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RF2HW8GEF–Art inspired by Card Players in a Drawing Room, Oil on canvas, 31 1/8 x 38 3/4 in. (79.1 x 98.4 cm), Paintings, Pierre Louis Dumesnil the Younger (French, Paris 1698–1781 Paris), The theatrical effect created by the firelight and candles is typical of the work of Dumesnil, who was, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A2WCBG–St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T., European Painting and Sculpture Before 1800
RMPB9P72–Madonna and Child. Artist: Ercole Banci (Italian, Bolognese, active early 16th century). Dimensions: 15 1/4 x 12 3/8 in. (38.7 x 31.4 cm). Museum: Metropolitan Museum of Art, New York, USA.
RMMNY72C–. English: Creation Date: 10th century Display Dimensions: 23 3/4 in. x 15 1/8 in. x 17 1/16 in. (60.33 cm x 38.42 cm x 43.34 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1508 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:31:34. English: thesandiegomuseumofartcollection 1241 Vishwasena, Steward of Vishnu's Household (6124508055)
RMKNHGKW–Console table. Date: 18th century; Culture: French; Medium: Carved and gilded wood; Dimensions: Overall: 31 1/2 x 38 1/2 x 19 3/4 in. (80 x 97.8 x
![[Still Life with Apples, Grapes, and Morning Glories] Unknown. , late 19th century. Crayon on paper, Sheet: 15 1/4 x 12 3/8 in. (38.7 x 31.4 cm). American Art late 19th century Stock Photo](https://c8.alamy.com/comp/2M93GRG/still-life-with-apples-grapes-and-morning-glories-unknown-late-19th-century-crayon-on-paper-sheet-15-14-x-12-38-in-387-x-314-cm-american-art-late-19th-century-2M93GRG.jpg "[Still Life with Apples, Grapes, and Morning Glories] Unknown. , late 19th century. Crayon on paper, Sheet: 15 1/4 x 12 3/8 in. (38.7 x 31.4 cm). American Art late 19th century Stock Photo")
RM2M93GRG–[Still Life with Apples, Grapes, and Morning Glories] Unknown. , late 19th century. Crayon on paper, Sheet: 15 1/4 x 12 3/8 in. (38.7 x 31.4 cm). American Art late 19th century
RMKP054T–Madonna and Child. Artist: Ercole Banci (Italian, Bolognese, active early 16th century); Medium: Tempera on wood; Dimensions: 15 1/4 x 12 3/8 in.
RM2PMH7GF–Bound Print, Design for Ceiling Ornament; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720–1790); Germany; engraving on white laid paper; 27.9 x 38.8 cm (11 1/16 x 15 1/4 in) Plate: 25.6 x 31.3 cm (10 1/4 x 12 1/4 in)
RM2REJMK7–'Elisha Kirkall after Willem van de Velde the Elder, Shipping Scene from the Collection of Hugo Howard, 1720s, mezzotint and etching printed in green and black on laid paper, plate: 31.1 x 38 cm (12 1/4 x 14 15/16 in.) sheet: 37.1 x 44.2 cm (14 5/8 x 17 3/8 in.), Paul Mellon Fund, 2001.118.17.15'
RMKNHH3J–Two Tritons. Date: late 18th century; Culture: probably Italian; Medium: Onyx fragment and gold; Dimensions: Overall: 1 1/8 x 1 3/4 in. (2.9 x 4.5
RME74K69–Albert Cahen d'Anvers by Pierre-Auguste Renoir, French, 1841 - 1919; France, Europe; 1881; Oil on canvas
RMKNWWBF–Card Players in a Drawing Room. Artist: Pierre Louis Dumesnil the Younger (French, Paris 1698-1781 Paris); Medium: Oil on canvas; Dimensions: 31 1/8
RMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
RM2GMXW6K–Portfolio. Maker: Georg Hulbe (German, 1851-1917); Date: dated 1902; Culture: German, Hamburg; Medium: Leather, partially painted and gilded;
RMRYR55N–Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 142 EFFECTS OF RADIUM RAYS IN THE SOIL June 8. Heights of seedlings above the surface of the soil as follows : A i,Soo,ooo X 1 41,50 mm. 2 35.00 3 44-50 4 45-oo 5 47-oo 6 47.00 7 38-00 8 53-50 9 53-50 10 4500 11 57.00 12 37'Oo Av 54.^.00 mm. 45.30 mm. B C D 1,500,000 X Radio-tellurium Control 51.00 mm. 53.00 mm. 13.00 mm 40.00 32.00 33-50 41.00 50.00 31.00 40-50 45-50 injured 36.00 47.00 39-00 48.00 48.00 injured 54-50 65-50 23.00 48.00 injured injured 52.50 27.00 39-50 30.00 50.00 33-00 40.00
RMKNGB33–Portions of a Field Armor. Date: dated 1524; Geography: probably Augsburg; Culture: German, probably Augsburg; Medium: Steel, leather; Dimensions: H.
