Egypt, shards, pot, pottery, Nr 1: 8.0x 3.2 cm, Ø = 34 cm, Nr 2, 8.3 x 8.6 cm, Ø = 28 cm, Nr 3, 7.4 x 4.7 cm, Ø = 20, Nr, 4, 5.2 x 5.1 cm, No. 5, 5.9 x 4.4 cm, Ø = 10 cm, No. 6, 9.4 x 3.3 cm, Ø = 18, No. 7, 9.6 x 6.8 cm, No. 8, 7.1 x 7.3 cm, Ø =, 19 cm, No. 9, 4.1 x 2.5 cm, Ø = 21, No. 10, 8.4 x 6.5 c, Meroitic Period, 2nd-4th century AD, Egypt
Egypt, shards, pot, pottery, Nr 1: 8.0x 3.2 cm, Ø = 34 cm, Nr 2, 8.3 x 8.6 cm, Ø = 28 cm, Nr 3, 7.4 x 4.7 cm, Ø = 20, Nr, 4, 5.2 x 5.1 cm, No. 5, 5.9 x 4.4 cm, Ø = 10 cm, No. 6, 9.4 x 3.3 cm, Ø = 18, No. 7, 9.6 x 6.8 cm, No. 8, 7.1 x 7.3 cm, Ø =, 19 cm, No. 9, 4.1 x 2.5 cm, Ø = 21, No. 10, 8.4 x 6.5 c, Meroitic Period, 2nd-4th century AD, Egypt https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/egypt-shards-pot-pottery-nr-1-80x-32-cm-=-34-cm-nr-2-83-x-86-cm-=-28-cm-nr-3-74-x-47-cm-=-20-nr-4-52-x-51-cm-no-5-59-x-44-cm-=-10-cm-no-6-94-x-33-cm-=-18-no-7-96-x-68-cm-no-8-71-x-73-cm-=-19-cm-no-9-41-x-25-cm-=-21-no-10-84-x-65-c-meroitic-period-2nd-4th-century-ad-egypt-image344513790.html
The Skeletons; Italy, 1518-25 Prints; engravings Engraving a) Sheet: 11 3/8 x 17 1/8 in. (28.89 x 43.5 cm); b) Sheet: 13 3/4 x 19 3/4 in. (34.93 x 50.17 cm) Mary Stansbury Ruiz Bequest (M.88.91.20a) Prints and Drawings; between 1518 and 1525 date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1518-00-00T00:00:00Z/9,P1326,+1525-00-00T00:00:00Z/9;
The Skeletons; Italy, 1518-25 Prints; engravings Engraving a) Sheet: 11 3/8 x 17 1/8 in. (28.89 x 43.5 cm); b) Sheet: 13 3/4 x 19 3/4 in. (34.93 x 50.17 cm) Mary Stansbury Ruiz Bequest (M.88.91.20a) Prints and Drawings; between 1518 and 1525 date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1518-00-00T00:00:00Z/9,P1326,+1525-00-00T00:00:00Z/9; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-skeletons-italy-1518-25-prints-engravings-engraving-a-sheet-11-38-x-17-18-in-2889-x-435-cm-b-sheet-13-34-x-19-34-in-3493-x-5017-cm-mary-stansbury-ruiz-bequest-m889120a-prints-and-drawings-between-1518-and-1525-date-qsp5711550-00-00t000000z7p13191518-00-00t000000z9p13261525-00-00t000000z9-image257220142.html
published in le Charivari (no 6 octobre 1842): Ancient History, plate 28: The Passage of Hannibal, 6 October 1842. Honoré Daumier (French, 1808-1879), Aubert. Lithograph; sheet: 34 x 25.5 cm (13 3/8 x 10 1/16 in.); image: 24.4 x 20.3 cm (9 5/8 x 8 in
published in le Charivari (no 6 octobre 1842): Ancient History, plate 28: The Passage of Hannibal, 6 October 1842. Honoré Daumier (French, 1808-1879), Aubert. Lithograph; sheet: 34 x 25.5 cm (13 3/8 x 10 1/16 in.); image: 24.4 x 20.3 cm (9 5/8 x 8 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/published-in-le-charivari-no-6-octobre-1842-ancient-history-plate-28-the-passage-of-hannibal-6-october-1842-honor-daumier-french-1808-1879-aubert-lithograph-sheet-34-x-255-cm-13-38-x-10-116-in-image-244-x-203-cm-9-58-x-8-in-image240456136.html
Funerary Sculpture of a Standing Man; China, Western Han dynasty, 206 B.C.-25 A.D. Sculpture Molded earthenware with slip and traces of paint a) Head: 5 x 5 1/4 x 4 1/2 in. (12.7 x 13.34 x 11.43 cm); b) Body: 28 3/8 x 11 x 5 3/4 in. (72.07 x 27.94 x 14.61 cm); Overall: 29 1/2 x 11 x 5 3/4 in. (74.93 x 27.94 x 14.61 cm) Gift of Terry and Lionel Bell in honor of the museum's twenty-fifth anniversary (M.2003.216.1a-b) Chinese Art; 206 B.C.-25 A.D.;
Funerary Sculpture of a Standing Man; China, Western Han dynasty, 206 B.C.-25 A.D. Sculpture Molded earthenware with slip and traces of paint a) Head: 5 x 5 1/4 x 4 1/2 in. (12.7 x 13.34 x 11.43 cm); b) Body: 28 3/8 x 11 x 5 3/4 in. (72.07 x 27.94 x 14.61 cm); Overall: 29 1/2 x 11 x 5 3/4 in. (74.93 x 27.94 x 14.61 cm) Gift of Terry and Lionel Bell in honor of the museum's twenty-fifth anniversary (M.2003.216.1a-b) Chinese Art; 206 B.C.-25 A.D.; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/funerary-sculpture-of-a-standing-man-china-western-han-dynasty-206-bc-25-ad-sculpture-molded-earthenware-with-slip-and-traces-of-paint-a-head-5-x-5-14-x-4-12-in-127-x-1334-x-1143-cm-b-body-28-38-x-11-x-5-34-in-7207-x-2794-x-1461-cm-overall-29-12-x-11-x-5-34-in-7493-x-2794-x-1461-cm-gift-of-terry-and-lionel-bell-in-honor-of-the-museums-twenty-fifth-anniversary-m20032161a-b-chinese-art-206-bc-25-ad-image257010009.html
Plaque with Figure Holding a Sword. Period: Gupta period; Date: 5th century; Culture: India; Medium: Terracotta; Dimensions: H. 13 3/8 in. (34 cm);
Plaque with Figure Holding a Sword. Period: Gupta period; Date: 5th century; Culture: India; Medium: Terracotta; Dimensions: H. 13 3/8 in. (34 cm); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-plaque-with-figure-holding-a-sword-period-gupta-period-date-5th-century-168161441.html
Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 3 of 3); Japan, 1895 Prints; woodcuts Color woodbk print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00:
Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 3 of 3); Japan, 1895 Prints; woodcuts Color woodbk print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fierce-battle-at-jilong-taiwan-in-the-sino-japanese-war-image-3-of-3-japan-1895-prints-woodcuts-color-woodbk-print-triptych-a-image-13-34-x-9-38-in-3493-x-2381-cm-a-sheet-14-14-x-9-34-in-3620-x-2477-cm-b-image-14-516-x-9-516-in-3635-x-2365-cm-b-sheet-14-516-x-9-34-in-3635-x-2477-cm-c-image-14-x-9-716-in-3556-x-2397-cm-c-sheet-14-38-x-9-1316-in-3652-x-2492-cm-a-c-overall-14-12-x-28-12-in-3683-x-7239-cm-gift-of-arthur-and-fran-sherwood-m200715275a-c-japanese-art-1895date-qsp5711895-00-00t0000-image256999477.html
Piece. Date: 18th century; Culture: French; Medium: Silk; Dimensions: L. 13 1/2 x W. 11 1/4 (34.3 x 28.6 cm); Classification: Textiles-Woven; Credit
Piece. Date: 18th century; Culture: French; Medium: Silk; Dimensions: L. 13 1/2 x W. 11 1/4 (34.3 x 28.6 cm); Classification: Textiles-Woven; Credit https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-piece-date-18th-century-culture-french-medium-silk-dimensions-l-13-168131704.html
Chamber Table MET 146702 1929 American, Chamber Table, 1650?1700, Oak, pine, maple, 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1949 (49.155.2)
Chamber Table MET 146702 1929 American, Chamber Table, 1650?1700, Oak, pine, maple, 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1949 (49.155.2) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-chamber-table-met-146702-1929-american-chamber-table-16501700-oak-167906303.html
Fragment. Date: 3rd-4th century; Geography: Made in Egypt; Medium: Wool, linen; plain weave, tapestry weave; Dimensions: 13 3/8 in. high 11 1/4 in.
Fragment. Date: 3rd-4th century; Geography: Made in Egypt; Medium: Wool, linen; plain weave, tapestry weave; Dimensions: 13 3/8 in. high 11 1/4 in. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-fragment-date-3rd-4th-century-geography-made-in-egypt-medium-wool-168135161.html
Chamber Table MET 196465 1929 American, Chamber Table, 1650?1700, Oak, pine, maple, 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1949 (49.155.2)
Chamber Table MET 196465 1929 American, Chamber Table, 1650?1700, Oak, pine, maple, 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1949 (49.155.2) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-chamber-table-met-196465-1929-american-chamber-table-16501700-oak-167906216.html
http://www.metmuseum.org/art/collection/search/55327 Artist: Utagawa Hiroshige III, Japanese, 1843?1894, Illustration of the Museum at the Second National Industrial Exhibition in Ueno, from the series Famous Places in Tokyo (Tokyo meisho-Ueno koen naikoku kangyo daini hakurankai bijutsukan zu), 1881, Triptych of polychrome woodblock prints; ink and color on paper, 13 3/4 x 28 1/8 in. (34.9 x 71.4 cm). The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1959 (JP3267)
http://www.metmuseum.org/art/collection/search/55327 Artist: Utagawa Hiroshige III, Japanese, 1843?1894, Illustration of the Museum at the Second National Industrial Exhibition in Ueno, from the series Famous Places in Tokyo (Tokyo meisho-Ueno koen naikoku kangyo daini hakurankai bijutsukan zu), 1881, Triptych of polychrome woodblock prints; ink and color on paper, 13 3/4 x 28 1/8 in. (34.9 x 71.4 cm). The Metropolitan Museum of Art, New York. Gift of Lincoln Kirstein, 1959 (JP3267) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/httpwwwmetmuseumorgartcollectionsearch55327-artist-utagawa-hiroshige-iii-japanese-18431894-illustration-of-the-museum-at-the-second-national-industrial-exhibition-in-ueno-from-the-series-famous-places-in-tokyo-tokyo-meisho-ueno-koen-naikoku-kangyo-daini-hakurankai-bijutsukan-zu-1881-triptych-of-polychrome-woodblock-prints-ink-and-color-on-paper-13-34-x-28-18-in-349-x-714-cm-the-metropolitan-museum-of-art-new-york-gift-of-lincoln-kirstein-1959-jp3267-image387411394.html
Chamber Table MET 146701 1929 American, Chamber Table, 1650?1700, Oak, pine, maple, 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1949 (49.155.2)
Chamber Table MET 146701 1929 American, Chamber Table, 1650?1700, Oak, pine, maple, 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1949 (49.155.2) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-chamber-table-met-146701-1929-american-chamber-table-16501700-oak-168198677.html
. English: Hva Shang, and Lokapalas Virudhaka and Dhrtarashta, from a six-part set of Arhat Immortal Thangkas. Mineral pigments on sized cotton, H x W (overall): 144.8 x 78.7 cm (57 x 31 in), H x W (painting): 61 x 34.3 cm (24 x 13 1/2 in). Tsang, Central Tibet, from the Alice S. Kandell Collection. Accession Number: S2013.28.4. . 19th century. Unknown Hva Shang, and Lokapalas Virudhaka and Dhrtarashta, FS-7620 07
. English: Hva Shang, and Lokapalas Virudhaka and Dhrtarashta, from a six-part set of Arhat Immortal Thangkas. Mineral pigments on sized cotton, H x W (overall): 144.8 x 78.7 cm (57 x 31 in), H x W (painting): 61 x 34.3 cm (24 x 13 1/2 in). Tsang, Central Tibet, from the Alice S. Kandell Collection. Accession Number: S2013.28.4. . 19th century. Unknown Hva Shang, and Lokapalas Virudhaka and Dhrtarashta, FS-7620 07 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-hva-shang-and-lokapalas-virudhaka-and-dhrtarashta-from-a-six-part-set-of-arhat-immortal-thangkas-mineral-pigments-on-sized-cotton-h-x-w-overall-1448-x-787-cm-57-x-31-in-h-x-w-painting-61-x-343-cm-24-x-13-12-in-tsang-central-tibet-from-the-alice-s-kandell-collection-accession-number-s2013284-19th-century-unknown-hva-shang-and-lokapalas-virudhaka-and-dhrtarashta-fs-7620-07-image184774402.html
Card Table MET 41753 1418 American, Card Table, 1765?90, Mahogany, mahogany veneer, red oak, yellow pine, cedar, 28 3/4 x 35 x 34 in. (73 x 88.9 x 86.4 cm). The Metropolitan Museum of Art, New York. John Stewart Kennedy Fund, 1918 (18.110.10)
Card Table MET 41753 1418 American, Card Table, 1765?90, Mahogany, mahogany veneer, red oak, yellow pine, cedar, 28 3/4 x 35 x 34 in. (73 x 88.9 x 86.4 cm). The Metropolitan Museum of Art, New York. John Stewart Kennedy Fund, 1918 (18.110.10) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-card-table-met-41753-1418-american-card-table-176590-mahogany-mahogany-168198120.html
'The Skeletons; English: Italy, 1518-25 Prints; engravings Engraving a) Sheet: 11 3/8 x 17 1/8 in. (28.89 x 43.5 cm); b) Sheet: 13 3/4 x 19 3/4 in. (34.93 x 50.17 cm) Mary Stansbury Ruiz Bequest (M.88.91.20a) Prints and Drawings; between 1518 and 1525 date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1518-00-00T00:00:00Z/9,P1326,+1525-00-00T00:00:00Z/9; '
'The Skeletons; English: Italy, 1518-25 Prints; engravings Engraving a) Sheet: 11 3/8 x 17 1/8 in. (28.89 x 43.5 cm); b) Sheet: 13 3/4 x 19 3/4 in. (34.93 x 50.17 cm) Mary Stansbury Ruiz Bequest (M.88.91.20a) Prints and Drawings; between 1518 and 1525 date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1518-00-00T00:00:00Z/9,P1326,+1525-00-00T00:00:00Z/9; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-skeletons-english-italy-1518-25-prints-engravings-engraving-a-sheet-11-38-x-17-18-in-2889-x-435-cm-b-sheet-13-34-x-19-34-in-3493-x-5017-cm-mary-stansbury-ruiz-bequest-m889120a-prints-and-drawings-between-1518-and-1525-date-qsp5711550-00-00t000000z7p13191518-00-00t000000z9p13261525-00-00t000000z9-image349849503.html
