The Death Of Darius Iii 330bc
The Death Of Darius Iii 330bc https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-death-of-darius-iii-330bc-56691271.html
Apollo the Python-Slayer, c. 350 BC. Attributed to Praxiteles (Greek, c. 400BC-c. 330BC). Bronze, copper and stone inlay; overall: 150 x 50.3 x 66.8 cm (59 1/16 x 19 13/16 x 26 5/16 in
Apollo the Python-Slayer, c. 350 BC. Attributed to Praxiteles (Greek, c. 400BC-c. 330BC). Bronze, copper and stone inlay; overall: 150 x 50.3 x 66.8 cm (59 1/16 x 19 13/16 x 26 5/16 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/apollo-the-python-slayer-c-350-bc-attributed-to-praxiteles-greek-c-400bc-c-330bc-bronze-copper-and-stone-inlay-overall-150-x-503-x-668-cm-59-116-x-19-1316-x-26-516-in-image240478097.html
Australia. NSW. Sydney, Botanic gardens, Greek Choracic replica
Australia. NSW. Sydney, Botanic gardens, Greek Choracic replica https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/australia-nsw-sydney-botanic-gardens-greek-choracic-replica-image346583638.html
Agias olympic athlete statue (330BC) in Delphi Archaeological Museum, Delphi, Mount Parnassus, Central Greece Region, Greece
Agias olympic athlete statue (330BC) in Delphi Archaeological Museum, Delphi, Mount Parnassus, Central Greece Region, Greece https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-agias-olympic-athlete-statue-330bc-in-delphi-archaeological-museum-53584035.html
Alexander The Great assenting to set fire to the ancient palace of the Persian kings in Persepolis in 330BC. Alexander III of Macedon, 356 BC – 323 BC, aka Alexander the Great, king of Macedon.
Alexander The Great assenting to set fire to the ancient palace of the Persian kings in Persepolis in 330BC. Alexander III of Macedon, 356 BC – 323 BC, aka Alexander the Great, king of Macedon. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-alexander-the-great-assenting-to-set-fire-to-the-ancient-palace-of-97382076.html
Aristotle (384-322BC). Greek philosopher. Roman copy in marble of a Greek bronze by Lysippus, 330BC. Altemps Palace.
Aristotle (384-322BC). Greek philosopher. Roman copy in marble of a Greek bronze by Lysippus, 330BC. Altemps Palace. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-aristotle-384-322bc-greek-philosopher-roman-copy-in-marble-of-a-greek-80963417.html
Agias Olympic athlete statue (330BC) in Delphi Archaeological Museum, Delphi, Fokida region, Central Greece
Agias Olympic athlete statue (330BC) in Delphi Archaeological Museum, Delphi, Fokida region, Central Greece https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-agias-olympic-athlete-statue-330bc-in-delphi-archaeological-museum-91947218.html
. A study of the causes underlying the origin of human monsters : third contribution to the study of the pathology of human embryos . Fig. 33oBb. Fig. 33oBa. Fig. 33oBa.—The ovum. Natural size.Fig. 33oBb.—The embryo. Nearly two diameters.. Fig. 33oBc.Fig. 330BC.—Sagittal section of the embryo. X 6 times. No. i.] ORIGIN OF HUMAN MONSTERS. 323 Last period four weeks ago. About ten clays ago somebleeding, which repeated itself at intervals, and was finallyfollowed by the abortion. Examination of the mass proves that it is made up mostlyof uterine mucous membrane, decidua, blood and pus, andcontai
