History of Worcester and its people . 9. Henry, b. March 13, 1777, m. Hale of Putney, Vt., and d. Mar. 14, 1808. Mower, Capt. Ephraim- (.Samuel), b. in Maiden. Feb. 9, 1723; d.in Leicester, Nov. 23, 1790; m. (1) Marv Belcher Wheeler of Wor.,who d. Feb. 23, 1745; (2) Elizabeth Garfield of Waltham, who d. Dec.22, 1790. He was captain of militia and deputy sheriff here. Children,b. here: 1. Timothy, b. Feb. 11, 1745-6, settled in Worthington. 2.Major Ephraim, b. June 15, 1748. 3. Thomas, b. May 23. 1750. 4. Wil-liam, b. Feb. 5, 1753. d. Nov. 9, 1759. 5. Elizabeth, b. in Leicester, July28, 1762, d Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-worcester-and-its-people-9-henry-b-march-13-1777-m-hale-of-putney-vt-and-d-mar-14-1808-mower-capt-ephraim-samuel-b-in-maiden-feb-9-1723-din-leicester-nov-23-1790-m-1-marv-belcher-wheeler-of-worwho-d-feb-23-1745-2-elizabeth-garfield-of-waltham-who-d-dec22-1790-he-was-captain-of-militia-and-deputy-sheriff-here-childrenb-here-1-timothy-b-feb-11-1745-6-settled-in-worthington-2major-ephraim-b-june-15-1748-3-thomas-b-may-23-1750-4-wil-liam-b-feb-5-1753-d-nov-9-1759-5-elizabeth-b-in-leicester-july28-1762-d-image339982489.html
RM2AN3F3N–History of Worcester and its people . 9. Henry, b. March 13, 1777, m. Hale of Putney, Vt., and d. Mar. 14, 1808. Mower, Capt. Ephraim- (.Samuel), b. in Maiden. Feb. 9, 1723; d.in Leicester, Nov. 23, 1790; m. (1) Marv Belcher Wheeler of Wor.,who d. Feb. 23, 1745; (2) Elizabeth Garfield of Waltham, who d. Dec.22, 1790. He was captain of militia and deputy sheriff here. Children,b. here: 1. Timothy, b. Feb. 11, 1745-6, settled in Worthington. 2.Major Ephraim, b. June 15, 1748. 3. Thomas, b. May 23. 1750. 4. Wil-liam, b. Feb. 5, 1753. d. Nov. 9, 1759. 5. Elizabeth, b. in Leicester, July28, 1762, d
Georg Friedrich Schmidt (1712 - 1775), artist, portrait of Michel Hirsch, Georg Friedrich Schmidt (1712 - 1775)Govaert Flinck (1615 - 1660), after, Girl with the Pug, origin of print: 1766, copperplate engraving and etching, sheet size: 22.5 x 17.4 cm plate margin: 19.2 x 14.9 cm, bottom right inscribed, signed and dated 'G. Flinck pinx:, G. F. Schmidt fec: 1766.' and below, Lower right blue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/georg-friedrich-schmidt-1712-1775-artist-portrait-of-michel-hirsch-georg-friedrich-schmidt-1712-1775govaert-flinck-1615-1660-after-girl-with-the-pug-origin-of-print-1766-copperplate-engraving-and-etching-sheet-size-225-x-174-cm-plate-margin-192-x-149-cm-bottom-right-inscribed-signed-and-dated-g-flinck-pinx-g-f-schmidt-fec-1766-and-below-lower-right-blue-image573216180.html
RM2T8G72C–Georg Friedrich Schmidt (1712 - 1775), artist, portrait of Michel Hirsch, Georg Friedrich Schmidt (1712 - 1775)Govaert Flinck (1615 - 1660), after, Girl with the Pug, origin of print: 1766, copperplate engraving and etching, sheet size: 22.5 x 17.4 cm plate margin: 19.2 x 14.9 cm, bottom right inscribed, signed and dated 'G. Flinck pinx:, G. F. Schmidt fec: 1766.' and below, Lower right blue
Study of a Horse. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 4 in. × 4 13/16 in. (10.2 × 12.3 cm) Sheet: 5 9/16 × 8 3/4 in. (14.2 × 22.3 cm). Date: 1895. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-a-horse-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-image-4-in-4-1316-in-102-123-cm-sheet-5-916-8-34-in-142-223-cm-date-1895-museum-metropolitan-museum-of-art-new-york-usa-image213321496.html
RMPB1HMT–Study of a Horse. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 4 in. × 4 13/16 in. (10.2 × 12.3 cm) Sheet: 5 9/16 × 8 3/4 in. (14.2 × 22.3 cm). Date: 1895. Museum: Metropolitan Museum of Art, New York, USA.
Songs of hope . BOSTON SHERMAN, FRENCH 6- COMPANY 1915 copthight, 1915Sherman, Fbjench 6* Company •h4y I • CONTENTS PAGE The Song of a Bird in the Rain .... 1 Hitherto 3 As Thy Days Are 5 The Consuming Fire 6 Brought to Judgment 7 Gethsemane 8 The Heretics Prayer 9 Light 2 2 Thanksgiving 22 A Wayside Flower 23 A Spring Morning in Paris 14 November Bloom 26 Threnody 28 Adieu 29 Lost Eden 20 Rest 22 On the Border 23 Parted 24 In Memoriam 25 Elan Vitale 26 Love and Death 27 Old Comrade 28 SONGS OF HOPE THE SONG OF A BIRD IN THE RAIN None oif them that trust in Him shall be desolate.—Psalm 34:22. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/songs-of-hope-boston-sherman-french-6-company-1915-copthight-1915sherman-fbjench-6-company-h4y-i-contents-page-the-song-of-a-bird-in-the-rain-1-hitherto-3-as-thy-days-are-5-the-consuming-fire-6-brought-to-judgment-7-gethsemane-8-the-heretics-prayer-9-light-2-2-thanksgiving-22-a-wayside-flower-23-a-spring-morning-in-paris-14-november-bloom-26-threnody-28-adieu-29-lost-eden-20-rest-22-on-the-border-23-parted-24-in-memoriam-25-elan-vitale-26-love-and-death-27-old-comrade-28-songs-of-hope-the-song-of-a-bird-in-the-rain-none-oif-them-that-trust-in-him-shall-be-desolatepsalm-3422-image339476070.html
RM2AM8D5A–Songs of hope . BOSTON SHERMAN, FRENCH 6- COMPANY 1915 copthight, 1915Sherman, Fbjench 6* Company •h4y I • CONTENTS PAGE The Song of a Bird in the Rain .... 1 Hitherto 3 As Thy Days Are 5 The Consuming Fire 6 Brought to Judgment 7 Gethsemane 8 The Heretics Prayer 9 Light 2 2 Thanksgiving 22 A Wayside Flower 23 A Spring Morning in Paris 14 November Bloom 26 Threnody 28 Adieu 29 Lost Eden 20 Rest 22 On the Border 23 Parted 24 In Memoriam 25 Elan Vitale 26 Love and Death 27 Old Comrade 28 SONGS OF HOPE THE SONG OF A BIRD IN THE RAIN None oif them that trust in Him shall be desolate.—Psalm 34:22.
