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RM2HB1H44–Head of Saint Paul, Spanish, probably School of Seville, Oil on canvas, Spain, 1660-1700, 23 1/8 x 17 1/4 in., 58.7 x 43.8 cm, portrait
RF2HK4910–Inspired by Head of Saint Paul, Spanish, probably School of Seville, Oil on canvas, Spain, 1660-1700, 23 1/8 x 17 1/4 in., 58.7 x 43.8 cm, portrait, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPA8M5W–Palazzo Massimo alle Colonne, portico, elevation; portal, cornice, section; portal bracket, detail; fireplace, detail (recto) blank (verso). Dimensions: sheet: 23 1/8 x 17 1/4 in. (58.8 x 43.8 cm). Draftsman: Drawn by Anonymous, French, 16th century. Date: early to mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2M93D1P–Head of Saint Paul Spanish (probably School of Seville). , 1660-1700. Oil on canvas, 23 1/8 x 17 1/4 in. (58.7 x 43.8 cm). European Art 1660-1700
RM2GMXJ18–Stencil. Date: 19th century; Culture: Japan; Medium: Paper, silk; Dimensions: 23 x 17 1/4 in. (58.4 x 43.8 cm); Classification: Stencils
![. English: Kilbrannan after being wrecked PRG-1373-17-14. The iron ship 'Kilbrannan', 1635 tons, after being wrecked. According to a researcher, this photograph is of her stranding on a beach at Puget Sound on passage Callao (24 Dec 1895) - Port Townsend. [iron ship, 1635 tons, ON86717. 256.4 x 38.1 x 22.8. Built 1882 (11) Russell and Co. Port Glasgow. Owners: Kerr, Newton and Co. Registered Glasgow about 1900 sold to Matson Naigation Co., and renamed 'Marion Chilcott' and registered in Port Townsend, USA. She was converted to carry petroleum in bulk]. 1 January 2018, 13:49:23. Unknown 765 Kil Stock Photo](https://c8.alamy.com/comp/MP7CDK/english-kilbrannan-after-being-wrecked-prg-1373-17-14-the-iron-ship-kilbrannan-1635-tons-after-being-wrecked-according-to-a-researcher-this-photograph-is-of-her-stranding-on-a-beach-at-puget-sound-on-passage-callao-24-dec-1895-port-townsend-iron-ship-1635-tons-on86717-2564-x-381-x-228-built-1882-11-russell-and-co-port-glasgow-owners-kerr-newton-and-co-registered-glasgow-about-1900-sold-to-matson-naigation-co-and-renamed-marion-chilcott-and-registered-in-port-townsend-usa-she-was-converted-to-carry-petroleum-in-bulk-1-january-2018-134923-unknown-765-kil-MP7CDK.jpg ". English: Kilbrannan after being wrecked PRG-1373-17-14. The iron ship 'Kilbrannan', 1635 tons, after being wrecked. According to a researcher, this photograph is of her stranding on a beach at Puget Sound on passage Callao (24 Dec 1895) - Port Townsend. [iron ship, 1635 tons, ON86717. 256.4 x 38.1 x 22.8. Built 1882 (11) Russell and Co. Port Glasgow. Owners: Kerr, Newton and Co. Registered Glasgow about 1900 sold to Matson Naigation Co., and renamed 'Marion Chilcott' and registered in Port Townsend, USA. She was converted to carry petroleum in bulk]. 1 January 2018, 13:49:23. Unknown 765 Kil Stock Photo")
RMMP7CDK–. English: Kilbrannan after being wrecked PRG-1373-17-14. The iron ship 'Kilbrannan', 1635 tons, after being wrecked. According to a researcher, this photograph is of her stranding on a beach at Puget Sound on passage Callao (24 Dec 1895) - Port Townsend. [iron ship, 1635 tons, ON86717. 256.4 x 38.1 x 22.8. Built 1882 (11) Russell and Co. Port Glasgow. Owners: Kerr, Newton and Co. Registered Glasgow about 1900 sold to Matson Naigation Co., and renamed 'Marion Chilcott' and registered in Port Townsend, USA. She was converted to carry petroleum in bulk]. 1 January 2018, 13:49:23. Unknown 765 Kil
RMTX987G–Menus propos; Belgium, 1857 Periodical: Uylenspiegel, no. 17, 24 May 1857 Prints; lithographs Lithograph 11 1/4 x 8 1/16 in. (28.58 x 20.48 cm) Gift of Michael G. Wilson (M.80.277.23) Prints and Drawings; 1857date QS:P571,+1857-00-00T00:00:00Z/9;
RMWDGA9B–Geoe. Washington Esqr. / engraved by K. Mackenzie from an original picture. Abstract/medium: 1 print : engraving, stipple 12.4 x 8.2 cm (sheet), 23.2 x 17.1 (card mount)
RMRJF151–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
RM2B8YCHD–'Menus propos; English: Belgium, 1857 Periodical: Uylenspiegel, no. 17, 24 May 1857 Prints; lithographs Lithograph 11 1/4 x 8 1/16 in. (28.58 x 20.48 cm) Gift of Michael G. Wilson (M.80.277.23) Prints and Drawings; 1857date QS:P571,+1857-00-00T00:00:00Z/9; '
RM2A6052R–Irish members in their seats in the House of Parliament; 1886 from back to front; 1. Alexander Blane; 2. J.D. Sheehan; 3. Sir Joseph N. M'Kenna; 4. Donal Sullivan; 5. Patrick O'Hea; 6. Dr. Fox; 7. Joseph Nolan; 8. Edw. Harrington; 9. J.F. Smithwick; 10. William O'Brien; 11. E. Mulhallen Marum; 12. Thomas O'Hanlon; 13. James Leahy; 14. P.J. Foley; 15. J.F.X. O'Brien; 16. J.L. Carew; 17. John Finucane; 18. J. O'Connor; Lord Mayor; 19. Dr. Andrew Commins; 20. Edward Shiel; 21. James E. O'Doherty; 22. Michael Conway; 23. P. M'Donald; 24. Laurence Connolly; 25. Henry J. Gill; 26. Kevin Izod O'Doher
RM2B8M0MH–Karnak from Egypt and Nubia, Volume II: Karnak, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 43.5 x 60.2 cm (17 1/8 x 23 11/16 in.); image: 32.6 x 48.9 cm (12 13/16 x 19 1/4 in.)