Fragment of a terracotta relief with two horses MET DP315678 251227 Greek, South Italian, Fragment of a terracotta relief with two horses, 6th century B.C., Terracotta, Overall: 13 1/2 x 11 1/4 in. (34.3 x 28.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.139.54)
Fragment of a terracotta relief with two horses MET DP315678 251227 Greek, South Italian, Fragment of a terracotta relief with two horses, 6th century B.C., Terracotta, Overall: 13 1/2 x 11 1/4 in. (34.3 x 28.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1922 (22.139.54) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-fragment-of-a-terracotta-relief-with-two-horses-met-dp315678-251227-168040759.html
Jean (Hans) Arp. (French, born Germany (Alsace). 1886-1966). Eierschläger (Egg Beater), plate 6 from 7 Arpaden von Hans Arp. 1923. One from a portfolio of seven lithographs, composition (irreg.): 16 7/8 x 11 5/16' (42.9 x 28.7 cm); sheet: 17 3/4 x 13 3/4' (45.1 x 34.9 cm). Publisher: Merzverlag(Kurt Schwitters), Hannover, Germany. Printer: unknown. Edition: 50. Gift of J. B. Neumann. © 2008 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Jean (Hans) Arp. (French, born Germany (Alsace). 1886-1966). Eierschläger (Egg Beater), plate 6 from 7 Arpaden von Hans Arp. 1923. One from a portfolio of seven lithographs, composition (irreg.): 16 7/8 x 11 5/16' (42.9 x 28.7 cm); sheet: 17 3/4 x 13 3/4' (45.1 x 34.9 cm). Publisher: Merzverlag(Kurt Schwitters), Hannover, Germany. Printer: unknown. Edition: 50. Gift of J. B. Neumann. © 2008 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-jean-hans-arp-french-born-germany-alsace-1886-1966-eierschlger-egg-166919311.html
Card Table MET 80811 1422 American, Card Table, ca. 1800, Mahogany, satinwood, holly, ebony, white pine, 28 1/4 x 34 x 35 3/4 in. (71.8 x 86.4 x 90.8 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1930 (30.120.64)
Card Table MET 80811 1422 American, Card Table, ca. 1800, Mahogany, satinwood, holly, ebony, white pine, 28 1/4 x 34 x 35 3/4 in. (71.8 x 86.4 x 90.8 cm). The Metropolitan Museum of Art, New York. The Sylmaris Collection, Gift of George Coe Graves, 1930 (30.120.64) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-card-table-met-80811-1422-american-card-table-ca-1800-mahogany-satinwood-167905727.html
'Funerary Sculpture of a Standing Man; English: China, Western Han dynasty, 206 B.C.-25 A.D. Sculpture Molded earthenware with slip and traces of paint a) Head: 5 x 5 1/4 x 4 1/2 in. (12.7 x 13.34 x 11.43 cm); b) Body: 28 3/8 x 11 x 5 3/4 in. (72.07 x 27.94 x 14.61 cm); Overall: 29 1/2 x 11 x 5 3/4 in. (74.93 x 27.94 x 14.61 cm) Gift of Terry and Lionel Bell in honor of the museum's twenty-fifth anniversary (M.2003.216.1a-b) Chinese Art; 206 B.C.-25 A.D.; '
'Funerary Sculpture of a Standing Man; English: China, Western Han dynasty, 206 B.C.-25 A.D. Sculpture Molded earthenware with slip and traces of paint a) Head: 5 x 5 1/4 x 4 1/2 in. (12.7 x 13.34 x 11.43 cm); b) Body: 28 3/8 x 11 x 5 3/4 in. (72.07 x 27.94 x 14.61 cm); Overall: 29 1/2 x 11 x 5 3/4 in. (74.93 x 27.94 x 14.61 cm) Gift of Terry and Lionel Bell in honor of the museum's twenty-fifth anniversary (M.2003.216.1a-b) Chinese Art; 206 B.C.-25 A.D.; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/funerary-sculpture-of-a-standing-man-english-china-western-han-dynasty-206-bc-25-ad-sculpture-molded-earthenware-with-slip-and-traces-of-paint-a-head-5-x-5-14-x-4-12-in-127-x-1334-x-1143-cm-b-body-28-38-x-11-x-5-34-in-7207-x-2794-x-1461-cm-overall-29-12-x-11-x-5-34-in-7493-x-2794-x-1461-cm-gift-of-terry-and-lionel-bell-in-honor-of-the-museums-twenty-fifth-anniversary-m20032161a-b-chinese-art-206-bc-25-ad-image349485668.html
Arrowhead (YanonC493) MET LC-32 75 528-001 23598 Japanese, Arrowhead (Yanone), 18th century, Steel, L. 11 1/4 in. (28.6 cm); L. of head 2 11/16 in. (6.8 cm); W. 1 3/8 in. (3.5 cm); Wt. 1.2 oz. (34 g). The Metropolitan Museum of Art, New York. The Collection of Giovanni P. Morosini, presented by his daughter Giulia, 1932 (32.75.528)
Arrowhead (YanonC493) MET LC-32 75 528-001 23598 Japanese, Arrowhead (Yanone), 18th century, Steel, L. 11 1/4 in. (28.6 cm); L. of head 2 11/16 in. (6.8 cm); W. 1 3/8 in. (3.5 cm); Wt. 1.2 oz. (34 g). The Metropolitan Museum of Art, New York. The Collection of Giovanni P. Morosini, presented by his daughter Giulia, 1932 (32.75.528) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-arrowhead-yanonc493-met-lc-32-75-528-001-23598-japanese-arrowhead-168092640.html
'Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 3 of 3); English: Japan, 1895 Prints; woodcuts Color woodblock print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00:
'Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 3 of 3); English: Japan, 1895 Prints; woodcuts Color woodblock print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fierce-battle-at-jilong-taiwan-in-the-sino-japanese-war-image-3-of-3-english-japan-1895-prints-woodcuts-color-woodblock-print-triptych-a-image-13-34-x-9-38-in-3493-x-2381-cm-a-sheet-14-14-x-9-34-in-3620-x-2477-cm-b-image-14-516-x-9-516-in-3635-x-2365-cm-b-sheet-14-516-x-9-34-in-3635-x-2477-cm-c-image-14-x-9-716-in-3556-x-2397-cm-c-sheet-14-38-x-9-1316-in-3652-x-2492-cm-a-c-overall-14-12-x-28-12-in-3683-x-7239-cm-gift-of-arthur-and-fran-sherwood-m200715275a-c-japanese-art-1895date-qsp5711895-00-00t0000-image349457870.html
Published in le Charivari (28 February 1850): Actualities (No. 81): The Arrival in Alsace of the extraordinary commissioner, Coco Romieu, 1850. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 24.3 x 34.9 cm (9 9/16 x 13 3/4 in.); image: 21.6 x 26.8 cm (8 1/2 x 10 9/16 in
Published in le Charivari (28 February 1850): Actualities (No. 81): The Arrival in Alsace of the extraordinary commissioner, Coco Romieu, 1850. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 24.3 x 34.9 cm (9 9/16 x 13 3/4 in.); image: 21.6 x 26.8 cm (8 1/2 x 10 9/16 in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/published-in-le-charivari-28-february-1850-actualities-no-81-the-arrival-in-alsace-of-the-extraordinary-commissioner-coco-romieu-1850-honor-daumier-french-1808-1879-lithograph-sheet-243-x-349-cm-9-916-x-13-34-in-image-216-x-268-cm-8-12-x-10-916-in-image240427899.html
Boat Carrying Captives from Nubia, Tomb of Huy MET LC-30 4 20 EGDP025026 557784 Artist: Charles K. Wilkinson, Boat Carrying Captives from Nubia, Tomb of Huy, ca. 1353?1327 B.C., Tempera on paper, Facsimile: H. 32 ? W. 71 cm (12 5/8 ? 27 15/16 in.); Framed: H. 34 ? W. 72.4 cm (13 3/8 ? 28 1/2 in.); Scale. 1:1. The Metropolitan Museum of Art, New York. Rogers Fund, 1930 (30.4.20)
Boat Carrying Captives from Nubia, Tomb of Huy MET LC-30 4 20 EGDP025026 557784 Artist: Charles K. Wilkinson, Boat Carrying Captives from Nubia, Tomb of Huy, ca. 1353?1327 B.C., Tempera on paper, Facsimile: H. 32 ? W. 71 cm (12 5/8 ? 27 15/16 in.); Framed: H. 34 ? W. 72.4 cm (13 3/8 ? 28 1/2 in.); Scale. 1:1. The Metropolitan Museum of Art, New York. Rogers Fund, 1930 (30.4.20) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-boat-carrying-captives-from-nubia-tomb-of-huy-met-lc-30-4-20-egdp025026-168092910.html
The Dutch School, Print made by Isaac Beckett, 1652/3–1719, British, after Egbert van Heemskerck the Elder, ca. 1634–1704, Dutch, Published by Isaac Beckett, 1652/3–1719, British, between 1683 and 1688, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 9/16 x 10 1/4 inches (34.4 x 26 cm), Plate: 12 x 9 1/8 inches (30.5 x 23.1 cm), and Image: 11 1/8 x 9 inches (28.2 x 22.8 cm), aprons (main garments), bench, boys, chair, classroom, coat, collars (neckwear), crouching, crying, desk, Dutch, education, genre subject, gesture, girls, ink bottles, interior, lamp, papers, quill
The Dutch School, Print made by Isaac Beckett, 1652/3–1719, British, after Egbert van Heemskerck the Elder, ca. 1634–1704, Dutch, Published by Isaac Beckett, 1652/3–1719, British, between 1683 and 1688, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 9/16 x 10 1/4 inches (34.4 x 26 cm), Plate: 12 x 9 1/8 inches (30.5 x 23.1 cm), and Image: 11 1/8 x 9 inches (28.2 x 22.8 cm), aprons (main garments), bench, boys, chair, classroom, coat, collars (neckwear), crouching, crying, desk, Dutch, education, genre subject, gesture, girls, ink bottles, interior, lamp, papers, quill https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-dutch-school-print-made-by-isaac-beckett-165231719-british-after-egbert-van-heemskerck-the-elder-ca-16341704-dutch-published-by-isaac-beckett-165231719-british-between-1683-and-1688-mezzotint-on-medium-moderately-textured-cream-laid-paper-sheet-13-916-x-10-14-inches-344-x-26-cm-plate-12-x-9-18-inches-305-x-231-cm-and-image-11-18-x-9-inches-282-x-228-cm-aprons-main-garments-bench-boys-chair-classroom-coat-collars-neckwear-crouching-crying-desk-dutch-education-genre-subject-gesture-girls-ink-bottles-interior-lamp-papers-quill-image389647905.html
Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 2 of 3); Japan, 1895 Prints; woodcuts Color woodbk print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00:
Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 2 of 3); Japan, 1895 Prints; woodcuts Color woodbk print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fierce-battle-at-jilong-taiwan-in-the-sino-japanese-war-image-2-of-3-japan-1895-prints-woodcuts-color-woodbk-print-triptych-a-image-13-34-x-9-38-in-3493-x-2381-cm-a-sheet-14-14-x-9-34-in-3620-x-2477-cm-b-image-14-516-x-9-516-in-3635-x-2365-cm-b-sheet-14-516-x-9-34-in-3635-x-2477-cm-c-image-14-x-9-716-in-3556-x-2397-cm-c-sheet-14-38-x-9-1316-in-3652-x-2492-cm-a-c-overall-14-12-x-28-12-in-3683-x-7239-cm-gift-of-arthur-and-fran-sherwood-m200715275a-c-japanese-art-1895date-qsp5711895-00-00t0000-image256999492.html
After Winslow Homer, American, 1836–1910, Watch Tower, Corner of Spring and Varick Streets, New York, From Harper's Weekly, vol. 18, 28 Feb. 1874, Wood engraving on newsprint, Image: 13 3/4 x 9 3/16 in. (34.9 x 23.3 cm
After Winslow Homer, American, 1836–1910, Watch Tower, Corner of Spring and Varick Streets, New York, From Harper's Weekly, vol. 18, 28 Feb. 1874, Wood engraving on newsprint, Image: 13 3/4 x 9 3/16 in. (34.9 x 23.3 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/after-winslow-homer-american-18361910-watch-tower-corner-of-spring-and-varick-streets-new-york-from-harpers-weekly-vol-18-28-feb-1874-wood-engraving-on-newsprint-image-13-34-x-9-316-in-349-x-233-cm-image344573895.html
Every Man Has His Hobby Horse MET DP871767 735375 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: William Humphrey, British, 1742??before 1814, Subject: Charles James Fox, British, 1749?1806, Subject: Georgiana Cavendish, Duchess of Devonshire, British, Wimbledon, Surrey 1757?1806 Devonshire, Every Man Has His Hobby Horse, May 1, 1784, Hand-colored etching, Sheet: 11 1/16 ? 14 5/8 in. (28.1 ? 37.2 cm) Plate: 9 3/4 ? 13 11/16 in. (24.8 ? 34.7 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.67)
Every Man Has His Hobby Horse MET DP871767 735375 Artist: Thomas Rowlandson, British, London 1757?1827 London, Publisher: William Humphrey, British, 1742??before 1814, Subject: Charles James Fox, British, 1749?1806, Subject: Georgiana Cavendish, Duchess of Devonshire, British, Wimbledon, Surrey 1757?1806 Devonshire, Every Man Has His Hobby Horse, May 1, 1784, Hand-colored etching, Sheet: 11 1/16 ? 14 5/8 in. (28.1 ? 37.2 cm) Plate: 9 3/4 ? 13 11/16 in. (24.8 ? 34.7 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.533.67) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-every-man-has-his-hobby-horse-met-dp871767-735375-artist-thomas-rowlandson-168093198.html
After Winslow Homer, American, 1836–1910, Great Fair Given at the City Assembly Rooms, New York, December, 1861, in Aid of the City Poor, From Harper's Weekly, vol. 5, 28 Dec. 1861, Wood engraving on newsprint, Image: 13 3/8 x 20 1/4 in. (34 x 51.5 cm
After Winslow Homer, American, 1836–1910, Great Fair Given at the City Assembly Rooms, New York, December, 1861, in Aid of the City Poor, From Harper's Weekly, vol. 5, 28 Dec. 1861, Wood engraving on newsprint, Image: 13 3/8 x 20 1/4 in. (34 x 51.5 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/after-winslow-homer-american-18361910-great-fair-given-at-the-city-assembly-rooms-new-york-december-1861-in-aid-of-the-city-poor-from-harpers-weekly-vol-5-28-dec-1861-wood-engraving-on-newsprint-image-13-38-x-20-14-in-34-x-515-cm-image344573504.html