RMKNRGW4–Confessions of an Inquiring Spirit, No. 3 (recto); Study for a scene with ten imaginary creatures (verso). Artist: Dion C. Calthrop (British, London
RF2HTY044–Art inspired by Madonna and Child, Tempera on wood, 15 1/4 x 12 3/8 in. (38.7 x 31.4 cm), Paintings, Ercole Banci (Italian, Bolognese, active early 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A2WCBE–St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T., European Painting and Sculpture Before 1800
RF2HW90BM–Art inspired by Agnus Dei, early 20th century (original dated 6th century), Byzantine, Tesserae, glass in wooden frame, Overall: 38 3/16 x 31 3/4 x 1 3/8 in. (97 x 80.7 x 3.5 cm), Reproductions-Mosaics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB3T03–Confessions of an Inquiring Spirit, No. 3 (recto); Study for a scene with ten imaginary creatures (verso). Artist: Dion C. Calthrop (British, London 1875/78-1937). Dimensions: sheet: 15 1/4 x 12 1/2 in. (38.7 x 31.8 cm). Date: 1899. Museum: Metropolitan Museum of Art, New York, USA.
RMMMY89H–Bartolomé Sureda y Miserol Painting; oil on canvas; overall: 119.7 x 79.3 cm (47 1/8 x 31 1/4 in.) framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in.); Goya - Bartolomé Sureda y Miserol
RM2M93HCH–Pennsylvania-Dutch Birth Certificate for Matthew Linkzenbigler Unknown. , 1809. Woodcut with hand-painted decorations and inscriptions in ink and watercolor on paper, sheet: 12 3/8 x 15 1/4 in. (31.4 x 38.7 cm). American Art 1809
RM2GMYF5N–Agnus Dei. Date: early 20th century (original dated 6th century); Culture: Byzantine; Medium: Tesserae, glass in wooden frame; Dimensions: Overall:
RM2AWNMTT–The Horticulturist and journal of rural art and rural taste . 15 feet; r, Wash Room, 6 by 8 feet; s. Closet, 3feel 6 inches by 5 feet; t. Gallery, 7 by 12 feet; u. Balcony, 9 by 14 feet; v, Roof; v, Seats, 2 feet 4 inchesby 9 feet; x, Balcony, 3 by 6 feet; y, Balcony, 7 feet 6 inches by 13 feet. Third Floor —1, Hall, 20 by 30 feet; 2, Back Staircase, 7 by 15 feet; 3, Childrens Play Room, 18feet by 32 feet 6 inches; 4, Gymnasium, 16 by 38 feet; 5, Private Theatre, 24 feet by 31 feet 6 inches; 6,Servants Bed Room, 14 by 18 feet; 7, Lumber Room, 11 by 13 feet; 8, Bed Room, 10 by 16 feet; 9,Serva
RMKNWTAB–Thirty-one cut-outs from advertising banner for Allen & Ginter Cigarettes. Publisher: Issued by Allen & Ginter (American, Richmond, Virginia); Date:
![[Still Life with Apples, Grapes, and Morning Glories], American, Crayon on paper, late 19th century, Sheet: 15 1/4 x 12 3/8 in., 38.7 x 31.4 cm Stock Photo](https://c8.alamy.com/comp/2HB2BD6/still-life-with-apples-grapes-and-morning-glories-american-crayon-on-paper-late-19th-century-sheet-15-14-x-12-38-in-387-x-314-cm-2HB2BD6.jpg "[Still Life with Apples, Grapes, and Morning Glories], American, Crayon on paper, late 19th century, Sheet: 15 1/4 x 12 3/8 in., 38.7 x 31.4 cm Stock Photo")
RM2HB2BD6–[Still Life with Apples, Grapes, and Morning Glories], American, Crayon on paper, late 19th century, Sheet: 15 1/4 x 12 3/8 in., 38.7 x 31.4 cm
RF2HTXKAP–Art inspired by Andrea Odoni, 1640–58, Etching and engraving, sheet: 12 3/8 x 15 1/16 in. (31.4 x 38.2 cm), Prints, Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam), After Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKCC674–Madonna and Child, Tempera on wood, 15 1/4 x 12 3/8 in. (38.7 x 31.4 cm), Paintings, Ercole Banci (Italian, Bolognese, active
RF2HW0EYX–Art inspired by Springtime, ca. 1894–99, Oil on canvas, 31 3/4 x 38 1/2 in. (80.6 x 97.8 cm), Paintings, Maurice Denis (French, Granville 1870–1943 Saint-Germain-en-Laye), Springtime, with its associations of joyful new life, was a source of constant inspiration for Denis. This double-, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A2R0JD–Roelof van Vries, Dutch, 1630/31- after 1681, Landscape with Carriage, c. 1665/1670, Oil on oak panel, 15 1/8 x 11 3/4 in. (38.4 x 29.8 cm
![Inspired by [Still Life with Apples, Grapes, and Morning Glories], American, Crayon on paper, late 19th century, Sheet: 15 1/4 x 12 3/8 in., 38.7 x 31.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo](https://c8.alamy.com/comp/2HK5932/inspired-by-still-life-with-apples-grapes-and-morning-glories-american-crayon-on-paper-late-19th-century-sheet-15-14-x-12-38-in-387-x-314-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-2HK5932.jpg "Inspired by [Still Life with Apples, Grapes, and Morning Glories], American, Crayon on paper, late 19th century, Sheet: 15 1/4 x 12 3/8 in., 38.7 x 31.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo")
RF2HK5932–Inspired by [Still Life with Apples, Grapes, and Morning Glories], American, Crayon on paper, late 19th century, Sheet: 15 1/4 x 12 3/8 in., 38.7 x 31.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2T90RA0–The Resurrection of Christ, 15th century, Giovanni Dal Ponte (Giovanni di Marco), Italian, (Florence), 1385 - 1437/38, 23 x 12 1/4 in. (58.42 x 31.12 cm) (panel)26 1/8 × 15 1/8 × 3 1/2 in. (66.36 × 38.42 × 8.89 cm) (outer frame), Tempera on poplar panel, Italy, 15th century
RMPB0E5A–The Children's Pic-Nic. Dimensions: image: 9 1/8 x 12 3/8 in. (23.2 x 31.4 cm) sheet: 11 x 14 15/16 in. (27.9 x 38 cm). Publisher: Currier & Ives (American, active New York, 1857-1907). Date: ca. 1872-74. Museum: Metropolitan Museum of Art, New York, USA.