RMKP2CWA–Fischernetze auf Isola Bella MET DP209275 264891 Fischernetze auf Isola Bella, ca. 1930, Gelatin silver print, 17.5 x 23.5 cm. (6 7/8 x 9 1/4 in.). The Metropolitan Museum of Art, New York. Gift of Sheri and Paul Siegel, 1986 (1986.1183)
![Soldiers for Soldiers Fashion Show [#Beginning of Shooting Data Section] Nikon D100 Focal Length: 200mm White Balance: Flash Color Mode: Mode II (Adobe RGB) 2003/12/31 23:24:17.7 Exposure Mode: Manual AF Mode: Manual Hue Adjustment: 0° JPEG (8-bit) Fine Metering Mode: Multi-Pattern Tone Comp: Normal Sharpening: None Image Size: Large (3008 x 2000) 1/125 sec - f/4 Flash Sync Mode: Front Curtain Noise Reduction: OFF Exposure Comp.: 0 EV Auto Flash Mode: Manual Image Comment: Photo credit Daniel McGowan [#End of Shooting Data Section] Niki Barr, Eagle Base Stock Photo](https://c8.alamy.com/comp/HER26D/soldiers-for-soldiers-fashion-show-beginning-of-shooting-data-section-HER26D.jpg "Soldiers for Soldiers Fashion Show [#Beginning of Shooting Data Section] Nikon D100 Focal Length: 200mm White Balance: Flash Color Mode: Mode II (Adobe RGB) 2003/12/31 23:24:17.7 Exposure Mode: Manual AF Mode: Manual Hue Adjustment: 0° JPEG (8-bit) Fine Metering Mode: Multi-Pattern Tone Comp: Normal Sharpening: None Image Size: Large (3008 x 2000) 1/125 sec - f/4 Flash Sync Mode: Front Curtain Noise Reduction: OFF Exposure Comp.: 0 EV Auto Flash Mode: Manual Image Comment: Photo credit Daniel McGowan [#End of Shooting Data Section] Niki Barr, Eagle Base Stock Photo")
RMHER26D–Soldiers for Soldiers Fashion Show [#Beginning of Shooting Data Section] Nikon D100 Focal Length: 200mm White Balance: Flash Color Mode: Mode II (Adobe RGB) 2003/12/31 23:24:17.7 Exposure Mode: Manual AF Mode: Manual Hue Adjustment: 0° JPEG (8-bit) Fine Metering Mode: Multi-Pattern Tone Comp: Normal Sharpening: None Image Size: Large (3008 x 2000) 1/125 sec - f/4 Flash Sync Mode: Front Curtain Noise Reduction: OFF Exposure Comp.: 0 EV Auto Flash Mode: Manual Image Comment: Photo credit Daniel McGowan [#End of Shooting Data Section] Niki Barr, Eagle Base
RMW275W5–Archive image from page 41 of The Danish Ingolf-Expedition (1921). The Danish Ingolf-Expedition danishingolfexpe0509ingo Year: 1921 34 ACTINIARIA Habitat nemathybomes capitu- lum tentacles n. sp. actinopharynx n (a) n (a) n (b) i) Vaderoame 2) Kristlneberg 3) Styrso 4) Varholmen 5) Drobalc 6) Bohuslan Zool. St. 7) Kattegat 8) - 9) Samso Belt 58-62 X 2.5fl 53-65 41-58 X 2.5 43-61 X 2 41-48 X 2 48 X 2 36-50 X 2 about 46 X 2 43-55 X 2 4S-81 X 4-511 48-86 41-72 X 4-5 46-67 X 3.5 (-5) 41-58 X 4 (5) 48-65 X 3.5-4-5 36-61 X 3.5-4 38-53 X 3.5-4 43-65 X 3.5 (5) 19-23 X 2fl 17-22 X 2(2.5) 14-17,' 14-1
RM2AN6M85–Annual catalogue of the East Carolina Teachers Training School . East Carolina TeachersTraining School 1 GREENVILLE, N. C M :2i- 9ll-!9!2 i x ! i1i J7ilfr*-eg- 3D Coif J^53 ....jgg LIBRARVUNIVERSITVOnuiNOis. ww^rn; of Illinois 19 0CT|9i4 THIRD ANNUAL CATALOGUEof the East Carolina TeachersTraining School GREENVILLE, N. C. 1911-1912 GREENVILLE: THE REFLECTOR CO., PRINTERS 1912 TABLE OF CONTENTS Calendars 4-5 Board of Trustees 6 Faculty 7 Officers 8 General Information 9-16 Eequirements for Admission and Outline of Courses 17-23 Department of Instruction 24-29 Annual Expenses 30 Students Eoll 31-
RMPFG999–. Denkschriften der Kaiserlichen Akademie der Wissenschaften, Mathematisch-Naturwissenschaftliche Classe. C. V. Ettingshausen. Über die Blattskelette der Loranthaceen. Taf. V.. 1—3. Lorantlius ligustiinus. 4. 0. L. Krauseaiiiis. 6—8. Stnitliantlius tciiiiflunis. 9—12. Pluygilantliiis tetraiiilnis. 13, 14, 16. Phoradendron nibnim. 15, 17, 18. Ph. latifoliiiin. li), 20. Uendrophthoe glaiica. 21. Stnitliantlm.s aciiniiuatns. 22, 23. Tupeia antarctica. Denkschriften der mathem.-naturw. Cl. X.X.XII. Bd. Nai urselbaldruek. Aus der h. h. Hof- und Slaalsdruckerei.. Please note that these images are ex
RM2A2WC1T–shirt panel (mola), Kuna people, about 1950s, appliqued cotton, 17-1/4 x 23-5/8 in., Textile and Fashion Arts
RF2HKJPXM–Art inspired by Head of Saint Paul, Spanish, probably School of Seville, Oil on canvas, Spain, 1660-1700, 23 1/8 x 17 1/4 in., 58.7 x 43.8 cm, portrait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB2318–Cassetta frame. Culture: Italian, Siena. Dimensions: Overall: 23 1/8 x 17 3/4. Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.