Arrowhead (Yanone). Date: 18th century; Culture: Japanese; Medium: Steel; Dimensions: L. 11 1/4 in. (28.6 cm); L. of head 2 11/16 in. (6.8 cm); W. 1
Arrowhead (Yanone). Date: 18th century; Culture: Japanese; Medium: Steel; Dimensions: L. 11 1/4 in. (28.6 cm); L. of head 2 11/16 in. (6.8 cm); W. 1 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arrowhead-yanone-date-18th-century-culture-japanese-medium-steel-dimensions-l-11-14-in-286-cm-l-of-head-2-1116-in-68-cm-w-1-image282641842.html
Thomas Howard, 21st Earl of Arundel and Alethea Howard (née Talbot), 13th Baroness Furnival, Countess of Arundel, Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), 1624-1629, Engraving on thick, moderately textured, cream, laid paper, Sheet: 12 9/16 × 17 7/8 inches (31.9 × 45.4 cm) and Image: 11 3/16 × 16 3/4 inches (28.4 × 42.5 cm
Thomas Howard, 21st Earl of Arundel and Alethea Howard (née Talbot), 13th Baroness Furnival, Countess of Arundel, Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), 1624-1629, Engraving on thick, moderately textured, cream, laid paper, Sheet: 12 9/16 × 17 7/8 inches (31.9 × 45.4 cm) and Image: 11 3/16 × 16 3/4 inches (28.4 × 42.5 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/thomas-howard-21st-earl-of-arundel-and-alethea-howard-ne-talbot-13th-baroness-furnival-countess-of-arundel-lucas-vorsterman-15951675-flemish-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-1624-1629-engraving-on-thick-moderately-textured-cream-laid-paper-sheet-12-916-17-78-inches-319-454-cm-and-image-11-316-16-34-inches-284-425-cm-image389668081.html
Bathhouse (Bath of the Anabaptists), 1540/50, copperplate, plate: 33.7 x 28.4 cm |, Leaf: 34.4 x 29.3 cm, monogrammed in the M.: .AG ., u, ., M .: VS [lig.], Virgil Solis, Nürnberg 1514–1562 Nürnberg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Bathhouse (Bath of the Anabaptists), 1540/50, copperplate, plate: 33.7 x 28.4 cm |, Leaf: 34.4 x 29.3 cm, monogrammed in the M.: .AG ., u, ., M .: VS [lig.], Virgil Solis, Nürnberg 1514–1562 Nürnberg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bathhouse-bath-of-the-anabaptists-154050-copperplate-plate-337-x-284-cm-leaf-344-x-293-cm-monogrammed-in-the-m-ag-u-m-vs-lig-virgil-solis-nrnberg-15141562-nrnberg-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349807788.html
The Springbok (Afrikaans and Dutch: spring = jump; bok = antelope or goat) Antidorcas marsupialis
The Springbok (Afrikaans and Dutch: spring = jump; bok = antelope or goat) Antidorcas marsupialis https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-springbok-afrikaans-and-dutch-spring-=-jump-bok-=-antelope-or-36581993.html
Chamber Table. Culture: American. Dimensions: 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). Date: 1650-1700. Museum: Metropolitan Museum of Art, New York, USA.
Chamber Table. Culture: American. Dimensions: 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). Date: 1650-1700. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chamber-table-culture-american-dimensions-34-14-x-28-x-15-34-in-87-x-711-x-40-cm-date-1650-1700-museum-metropolitan-museum-of-art-new-york-usa-image212880482.html
. English: Creation Date: ca. 1840 Display Dimensions: 9 19/32 in. x 13 3/8 in. (24.4 cm x 34 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.837 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:28:48. English: thesandiegomuseumofartcollection 1274 Worship of Sri Nathji (6124567259)
. English: Creation Date: ca. 1840 Display Dimensions: 9 19/32 in. x 13 3/8 in. (24.4 cm x 34 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.837 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 6 September 2011, 14:28:48. English: thesandiegomuseumofartcollection 1274 Worship of Sri Nathji (6124567259) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-creation-date-ca-1840-display-dimensions-9-1932-in-x-13-38-in-244-cm-x-34-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990837-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-6-september-2011-142848-english-thesandiegomuseumofartcollection-1274-worship-of-sri-nathji-6124567259-image185615159.html
Chamber Table MET 85J ACF3106R6 1929 American, Chamber Table, 1650?1700, Oak, pine, maple, 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1949 (49.155.2)
Chamber Table MET 85J ACF3106R6 1929 American, Chamber Table, 1650?1700, Oak, pine, maple, 34 1/4 x 28 x 15 3/4 in. (87 x 71.1 x 40 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. J. Insley Blair, 1949 (49.155.2) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-chamber-table-met-85j-acf3106r6-1929-american-chamber-table-16501700-168109376.html
New forms of instruments for showing the presence and amount of combustible gas in the air . verswho have proposed formulas for expressing the observed values.The most generally accepted formulas are those due to Langmuir4and to Lorenz.5 In Fig. 4 are plotted the observed average heat loss per centi-meter from 3.8, 14, and 31 cm lengths of wire C and an 11 cmlength of wire A. As checks upon these observations the heat 8 Langmuir. Jour. Amer. Chem. Soc. 28, p. 1357, 1906. 6 Ann. Phys., 13, p. 582. * Physical Review, 34, p. 401. Weaver!Weibel J Combustible Gas Detectors 59 loss from the larger w
New forms of instruments for showing the presence and amount of combustible gas in the air . verswho have proposed formulas for expressing the observed values.The most generally accepted formulas are those due to Langmuir4and to Lorenz.5 In Fig. 4 are plotted the observed average heat loss per centi-meter from 3.8, 14, and 31 cm lengths of wire C and an 11 cmlength of wire A. As checks upon these observations the heat 8 Langmuir. Jour. Amer. Chem. Soc. 28, p. 1357, 1906. 6 Ann. Phys., 13, p. 582. * Physical Review, 34, p. 401. Weaver!Weibel J Combustible Gas Detectors 59 loss from the larger w https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/new-forms-of-instruments-for-showing-the-presence-and-amount-of-combustible-gas-in-the-air-verswho-have-proposed-formulas-for-expressing-the-observed-valuesthe-most-generally-accepted-formulas-are-those-due-to-langmuir4and-to-lorenz5-in-fig-4-are-plotted-the-observed-average-heat-loss-per-centi-meter-from-38-14-and-31-cm-lengths-of-wire-c-and-an-11-cmlength-of-wire-a-as-checks-upon-these-observations-the-heat-8-langmuir-jour-amer-chem-soc-28-p-1357-1906-6-ann-phys-13-p-582-physical-review-34-p-401-weaver!weibel-j-combustible-gas-detectors-59-loss-from-the-larger-w-image339409782.html
Adoration of the Magi; Andrea Mantegna, Italian (Paduan)
Adoration of the Magi; Andrea Mantegna, Italian (Paduan) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/adoration-of-the-magi-andrea-mantegna-italian-paduan-image60296622.html
'Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 1 of 3); English: Japan, 1895 Prints; woodcuts Color woodblock print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00:
'Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 1 of 3); English: Japan, 1895 Prints; woodcuts Color woodblock print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fierce-battle-at-jilong-taiwan-in-the-sino-japanese-war-image-1-of-3-english-japan-1895-prints-woodcuts-color-woodblock-print-triptych-a-image-13-34-x-9-38-in-3493-x-2381-cm-a-sheet-14-14-x-9-34-in-3620-x-2477-cm-b-image-14-516-x-9-516-in-3635-x-2365-cm-b-sheet-14-516-x-9-34-in-3635-x-2477-cm-c-image-14-x-9-716-in-3556-x-2397-cm-c-sheet-14-38-x-9-1316-in-3652-x-2492-cm-a-c-overall-14-12-x-28-12-in-3683-x-7239-cm-gift-of-arthur-and-fran-sherwood-m200715275a-c-japanese-art-1895date-qsp5711895-00-00t0000-image349457876.html
Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 1 of 3); Japan, 1895 Prints; woodcuts Color woodbk print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00:
Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 1 of 3); Japan, 1895 Prints; woodcuts Color woodbk print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fierce-battle-at-jilong-taiwan-in-the-sino-japanese-war-image-1-of-3-japan-1895-prints-woodcuts-color-woodbk-print-triptych-a-image-13-34-x-9-38-in-3493-x-2381-cm-a-sheet-14-14-x-9-34-in-3620-x-2477-cm-b-image-14-516-x-9-516-in-3635-x-2365-cm-b-sheet-14-516-x-9-34-in-3635-x-2477-cm-c-image-14-x-9-716-in-3556-x-2397-cm-c-sheet-14-38-x-9-1316-in-3652-x-2492-cm-a-c-overall-14-12-x-28-12-in-3683-x-7239-cm-gift-of-arthur-and-fran-sherwood-m200715275a-c-japanese-art-1895date-qsp5711895-00-00t0000-image256999558.html
Pitcher; England, circa 1810 Furnishings; Serviceware Pearlware (earthenware), silver lustre Height: 5 1/4 in. (13.34 cm); Diameter of base: 3 in. (7.62 cm) Gift of Mrs. Anna Bing Arnold (M.73.28.7) Decorative Arts and Design; circa 1810 date QS:P571,+1810-00-00T00:00:00Z/9,P1480,Q5727902;
Pitcher; England, circa 1810 Furnishings; Serviceware Pearlware (earthenware), silver lustre Height: 5 1/4 in. (13.34 cm); Diameter of base: 3 in. (7.62 cm) Gift of Mrs. Anna Bing Arnold (M.73.28.7) Decorative Arts and Design; circa 1810 date QS:P571,+1810-00-00T00:00:00Z/9,P1480,Q5727902; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pitcher-england-circa-1810-furnishings-serviceware-pearlware-earthenware-silver-lustre-height-5-14-in-1334-cm-diameter-of-base-3-in-762-cm-gift-of-mrs-anna-bing-arnold-m73287-decorative-arts-and-design-circa-1810-date-qsp5711810-00-00t000000z9p1480q5727902-image257183642.html
Arrowhead (Yanone). Date: 18th century; Culture: Japanese; Medium: Steel; Dimensions: L. 11 1/4 in. (28.6 cm); L. of head 2 11/16 in. (6.8 cm); W. 1
Arrowhead (Yanone). Date: 18th century; Culture: Japanese; Medium: Steel; Dimensions: L. 11 1/4 in. (28.6 cm); L. of head 2 11/16 in. (6.8 cm); W. 1 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-arrowhead-yanone-date-18th-century-culture-japanese-medium-steel-dimensions-168130997.html
Scelte a Bolswart, Calcographus Antuerpiæ, Adrian Lommelin, c. 1637–1677, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Line engraving and stipple engraving on moderately thick, moderately textured, blued white, laid paper, Sheet: 11 9/16 × 8 5/16 inches (29.4 × 21.1 cm), Plate: 11 3/16 × 7 13/16 inches (28.4 × 19.8 cm), and Image: 10 × 7 5/8 inches (25.4 × 19.4 cm
Scelte a Bolswart, Calcographus Antuerpiæ, Adrian Lommelin, c. 1637–1677, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Line engraving and stipple engraving on moderately thick, moderately textured, blued white, laid paper, Sheet: 11 9/16 × 8 5/16 inches (29.4 × 21.1 cm), Plate: 11 3/16 × 7 13/16 inches (28.4 × 19.8 cm), and Image: 10 × 7 5/8 inches (25.4 × 19.4 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/scelte-a-bolswart-calcographus-antuerpi-adrian-lommelin-c-16371677-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-ca1635-line-engraving-and-stipple-engraving-on-moderately-thick-moderately-textured-blued-white-laid-paper-sheet-11-916-8-516-inches-294-211-cm-plate-11-316-7-1316-inches-284-198-cm-and-image-10-7-58-inches-254-194-cm-image389665112.html
Period: Kamakura period (1185-1333); Date: ca. 1250; Culture: Japan; Medium: Wood with gold leaf; Dimensions: Overall: H. 34 5/8 in. (87.9 cm); W. 28
Period: Kamakura period (1185-1333); Date: ca. 1250; Culture: Japan; Medium: Wood with gold leaf; Dimensions: Overall: H. 34 5/8 in. (87.9 cm); W. 28 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-period-kamakura-period-1185-1333-date-ca-1250-culture-japan-medium-168181384.html
Man with a Hoe, Jean-François Millet (French, 1814 - 1875), about 1860 - 1862, Black chalk and white chalk heightening on buff paper, 28.1 x 34.9 cm (11 1,16 x 13 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Man with a Hoe, Jean-François Millet (French, 1814 - 1875), about 1860 - 1862, Black chalk and white chalk heightening on buff paper, 28.1 x 34.9 cm (11 1,16 x 13 3,4 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/man-with-a-hoe-jean-franois-millet-french-1814-1875-about-1860-1862-black-chalk-and-white-chalk-heightening-on-buff-paper-281-x-349-cm-11-116-x-13-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350018609.html
Card Table. Culture: American. Dimensions: 28 1/4 x 34 x 35 3/4 in. (71.8 x 86.4 x 90.8 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.