. A study of the causes underlying the origin of human monsters : third contribution to the study of the pathology of human embryos . Fig. 33oBb. Fig. 33oBa. Fig. 33oBa.—The ovum. Natural size.Fig. 33oBb.—The embryo. Nearly two diameters.. Fig. 33oBc.Fig. 330BC.—Sagittal section of the embryo. X 6 times. No. i.] ORIGIN OF HUMAN MONSTERS. 323 Last period four weeks ago. About ten clays ago somebleeding, which repeated itself at intervals, and was finallyfollowed by the abortion. Examination of the mass proves that it is made up mostlyof uterine mucous membrane, decidua, blood and pus, andcontai https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-study-of-the-causes-underlying-the-origin-of-human-monsters-third-contribution-to-the-study-of-the-pathology-of-human-embryos-fig-33obb-fig-33oba-fig-33obathe-ovum-natural-sizefig-33obbthe-embryo-nearly-two-diameters-fig-33obcfig-330bcsagittal-section-of-the-embryo-x-6-times-no-i-origin-of-human-monsters-323-last-period-four-weeks-ago-about-ten-clays-ago-somebleeding-which-repeated-itself-at-intervals-and-was-finallyfollowed-by-the-abortion-examination-of-the-mass-proves-that-it-is-made-up-mostlyof-uterine-mucous-membrane-decidua-blood-and-pus-andcontai-image369723515.html
ATHENS, Greece - Votice relief, ca. 330BC. Dedicated by Neoptolemos from the township of Meliti. The relief depicts Hermes handing over the infant Dionysos to the Nymphs in the Cave of Pan. The Stoa of Attalos is a 1950s recreation of a long pavilion that was originally built around 150 BC. It was part of the Ancient Agora (market). It now houses the Museum of the Ancient Agora, which includes clay, bronze and glass objects, sculptures, coins and inscriptions from the 7th to the 5th century BC, as well as pottery of the Byzantine period and the Turkish conquest.
ATHENS, Greece - Votice relief, ca. 330BC. Dedicated by Neoptolemos from the township of Meliti. The relief depicts Hermes handing over the infant Dionysos to the Nymphs in the Cave of Pan. The Stoa of Attalos is a 1950s recreation of a long pavilion that was originally built around 150 BC. It was part of the Ancient Agora (market). It now houses the Museum of the Ancient Agora, which includes clay, bronze and glass objects, sculptures, coins and inscriptions from the 7th to the 5th century BC, as well as pottery of the Byzantine period and the Turkish conquest. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-athens-greece-votice-relief-ca-330bc-dedicated-by-neoptolemos-from-104736678.html
Greek amphora made in Paestum. 340-330 BC. Painter of Aphrodite. National Archaeological Museum. Paestum. Italy.
Greek amphora made in Paestum. 340-330 BC. Painter of Aphrodite. National Archaeological Museum. Paestum. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-greek-amphora-made-in-paestum-340-330-bc-painter-of-aphrodite-national-163009736.html
. English: Pottery: Apulian red-figured globular pyxis. In front is Eros flying to left, looking back; his hair is tied up with a fillet, and he wears an opisthosphendone, earrings, necklace, bracelets, a string of beads round his body and another round his left thigh, anklet on left leg, and sandals; drapery passes over his arms behind his body. His wings are richly marked in white and yellow; in right hand he holds a wreath, and in left a situla, round which a taenia is tied; beneath him is a hare running to left. In the field are numerous plants, flowers, and rosettes, and at the back a lar
. English: Pottery: Apulian red-figured globular pyxis. In front is Eros flying to left, looking back; his hair is tied up with a fillet, and he wears an opisthosphendone, earrings, necklace, bracelets, a string of beads round his body and another round his left thigh, anklet on left leg, and sandals; drapery passes over his arms behind his body. His wings are richly marked in white and yellow; in right hand he holds a wreath, and in left a situla, round which a taenia is tied; beneath him is a hare running to left. In the field are numerous plants, flowers, and rosettes, and at the back a lar https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-pottery-apulian-red-figured-globular-pyxis-in-front-is-eros-flying-to-left-looking-back-his-hair-is-tied-up-with-a-fillet-and-he-wears-an-opisthosphendone-earrings-necklace-bracelets-a-string-of-beads-round-his-body-and-another-round-his-left-thigh-anklet-on-left-leg-and-sandals-drapery-passes-over-his-arms-behind-his-body-his-wings-are-richly-marked-in-white-and-yellow-in-right-hand-he-holds-a-wreath-and-in-left-a-situla-round-which-a-taenia-is-tied-beneath-him-is-a-hare-running-to-left-in-the-field-are-numerous-plants-flowers-and-rosettes-and-at-the-back-a-lar-image187637585.html