Rome, Palazzo Pamphilj, Portal, 1644-1650, architectural drawing, paper, Fine; graphite drawing; Construction, drawing, scale and inscription in graphite, 22.9 x 14.9 cm, 'le letere si cometerano di nero n(el), medemo Campo della pietra del Ar(chitrave), che p(er) essere biancha e roscia ca, benissimo e l'oera sara piu soda'; 'INNOCENTIVS X. PONT. opt. MAX.'; Arabic numbering of the scale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rome-palazzo-pamphilj-portal-1644-1650-architectural-drawing-paper-fine-graphite-drawing-construction-drawing-scale-and-inscription-in-graphite-229-x-149-cm-le-letere-si-cometerano-di-nero-nel-medemo-campo-della-pietra-del-architrave-che-per-essere-biancha-e-roscia-ca-benissimo-e-loera-sara-piu-soda-innocentivs-x-pont-opt-max-arabic-numbering-of-the-scale-image573335844.html
RM2T8NKM4–Rome, Palazzo Pamphilj, Portal, 1644-1650, architectural drawing, paper, Fine; graphite drawing; Construction, drawing, scale and inscription in graphite, 22.9 x 14.9 cm, 'le letere si cometerano di nero n(el), medemo Campo della pietra del Ar(chitrave), che p(er) essere biancha e roscia ca, benissimo e l'oera sara piu soda'; 'INNOCENTIVS X. PONT. opt. MAX.'; Arabic numbering of the scale
Le petit ruisseau (The Little Brook). Dated: published 1849. Dimensions: plate: 14.8 x 10.9 cm (5 13/16 x 4 5/16 in.) sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.). Medium: etching on chine coll. Museum: National Gallery of Art, Washington DC. Author: Eugène Bléry. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-petit-ruisseau-the-little-brook-dated-published-1849-dimensions-plate-148-x-109-cm-5-1316-x-4-516-in-sheet-315-x-226-cm-12-38-x-8-78-in-medium-etching-on-chine-coll-museum-national-gallery-of-art-washington-dc-author-eugne-blry-image233286325.html
RMRFF32D–Le petit ruisseau (The Little Brook). Dated: published 1849. Dimensions: plate: 14.8 x 10.9 cm (5 13/16 x 4 5/16 in.) sheet: 31.5 x 22.6 cm (12 3/8 x 8 7/8 in.). Medium: etching on chine coll. Museum: National Gallery of Art, Washington DC. Author: Eugène Bléry.
. Augsburg's drawing, book 2. Fig. 6 is a large cube composed of eight smaller ones. Addsimilar cubes to the small ones as follows : 16. Add cubes to faces 3, 6 and 10. 17. Add cubes to faces 1, 5 and 9. 18. Add cubes to faces 4, 13 and 14. 19. Add cubes to faces 2, 7 and 12. 78 AUGSBURGS DRAWING.. 20. Remove cube 1. 21. Remove cubes 3 and 6. 22. Remove cubes 4 and 5. Figs. 7 and 8 are two very serviceable models made by nail-ing or gluing two blocks together. Fig. 7 is L shaped. Fig. 8 ismade by placing a smaller block on a larger, so that one cornerand two sides are even. These blocks are th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/augsburgs-drawing-book-2-fig-6-is-a-large-cube-composed-of-eight-smaller-ones-addsimilar-cubes-to-the-small-ones-as-follows-16-add-cubes-to-faces-3-6-and-10-17-add-cubes-to-faces-1-5-and-9-18-add-cubes-to-faces-4-13-and-14-19-add-cubes-to-faces-2-7-and-12-78-augsburgs-drawing-20-remove-cube-1-21-remove-cubes-3-and-6-22-remove-cubes-4-and-5-figs-7-and-8-are-two-very-serviceable-models-made-by-nail-ing-or-gluing-two-blocks-together-fig-7-is-l-shaped-fig-8-ismade-by-placing-a-smaller-block-on-a-larger-so-that-one-cornerand-two-sides-are-even-these-blocks-are-th-image336837926.html
RM2AG085X–. Augsburg's drawing, book 2. Fig. 6 is a large cube composed of eight smaller ones. Addsimilar cubes to the small ones as follows : 16. Add cubes to faces 3, 6 and 10. 17. Add cubes to faces 1, 5 and 9. 18. Add cubes to faces 4, 13 and 14. 19. Add cubes to faces 2, 7 and 12. 78 AUGSBURGS DRAWING.. 20. Remove cube 1. 21. Remove cubes 3 and 6. 22. Remove cubes 4 and 5. Figs. 7 and 8 are two very serviceable models made by nail-ing or gluing two blocks together. Fig. 7 is L shaped. Fig. 8 ismade by placing a smaller block on a larger, so that one cornerand two sides are even. These blocks are th
Seated Princess with Attendant and Lion, Indian, Opaque watercolors on paper, Rajasthan, India, ca. 1750, sheet: 8 15/16 x 5 9/16 in., 22.7 x 14.1 cm, 18th Century, Ajmer, Asian, Asian Art, attendant, ease, exotic, flowering tree, garden, Indian, Indian painting, Indian princess, lion, luxury, painting, palm, paper, princess, Rajasthan, Sawar, seated figure, seated princess, servant, tree, trees, watercolor, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-princess-with-attendant-and-lion-indian-opaque-watercolors-on-paper-rajasthan-india-ca-1750-sheet-8-1516-x-5-916-in-227-x-141-cm-18th-century-ajmer-asian-asian-art-attendant-ease-exotic-flowering-tree-garden-indian-indian-painting-indian-princess-lion-luxury-painting-palm-paper-princess-rajasthan-sawar-seated-figure-seated-princess-servant-tree-trees-watercolor-women-image454267420.html
RM2HB1JMC–Seated Princess with Attendant and Lion, Indian, Opaque watercolors on paper, Rajasthan, India, ca. 1750, sheet: 8 15/16 x 5 9/16 in., 22.7 x 14.1 cm, 18th Century, Ajmer, Asian, Asian Art, attendant, ease, exotic, flowering tree, garden, Indian, Indian painting, Indian princess, lion, luxury, painting, palm, paper, princess, Rajasthan, Sawar, seated figure, seated princess, servant, tree, trees, watercolor, women
Study. Dated: 1878. Dimensions: image: 26.6 × 14.9 cm (10 1/2 × 5 7/8 in.) sheet: 34.6 × 22.2 cm (13 5/8 × 8 3/4 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-dated-1878-dimensions-image-266-149-cm-10-12-5-78-in-sheet-346-222-cm-13-58-8-34-in-medium-lithograph-in-black-on-wove-paper-museum-national-gallery-of-art-washington-dc-author-whistler-james-abbott-mcneill-image225561372.html
RMR2Y5R8–Study. Dated: 1878. Dimensions: image: 26.6 × 14.9 cm (10 1/2 × 5 7/8 in.) sheet: 34.6 × 22.2 cm (13 5/8 × 8 3/4 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL.