RMKCD5H1–Springtime, ca. 1894–99, Oil on canvas, 31 3/4 x 38 1/2 in. (80.6 x 97.8 cm), Paintings, Maurice Denis (French, Granville 1870
RMP01J3N–Painting; oil on canvas; overall: 98.9 x 80.8 cm (38 15/16 x 31 13/16 in.) framed: 124.1 x 122.1 x 9.5 cm (48 7/8 x 48 1/16 x 3 3/4 in.); 10 Girl in Red A27951
RMKCDJJH–Andrea Odoni, 1640–58, Etching and engraving, sheet: 12 3/8 x 15 1/16 in. (31.4 x 38.2 cm), Prints, Cornelis Visscher (Dutch
RM2H1227P–Twelve Months of Flowers: September, 1730. Henry Fletcher (British, active 1715-38). Engraving, hand-colored; sheet: 42.2 x 32.4 cm (16 5/8 x 12 3/4 in.); platemark: 40.9 x 31.4 cm (16 1/8 x 12 3/8 in.).
RMRY32AT–Twelve Months of Flowers: September, 1730. Henry Fletcher (British, active 1715-38). Engraving, hand-colored; sheet: 42.2 x 32.4 cm (16 5/8 x 12 3/4 in.); platemark: 40.9 x 31.4 cm (16 1/8 x 12 3/8 in
RM2AFPXWK–. Brethren's Family Almanac, The (1872). with showers ; 11, 12, 13, fair ; 14, 15, 10, varia-ble ; 17, 18, 19, clear; 20, cloudy; 21, 22, in the evening. Full moon, the 23d, at 8 oclock 26 m. iuthe morning. Last Quarter, the 30th, at 3 oclock 8 m. in ««*n*e* showers ; 23, 24, 25, clear; 20, 27,the morning. 38, pleasant, warm ; 29., 30, showers. FIFTH MONTH. 3MC»,y. 31 DAYS. W. T. F. S. KemarkabieDavs. j MooniSouth.[n, m Moon Moons ? X 8. pi TiOOU h. m pig deg |Sunj Sua Aspects of Placets, and other,fast irises. miscellaneous matter. m |h. m. 1 Philip Jas. 2 Sigisiuuiid 3 Inv. oj Or. 4 FJorianu
RM2HB2B8P–Pennsylvania-Dutch Birth Certificate for Matthew Linkzenbigler, American, Woodcut with hand-painted decorations and inscriptions in ink and watercolor on paper, 1809, sheet: 12 3/8 x 15 1/4 in., 31.4 x 38.7 cm
RM2DJ3849–A Rake's Progress, Plate III: He Revels, William Hogarth, 1697–1764, British, 1735, Line Engraving, Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm
![Art inspired by [Still Life with Apples, Grapes, and Morning Glories], American, Crayon on paper, late 19th century, Sheet: 15 1/4 x 12 3/8 in., 38.7 x 31.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo](https://c8.alamy.com/comp/2HKKBE0/art-inspired-by-still-life-with-apples-grapes-and-morning-glories-american-crayon-on-paper-late-19th-century-sheet-15-14-x-12-38-in-387-x-314-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-2HKKBE0.jpg "Art inspired by [Still Life with Apples, Grapes, and Morning Glories], American, Crayon on paper, late 19th century, Sheet: 15 1/4 x 12 3/8 in., 38.7 x 31.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo")
RF2HKKBE0–Art inspired by [Still Life with Apples, Grapes, and Morning Glories], American, Crayon on paper, late 19th century, Sheet: 15 1/4 x 12 3/8 in., 38.7 x 31.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HTW8M5–Art inspired by Portfolio, Georg Hulbe (German, 1851–1917), dated 1902, German, Hamburg, Leather, partially painted and gilded, 15 1/8 x 12 3/16 inches (38.4 x 31 cm), Natural Substances-Leatherwork, Georg Hulbe (German, 1851–1917, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAX648–Interior of a Chapel with Altar. Artist: John Gregory Crace (British, London 1809-1889 Dulwich) , and Son; John Dibblee Crace (British, London 1838-1919 London). Dimensions: sheet: 12 7/16 x 15 1/8 in. (31.6 x 38.4 cm) image: 9 3/4 x 12 in. (24.7 x 30.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW7J0G–Art inspired by A Harlot's Progress, Plate 4, before April 1732, Etching and engraving; first state of three, sheet: 12 5/16 x 15 1/8 in. (31.3 x 38.4 cm), Prints, William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMP75WF5–Painting; oil on canvas; overall: 55.8 x 71.1 cm (21 15/16 x 28 in.) framed: 80.7 x 96.5 x 5.4 cm (31 3/4 x 38 x 2 1/8 in.); 148 John Singer Sargent - Valdemosa, Majorca - Thistles and Herbage on a Hillside
RM2H10TCB–Red Amida, 1300s. Japan, Kamakura period (1185-1333). Hanging scroll; ink, color, and gold on silk; overall: 229.4 x 97.8 cm (90 5/16 x 38 1/2 in.); painting only: 127.4 x 79.3 cm (50 3/16 x 31 1/4 in.).