![NORTHAMPTON SHIRE. Author Moll, Herman 32.4. Place of publication: [London] Publisher: [Thos. Bowles , J. Bowles] Date of publication: [1724] Item type: 1 map Medium: copperplate engraving Dimensions: 17.8 X 23.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9HM64/northampton-shire-author-moll-herman-324-place-of-publication-london-publisher-thos-bowles-j-bowles-date-of-publication-1724-item-type-1-map-medium-copperplate-engraving-dimensions-178-x-238-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9HM64.jpg "NORTHAMPTON SHIRE. Author Moll, Herman 32.4. Place of publication: [London] Publisher: [Thos. Bowles , J. Bowles] Date of publication: [1724] Item type: 1 map Medium: copperplate engraving Dimensions: 17.8 X 23.8 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9HM64–NORTHAMPTON SHIRE. Author Moll, Herman 32.4. Place of publication: [London] Publisher: [Thos. Bowles , J. Bowles] Date of publication: [1724] Item type: 1 map Medium: copperplate engraving Dimensions: 17.8 X 23.8 cm Former owner: George III, King of Great Britain, 1738-1820
RMKP07P3–Stencil. Date: 19th century; Culture: Japan; Medium: Paper, silk; Dimensions: 23 x 17 1/4 in. (58.4 x 43.8 cm); Classification: Stencils
RMP01MDF–Painting; oil on panel; overall: 61.6 x 45.4 cm (24 1/4 x 17 7/8 in.); 23 The Parable of Lazarus and the Rich Man sc134
RMTX6NW8–Jeunesse d'Alcibiade; France, 1842 Series: L'Histoire ancienne Periodical: Le Charivari, 17 July 1842 Prints; lithographs Lithograph Image: 9 1/4 x 8 in. (23.5 x 20.32 cm) Gift of Ronn Marvin in memory of Catherine Marvin (AC1997.104.6) Prints and Drawings; 1842date QS:P571,+1842-00-00T00:00:00Z/9;
RM2DE4M63–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
RM2B8RN0E–'Jeunesse d'Alcibiade; France, 1842 Series: L'Histoire ancienne Periodical: Le Charivari, 17 July 1842 Prints; lithographs Lithograph Image: 9 1/4 x 8 in. (23.5 x 20.32 cm) Gift of Ronn Marvin in memory of Catherine Marvin (AC1997.104.6) Prints and Drawings; 1842date QS:P571,+1842-00-00T00:00:00Z/9; '
RM2B8KW9X–Egypt and Nubia, Volume III: Modern Mansion, showing the Arabesque Architecture of Cairo, 1849. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864). Color lithograph; sheet: 60.3 x 43.8 cm (23 3/4 x 17 1/4 in.); image: 49.9 x 35.1 cm (19 5/8 x 13 13/16 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.171
RMKNPT8C–Dolls on the Balcony MET DP165114 283291 Dolls on the Balcony, 1926, Gelatin silver print, 23.5 x 17.5 cm (9 1/4 x 6 7/8 in.). The Metropolitan Museum of Art, New York. Gilman Collection, Purchase, Denise and Andrew Saul Gift, 2005 (2005.100.437)
RMW27192–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39
![. The harmonized and subject reference New Testament, King James' version made into a harmonized paragraph, local, topical, textual, and subject reference edition, in modern English print. 3-9 (3). Instructions to Publicans and Soldiers. Lu. 3: 10-14 (4). Johns Main Testimony to Jesus. Mt. 3: 11-12 Mk. 1: 7-8 ,Lu. 3: 15-18(5>. Account of Johns Imprisonment. (In time of ^ 29.) Lu 3: 19-20. (See f 75 [2.]) 18. The Baptism of Our Lord by John.Mt. 3: 13-17 Mk. 1: 9-11 Lu. 3: 21-23 (a) 19. Genealogy: (1). From Jesus to Abraham.Mt. 1: 1-17 Ln. 3: 23 (x)-34 (a) (2). From Abraham to Adam. Ln. 3: 34 Stock Photo](https://c8.alamy.com/comp/2AFN5TY/the-harmonized-and-subject-reference-new-testament-king-james-version-made-into-a-harmonized-paragraph-local-topical-textual-and-subject-reference-edition-in-modern-english-print-3-9-3-instructions-to-publicans-and-soldiers-lu-3-10-14-4-johns-main-testimony-to-jesus-mt-3-11-12-mk-1-7-8-lu-3-15-185gt-account-of-johns-imprisonment-in-time-of-29-lu-3-19-20-see-f-75-2-18-the-baptism-of-our-lord-by-johnmt-3-13-17-mk-1-9-11-lu-3-21-23-a-19-genealogy-1-from-jesus-to-abrahammt-1-1-17-ln-3-23-x-34-a-2-from-abraham-to-adam-ln-3-34-2AFN5TY.jpg ". The harmonized and subject reference New Testament, King James' version made into a harmonized paragraph, local, topical, textual, and subject reference edition, in modern English print. 3-9 (3). Instructions to Publicans and Soldiers. Lu. 3: 10-14 (4). Johns Main Testimony to Jesus. Mt. 3: 11-12 Mk. 1: 7-8 ,Lu. 3: 15-18(5>. Account of Johns Imprisonment. (In time of ^ 29.) Lu 3: 19-20. (See f 75 [2.]) 18. The Baptism of Our Lord by John.Mt. 3: 13-17 Mk. 1: 9-11 Lu. 3: 21-23 (a) 19. Genealogy: (1). From Jesus to Abraham.Mt. 1: 1-17 Ln. 3: 23 (x)-34 (a) (2). From Abraham to Adam. Ln. 3: 34 Stock Photo")
RM2AFN5TY–. The harmonized and subject reference New Testament, King James' version made into a harmonized paragraph, local, topical, textual, and subject reference edition, in modern English print. 3-9 (3). Instructions to Publicans and Soldiers. Lu. 3: 10-14 (4). Johns Main Testimony to Jesus. Mt. 3: 11-12 Mk. 1: 7-8 ,Lu. 3: 15-18(5>. Account of Johns Imprisonment. (In time of ^ 29.) Lu 3: 19-20. (See f 75 [2.]) 18. The Baptism of Our Lord by John.Mt. 3: 13-17 Mk. 1: 9-11 Lu. 3: 21-23 (a) 19. Genealogy: (1). From Jesus to Abraham.Mt. 1: 1-17 Ln. 3: 23 (x)-34 (a) (2). From Abraham to Adam. Ln. 3: 34
![. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo](https://c8.alamy.com/comp/PFYFDM/precious-stones-a-popular-account-of-their-characters-occurrence-and-applications-with-an-introduction-to-their-determination-for-mineralogists-lapidaries-jewellers-etc-with-an-appendix-on-pearls-and-coral-precious-stones-pearls-corals-actual-sizes-of-brilliants-diamonds-of-ia-to-100-carats-plate-ix-1-o-vtear-2-w9-12-3-03-34-kls-1-s-aia-ivi-6-utn-1quot-7-kljj-14quot-jfl-11-12-13-14-2-2i4-2v2-234quot-3-3-15-16-17-19-20-21-ivahar-5v2-quot-18-ltkx-6-quot-6v2quot-7-quot-8-quot-22-xxo-9-quot-23-y-xx-a-10-24-x-ir-x-11-25-a-xx-PFYFDM.jpg ". Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx: Stock Photo")