Our boys : a study of the 245,000 sixteen, seventeen and eighteen year old employed boys of the state of New York . Cities orer 25,000. Sixteen, Seventeen and Eighteen Year Old Employed Boys How They Saved Their Money Chart No. 22 — State Summary and Cities over 25,000 OuK Boys 21i 1 SalAm&noa. H 2 Loolqport B 3 Cortland 4 Hortli Tooawanda. H 5 aonw......... 6 Little FftllB. 7 Johastovn I S Comlag 9 Canandalgua 8 10 Oneida 11 Duntlrfc. 12 Oneonta 13 aioversvllle.. 14 Olean 15 Bscoon fl 16 Uiddletown 17 Tonawanda 18 Hudson fl 19 Port Jervls 20 Eomell 21 GaneTa2Z Glens Falls 23 Laclcawanna. H 24 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/our-boys-a-study-of-the-245000-sixteen-seventeen-and-eighteen-year-old-employed-boys-of-the-state-of-new-york-cities-orer-25000-sixteen-seventeen-and-eighteen-year-old-employed-boys-how-they-saved-their-money-chart-no-22-state-summary-and-cities-over-25000-ouk-boys-21i-1-salamnoa-h-2-loolqport-b-3-cortland-4-hortli-tooawanda-h-5-aonw-6-little-fftllb-7-johastovn-i-s-comlag-9-canandalgua-8-10-oneida-11-duntlrfc-12-oneonta-13-aioversvllle-14-olean-15-bscoon-fl-16-uiddletown-17-tonawanda-18-hudson-fl-19-port-jervls-20-eomell-21-ganeta2z-glens-falls-23-laclcawanna-h-24-image342944756.html
RM2AWXDF0–Our boys : a study of the 245,000 sixteen, seventeen and eighteen year old employed boys of the state of New York . Cities orer 25,000. Sixteen, Seventeen and Eighteen Year Old Employed Boys How They Saved Their Money Chart No. 22 — State Summary and Cities over 25,000 OuK Boys 21i 1 SalAm&noa. H 2 Loolqport B 3 Cortland 4 Hortli Tooawanda. H 5 aonw......... 6 Little FftllB. 7 Johastovn I S Comlag 9 Canandalgua 8 10 Oneida 11 Duntlrfc. 12 Oneonta 13 aioversvllle.. 14 Olean 15 Bscoon fl 16 Uiddletown 17 Tonawanda 18 Hudson fl 19 Port Jervls 20 Eomell 21 GaneTa2Z Glens Falls 23 Laclcawanna. H 24
Jacques Callot (1592 - 1635), artist, beggar, anonymous (dating unknown), artist:in Jacques Callot (1592 - 1635), copy after thickness beggar, Jacques Callot (1592 - 1635), artist, blind man and his dog, sheet 22 of the series 'The Beggars', origin of the print medium: 1622, 1623, etching on vergé paper, sheet size: 14. 0 x 9.0 cm plate margin: 13.8 x 8.7 cm, verso numbered '1+ 17?' in graphite at upper left; lower left red Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-1592-1635-artist-beggar-anonymous-dating-unknown-artistin-jacques-callot-1592-1635-copy-after-thickness-beggar-jacques-callot-1592-1635-artist-blind-man-and-his-dog-sheet-22-of-the-series-the-beggars-origin-of-the-print-medium-1622-1623-etching-on-verg-paper-sheet-size-14-0-x-90-cm-plate-margin-138-x-87-cm-verso-numbered-1-17-in-graphite-at-upper-left-lower-left-red-image573212606.html
RM2T8G2EP–Jacques Callot (1592 - 1635), artist, beggar, anonymous (dating unknown), artist:in Jacques Callot (1592 - 1635), copy after thickness beggar, Jacques Callot (1592 - 1635), artist, blind man and his dog, sheet 22 of the series 'The Beggars', origin of the print medium: 1622, 1623, etching on vergé paper, sheet size: 14. 0 x 9.0 cm plate margin: 13.8 x 8.7 cm, verso numbered '1+ 17?' in graphite at upper left; lower left red
Border. Northern Italy. Date: 1701-1750. Dimensions: 14.5 x 183.8 cm (5 3/4 x 72 3/8 in.) Width repeat: 55.8-56.9 cm (22-22 3/8 in.) Bottom edge height: .8 cm (3/8 in.). Linen, bobbin part lace. Origin: Northern Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-northern-italy-date-1701-1750-dimensions-145-x-1838-cm-5-34-x-72-38-in-width-repeat-558-569-cm-22-22-38-in-bottom-edge-height-8-cm-38-in-linen-bobbin-part-lace-origin-northern-italy-museum-the-chicago-art-institute-image240065355.html
RMRXFWPK–Border. Northern Italy. Date: 1701-1750. Dimensions: 14.5 x 183.8 cm (5 3/4 x 72 3/8 in.) Width repeat: 55.8-56.9 cm (22-22 3/8 in.) Bottom edge height: .8 cm (3/8 in.). Linen, bobbin part lace. Origin: Northern Italy. Museum: The Chicago Art Institute.
A manual of free gymnastic and jumb-bell exercises; for the school-room and the parlor . Fig. 5.. Fig. 6. EXERCISES FOR THE CHEST. 9 Repeat 13 and 14, eigtt times. Repeat from 9 to 14, but with hands open. 15. Right arm perpendicular. i ^ (Z^j Fig. 7 (i). 16. Right hand on shoulder. Fig- 7 (g).Repeat 15 and 16, eighttimes. 17. Left arm perpendicular. Fig. 7 (j). 18. Left hand on shoulder. Fig. 7 (h).Repeat 17 and 18, eighttimes. 19. Both arms perpendicular. Fig- 7 (i-j). 20. Both hands on shoulders. Fig. 7 (g--h).Repeat 19 and 20, eight times. 21. Same as No. 7. 22. Position.Repeat from 15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-manual-of-free-gymnastic-and-jumb-bell-exercises-for-the-school-room-and-the-parlor-fig-5-fig-6-exercises-for-the-chest-9-repeat-13-and-14-eigtt-times-repeat-from-9-to-14-but-with-hands-open-15-right-arm-perpendicular-i-zj-fig-7-i-16-right-hand-on-shoulder-fig-7-grepeat-15-and-16-eighttimes-17-left-arm-perpendicular-fig-7-j-18-left-hand-on-shoulder-fig-7-hrepeat-17-and-18-eighttimes-19-both-arms-perpendicular-fig-7-i-j-20-both-hands-on-shoulders-fig-7-g-hrepeat-19-and-20-eight-times-21-same-as-no-7-22-positionrepeat-from-15-image339257705.html
RM2AKXEJH–A manual of free gymnastic and jumb-bell exercises; for the school-room and the parlor . Fig. 5.. Fig. 6. EXERCISES FOR THE CHEST. 9 Repeat 13 and 14, eigtt times. Repeat from 9 to 14, but with hands open. 15. Right arm perpendicular. i ^ (Z^j Fig. 7 (i). 16. Right hand on shoulder. Fig- 7 (g).Repeat 15 and 16, eighttimes. 17. Left arm perpendicular. Fig. 7 (j). 18. Left hand on shoulder. Fig. 7 (h).Repeat 17 and 18, eighttimes. 19. Both arms perpendicular. Fig- 7 (i-j). 20. Both hands on shoulders. Fig. 7 (g--h).Repeat 19 and 20, eight times. 21. Same as No. 7. 22. Position.Repeat from 15
Get Thee Behind Me, Satan, Rétire-toi, Satan, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1896, Image: 5 11/16 x 8 5/8 in., 14.4 x 21.9 cm, Christianity, figures, Jesus Christ, landscape, male figures, Mark 8:32-33, Matthew 16:22-23, religious art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/get-thee-behind-me-satan-rtire-toi-satan-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1896-image-5-1116-x-8-58-in-144-x-219-cm-christianity-figures-jesus-christ-landscape-male-figures-mark-832-33-matthew-1622-23-religious-art-image454264908.html
RM2HB1FEM–Get Thee Behind Me, Satan, Rétire-toi, Satan, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1896, Image: 5 11/16 x 8 5/8 in., 14.4 x 21.9 cm, Christianity, figures, Jesus Christ, landscape, male figures, Mark 8:32-33, Matthew 16:22-23, religious art
Apple Parer. Dated: c. 1939. Dimensions: overall: 22 x 29.9 cm (8 11/16 x 11 3/4 in.) Original IAD Object: overall: 7' high; 14' long; uprights: 6' high; turning arm: 10 1/2' long. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Regina Henderer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apple-parer-dated-c-1939-dimensions-overall-22-x-299-cm-8-1116-x-11-34-in-original-iad-object-overall-7-high-14-long-uprights-6-high-turning-arm-10-12-long-medium-watercolor-graphite-and-pen-and-ink-on-paperboard-museum-national-gallery-of-art-washington-dc-author-regina-henderer-image225749143.html
RMR37N9B–Apple Parer. Dated: c. 1939. Dimensions: overall: 22 x 29.9 cm (8 11/16 x 11 3/4 in.) Original IAD Object: overall: 7' high; 14' long; uprights: 6' high; turning arm: 10 1/2' long. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Regina Henderer.