RM2AG4A73–. Census of the state of New York for 1875. MapT. RYE 1874. AVERAGE YIELD PER ACRE. Herkimer, Richmond, Kings, Genesee, Queens, Cattaraugus, Erie, Lewis, Onondaga, Ontario, Montgomery, Schoharie, Monroe. Oneida, Westchester,. OS Average 1 21,63 2 21,10 3 20,69 4 17,66 5 15,30 6 14,90 7 14.67 8 14,38 9 13,94 10 13,76 11 13,37 12 13,36 13 13,36 U 13,34 15 13,31 SULLIVAN CQLUMSIA ULSTER ^--^- /^r DUTCHESS ; MAP No.I EXP LA NAT/ONTill iir/nris ni lYirh (hnntv s-Jloii llw iixtffKJC r r/il J)/! ^ Ifri in /fii s/u/x Mil/) So.l coiiliiiii.i l/ir /?) (nuntits in ivhirlitlir tifrr(ttfi Vc/f/ is (fi
RM2DJ384T–A Rake's Progress, Plate VIII: In Bedlam, William Hogarth, 1697–1764, British, 1735, Line engraving, Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm
RMRFDCH6–The Immaculate Conception. Artist: Lorenzo Tiepolo (Italian, Venice 1736-1776 Madrid); After Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: plate: 12 1/2 x 8 3/16 in. (31.8 x 20.8 cm) sheet: 15 x 10 3/4 in. (38.1 x 27.3 cm). Date: ca. 1770. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW7H6J–Art inspired by A Harlot's Progress, Plate 1, before April 1732, Etching and engraving; first state of four, sheet: 12 5/16 x 15 1/8 in. (31.3 x 38.4 cm), Prints, William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNXXEX–. English: Tulsi , Madhu Toda Mongke and His Mongol Horde, Folio from a Chingiznama (History of Genghis Khan), 1596 Painting; Watercolor, Opaque watercolor, gold, and ink on paper, Sheet: 15 x 10 in. (38.1 x 25.4 cm); Image: 12 3/8 x 8 in. (31.4 x 20.3 cm) From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.78.9.8) South and Southeast Asian Art Department. . 1596. 1198 Toda Mongke and His Mongol Horde
RF2HW5RNH–Art inspired by Confessions of an Inquiring Spirit, No. 3 (recto); Study for a scene with ten imaginary creatures (verso), 1899, Pen and black ink, watercolor over graphite (recto); graphite (verso), sheet: 15 1/4 x 12 1/2 in. (38.7 x 31.8 cm), Drawings, Dion C. Calthrop (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H10RXW–The Crucifixion, 1470s. Matteo di Giovanni (Italian, c. 1435-1495). Tempera and oil with gold on wood panel; framed: 39.4 x 38.1 x 4.5 cm (15 1/2 x 15 x 1 3/4 in.); unframed: 29.8 x 31 cm (11 3/4 x 12 3/16 in.).
RF2HK58YJ–Inspired by Pennsylvania-Dutch Birth Certificate for Matthew Linkzenbigler, American, Woodcut with hand-painted decorations and inscriptions in ink and watercolor on paper, 1809, sheet: 12 3/8 x 15 1/4 in., 31.4 x 38.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2AKPC4K–National boilers, radiators, and specialties: catalog no26 . Concealed Brackets for Premo Radiators Dimensions Single-Column.Two-Column...Three-Column.Four-Column. Top—In. A B C 3 7/8 2H 314 ;)?* 2H 4=*, .);s 2, 4!„ >!s 2lA 4 „; Dimension—G—Inches 45 38 32 26 23 22 20 18 35<K30 H 30 29 a30^ 24 23 <s 24 1 ,24 h 18 17 K 18 H 15 14 Ti 14K 14 is Bottom-In. Dimension—H—Inches Dimensions D 4J-4 777 E 2?22J22 42M F 31, 4»4 5 :5 : 7M 45 40 H41 41H 38 34 3483535 H 32 282S 1 s2929 H 26 22 22.i,s2323 H 23 1919 Vs 22 20 1616K 18 Single-Column Two-Column Three-Column Four-Column 1919 X 15*15H • ••
RM2DJ384B–A Rake's Progress, Plate IV: Goes to Court, William Hogarth, 1697–1764, British, 1735, Line Engraving, Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm
RMPAPGG5–Seascape with Bacchus and Ariadne. Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?-1682 Rome); Engraved by François Vivares (French, Saint-Jean-du-Bruel 1709-1780 London). Dimensions: image: 11 5/16 x 15 1/16 in. (28.8 x 38.3 cm) plate: 12 5/16 x 15 7/8 in. (31.3 x 40.3 cm) sheet: 15 1/4 x 18 1/4 in. (38.7 x 46.3 cm). Publisher: Arthur Pond (British, London 1701-1758 London). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.
RMMP8Y7X–Painting; oil on panel; painted surface: 110.5 x 79.3 cm (43 1/2 x 31 1/4 in.) overall (panel): 111.8 x 80.6 cm (44 x 31 3/4 in.) framed: 129.8 x 98.7 x 10.7 cm (51 1/8 x 38 7/8 x 4 3/16 in.); Español: La Natividad circa 1508/1519. 785 La Natividad, por Juan de Flandes
RM2H10YX0–Self-Portrait with Hat and Coat, 1915. Lovis Corinth (German, 1858-1925). Oil on canvas; framed: 118.1 x 97.5 x 8.3 cm (46 1/2 x 38 3/8 x 3 1/4 in.); unframed: 99.7 x 78.8 cm (39 1/4 x 31 in.).