RMPFYFDM–. Precious stones, a popular account of their characters, occurrence and applications, with an introduction to their determination, for mineralogists, lapidaries, jewellers, etc. With an appendix on pearls and coral. Precious stones; Pearls; Corals. Actual Sizes of Brilliants (Diamonds) of ^Ia to 100 carats. Plate IX. 1 O VtEar. 2 W9. 1/2 » 3 03 3/4 „ ^ KLS 1 s aia ivi» 6 uTn 1%" 7 KLjJ 1^/4" jfl 11 12 13 14 2 • 2i/4» 2V2» 23/4" 3 ' 3%. 15 16 17 19 20 21 iVaHar. 5V2 " 18 (LtkX^ 6 " 6V2" 7 " 8 " 22 [ XXO ) 9 " 23 Y XX: A } 10 24 X ir X , 11 25 A xx:
RM2B0JD8F–Stencil, Japan, 19th century, Japan, Paper, silk, 23 x 17 1/4 in. (58.4 x 43.8 cm), Stencils
RF2HW5NTK–Art inspired by Palazzo Massimo alle Colonne, portico, elevation; portal, cornice, section; portal bracket, detail; fireplace, detail (recto) blank (verso), early to mid-16th century, Dark brown ink, black chalk, and incised lines, sheet: 23 1/8 x 17 1/4 in. (58.8 x 43.8 cm), Drawings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1P0A–View of the Bargello Courtyard in Florence. Artist: S. Cecchi (Italian, 19th century). Dimensions: 23-5/8 x 17-1/2 in. (60.0 x 44.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
![Cautuariensis ecclesiæ cath. ab occidente prospectus. Author King, Daniel 16.36.e. Place of publication: [London] Publisher: [J. Overton] Date of publication: [1672] Item type: 1 print Medium: etching Dimensions: sheet 23.4 x 17.8 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H5HM/cautuariensis-ecclesi-cath-ab-occidente-prospectus-author-king-daniel-1636e-place-of-publication-london-publisher-j-overton-date-of-publication-1672-item-type-1-print-medium-etching-dimensions-sheet-234-x-178-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H5HM.jpg "Cautuariensis ecclesiæ cath. ab occidente prospectus. Author King, Daniel 16.36.e. Place of publication: [London] Publisher: [J. Overton] Date of publication: [1672] Item type: 1 print Medium: etching Dimensions: sheet 23.4 x 17.8 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9H5HM–Cautuariensis ecclesi√¶ cath. ab occidente prospectus. Author King, Daniel 16.36.e. Place of publication: [London] Publisher: [J. Overton] Date of publication: [1672] Item type: 1 print Medium: etching Dimensions: sheet 23.4 x 17.8 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
RMKNEH5W–Stencil. Date: 19th century; Culture: Japan; Medium: Paper, silk; Dimensions: 23 x 17 1/4 in. (58.4 x 43.8 cm); Classification: Stencils
RMMNTG28–Painting; oil on panel; overall: 59.7 x 44.1 cm (23 1/2 x 17 3/8 in.) framed: 84.4 x 71.1 cm (33 1/4 x 28 in.); Portrait of a Nobleman 1529. 1017 Portrait of a Nobleman A24636
RMTXDB7M–The Sumida River in Colors of Spring (image 23 of 48); Japan, 1862 Volume, number, page: Part III, Vol. I and Vol. III Books Twenty-four woodbk print illustrations Each sheet: 6 15/16 x 4 5/8 in. (17.62 x 11.75 cm) Gift of Chuck Bowdlear, Ph.D., and John Borozan, M.A. (M.2000.105.174.1-.2) Japanese Art; 1862date QS:P571,+1862-00-00T00:00:00Z/9;
RMW608JK–Print shows, from back to front, 1. Alexander Blane, 2. J.D. Sheehan, 3. Sir Joseph N. M'Kenna, 4. Donal Sullivan, 5. Patrick O'Hea, 6. Dr. Fox, 7. Joseph Nolan, 8. Edw. Harrington, 9. J.F. Smithwick, 10. William O'Brien, 11. E. Mulhallen Marum, 12. Thomas O'Hanlon, 13. James Leahy, 14. P.J. Foley, 15. J.F.X. O'Brien, 16. J.L. Carew, 17. John Finucane, 18. J. O'Connor, Lord Mayor, 19. Dr. Andrew Commins, 20. Edward Shiel, 21. James E. O'Doherty, 22. Michael Conway, 23. P. M'Donald, 24. Laurence Connolly, 25. Henry J. Gill, 26. Kevin Izod O'Doherty, M.D., 27. Bernard Kelly, 28. John Stack, 29.
RM2B951XR–'Three Shells; English: Italy, 18th century Prints; engravings Engraving with hand coloring Sheet: 12 x 17 7/8 in. (30.48 x 45.4 cm); image: 9 7/16 x 14 1/8 in. (23.97 x 35.88 cm) Mary Stansbury Ruiz Bequest (M.88.91.439) Prints and Drawings; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
RMKNPRDT–Fischernetze auf Isola Bella MET DP209275 264891 Fischernetze auf Isola Bella, ca. 1930, Gelatin silver print, 17.5 x 23.5 cm. (6 7/8 x 9 1/4 in.). The Metropolitan Museum of Art, New York. Gift of Sheri and Paul Siegel, 1986 (1986.1183)
RMW2719A–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77
RM2AWM8KM–Papers . x^ 17. AhoentCrflalriff Figures 1 to 4. Lumhrinereis jajMnica v. Marenzeller. Fig. 1, anterior end X 10. Fig. 2, ninety-eighth parapodium X 28. Fig. 3, maxilla X 23. Fig. 4, mandible X 35. Figures 5 to 10, Nicidion fusca-fasciata Treadwell. Fig. 5, anterior end X 10. Fig. 6, first para-podium X 62. Fig. 7, tenth parapodium X 48. Fig. 8, posterior parapodium X 48 Fig.9, maxilla X 48. Fig. 10, mandible X 48. Figures 11 and 12, ^mbeito rfwWa Treadwell. Fig. 11, anterior end X 20. Fig. 12, pygidiumX23. Figures 13 to 15, Dnlonereis Iwnibricus Treadwell. Fig. 13, dorsal view of anterior end
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RMPFBDTJ–. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française. Natural history; Scientific expeditions; Music. 664 DE L ETAT ACTUEL 6.* Tabaqah. 4 6 9 ii *3 i4 «7 {9 -5 y J L l ^ jo f L -cr x-e- 7.c Tabaqah. L l »3 l8 20 2 1 24 26 t B* oT / 8,e Tabaqah I* 1. 9.e Tabaqah. 8 IG C *3 15 17 «3U / t 2 I 23 io.e Tabaqah. 13 IJ 17 20 22 24 e^ S? 25 28 30 j -eâ 11 .e Tabaqah. S 10 C 12 i4 15 =1 18 20 t ^i fer -e- I2.e Tabaqah. 10 12 -tD- i4 17 19 21 c^ 25 27 13.' Tabaqah. â 7 "9 / w ir *4 »6 28 29 3* 3
RM2B0JDD6–Stencil, Japan, 19th century, Japan, Paper, silk, 23 x 17 1/4 in. (58.4 x 43.8 cm), Stencils
RF2HK50K1–Inspired by The Canal, Maxime Lalanne, French, 1827-1886, Etching on laid paper, 6 3/4 x 9 1/8 in., 17.1 x 23.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPAX75X–Dum Dum Church. Artist: Captain R. B. Hill. Dimensions: Image: 17.4 x 23.5 cm (6 7/8 x 9 1/4 in.) Mount: 20.9 x 28 cm (8 1/4 x 11 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA.