. The Rhododendron [serial]. 1. Grady Bebber 2. Johnny Puntch 3. Tom Ingram 4. Charlie Hooks 5. Charles Roberts 6. Phil Phillips 7. Nina Tinsley 8. Tony Corter 9. Robert Hoke 10. Libby Sheets 11. Hudson Wolfe 12. Steve Tarrant 13. Dennis Hipp 14. Janice Smith 15. Maurice Ewing 16. Howard Kincaid 17. Dianne Banker 18. William Basinger 19. Aleta Owens 20. Charlie Elliott 21. Roger Carpenter 22. Kaye Michael 23. David Dize 24. Lyn Keller 25. Sandy Winkler 26. Tawona Walker 27. Ben Sloop 28. Gene Vandiford 29. Steve Norman 30. Carol Martin 31. Gayle Grey 32. Gory Whitoker 33. Richard Shepherd 34. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rhododendron-serial-1-grady-bebber-2-johnny-puntch-3-tom-ingram-4-charlie-hooks-5-charles-roberts-6-phil-phillips-7-nina-tinsley-8-tony-corter-9-robert-hoke-10-libby-sheets-11-hudson-wolfe-12-steve-tarrant-13-dennis-hipp-14-janice-smith-15-maurice-ewing-16-howard-kincaid-17-dianne-banker-18-william-basinger-19-aleta-owens-20-charlie-elliott-21-roger-carpenter-22-kaye-michael-23-david-dize-24-lyn-keller-25-sandy-winkler-26-tawona-walker-27-ben-sloop-28-gene-vandiford-29-steve-norman-30-carol-martin-31-gayle-grey-32-gory-whitoker-33-richard-shepherd-34-image336709729.html
RM2AFPCKD–. The Rhododendron [serial]. 1. Grady Bebber 2. Johnny Puntch 3. Tom Ingram 4. Charlie Hooks 5. Charles Roberts 6. Phil Phillips 7. Nina Tinsley 8. Tony Corter 9. Robert Hoke 10. Libby Sheets 11. Hudson Wolfe 12. Steve Tarrant 13. Dennis Hipp 14. Janice Smith 15. Maurice Ewing 16. Howard Kincaid 17. Dianne Banker 18. William Basinger 19. Aleta Owens 20. Charlie Elliott 21. Roger Carpenter 22. Kaye Michael 23. David Dize 24. Lyn Keller 25. Sandy Winkler 26. Tawona Walker 27. Ben Sloop 28. Gene Vandiford 29. Steve Norman 30. Carol Martin 31. Gayle Grey 32. Gory Whitoker 33. Richard Shepherd 34.
Jesus Appears to Mary Magdalene, Apparition de Jésus à Madeleine, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 8 15/16 x 6 1/16 in., 22.7 x 15.4 cm, Jesus Christ, John 20:14-15, landscape, Mark 16:9, Mary Magdalene, religious art, tree Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-appears-to-mary-magdalene-apparition-de-jsus-madeleine-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-8-1516-x-6-116-in-227-x-154-cm-jesus-christ-john-2014-15-landscape-mark-169-mary-magdalene-religious-art-tree-image454265387.html
RM2HB1G3R–Jesus Appears to Mary Magdalene, Apparition de Jésus à Madeleine, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 8 15/16 x 6 1/16 in., 22.7 x 15.4 cm, Jesus Christ, John 20:14-15, landscape, Mark 16:9, Mary Magdalene, religious art, tree
The Hostess. Artist: George Overbury 'Pop' Hart (American, Cairo, Illinois 1868-1933 New York). Dimensions: Plate: 6 7/8 in. × 9 in. (17.5 × 22.9 cm) Sheet: 10 7/8 × 14 5/8 in. (27.6 × 37.1 cm). Date: 1924. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hostess-artist-george-overbury-pop-hart-american-cairo-illinois-1868-1933-new-york-dimensions-plate-6-78-in-9-in-175-229-cm-sheet-10-78-14-58-in-276-371-cm-date-1924-museum-metropolitan-museum-of-art-new-york-usa-image213297076.html
RMPB0EGM–The Hostess. Artist: George Overbury 'Pop' Hart (American, Cairo, Illinois 1868-1933 New York). Dimensions: Plate: 6 7/8 in. × 9 in. (17.5 × 22.9 cm) Sheet: 10 7/8 × 14 5/8 in. (27.6 × 37.1 cm). Date: 1924. Museum: Metropolitan Museum of Art, New York, USA.