RF2HKKBB2–Art inspired by Pennsylvania-Dutch Birth Certificate for Matthew Linkzenbigler, American, Woodcut with hand-painted decorations and inscriptions in ink and watercolor on paper, 1809, sheet: 12 3/8 x 15 1/4 in., 31.4 x 38.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H0YJWJ–Study of Old Tree Trunk. Jean Antoine Linck (Swiss, 1766-1843). Black chalk with graphite heightened with white wash on gray paper; sheet: 22.1 x 31.4 cm (8 11/16 x 12 3/8 in.); secondary support: 28.8 x 38.9 cm (11 5/16 x 15 5/16 in.).
RM2AKKRDP–Cyclopedia of textile work : a general reference library on cotton, woolen and worsted yarn manufacture, weaving, designing, chemistry and dyeing, finishing, knitting, and allied subjects . 4 (• 50 8 « 145| 50 27 II 43H II 50 9 i< 129^1 50 28 II 41f II 50 10 II 116f 50 29 II AOn II 50 11 4< 106^3 50 30 II 38f i< 50 12 <l 97| 50 31 II 37M II 50 13 89e 50 32 II 36H 11 50 14 li 83 J 50 33 35M It 50 15 •• 77| 50 34 II 34^ It 50 16 72H 50 ? 35 II 33J- II 50 17 X 68e 50 36 11 32^ 11 50 18 II 64f^ • 50 37 11 3lT¥r II 50 19 em 50 38 11 30M ii Reel off 50 yards and opposite its weight in gr
RM2DJ384A–A Rake's Progress, Plate VII: In Fleet Street Prison, Print made by William Hogarth, 1697–1764, British, 1735, Line engraving on medium, moderately textured, cream wove paper, Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm
RM2H10FCB–Cover for a Tureen, 1735-38. Henry Adnet (French, 1745), Juste-Aurèle Meissonnier (French, 1695-1750). Silver; overall: 36.9 cm (14 1/2 in.); average: 35 x 38.4 x 31.8 cm (13 3/4 x 15 1/8 x 12 1/2 in.). See entry for cover record 1977.182.
RMPB1FAY–Crows in Old Trees. Artist: Luo Zhichuan (Chinese, active ca. 1300-30). Culture: China. Dimensions: Image: 52 x 31 5/8 in. (132.1 x 80.3 cm) Overall with mounting: 9 ft. 6 1/4 in. x 38 3/4 in. (290.2 x 98.4 cm) Overall with knobs: 9 ft. 6 1/4 in. x 42 1/2 in. (290.2 x 108 cm). Date: early 14th century. This painting, by the southern artist Luo Zhichuan, demonstrates the renewed interest in the brush idioms of the Northern Song artists Li Cheng (919-967) and Guo Xi (ca. 1000-ca. 1090) that grew after the Mongol conquest forcefully reunified north and south China in 1279. Luo's painting may b
RF2B95XM7–St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T., European Painting and Sculpture Before 1800, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![Journal of experimental zoology . 3C O ^ 00 OC 30 00 OO Ci Ci Fio;. 31 ]IelanopIus femur-rubrum; frequency distribution of head-lengthsof 491 spermatozoa from a single testis. Value in /iFrequency 71.41 72 2 ?3.0 73.9 74.7 75.5 76.4 77.2 78.0 78.8 4 1 11 7 W 23 28 26 79.7 80.5 81.3 82.2 83.0 83.8 84.7 85.5 86.3 87.2 37 48 38 32 48 33 30 17 13 17 88.0 88.8 89.6 90.5 91.4 92.2 93.0 93.8 94.6 95.5 16 7 72236342 96.3 97.1 97.9 1 2 1 B, figure 33; 1008 spermatozoa from the same left testis as figure32. The principal modes are at 88.8/x and OO.O/z, giving a ratioof 1.00 : 1.02. Set C, figure 34; 73 Stock Photo](https://c8.alamy.com/comp/2AN5CTP/journal-of-experimental-zoology-3c-o-00-oc-30-00-oo-ci-ci-fio-31-ielanopius-femur-rubrum-frequency-distribution-of-head-lengthsof-491-spermatozoa-from-a-single-testis-value-in-ifrequency-7141-72-2-30-739-747-755-764-772-780-788-4-1-11-7-w-23-28-26-797-805-813-822-830-838-847-855-863-872-37-48-38-32-48-33-30-17-13-17-880-888-896-905-914-922-930-938-946-955-16-7-72236342-963-971-979-1-2-1-b-figure-33-1008-spermatozoa-from-the-same-left-testis-as-figure32-the-principal-modes-are-at-888x-and-oooz-giving-a-ratioof-100-102-set-c-figure-34-73-2AN5CTP.jpg "Journal of experimental zoology . 3C O ^ 00 OC 30 00 OO Ci Ci Fio;. 31 ]IelanopIus femur-rubrum; frequency distribution of head-lengthsof 491 spermatozoa from a single testis. Value in /iFrequency 71.41 72 2 ?3.0 73.9 74.7 75.5 76.4 77.2 78.0 78.8 4 1 11 7 W 23 28 26 79.7 80.5 81.3 82.2 83.0 83.8 84.7 85.5 86.3 87.2 37 48 38 32 48 33 30 17 13 17 88.0 88.8 89.6 90.5 91.4 92.2 93.0 93.8 94.6 95.5 16 7 72236342 96.3 97.1 97.9 1 2 1 B, figure 33; 1008 spermatozoa from the same left testis as figure32. The principal modes are at 88.8/x and OO.O/z, giving a ratioof 1.00 : 1.02. Set C, figure 34; 73 Stock Photo")