![Stock gill Force near Ambleside Author Alken, Samuel 43.4.c. Place of publication: [London] Publisher: Published as the Act directs April 14. 1794, by W. Clarke, New Bond Street, London. Date of publication: [1794] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 23.8 x 17.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9EM50/stock-gill-force-near-ambleside-author-alken-samuel-434c-place-of-publication-london-publisher-published-as-the-act-directs-april-14-1794-by-w-clarke-new-bond-street-london-date-of-publication-1794-item-type-1-print-medium-etching-and-aquatint-dimensions-platemark-238-x-174-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9EM50.jpg "Stock gill Force near Ambleside Author Alken, Samuel 43.4.c. Place of publication: [London] Publisher: Published as the Act directs April 14. 1794, by W. Clarke, New Bond Street, London. Date of publication: [1794] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 23.8 x 17.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9EM50–Stock gill Force near Ambleside Author Alken, Samuel 43.4.c. Place of publication: [London] Publisher: Published as the Act directs April 14. 1794, by W. Clarke, New Bond Street, London. Date of publication: [1794] Item type: 1 print Medium: etching and aquatint Dimensions: platemark 23.8 x 17.4 cm Former owner: George III, King of Great Britain, 1738-1820
RM2GMWRTK–Sampler. Date: 1806; Culture: Austrian or German; Medium: Silk and metal thread on silk; Dimensions: H. 17 3/4 x W. 23 3/8 inches (45.1 x 59.4 cm);
RMMNYE58–Painting; oil on panel; overall: 44.6 x 66.7 cm (17 9/16 x 26 1/4 in.) framed: 58.7 x 80.7 cm (23 1/8 x 31 3/4 in.); English: Moses Striking the Rock 1624. 1274 Moses Striking the Rock
RMTXBJ5B–Pictures of Flowers and Birds (image 17 of 25); Japan, 19th century Books Album of 66 leaves; ink and color on silk Overall: 10 5/8 x 250 in. (27.0 x 635.0 cm); Each leaf: 9 x 6 1/4 in. (23.0 x 16.0 cm) Far Eastern Art Council Fund (M.85.99) Japanese Art; 19th century date QS:P571,+1850-00-00T00:00:00Z/7;
RM2B955D2–'Un Neveu qui gagne cruellement une succession; English: France, 1845 Series: Les Canichomanes Periodical: Le Charivari, 14 April 1845 Prints; lithographs Lithograph Sheet: 8 3/4 x 7 1/16 in. (22.23 x 17.94 cm) Gift of Mrs. Florence Victor from The David and Florence Victor Collection (M.91.82.204) Prints and Drawings; 1845date QS:P571,+1845-00-00T00:00:00Z/9; '
RMKP2DHH–Dolls on the Balcony MET DP165114 283291 Dolls on the Balcony, 1926, Gelatin silver print, 23.5 x 17.5 cm (9 1/4 x 6 7/8 in.). The Metropolitan Museum of Art, New York. Gilman Collection, Purchase, Denise and Andrew Saul Gift, 2005 (2005.100.437)
RMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229
RM2AWM96G–Papers . AilQcnlCoBsLIin Figures 1 to 5, Leodiee crassi-tentacniata Treadwell. Fig. 1, anterior end X 7.5. Fig. 2, tenthparapodiuni X 23. Fig. 3, fiftieth parapodium X 17. Fig. 4, maxilla X 15. Fig. 5,mandible X 15. Figures 6 to 11. Leodice hiformi-cirrata Treadwell. Fig. 6, anterior end X 4. Fig. 7, pygidiumX 4-. Fig. 8, tenth parapodium X 13. Fig. 9, right half of maxilla X 9. Fig. 10, lefthalf of maxilla X 9. Fig. 11, half of mandible X 9. Figures 12 to 14. MarphysacalifomicaMooTQ. Fig. 12, pygidium X 7.5. Fig. 13, one-hun-dredth parapodium X 40. Fig. 14, forty-fifth parapodium X -10. TREAD
![. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo](https://c8.alamy.com/comp/PFE8G1/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-PFE8G1.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo")
RMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27
RM2B0JHXD–Stencil, Japan, 19th century, Japan, Paper, silk, 23 x 17 1/4 in. (58.4 x 43.8 cm), Stencils
RF2HTYDXP–Art inspired by Cassetta frame, early 16th century, Italian, Siena, Poplar, Overall: 23 1/8 x 17 3/4, Frames, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA4J14–Sakamoto Otasuku Kankyo ni tachite tekijo o nozomu zu Sakamoto Otasuku. Artist: Attributed to Mizuno Toshikata (Japanese, 1866-1908). Culture: Japan. Dimensions: 7 x 9 1/4 in. (17.8 x 23.5 cm). Date: ca. 1894. Museum: Metropolitan Museum of Art, New York, USA.
RM2JN2FFD–Knoblauch & Wex, conversion and expansion department store Erich Jordan, Markgrafenstr. 102-107, Berlin-Kreuzberg: Markgrafenstraße 102-104: site plan 1: 1000. Ink on transparent, 17.8 x 23.4 cm (including scan edges)
RMKNDPRJ–Sauceboat. Date: 1815-30; Geography: Made in Paris, France; Culture: French; Medium: Porcelain; Dimensions: 6 3/4 x 9 1/8 x 3 1/2 in. (17.1 x 23.2 x
RMP01HYN–Painting; oil on paper; overall: 29 x 44 cm (11 7/16 x 17 5/16 in.) framed: 42.2 x 59.4 x 5.4 cm (16 5/8 x 23 3/8 x 2 1/8 in.); 9 Forest Interior with a Painter, Civita Castellana C16164