Card Table. Culture: American. Dimensions: 28 1/4 x 34 x 35 3/4 in. (71.8 x 86.4 x 90.8 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/card-table-culture-american-dimensions-28-14-x-34-x-35-34-in-718-x-864-x-908-cm-date-ca-1800-museum-metropolitan-museum-of-art-new-york-usa-image213154341.html
Painting; oil on canvas; overall: 73 x 60.5 cm (28 3/4 x 23 13/16 in.) framed: 100.3 x 87.3 cm (39 1/2 x 34 3/8 in.); 10 George Washington (Vaughan portrait) A33850
Painting; oil on canvas; overall: 73 x 60.5 cm (28 3/4 x 23 13/16 in.) framed: 100.3 x 87.3 cm (39 1/2 x 34 3/8 in.); 10 George Washington (Vaughan portrait) A33850 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/painting-oil-on-canvas-overall-73-x-605-cm-28-34-x-23-1316-in-framed-1003-x-873-cm-39-12-x-34-38-in-10-george-washington-vaughan-portrait-a33850-image206560559.html
Clock MET 189938 2096 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Clock, ca. 1860, Gilt bronze, porcelain, 28 x 13 5/8 x 10 3/8 in. (71.1 x 34.6 x 26.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas M. Moffat, 1968 (68.165.9a, b)
Clock MET 189938 2096 Maker: Auguste-?mile Rinquet-Leprince, 1801?1886, Clock, ca. 1860, Gilt bronze, porcelain, 28 x 13 5/8 x 10 3/8 in. (71.1 x 34.6 x 26.4 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Douglas M. Moffat, 1968 (68.165.9a, b) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-clock-met-189938-2096-maker-auguste-mile-rinquet-leprince-18011886-168109526.html
The kingdom of Siam.. . 93° 68° December 81°.2 95° 69° 40 Kingdom of Siam The records of the rainfall also are scanty in Siamand with many breaks. From the existing recordsare derived the following figures, concerning theaverage monthly rainfall in Bangkok during the tenyears period, 1882-1891 : Average Rainfall in Bangkok January 2.23 cm. For nine years only;consequently the an- February 3-76 cm March 1.40 cm April , 4.71 cm. V- nual average does not May 17.34 cm. I agree with the sum of June 14.02 cm. J the monthly averages. July 14.73 cm. August 17-93 cm. September 28.90 cm. October 20.83 c
The kingdom of Siam.. . 93° 68° December 81°.2 95° 69° 40 Kingdom of Siam The records of the rainfall also are scanty in Siamand with many breaks. From the existing recordsare derived the following figures, concerning theaverage monthly rainfall in Bangkok during the tenyears period, 1882-1891 : Average Rainfall in Bangkok January 2.23 cm. For nine years only;consequently the an- February 3-76 cm March 1.40 cm April , 4.71 cm. V- nual average does not May 17.34 cm. I agree with the sum of June 14.02 cm. J the monthly averages. July 14.73 cm. August 17-93 cm. September 28.90 cm. October 20.83 c https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-kingdom-of-siam-93-68-december-812-95-69-40-kingdom-of-siam-the-records-of-the-rainfall-also-are-scanty-in-siamand-with-many-breaks-from-the-existing-recordsare-derived-the-following-figures-concerning-theaverage-monthly-rainfall-in-bangkok-during-the-tenyears-period-1882-1891-average-rainfall-in-bangkok-january-223-cm-for-nine-years-onlyconsequently-the-an-february-3-76-cm-march-140-cm-april-471-cm-v-nual-average-does-not-may-1734-cm-i-agree-with-the-sum-of-june-1402-cm-j-the-monthly-averages-july-1473-cm-august-17-93-cm-september-2890-cm-october-2083-c-image338109710.html
'Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 2 of 3); English: Japan, 1895 Prints; woodcuts Color woodblock print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00:
'Fierce Battle at Jilong, Taiwan in the Sino-Japanese War (image 2 of 3); English: Japan, 1895 Prints; woodcuts Color woodblock print triptych a) Image: 13 3/4 x 9 3/8 in. (34.93 x 23.81 cm); a) Sheet: 14 1/4 x 9 3/4 in. (36.20 x 24.77 cm); b) Image: 14 5/16 x 9 5/16 in. (36.35 x 23.65 cm); b) Sheet: 14 5/16 x 9 3/4 in. (36.35 x 24.77 cm); c) Image: 14 x 9 7/16 in. (35.56 x 23.97 cm); c) Sheet: 14 3/8 x 9 13/16 in. (36.52 x 24.92 cm); a-c) Overall: 14 1/2 x 28 1/2 in. (36.83 x 72.39 cm) Gift of Arthur and Fran Sherwood (M.2007.152.75a-c) Japanese Art; 1895date QS:P571,+1895-00-00T00:00: https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fierce-battle-at-jilong-taiwan-in-the-sino-japanese-war-image-2-of-3-english-japan-1895-prints-woodcuts-color-woodblock-print-triptych-a-image-13-34-x-9-38-in-3493-x-2381-cm-a-sheet-14-14-x-9-34-in-3620-x-2477-cm-b-image-14-516-x-9-516-in-3635-x-2365-cm-b-sheet-14-516-x-9-34-in-3635-x-2477-cm-c-image-14-x-9-716-in-3556-x-2397-cm-c-sheet-14-38-x-9-1316-in-3652-x-2492-cm-a-c-overall-14-12-x-28-12-in-3683-x-7239-cm-gift-of-arthur-and-fran-sherwood-m200715275a-c-japanese-art-1895date-qsp5711895-00-00t0000-image349457871.html
'Pitcher; English: England, circa 1810 Furnishings; Serviceware Pearlware (earthenware), silver lustre Height: 5 1/4 in. (13.34 cm); Diameter of base: 3 in. (7.62 cm) Gift of Mrs. Anna Bing Arnold (M.73.28.7) Decorative Arts and Design; circa 1810 date QS:P571,+1810-00-00T00:00:00Z/9,P1480,Q5727902; '
'Pitcher; English: England, circa 1810 Furnishings; Serviceware Pearlware (earthenware), silver lustre Height: 5 1/4 in. (13.34 cm); Diameter of base: 3 in. (7.62 cm) Gift of Mrs. Anna Bing Arnold (M.73.28.7) Decorative Arts and Design; circa 1810 date QS:P571,+1810-00-00T00:00:00Z/9,P1480,Q5727902; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pitcher-english-england-circa-1810-furnishings-serviceware-pearlware-earthenware-silver-lustre-height-5-14-in-1334-cm-diameter-of-base-3-in-762-cm-gift-of-mrs-anna-bing-arnold-m73287-decorative-arts-and-design-circa-1810-date-qsp5711810-00-00t000000z9p1480q5727902-image349798042.html
The Temple of the Liberal Arts, with the City of Bern and Minerva; Switzerland, 1779 Paintings Oil on canvas 13 1/4 x 21 in. (33.66 x 53.34 cm) The Ciechanowiecki Collection, Gift of The Ahmanson Foundation (M.2000.179.28) European Painting Currently on public view: Ahmanson Building, floor 3; 1779date QS:P571,+1779-00-00T00:00:00Z/9;
The Temple of the Liberal Arts, with the City of Bern and Minerva; Switzerland, 1779 Paintings Oil on canvas 13 1/4 x 21 in. (33.66 x 53.34 cm) The Ciechanowiecki Collection, Gift of The Ahmanson Foundation (M.2000.179.28) European Painting Currently on public view: Ahmanson Building, floor 3; 1779date QS:P571,+1779-00-00T00:00:00Z/9; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-temple-of-the-liberal-arts-with-the-city-of-bern-and-minerva-switzerland-1779-paintings-oil-on-canvas-13-14-x-21-in-3366-x-5334-cm-the-ciechanowiecki-collection-gift-of-the-ahmanson-foundation-m200017928-european-painting-currently-on-public-view-ahmanson-building-floor-3-1779date-qsp5711779-00-00t000000z9-image257220488.html
Adrianus Brauwer, Gryllorum Pictor Antuerpiæ, Schelte A. Bolswert, 1586–1659, Dutch, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Stipple engraving and line engraving, (4th state) on medium, slightly textured, cream, laid paper, Sheet: 15 7/8 × 11 1/4 inches (40.3 × 28.6 cm), Plate: 9 9/16 × 6 5/16 inches (24.3 × 16 cm), and Image: 8 5/8 × 6 1/4 inches (21.9 × 15.9 cm
Adrianus Brauwer, Gryllorum Pictor Antuerpiæ, Schelte A. Bolswert, 1586–1659, Dutch, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Stipple engraving and line engraving, (4th state) on medium, slightly textured, cream, laid paper, Sheet: 15 7/8 × 11 1/4 inches (40.3 × 28.6 cm), Plate: 9 9/16 × 6 5/16 inches (24.3 × 16 cm), and Image: 8 5/8 × 6 1/4 inches (21.9 × 15.9 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/adrianus-brauwer-gryllorum-pictor-antuerpi-schelte-a-bolswert-15861659-dutch-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-ca1635-stipple-engraving-and-line-engraving-4th-state-on-medium-slightly-textured-cream-laid-paper-sheet-15-78-11-14-inches-403-286-cm-plate-9-916-6-516-inches-243-16-cm-and-image-8-58-6-14-inches-219-159-cm-image389661205.html
Period: Kamakura period (1185-1333); Date: ca. 1250; Culture: Japan; Medium: Wood with gold leaf; Dimensions: Overall: H. 34 5/8 in. (87.9 cm); W. 28
Period: Kamakura period (1185-1333); Date: ca. 1250; Culture: Japan; Medium: Wood with gold leaf; Dimensions: Overall: H. 34 5/8 in. (87.9 cm); W. 28 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/period-kamakura-period-1185-1333-date-ca-1250-culture-japan-medium-wood-with-gold-leaf-dimensions-overall-h-34-58-in-879-cm-w-28-image279931739.html
Lidded Tureen, Liner and Stand (one of a pair), Thomas Germain (French, 1673 - 1748 (master 1720)), Paris, France, 1744 - 1750, Silver, 28.4 × 34.9 × 28.3 cm (11 3,16 × 13 3,4 × 11 1,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Lidded Tureen, Liner and Stand (one of a pair), Thomas Germain (French, 1673 - 1748 (master 1720)), Paris, France, 1744 - 1750, Silver, 28.4 × 34.9 × 28.3 cm (11 3,16 × 13 3,4 × 11 1,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/lidded-tureen-liner-and-stand-one-of-a-pair-thomas-germain-french-1673-1748-master-1720-paris-france-1744-1750-silver-284-349-283-cm-11-316-13-34-11-18-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350024527.html
Enthroned Jina, Probably Neminatha. Date: late 7th century; Culture: India (Gujarat, Akota); Medium: Copper alloy; Dimensions: H. 13 3/4 in. (34.9
Enthroned Jina, Probably Neminatha. Date: late 7th century; Culture: India (Gujarat, Akota); Medium: Copper alloy; Dimensions: H. 13 3/4 in. (34.9 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-enthroned-jina-probably-neminatha-date-late-7th-century-culture-india-168422179.html
Fragment. Culture: Chancay. Dimensions: Overall: 28 1/2 x 34 3/4 in. (72.39 x 88.27 cm) Other: 28 1/2 in. (72.39 cm). Date: 12th-14th century. Museum: Metropolitan Museum of Art, New York, USA.