RM2AN5CTP–Journal of experimental zoology . 3C O ^ 00 OC 30 00 OO Ci Ci Fio;. 31 ]IelanopIus femur-rubrum; frequency distribution of head-lengthsof 491 spermatozoa from a single testis. Value in /iFrequency 71.41 72 2 ?3.0 73.9 74.7 75.5 76.4 77.2 78.0 78.8 4 1 11 7 W 23 28 26 79.7 80.5 81.3 82.2 83.0 83.8 84.7 85.5 86.3 87.2 37 48 38 32 48 33 30 17 13 17 88.0 88.8 89.6 90.5 91.4 92.2 93.0 93.8 94.6 95.5 16 7 72236342 96.3 97.1 97.9 1 2 1 B, figure 33; 1008 spermatozoa from the same left testis as figure32. The principal modes are at 88.8/x and OO.O/z, giving a ratioof 1.00 : 1.02. Set C, figure 34; 73
RM2DJ3BCA–Prosperity, James Tissot, 1836–1902, French, active in Britain (1871–82), 1876, chromolithograph, Sheet: 15 1/8 x 10 3/8 inches (38.4 x 26.3 cm) and Image: 12 3/16 x 7 1/4 inches (31 x 18.4 cm), portrait
RM2H12C69–Drawing by Raphael Sanzio in the British Museum, 1856. Roger Fenton (British, 1819-1869). Salt print from a collodion negative; image: 22.6 x 31.1 cm (8 7/8 x 12 1/4 in.); paper: 34 x 38.7 cm (13 3/8 x 15 1/4 in.); matted: 40.6 x 50.8 cm (16 x 20 in.).
RMRY5CR5–Tureen (lid), 1735-1738. Henry Adnet (French, 1745), Juste-Aurèle Meissonnier (French, 1695-1750). Silver; overall: 36.9 cm (14 1/2 in.); average: 35 x 38.4 x 31.8 cm (13 3/4 x 15 1/8 x 12 1/2 in
RM2DCC30K–Franz Marc, (artist), German, 1880 - 1916, Siberian Dogs in the Snow, 1909/1910, oil on canvas, overall: 80.5 x 114 cm (31 11/16 x 44 7/8 in.), framed: 97.8 x 131.4 cm (38 1/2 x 51 3/4 in
RMPB2138–The Skimhampton Road (Easthampton). Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 8 1/8 × 12 1/4 in. (20.6 × 31.1 cm) Sheet: 11 x 15 3/16 in. (28 x 38.5 cm). Date: 1929. Museum: Metropolitan Museum of Art, New York, USA.
RF2B95XM8–St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T., European Painting and Sculpture Before 1800, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2AX2W4G–Climatological data, South Carolina . 5 5&.2-S p > S3 o =S :/3 0OGOa?a) ; 3 o t. t. «:â IE E-i &< & IIIS 4 .*< o <3i 12;< « O O tâ(H <i H oa, OH. llll» ?7>>> CLIIMATE AND CROPS: SOUTH CAROLINA SECTION. January, 1901. DAILY PRECIPITATION FOR SOUTH CAROLINA, JANUARY, 1901. Day of Sffonth. c4 Stations. X 2 3 4 5 6 7 8 9 10 II 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 ^ Allendale .57 1.30.60.48.67 .52.38.26.14.60 . 12.25.62. 10I. 00 .62.351.23.06.50 .58 .04.25.03 .02 .75.68 1.20 ⢠31 .48^^ T. .... .02 .02 . II⢠30 .... â¢85 ⢠55 ⢠43 ⢠51 â¢50.
RM2H10FHH–Portrait of Pope Innocent X Pamphili, designed 1647-1648; cast 1650-1700. Alessandro Algardi (Italian, 1598-1654). Bronze; overall: 97 x 81 x 29 cm (38 3/16 x 31 7/8 x 11 7/16 in.); base: 23.5 x 27.1 cm (9 1/4 x 10 11/16 in.); without base: 78.1 x 81.6 cm (30 3/4 x 32 1/8 in.).
RM2H0YGM9–published in Vanity Fair June 19, 1886; Vanity Fair. (Boston: Frame Central, 1992.) p. 17, 19 June, 1886, M. No. 362: Vanity Fair: 'The Autocrat of the Breakfast Table', 1886. Leslie Matthew (Spy) Ward (British, 1851-1922), Vincent Brooks Day & Son. Color lithograph; sheet: 38.2 x 26.4 cm (15 1/16 x 10 3/8 in.); image: 31.5 x 18.8 cm (12 3/8 x 7 3/8 in.).
RM2DCFDA5–Francisco de Goya, (artist), Spanish, 1746 - 1828, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, overall: 119.7 x 79.4 cm (47 1/8 x 31 1/4 in.), framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in
RM2H0Y26E–Gentle Night, 1899. Henri-Jules Guinier (French, 1867-1927). Lithograph on blue paper; sheet: 31.4 x 26.5 cm (12 3/8 x 10 7/16 in.); secondary support: 44.4 x 30.7 cm (17 1/2 x 12 1/16 in.); overall: 38.8 x 30.1 cm (15 1/4 x 11 7/8 in.); border: 29.5 x 24.8 cm (11 5/8 x 9 3/4 in.).