RMTX7R1B–La Politique pour rire; Belgium, 1859 Prints; lithographs Lithograph Image: 9 3/8 x 7 9/16 in. (23.81 x 19.21 cm); Sheet: 15 x 12 in. (38.1 x 30.48 cm); Mat: 21 x 17 3/4 (53.34 x 45.09 cm) Gift of Michael G. Wilson (M.80.277.41) Prints and Drawings; 1859date QS:P571,+1859-00-00T00:00:00Z/9;
RM2B9511T–'The Sumida River in Colors of Spring (image 23 of 48); English: Japan, 1862 Volume, number, page: Part III, Vol. I and Vol. III Books Twenty-four woodblock print illustrations Each sheet: 6 15/16 x 4 5/8 in. (17.62 x 11.75 cm) Gift of Chuck Bowdlear, Ph.D., and John Borozan, M.A. (M.2000.105.174.1-.2) Japanese Art; 1862date QS:P571,+1862-00-00T00:00:00Z/9; '
RMKNY9K6–Chasse MET sf17-190-335s3 464312 French, Chasse, 13th century, Champlev? enamel, copper-gilt, Overall: 9 1/16 x 9 5/8 x 4 1/4 in. (23 x 24.4 x 10.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.335)
RMRYR6R9–Effects of the rays of Effects of the rays of radium on plants . effectsofraysofr1908gage Year: 1908 EXPOSED WATER AND FRESHLY FALLEN RAIN 159 of the other two. On April 17 measurements of the heights of the seedHngs were recorded as follows : RaBr, RaBr, No. 1,500,000 X 10,000 X Control I 29.50 mm. 18.00 mm. 16.50 mm. 2 23.00 12.50 25.00 3 25.00 18.50 4-50 4 not up 23.00 15-50 5 25.00 not up 10.50 6 16.00 13.00 7-50 7 not up 13.00 5.00 8 12.00 20.00 118.00 mm. 15-50 130.50 mm. 100.00 mm. 21.75 ^'^^^' 16.86 mm.. 12.50 mm. The relative heights of the plants in the three cultures remained as ab
![StNicholas [serial] . o-day. At last I have found the magic key.9. The doctor recommended salt air for his sad patient. 10. They could not find us at the concert. 11. Am I languid even in cold weather? 12. Florence and Estelle are both sickly. 13. Pour a yellow custard over the cake.B. KENNEDY (League Member). DOUBLE ZIGZAG (Gold Badge, St. Nicholas League Competition) * 9 16 0 20 * 13 0 23 1 17 * 0 4 ? 2 0 # 10 0 5 * 0 22 H * 19 0 3 7 * 24 . 11 0 -X- 25 8 21 0 12 # 6 0 18 * 15 0 . Mad e of small Cross-words: i. Made of small twigs. 2. Soapyfoam. 3. Joined together, as metals. 4. The rabble. 5 Stock Photo](https://c8.alamy.com/comp/2AXABHJ/stnicholas-serial-o-day-at-last-i-have-found-the-magic-key9-the-doctor-recommended-salt-air-for-his-sad-patient-10-they-could-not-find-us-at-the-concert-11-am-i-languid-even-in-cold-weather-12-florence-and-estelle-are-both-sickly-13-pour-a-yellow-custard-over-the-cakeb-kennedy-league-member-double-zigzag-gold-badge-st-nicholas-league-competition-9-16-0-20-13-0-23-1-17-0-4-2-0-10-0-5-0-22-h-19-0-3-7-24-11-0-x-25-8-21-0-12-6-0-18-15-0-mad-e-of-small-cross-words-i-made-of-small-twigs-2-soapyfoam-3-joined-together-as-metals-4-the-rabble-5-2AXABHJ.jpg "StNicholas [serial] . o-day. At last I have found the magic key.9. The doctor recommended salt air for his sad patient. 10. They could not find us at the concert. 11. Am I languid even in cold weather? 12. Florence and Estelle are both sickly. 13. Pour a yellow custard over the cake.B. KENNEDY (League Member). DOUBLE ZIGZAG (Gold Badge, St. Nicholas League Competition) * 9 16 0 20 * 13 0 23 1 17 * 0 4 ? 2 0 # 10 0 5 * 0 22 H * 19 0 3 7 * 24 . 11 0 -X- 25 8 21 0 12 # 6 0 18 * 15 0 . Mad e of small Cross-words: i. Made of small twigs. 2. Soapyfoam. 3. Joined together, as metals. 4. The rabble. 5 Stock Photo"){kind=icon}
RM2AXABHJ–StNicholas [serial] . o-day. At last I have found the magic key.9. The doctor recommended salt air for his sad patient. 10. They could not find us at the concert. 11. Am I languid even in cold weather? 12. Florence and Estelle are both sickly. 13. Pour a yellow custard over the cake.B. KENNEDY (League Member). DOUBLE ZIGZAG (Gold Badge, St. Nicholas League Competition) * 9 16 0 20 * 13 0 23 1 17 * 0 4 ? 2 0 # 10 0 5 * 0 22 H * 19 0 3 7 * 24 . 11 0 -X- 25 8 21 0 12 # 6 0 18 * 15 0 . Mad e of small Cross-words: i. Made of small twigs. 2. Soapyfoam. 3. Joined together, as metals. 4. The rabble. 5
![. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo](https://c8.alamy.com/comp/PFE8FW/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-PFE8FW.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo")
RMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3
RM2B0JD87–Stencil, Japan, 19th century, Japan, Paper, silk, 23 1/2 x 17 1/4 in. (59.7 x 43.8 cm), Stencils
RF2HK4YTP–Inspired by Lagopus Albus, John Gould, British, 1804-1881, Lithograph in color, 23 1/8 x 17 7/8 in., 58.7 x 45.4 cm, Willow Grouse, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPA9DHT–Design for a Cartouche with Zoomorphic Mask above and Cornucopia of Fruit and Leaves on the Sides. Artist: Sebastiano Cavina (Italian, documented Bologna, 1780-90s). Dimensions: sheet: 9 1/8 x 6 7/8 in. (23.1 x 17.4 cm). Date: 1790-1800. Museum: Metropolitan Museum of Art, New York, USA.
RM2M949N4–Lagopus Albus John Gould (British, 1804-1881).. Lithograph in color, 23 1/8 x 17 7/8 in. (58.7 x 45.4 cm). European Art