Fragment. Culture: Chancay. Dimensions: Overall: 28 1/2 x 34 3/4 in. (72.39 x 88.27 cm) Other: 28 1/2 in. (72.39 cm). Date: 12th-14th century. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/fragment-culture-chancay-dimensions-overall-28-12-x-34-34-in-7239-x-8827-cm-other-28-12-in-7239-cm-date-12th-14th-century-museum-metropolitan-museum-of-art-new-york-usa-image213106597.html
Plate 28 of the ´Tauromaquia´: The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid. Series/Portfolio: La
Plate 28 of the ´Tauromaquia´: The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid. Series/Portfolio: La https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-plate-28-of-the-tauromaquia-the-forceful-rendon-stabs-a-bull-with-168315228.html
Painting; oil on panel transferred to canvas; overall: 50 x 66 cm (19 11/16 x 26 in.) framed: 72.4 x 88.6 x 6 cm (28 1/2 x 34 7/8 x 2 3/8 in.); The Halt at the Inn 1645. 1175 The Halt at the Inn by Ostade 1645
Painting; oil on panel transferred to canvas; overall: 50 x 66 cm (19 11/16 x 26 in.) framed: 72.4 x 88.6 x 6 cm (28 1/2 x 34 7/8 x 2 3/8 in.); The Halt at the Inn 1645. 1175 The Halt at the Inn by Ostade 1645 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/painting-oil-on-panel-transferred-to-canvas-overall-50-x-66-cm-19-1116-x-26-in-framed-724-x-886-x-6-cm-28-12-x-34-78-x-2-38-in-the-halt-at-the-inn-1645-1175-the-halt-at-the-inn-by-ostade-1645-image185599261.html
. Collected reprints / Atlantic Oceanographic and Meteorological Laboratories [and] Pacific Oceanographic Laboratories. Oceanography Periodicals.. 30° 25° 2 * <r I- or O u. o CO Q < — = 100 km K. -500 4 6 8 10 12 14 16 18 20 22 24 26 28 30 32 34 36 38 40 SEPARATION OF SURFACE FRONT FROM FRONT AT 200 METERS DEPTH (KM) Figure 3.4 Theoretical separation of surface front from the front at 200-m depth versus the radius of curvature of Loop Current meanders. Jhe curves are given for the bounding latitudes of the Gulf of Mexico (20 ,25 , and 30 ) and are for a velocity core speed of 150 cm sec
. Collected reprints / Atlantic Oceanographic and Meteorological Laboratories [and] Pacific Oceanographic Laboratories. Oceanography Periodicals.. 30° 25° 2 * <r I- or O u. o CO Q < — = 100 km K. -500 4 6 8 10 12 14 16 18 20 22 24 26 28 30 32 34 36 38 40 SEPARATION OF SURFACE FRONT FROM FRONT AT 200 METERS DEPTH (KM) Figure 3.4 Theoretical separation of surface front from the front at 200-m depth versus the radius of curvature of Loop Current meanders. Jhe curves are given for the bounding latitudes of the Gulf of Mexico (20 ,25 , and 30 ) and are for a velocity core speed of 150 cm sec https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/collected-reprints-atlantic-oceanographic-and-meteorological-laboratories-and-pacific-oceanographic-laboratories-oceanography-periodicals-30-25-2-ltr-i-or-o-u-o-co-q-lt-=-100-km-k-500-4-6-8-10-12-14-16-18-20-22-24-26-28-30-32-34-36-38-40-separation-of-surface-front-from-front-at-200-meters-depth-km-figure-34-theoretical-separation-of-surface-front-from-the-front-at-200-m-depth-versus-the-radius-of-curvature-of-loop-current-meanders-jhe-curves-are-given-for-the-bounding-latitudes-of-the-gulf-of-mexico-20-25-and-30-and-are-for-a-velocity-core-speed-of-150-cm-sec-image232710348.html
'The Temple of the Liberal Arts, with the City of Bern and Minerva; English: Switzerland, 1779 Paintings Oil on canvas 13 1/4 x 21 in. (33.66 x 53.34 cm) The Ciechanowiecki Collection, Gift of The Ahmanson Foundation (M.2000.179.28) European Painting Currently on public view: Ahmanson Building, floor 3; 1779date QS:P571,+1779-00-00T00:00:00Z/9; '
'The Temple of the Liberal Arts, with the City of Bern and Minerva; English: Switzerland, 1779 Paintings Oil on canvas 13 1/4 x 21 in. (33.66 x 53.34 cm) The Ciechanowiecki Collection, Gift of The Ahmanson Foundation (M.2000.179.28) European Painting Currently on public view: Ahmanson Building, floor 3; 1779date QS:P571,+1779-00-00T00:00:00Z/9; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-temple-of-the-liberal-arts-with-the-city-of-bern-and-minerva-english-switzerland-1779-paintings-oil-on-canvas-13-14-x-21-in-3366-x-5334-cm-the-ciechanowiecki-collection-gift-of-the-ahmanson-foundation-m200017928-european-painting-currently-on-public-view-ahmanson-building-floor-3-1779date-qsp5711779-00-00t000000z9-image349849878.html
Page from a manuscript of the Qur'an; 'Abbasid Caliphate, late 8th century Manuscripts Ink and colors on parchment 12 3/4 x 15 3/4 in. (32.38 x 40 cm); Mount: 21 x 28 in. (53.34 x 71.12 cm) The Madina Collection of Islamic Art, gift of Camilla Chandler Frost (M.2002.1.383) Islamic Art; Late 8th century;
Page from a manuscript of the Qur'an; 'Abbasid Caliphate, late 8th century Manuscripts Ink and colors on parchment 12 3/4 x 15 3/4 in. (32.38 x 40 cm); Mount: 21 x 28 in. (53.34 x 71.12 cm) The Madina Collection of Islamic Art, gift of Camilla Chandler Frost (M.2002.1.383) Islamic Art; Late 8th century; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/page-from-a-manuscript-of-the-quran-abbasid-caliphate-late-8th-century-manuscripts-ink-and-colors-on-parchment-12-34-x-15-34-in-3238-x-40-cm-mount-21-x-28-in-5334-x-7112-cm-the-madina-collection-of-islamic-art-gift-of-camilla-chandler-frost-m20021383-islamic-art-late-8th-century-image257170338.html
Nicolaus Rockox Eques et Consularis Antu.. Aet. Anno LXXIX, Paulus Pontius, 1603–1658, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), 1639, Line engraving and stipple engraving (4th state) on moderately thick, slightly textured, beige, laid paper, Sheet: 15 3/16 × 11 1/8 inches (38.6 × 28.3 cm), Plate: 10 7/16 × 7 1/4 inches (26.5 × 18.4 cm), and Image: 10 1/4 × 7 inches (26 × 17.8 cm
Nicolaus Rockox Eques et Consularis Antu.. Aet. Anno LXXIX, Paulus Pontius, 1603–1658, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), 1639, Line engraving and stipple engraving (4th state) on moderately thick, slightly textured, beige, laid paper, Sheet: 15 3/16 × 11 1/8 inches (38.6 × 28.3 cm), Plate: 10 7/16 × 7 1/4 inches (26.5 × 18.4 cm), and Image: 10 1/4 × 7 inches (26 × 17.8 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nicolaus-rockox-eques-et-consularis-antu-aet-anno-lxxix-paulus-pontius-16031658-flemish-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-1639-line-engraving-and-stipple-engraving-4th-state-on-moderately-thick-slightly-textured-beige-laid-paper-sheet-15-316-11-18-inches-386-283-cm-plate-10-716-7-14-inches-265-184-cm-and-image-10-14-7-inches-26-178-cm-image389665103.html
Column Krater (Mixing Bowl), 460/450 BC, Greek, Athens, Attributed to the Florence Painter, Greece, terracotta, decorated in the red-figure technique, 41.3 × 34.9 × 28.6 cm (16 1/4 × 13 3/4 × 11 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Column Krater (Mixing Bowl), 460/450 BC, Greek, Athens, Attributed to the Florence Painter, Greece, terracotta, decorated in the red-figure technique, 41.3 × 34.9 × 28.6 cm (16 1/4 × 13 3/4 × 11 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/column-krater-mixing-bowl-460450-bc-greek-athens-attributed-to-the-florence-painter-greece-terracotta-decorated-in-the-red-figure-technique-413-349-286-cm-16-14-13-34-11-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349703414.html
Arrowhead (Yanone). Culture: Japanese. Dimensions: L. 11 1/4 in. (28.6 cm); L. of head 2 11/16 in. (6.8 cm); W. 1 3/8 in. (3.5 cm); Wt. 1.2 oz. (34 g). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Arrowhead (Yanone). Culture: Japanese. Dimensions: L. 11 1/4 in. (28.6 cm); L. of head 2 11/16 in. (6.8 cm); W. 1 3/8 in. (3.5 cm); Wt. 1.2 oz. (34 g). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arrowhead-yanone-culture-japanese-dimensions-l-11-14-in-286-cm-l-of-head-2-1116-in-68-cm-w-1-38-in-35-cm-wt-12-oz-34-g-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213316484.html
Plate 28 of the ´Tauromaquia´: The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid. Series/Portfolio: La
Plate 28 of the ´Tauromaquia´: The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid. Series/Portfolio: La https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plate-28-of-the-tauromaquia-the-forceful-rendon-stabs-a-bull-with-the-pique-from-which-pass-he-died-in-the-ring-at-madrid-seriesportfolio-la-image278407471.html
. English: Aaron Augustus Healy John Singer Sargent -- American painter 1907 Brooklyn Museum of Art, NY Oil on canvas 86.5 x 73 cm (34 1/16 x 28 3/4 in) Signed upper right: 'John S. Sargent' Accession # 21.50; Bequest of A. Augustus Healy Jpg: brooklynmuseum . 1907. John Singer Sargent Born: January 12, 1856, Florence Died: April 14, 1925, London, United Kingdom 6 Aaron Augustus Healy, 1907
. English: Aaron Augustus Healy John Singer Sargent -- American painter 1907 Brooklyn Museum of Art, NY Oil on canvas 86.5 x 73 cm (34 1/16 x 28 3/4 in) Signed upper right: 'John S. Sargent' Accession # 21.50; Bequest of A. Augustus Healy Jpg: brooklynmuseum . 1907. John Singer Sargent Born: January 12, 1856, Florence Died: April 14, 1925, London, United Kingdom 6 Aaron Augustus Healy, 1907 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-aaron-augustus-healy-john-singer-sargent-american-painter-1907-brooklyn-museum-of-art-ny-oil-on-canvas-865-x-73-cm-34-116-x-28-34-in-signed-upper-right-john-s-sargent-accession-2150-bequest-of-a-augustus-healy-jpg-brooklynmuseum-1907-john-singer-sargent-born-january-12-1856-florence-died-april-14-1925-london-united-kingdom-6-aaron-augustus-healy-1907-image189278897.html
The Environs of Paris. Artist: Camille Corot (French, Paris 1796-1875 Paris); Date: 1860s; Medium: Oil on wood; Dimensions: 13 1/2 x 20 1/4 in. (34.3
The Environs of Paris. Artist: Camille Corot (French, Paris 1796-1875 Paris); Date: 1860s; Medium: Oil on wood; Dimensions: 13 1/2 x 20 1/4 in. (34.3 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-environs-of-paris-artist-camille-corot-french-paris-1796-1875-paris-date-1860s-medium-oil-on-wood-dimensions-13-12-x-20-14-in-343-image279869983.html
. Desirables and weeds for roadside management : a northern Rocky Mountain catalogue . Roadside plants; Weeds; Plants. 16 17 IS Temperature (°C). XSites=39.4 XAgcr=34.7 n 23 28 33 38 43 48 53 58 63 68 73 78 83 88 Mean annual precipitation (cm) | io rW^^ =8: 1 T 1 h- XSites=8.4 XAgcr=9.3 9 11 13 15 17 19 21 23 25 27 Water-holding capacity (%) 45 Clay (%) XSites=23.8 XAgcr=26.2. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work..
. Desirables and weeds for roadside management : a northern Rocky Mountain catalogue . Roadside plants; Weeds; Plants. 16 17 IS Temperature (°C). XSites=39.4 XAgcr=34.7 n 23 28 33 38 43 48 53 58 63 68 73 78 83 88 Mean annual precipitation (cm) | io rW^^ =8: 1 T 1 h- XSites=8.4 XAgcr=9.3 9 11 13 15 17 19 21 23 25 27 Water-holding capacity (%) 45 Clay (%) XSites=23.8 XAgcr=26.2. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/desirables-and-weeds-for-roadside-management-a-northern-rocky-mountain-catalogue-roadside-plants-weeds-plants-16-17-is-temperature-c-xsites=394-xagcr=347-n-23-28-33-38-43-48-53-58-63-68-73-78-83-88-mean-annual-precipitation-cm-io-rw-=8-1-t-1-h-xsites=84-xagcr=93-9-11-13-15-17-19-21-23-25-27-water-holding-capacity-45-clay-xsites=238-xagcr=262-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-image235271786.html
'Page from a manuscript of the Qur'an; English: 'Abbasid Caliphate, late 8th century Manuscripts Ink and colors on parchment 12 3/4 x 15 3/4 in. (32.38 x 40 cm); Mount: 21 x 28 in. (53.34 x 71.12 cm) The Madina Collection of Islamic Art, gift of Camilla Chandler Frost (M.2002.1.383) Islamic Art; Late 8th century; '
'Page from a manuscript of the Qur'an; English: 'Abbasid Caliphate, late 8th century Manuscripts Ink and colors on parchment 12 3/4 x 15 3/4 in. (32.38 x 40 cm); Mount: 21 x 28 in. (53.34 x 71.12 cm) The Madina Collection of Islamic Art, gift of Camilla Chandler Frost (M.2002.1.383) Islamic Art; Late 8th century; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/page-from-a-manuscript-of-the-quran-english-abbasid-caliphate-late-8th-century-manuscripts-ink-and-colors-on-parchment-12-34-x-15-34-in-3238-x-40-cm-mount-21-x-28-in-5334-x-7112-cm-the-madina-collection-of-islamic-art-gift-of-camilla-chandler-frost-m20021383-islamic-art-late-8th-century-image349776237.html
Comte D'Argout; France, 1833 Periodical: Le Caricatura, 11 July 1833, no. 140, plate 292 Prints; lithographs Lithograph Plate: 13 3/4 x 10 in. (34.93 x 25.4 cm); image: 11 1/8 x 7 1/4 in. (28.26 x 18.42 cm) Gift of George Longstreet (M.73.57) Prints and Drawings; 1833date QS:P571,+1833-00-00T00:00:00Z/9;
Comte D'Argout; France, 1833 Periodical: Le Caricatura, 11 July 1833, no. 140, plate 292 Prints; lithographs Lithograph Plate: 13 3/4 x 10 in. (34.93 x 25.4 cm); image: 11 1/8 x 7 1/4 in. (28.26 x 18.42 cm) Gift of George Longstreet (M.73.57) Prints and Drawings; 1833date QS:P571,+1833-00-00T00:00:00Z/9; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/comte-dargout-france-1833-periodical-le-caricatura-11-july-1833-no-140-plate-292-prints-lithographs-lithograph-plate-13-34-x-10-in-3493-x-254-cm-image-11-18-x-7-14-in-2826-x-1842-cm-gift-of-george-longstreet-m7357-prints-and-drawings-1833date-qsp5711833-00-00t000000z9-image256959887.html
Jacobus Callot, Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Stipple engraving, line engraving and etching on medium, slightly textured, browned white, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 15 × 11 1/8 inches (38.1 × 28.3 cm), Sheet: 9 1/4 × 6 3/4 inches (23.5 × 17.1 cm), and Image: 8 3/8 × 6 1/2 inches (21.3 × 16.5 cm
Jacobus Callot, Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Stipple engraving, line engraving and etching on medium, slightly textured, browned white, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 15 × 11 1/8 inches (38.1 × 28.3 cm), Sheet: 9 1/4 × 6 3/4 inches (23.5 × 17.1 cm), and Image: 8 3/8 × 6 1/2 inches (21.3 × 16.5 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/jacobus-callot-lucas-vorsterman-15951675-flemish-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-ca1635-stipple-engraving-line-engraving-and-etching-on-medium-slightly-textured-browned-white-laid-paper-mounted-on-moderately-thick-moderately-textured-cream-laid-paper-mount-15-11-18-inches-381-283-cm-sheet-9-14-6-34-inches-235-171-cm-and-image-8-38-6-12-inches-213-165-cm-image389664569.html
A Wet Day on the Boulevard, Paris, 1894, printed c. 1897, Alfred Stieglitz, American, 1864–1946, Publisher: R. H. Russell, American, Unknown, New York, Photogravure, 15.3 x 28.4 cm (image), 15.6 x 28.7 cm (paper), 34.4 x 42.3 cm (mount), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
A Wet Day on the Boulevard, Paris, 1894, printed c. 1897, Alfred Stieglitz, American, 1864–1946, Publisher: R. H. Russell, American, Unknown, New York, Photogravure, 15.3 x 28.4 cm (image), 15.6 x 28.7 cm (paper), 34.4 x 42.3 cm (mount), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-wet-day-on-the-boulevard-paris-1894-printed-c-1897-alfred-stieglitz-american-18641946-publisher-r-h-russell-american-unknown-new-york-photogravure-153-x-284-cm-image-156-x-287-cm-paper-344-x-423-cm-mount-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349717956.html
Police Superintendant's Party: A Gift of Food and Drink. Artist: Tsukioka Yoshitoshi (Japanese, 1839-1892). Culture: Japan. Dimensions: 13 1/2 x 28 1/2 in. (34.3 x 72.4 cm). Date: September 1877. Museum: Metropolitan Museum of Art, New York, USA.