RM2H114RT–Égypte et Nubie, sites et monuments les plus intéressants pour l'étude de l'art et de l'histoire, pl. 68: Sphinxes with a Human Head and with a Ram Head at Point Y. Karnak (Thebes), 1851-52. Félix Teynard (French, 1817-1892). Salted paper print from calotype negative; image: 23.8 x 31.1 cm (9 3/8 x 12 1/4 in.); paper: 38 x 50 cm (14 15/16 x 19 11/16 in.); matted: 50.8 x 61 cm (20 x 24 in.).
RMPAKXAT–Polin. Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: image: 11 5/16 x 9 1/8 in. (28.7 x 23.2 cm) sheet: 15 1/4 x 12 3/8 in. (38.8 x 31.4 cm). Series/Portfolio: PORTRAITS OF ACTORS AND ACTRESSES. Date: 1898. Museum: Metropolitan Museum of Art, New York, USA.
RM2AFYRPM–. Roman portraits and Memphis (IV). vv.M.r. p. u^. P, t^a-oLs . R,YK.ovva). S,sKT-ou.eL tu.cked{. Ln..T^tuTns y,[0Y-ke,(LtLe, 1:80 HAWARA. GROUP BURIALS OF MUMMIES WITHOUT PORTRAITS. XXII.. W.M. F.R 1:2 HAWARA. SUNDIAL AND PLANS OF GRAVES. XXIII. THREADS MUMMY PER CLOTH IMCH 62.x Z6 1 Si 2.4 2.1 4S 19 lie 44 31 ISacde 42. >9 I2F 40 26 46 E 38 M 4 38 2-0 33J-R 36 Z8 46 B. 36 OjO 6 36 16 3 34 2B 22. A 34 21 46 p 3Z 18 2. 31 23 5 31 17» ISB 30 2.3 4? 30 ISO I2B ^9 16 24 Z8 2.6 27f, Z8 2.0^ 7 18^ I6» ^7 28 Ib^ 14 2.8 1? 17 2.8 s 9 ^7 19 11 Zi? IP 13 7.S ,CJD 8 24 17 32 24 IS 33A-H 2.4 14^ 23B
RM2DCG0X0–Francisco de Goya, (artist), Spanish, 1746 - 1828, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, overall: 119.7 x 79.3 cm (47 1/8 x 31 1/4 in.), framed: 137.8 x 98.4 cm (54 1/4 x 38 3/4 in
RMRY3R36–The Crucifixion, 1470s. Matteo di Giovanni (Italian, c. 1435-1495). Tempera and oil with gold on wood panel; framed: 39.4 x 38.1 x 4.5 cm (15 1/2 x 15 x 1 3/4 in.); unframed: 29.8 x 31 cm (11 3/4 x 12 3/16 in
RM2M92DCA–Fifth Avenue Everett Shinn (American, 1876-1953). Fifth Avenue, 1910. Pastel on beige, moderately thick, moderately textured laid paper., 12 3/8 x 15 1/4 in. (31.4 x 38.7 cm). Always fascinated by the urban spectacle, Everett Shinn here captured the misty atmosphere of a rainy day along New York City’s Fifth Avenue with broad strokes of thinly layered pastels in a muted palette. The stark silhouette of a couple dressed in black stands out against the sketchily rendered surroundings. Buildings and other forms appear dematerialized in the hazy effects of inclement weather, although the distinct
RM2DCD15D–Théodore Gericault, (artist), French, 1791 - 1824, The Flemish Farrier, Various Subjects, drawn from life and on stone, (series), 1821, lithograph, image: 22.7 x 31.4 cm (8 15/16 x 12 3/8 in.), sheet: 38.5 x 55.1 cm (15 3/16 x 21 11/16 in
RMPM04XA–Clair de lune à Valmondois (Moonlight at Valmondois). Dimensions: plate: 19 x 26.4 cm (7 1/2 x 10 3/8 in.) sheet: 23.6 x 31.3 cm (9 5/16 x 12 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.
RM2AKGBBG–The Philosophical magazine; a journal of theoretical, experimental and applied physics . 94* 13 50 0-5 •be -9-5 259 210 54 x;-l 1 5 43 38 6-6 53-15 20 13 31-2 •44 -3-2 265 215 57 .^•2 1 6 43 46 39-3 53-29 • 19 41 50-5 •56 -3-7 266 154 Aur. 7-8 44 57 57-1 57-05* 28 53 42-3 •41* 5-7 272 Ori. 8 45 86 20 C-7 52-96 19 10 31-6 •28* -4-2 273 413 f39 Tail. 5-6 :46 23 47-4 55-75 25 54 51-5 •25 2-5 Catalogue of zodiacal Stars. 871 Synonyms. 279285287 296 300 304 306 30 308 317 3 325 328 329 332 33^ 340 344 350 B. FC.RI, 414 415 416 24278 245 10 25612 257141516 17 140 14164 1 62 2346 23534 tQ-i)(S) (Q.2
RM2M92DDE–Fifth Avenue Everett Shinn (American, 1876-1953). Fifth Avenue, 1910. Pastel on beige, moderately thick, moderately textured laid paper., 12 3/8 x 15 1/4 in. (31.4 x 38.7 cm). Always fascinated by the urban spectacle, Everett Shinn here captured the misty atmosphere of a rainy day along New York City’s Fifth Avenue with broad strokes of thinly layered pastels in a muted palette. The stark silhouette of a couple dressed in black stands out against the sketchily rendered surroundings. Buildings and other forms appear dematerialized in the hazy effects of inclement weather, although the distinct
RM2DC8T8R–Ercole de' Roberti, (artist), Ferrarese, c. 1455/1456 - 1496, Ginevra Bentivoglio, c. 1474/1477, tempera on poplar panel, overall: 53.7 x 38.7 cm (21 1/8 x 15 1/4 in.), framed: 80 x 66 x 7.6 cm (31 1/2 x 26 x 3 in
RMR33MDJ–Andrea Odoni. Dated: c. 1660. Dimensions: plate: 31.5 x 38.5 cm (12 3/8 x 15 3/16 in.) sheet: 32 x 39 cm (12 5/8 x 15 3/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Cornelis Visscher after Lorenzo Lotto.
