north-africa-aghlabid-or-abbasid-9th-century-gold-ink-and-colors-on-parchment-sheet-267-x-363-cm-10-12-x-14-516-in-image240461873.html Head of a youth from a marble stele (grave marker) MET DP116928 254479 Greek, Attic, Head of a youth from a marble stele (grave marker), ca. 525 B.C., Marble, Parian, Overall: 10 1/4 x 15 1/2 in. (26 x 39.4 cm); thickness at top 15 1/4 in. (38.7 cm); thickness at bottom 15 7/16 in. (39.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.11.36) Head of a youth from a marble stele (grave marker) MET DP116928 254479 Greek, Attic, Head of a youth from a marble stele (grave marker), ca. 525 B.C., Marble, Parian, Overall: 10 1/4 x 15 1/2 in. (26 x 39.4 cm); thickness at top 15 1/4 in. (38.7 cm); thickness at bottom 15 7/16 in. (39.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.11.36)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-head-of-a-youth-from-a-marble-stele-grave-marker-met-dp116928-254479-168035229.html http://www.metmuseum.org/art/collection/search/383011 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 5/16 x 23 in. (21.1 x 58.4 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Bechtel, 1951 (51.648.41) http://www.metmuseum.org/art/collection/search/383011 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 5/16 x 23 in. (21.1 x 58.4 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Bechtel, 1951 (51.648.41)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/httpwwwmetmuseumorgartcollectionsearch383011-artist-designed-and-etched-by-joseph-mallord-william-turner-british-london-17751851-london-engraver-thomas-hodgetts-british-active-180146-publisher-joseph-mallord-william-turner-british-london-17751851-london-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-june-1811-etching-and-mezzotint-fourth-state-of-four-finberg-plate-7-316-x-10-12-in-183-x-267-cm-sheet-8-516-x-23-in-211-x-584-cm-the-metropolitan-museum-of-art-new-york-gift-of-edwin-de-t-bechtel-1951-5164841-image384054860.html Oil Can. Dated: c. 1939. Dimensions: overall: 36.3 x 26.7 cm (14 5/16 x 10 1/2 in.) Original IAD Object: 15' high; 6' in diameter. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Leslie Macklem. Oil Can. Dated: c. 1939. Dimensions: overall: 36.3 x 26.7 cm (14 5/16 x 10 1/2 in.) Original IAD Object: 15' high; 6' in diameter. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Leslie Macklem.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-can-dated-c-1939-dimensions-overall-363-x-267-cm-14-516-x-10-12-in-original-iad-object-15-high-6-in-diameter-medium-watercolor-graphite-and-gouache-on-paperboard-museum-national-gallery-of-art-washington-dc-author-leslie-macklem-image225818979.html One of Thirty-Six Flowers. Artist: Ippitsusai Buncho (Japanese, active 1760-1794); Period: Edo period (1615-1868); Date: 1723-1792; Culture: Japan; One of Thirty-Six Flowers. Artist: Ippitsusai Buncho (Japanese, active 1760-1794); Period: Edo period (1615-1868); Date: 1723-1792; Culture: Japan;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-one-of-thirty-six-flowers-artist-ippitsusai-buncho-japanese-active-168166034.html THE NORTH WEST VIEW OF CARLISLE CASTLE. Author Buck, Samuel 10.17.e. Place of publication: [London] Publisher: Publish'd according to Act of Parliament Date of publication: March 26. 1739. Item type: 1 print Medium: etching and engraving Dimensions: sheet 19.3 x 36.7 cm. Trimmed below platemark. Former owner: George III, King of Great Britain, 1738-1820 THE NORTH WEST VIEW OF CARLISLE CASTLE. Author Buck, Samuel 10.17.e. Place of publication: [London] Publisher: Publish'd according to Act of Parliament Date of publication: March 26. 1739. Item type: 1 print Medium: etching and engraving Dimensions: sheet 19.3 x 36.7 cm. Trimmed below platemark. Former owner: George III, King of Great Britain, 1738-1820https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-north-west-view-of-carlisle-castle-author-buck-samuel-1017e-place-of-publication-london-publisher-publishd-according-to-act-of-parliament-date-of-publication-march-26-1739-item-type-1-print-medium-etching-and-engraving-dimensions-sheet-193-x-367-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401727639.html Head of a youth from a marble stele (grave marker) MET GR76 254479 Greek, Attic, Head of a youth from a marble stele (grave marker), ca. 525 B.C., Marble, Parian, Overall: 10 1/4 x 15 1/2 in. (26 x 39.4 cm); thickness at top 15 1/4 in. (38.7 cm); thickness at bottom 15 7/16 in. (39.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.11.36) Head of a youth from a marble stele (grave marker) MET GR76 254479 Greek, Attic, Head of a youth from a marble stele (grave marker), ca. 525 B.C., Marble, Parian, Overall: 10 1/4 x 15 1/2 in. (26 x 39.4 cm); thickness at top 15 1/4 in. (38.7 cm); thickness at bottom 15 7/16 in. (39.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.11.36)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-head-of-a-youth-from-a-marble-stele-grave-marker-met-gr76-254479-greek-168469240.html . Beihefte zum botanischen Centralblatt. Plants. Bächer, Abhängigkeit des osmotisch. Wertes von einigen Außenfaktoren. ß9 Tabelle V. Elodea canadensis. Im D cd Im a, o Sproß I Spro ß II Mittel aus I u. II Datum Osmot. Wert Mittel Länge in cm Osmot. Wert Mittel Länge in cm Osmot. Wert Länge in cm 18. X. 17 8° 0,40 5 0,40 5 U,40 5 Vom 18. X. — 20. X. 15° 0,38 5,3 . 0,38 5,3 0,38 53 Vom 20. X — 22. X. 20° 0,357 5,6 0,36 6,1 0,358 5,85 Vom 22 X. — 24. X 25° 0,33 6,2 0,34 6,9 0,335 6,55 Vom 24. X. — 26. X. 30° 0,32 7 0,31 8 0,315 7,5 Vom 26. X. — 28. X. 34° 0,293 8,2 0,28 9,4 0,286 8,8 Vom 28. X. — . Beihefte zum botanischen Centralblatt. Plants. Bächer, Abhängigkeit des osmotisch. Wertes von einigen Außenfaktoren. ß9 Tabelle V. Elodea canadensis. Im D cd Im a, o Sproß I Spro ß II Mittel aus I u. II Datum Osmot. Wert Mittel Länge in cm Osmot. Wert Mittel Länge in cm Osmot. Wert Länge in cm 18. X. 17 8° 0,40 5 0,40 5 U,40 5 Vom 18. X. — 20. X. 15° 0,38 5,3 . 0,38 5,3 0,38 53 Vom 20. X — 22. X. 20° 0,357 5,6 0,36 6,1 0,358 5,85 Vom 22 X. — 24. X 25° 0,33 6,2 0,34 6,9 0,335 6,55 Vom 24. X. — 26. X. 30° 0,32 7 0,31 8 0,315 7,5 Vom 26. X. — 28. X. 34° 0,293 8,2 0,28 9,4 0,286 8,8 Vom 28. X. —https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beihefte-zum-botanischen-centralblatt-plants-bcher-abhngigkeit-des-osmotisch-wertes-von-einigen-auenfaktoren-9-tabelle-v-elodea-canadensis-im-d-cd-im-a-o-spro-i-spro-ii-mittel-aus-i-u-ii-datum-osmot-wert-mittel-lnge-in-cm-osmot-wert-mittel-lnge-in-cm-osmot-wert-lnge-in-cm-18-x-17-8-040-5-040-5-u40-5-vom-18-x-20-x-15-038-53-038-53-038-53-vom-20-x-22-x-20-0357-56-036-61-0358-585-vom-22-x-24-x-25-033-62-034-69-0335-655-vom-24-x-26-x-30-032-7-031-8-0315-75-vom-26-x-28-x-34-0293-82-028-94-0286-88-vom-28-x-image234790524.html Illustrations for a Confucian Text (image 1 of 3); Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodbk print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797; Illustrations for a Confucian Text (image 1 of 3); Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodbk print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrations-for-a-confucian-text-image-1-of-3-korea-korean-joseon-dynasty-1392-1910-dated-1797-prints-woodcuts-woodbk-print-ink-on-paper-image-8-34-x-22-78-in-2223-x-581-cm-mount-12-58-x-26-18-in-3207-x-6636-cm-gift-of-hong-seok-kim-m822156-korean-art-dated-1797-image257062797.html Allegorical Group with the Bust of an Architect, possibly Belgian, France, 1780 - 1800, Terracotta, 67 x 41.8 x 36.5 cm (26 3,8 x 16 7,16 x 14 3,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Allegorical Group with the Bust of an Architect, possibly Belgian, France, 1780 - 1800, Terracotta, 67 x 41.8 x 36.5 cm (26 3,8 x 16 7,16 x 14 3,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-group-with-the-bust-of-an-architect-possibly-belgian-france-1780-1800-terracotta-67-x-418-x-365-cm-26-38-x-16-716-x-14-38-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350059910.html 'Illustrations for a Confucian Text (image 3 of 3); English: Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodblock print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797; ' 'Illustrations for a Confucian Text (image 3 of 3); English: Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodblock print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrations-for-a-confucian-text-image-3-of-3-english-korea-korean-joseon-dynasty-1392-1910-dated-1797-prints-woodcuts-woodblock-print-ink-on-paper-image-8-34-x-22-78-in-2223-x-581-cm-mount-12-58-x-26-18-in-3207-x-6636-cm-gift-of-hong-seok-kim-m822156-korean-art-dated-1797-image349626204.html . English: Robert S. Duncanson, American, 1821–1872 Untitled (Landscape), late 1850s Oil on canvas 61 x 66 cm. (24 x 26 in.) frame: 92.3 × 120.5 × 7.5 cm. (36 5/16 × 47 7/16 × 2 15/16 in.) Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art and Mary Trumbull Adams Art Fund 2011-107 . late 1850s. 8 1850s, Duncanson, Robert S., Untitled (Landscape) . English: Robert S. Duncanson, American, 1821–1872 Untitled (Landscape), late 1850s Oil on canvas 61 x 66 cm. (24 x 26 in.) frame: 92.3 × 120.5 × 7.5 cm. (36 5/16 × 47 7/16 × 2 15/16 in.) Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art and Mary Trumbull Adams Art Fund 2011-107 . late 1850s. 8 1850s, Duncanson, Robert S., Untitled (Landscape)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-robert-s-duncanson-american-18211872-untitled-landscape-late-1850s-oil-on-canvas-61-x-66-cm-24-x-26-in-frame-923-1205-75-cm-36-516-47-716-2-1516-in-museum-purchase-kathleen-compton-sherrerd-fund-for-acquisitions-in-american-art-and-mary-trumbull-adams-art-fund-2011-107-late-1850s-8-1850s-duncanson-robert-s-untitled-landscape-image184796646.html The Acropolis from the Pnyx, Athens, Greece. Joseph Mallord William Turner (British, 1775-1851). Brown wash and white heightening on gray paper; sheet: 26.5 x 36.5 cm (10 7/16 x 14 3/8 in The Acropolis from the Pnyx, Athens, Greece. Joseph Mallord William Turner (British, 1775-1851). Brown wash and white heightening on gray paper; sheet: 26.5 x 36.5 cm (10 7/16 x 14 3/8 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-acropolis-from-the-pnyx-athens-greece-joseph-mallord-william-turner-british-1775-1851-brown-wash-and-white-heightening-on-gray-paper-sheet-265-x-365-cm-10-716-x-14-38-in-image240397167.html Tuileries Gardens. Léon Augustin Lhermitte (French, 1844-1925). Etching; sheet: 26.1 x 36.3 cm (10 1/4 x 14 5/16 in.); platemark: 20 x 25.3 cm (7 7/8 x 9 15/16 in Tuileries Gardens. Léon Augustin Lhermitte (French, 1844-1925). Etching; sheet: 26.1 x 36.3 cm (10 1/4 x 14 5/16 in.); platemark: 20 x 25.3 cm (7 7/8 x 9 15/16 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tuileries-gardens-lon-augustin-lhermitte-french-1844-1925-etching-sheet-261-x-363-cm-10-14-x-14-516-in-platemark-20-x-253-cm-7-78-x-9-1516-in-image240490479.html http://www.metmuseum.org/art/collection/search/383011 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 5/16 x 23 in. (21.1 x 58.4 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Bechtel, 1951 (51.648.41) http://www.metmuseum.org/art/collection/search/383011 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 5/16 x 23 in. (21.1 x 58.4 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Bechtel, 1951 (51.648.41)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/httpwwwmetmuseumorgartcollectionsearch383011-artist-designed-and-etched-by-joseph-mallord-william-turner-british-london-17751851-london-engraver-thomas-hodgetts-british-active-180146-publisher-joseph-mallord-william-turner-british-london-17751851-london-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-june-1811-etching-and-mezzotint-fourth-state-of-four-finberg-plate-7-316-x-10-12-in-183-x-267-cm-sheet-8-516-x-23-in-211-x-584-cm-the-metropolitan-museum-of-art-new-york-gift-of-edwin-de-t-bechtel-1951-5164841-image386935738.html One of Thirty-Six Flowers. Artist: Ippitsusai Buncho (Japanese, active 1760-1794); Period: Edo period (1615-1868); Date: 1723-1792; Culture: Japan; One of Thirty-Six Flowers. Artist: Ippitsusai Buncho (Japanese, active 1760-1794); Period: Edo period (1615-1868); Date: 1723-1792; Culture: Japan;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-thirty-six-flowers-artist-ippitsusai-buncho-japanese-active-1760-1794-period-edo-period-1615-1868-date-1723-1792-culture-japan-image276232400.html Design for a vase. Artist: Anonymous, French, 19th century. Dimensions: sheet: 14 7/16 x 10 3/8 in. (36.7 x 26.3 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Design for a vase. Artist: Anonymous, French, 19th century. Dimensions: sheet: 14 7/16 x 10 3/8 in. (36.7 x 26.3 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-vase-artist-anonymous-french-19th-century-dimensions-sheet-14-716-x-10-38-in-367-x-263-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212849696.html Portrait of Frau von Oppen and Her Two Daughters. Artist: Johann Gottfried Schadow (German, Berlin 1764-1850 Berlin); Date: 1835; Medium: Graphite Portrait of Frau von Oppen and Her Two Daughters. Artist: Johann Gottfried Schadow (German, Berlin 1764-1850 Berlin); Date: 1835; Medium: Graphitehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-frau-von-oppen-and-her-two-daughters-artist-johann-gottfried-168394299.html The South View of Grantham Church, Lincolnshire. Author Sapio, G 19.26.a. Place of publication: [London] Publisher: Published May 5.th 1797 by J. Seago, Printseller, High Street, St. Giles, London. Price 2.s., Date of publication: [1797] Item type: 1 print Medium: etching and engraving Dimensions: platemark 36.7 x 28.3 cm Former owner: George III, King of Great Britain, 1738-1820 The South View of Grantham Church, Lincolnshire. Author Sapio, G 19.26.a. Place of publication: [London] Publisher: Published May 5.th 1797 by J. Seago, Printseller, High Street, St. Giles, London. Price 2.s., Date of publication: [1797] Item type: 1 print Medium: etching and engraving Dimensions: platemark 36.7 x 28.3 cm Former owner: George III, King of Great Britain, 1738-1820https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-south-view-of-grantham-church-lincolnshire-author-sapio-g-1926a-place-of-publication-london-publisher-published-may-5th-1797-by-j-seago-printseller-high-street-st-giles-london-price-2s-date-of-publication-1797-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-367-x-283-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401752732.html Head of a youth from a marble stele (grave marker) MET GR76 254479 Greek, Attic, Head of a youth from a marble stele (grave marker), ca. 525 B.C., Marble, Parian, Overall: 10 1/4 x 15 1/2 in. (26 x 39.4 cm); thickness at top 15 1/4 in. (38.7 cm); thickness at bottom 15 7/16 in. (39.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.11.36) Head of a youth from a marble stele (grave marker) MET GR76 254479 Greek, Attic, Head of a youth from a marble stele (grave marker), ca. 525 B.C., Marble, Parian, Overall: 10 1/4 x 15 1/2 in. (26 x 39.4 cm); thickness at top 15 1/4 in. (38.7 cm); thickness at bottom 15 7/16 in. (39.3 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.11.36)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-head-of-a-youth-from-a-marble-stele-grave-marker-met-gr76-254479-greek-168301846.html Map of Ancestral Burial Sites of the Han Family from Chonju; Korea, Korean, Joseon dynasty (1392-1910), 18th century Prints; woodcuts Woodbk print, ink on silk Image: 10 1/4 x 14 1/4 in. (26.04 x 36.2 cm); Mount: 12 3/4 x 16 5/8 in. (32.39 x 42.23 cm) Gift of Hong Seok Kim (M.82.215.2) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; Map of Ancestral Burial Sites of the Han Family from Chonju; Korea, Korean, Joseon dynasty (1392-1910), 18th century Prints; woodcuts Woodbk print, ink on silk Image: 10 1/4 x 14 1/4 in. (26.04 x 36.2 cm); Mount: 12 3/4 x 16 5/8 in. (32.39 x 42.23 cm) Gift of Hong Seok Kim (M.82.215.2) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-ancestral-burial-sites-of-the-han-family-from-chonju-korea-korean-joseon-dynasty-1392-1910-18th-century-prints-woodcuts-woodbk-print-ink-on-silk-image-10-14-x-14-14-in-2604-x-362-cm-mount-12-34-x-16-58-in-3239-x-4223-cm-gift-of-hong-seok-kim-m822152-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257123761.html Beauty in Wind: Totto yakutae; Japan, 1852, 12th month Series: Excellances of Mountain and Sea Illustrated Prints; woodcuts Color woodbk print Image: 14 3/8 x 9 15/16 in. (36.51 x 25.24 cm); Sheet: 14 7/8 x 10 1/4 in. (37.78 x 26.04 cm) Gift of George T. and Margaret W. Romani (M.2000.42.19) Japanese Art; 12th month; Beauty in Wind: Totto yakutae; Japan, 1852, 12th month Series: Excellances of Mountain and Sea Illustrated Prints; woodcuts Color woodbk print Image: 14 3/8 x 9 15/16 in. (36.51 x 25.24 cm); Sheet: 14 7/8 x 10 1/4 in. (37.78 x 26.04 cm) Gift of George T. and Margaret W. Romani (M.2000.42.19) Japanese Art; 12th month;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beauty-in-wind-totto-yakutae-japan-1852-12th-month-series-excellances-of-mountain-and-sea-illustrated-prints-woodcuts-color-woodbk-print-image-14-38-x-9-1516-in-3651-x-2524-cm-sheet-14-78-x-10-14-in-3778-x-2604-cm-gift-of-george-t-and-margaret-w-romani-m20004219-japanese-art-12th-month-image256925991.html Armchair (one of a pair), Nicolas-Quinibert Foliot (French, 1706 - 1776), Paris, France, 1762, Beech, modern silk upholstery, 93.3 x 67.6 x 55.6 cm (36 3,4 x 26 5,8 x 21 7,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Armchair (one of a pair), Nicolas-Quinibert Foliot (French, 1706 - 1776), Paris, France, 1762, Beech, modern silk upholstery, 93.3 x 67.6 x 55.6 cm (36 3,4 x 26 5,8 x 21 7,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armchair-one-of-a-pair-nicolas-quinibert-foliot-french-1706-1776-paris-france-1762-beech-modern-silk-upholstery-933-x-676-x-556-cm-36-34-x-26-58-x-21-78-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350024169.html 'Map of Ancestral Burial Sites of the Han Family from Chonju; English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Prints; woodcuts Woodblock print, ink on silk Image: 10 1/4 x 14 1/4 in. (26.04 x 36.2 cm); Mount: 12 3/4 x 16 5/8 in. (32.39 x 42.23 cm) Gift of Hong Seok Kim (M.82.215.2) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' 'Map of Ancestral Burial Sites of the Han Family from Chonju; English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Prints; woodcuts Woodblock print, ink on silk Image: 10 1/4 x 14 1/4 in. (26.04 x 36.2 cm); Mount: 12 3/4 x 16 5/8 in. (32.39 x 42.23 cm) Gift of Hong Seok Kim (M.82.215.2) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-ancestral-burial-sites-of-the-han-family-from-chonju-english-korea-korean-joseon-dynasty-1392-1910-18th-century-prints-woodcuts-woodblock-print-ink-on-silk-image-10-14-x-14-14-in-2604-x-362-cm-mount-12-34-x-16-58-in-3239-x-4223-cm-gift-of-hong-seok-kim-m822152-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349719885.html . English: Robert S. Duncanson, American, 1821–1872 Untitled (Landscape), late 1850s Oil on canvas 61 x 66 cm. (24 x 26 in.) frame: 92.3 × 120.5 × 7.5 cm. (36 5/16 × 47 7/16 × 2 15/16 in.) Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art and Mary Trumbull Adams Art Fund 2011-107 . late 1850s 8 1850s, Duncanson, Robert S., Untitled (Landscape) . English: Robert S. Duncanson, American, 1821–1872 Untitled (Landscape), late 1850s Oil on canvas 61 x 66 cm. (24 x 26 in.) frame: 92.3 × 120.5 × 7.5 cm. (36 5/16 × 47 7/16 × 2 15/16 in.) Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art and Mary Trumbull Adams Art Fund 2011-107 . late 1850s 8 1850s, Duncanson, Robert S., Untitled (Landscape)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-robert-s-duncanson-american-18211872-untitled-landscape-late-1850s-oil-on-canvas-61-x-66-cm-24-x-26-in-frame-923-1205-75-cm-36-516-47-716-2-1516-in-museum-purchase-kathleen-compton-sherrerd-fund-for-acquisitions-in-american-art-and-mary-trumbull-adams-art-fund-2011-107-late-1850s-8-1850s-duncanson-robert-s-untitled-landscape-image187565245.html 'Beauty with Irises; English: Japan, 19th century Prints; woodcuts Color woodblock print Image: 14 3/16 x 9 13/16 in. (36.0 x 24.9 cm); Sheet: 14 15/16 x 10 5/16 in. (37.9 x 26.2 cm) Herbert R. Cole Collection (M.84.31.214) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; ' 'Beauty with Irises; English: Japan, 19th century Prints; woodcuts Color woodblock print Image: 14 3/16 x 9 13/16 in. (36.0 x 24.9 cm); Sheet: 14 15/16 x 10 5/16 in. (37.9 x 26.2 cm) Herbert R. Cole Collection (M.84.31.214) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beauty-with-irises-english-japan-19th-century-prints-woodcuts-color-woodblock-print-image-14-316-x-9-1316-in-360-x-249-cm-sheet-14-1516-x-10-516-in-379-x-262-cm-herbert-r-cole-collection-m8431214-japanese-art-19th-century-date-qsp5711850-00-00t000000z7-image349345716.html The Table, after H. Leys, 1868. Félix Bracquemond (French, 1833-1914). Etching; sheet: 36.1 x 27.4 cm (14 3/16 x 10 13/16 in.); platemark: 26 x 18.5 cm (10 1/4 x 7 5/16 in The Table, after H. Leys, 1868. Félix Bracquemond (French, 1833-1914). Etching; sheet: 36.1 x 27.4 cm (14 3/16 x 10 13/16 in.); platemark: 26 x 18.5 cm (10 1/4 x 7 5/16 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-table-after-h-leys-1868-flix-bracquemond-french-1833-1914-etching-sheet-361-x-274-cm-14-316-x-10-1316-in-platemark-26-x-185-cm-10-14-x-7-516-in-image240478559.html Design for Curtains. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 14 7/16 x 10 3/8 in. (36.7 x 26.3 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA. Design for Curtains. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 14 7/16 x 10 3/8 in. (36.7 x 26.3 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-curtains-artist-charles-hindley-and-sons-british-london-1841-1917-london-dimensions-sheet-14-716-x-10-38-in-367-x-263-cm-date-1841-84-museum-metropolitan-museum-of-art-new-york-usa-image213251717.html Portrait of Frau von Oppen and Her Two Daughters. Artist: Johann Gottfried Schadow (German, Berlin 1764-1850 Berlin); Date: 1835; Medium: Graphite Portrait of Frau von Oppen and Her Two Daughters. Artist: Johann Gottfried Schadow (German, Berlin 1764-1850 Berlin); Date: 1835; Medium: Graphitehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-frau-von-oppen-and-her-two-daughters-artist-johann-gottfried-schadow-german-berlin-1764-1850-berlin-date-1835-medium-graphite-image278364851.html FOIE CORNWALL. Author Sarjent, Francis James 9.32.3.b. Place of publication: London ; Publisher: Published Octr 22 1811 by F J Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr Jukes., Date of publication: [October 22 1811] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 26.8 x 36 cm, on sheet 28 x 37.7 cm Former owner: George III, King of Great Britain, 1738-1820 FOIE CORNWALL. Author Sarjent, Francis James 9.32.3.b. Place of publication: London ; Publisher: Published Octr 22 1811 by F J Sarjent 57 Upper John Street, Fitzroy Square. Successor to Mr Jukes., Date of publication: [October 22 1811] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 26.8 x 36 cm, on sheet 28 x 37.7 cm Former owner: George III, King of Great Britain, 1738-1820https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/foie-cornwall-author-sarjent-francis-james-9323b-place-of-publication-london-publisher-published-octr-22-1811-by-f-j-sarjent-57-upper-john-street-fitzroy-square-successor-to-mr-jukes-date-of-publication-october-22-1811-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-268-x-36-cm-on-sheet-28-x-377-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401719879.html Portrait of Louis XV. Artist: Gilles Jacques Petit (active Paris, 18th century); Artist: After Jean Étienne Liotard (Swiss, Geneva 1702-1789 Geneva); Portrait of Louis XV. Artist: Gilles Jacques Petit (active Paris, 18th century); Artist: After Jean Étienne Liotard (Swiss, Geneva 1702-1789 Geneva);https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-portrait-of-louis-xv-artist-gilles-jacques-petit-active-paris-18th-168126385.html From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821502 383012 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Author: Illustrates Edmund Spenser, British, London 1552??1599 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm) sheet: 8 5/8 x 11 1/2 in. (21.9 x 29.2 cm). The Metro From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821502 383012 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Author: Illustrates Edmund Spenser, British, London 1552??1599 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm) sheet: 8 5/8 x 11 1/2 in. (21.9 x 29.2 cm). The Metrohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-met-dp821502-168497217.html Beauty with Irises; Japan, 19th century Prints; woodcuts Color woodbk print Image: 14 3/16 x 9 13/16 in. (36.0 x 24.9 cm); Sheet: 14 15/16 x 10 5/16 in. (37.9 x 26.2 cm) Herbert R. Cole Collection (M.84.31.214) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; Beauty with Irises; Japan, 19th century Prints; woodcuts Color woodbk print Image: 14 3/16 x 9 13/16 in. (36.0 x 24.9 cm); Sheet: 14 15/16 x 10 5/16 in. (37.9 x 26.2 cm) Herbert R. Cole Collection (M.84.31.214) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beauty-with-irises-japan-19th-century-prints-woodcuts-color-woodbk-print-image-14-316-x-9-1316-in-360-x-249-cm-sheet-14-1516-x-10-516-in-379-x-262-cm-herbert-r-cole-collection-m8431214-japanese-art-19th-century-date-qsp5711850-00-00t000000z7-image256926007.html The Valley of the Shadow of Death, Roger Fenton (English, 1819 - 1869), 1855, Salted paper print, 26.5 x 36 cm (10 7/16 x 14 3/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. The Valley of the Shadow of Death, Roger Fenton (English, 1819 - 1869), 1855, Salted paper print, 26.5 x 36 cm (10 7/16 x 14 3/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-valley-of-the-shadow-of-death-roger-fenton-english-1819-1869-1855-salted-paper-print-265-x-36-cm-10-716-x-14-316-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349903438.html . English: Robert S. Duncanson, American, 1821–1872 Untitled (Landscape), late 1850s Oil on canvas 61 x 66 cm. (24 x 26 in.) frame: 92.3 × 120.5 × 7.5 cm. (36 5/16 × 47 7/16 × 2 15/16 in.) Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art and Mary Trumbull Adams Art Fund 2011-107 . late 1850s 6 1850s, Duncanson, Robert S., Untitled (Landscape) . English: Robert S. Duncanson, American, 1821–1872 Untitled (Landscape), late 1850s Oil on canvas 61 x 66 cm. (24 x 26 in.) frame: 92.3 × 120.5 × 7.5 cm. (36 5/16 × 47 7/16 × 2 15/16 in.) Museum purchase, Kathleen Compton Sherrerd Fund for Acquisitions in American Art and Mary Trumbull Adams Art Fund 2011-107 . late 1850s 6 1850s, Duncanson, Robert S., Untitled (Landscape)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-robert-s-duncanson-american-18211872-untitled-landscape-late-1850s-oil-on-canvas-61-x-66-cm-24-x-26-in-frame-923-1205-75-cm-36-516-47-716-2-1516-in-museum-purchase-kathleen-compton-sherrerd-fund-for-acquisitions-in-american-art-and-mary-trumbull-adams-art-fund-2011-107-late-1850s-6-1850s-duncanson-robert-s-untitled-landscape-image188835170.html 'Preparatory Drawings for Illustrations of Melodramas; English: Japan, 19th century Drawings Ink on paper Image: 10 3/16 x 14 1/2 in. (25.9 x 36.8 cm); Paper: 10 1/2 x 14 9/16 in. (26.6 x 37.0 cm) Herbert R. Cole Collection (M.84.31.284) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; ' 'Preparatory Drawings for Illustrations of Melodramas; English: Japan, 19th century Drawings Ink on paper Image: 10 3/16 x 14 1/2 in. (25.9 x 36.8 cm); Paper: 10 1/2 x 14 9/16 in. (26.6 x 37.0 cm) Herbert R. Cole Collection (M.84.31.284) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/preparatory-drawings-for-illustrations-of-melodramas-english-japan-19th-century-drawings-ink-on-paper-image-10-316-x-14-12-in-259-x-368-cm-paper-10-12-x-14-916-in-266-x-370-cm-herbert-r-cole-collection-m8431284-japanese-art-19th-century-date-qsp5711850-00-00t000000z7-image349808002.html . English: Series Title: Geneology of Vishnu Suite Name: Harivamsha Display Artist: Purkhu Creation Date: ca. 1810 Display Dimensions: 14 3/16 in. x 18 25/32 in. (36 cm x 47.7 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1302 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 26 April 2002, 11:35:47. 776 Krishna with his army within a walled city (6124593881) . English: Series Title: Geneology of Vishnu Suite Name: Harivamsha Display Artist: Purkhu Creation Date: ca. 1810 Display Dimensions: 14 3/16 in. x 18 25/32 in. (36 cm x 47.7 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1302 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 26 April 2002, 11:35:47. 776 Krishna with his army within a walled city (6124593881)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-series-title-geneology-of-vishnu-suite-name-harivamsha-display-artist-purkhu-creation-date-ca-1810-display-dimensions-14-316-in-x-18-2532-in-36-cm-x-477-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901302-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-26-april-2002-113547-776-krishna-with-his-army-within-a-walled-city-6124593881-image185550562.html At Least Be Discreet, 1789. Augustin de Saint-Aubin (French, 1736-1807). Etching and engraving; sheet: 38.5 x 27.9 cm (15 3/16 x 11 in.); platemark: 36.6 x 26.6 cm (14 7/16 x 10 1/2 in At Least Be Discreet, 1789. Augustin de Saint-Aubin (French, 1736-1807). Etching and engraving; sheet: 38.5 x 27.9 cm (15 3/16 x 11 in.); platemark: 36.6 x 26.6 cm (14 7/16 x 10 1/2 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/at-least-be-discreet-1789-augustin-de-saint-aubin-french-1736-1807-etching-and-engraving-sheet-385-x-279-cm-15-316-x-11-in-platemark-366-x-266-cm-14-716-x-10-12-in-image240490343.html Designs for Chair and Window Seats. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 10 1/2 x 14 5/16 in. (26.7 x 36.3 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA. Designs for Chair and Window Seats. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 10 1/2 x 14 5/16 in. (26.7 x 36.3 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/designs-for-chair-and-window-seats-artist-charles-hindley-and-sons-british-london-1841-1917-london-dimensions-sheet-10-12-x-14-516-in-267-x-363-cm-date-1841-84-museum-metropolitan-museum-of-art-new-york-usa-image212875276.html Saule, Saule, quid me persequeris?. Author Du Bosc, Claude 23.36.m.1. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [between 1715 and 1730] Item type: 1 print Medium: etching and engraving printed in dark red from two plates Dimensions: platemarks 37 x 26.3 and 6.7 x 26.3 cm, on sheet 44.3 x 27.6 cm Former owner: George III, King of Great Britain, 1738-1820 Saule, Saule, quid me persequeris?. Author Du Bosc, Claude 23.36.m.1. Place of publication: [London] Publisher: [publisher not identified] Date of publication: [between 1715 and 1730] Item type: 1 print Medium: etching and engraving printed in dark red from two plates Dimensions: platemarks 37 x 26.3 and 6.7 x 26.3 cm, on sheet 44.3 x 27.6 cm Former owner: George III, King of Great Britain, 1738-1820https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saule-saule-quid-me-persequeris-author-du-bosc-claude-2336m1-place-of-publication-london-publisher-publisher-not-identified-date-of-publication-between-1715-and-1730-item-type-1-print-medium-etching-and-engraving-printed-in-dark-red-from-two-plates-dimensions-platemarks-37-x-263-and-67-x-263-cm-on-sheet-443-x-276-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401756348.html Portrait of Louis XV. Artist: Gilles Jacques Petit (active Paris, 18th century); Artist: After Jean Étienne Liotard (Swiss, Geneva 1702-1789 Geneva); Portrait of Louis XV. Artist: Gilles Jacques Petit (active Paris, 18th century); Artist: After Jean Étienne Liotard (Swiss, Geneva 1702-1789 Geneva);https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-louis-xv-artist-gilles-jacques-petit-active-paris-18th-century-artist-after-jean-tienne-liotard-swiss-geneva-1702-1789-geneva-image276051348.html From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821502 383012 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Author: Illustrates Edmund Spenser, British, London 1552??1599 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm) sheet: 8 5/8 x 11 1/2 in. (21.9 x 29.2 cm). The Metro From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821502 383012 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Author: Illustrates Edmund Spenser, British, London 1552??1599 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm) sheet: 8 5/8 x 11 1/2 in. (21.9 x 29.2 cm). The Metrohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-met-dp821502-168354293.html Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso). Artist: Anonymous, Italian, Florentine, 16th century; Date: 16th Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso). Artist: Anonymous, Italian, Florentine, 16th century; Date: 16thhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-two-women-with-sun-and-bird-recto-two-men-fighting-and-a-fallen-horse-168246993.html Preparatory Drawings for Illustrations of Melodramas; Japan, 19th century Drawings Ink on paper Image: 10 3/16 x 14 1/2 in. (25.9 x 36.8 cm); Paper: 10 1/2 x 14 9/16 in. (26.6 x 37.0 cm) Herbert R. Cole Collection (M.84.31.284) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; Preparatory Drawings for Illustrations of Melodramas; Japan, 19th century Drawings Ink on paper Image: 10 3/16 x 14 1/2 in. (25.9 x 36.8 cm); Paper: 10 1/2 x 14 9/16 in. (26.6 x 37.0 cm) Herbert R. Cole Collection (M.84.31.284) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/preparatory-drawings-for-illustrations-of-melodramas-japan-19th-century-drawings-ink-on-paper-image-10-316-x-14-12-in-259-x-368-cm-paper-10-12-x-14-916-in-266-x-370-cm-herbert-r-cole-collection-m8431284-japanese-art-19th-century-date-qsp5711850-00-00t000000z7-image257189828.html Allegorical Group with the Bust of an Architect, Unknown maker, possibly Belgian, France, 1780 - 1800, Terracotta, 67 x 41.8 x 36.5 cm (26 3/8 x 16 7/16 x 14 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Allegorical Group with the Bust of an Architect, Unknown maker, possibly Belgian, France, 1780 - 1800, Terracotta, 67 x 41.8 x 36.5 cm (26 3/8 x 16 7/16 x 14 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-group-with-the-bust-of-an-architect-unknown-maker-possibly-belgian-france-1780-1800-terracotta-67-x-418-x-365-cm-26-38-x-16-716-x-14-38-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349920927.html 'Hayano Kanpei and the Farmer Yoichi; English: Japan, 19th century Prints; woodcuts Color woodblock print Image: 14 3/8 x 9 15/16 in. (36.6 x 25.3 cm); Paper: 14 13/16 x 10 1/4 in. (37.6 x 26.1 cm) Gift of Mr. and Mrs. Felix Juda (M.73.37.603) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; ' 'Hayano Kanpei and the Farmer Yoichi; English: Japan, 19th century Prints; woodcuts Color woodblock print Image: 14 3/8 x 9 15/16 in. (36.6 x 25.3 cm); Paper: 14 13/16 x 10 1/4 in. (37.6 x 26.1 cm) Gift of Mr. and Mrs. Felix Juda (M.73.37.603) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hayano-kanpei-and-the-farmer-yoichi-english-japan-19th-century-prints-woodcuts-color-woodblock-print-image-14-38-x-9-1516-in-366-x-253-cm-paper-14-1316-x-10-14-in-376-x-261-cm-gift-of-mr-and-mrs-felix-juda-m7337603-japanese-art-19th-century-date-qsp5711850-00-00t000000z7-image349573467.html Painting; oil on canvas; overall: 83.7 x 68.5 cm (32 15/16 x 26 15/16 in.) framed: 93.3 x 78.1 x 7.6 cm (36 3/4 x 30 3/4 x 3 in.); 12 Jane Storm Teller A28062 Painting; oil on canvas; overall: 83.7 x 68.5 cm (32 15/16 x 26 15/16 in.) framed: 93.3 x 78.1 x 7.6 cm (36 3/4 x 30 3/4 x 3 in.); 12 Jane Storm Teller A28062https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-837-x-685-cm-32-1516-x-26-1516-in-framed-933-x-781-x-76-cm-36-34-x-30-34-x-3-in-12-jane-storm-teller-a28062-image206560789.html Mt. Qingbian, 1617. Dong Qichang (Chinese, 1555-1636). Hanging scroll, ink on paper; painting: 225 x 67.6 cm (88 9/16 x 26 5/8 in.); overall: 355 x 92.7 cm (139 3/4 x 36 1/2 in Mt. Qingbian, 1617. Dong Qichang (Chinese, 1555-1636). Hanging scroll, ink on paper; painting: 225 x 67.6 cm (88 9/16 x 26 5/8 in.); overall: 355 x 92.7 cm (139 3/4 x 36 1/2 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mt-qingbian-1617-dong-qichang-chinese-1555-1636-hanging-scroll-ink-on-paper-painting-225-x-676-cm-88-916-x-26-58-in-overall-355-x-927-cm-139-34-x-36-12-in-image240451729.html Portrait of Frau von Oppen and Her Two Daughters. Artist: Johann Gottfried Schadow (German, Berlin 1764-1850 Berlin). Dimensions: sheet: 10 7/16 x 14 3/8 in. (26.5 x 36.5 cm). Date: 1835. Museum: Metropolitan Museum of Art, New York, USA. Portrait of Frau von Oppen and Her Two Daughters. Artist: Johann Gottfried Schadow (German, Berlin 1764-1850 Berlin). Dimensions: sheet: 10 7/16 x 14 3/8 in. (26.5 x 36.5 cm). Date: 1835. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-frau-von-oppen-and-her-two-daughters-artist-johann-gottfried-schadow-german-berlin-1764-1850-berlin-dimensions-sheet-10-716-x-14-38-in-265-x-365-cm-date-1835-museum-metropolitan-museum-of-art-new-york-usa-image213152758.html NO3 A VIEW in ST JAMES'S PARK of the HORSE GUARDS & ST PAULS Author SchuÃàtz, Heinrich Joseph 26.7.e. Place of publication: London Publisher: Publish'd Jan 1 1798 at Ackermann's Gallery No 101 Strand, Date of publication: [January 1 1798] Item type: 1 print Medium: etching and aquatint with hand-colouring Dimensions: plate 36.3 x 44.1 cm (cut to within plate mark on lower edge), on sheet 37.9 x 51.4 cm Former owner: George III, King of Great Britain, 1738-1820 NO3 A VIEW in ST JAMES'S PARK of the HORSE GUARDS & ST PAULS Author SchuÃàtz, Heinrich Joseph 26.7.e. Place of publication: London Publisher: Publish'd Jan 1 1798 at Ackermann's Gallery No 101 Strand, Date of publication: [January 1 1798] Item type: 1 print Medium: etching and aquatint with hand-colouring Dimensions: plate 36.3 x 44.1 cm (cut to within plate mark on lower edge), on sheet 37.9 x 51.4 cm Former owner: George III, King of Great Britain, 1738-1820https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no3-a-view-in-st-jamess-park-of-the-horse-guards-st-pauls-author-schutz-heinrich-joseph-267e-place-of-publication-london-publisher-publishd-jan-1-1798-at-ackermanns-gallery-no-101-strand-date-of-publication-january-1-1798-item-type-1-print-medium-etching-and-aquatint-with-hand-colouring-dimensions-plate-363-x-441-cm-cut-to-within-plate-mark-on-lower-edge-on-sheet-379-x-514-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401757195.html From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821398 383011 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 5/16 x 23 in. (21.1 x 58.4 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Bechtel, 195 From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821398 383011 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 5/16 x 23 in. (21.1 x 58.4 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Bechtel, 195https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-met-dp821398-168497195.html Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso). Artist: Anonymous, Italian, Florentine, 16th century; Date: 16th Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso). Artist: Anonymous, Italian, Florentine, 16th century; Date: 16thhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-women-with-sun-and-bird-recto-two-men-fighting-and-a-fallen-horse-verso-artist-anonymous-italian-florentine-16th-century-date-16th-image281846621.html New England Hotel, Broadway, Adjoining Trinity Church Yard, New York. Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812-1876 New England Hotel, Broadway, Adjoining Trinity Church Yard, New York. Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812-1876https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-new-england-hotel-broadway-adjoining-trinity-church-yard-new-york-168318635.html Hayano Kanpei and the Farmer Yoichi; Japan, 19th century Prints; woodcuts Color woodbk print Image: 14 3/8 x 9 15/16 in. (36.6 x 25.3 cm); Paper: 14 13/16 x 10 1/4 in. (37.6 x 26.1 cm) Gift of Mr. and Mrs. Felix Juda (M.73.37.603) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; Hayano Kanpei and the Farmer Yoichi; Japan, 19th century Prints; woodcuts Color woodbk print Image: 14 3/8 x 9 15/16 in. (36.6 x 25.3 cm); Paper: 14 13/16 x 10 1/4 in. (37.6 x 26.1 cm) Gift of Mr. and Mrs. Felix Juda (M.73.37.603) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hayano-kanpei-and-the-farmer-yoichi-japan-19th-century-prints-woodcuts-color-woodbk-print-image-14-38-x-9-1516-in-366-x-253-cm-paper-14-1316-x-10-14-in-376-x-261-cm-gift-of-mr-and-mrs-felix-juda-m7337603-japanese-art-19th-century-date-qsp5711850-00-00t000000z7-image257047008.html Allegorical Group with the Bust of an Architect, possibly Belgian, France, 1780 - 1800, Terracotta, 67 x 41.8 x 36.5 reimagined Allegorical Group with the Bust of an Architect, possibly Belgian, France, 1780 - 1800, Terracotta, 67 x 41.8 x 36.5 reimaginedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegorical-group-with-the-bust-of-an-architect-possibly-belgian-france-1780-1800-terracotta-67-x-418-x-365-reimagined-image230234939.html 'Illustrations for a Confucian Text (image 2 of 3); English: Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodblock print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797; ' 'Illustrations for a Confucian Text (image 2 of 3); English: Korea, Korean, Joseon dynasty (1392-1910), dated 1797 Prints; woodcuts Woodblock print, ink on paper Image: 8 3/4 x 22 7/8 in. (22.23 x 58.1 cm); Mount: 12 5/8 x 26 1/8 in. (32.07 x 66.36 cm) Gift of Hong Seok Kim (M.82.215.6) Korean Art; Dated 1797; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustrations-for-a-confucian-text-image-2-of-3-english-korea-korean-joseon-dynasty-1392-1910-dated-1797-prints-woodcuts-woodblock-print-ink-on-paper-image-8-34-x-22-78-in-2223-x-581-cm-mount-12-58-x-26-18-in-3207-x-6636-cm-gift-of-hong-seok-kim-m822156-korean-art-dated-1797-image349626250.html . Lady in a Mob Cap Painting; oil on canvas; overall: 36.5 x 26.7 cm (14 3/8 x 10 1/2 in.) framed: 45.7 x 36.2 x 3.4 cm (18 x 14 1/4 x 1 5/16 in.); Greenleaf mob cap . Lady in a Mob Cap Painting; oil on canvas; overall: 36.5 x 26.7 cm (14 3/8 x 10 1/2 in.) framed: 45.7 x 36.2 x 3.4 cm (18 x 14 1/4 x 1 5/16 in.); Greenleaf mob caphttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-in-a-mob-cap-painting-oil-on-canvas-overall-365-x-267-cm-14-38-x-10-12-in-framed-457-x-362-x-34-cm-18-x-14-14-x-1-516-in-greenleaf-mob-cap-image184997149.html Etchings of Paris: The Little Bridge, 1850. Charles Meryon (French, 1821-1868). Etching and engraving; sheet: 36.7 x 26.9 cm (14 7/16 x 10 9/16 in.); platemark: 26 x 18.7 cm (10 1/4 x 7 3/8 in Etchings of Paris: The Little Bridge, 1850. Charles Meryon (French, 1821-1868). Etching and engraving; sheet: 36.7 x 26.9 cm (14 7/16 x 10 9/16 in.); platemark: 26 x 18.7 cm (10 1/4 x 7 3/8 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/etchings-of-paris-the-little-bridge-1850-charles-meryon-french-1821-1868-etching-and-engraving-sheet-367-x-269-cm-14-716-x-10-916-in-platemark-26-x-187-cm-10-14-x-7-38-in-image240420871.html Design for Twin Beds with a Canopy. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 14 7/16 x 10 3/8 in. (36.6 x 26.3 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA. Design for Twin Beds with a Canopy. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 14 7/16 x 10 3/8 in. (36.6 x 26.3 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-twin-beds-with-a-canopy-artist-charles-hindley-and-sons-british-london-1841-1917-london-dimensions-sheet-14-716-x-10-38-in-366-x-263-cm-date-1841-84-museum-metropolitan-museum-of-art-new-york-usa-image213151712.html From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821398 383011 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 5/16 x 23 in. (21.1 x 58.4 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Bechtel, 195 From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) MET DP821398 383011 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Thomas Hodgetts, British, active 1801?46, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm) sheet: 8 5/16 x 23 in. (21.1 x 58.4 cm). The Metropolitan Museum of Art, New York. Gift of Edwin De T. Bechtel, 195https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-from-spensers-fairy-queen-liber-studiorum-part-vii-plate-36-met-dp821398-168354254.html New England Hotel, Broadway, Adjoining Trinity Church Yard, New York. Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812-1876 New England Hotel, Broadway, Adjoining Trinity Church Yard, New York. Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812-1876https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-england-hotel-broadway-adjoining-trinity-church-yard-new-york-artist-frances-flora-bond-palmer-american-born-england-leicester-1812-1876-image278177553.html Costumes de Différents Pays, 'Hongrois'; France, circa 1797 Prints; engravings Hand-tinted engraving on paper Sheet: 10 3/8 x 7 3/4 in. (26.36 x 19.69 cm); Composition: 8 3/8 x 6 in. (21.28 x 15.24 cm) Costume Council Fund (M.83.190.138) Costume and Textiles; circa 1797 date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902; Costumes de Différents Pays, 'Hongrois'; France, circa 1797 Prints; engravings Hand-tinted engraving on paper Sheet: 10 3/8 x 7 3/4 in. (26.36 x 19.69 cm); Composition: 8 3/8 x 6 in. (21.28 x 15.24 cm) Costume Council Fund (M.83.190.138) Costume and Textiles; circa 1797 date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costumes-de-diffrents-pays-hongrois-france-circa-1797-prints-engravings-hand-tinted-engraving-on-paper-sheet-10-38-x-7-34-in-2636-x-1969-cm-composition-8-38-x-6-in-2128-x-1524-cm-costume-council-fund-m83190138-costume-and-textiles-circa-1797-date-qsp5711797-00-00t000000z9p1480q5727902-image256963081.html Dish. Date: 1750-75; Geography: Made in West Yorkshire, Leeds, England; Culture: British; Medium: Earthenware; Dimensions: 1 7/8 x 10 3/8 x 7 7/8 in. Dish. Date: 1750-75; Geography: Made in West Yorkshire, Leeds, England; Culture: British; Medium: Earthenware; Dimensions: 1 7/8 x 10 3/8 x 7 7/8 in.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dish-date-1750-75-geography-made-in-west-yorkshire-leeds-england-culture-168123541.html Armchair (one of a pair), Nicolas-Quinibert Foliot (French, 1706 - 1776), Paris, France, 1762, Beech, modern silk reimagined Armchair (one of a pair), Nicolas-Quinibert Foliot (French, 1706 - 1776), Paris, France, 1762, Beech, modern silk reimaginedhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armchair-one-of-a-pair-nicolas-quinibert-foliot-french-1706-1776-paris-france-1762-beech-modern-silk-reimagined-image230227393.html 'Beauty in Wind: Totto yakutae; English: Japan, 1852, 12th month Series: Excellances of Mountain and Sea Illustrated Prints; woodcuts Color woodblock print Image: 14 3/8 x 9 15/16 in. (36.51 x 25.24 cm); Sheet: 14 7/8 x 10 1/4 in. (37.78 x 26.04 cm) Gift of George T. and Margaret W. Romani (M.2000.42.19) Japanese Art; 12th month; ' 'Beauty in Wind: Totto yakutae; English: Japan, 1852, 12th month Series: Excellances of Mountain and Sea Illustrated Prints; woodcuts Color woodblock print Image: 14 3/8 x 9 15/16 in. (36.51 x 25.24 cm); Sheet: 14 7/8 x 10 1/4 in. (37.78 x 26.04 cm) Gift of George T. and Margaret W. Romani (M.2000.42.19) Japanese Art; 12th month; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beauty-in-wind-totto-yakutae-english-japan-1852-12th-month-series-excellances-of-mountain-and-sea-illustrated-prints-woodcuts-color-woodblock-print-image-14-38-x-9-1516-in-3651-x-2524-cm-sheet-14-78-x-10-14-in-3778-x-2604-cm-gift-of-george-t-and-margaret-w-romani-m20004219-japanese-art-12th-month-image349345703.html Painting; oil on canvas; overall: 92.7 x 76.8 cm (36 1/2 x 30 1/4 in.) framed: 110.8 x 94.3 x 6.4 cm (43 5/8 x 37 1/8 x 2 1/2 in.); 26 Childe Hassam - Allies Day Painting; oil on canvas; overall: 92.7 x 76.8 cm (36 1/2 x 30 1/4 in.) framed: 110.8 x 94.3 x 6.4 cm (43 5/8 x 37 1/8 x 2 1/2 in.); 26 Childe Hassam - Allies Dayhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-canvas-overall-927-x-768-cm-36-12-x-30-14-in-framed-1108-x-943-x-64-cm-43-58-x-37-18-x-2-12-in-26-childe-hassam-allies-day-image210942795.html Arch of Constantine, Rome, c. 1858. James Anderson (British, 1813-1877). Albumen print from wet collodion negative; image: 27.7 x 36.5 cm (10 7/8 x 14 3/8 in.); matted: 55.9 x 66 cm (22 x 26 in Arch of Constantine, Rome, c. 1858. James Anderson (British, 1813-1877). Albumen print from wet collodion negative; image: 27.7 x 36.5 cm (10 7/8 x 14 3/8 in.); matted: 55.9 x 66 cm (22 x 26 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arch-of-constantine-rome-c-1858-james-anderson-british-1813-1877-albumen-print-from-wet-collodion-negative-image-277-x-365-cm-10-78-x-14-38-in-matted-559-x-66-cm-22-x-26-in-image240473418.html Courtesan, early 1700s. Kaigetsudo Doshin (Japanese). Hanging scroll, ink and color on paper; painting only: 91.7 x 46 cm (36 1/8 x 18 1/8 in.); including mounting: 170.2 x 67.3 cm (67 x 26 1/2 in Courtesan, early 1700s. Kaigetsudo Doshin (Japanese). Hanging scroll, ink and color on paper; painting only: 91.7 x 46 cm (36 1/8 x 18 1/8 in.); including mounting: 170.2 x 67.3 cm (67 x 26 1/2 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/courtesan-early-1700s-kaigetsudo-doshin-japanese-hanging-scroll-ink-and-color-on-paper-painting-only-917-x-46-cm-36-18-x-18-18-in-including-mounting-1702-x-673-cm-67-x-26-12-in-image240373765.html Design for a Fireplace and Mirror. Artist: Charles Hindley and Sons (British, London 1841-1917 London); Engravings from the pencil of Lady Diana Beauclerk (British, 1734-1808). Dimensions: sheet: 14 3/8 x 10 1/2 in. (36.5 x 26.7 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA. Design for a Fireplace and Mirror. Artist: Charles Hindley and Sons (British, London 1841-1917 London); Engravings from the pencil of Lady Diana Beauclerk (British, 1734-1808). Dimensions: sheet: 14 3/8 x 10 1/2 in. (36.5 x 26.7 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-fireplace-and-mirror-artist-charles-hindley-and-sons-british-london-1841-1917-london-engravings-from-the-pencil-of-lady-diana-beauclerk-british-1734-1808-dimensions-sheet-14-38-x-10-12-in-365-x-267-cm-date-1841-84-museum-metropolitan-museum-of-art-new-york-usa-image213109270.html James McNeill Whistler, (artist), American, 1834 - 1903, The Steamboat, Venice, 1879/1880, etching, plate: 26.4 x 18.6 cm (10 3/8 x 7 5/16 in.), sheet: 36.7 x 23.1 cm (14 7/16 x 9 1/8 in James McNeill Whistler, (artist), American, 1834 - 1903, The Steamboat, Venice, 1879/1880, etching, plate: 26.4 x 18.6 cm (10 3/8 x 7 5/16 in.), sheet: 36.7 x 23.1 cm (14 7/16 x 9 1/8 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-mcneill-whistler-artist-american-1834-1903-the-steamboat-venice-18791880-etching-plate-264-x-186-cm-10-38-x-7-516-in-sheet-367-x-231-cm-14-716-x-9-18-in-image386350401.html You May Count on Me, 1789. Augustin de Saint-Aubin (French, 1736-1807). Etching and engraving; sheet: 38.5 x 27.8 cm (15 3/16 x 10 15/16 in.); platemark: 36.5 x 26.5 cm (14 3/8 x 10 7/16 in You May Count on Me, 1789. Augustin de Saint-Aubin (French, 1736-1807). Etching and engraving; sheet: 38.5 x 27.8 cm (15 3/16 x 10 15/16 in.); platemark: 36.5 x 26.5 cm (14 3/8 x 10 7/16 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/you-may-count-on-me-1789-augustin-de-saint-aubin-french-1736-1807-etching-and-engraving-sheet-385-x-278-cm-15-316-x-10-1516-in-platemark-365-x-265-cm-14-38-x-10-716-in-image240490348.html Sailboat on Blue Water; Japan, 19th century Series: One Hundred Poets Prints; woodcuts Color woodbk print, reproduction Image: 10 5/8 x 14 3/8 in. (26.2 x 36.6 cm); Paper: 10 5/8 x 14 3/8 in. (26.2 x 36.6 cm) Gift of N.J. Sargent (16.16.11) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; Sailboat on Blue Water; Japan, 19th century Series: One Hundred Poets Prints; woodcuts Color woodbk print, reproduction Image: 10 5/8 x 14 3/8 in. (26.2 x 36.6 cm); Paper: 10 5/8 x 14 3/8 in. (26.2 x 36.6 cm) Gift of N.J. Sargent (16.16.11) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sailboat-on-blue-water-japan-19th-century-series-one-hundred-poets-prints-woodcuts-color-woodbk-print-reproduction-image-10-58-x-14-38-in-262-x-366-cm-paper-10-58-x-14-38-in-262-x-366-cm-gift-of-nj-sargent-161611-japanese-art-19th-century-date-qsp5711850-00-00t000000z7-image257209501.html Dish. Date: 1750-75; Geography: Made in West Yorkshire, Leeds, England; Culture: British; Medium: Earthenware; Dimensions: 1 7/8 x 10 3/8 x 7 7/8 in. Dish. Date: 1750-75; Geography: Made in West Yorkshire, Leeds, England; Culture: British; Medium: Earthenware; Dimensions: 1 7/8 x 10 3/8 x 7 7/8 in.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-date-1750-75-geography-made-in-west-yorkshire-leeds-england-culture-british-medium-earthenware-dimensions-1-78-x-10-38-x-7-78-in-image279562656.html 'Sailboat on Blue Water; English: Japan, 19th century Series: One Hundred Poets Prints; woodcuts Color woodblock print, reproduction Image: 10 5/8 x 14 3/8 in. (26.2 x 36.6 cm); Paper: 10 5/8 x 14 3/8 in. (26.2 x 36.6 cm) Gift of N.J. Sargent (16.16.11) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; ' 'Sailboat on Blue Water; English: Japan, 19th century Series: One Hundred Poets Prints; woodcuts Color woodblock print, reproduction Image: 10 5/8 x 14 3/8 in. (26.2 x 36.6 cm); Paper: 10 5/8 x 14 3/8 in. (26.2 x 36.6 cm) Gift of N.J. Sargent (16.16.11) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sailboat-on-blue-water-english-japan-19th-century-series-one-hundred-poets-prints-woodcuts-color-woodblock-print-reproduction-image-10-58-x-14-38-in-262-x-366-cm-paper-10-58-x-14-38-in-262-x-366-cm-gift-of-nj-sargent-161611-japanese-art-19th-century-date-qsp5711850-00-00t000000z7-image349835726.html Painting; oil on poplar panel; overall: 84.8 x 68.3 cm (33 3/8 x 26 7/8 in.) framed: 107.8 x 92.6 x 9.8 cm (42 7/16 x 36 7/16 x 3 7/8 in.); Carpaccio - Madonna e bambino - National Gallery of Art Washington Painting; oil on poplar panel; overall: 84.8 x 68.3 cm (33 3/8 x 26 7/8 in.) framed: 107.8 x 92.6 x 9.8 cm (42 7/16 x 36 7/16 x 3 7/8 in.); Carpaccio - Madonna e bambino - National Gallery of Art Washingtonhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-oil-on-poplar-panel-overall-848-x-683-cm-33-38-x-26-78-in-framed-1078-x-926-x-98-cm-42-716-x-36-716-x-3-78-in-carpaccio-madonna-e-bambino-national-gallery-of-art-washington-image184943649.html . English: Display Artist: Nidha Mal Creation Date: ca. 1730 Display Dimensions: 4 7/8 in. x 3 11/32 in. (12.4 cm x 8.