Police Superintendant's Party: A Gift of Food and Drink. Artist: Tsukioka Yoshitoshi (Japanese, 1839-1892). Culture: Japan. Dimensions: 13 1/2 x 28 1/2 in. (34.3 x 72.4 cm). Date: September 1877. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/police-superintendants-party-a-gift-of-food-and-drink-artist-tsukioka-yoshitoshi-japanese-1839-1892-culture-japan-dimensions-13-12-x-28-12-in-343-x-724-cm-date-september-1877-museum-metropolitan-museum-of-art-new-york-usa-image213401450.html
N/A. English: A Bishop Saint by Cecco di Pietro, tempera on panel, gold ground, 92.3 by 34.4 cm . Cecco di Pietro (1330–1402) Alternative names Cecco Di Pietro Description Italian painter Date of birth/death 1330 28 March 1402 Location of birth Pisa Work location Siena Authority control : Q2023906 VIAF:231355930 ULAN:500020545 WGA:CECCO DI PIETRO RKD:16088 1 'A Bishop Saint' by Cecco di Pietro
N/A. English: A Bishop Saint by Cecco di Pietro, tempera on panel, gold ground, 92.3 by 34.4 cm . Cecco di Pietro (1330–1402) Alternative names Cecco Di Pietro Description Italian painter Date of birth/death 1330 28 March 1402 Location of birth Pisa Work location Siena Authority control : Q2023906 VIAF:231355930 ULAN:500020545 WGA:CECCO DI PIETRO RKD:16088 1 'A Bishop Saint' by Cecco di Pietro https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/na-english-a-bishop-saint-by-cecco-di-pietro-tempera-on-panel-gold-ground-923-by-344-cm-cecco-di-pietro-13301402-alternative-names-cecco-di-pietro-description-italian-painter-date-of-birthdeath-1330-28-march-1402-location-of-birth-pisa-work-location-siena-authority-control-q2023906-viaf231355930-ulan500020545-wgacecco-di-pietro-rkd16088-1-a-bishop-saint-by-cecco-di-pietro-image209984664.html
The Environs of Paris. Artist: Camille Corot (French, Paris 1796-1875 Paris); Date: 1860s; Medium: Oil on wood; Dimensions: 13 1/2 x 20 1/4 in. (34.3
The Environs of Paris. Artist: Camille Corot (French, Paris 1796-1875 Paris); Date: 1860s; Medium: Oil on wood; Dimensions: 13 1/2 x 20 1/4 in. (34.3 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-environs-of-paris-artist-camille-corot-french-paris-1796-1875-168369580.html
. English: Series Title: The Ancient Text of the Lord Suite Name: Bhagavata Purana Creation Date: 1850 Display Dimensions: 11 3/32 in. x 13 17/32 in. (28.2 cm x 34.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1310 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 13 September 2001, 14:30:39. English: thesandiegomuseumofartcollection 1174 The gopis search for Krishna (6125136586)
. English: Series Title: The Ancient Text of the Lord Suite Name: Bhagavata Purana Creation Date: 1850 Display Dimensions: 11 3/32 in. x 13 17/32 in. (28.2 cm x 34.4 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.1310 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 13 September 2001, 14:30:39. English: thesandiegomuseumofartcollection 1174 The gopis search for Krishna (6125136586) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/english-series-title-the-ancient-text-of-the-lord-suite-name-bhagavata-purana-creation-date-1850-display-dimensions-11-332-in-x-13-1732-in-282-cm-x-344-cm-credit-line-edwin-binney-3rd-collection-accession-number-19901310-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-13-september-2001-143039-english-thesandiegomuseumofartcollection-1174-the-gopis-search-for-krishna-6125136586-image185824626.html
Sword with Scabbard. Date: 17th century; Culture: Chinese; Medium: Steel, brass, enamel, wood; Dimensions: L. with scabbard 36 1/4 in. (92.1 cm); L.
Sword with Scabbard. Date: 17th century; Culture: Chinese; Medium: Steel, brass, enamel, wood; Dimensions: L. with scabbard 36 1/4 in. (92.1 cm); L. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sword-with-scabbard-date-17th-century-culture-chinese-medium-steel-brass-enamel-wood-dimensions-l-with-scabbard-36-14-in-921-cm-l-image279155753.html
. Nederlands: De vergaderzaal van het genootschap Kunst Wordt Door Arbeid Verkregen. oil on canvas. 72 × 87.5 cm (28.3 × 34.4 in). Amsterdam, Rijksmuseum Amsterdam (SK-C-1775). In bruikleen van Museum De Lakenhal (S 900). . 1774. Paulus Constantijn la Fargue (1729–1782) Alternative names Paulus Constantin la Fargue Description Dutch engraver, painter and draughtsman Date of birth/death 5 January 1729 (baptised) 11 June 1782 (buried) Location of birth/death The Hague The Hague Work period circa 1744-1782 Work location The Hague (1749-1770), Rotterdam (1763), Leiden (1771-1776), The
. Nederlands: De vergaderzaal van het genootschap Kunst Wordt Door Arbeid Verkregen. oil on canvas. 72 × 87.5 cm (28.3 × 34.4 in). Amsterdam, Rijksmuseum Amsterdam (SK-C-1775). In bruikleen van Museum De Lakenhal (S 900). . 1774. Paulus Constantijn la Fargue (1729–1782) Alternative names Paulus Constantin la Fargue Description Dutch engraver, painter and draughtsman Date of birth/death 5 January 1729 (baptised) 11 June 1782 (buried) Location of birth/death The Hague The Hague Work period circa 1744-1782 Work location The Hague (1749-1770), Rotterdam (1763), Leiden (1771-1776), The https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nederlands-de-vergaderzaal-van-het-genootschap-kunst-wordt-door-arbeid-verkregen-oil-on-canvas-72-875-cm-283-344-in-amsterdam-rijksmuseum-amsterdam-sk-c-1775-in-bruikleen-van-museum-de-lakenhal-s-900-1774-paulus-constantijn-la-fargue-17291782-alternative-names-paulus-constantin-la-fargue-description-dutch-engraver-painter-and-draughtsman-date-of-birthdeath-5-january-1729-baptised-11-june-1782-buried-location-of-birthdeath-the-hague-the-hague-work-period-circa-1744-1782-work-location-the-hague-1749-1770-rotterdam-1763-leiden-1771-1776-the-image188992192.html
. Die Fische der Ostsee. Fishes. 37 Schriften: Linne I, 32. Schonefelde 35. — Lenz 2. — Boll 83. — Benecke 78 mit Abb. — Lindström 41. — Schweder 34. — Kröyer I, 253. — Winther 16. — Nilsson 147. — Malm 423. — Collett 51. - Günthern, 511. — Yarrell I, 164. — Schlegel L 10, T. i, F. 3, 4. — Van Beneden 36, — Cuvier et Valenciennes VIII, 255, T. 225. — Moreaii II, 526. — Cane- strini in. — 8. Caranx trachurus L, Gemeiner Stöcker, Hanspeter. pd. Müschen, Müsecken, Bootsmantjer; dän, Stökker, Makrelstpris, Hestemakrel; schwed. taggmakril.. I R 8. 2 R I 28—34, A 2 — 1 23—30. Länge20—50 cm. 4^/^ bis
. Die Fische der Ostsee. Fishes. 37 Schriften: Linne I, 32. Schonefelde 35. — Lenz 2. — Boll 83. — Benecke 78 mit Abb. — Lindström 41. — Schweder 34. — Kröyer I, 253. — Winther 16. — Nilsson 147. — Malm 423. — Collett 51. - Günthern, 511. — Yarrell I, 164. — Schlegel L 10, T. i, F. 3, 4. — Van Beneden 36, — Cuvier et Valenciennes VIII, 255, T. 225. — Moreaii II, 526. — Cane- strini in. — 8. Caranx trachurus L, Gemeiner Stöcker, Hanspeter. pd. Müschen, Müsecken, Bootsmantjer; dän, Stökker, Makrelstpris, Hestemakrel; schwed. taggmakril.. I R 8. 2 R I 28—34, A 2 — 1 23—30. Länge20—50 cm. 4^/^ bis https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/die-fische-der-ostsee-fishes-37-schriften-linne-i-32-schonefelde-35-lenz-2-boll-83-benecke-78-mit-abb-lindstrm-41-schweder-34-kryer-i-253-winther-16-nilsson-147-malm-423-collett-51-gnthern-511-yarrell-i-164-schlegel-l-10-t-i-f-3-4-van-beneden-36-cuvier-et-valenciennes-viii-255-t-225-moreaii-ii-526-cane-strini-in-8-caranx-trachurus-l-gemeiner-stcker-hanspeter-pd-mschen-msecken-bootsmantjer-dn-stkker-makrelstpris-hestemakrel-schwed-taggmakril-i-r-8-2-r-i-2834-a-2-1-2330-lnge2050-cm-4-bis-image231557209.html
'Satyr Pursuing a Nymph; English: Germany, 1796 Prints; etchings Etching Image: 13 3/4 x 11 1/8 in. (34.93 x 28.26 cm); Sheet: 16 1/4 x 12 3/4 in. (41.28 x 32.39 cm); Mat: 20 x 16 in. (50.8 x 40.64 cm) Graphic Arts Council Fund (M.2001.14.1) Prints and Drawings; 1796date QS:P571,+1796-00-00T00:00:00Z/9; '
'Satyr Pursuing a Nymph; English: Germany, 1796 Prints; etchings Etching Image: 13 3/4 x 11 1/8 in. (34.93 x 28.26 cm); Sheet: 16 1/4 x 12 3/4 in. (41.28 x 32.39 cm); Mat: 20 x 16 in. (50.8 x 40.64 cm) Graphic Arts Council Fund (M.2001.14.1) Prints and Drawings; 1796date QS:P571,+1796-00-00T00:00:00Z/9; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/satyr-pursuing-a-nymph-english-germany-1796-prints-etchings-etching-image-13-34-x-11-18-in-3493-x-2826-cm-sheet-16-14-x-12-34-in-4128-x-3239-cm-mat-20-x-16-in-508-x-4064-cm-graphic-arts-council-fund-m2001141-prints-and-drawings-1796date-qsp5711796-00-00t000000z9-image349837192.html
Woman with Birds; United States, 1890s Drawings Watercolor on paper Framed: 40 1/2 x 34 3/4 x 3/4 in. (102.87 x 88.265 x 1.905 cm); Image and sheet: 28 x 22 in. (71.12 x 55.88 cm) Purchased with funds provided by Mr. and Mrs. Thomas H. Crawford, Jr. (M.2005.115.1) American Art; 1890s date QS:P571,+1890-00-00T00:00:00Z/8;
Woman with Birds; United States, 1890s Drawings Watercolor on paper Framed: 40 1/2 x 34 3/4 x 3/4 in. (102.87 x 88.265 x 1.905 cm); Image and sheet: 28 x 22 in. (71.12 x 55.88 cm) Purchased with funds provided by Mr. and Mrs. Thomas H. Crawford, Jr. (M.2005.115.1) American Art; 1890s date QS:P571,+1890-00-00T00:00:00Z/8; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/woman-with-birds-united-states-1890s-drawings-watercolor-on-paper-framed-40-12-x-34-34-x-34-in-10287-x-88265-x-1905-cm-image-and-sheet-28-x-22-in-7112-x-5588-cm-purchased-with-funds-provided-by-mr-and-mrs-thomas-h-crawford-jr-m20051151-american-art-1890s-date-qsp5711890-00-00t000000z8-image257226082.html
D. Deodatus Del Mont Antu., Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Etching and stipple engraving on medium, slightly textured, browned white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper, Mount: 15 × 11 3/16 inches (38.1 × 28.4 cm), Sheet: 9 1/4 × 6 1/16 inches (23.5 × 15.4 cm), and Image: 8 1/4 × 5 7/8 inches (21 × 14.9 cm
D. Deodatus Del Mont Antu., Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Etching and stipple engraving on medium, slightly textured, browned white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper, Mount: 15 × 11 3/16 inches (38.1 × 28.4 cm), Sheet: 9 1/4 × 6 1/16 inches (23.5 × 15.4 cm), and Image: 8 1/4 × 5 7/8 inches (21 × 14.9 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/d-deodatus-del-mont-antu-lucas-vorsterman-15951675-flemish-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-ca1635-etching-and-stipple-engraving-on-medium-slightly-textured-browned-white-laid-paper-mounted-on-moderately-thick-slightly-textured-cream-laid-paper-mount-15-11-316-inches-381-284-cm-sheet-9-14-6-116-inches-235-154-cm-and-image-8-14-5-78-inches-21-149-cm-image389664707.html
Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami, 1485 (890 A.H.), Iran, Iran, Opaque watercolor on paper, 28.1 x 34.7 cm (11 1/16 x 13 1/4 in.), left page width: 17.4 cm (6 7/8 in.), right page width: 17.3 cm (6 13/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami, 1485 (890 A.H.), Iran, Iran, Opaque watercolor on paper, 28.1 x 34.7 cm (11 1/16 x 13 1/4 in.), left page width: 17.4 cm (6 7/8 in.), right page width: 17.3 cm (6 13/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/khusrau-gazing-at-shirin-from-a-copy-of-the-khamsa-of-nizami-1485-890-ah-iran-iran-opaque-watercolor-on-paper-281-x-347-cm-11-116-x-13-14-in-left-page-width-174-cm-6-78-in-right-page-width-173-cm-6-1316-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349730212.html
Sheet of Rebuses with Birds with Human Heads. Artist: Anonymous, French, 19th century. Dimensions: sheet: 13 1/2 x 11 1/4 in. (34.3 x 28.6 cm). Publisher: Giraud, Pere et Fils et Gayet (French); Michel Giraud (French, 1788-1839); Benoît Gayet (French); Antoine Giraud (French, 1772-1814); Aimé Giraud (French, 1777-1817). Date: ca. 1834. Museum: Metropolitan Museum of Art, New York, USA.