Apollo the Python-Slayer, c. 350 BC. Since antiquity Praxiteles’s masterpiece has been known as "Sauroktonos" (Lizard-Slayer). Pliny the Elder almost certainly saw the bronze original in Rome in the first century AD. He described a young Apollo about to stab a lizard with an arrow. Roman marble copies seemed to support this identification because they included lizards clinging to thick tree trunks. Until the acquisition of the only known bronze version by the Cleveland Museum of Art in 2004, there was no reason to question Pliny’s epithet. The Cleveland Apollo's "
Apollo the Python-Slayer, c. 350 BC. Since antiquity Praxiteles’s masterpiece has been known as "Sauroktonos" (Lizard-Slayer). Pliny the Elder almost certainly saw the bronze original in Rome in the first century AD. He described a young Apollo about to stab a lizard with an arrow. Roman marble copies seemed to support this identification because they included lizards clinging to thick tree trunks. Until the acquisition of the only known bronze version by the Cleveland Museum of Art in 2004, there was no reason to question Pliny’s epithet. The Cleveland Apollo's " https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/apollo-the-python-slayer-c-350-bc-since-antiquity-praxitelesx2019s-masterpiece-has-been-known-as-quotsauroktonosquot-lizard-slayer-pliny-the-elder-almost-certainly-saw-the-bronze-original-in-rome-in-the-first-century-ad-he-described-a-young-apollo-about-to-stab-a-lizard-with-an-arrow-roman-marble-copies-seemed-to-support-this-identification-because-they-included-lizards-clinging-to-thick-tree-trunks-until-the-acquisition-of-the-only-known-bronze-version-by-the-cleveland-museum-of-art-in-2004-there-was-no-reason-to-question-plinyx2019s-epithet-the-cleveland-apollos-quot-image330074627.html
Greek amphora made in Paestum. 340-330 BC. Painter of Aphrodite. National Archaeological Museum. Paestum. Italy.
Greek amphora made in Paestum. 340-330 BC. Painter of Aphrodite. National Archaeological Museum. Paestum. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/greek-amphora-made-in-paestum-340-330-bc-painter-of-aphrodite-national-archaeological-museum-paestum-italy-image220244910.html
Apollo the Python-Slayer, c. 350 BC. Attributed to Praxiteles (Greek, c. 400BC-c. 330BC). Bronze, copper and stone inlay; overall: 25.9 x 8.8 x 8.7 cm (10 3/16 x 3 7/16 x 3 7/16 in
Apollo the Python-Slayer, c. 350 BC. Attributed to Praxiteles (Greek, c. 400BC-c. 330BC). Bronze, copper and stone inlay; overall: 25.9 x 8.8 x 8.7 cm (10 3/16 x 3 7/16 x 3 7/16 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/apollo-the-python-slayer-c-350-bc-attributed-to-praxiteles-greek-c-400bc-c-330bc-bronze-copper-and-stone-inlay-overall-259-x-88-x-87-cm-10-316-x-3-716-x-3-716-in-image240478099.html
Agias Olympic athlete statue (330BC) in Delphi Archaeological Museum, Delphi, Fokida region, Central Greece
Agias Olympic athlete statue (330BC) in Delphi Archaeological Museum, Delphi, Fokida region, Central Greece https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-agias-olympic-athlete-statue-330bc-in-delphi-archaeological-museum-91947751.html
Greek amphora made in Paestum. Detail. 340-330 BC. Painter of Aphrodite. National Archaeological Museum. Paestum. Italy.