. Bulletin. s and sparks 9. Smoke density, tests 1, 2, 4, and 5 10. Smoke density, tests 6, 7, and 8 11. Smoke density, tests 9, 10, 19, and 20 12. Smoke density, tests 11, 12, 13, and 14 13. Smoke density, tests 15, 16, 17, and 18 14. Smoke density plotted against boiler capacity 15. Graphic 16. Graphic 17. Graphic 18. Graphic 19. Graphic 20. Graphic 21. Graphic 22. Graphic 23. Graphic 24. Graphic 25. Graphic 26. Graphic 27. Graphic 28. Graphic 29. Graphic 30. Graphic 31. Graphic 32. Graphic 33. Graphic 34. Graphic 35. Graphic chart showing relative evaporative efficiency of briquets and coal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-s-and-sparks-9-smoke-density-tests-1-2-4-and-5-10-smoke-density-tests-6-7-and-8-11-smoke-density-tests-9-10-19-and-20-12-smoke-density-tests-11-12-13-and-14-13-smoke-density-tests-15-16-17-and-18-14-smoke-density-plotted-against-boiler-capacity-15-graphic-16-graphic-17-graphic-18-graphic-19-graphic-20-graphic-21-graphic-22-graphic-23-graphic-24-graphic-25-graphic-26-graphic-27-graphic-28-graphic-29-graphic-30-graphic-31-graphic-32-graphic-33-graphic-34-graphic-35-graphic-chart-showing-relative-evaporative-efficiency-of-briquets-and-coal-image336891632.html
RM2AG2MM0–. Bulletin. s and sparks 9. Smoke density, tests 1, 2, 4, and 5 10. Smoke density, tests 6, 7, and 8 11. Smoke density, tests 9, 10, 19, and 20 12. Smoke density, tests 11, 12, 13, and 14 13. Smoke density, tests 15, 16, 17, and 18 14. Smoke density plotted against boiler capacity 15. Graphic 16. Graphic 17. Graphic 18. Graphic 19. Graphic 20. Graphic 21. Graphic 22. Graphic 23. Graphic 24. Graphic 25. Graphic 26. Graphic 27. Graphic 28. Graphic 29. Graphic 30. Graphic 31. Graphic 32. Graphic 33. Graphic 34. Graphic 35. Graphic chart showing relative evaporative efficiency of briquets and coal
We'll Just Hope That Thanks to These Precautions This Devil of a Mildew Won't Penetrate My Vines...Faut espérer que grâce à ces précautions, ce diable d'Oïdum ne pénétra pas dans mes vignes..., Le Charivari, Les Raisins Malades, Grape Disease, Plate 4, Honoré Daumier, French, 1808-1879, Lithograph on newsprint, laid down on wove paper, France, October 22, 1853, Sheet: 9 13/16 x 14 in., 24.9 x 35.6 cm, vine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/well-just-hope-that-thanks-to-these-precautions-this-devil-of-a-mildew-wont-penetrate-my-vinesfaut-esprer-que-grce-ces-prcautions-ce-diable-dodum-ne-pntra-pas-dans-mes-vignes-le-charivari-les-raisins-malades-grape-disease-plate-4-honor-daumier-french-1808-1879-lithograph-on-newsprint-laid-down-on-wove-paper-france-october-22-1853-sheet-9-1316-x-14-in-249-x-356-cm-vine-image454268592.html
RM2HB1M68–We'll Just Hope That Thanks to These Precautions This Devil of a Mildew Won't Penetrate My Vines...Faut espérer que grâce à ces précautions, ce diable d'Oïdum ne pénétra pas dans mes vignes..., Le Charivari, Les Raisins Malades, Grape Disease, Plate 4, Honoré Daumier, French, 1808-1879, Lithograph on newsprint, laid down on wove paper, France, October 22, 1853, Sheet: 9 13/16 x 14 in., 24.9 x 35.6 cm, vine
Jo's Bent Head. Dated: 1861. Dimensions: plate: 22.86 × 14.92 cm (9 × 5 7/8 in.) sheet: 34.77 × 25.24 cm (13 11/16 × 9 15/16 in.). Medium: drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jos-bent-head-dated-1861-dimensions-plate-2286-1492-cm-9-5-78-in-sheet-3477-2524-cm-13-1116-9-1516-in-medium-drypoint-in-black-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-whistler-james-abbott-mcneill-image225613651.html
RMR31GEB–Jo's Bent Head. Dated: 1861. Dimensions: plate: 22.86 × 14.92 cm (9 × 5 7/8 in.) sheet: 34.77 × 25.24 cm (13 11/16 × 9 15/16 in.). Medium: drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL.
The elements of draughts; or, Beginners' sure guide: containing a thorough and minute exposition of every principle separately explained: together with model games .. . WHITE. White to move and win. 52 The Elements of Draughts; SOLUTION.WHITE. BLACK. 1. 14 to 10. 19 to 28. 2. 30 25. 13 22.3 10 6. 1 10.4. 20 16. 11 20.6. 27 24. 20 27. White now wins.Problem VI. BY C. ALLEN, OP ROXBURT, MASS. (A masterly and beautiful composition). BLACK.. WHITE. White to move ar.d win. or. Beginners Sure Guide. 53 SOLUTION. WHITE. BLACK. 1. 18 to 14. 9 to 25. 2. 26 23. 2 9. 3.4. 11 .1.1 16, 4 « 11. 12 26. 6. 28 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-elements-of-draughts-or-beginners-sure-guide-containing-a-thorough-and-minute-exposition-of-every-principle-separately-explained-together-with-model-games-white-white-to-move-and-win-52-the-elements-of-draughts-solutionwhite-black-1-14-to-10-19-to-28-2-30-25-13-223-10-6-1-104-20-16-11-206-27-24-20-27-white-now-winsproblem-vi-by-c-allen-op-roxburt-mass-a-masterly-and-beautiful-composition-black-white-white-to-move-ard-win-or-beginners-sure-guide-53-solution-white-black-1-18-to-14-9-to-25-2-26-23-2-9-34-11-11-16-4-11-12-26-6-28-image340101571.html
RM2AN8Y0K–The elements of draughts; or, Beginners' sure guide: containing a thorough and minute exposition of every principle separately explained: together with model games .. . WHITE. White to move and win. 52 The Elements of Draughts; SOLUTION.WHITE. BLACK. 1. 14 to 10. 19 to 28. 2. 30 25. 13 22.3 10 6. 1 10.4. 20 16. 11 20.6. 27 24. 20 27. White now wins.Problem VI. BY C. ALLEN, OP ROXBURT, MASS. (A masterly and beautiful composition). BLACK.. WHITE. White to move ar.d win. or. Beginners Sure Guide. 53 SOLUTION. WHITE. BLACK. 1. 18 to 14. 9 to 25. 2. 26 23. 2 9. 3.4. 11 .1.1 16, 4 « 11. 12 26. 6. 28
Jacques Callot (1592 - 1635), artist, Beggar, Anonymous (dating unknown), artist:in Jacques Callot (1592 - 1635), after, Beggar woman with her alms, Jacques Callot (1592 - 1635), artist, Sitting beggars eating, sheet 24 of the series 'The beggars', origin of the print medium: 1622, 1623, etching on vergé paper, sheet size: 14. 0 x 9.0 cm plate margin: 13.8 x 8.7 cm, verso numbered '22' in graphite at upper left; center right red Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-callot-1592-1635-artist-beggar-anonymous-dating-unknown-artistin-jacques-callot-1592-1635-after-beggar-woman-with-her-alms-jacques-callot-1592-1635-artist-sitting-beggars-eating-sheet-24-of-the-series-the-beggars-origin-of-the-print-medium-1622-1623-etching-on-verg-paper-sheet-size-14-0-x-90-cm-plate-margin-138-x-87-cm-verso-numbered-22-in-graphite-at-upper-left-center-right-red-image573212615.html
RM2T8G2F3–Jacques Callot (1592 - 1635), artist, Beggar, Anonymous (dating unknown), artist:in Jacques Callot (1592 - 1635), after, Beggar woman with her alms, Jacques Callot (1592 - 1635), artist, Sitting beggars eating, sheet 24 of the series 'The beggars', origin of the print medium: 1622, 1623, etching on vergé paper, sheet size: 14. 0 x 9.0 cm plate margin: 13.8 x 8.7 cm, verso numbered '22' in graphite at upper left; center right red
San Carlo Borromeo Giving Last Communion to Victims of the Plague. Dimensions: plate: 36.7 x 22 cm (14 7/16 x 8 11/16 in.) sheet: 38 x 23.9 cm (14 15/16 x 9 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carlo Innocenzo Carlone. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/san-carlo-borromeo-giving-last-communion-to-victims-of-the-plague-dimensions-plate-367-x-22-cm-14-716-x-8-1116-in-sheet-38-x-239-cm-14-1516-x-9-716-in-medium-etching-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-carlo-innocenzo-carlone-image225672862.html
RMR34812–San Carlo Borromeo Giving Last Communion to Victims of the Plague. Dimensions: plate: 36.7 x 22 cm (14 7/16 x 8 11/16 in.) sheet: 38 x 23.9 cm (14 15/16 x 9 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carlo Innocenzo Carlone.