Sheet of Rebuses with Birds with Human Heads. Artist: Anonymous, French, 19th century. Dimensions: sheet: 13 1/2 x 11 1/4 in. (34.3 x 28.6 cm). Publisher: Giraud, Pere et Fils et Gayet (French); Michel Giraud (French, 1788-1839); Benoît Gayet (French); Antoine Giraud (French, 1772-1814); Aimé Giraud (French, 1777-1817). Date: ca. 1834. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/sheet-of-rebuses-with-birds-with-human-heads-artist-anonymous-french-19th-century-dimensions-sheet-13-12-x-11-14-in-343-x-286-cm-publisher-giraud-pere-et-fils-et-gayet-french-michel-giraud-french-1788-1839-benot-gayet-french-antoine-giraud-french-1772-1814-aim-giraud-french-1777-1817-date-ca-1834-museum-metropolitan-museum-of-art-new-york-usa-image213260655.html
Sword with Scabbard. Date: 17th century; Culture: Chinese; Medium: Steel, brass, enamel, wood; Dimensions: L. with scabbard 36 1/4 in. (92.1 cm); L.
Sword with Scabbard. Date: 17th century; Culture: Chinese; Medium: Steel, brass, enamel, wood; Dimensions: L. with scabbard 36 1/4 in. (92.1 cm); L. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-sword-with-scabbard-date-17th-century-culture-chinese-medium-steel-168137690.html
. Nederlands: De vergaderzaal van het genootschap Kunst Wordt Door Arbeid Verkregen. oil on canvas. 72 × 87.5 cm (28.3 × 34.4 in). Amsterdam, Rijksmuseum Amsterdam (SK-C-1775). In bruikleen van Museum De Lakenhal (S 900). . 1774. Paulus Constantijn la Fargue (1729–1782) Alternative names Paulus Constantin la Fargue Description Dutch engraver, painter and draughtsman Date of birth/death 5 January 1729 (baptised) 11 June 1782 (buried) Location of birth/death The Hague The Hague Work period circa 1744-1782 Work location The Hague (1749-1770), Rotterdam (1763), Leiden (1771-1776), The
. Nederlands: De vergaderzaal van het genootschap Kunst Wordt Door Arbeid Verkregen. oil on canvas. 72 × 87.5 cm (28.3 × 34.4 in). Amsterdam, Rijksmuseum Amsterdam (SK-C-1775). In bruikleen van Museum De Lakenhal (S 900). . 1774. Paulus Constantijn la Fargue (1729–1782) Alternative names Paulus Constantin la Fargue Description Dutch engraver, painter and draughtsman Date of birth/death 5 January 1729 (baptised) 11 June 1782 (buried) Location of birth/death The Hague The Hague Work period circa 1744-1782 Work location The Hague (1749-1770), Rotterdam (1763), Leiden (1771-1776), The https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nederlands-de-vergaderzaal-van-het-genootschap-kunst-wordt-door-arbeid-verkregen-oil-on-canvas-72-875-cm-283-344-in-amsterdam-rijksmuseum-amsterdam-sk-c-1775-in-bruikleen-van-museum-de-lakenhal-s-900-1774-paulus-constantijn-la-fargue-17291782-alternative-names-paulus-constantin-la-fargue-description-dutch-engraver-painter-and-draughtsman-date-of-birthdeath-5-january-1729-baptised-11-june-1782-buried-location-of-birthdeath-the-hague-the-hague-work-period-circa-1744-1782-work-location-the-hague-1749-1770-rotterdam-1763-leiden-1771-1776-the-image187707755.html
Giroux. Hippolyte. 34 ans, né à Montreuil les Mines (Saone & Loire). Mécanicien. Anarchiste. 28/2/94. Artist: Alphonse Bertillon (French, 1853-1914);
Giroux. Hippolyte. 34 ans, né à Montreuil les Mines (Saone & Loire). Mécanicien. Anarchiste. 28/2/94. Artist: Alphonse Bertillon (French, 1853-1914); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/giroux-hippolyte-34-ans-n-montreuil-les-mines-saone-loire-mcanicien-anarchiste-28294-artist-alphonse-bertillon-french-1853-1914-image276443878.html
'Woman with Birds; English: United States, 1890s Drawings Watercolor on paper Framed: 40 1/2 x 34 3/4 x 3/4 in. (102.87 x 88.265 x 1.905 cm); Image and sheet: 28 x 22 in. (71.12 x 55.88 cm) Purchased with funds provided by Mr. and Mrs. Thomas H. Crawford, Jr. (M.2005.115.1) American Art; 1890s date QS:P571,+1890-00-00T00:00:00Z/8; '
'Woman with Birds; English: United States, 1890s Drawings Watercolor on paper Framed: 40 1/2 x 34 3/4 x 3/4 in. (102.87 x 88.265 x 1.905 cm); Image and sheet: 28 x 22 in. (71.12 x 55.88 cm) Purchased with funds provided by Mr. and Mrs. Thomas H. Crawford, Jr. (M.2005.115.1) American Art; 1890s date QS:P571,+1890-00-00T00:00:00Z/8; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/woman-with-birds-english-united-states-1890s-drawings-watercolor-on-paper-framed-40-12-x-34-34-x-34-in-10287-x-88265-x-1905-cm-image-and-sheet-28-x-22-in-7112-x-5588-cm-purchased-with-funds-provided-by-mr-and-mrs-thomas-h-crawford-jr-m20051151-american-art-1890s-date-qsp5711890-00-00t000000z8-image349857209.html
. Desirables and weeds for roadside management : a northern Rocky Mountain catalogue . Roadside plants; Weeds; Plants. XSites=39.4 XAgcr=34.7 n 23 28 33 38 43 48 53 58 63 68 73 78 83 88 Mean annual precipitation (cm) | io rW^^ =8: 1 T 1 h- XSites=8.4 XAgcr=9.3 9 11 13 15 17 19 21 23 25 27 Water-holding capacity (%) 45 Clay (%) XSites=23.8 XAgcr=26.2. 45 Sand(%) XSites=45.6 XAgcr=42.0. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the origina
. Desirables and weeds for roadside management : a northern Rocky Mountain catalogue . Roadside plants; Weeds; Plants. XSites=39.4 XAgcr=34.7 n 23 28 33 38 43 48 53 58 63 68 73 78 83 88 Mean annual precipitation (cm) | io rW^^ =8: 1 T 1 h- XSites=8.4 XAgcr=9.3 9 11 13 15 17 19 21 23 25 27 Water-holding capacity (%) 45 Clay (%) XSites=23.8 XAgcr=26.2. 45 Sand(%) XSites=45.6 XAgcr=42.0. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the origina https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/desirables-and-weeds-for-roadside-management-a-northern-rocky-mountain-catalogue-roadside-plants-weeds-plants-xsites=394-xagcr=347-n-23-28-33-38-43-48-53-58-63-68-73-78-83-88-mean-annual-precipitation-cm-io-rw-=8-1-t-1-h-xsites=84-xagcr=93-9-11-13-15-17-19-21-23-25-27-water-holding-capacity-45-clay-xsites=238-xagcr=262-45-sand-xsites=456-xagcr=420-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-origina-image235271773.html
Satyr Pursuing a Nymph; Germany, 1796 Prints; etchings Etching Image: 13 3/4 x 11 1/8 in. (34.93 x 28.26 cm); Sheet: 16 1/4 x 12 3/4 in. (41.28 x 32.39 cm); Mat: 20 x 16 in. (50.8 x 40.64 cm) Graphic Arts Council Fund (M.2001.14.1) Prints and Drawings; 1796date QS:P571,+1796-00-00T00:00:00Z/9;
Satyr Pursuing a Nymph; Germany, 1796 Prints; etchings Etching Image: 13 3/4 x 11 1/8 in. (34.93 x 28.26 cm); Sheet: 16 1/4 x 12 3/4 in. (41.28 x 32.39 cm); Mat: 20 x 16 in. (50.8 x 40.64 cm) Graphic Arts Council Fund (M.2001.14.1) Prints and Drawings; 1796date QS:P571,+1796-00-00T00:00:00Z/9; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/satyr-pursuing-a-nymph-germany-1796-prints-etchings-etching-image-13-34-x-11-18-in-3493-x-2826-cm-sheet-16-14-x-12-34-in-4128-x-3239-cm-mat-20-x-16-in-508-x-4064-cm-graphic-arts-council-fund-m2001141-prints-and-drawings-1796date-qsp5711796-00-00t000000z9-image257210603.html
Simon de Vos, Paulus Pontius, 1603–1658, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Line engraving, stipple engraving and etching on medium, slightly textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper, Mount: 13 1/2 × 11 1/16 inches (34.3 × 28.1 cm), Sheet: 9 1/4 × 6 1/8 inches (23.5 × 15.6 cm), and Image: 8 1/2 × 6 1/16 inches (21.6 × 15.4 cm
Simon de Vos, Paulus Pontius, 1603–1658, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Line engraving, stipple engraving and etching on medium, slightly textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, laid paper, Mount: 13 1/2 × 11 1/16 inches (34.3 × 28.1 cm), Sheet: 9 1/4 × 6 1/8 inches (23.5 × 15.6 cm), and Image: 8 1/2 × 6 1/16 inches (21.6 × 15.4 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/simon-de-vos-paulus-pontius-16031658-flemish-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-ca1635-line-engraving-stipple-engraving-and-etching-on-medium-slightly-textured-blued-white-laid-paper-mounted-on-moderately-thick-slightly-textured-cream-laid-paper-mount-13-12-11-116-inches-343-281-cm-sheet-9-14-6-18-inches-235-156-cm-and-image-8-12-6-116-inches-216-154-cm-image389664408.html
Double Title Page of a copy of the Shahnama of Firdausi, Safavid dynasty (1501–1722), 16th century, c.1550, Iran, Shiraz, Iran, Opaque watercolor and gold on paper, 28.6 x 34.7 cm (11 1/4 x 13 3/4 in.), Right Page: 29.1 x 17.8 cm (11 7/16 x 7 in.), Left Page: 28.9 x 18.4 cm (11 3/8 x 7 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Double Title Page of a copy of the Shahnama of Firdausi, Safavid dynasty (1501–1722), 16th century, c.1550, Iran, Shiraz, Iran, Opaque watercolor and gold on paper, 28.6 x 34.7 cm (11 1/4 x 13 3/4 in.), Right Page: 29.1 x 17.8 cm (11 7/16 x 7 in.), Left Page: 28.9 x 18.4 cm (11 3/8 x 7 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/double-title-page-of-a-copy-of-the-shahnama-of-firdausi-safavid-dynasty-15011722-16th-century-c1550-iran-shiraz-iran-opaque-watercolor-and-gold-on-paper-286-x-347-cm-11-14-x-13-34-in-right-page-291-x-178-cm-11-716-x-7-in-left-page-289-x-184-cm-11-38-x-7-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349745253.html
The Enchanted Fountain of Love's Truth (La Fontaine Enchantée de la Verité d'Amour). Artist: Augustin de Saint-Aubin (French, Paris 1736-1807 Paris); Charles François Adrien Macret (French, Abbeville 1751-1789 Paris). Dimensions: sheet: 11 1/4 x 13 3/8 in. (28.5 x 34 cm). Draftsman: Charles Nicolas Cochin II (French, Paris 1715-1790 Paris). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
The Enchanted Fountain of Love's Truth (La Fontaine Enchantée de la Verité d'Amour). Artist: Augustin de Saint-Aubin (French, Paris 1736-1807 Paris); Charles François Adrien Macret (French, Abbeville 1751-1789 Paris). Dimensions: sheet: 11 1/4 x 13 3/8 in. (28.5 x 34 cm). Draftsman: Charles Nicolas Cochin II (French, Paris 1715-1790 Paris). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-enchanted-fountain-of-loves-truth-la-fontaine-enchante-de-la-verit-damour-artist-augustin-de-saint-aubin-french-paris-1736-1807-paris-charles-franois-adrien-macret-french-abbeville-1751-1789-paris-dimensions-sheet-11-14-x-13-38-in-285-x-34-cm-draftsman-charles-nicolas-cochin-ii-french-paris-1715-1790-paris-date-nd-museum-metropolitan-museum-of-art-new-york-usa-image233250933.html