Greek amphora made in Paestum. Detail. 340-330 BC. Painter of Aphrodite. National Archaeological Museum. Paestum. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-greek-amphora-made-in-paestum-detail-340-330-bc-painter-of-aphrodite-163009735.html
. English: Pottery: Apulian red-figured globular pyxis. In front is Eros flying to left, looking back; his hair is tied up with a fillet, and he wears an opisthosphendone, earrings, necklace, bracelets, a string of beads round his body and another round his left thigh, anklet on left leg, and sandals; drapery passes over his arms behind his body. His wings are richly marked in white and yellow; in right hand he holds a wreath, and in left a situla, round which a taenia is tied; beneath him is a hare running to left. In the field are numerous plants, flowers, and rosettes, and at the back a lar
. English: Pottery: Apulian red-figured globular pyxis. In front is Eros flying to left, looking back; his hair is tied up with a fillet, and he wears an opisthosphendone, earrings, necklace, bracelets, a string of beads round his body and another round his left thigh, anklet on left leg, and sandals; drapery passes over his arms behind his body. His wings are richly marked in white and yellow; in right hand he holds a wreath, and in left a situla, round which a taenia is tied; beneath him is a hare running to left. In the field are numerous plants, flowers, and rosettes, and at the back a lar https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-pottery-apulian-red-figured-globular-pyxis-in-front-is-eros-flying-to-left-looking-back-his-hair-is-tied-up-with-a-fillet-and-he-wears-an-opisthosphendone-earrings-necklace-bracelets-a-string-of-beads-round-his-body-and-another-round-his-left-thigh-anklet-on-left-leg-and-sandals-drapery-passes-over-his-arms-behind-his-body-his-wings-are-richly-marked-in-white-and-yellow-in-right-hand-he-holds-a-wreath-and-in-left-a-situla-round-which-a-taenia-is-tied-beneath-him-is-a-hare-running-to-left-in-the-field-are-numerous-plants-flowers-and-rosettes-and-at-the-back-a-lar-image188908432.html
Alexander the Great (356-323 BC). King of Macedon. Roman copy after an greek original by Lissipos, 330 BC. Glyptothek. Munich.
Alexander the Great (356-323 BC). King of Macedon. Roman copy after an greek original by Lissipos, 330 BC. Glyptothek. Munich. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-alexander-the-great-356-323-bc-king-of-macedon-roman-copy-after-an-56332912.html
Greek amphora made in Paestum. Detail. 340-330 BC. Painter of Aphrodite. National Archaeological Museum. Paestum. Italy.
Greek amphora made in Paestum. Detail. 340-330 BC. Painter of Aphrodite. National Archaeological Museum. Paestum. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/greek-amphora-made-in-paestum-detail-340-330-bc-painter-of-aphrodite-national-archaeological-museum-paestum-italy-image220244901.html
Aphrodite and two erotes advance among plant shoots and flowers. Phiale. Made in Puglia. From Ruvo di Puglia. Patera Painter, 330-320 BC. Jatta National Archaeological Museum. Ruvo di Puglia. Italy.
Aphrodite and two erotes advance among plant shoots and flowers. Phiale. Made in Puglia. From Ruvo di Puglia. Patera Painter, 330-320 BC. Jatta National Archaeological Museum. Ruvo di Puglia. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-aphrodite-and-two-erotes-advance-among-plant-shoots-and-flowers-phiale-133328531.html
Funerary monument shaped oil bottle (lekythos) with reliefs depicting a goodbye with three women. From Athens. Ca. 330 BC
Funerary monument shaped oil bottle (lekythos) with reliefs depicting a goodbye with three women. From Athens. Ca. 330 BC https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-funerary-monument-shaped-oil-bottle-lekythos-with-reliefs-depicting-57672554.html
Phiale depicting a Lady of Ketos. Made in Puglia. From Ruvo di Puglia. Workshop of the Patera Painter, 330-320 BC. Archaeological Museum. Milan. Italy.