Illustrated catalogue and price-list of drawing and tracing papers, sun print papers and equipments, drawing instruments and materials, surveying instruments, accessories, etc / Kolesch & Company. . taide WidthLength Drawers Drawers Lcnviti Over AllInches Inches Inches Inches Inches Height ShippingOver All WeightInches Pounds 2 3%6614 47 45, 45 y245 y24sy245 y24554 45, 455445 y2 45/, 45 J4 35 35434 5434 54345434 >, 34 y23454 34% 3y234y2 3454 34 J4 15# 3 14,14/2 8 9J4 4 5U22 X 160751501459095353070 EACH $26.50 7.50 22.50 21.50 11.50 11.00 5.00 5.00 9.75 954 100 18.00954 100 17.00 1454 155 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustrated-catalogue-and-price-list-of-drawing-and-tracing-papers-sun-print-papers-and-equipments-drawing-instruments-and-materials-surveying-instruments-accessories-etc-kolesch-company-taide-widthlength-drawers-drawers-lcnviti-over-allinches-inches-inches-inches-inches-height-shippingover-all-weightinches-pounds-2-36614-47-45-45-y245-y24sy245-y24554-45-455445-y2-45-45-j4-35-35434-5434-54345434-gt-34-y23454-34-3y234y2-3454-34-j4-15-3-14142-8-9j4-4-5u22-x-160751501459095353070-each-2650-750-2250-2150-1150-1100-500-500-975-954-100-1800954-100-1700-1454-155-2-image338120107.html
RM2AJ2KJ3–Illustrated catalogue and price-list of drawing and tracing papers, sun print papers and equipments, drawing instruments and materials, surveying instruments, accessories, etc / Kolesch & Company. . taide WidthLength Drawers Drawers Lcnviti Over AllInches Inches Inches Inches Inches Height ShippingOver All WeightInches Pounds 2 3%6614 47 45, 45 y245 y24sy245 y24554 45, 455445 y2 45/, 45 J4 35 35434 5434 54345434 >, 34 y23454 34% 3y234y2 3454 34 J4 15# 3 14,14/2 8 9J4 4 5U22 X 160751501459095353070 EACH $26.50 7.50 22.50 21.50 11.50 11.00 5.00 5.00 9.75 954 100 18.00954 100 17.00 1454 155 2
Judas Leaves the Cenacle, Judas quitte le Cénacle, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 8 13/16 x 5 9/16 in., 22.4 x 14.1 cm, betrayal, Christianity, French, French artist, Good Firday, Jesus, John 13:30, Judas, male figure, religious, religious art, traitor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judas-leaves-the-cenacle-judas-quitte-le-cnacle-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-8-1316-x-5-916-in-224-x-141-cm-betrayal-christianity-french-french-artist-good-firday-jesus-john-1330-judas-male-figure-religious-religious-art-traitor-image454265117.html
RM2HB1FP5–Judas Leaves the Cenacle, Judas quitte le Cénacle, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 8 13/16 x 5 9/16 in., 22.4 x 14.1 cm, betrayal, Christianity, French, French artist, Good Firday, Jesus, John 13:30, Judas, male figure, religious, religious art, traitor
Head of a Young Man in Profile. Dimensions: actual: 20.32 x 22.86 cm (8 × 9 in.) overall: 44 × 35.5 × 1 cm (17 5/16 × 14 × 3/8 in.). Medium: red chalk with white heightening on blue paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-young-man-in-profile-dimensions-actual-2032-x-2286-cm-8-9-in-overall-44-355-1-cm-17-516-14-38-in-medium-red-chalk-with-white-heightening-on-blue-paper-museum-national-gallery-of-art-washington-dc-author-giovanni-battista-tiepolo-image225777745.html
RMR391PW–Head of a Young Man in Profile. Dimensions: actual: 20.32 x 22.86 cm (8 × 9 in.) overall: 44 × 35.5 × 1 cm (17 5/16 × 14 × 3/8 in.). Medium: red chalk with white heightening on blue paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.
Boletín Oficial de la República Argentina1904 1ra sección . MONARCA Enero 23 de 1904.—Gutiérrez Hnos.—Distinguir los articulo» de las clases 1, 9,12, 14 y 61 á, 70. B. Mitre 359. v-30-Enero. ?Acta N»I3,143 i Calandria* Enero 22 de 1904.—Francisco Fido Fon-tana.- D:stinguir yerba mate, clase 67,Tucaman 745. v-oO-Suero, II il Úllii illllllllMIMIl»» I ?lili BOLSTÍiS OFICIAL ? 14661 =—• :s¡ Acta r¥a 13.165. jücejoiSS- de 1904.—Juan! Abal é hijo.—Distinguir cigarrillos y papel para fumar, iJOgr; claseá59.¡.>Cangalloj,505. Y-4-Febreio. Acial 13.158 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boletn-oficial-de-la-repblica-argentina1904-1ra-seccin-monarca-enero-23-de-1904gutirrez-hnosdistinguir-los-articulo-de-las-clases-1-912-14-y-61-70-b-mitre-359-v-30-enero-acta-ni3143-i-calandria-enero-22-de-1904francisco-fido-fon-tana-dstinguir-yerba-mate-clase-67tucaman-745-v-oo-suero-ii-il-llii-illllllllmimil-i-lili-bolstis-oficial-14661-=-s-acta-ra-13165-jcejoiss-de-1904juan!-abal-hijodistinguir-cigarrillos-y-papel-para-fumar-ijogr-clase59gtcangalloj505-y-4-febreio-acial-13158-image339132634.html
RM2AKMR3P–Boletín Oficial de la República Argentina1904 1ra sección . MONARCA Enero 23 de 1904.—Gutiérrez Hnos.—Distinguir los articulo» de las clases 1, 9,12, 14 y 61 á, 70. B. Mitre 359. v-30-Enero. ?Acta N»I3,143 i Calandria* Enero 22 de 1904.—Francisco Fido Fon-tana.- D:stinguir yerba mate, clase 67,Tucaman 745. v-oO-Suero, II il Úllii illllllllMIMIl»» I ?lili BOLSTÍiS OFICIAL ? 14661 =—• :s¡ Acta r¥a 13.165. jücejoiSS- de 1904.—Juan! Abal é hijo.—Distinguir cigarrillos y papel para fumar, iJOgr; claseá59.¡.>Cangalloj,505. Y-4-Febreio. Acial 13.158
Reconstruction of Golgotha and the Holy Sepulchre, Seen from the Walls of the Judicial Gate, Calvary., Reconstitution du Golgotha et du Saint-Sépulcre. Vu des murs de la porte judiciare. [Calvaire.], The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 x 14 3/16 in., 22.9 x 36 cm, Bible, Biblical, Catholicism, Christianity, French, landscape, New Testament, Religion, Religious Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reconstruction-of-golgotha-and-the-holy-sepulchre-seen-from-the-walls-of-the-judicial-gate-calvary-reconstitution-du-golgotha-et-du-saint-spulcre-vu-des-murs-de-la-porte-judiciare-calvaire-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-9-x-14-316-in-229-x-36-cm-bible-biblical-catholicism-christianity-french-landscape-new-testament-religion-religious-image454266048.html
RM2HB1GYC–Reconstruction of Golgotha and the Holy Sepulchre, Seen from the Walls of the Judicial Gate, Calvary., Reconstitution du Golgotha et du Saint-Sépulcre. Vu des murs de la porte judiciare. [Calvaire.], The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 x 14 3/16 in., 22.9 x 36 cm, Bible, Biblical, Catholicism, Christianity, French, landscape, New Testament, Religion, Religious
Peppina. Dated: 1919. Dimensions: plate: 13.9 x 10.9 cm (5 1/2 x 4 5/16 in.) sheet: 22.7 x 14.2 cm (8 15/16 x 5 9/16 in.). Medium: etching and drypoint in black on heavy cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peppina-dated-1919-dimensions-plate-139-x-109-cm-5-12-x-4-516-in-sheet-227-x-142-cm-8-1516-x-5-916-in-medium-etching-and-drypoint-in-black-on-heavy-cream-laid-paper-museum-national-gallery-of-art-washington-dc-author-albert-besnard-image233842602.html
RMRGCCHE–Peppina. Dated: 1919. Dimensions: plate: 13.9 x 10.9 cm (5 1/2 x 4 5/16 in.) sheet: 22.7 x 14.2 cm (8 15/16 x 5 9/16 in.). Medium: etching and drypoint in black on heavy cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.