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.376 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 2 October 2001, 15:36:26. English: thesandiegomuseumofartcollection Emperor Muhammad Shah at a window, holding an emerald and the mouthpiece of a ho (6125078792) . English: Display Artist: Nidha Mal Creation Date: ca. 1730 Display Dimensions: 4 7/8 in. x 3 11/32 in. (12.4 cm x 8.5 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.376 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 2 October 2001, 15:36:26. English: thesandiegomuseumofartcollection Emperor Muhammad Shah at a window, holding an emerald and the mouthpiece of a ho (6125078792)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-display-artist-nidha-mal-creation-date-ca-1730-display-dimensions-4-78-in-x-3-1132-in-124-cm-x-85-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990376-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-2-october-2001-153626-english-thesandiegomuseumofartcollection-emperor-muhammad-shah-at-a-window-holding-an-emerald-and-the-mouthpiece-of-a-ho-6125078792-image184772632.html The Arrival in Bethlehem. Artist: Attributed to Master LC (Netherlandish, active second quarter 16th century). Dimensions: 26 1/2 x 36 7/8 in. (67.3 x 93.7 cm). Date: ca. 1540. The development of landscape painting as an independent genre advances in this picture beyond the works of Patinir, since the religious narrative is more fully integrated into the extensive landscape. The viewer is invited to travel along with Joseph and Mary, who set out on their journey at the lower left. Farther along their way they are shown in the village, at an inn where they are refused entry. At the far right t The Arrival in Bethlehem. Artist: Attributed to Master LC (Netherlandish, active second quarter 16th century). Dimensions: 26 1/2 x 36 7/8 in. (67.3 x 93.7 cm). Date: ca. 1540. The development of landscape painting as an independent genre advances in this picture beyond the works of Patinir, since the religious narrative is more fully integrated into the extensive landscape. The viewer is invited to travel along with Joseph and Mary, who set out on their journey at the lower left. Farther along their way they are shown in the village, at an inn where they are refused entry. At the far right thttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-arrival-in-bethlehem-artist-attributed-to-master-lc-netherlandish-active-second-quarter-16th-century-dimensions-26-12-x-36-78-in-673-x-937-cm-date-ca-1540-the-development-of-landscape-painting-as-an-independent-genre-advances-in-this-picture-beyond-the-works-of-patinir-since-the-religious-narrative-is-more-fully-integrated-into-the-extensive-landscape-the-viewer-is-invited-to-travel-along-with-joseph-and-mary-who-set-out-on-their-journey-at-the-lower-left-farther-along-their-way-they-are-shown-in-the-village-at-an-inn-where-they-are-refused-entry-at-the-far-right-t-image213109898.html At Least Be Discreet and You May Count on Me (pair), 1789. Augustin de Saint-Aubin (French, 1736-1807). Etching and engraving; sheet: 38.5 x 27.9 cm (15 3/16 x 11 in.); platemark: 36.6 x 26.6 cm (14 7/16 x 10 1/2 in At Least Be Discreet and You May Count on Me (pair), 1789. Augustin de Saint-Aubin (French, 1736-1807). Etching and engraving; sheet: 38.5 x 27.9 cm (15 3/16 x 11 in.); platemark: 36.6 x 26.6 cm (14 7/16 x 10 1/2 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/at-least-be-discreet-and-you-may-count-on-me-pair-1789-augustin-de-saint-aubin-french-1736-1807-etching-and-engraving-sheet-385-x-279-cm-15-316-x-11-in-platemark-366-x-266-cm-14-716-x-10-12-in-image240490351.html Beauty Before a Screen, 1800s. Kawanabe Kyosai (Japanese, 1831-1889). Hanging scroll, ink and color on silk; image: 144.2 x 67.6 cm (56 3/4 x 26 5/8 in.); overall: 233.7 x 92.1 cm (92 x 36 1/4 in Beauty Before a Screen, 1800s. Kawanabe Kyosai (Japanese, 1831-1889). Hanging scroll, ink and color on silk; image: 144.2 x 67.6 cm (56 3/4 x 26 5/8 in.); overall: 233.7 x 92.1 cm (92 x 36 1/4 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beauty-before-a-screen-1800s-kawanabe-kyosai-japanese-1831-1889-hanging-scroll-ink-and-color-on-silk-image-1442-x-676-cm-56-34-x-26-58-in-overall-2337-x-921-cm-92-x-36-14-in-image240459611.html The Village Well, William Simpson, 1823–1899, British, 1864, Watercolor, gouache and graphite on medium, slightly textured, cream, wove paper, Sheet: 10 1/2 x 14 3/8 inches (26.7 x 36.5 cm), architectural subject, genre subject, jewelry, jugs, tree, village, water, well (container component), women, India The Village Well, William Simpson, 1823–1899, British, 1864, Watercolor, gouache and graphite on medium, slightly textured, cream, wove paper, Sheet: 10 1/2 x 14 3/8 inches (26.7 x 36.5 cm), architectural subject, genre subject, jewelry, jugs, tree, village, water, well (container component), women, Indiahttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-village-well-william-simpson-18231899-british-1864-watercolor-gouache-and-graphite-on-medium-slightly-textured-cream-wove-paper-sheet-10-12-x-14-38-inches-267-x-365-cm-architectural-subject-genre-subject-jewelry-jugs-tree-village-water-well-container-component-women-india-image389615831.html The Beach at Deauville, 1864. Eugène Boudin (French, 1824-1898). Oil on wood panel; framed: 45.7 x 36.8 x 3.5 cm (18 x 14 1/2 x 1 3/8 in.); unframed: 34.7 x 26 cm (13 11/16 x 10 1/4 in The Beach at Deauville, 1864. Eugène Boudin (French, 1824-1898). Oil on wood panel; framed: 45.7 x 36.8 x 3.5 cm (18 x 14 1/2 x 1 3/8 in.); unframed: 34.7 x 26 cm (13 11/16 x 10 1/4 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-beach-at-deauville-1864-eugne-boudin-french-1824-1898-oil-on-wood-panel-framed-457-x-368-x-35-cm-18-x-14-12-x-1-38-in-unframed-347-x-26-cm-13-1116-x-10-14-in-image240427587.html Costumes de Différents Pays, 'Hongroise'; France, circa 1797 Prints; engravings Hand-tinted engraving on paper Sheet: 10 3/8 x 7 7/8 in. (26.36 x 20.01 cm); Composition: 8 3/8 x 6 in. (21.28 x 15.24 cm) Costume Council Fund (M.83.190.139) Costume and Textiles; circa 1797 date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902; Costumes de Différents Pays, 'Hongroise'; France, circa 1797 Prints; engravings Hand-tinted engraving on paper Sheet: 10 3/8 x 7 7/8 in. (26.36 x 20.01 cm); Composition: 8 3/8 x 6 in. (21.28 x 15.24 cm) Costume Council Fund (M.83.190.139) Costume and Textiles; circa 1797 date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costumes-de-diffrents-pays-hongroise-france-circa-1797-prints-engravings-hand-tinted-engraving-on-paper-sheet-10-38-x-7-78-in-2636-x-2001-cm-composition-8-38-x-6-in-2128-x-1524-cm-costume-council-fund-m83190139-costume-and-textiles-circa-1797-date-qsp5711797-00-00t000000z9p1480q5727902-image256963105.html Barbier. Émile, Alphonse. 36 ans, né à Paris. Peintre en bâtiment. Anarchiste. 26/2/94. Artist: Alphonse Bertillon (French, 1853-1914); Date: 1894; Barbier. Émile, Alphonse. 36 ans, né à Paris. Peintre en bâtiment. Anarchiste. 26/2/94. Artist: Alphonse Bertillon (French, 1853-1914); Date: 1894;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-barbier-mile-alphonse-36-ans-n-paris-peintre-en-btiment-anarchiste-168235158.html 'Lady with Falcon Leading a Horse; English: India, Rajasthan, Ajmer, 1700-1725 Drawings; watercolors Opaque watercolor and gold on paper Sheet: 8 1/4 x 11 1/2 in. (20.96 x 29.21 cm); Image: 7 1/4 x 10 3/8 in. (18.42 x 26.35 cm) From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.83.105.36) South and Southeast Asian Art; between 1700 and 1725 date QS:P571,+1750-00-00T00:00:00Z/7,P1319,+1700-00-00T00:00:00Z/9,P1326,+1725-00-00T00:00:00Z/9; ' 'Lady with Falcon Leading a Horse; English: India, Rajasthan, Ajmer, 1700-1725 Drawings; watercolors Opaque watercolor and gold on paper Sheet: 8 1/4 x 11 1/2 in. (20.96 x 29.21 cm); Image: 7 1/4 x 10 3/8 in. (18.42 x 26.35 cm) From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.83.105.36) South and Southeast Asian Art; between 1700 and 1725 date QS:P571,+1750-00-00T00:00:00Z/7,P1319,+1700-00-00T00:00:00Z/9,P1326,+1725-00-00T00:00:00Z/9; 'https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-with-falcon-leading-a-horse-english-india-rajasthan-ajmer-1700-1725-drawings-watercolors-opaque-watercolor-and-gold-on-paper-sheet-8-14-x-11-12-in-2096-x-2921-cm-image-7-14-x-10-38-in-1842-x-2635-cm-from-the-nasli-and-alice-heeramaneck-collection-museum-associates-purchase-m8310536-south-and-southeast-asian-art-between-1700-and-1725-date-qsp5711750-00-00t000000z7p13191700-00-00t000000z9p13261725-00-00t000000z9-image349693523.html The Final Outing (from The Old Tales). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Author: Jean Goudezki (French, 1866-1934). Dimensions: image: 10 7/16 x 7 3/16 in. (26.5 x 18.2 cm) sheet: 14 3/16 x 10 13/16 in. (36 x 27.5 cm). Publisher: Edouard Kleinmann (French, active 19th century). Series/Portfolio: Les Vieilles Histoires (The Old Tales). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA. The Final Outing (from The Old Tales). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Author: Jean Goudezki (French, 1866-1934). Dimensions: image: 10 7/16 x 7 3/16 in. (26.5 x 18.2 cm) sheet: 14 3/16 x 10 13/16 in. (36 x 27.5 cm). Publisher: Edouard Kleinmann (French, active 19th century). Series/Portfolio: Les Vieilles Histoires (The Old Tales). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-final-outing-from-the-old-tales-artist-henri-de-toulouse-lautrec-french-albi-1864-1901-saint-andr-du-bois-author-jean-goudezki-french-1866-1934-dimensions-image-10-716-x-7-316-in-265-x-182-cm-sheet-14-316-x-10-1316-in-36-x-275-cm-publisher-edouard-kleinmann-french-active-19th-century-seriesportfolio-les-vieilles-histoires-the-old-tales-date-1893-museum-metropolitan-museum-of-art-new-york-usa-image213399869.html The Goatherd Girl, original impression 1862, printed in 1921. Charles François Daubigny (French, 1817-1878). Cliché-verre; sheet: 36.2 x 28.9 cm (14 1/4 x 11 3/8 in.); platemark: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in The Goatherd Girl, original impression 1862, printed in 1921. Charles François Daubigny (French, 1817-1878). Cliché-verre; sheet: 36.2 x 28.9 cm (14 1/4 x 11 3/8 in.); platemark: 34.4 x 26.7 cm (13 9/16 x 10 1/2 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-goatherd-girl-original-impression-1862-printed-in-1921-charles-franois-daubigny-french-1817-1878-clich-verre-sheet-362-x-289-cm-14-14-x-11-38-in-platemark-344-x-267-cm-13-916-x-10-12-in-image240391041.html Costumes de Différents Pays, 'Hollandaise'; France, circa 1797 Prints; engravings Hand-tinted engraving on paper Sheet: 10 3/8 x 7 3/4 in. (26.36 x 19.69 cm); Composition: 8 3/8 x 6 in. (21.28 x 15.24 cm) Costume Council Fund (M.83.190.87) Costume and Textiles; circa 1797 date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902; Costumes de Différents Pays, 'Hollandaise'; France, circa 1797 Prints; engravings Hand-tinted engraving on paper Sheet: 10 3/8 x 7 3/4 in. (26.36 x 19.69 cm); Composition: 8 3/8 x 6 in. (21.28 x 15.24 cm) Costume Council Fund (M.83.190.87) Costume and Textiles; circa 1797 date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costumes-de-diffrents-pays-hollandaise-france-circa-1797-prints-engravings-hand-tinted-engraving-on-paper-sheet-10-38-x-7-34-in-2636-x-1969-cm-composition-8-38-x-6-in-2128-x-1524-cm-costume-council-fund-m8319087-costume-and-textiles-circa-1797-date-qsp5711797-00-00t000000z9p1480q5727902-image256962980.html Wall Fragment from a Tomb Depicting a Herdsman - First Intermediate Period, Dynasties 9–10 (about 2060–2025 BC) - Egyptian; Sakkara - Artist: Ancient Wall Fragment from a Tomb Depicting a Herdsman - First Intermediate Period, Dynasties 9–10 (about 2060–2025 BC) - Egyptian; Sakkara - Artist: Ancienthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wall-fragment-from-a-tomb-depicting-a-herdsman-first-intermediate-period-dynasties-910-about-20602025-bc-egyptian-sakkara-artist-ancient-image236008099.html 'Recueil des modes de la cour de France, 'Le Ramoneur'; English: France, Paris, 1675-1685 Prints Hand-colored engraving on paper Sheet: 14 3/8 x 9 1/2 in. (36.51 x 24.13 cm); Composition: 10 5/8 x 7 1/2 in. (26.99 x 19.05 cm) Purchased with funds provided by The Eli and Edythe L. Broad Foundation, Mr. and Mrs. H. Tony Oppenheimer, Mr. and Mrs. Reed Oppenheimer, Hal Oppenheimer, Alice and Nahum Lainer, Mr. and Mrs. Gerald Oppenheimer, Ricki and Marvin Ring, Mr. and Mrs. David Sydorick, the Costume Council Fund, and member of the Costume Council (M.2002.57.172) Costume and Textiles; between 1 'Recueil des modes de la cour de France, 'Le Ramoneur'; English: France, Paris, 1675-1685 Prints Hand-colored engraving on paper Sheet: 14 3/8 x 9 1/2 in. (36.51 x 24.13 cm); Composition: 10 5/8 x 7 1/2 in. (26.99 x 19.05 cm) Purchased with funds provided by The Eli and Edythe L. Broad Foundation, Mr. and Mrs. H. Tony Oppenheimer, Mr. and Mrs. Reed Oppenheimer, Hal Oppenheimer, Alice and Nahum Lainer, Mr. and Mrs. Gerald Oppenheimer, Ricki and Marvin Ring, Mr. and Mrs. David Sydorick, the Costume Council Fund, and member of the Costume Council (M.2002.57.172) Costume and Textiles; between 1https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/recueil-des-modes-de-la-cour-de-france-le-ramoneur-english-france-paris-1675-1685-prints-hand-colored-engraving-on-paper-sheet-14-38-x-9-12-in-3651-x-2413-cm-composition-10-58-x-7-12-in-2699-x-1905-cm-purchased-with-funds-provided-by-the-eli-and-edythe-l-broad-foundation-mr-and-mrs-h-tony-oppenheimer-mr-and-mrs-reed-oppenheimer-hal-oppenheimer-alice-and-nahum-lainer-mr-and-mrs-gerald-oppenheimer-ricki-and-marvin-ring-mr-and-mrs-david-sydorick-the-costume-council-fund-and-member-of-the-costume-council-m200257172-costume-and-textiles-between-1-image349820309.html New England Hotel, Broadway, Adjoining Trinity Church Yard, New York. Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812-1876 New York). Dimensions: Image: 10 3/8 x 14 7/16 in. (26.4 x 36.6 cm) Sheet: 12 15/16 x 16 15/16 in. (32.9 x 43.1 cm). Printer: Francis & Seymour Palmer (New York, NY). Date: 1846-49. This view of the five-story New England Hotel shows a large American flag flying from the roof, with the entrance on Broadway, and Trinity Church yard is at left. Carriages, an omnibus, and a cart are shown on the street, and pedestrians on the sidewalk. The proprie New England Hotel, Broadway, Adjoining Trinity Church Yard, New York. Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812-1876 New York). Dimensions: Image: 10 3/8 x 14 7/16 in. (26.4 x 36.6 cm) Sheet: 12 15/16 x 16 15/16 in. (32.9 x 43.1 cm). Printer: Francis & Seymour Palmer (New York, NY). Date: 1846-49. This view of the five-story New England Hotel shows a large American flag flying from the roof, with the entrance on Broadway, and Trinity Church yard is at left. Carriages, an omnibus, and a cart are shown on the street, and pedestrians on the sidewalk. The propriehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-england-hotel-broadway-adjoining-trinity-church-yard-new-york-artist-frances-flora-bond-palmer-american-born-england-leicester-1812-1876-new-york-dimensions-image-10-38-x-14-716-in-264-x-366-cm-sheet-12-1516-x-16-1516-in-329-x-431-cm-printer-francis-seymour-palmer-new-york-ny-date-1846-49-this-view-of-the-five-story-new-england-hotel-shows-a-large-american-flag-flying-from-the-roof-with-the-entrance-on-broadway-and-trinity-church-yard-is-at-left-carriages-an-omnibus-and-a-cart-are-shown-on-the-street-and-pedestrians-on-the-sidewalk-the-proprie-image213248528.html Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880. Edgar Degas (French, 1834-1917). Etching, softground etching, aquatint, and drypoint; sheet: 36.3 x 26.6 cm (14 5/16 x 10 1/2 in.); platemark: 30.2 x 12.6 cm (11 7/8 x 4 15/16 in Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880. Edgar Degas (French, 1834-1917). Etching, softground etching, aquatint, and drypoint; sheet: 36.3 x 26.6 cm (14 5/16 x 10 1/2 in.); platemark: 30.2 x 12.6 cm (11 7/8 x 4 15/16 inhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-cassatt-at-the-louvre-the-paintings-gallery-1879-1880-edgar-degas-french-1834-1917-etching-softground-etching-aquatint-and-drypoint-sheet-363-x-266-cm-14-516-x-10-12-in-platemark-302-x-126-cm-11-78-x-4-1516-in-image240428110.html Costumes de Différents Pays, 'Polonnois'; France, circa 1797 Prints; engravings Hand-tinted engraving on paper Sheet: 10 3/8 x 7 5/8 in. (26.36 x 19.37 cm); Composition: 8 1/4 x 6 in. (20.96 x 15.24 cm) Costume Council Fund (M.83.190.142) Costume and Textiles; circa 1797 date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902; Costumes de Différents Pays, 'Polonnois'; France, circa 1797 Prints; engravings Hand-tinted engraving on paper Sheet: 10 3/8 x 7 5/8 in. (26.36 x 19.37 cm); Composition: 8 1/4 x 6 in. (20.96 x 15.24 cm) Costume Council Fund (M.83.190.142) Costume and Textiles; circa 1797 date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902;https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costumes-de-diffrents-pays-polonnois-france-circa-1797-prints-engravings-hand-tinted-engraving-on-paper-sheet-10-38-x-7-58-in-2636-x-1937-cm-composition-8-14-x-6-in-2096-x-1524-cm-costume-council-fund-m83190142-costume-and-textiles-circa-1797-date-qsp5711797-00-00t000000z9p1480q5727902-image256963332.html Next page Recent searches: Search Results for 36 3 X 26 7 Cm Stock Photos and Images  (446) Page 1 of 5 12345