Phiale depicting a Lady of Ketos. Made in Puglia. From Ruvo di Puglia. Workshop of the Patera Painter, 330-320 BC. Archaeological Museum. Milan. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-phiale-depicting-a-lady-of-ketos-made-in-puglia-from-ruvo-di-puglia-133328529.html
Hydria with red figure depicting a woman between a white stela. To the left, there is a warrior with a helmet, cuirass and a shield seated on a rock. From Cumae. Attributed to the CA Painter, c.340-330 BC. Stevens Collection. National Archaeological Museum. Naples. Italy.
Hydria with red figure depicting a woman between a white stela. To the left, there is a warrior with a helmet, cuirass and a shield seated on a rock. From Cumae. Attributed to the CA Painter, c.340-330 BC. Stevens Collection. National Archaeological Museum. Naples. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-hydria-with-red-figure-depicting-a-woman-between-a-white-stela-to-133328532.html
Apollo the Python-Slayer, c. 350 BC. Attributed to Praxiteles (Greek, c. 400BC-c. 330BC). Bronze, copper and stone inlay; overall: 14.8 x 9.4 x 3.6 cm (5 13/16 x 3 11/16 x 1 7/16 in
Apollo the Python-Slayer, c. 350 BC. Attributed to Praxiteles (Greek, c. 400BC-c. 330BC). Bronze, copper and stone inlay; overall: 14.8 x 9.4 x 3.6 cm (5 13/16 x 3 11/16 x 1 7/16 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/apollo-the-python-slayer-c-350-bc-attributed-to-praxiteles-greek-c-400bc-c-330bc-bronze-copper-and-stone-inlay-overall-148-x-94-x-36-cm-5-1316-x-3-1116-x-1-716-in-image240478100.html
Funerary monument shaped oil bottle (lekythos) with reliefs depicting a goodbye with three women. From Athens. Copy. Polychromed
Funerary monument shaped oil bottle (lekythos) with reliefs depicting a goodbye with three women. From Athens. Copy. Polychromed https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-funerary-monument-shaped-oil-bottle-lekythos-with-reliefs-depicting-57672548.html
Campanian red figure hydria decorated with a chariot race led by Nikai. From Cuma. 330-320 BC. Detail. Cumana Collection. National Archaeological Museum. Naples. Italy.
Campanian red figure hydria decorated with a chariot race led by Nikai. From Cuma. 330-320 BC. Detail. Cumana Collection. National Archaeological Museum. Naples. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-campanian-red-figure-hydria-decorated-with-a-chariot-race-led-by-nikai-133454052.html
Agias Olympic athlete statue (330BC) in Delphi Archaeological Museum, Delphi, Fokida region, Central Greece
Agias Olympic athlete statue (330BC) in Delphi Archaeological Museum, Delphi, Fokida region, Central Greece https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-agias-olympic-athlete-statue-330bc-in-delphi-archaeological-museum-91946913.html
. English: Pottery: Apulian red-figured globular pyxis. In front is Eros flying to left, looking back; his hair is tied up with a fillet, and he wears an opisthosphendone, earrings, necklace, bracelets, a string of beads round his body and another round his left thigh, anklet on left leg, and sandals; drapery passes over his arms behind his body. His wings are richly marked in white and yellow; in right hand he holds a wreath, and in left a situla, round which a taenia is tied; beneath him is a hare running to left. In the field are numerous plants, flowers, and rosettes, and at the back a lar
. English: Pottery: Apulian red-figured globular pyxis. In front is Eros flying to left, looking back; his hair is tied up with a fillet, and he wears an opisthosphendone, earrings, necklace, bracelets, a string of beads round his body and another round his left thigh, anklet on left leg, and sandals; drapery passes over his arms behind his body. His wings are richly marked in white and yellow; in right hand he holds a wreath, and in left a situla, round which a taenia is tied; beneath him is a hare running to left. In the field are numerous plants, flowers, and rosettes, and at the back a lar https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-pottery-apulian-red-figured-globular-pyxis-in-front-is-eros-flying-to-left-looking-back-his-hair-is-tied-up-with-a-fillet-and-he-wears-an-opisthosphendone-earrings-necklace-bracelets-a-string-of-beads-round-his-body-and-another-round-his-left-thigh-anklet-on-left-leg-and-sandals-drapery-passes-over-his-arms-behind-his-body-his-wings-are-richly-marked-in-white-and-yellow-in-right-hand-he-holds-a-wreath-and-in-left-a-situla-round-which-a-taenia-is-tied-beneath-him-is-a-hare-running-to-left-in-the-field-are-numerous-plants-flowers-and-rosettes-and-at-the-back-a-lar-image188174445.html
Funerary monument shaped oil bottle (lekythos) with reliefs depicting a goodbye with three women. From Athens. Ca. 330 BC. Ny Carlsberg Glyptotek Museum. Copenhagen. Denmark.