. Census of the state of New York for 1875. Map D. INCREASE OF WHITE POPULATION OF NEW YORK. 1870 to 1875. INCREASE OF WHITE POPULATION OF N EW YORK1870 TO 1875. FRANKLIN CLINTON ^(j ESSEX WARREN. (MGTIII^ ?f Counties, ^ Per Ct oc Kings, 1 21.22 Essex, 2 18.54 Chemung, 3 18.52 Hamilton, 4 17,00 Queens. 5 14.77 Monroe, 6 14.41 Fulton, 7 11.54 Albany, 8 11,02 Erie, 9 10.81 Sufolk, 10 10 60 Chautauqua, 11 9.26 Steuben, 12 9,08 Broome, 13 8,63 Onondaga, 14 8,30 Orleans, 15 7,92 ,.fi^^^0.8l| CATTARAUGUS ^AUTAUQUAi 9.261 STEUBEN 9.08 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/census-of-the-state-of-new-york-for-1875-map-d-increase-of-white-population-of-new-york-1870-to-1875-increase-of-white-population-of-n-ew-york1870-to-1875-franklin-clinton-j-essex-warren-mgtiii-f-counties-per-ct-oc-kings-1-2122-essex-2-1854-chemung-3-1852-hamilton-4-1700-queens-5-1477-monroe-6-1441-fulton-7-1154-albany-8-1102-erie-9-1081-sufolk-10-10-60-chautauqua-11-926-steuben-12-908-broome-13-863-onondaga-14-830-orleans-15-792-fi08l-cattaraugus-autauquai-9261-steuben-908-image336957339.html
RM2AG5MEK–. Census of the state of New York for 1875. Map D. INCREASE OF WHITE POPULATION OF NEW YORK. 1870 to 1875. INCREASE OF WHITE POPULATION OF N EW YORK1870 TO 1875. FRANKLIN CLINTON ^(j ESSEX WARREN. (MGTIII^ ?f Counties, ^ Per Ct oc Kings, 1 21.22 Essex, 2 18.54 Chemung, 3 18.52 Hamilton, 4 17,00 Queens. 5 14.77 Monroe, 6 14.41 Fulton, 7 11.54 Albany, 8 11,02 Erie, 9 10.81 Sufolk, 10 10 60 Chautauqua, 11 9.26 Steuben, 12 9,08 Broome, 13 8,63 Onondaga, 14 8,30 Orleans, 15 7,92 ,.fi^^^0.8l| CATTARAUGUS ^AUTAUQUAi 9.261 STEUBEN 9.08
Id blessings, Muhammad) 'Ali, 1142/1729-30, Calligraphy, Arabic, Manuscripts, Arabic, Washington (D.C.), Iran, Arabic script calligraphy, Illuminated Islamic manuscripts, Islamic calligraphy, Islamic manuscripts, Naskh, Arabic blessings to a ruler on the occasion of 'id, written in Arabic by Persian calligrapher Muhammad 'Ali in the Naskh script., Dimensions of Written Surface: 14.9 (w) x 22 (h) cm, In the lower left corner, the calligrapher (Muhammad) 'Ali has signed his work and dated it 1142/1729-30. It appears that the original calligrapher's name, which included the name 'Ali, was erased Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/id-blessings-muhammad-ali-11421729-30-calligraphy-arabic-manuscripts-arabic-washington-dc-iran-arabic-script-calligraphy-illuminated-islamic-manuscripts-islamic-calligraphy-islamic-manuscripts-naskh-arabic-blessings-to-a-ruler-on-the-occasion-of-id-written-in-arabic-by-persian-calligrapher-muhammad-ali-in-the-naskh-script-dimensions-of-written-surface-149-w-x-22-h-cm-in-the-lower-left-corner-the-calligrapher-muhammad-ali-has-signed-his-work-and-dated-it-11421729-30-it-appears-that-the-original-calligraphers-name-which-included-the-name-ali-was-erased-image623479043.html
RM2Y69WTK–Id blessings, Muhammad) 'Ali, 1142/1729-30, Calligraphy, Arabic, Manuscripts, Arabic, Washington (D.C.), Iran, Arabic script calligraphy, Illuminated Islamic manuscripts, Islamic calligraphy, Islamic manuscripts, Naskh, Arabic blessings to a ruler on the occasion of 'id, written in Arabic by Persian calligrapher Muhammad 'Ali in the Naskh script., Dimensions of Written Surface: 14.9 (w) x 22 (h) cm, In the lower left corner, the calligrapher (Muhammad) 'Ali has signed his work and dated it 1142/1729-30. It appears that the original calligrapher's name, which included the name 'Ali, was erased
Jean-François Paul de Gondi, Cardinal of Retz. Dimensions: plate: 34.6 x 22.7 cm (13 5/8 x 8 15/16 in.) sheet: 37.4 x 25.3 cm (14 3/4 x 9 15/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MELLAN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-franois-paul-de-gondi-cardinal-of-retz-dimensions-plate-346-x-227-cm-13-58-x-8-1516-in-sheet-374-x-253-cm-14-34-x-9-1516-in-medium-engraving-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-claude-mellan-image233245546.html
RMRFD722–Jean-François Paul de Gondi, Cardinal of Retz. Dimensions: plate: 34.6 x 22.7 cm (13 5/8 x 8 15/16 in.) sheet: 37.4 x 25.3 cm (14 3/4 x 9 15/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: CLAUDE MELLAN.