RMRKPBW6–Cover - 1625/1775 - Italy - Origin: Italy, Date: 1625–1775, Medium: Linen, plain weave; embroidered in silk, Dimensions: 57.8 x 44.5 cm (23 3/4 x 17
RMMNX39K–Painting; tempera on panel; overall: 44.5 x 28.5 cm (17 1/2 x 11 1/4 in.) framed: 60.6 x 41.9 x 5.1 cm (23 7/8 x 16 1/2 x 2 in.); Saint Ursula with Two Angels and Donor circa 1455-1460. 1094 Sant'Orsola
RMTX3M3G–Freggi dell'architettura...; Italy, 1645 Plate: Plates 23 and 24 Prints; engravings Two engravings on one sheet, uncut Sheet: 17 1/4 x 11 1/2 in. (43.82 x 29.21 cm); plate: 13 x 3 1/8 in. (33.02 x 7.94 cm) each Graphic Arts Council Curatorial Discretionary Fund (M.72.5.1m) Prints and Drawings; 1645date QS:P571,+1645-00-00T00:00:00Z/9;
RM2B8G6MF–'Freggi dell'architettura...; English: Italy, 1645 Plate: Plates 23 and 24 Prints; engravings Two engravings on one sheet, uncut Sheet: 17 1/4 x 11 1/2 in. (43.82 x 29.21 cm); plate: 13 x 3 1/8 in. (33.02 x 7.94 cm) each Graphic Arts Council Curatorial Discretionary Fund (M.72.5.1m) Prints and Drawings; 1645date QS:P571,+1645-00-00T00:00:00Z/9; '
RMKNY9K7–Chasse MET sf17-190-335s4 464312 French, Chasse, 13th century, Champlev? enamel, copper-gilt, Overall: 9 1/16 x 9 5/8 x 4 1/4 in. (23 x 24.4 x 10.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.335)
RMT1HRT4–Discovery reports (1935-1936) Discovery reports discoveryreports11inst Year: 1935-1936 VERTICAL MIGRATION RECONSIDERED 333 PHYTOPLANKTON IN MILLIONS OF CELLS >0 005 0 01 01 10 10 100 | B B | 2 A 68 2 4 68| 2 4- 6 B | 2 4 6 8| Z HOUR 12 II 13 10 14- 09 15 OB 16-1 6 O * 07 17- 06 18 05 19 04 20- 03 21 02 22 01 23 0 â¡ â¡C O o Q 0 i i i iiimi i i i 11 in i i i i i i 111 8 so o P* uoo a o DO no n D n *x x o oo x -OLT-TT- o n ° o o o SUNRISE AND SUNSET O O O OO oo a ooo 'ID 1000 4 6 8 i i i 111 o o o a oo o D â¡â¡ oo >0005 001 HOUR 12 H II 13 10 14 09 15 08 16 07 17 06 IS 05 19 0
![College algebra . ]^= V2 [cos (46f + m 120°) + i sin (45°+ m 120°) ]. For TO = 0, 1, and 2, this expression - reduces to 1 + i, -^2(008 165° + i sin 165°), - ^^^ V2 (cos 285° + i sin 285°) respectively. Any one, of these three>X numbers is a cube root of — 2 + 2 i.The points Pi, Pj, P3 representingthese three numbers lie at equalintervals on a circle of radius ?/2(Fig. 23).. Fig. 23. 10. V2 + 2i. 11. V-8+ 8^31. 12. Vs + /3 i. 13. /64(oos 60° + i sin 60°) 14. v64(cos60 + isin60°). 15. v/64(cos 60 + i sin 60°). 16.18. vcos300° + isin800°. 17. v-4-4i. Hint : Write in the form VO + i.19. y/W Stock Photo](https://c8.alamy.com/comp/2AX2307/college-algebra-=-v2-cos-46f-m-120-i-sin-45-m-120-for-to-=-0-1-and-2-this-expression-reduces-to-1-i-2008-165-i-sin-165-v2-cos-285-i-sin-285-respectively-any-one-of-these-threegtx-numbers-is-a-cube-root-of-2-2-ithe-points-pi-pj-p3-representingthese-three-numbers-lie-at-equalintervals-on-a-circle-of-radius-2fig-23-fig-23-10-v2-2i-11-v-8-831-12-vs-3-i-13-64oos-60-i-sin-60-14-v64cos60-isin60-15-v64cos-60-i-sin-60-1618-vcos300-isin800-17-v-4-4i-hint-write-in-the-form-vo-i19-yw-2AX2307.jpg "College algebra . ]^= V2 [cos (46f + m 120°) + i sin (45°+ m 120°) ]. For TO = 0, 1, and 2, this expression - reduces to 1 + i, -^2(008 165° + i sin 165°), - ^^^ V2 (cos 285° + i sin 285°) respectively. Any one, of these three>X numbers is a cube root of — 2 + 2 i.The points Pi, Pj, P3 representingthese three numbers lie at equalintervals on a circle of radius ?/2(Fig. 23).. Fig. 23. 10. V2 + 2i. 11. V-8+ 8^31. 12. Vs + /3 i. 13. /64(oos 60° + i sin 60°) 14. v64(cos60 + isin60°). 15. v/64(cos 60 + i sin 60°). 16.18. vcos300° + isin800°. 17. v-4-4i. Hint : Write in the form VO + i.19. y/W Stock Photo")
RM2AX2307–College algebra . ]^= V2 [cos (46f + m 120°) + i sin (45°+ m 120°) ]. For TO = 0, 1, and 2, this expression - reduces to 1 + i, -^2(008 165° + i sin 165°), - ^^^ V2 (cos 285° + i sin 285°) respectively. Any one, of these three>X numbers is a cube root of — 2 + 2 i.The points Pi, Pj, P3 representingthese three numbers lie at equalintervals on a circle of radius ?/2(Fig. 23).. Fig. 23. 10. V2 + 2i. 11. V-8+ 8^31. 12. Vs + /3 i. 13. /64(oos 60° + i sin 60°) 14. v64(cos60 + isin60°). 15. v/64(cos 60 + i sin 60°). 16.18. vcos300° + isin800°. 17. v-4-4i. Hint : Write in the form VO + i.19. y/W