Funerary monument shaped oil bottle (lekythos) with reliefs depicting a goodbye with three women. From Athens. Ca. 330 BC. Ny Carlsberg Glyptotek Museum. Copenhagen. Denmark. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/funerary-monument-shaped-oil-bottle-lekythos-with-reliefs-depicting-a-goodbye-with-three-women-from-athens-ca-330-bc-ny-carlsberg-glyptotek-museum-copenhagen-denmark-image220175837.html
Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy.
Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-campanian-red-figure-krater-depicting-a-warrior-with-helmet-shield-133328530.html
Aphrodite and two erotes advance among plant shoots and flowers. Phiale. Made in Puglia. From Ruvo di Puglia. Patera Painter, 330-320 BC. Jatta National Archaeological Museum. Ruvo di Puglia. Italy.
Aphrodite and two erotes advance among plant shoots and flowers. Phiale. Made in Puglia. From Ruvo di Puglia. Patera Painter, 330-320 BC. Jatta National Archaeological Museum. Ruvo di Puglia. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/aphrodite-and-two-erotes-advance-among-plant-shoots-and-flowers-phiale-made-in-puglia-from-ruvo-di-puglia-patera-painter-330-320-bc-jatta-national-archaeological-museum-ruvo-di-puglia-italy-image212363819.html
Hydria with red figure depicting a woman between a white stela. To the left, there is a warrior with a helmet, cuirass and a shield seated on a rock. From Cumae. Attributed to the CA Painter, c.340-330 BC. Stevens Collection. National Archaeological Museum. Naples. Italy.
Hydria with red figure depicting a woman between a white stela. To the left, there is a warrior with a helmet, cuirass and a shield seated on a rock. From Cumae. Attributed to the CA Painter, c.340-330 BC. Stevens Collection. National Archaeological Museum. Naples. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hydria-with-red-figure-depicting-a-woman-between-a-white-stela-to-the-left-there-is-a-warrior-with-a-helmet-cuirass-and-a-shield-seated-on-a-rock-from-cumae-attributed-to-the-ca-painter-c340-330-bc-stevens-collection-national-archaeological-museum-naples-italy-image220258928.html
Campanian red figure hydria decorated with a chariot race led by Nikai. From Cuma. 330-320 BC. Detail. Cumana Collection. National Archaeological Museum. Naples. Italy.
Campanian red figure hydria decorated with a chariot race led by Nikai. From Cuma. 330-320 BC. Detail. Cumana Collection. National Archaeological Museum. Naples. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/campanian-red-figure-hydria-decorated-with-a-chariot-race-led-by-nikai-from-cuma-330-320-bc-detail-cumana-collection-national-archaeological-museum-naples-italy-image220258998.html
Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy.