. Nederlands: De vergaderzaal van het genootschap Kunst Wordt Door Arbeid Verkregen. oil on canvas. 72 × 87.5 cm (28.3 × 34.4 in). Amsterdam, Rijksmuseum Amsterdam (SK-C-1775). In bruikleen van Museum De Lakenhal (S 900). . 1774. Paulus Constantijn la Fargue (1729–1782) Alternative names Paulus Constantin la Fargue Description Dutch engraver, painter and draughtsman Date of birth/death 5 January 1729 (baptised) 11 June 1782 (buried) Location of birth/death The Hague The Hague Work period circa 1744-1782 Work location The Hague (1749-1770), Rotterdam (1763), Leiden (1771-1776), The
. Nederlands: De vergaderzaal van het genootschap Kunst Wordt Door Arbeid Verkregen. oil on canvas. 72 × 87.5 cm (28.3 × 34.4 in). Amsterdam, Rijksmuseum Amsterdam (SK-C-1775). In bruikleen van Museum De Lakenhal (S 900). . 1774. Paulus Constantijn la Fargue (1729–1782) Alternative names Paulus Constantin la Fargue Description Dutch engraver, painter and draughtsman Date of birth/death 5 January 1729 (baptised) 11 June 1782 (buried) Location of birth/death The Hague The Hague Work period circa 1744-1782 Work location The Hague (1749-1770), Rotterdam (1763), Leiden (1771-1776), The https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nederlands-de-vergaderzaal-van-het-genootschap-kunst-wordt-door-arbeid-verkregen-oil-on-canvas-72-875-cm-283-344-in-amsterdam-rijksmuseum-amsterdam-sk-c-1775-in-bruikleen-van-museum-de-lakenhal-s-900-1774-paulus-constantijn-la-fargue-17291782-alternative-names-paulus-constantin-la-fargue-description-dutch-engraver-painter-and-draughtsman-date-of-birthdeath-5-january-1729-baptised-11-june-1782-buried-location-of-birthdeath-the-hague-the-hague-work-period-circa-1744-1782-work-location-the-hague-1749-1770-rotterdam-1763-leiden-1771-1776-the-image188252109.html
Giroux. Hippolyte. 34 ans, né à Montreuil les Mines (Saone & Loire). Mécanicien. Anarchiste. 28/2/94. Artist: Alphonse Bertillon (French, 1853-1914);
Giroux. Hippolyte. 34 ans, né à Montreuil les Mines (Saone & Loire). Mécanicien. Anarchiste. 28/2/94. Artist: Alphonse Bertillon (French, 1853-1914); https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-giroux-hippolyte-34-ans-n-montreuil-les-mines-saone-loire-mcanicien-168235416.html
'Ryōgoku Bridge and the Great Riverbank; English: eighth month, 1856 Alternate Title: Ryogokubashi Okawabata Series: number 59 Prints; woodcuts Color woodblock print Image: 13 1/2 x 8 15/16 in. (34.29 x 22.70 cm); Sheet: 14 3/4 x 10 in. (37.47 x 25.4 cm); Second support: 16 15/16 x 11 5/16 in. (43.02 x 28.73 cm) Gift of Arthur and Fran Sherwood (M.2007.152.16) Japanese Art; 1856date QS:P571,+1856-00-00T00:00:00Z/9; '
'Ryōgoku Bridge and the Great Riverbank; English: eighth month, 1856 Alternate Title: Ryogokubashi Okawabata Series: number 59 Prints; woodcuts Color woodblock print Image: 13 1/2 x 8 15/16 in. (34.29 x 22.70 cm); Sheet: 14 3/4 x 10 in. (37.47 x 25.4 cm); Second support: 16 15/16 x 11 5/16 in. (43.02 x 28.73 cm) Gift of Arthur and Fran Sherwood (M.2007.152.16) Japanese Art; 1856date QS:P571,+1856-00-00T00:00:00Z/9; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/rygoku-bridge-and-the-great-riverbank-english-eighth-month-1856-alternate-title-ryogokubashi-okawabata-series-number-59-prints-woodcuts-color-woodblock-print-image-13-12-x-8-1516-in-3429-x-2270-cm-sheet-14-34-x-10-in-3747-x-254-cm-second-support-16-1516-x-11-516-in-4302-x-2873-cm-gift-of-arthur-and-fran-sherwood-m200715216-japanese-art-1856date-qsp5711856-00-00t000000z9-image349834127.html
Table. Designer: Jean Dunand (French (born Switzerland), Lancy 1877-1942 Paris); Date: ca. 1927-28; Medium: Lacquered wood; Dimensions: 23 1/4 x 13
Table. Designer: Jean Dunand (French (born Switzerland), Lancy 1877-1942 Paris); Date: ca. 1927-28; Medium: Lacquered wood; Dimensions: 23 1/4 x 13 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/table-designer-jean-dunand-french-born-switzerland-lancy-1877-1942-paris-date-ca-1927-28-medium-lacquered-wood-dimensions-23-14-x-13-image282960169.html
. Neues Jahrbuch für Mineralogie, Geologie and Paläontologie . n mit einfachen, scharfen Reflexen.An dem einen Ende ist die Basis groß, am anderen nur sehrklein; die Rhomboederflächen stumpfen die Kanten der Pyra-mide breit gerade ab, sind aber nicht vollzählig, die Pyramiden-flächen sind etwa so groß wie die Prismenflächen. |P2 Polkantenwinkel = 51°59i 0 gem. (51°580 ber.)|P2 : E = 26 0 0 (25 59 0 „ ) OE : E = 57 36 10 „ (57 34 8 „ ). 4. 2/P2 (14 . 14 . 28 . 3). OR (0001) (Fig. 3 u. 5). Pyra-mide nur mit der oberen Hälfte entwickelt, mit matter Basisan beiden Enden, 1,6 cm lang, farblos mit h
. Neues Jahrbuch für Mineralogie, Geologie and Paläontologie . n mit einfachen, scharfen Reflexen.An dem einen Ende ist die Basis groß, am anderen nur sehrklein; die Rhomboederflächen stumpfen die Kanten der Pyra-mide breit gerade ab, sind aber nicht vollzählig, die Pyramiden-flächen sind etwa so groß wie die Prismenflächen. |P2 Polkantenwinkel = 51°59i 0 gem. (51°580 ber.)|P2 : E = 26 0 0 (25 59 0 „ ) OE : E = 57 36 10 „ (57 34 8 „ ). 4. 2/P2 (14 . 14 . 28 . 3). OR (0001) (Fig. 3 u. 5). Pyra-mide nur mit der oberen Hälfte entwickelt, mit matter Basisan beiden Enden, 1,6 cm lang, farblos mit h https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/neues-jahrbuch-fr-mineralogie-geologie-and-palontologie-n-mit-einfachen-scharfen-reflexenan-dem-einen-ende-ist-die-basis-gro-am-anderen-nur-sehrklein-die-rhomboederflchen-stumpfen-die-kanten-der-pyra-mide-breit-gerade-ab-sind-aber-nicht-vollzhlig-die-pyramiden-flchen-sind-etwa-so-gro-wie-die-prismenflchen-p2-polkantenwinkel-=-5159i-0-gem-51580-berp2-e-=-26-0-0-25-59-0-oe-e-=-57-36-10-57-34-8-4-2p2-14-14-28-3-or-0001-fig-3-u-5-pyra-mide-nur-mit-der-oberen-hlfte-entwickelt-mit-matter-basisan-beiden-enden-16-cm-lang-farblos-mit-h-image371643348.html
RyÅgoku Bridge and the Great Riverbank; eighth month, 1856 Alternate Ryogokubashi Okawabata Series: number 59 Prints; woodcuts Color woodbk print Image: 13 1/2 x 8 15/16 in. (34.29 x 22.70 cm); Sheet: 14 3/4 x 10 in. (37.47 x 25.4 cm); Second support: 16 15/16 x 11 5/16 in. (43.02 x 28.73 cm) Gift of Arthur and Fran Sherwood (M.2007.152.16) Japanese Art; 1856date QS:P571,+1856-00-00T00:00:00Z/9;
RyÅgoku Bridge and the Great Riverbank; eighth month, 1856 Alternate Ryogokubashi Okawabata Series: number 59 Prints; woodcuts Color woodbk print Image: 13 1/2 x 8 15/16 in. (34.29 x 22.70 cm); Sheet: 14 3/4 x 10 in. (37.47 x 25.4 cm); Second support: 16 15/16 x 11 5/16 in. (43.02 x 28.73 cm) Gift of Arthur and Fran Sherwood (M.2007.152.16) Japanese Art; 1856date QS:P571,+1856-00-00T00:00:00Z/9; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/rygoku-bridge-and-the-great-riverbank-eighth-month-1856-alternate-ryogokubashi-okawabata-series-number-59-prints-woodcuts-color-woodbk-print-image-13-12-x-8-1516-in-3429-x-2270-cm-sheet-14-34-x-10-in-3747-x-254-cm-second-support-16-1516-x-11-516-in-4302-x-2873-cm-gift-of-arthur-and-fran-sherwood-m200715216-japanese-art-1856date-qsp5711856-00-00t000000z9-image257208321.html
Theodorus Galle, Calcographus Anterpiæ, Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Stipple engraving, line engraving and etching on medium, slightly textured bued white, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 15 × 11 1/16 inches (38.1 × 28.1 cm), Sheet: 9 9/16 × 6 3/8 inches (24.3 × 16.2 cm), and Image: 8 7/16 × 6 1/8 inches (21.4 × 15.6 cm
Theodorus Galle, Calcographus Anterpiæ, Lucas Vorsterman, 1595–1675, Flemish, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), ca.1635, Stipple engraving, line engraving and etching on medium, slightly textured bued white, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Mount: 15 × 11 1/16 inches (38.1 × 28.1 cm), Sheet: 9 9/16 × 6 3/8 inches (24.3 × 16.2 cm), and Image: 8 7/16 × 6 1/8 inches (21.4 × 15.6 cm https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/theodorus-galle-calcographus-anterpi-lucas-vorsterman-15951675-flemish-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-ca1635-stipple-engraving-line-engraving-and-etching-on-medium-slightly-textured-bued-white-laid-paper-mounted-on-moderately-thick-moderately-textured-cream-laid-paper-mount-15-11-116-inches-381-281-cm-sheet-9-916-6-38-inches-243-162-cm-and-image-8-716-6-18-inches-214-156-cm-image389664749.html
![Bathhouse (Bath of the Anabaptists), 1540/50, copperplate, plate: 33.7 x 28.4 cm |, Leaf: 34.4 x 29.3 cm, monogrammed in the M.: .AG ., u, ., M .: VS [lig.], Virgil Solis, Nürnberg 1514–1562 Nürnberg, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. - Stock Image](https://c8.alamy.com/comp/2B933B8/bathhouse-bath-of-the-anabaptists-154050-copperplate-plate-337-x-284-cm-leaf-344-x-293-cm-monogrammed-in-the-m-ag-u-m-vs-lig-virgil-solis-nrnberg-15141562-nrnberg-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-2B933B8.jpg)
![. Collected reprints / Atlantic Oceanographic and Meteorological Laboratories [and] Pacific Oceanographic Laboratories. Oceanography Periodicals.. 30° 25° 2 * <r I- or O u. o CO Q < — = 100 km K. -500 4 6 8 10 12 14 16 18 20 22 24 26 28 30 32 34 36 38 40 SEPARATION OF SURFACE FRONT FROM FRONT AT 200 METERS DEPTH (KM) Figure 3.4 Theoretical separation of surface front from the front at 200-m depth versus the radius of curvature of Loop Current meanders. Jhe curves are given for the bounding latitudes of the Gulf of Mexico (20 ,25 , and 30 ) and are for a velocity core speed of 150 cm sec - Stock Image](https://c8.alamy.com/comp/REGTBT/collected-reprints-atlantic-oceanographic-and-meteorological-laboratories-and-pacific-oceanographic-laboratories-oceanography-periodicals-30-25-2-ltr-i-or-o-u-o-co-q-lt-=-100-km-k-500-4-6-8-10-12-14-16-18-20-22-24-26-28-30-32-34-36-38-40-separation-of-surface-front-from-front-at-200-meters-depth-km-figure-34-theoretical-separation-of-surface-front-from-the-front-at-200-m-depth-versus-the-radius-of-curvature-of-loop-current-meanders-jhe-curves-are-given-for-the-bounding-latitudes-of-the-gulf-of-mexico-20-25-and-30-and-are-for-a-velocity-core-speed-of-150-cm-sec-REGTBT.jpg)