![Physician's catalogue and price current of homoepathic medicines and books, surgical instruments, and other articles pertaining to a physician's outfit .. . 6 00 9 00 7. X 31 X 11 37 75 (15.1 60. 1075 11035] 6 50 10 00 7 X 31- X 11 38 80 750 5 50 8 50 61X 2i X n 39 90 1035 7 50 12 00 7 X 3f X 11 40 102 834 7 50 12 00 61 X Sk X If HIGH POTENCY CASES. 41 30 635 $2 25 $3 75 4-1 X 42 60 518 3 75 5 50 U X 43 60 635 4 00 7 00 4ix 44 80 630 5 00 8 50 5f X 45 100 635 6 50 10 00 7 X 46 120 635 7 00 12 50 51 X 48 150 635 10 00 15 00 7 X 49* 200 518 10 00 18 00 6 X 2 31 3 3i 3^- 3i 3i X tX iX IxlixHxljxl Stock Photo](https://c8.alamy.com/comp/2AN8KNT/physicians-catalogue-and-price-current-of-homoepathic-medicines-and-books-surgical-instruments-and-other-articles-pertaining-to-a-physicians-outfit-6-00-9-00-7-x-31-x-11-37-75-151-60-1075-11035-6-50-10-00-7-x-31-x-11-38-80-750-5-50-8-50-61x-2i-x-n-39-90-1035-7-50-12-00-7-x-3f-x-11-40-102-834-7-50-12-00-61-x-sk-x-if-high-potency-cases-41-30-635-2-25-3-75-4-1-x-42-60-518-3-75-5-50-u-x-43-60-635-4-00-7-00-4ix-44-80-630-5-00-8-50-5f-x-45-100-635-6-50-10-00-7-x-46-120-635-7-00-12-50-51-x-48-150-635-10-00-15-00-7-x-49-200-518-10-00-18-00-6-x-2-31-3-3i-3-3i-3i-x-tx-ix-ixlixhxljxl-2AN8KNT.jpg "Physician's catalogue and price current of homoepathic medicines and books, surgical instruments, and other articles pertaining to a physician's outfit .. . 6 00 9 00 7. X 31 X 11 37 75 (15.1 60. 1075 11035] 6 50 10 00 7 X 31- X 11 38 80 750 5 50 8 50 61X 2i X n 39 90 1035 7 50 12 00 7 X 3f X 11 40 102 834 7 50 12 00 61 X Sk X If HIGH POTENCY CASES. 41 30 635 $2 25 $3 75 4-1 X 42 60 518 3 75 5 50 U X 43 60 635 4 00 7 00 4ix 44 80 630 5 00 8 50 5f X 45 100 635 6 50 10 00 7 X 46 120 635 7 00 12 50 51 X 48 150 635 10 00 15 00 7 X 49* 200 518 10 00 18 00 6 X 2 31 3 3i 3^- 3i 3i X tX iX IxlixHxljxl Stock Photo")
RM2AN8KNT–Physician's catalogue and price current of homoepathic medicines and books, surgical instruments, and other articles pertaining to a physician's outfit .. . 6 00 9 00 7. X 31 X 11 37 75 (15.1 60. 1075 11035] 6 50 10 00 7 X 31- X 11 38 80 750 5 50 8 50 61X 2i X n 39 90 1035 7 50 12 00 7 X 3f X 11 40 102 834 7 50 12 00 61 X Sk X If HIGH POTENCY CASES. 41 30 635 $2 25 $3 75 4-1 X 42 60 518 3 75 5 50 U X 43 60 635 4 00 7 00 4ix 44 80 630 5 00 8 50 5f X 45 100 635 6 50 10 00 7 X 46 120 635 7 00 12 50 51 X 48 150 635 10 00 15 00 7 X 49* 200 518 10 00 18 00 6 X 2 31 3 3i 3^- 3i 3i X tX iX IxlixHxljxl
RM2M92DB4–Fifth Avenue Everett Shinn (American, 1876-1953). Fifth Avenue, 1910. Pastel on beige, moderately thick, moderately textured laid paper., 12 3/8 x 15 1/4 in. (31.4 x 38.7 cm). Always fascinated by the urban spectacle, Everett Shinn here captured the misty atmosphere of a rainy day along New York City’s Fifth Avenue with broad strokes of thinly layered pastels in a muted palette. The stark silhouette of a couple dressed in black stands out against the sketchily rendered surroundings. Buildings and other forms appear dematerialized in the hazy effects of inclement weather, although the distinct