Campanian red figure krater depicting a warrior with helmet, shield, cuirass and spear looking a female figure with a thyrsus and a bucket (situla). From Cumae. Attributed to LNO Painter. 330-320 BC. Stevens Collection. National Archaeological Museum. Naples. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/campanian-red-figure-krater-depicting-a-warrior-with-helmet-shield-cuirass-and-spear-looking-a-female-figure-with-a-thyrsus-and-a-bucket-situla-from-cumae-attributed-to-lno-painter-330-320-bc-stevens-collection-national-archaeological-museum-naples-italy-image220259034.html
Alexander the Great (356-323 BC). King of Macedon. Alexander Schwarzenberg. Roman copy after an greek original by Lissipos, 330 BC. Glyptothek Museum. Munich. Germany.
Alexander the Great (356-323 BC). King of Macedon. Alexander Schwarzenberg. Roman copy after an greek original by Lissipos, 330 BC. Glyptothek Museum. Munich. Germany. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/alexander-the-great-356-323-bc-king-of-macedon-alexander-schwarzenberg-roman-copy-after-an-greek-original-by-lissipos-330-bc-glyptothek-museum-munich-germany-image220442157.html
Phiale depicting a Lady of Ketos. Made in Puglia. From Ruvo di Puglia. Workshop of the Patera Painter, 330-320 BC. Archaeological Museum. Milan. Italy.
Phiale depicting a Lady of Ketos. Made in Puglia. From Ruvo di Puglia. Workshop of the Patera Painter, 330-320 BC. Archaeological Museum. Milan. Italy. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/phiale-depicting-a-lady-of-ketos-made-in-puglia-from-ruvo-di-puglia-workshop-of-the-patera-painter-330-320-bc-archaeological-museum-milan-italy-image212363820.html
Funerary monument shaped oil bottle (lekythos) decorated with reliefs depicting a goodbye with three women. From Athens. Ca. 330 BC. Copy in synthetic marble with reconstructed polychromy. Ny Carlsberg Glyptotek Museum. Copenhagen. Denmark.
Funerary monument shaped oil bottle (lekythos) decorated with reliefs depicting a goodbye with three women. From Athens. Ca. 330 BC. Copy in synthetic marble with reconstructed polychromy. Ny Carlsberg Glyptotek Museum. Copenhagen. Denmark. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/funerary-monument-shaped-oil-bottle-lekythos-decorated-with-reliefs-depicting-a-goodbye-with-three-women-from-athens-ca-330-bc-copy-in-synthetic-marble-with-reconstructed-polychromy-ny-carlsberg-glyptotek-museum-copenhagen-denmark-image220175708.html
![. A study of the causes underlying the origin of human monsters : third contribution to the study of the pathology of human embryos . Fig. 33oBb. Fig. 33oBa. Fig. 33oBa.—The ovum. Natural size.Fig. 33oBb.—The embryo. Nearly two diameters.. Fig. 33oBc.Fig. 330BC.—Sagittal section of the embryo. X 6 times. No. i.] ORIGIN OF HUMAN MONSTERS. 323 Last period four weeks ago. About ten clays ago somebleeding, which repeated itself at intervals, and was finallyfollowed by the abortion. Examination of the mass proves that it is made up mostlyof uterine mucous membrane, decidua, blood and pus, andcontai - Stock Image](https://c8.alamy.com/comp/2CDEA37/a-study-of-the-causes-underlying-the-origin-of-human-monsters-third-contribution-to-the-study-of-the-pathology-of-human-embryos-fig-33obb-fig-33oba-fig-33obathe-ovum-natural-sizefig-33obbthe-embryo-nearly-two-diameters-fig-33obcfig-330bcsagittal-section-of-the-embryo-x-6-times-no-i-origin-of-human-monsters-323-last-period-four-weeks-ago-about-ten-clays-ago-somebleeding-which-repeated-itself-at-intervals-and-was-finallyfollowed-by-the-abortion-examination-of-the-mass-proves-that-it-is-made-up-mostlyof-uterine-mucous-membrane-decidua-blood-and-pus-andcontai-2CDEA37.jpg)