![. dan bai zhi fen zi ji chu. botany. 表13-2åç§ä½å¾æ³ç¹å¾çæ¯è¾ ä½ H æ¹å¼ æ ç 纵轴4?è· æ¨ª.éIS ^ J ! 41ãå人'1 Km/ä¹ - 1ã" "/[å¹»ã" -11 Kâ Vâ 表13-3ä¹³é ¸è±æ°éå¬åååºé度ä¸ä¸¤åºç©æµåº¦çå ³ç³» "0åâixlQS M X 10" 3 85 6.32 11.3 63.2 1.68 0 508 0.788 1.27 3.23 2.52 0 715 1.10 1.75 4.35 4.17 08 1.61 2.56 5.89 8.34 70 2.50 3.85 8.35 17.20 2 44 3.57 5.26 10.0 55.50 3 45 5.00 7.15 12.5 é度ï¼ä»¥æ¯åéæ¯å åå-é ¶è½¬åä¹³é ¸ 为ä¸é ®é ¸çå åå-æ°è¡¨ç¤ºï¼pH6.80ï¼ 29ãC)[i7]ã æ表13-3æ°æ®å¯ä½å¾13-15 ï¼ ä»å¾13-15å¯è§ï¼å¨æä¸[ã]ãæµåº¦ ä¸ï¼æ¯å¦ï¼1.68 X 10-517æå¾å°çå å¼å¹¶ä¸æ¯çæ-£çååºç©Sç Stock Photo](https://c8.alamy.com/comp/PFJRN5/dan-bai-zhi-fen-zi-ji-chu-botany-13-2-h-4-is-j-!-411-km-1quot-quot-quot-11-k-v-13-3-quot0ixlqs-m-x-10quot-3-85-632-113-632-168-0-508-0788-127-323-252-0-715-110-175-435-417-08-161-256-589-834-70-250-385-835-1720-2-44-357-526-100-5550-3-45-500-715-125-ph680-29c-i7-13-313-15-13-15-168-x-10-517-s-PFJRN5.jpg ". dan bai zhi fen zi ji chu. botany. 表13-2åç§ä½å¾æ³ç¹å¾çæ¯è¾ ä½ H æ¹å¼ æ ç 纵轴4?è· æ¨ª.éIS ^ J ! 41ãå人'1 Km/ä¹ - 1ã" "/[å¹»ã" -11 Kâ Vâ 表13-3ä¹³é ¸è±æ°éå¬åååºé度ä¸ä¸¤åºç©æµåº¦çå ³ç³» "0åâixlQS M X 10" 3 85 6.32 11.3 63.2 1.68 0 508 0.788 1.27 3.23 2.52 0 715 1.10 1.75 4.35 4.17 08 1.61 2.56 5.89 8.34 70 2.50 3.85 8.35 17.20 2 44 3.57 5.26 10.0 55.50 3 45 5.00 7.15 12.5 é度ï¼ä»¥æ¯åéæ¯å åå-é ¶è½¬åä¹³é ¸ 为ä¸é ®é ¸çå åå-æ°è¡¨ç¤ºï¼pH6.80ï¼ 29ãC)[i7]ã æ表13-3æ°æ®å¯ä½å¾13-15 ï¼ ä»å¾13-15å¯è§ï¼å¨æä¸[ã]ãæµåº¦ ä¸ï¼æ¯å¦ï¼1.68 X 10-517æå¾å°çå å¼å¹¶ä¸æ¯çæ-£çååºç©Sç Stock Photo")
RMPFJRN5–. dan bai zhi fen zi ji chu. botany. 表13-2åç§ä½å¾æ³ç¹å¾çæ¯è¾ ä½ H æ¹å¼ æ ç 纵轴4?è· æ¨ª.éIS ^ J ! 41ãå人'1 Km/ä¹ - 1ã" "/[å¹»ã" -11 Kâ Vâ 表13-3ä¹³é ¸è±æ°éå¬åååºé度ä¸ä¸¤åºç©æµåº¦çå ³ç³» "0åâixlQS M X 10" 3 85 6.32 11.3 63.2 1.68 0 508 0.788 1.27 3.23 2.52 0 715 1.10 1.75 4.35 4.17 08 1.61 2.56 5.89 8.34 70 2.50 3.85 8.35 17.20 2 44 3.57 5.26 10.0 55.50 3 45 5.00 7.15 12.5 é度ï¼ä»¥æ¯åéæ¯å åå-é ¶è½¬åä¹³é ¸ 为ä¸é ®é ¸çå åå-æ°è¡¨ç¤ºï¼pH6.80ï¼ 29ãC)[i7]ã æ表13-3æ°æ®å¯ä½å¾13-15 ï¼ ä»å¾13-15å¯è§ï¼å¨æä¸[ã]ãæµåº¦ ä¸ï¼æ¯å¦ï¼1.68 X 10-517æå¾å°çå å¼å¹¶ä¸æ¯çæ-£çååºç©Sç
RM2B0BXWH–Pietro Dandini, Jephthah and His Daughter, 1646-1712, brown and black chalk on paper, 9 1/8 in. x 6 7/8 in. (23.2 cm. x 17.4 cm.)
RF2HK4YFG–Inspired by Pucrasia Macrolopha, John Gould, British, 1804-1881, Lithograph on wove paper, Sheet: 17 7/8 x 23 1/8 in., 45.4 x 58.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMPTNH6P–Nast's Illustrated Almanac for 1871. Dimensions: 9 1/4 x 6 7/8 in. (23.5 x 17.5 cm). Illustrator: Thomas Nast (American (born Germany), Landau 1840-1902 Guayaquil). Publisher: McLoughlin Brothers (New York, NY). Date: 1871-74. Museum: Metropolitan Museum of Art, New York, USA.
RM2M949MH–Common Ptarmigan John Gould (British, 1804-1881).. Lithograph on wove paper, 23 1/8 x 17 7/8 in. (58.7 x 45.4 cm). European Art
RMKP07NX–Stencil. Date: 19th century; Culture: Japan; Medium: Paper, silk; Dimensions: 23 1/2 x 17 1/4 in. (59.7 x 43.8 cm); Classification: Stencils
RMMNTMW5–Painting; oil on panel; overall: 59.7 x 43.8 cm (23 1/2 x 17 1/4 in.) framed: 86.2 x 70.8 x 8.4 cm (33 15/16 x 27 7/8 x 3 5/16 in.); Portrait of Bindo Altoviti circa 1515. 1038 Raffaello Sanzio - Ritratto di Bindo Altoviti
RMTXAJB1–O Lune!...inspire-moi ce soir quelque petite pensée...; France, 1844 Series: Les Bas-blues, no. 8 Periodical: Le Charivari, 28 February 1844 Prints; lithographs Lithograph Sheet: 9 1/4 x 7 1/16 in. (23.5 x 17.94 cm) Gift of Mrs. Florence Victor from The David and Florence Victor Collection (M.91.82.168) Prints and Drawings; 1844date QS:P571,+1844-00-00T00:00:00Z/9;
RM2B8WP24–'La Politique pour rire; English: Belgium, 1859 Prints; lithographs Lithograph Image: 9 3/8 x 7 9/16 in. (23.81 x 19.21 cm); Sheet: 15 x 12 in. (38.1 x 30.48 cm); Mat: 21 x 17 3/4 (53.34 x 45.09 cm) Gift of Michael G. Wilson (M.80.277.41) Prints and Drawings; 1859date QS:P571,+1859-00-00T00:00:00Z/9; '
RMKNMFMA–Chasse MET sf17-190-335s2 464312 French, Chasse, 13th century, Champlev? enamel, copper-gilt, Overall: 9 1/16 x 9 5/8 x 4 1/4 in. (23 x 24.4 x 10.8 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.335)
RMT23C62–Archive image from page 92 of Diptera Argentine (1900) Diptera Argentine dipteraargentine01shan Year: 1900 R. C. Shannon y E. del Ponte 721 El dorado 1 44 » Varón 2 25 » » 3 23 » » 4 10 » » 5 23 >â > » 6 32 » » 7 19 » >; 8 49 » » 9 17 » » 10 50 » Mujer 11 25 » Varón 12 2 i: » » 13 9 » » 14 10 » » 15 12 » » 16 ? » X- 17 27 » >â / 18 10 meses » 19 14 años Ã-- 20 10 ?â » 21 31 » Mujer 22 10 » » 23 12 » Varón 24 9 » >> 25 10 » » 1 y2 mes 2 meses 5 años 3 meses 2 » 2 » 2 » 2 4 4 2 4 4 4 4 » 2 meses 1 mes 1 » 2 meses 4 » 4 años 3
RM2AFPXWK–. Brethren's Family Almanac, The (1872). with showers ; 11, 12, 13, fair ; 14, 15, 10, varia-ble ; 17, 18, 19, clear; 20, cloudy; 21, 22, in the evening. Full moon, the 23d, at 8 oclock 26 m. iuthe morning. Last Quarter, the 30th, at 3 oclock 8 m. in ««*n*e* showers ; 23, 24, 25, clear; 20, 27,the morning. 38, pleasant, warm ; 29., 30, showers. FIFTH MONTH. 3MC»,y. 31 DAYS. W. T. F. S. KemarkabieDavs. j MooniSouth.[n, m Moon Moons ? X 8. pi TiOOU h. m pig deg |Sunj Sua Aspects of Placets, and other,fast irises. miscellaneous matter. m |h. m. 1 Philip Jas. 2 Sigisiuuiid 3 Inv. oj Or. 4 FJorianu
RMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
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