Climatological data, Pennsylvania . Type: Duffield clay loam. Ground Cover: Permanent blue grass sod whichis kept clipped to a height of 2 inches. Instrumentation: Weston Electric Soil Thermometer. State College 2 - Slope of Ground: Gentle slope to the southeast. Soil Type: Hagerstown silt loam. Ground Cover: Kentucky blue grass kept clipped to a height of between 1 1/2 and 3 inches. Instrumentation: Copper-Constantan Thermocouple on recording Potentiometer, SNOWFALL AND SNOW ON GROUND Station Day of month 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 BRAD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/climatological-data-pennsylvania-type-duffield-clay-loam-ground-cover-permanent-blue-grass-sod-whichis-kept-clipped-to-a-height-of-2-inches-instrumentation-weston-electric-soil-thermometer-state-college-2-slope-of-ground-gentle-slope-to-the-southeast-soil-type-hagerstown-silt-loam-ground-cover-kentucky-blue-grass-kept-clipped-to-a-height-of-between-1-12-and-3-inches-instrumentation-copper-constantan-thermocouple-on-recording-potentiometer-snowfall-and-snow-on-ground-station-day-of-month-1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-28-29-30-31-brad-image339454480.html
RM2AM7DJ8–Climatological data, Pennsylvania . Type: Duffield clay loam. Ground Cover: Permanent blue grass sod whichis kept clipped to a height of 2 inches. Instrumentation: Weston Electric Soil Thermometer. State College 2 - Slope of Ground: Gentle slope to the southeast. Soil Type: Hagerstown silt loam. Ground Cover: Kentucky blue grass kept clipped to a height of between 1 1/2 and 3 inches. Instrumentation: Copper-Constantan Thermocouple on recording Potentiometer, SNOWFALL AND SNOW ON GROUND Station Day of month 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 BRAD
Map of Fort Mardijk, 1645, Plan de Mardic (title on object), Map of Fort Mardijk near the town of Mardijk near Dunkirk, besieged and conquered by the French army under Gaston, Duke of Orléans from the Spanish, June 22 - July 9 1645. A Dutch ship off the coast. In the caption the legend 1-14 in French. A coat of arms at the top right., print, print maker: anonymous, publisher: Pieter Verbiest (II), (mentioned on object), print maker: Southern Netherlands, publisher: Antwerp, 1645, paper, etching, height, 236 mm × width, 322 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-fort-mardijk-1645-plan-de-mardic-title-on-object-map-of-fort-mardijk-near-the-town-of-mardijk-near-dunkirk-besieged-and-conquered-by-the-french-army-under-gaston-duke-of-orlans-from-the-spanish-june-22-july-9-1645-a-dutch-ship-off-the-coast-in-the-caption-the-legend-1-14-in-french-a-coat-of-arms-at-the-top-right-print-print-maker-anonymous-publisher-pieter-verbiest-ii-mentioned-on-object-print-maker-southern-netherlands-publisher-antwerp-1645-paper-etching-height-236-mm-width-322-mm-image606627474.html
RM2X6X7EX–Map of Fort Mardijk, 1645, Plan de Mardic (title on object), Map of Fort Mardijk near the town of Mardijk near Dunkirk, besieged and conquered by the French army under Gaston, Duke of Orléans from the Spanish, June 22 - July 9 1645. A Dutch ship off the coast. In the caption the legend 1-14 in French. A coat of arms at the top right., print, print maker: anonymous, publisher: Pieter Verbiest (II), (mentioned on object), print maker: Southern Netherlands, publisher: Antwerp, 1645, paper, etching, height, 236 mm × width, 322 mm
Harvesting. Dated: c. 1851. Dimensions: Overall: 37.8 x 51.5 cm (14 7/8 x 20 1/4 in.) mat: 55.9 x 71.1 cm (22 x 28 in.). Medium: watercolor and gouache over graphite with scratching-out and touches of gum arabic on paperboard. Museum: National Gallery of Art, Washington DC. Author: Samuel Palmer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harvesting-dated-c-1851-dimensions-overall-378-x-515-cm-14-78-x-20-14-in-mat-559-x-711-cm-22-x-28-in-medium-watercolor-and-gouache-over-graphite-with-scratching-out-and-touches-of-gum-arabic-on-paperboard-museum-national-gallery-of-art-washington-dc-author-samuel-palmer-image233291747.html
RMRFFA03–Harvesting. Dated: c. 1851. Dimensions: Overall: 37.8 x 51.5 cm (14 7/8 x 20 1/4 in.) mat: 55.9 x 71.1 cm (22 x 28 in.). Medium: watercolor and gouache over graphite with scratching-out and touches of gum arabic on paperboard. Museum: National Gallery of Art, Washington DC. Author: Samuel Palmer.
How to paint : an instruction book with full description of all the materials necessary. . per dozen, fl.20. Xo. 1. White. 2. Ivory. 3. Cream. 4. Silver Grey. 5. Pigeon Grey. 6. Mouse Grey. 7. Slate Grey. 8. Black. 9. Salmon. 10. Light Rose. 11. Dark Rose. 12. Vermilion. 13. Garnet Red. 14. Lilac. 15. Violet. 16. Crimson. 17. Pale Blue. 18. Mignonette. 35. Lemon Yellow. 19. Sea Green. 36. Indian Yellow. 20. Light Green. 37. Orange Yellow. 21. Grass Green. 38. Yellow Ochre. 22. Emerald Green. 39. Gold Ochre. 23. Myrtle Green. 40. Dark Ochre. 24. Olive Green. 41. Cerulean Blue. 25. Apricot. 42. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/how-to-paint-an-instruction-book-with-full-description-of-all-the-materials-necessary-per-dozen-fl20-xo-1-white-2-ivory-3-cream-4-silver-grey-5-pigeon-grey-6-mouse-grey-7-slate-grey-8-black-9-salmon-10-light-rose-11-dark-rose-12-vermilion-13-garnet-red-14-lilac-15-violet-16-crimson-17-pale-blue-18-mignonette-35-lemon-yellow-19-sea-green-36-indian-yellow-20-light-green-37-orange-yellow-21-grass-green-38-yellow-ochre-22-emerald-green-39-gold-ochre-23-myrtle-green-40-dark-ochre-24-olive-green-41-cerulean-blue-25-apricot-42-image339969678.html
RM2AN2XP6–How to paint : an instruction book with full description of all the materials necessary. . per dozen, fl.20. Xo. 1. White. 2. Ivory. 3. Cream. 4. Silver Grey. 5. Pigeon Grey. 6. Mouse Grey. 7. Slate Grey. 8. Black. 9. Salmon. 10. Light Rose. 11. Dark Rose. 12. Vermilion. 13. Garnet Red. 14. Lilac. 15. Violet. 16. Crimson. 17. Pale Blue. 18. Mignonette. 35. Lemon Yellow. 19. Sea Green. 36. Indian Yellow. 20. Light Green. 37. Orange Yellow. 21. Grass Green. 38. Yellow Ochre. 22. Emerald Green. 39. Gold Ochre. 23. Myrtle Green. 40. Dark Ochre. 24. Olive Green. 41. Cerulean Blue. 25. Apricot. 42.
The Youth of Jesus, Jeunesse de Jésus, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 8 13/16 x 5 9/16 in., 22.4 x 14.1 cm, barrel vault, board, carpenter, carpentry, Christ, Christianity, foreshadowing, Gospel Harmony, Jesus, Joseph, Life of Christ, Luke 2:51-52, Mary, New Testament, Painting, passage, plank, religion, stairs, Tissot, tunnel, village, walking, wood, wood grain, work, young, young man, youth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-youth-of-jesus-jeunesse-de-jsus-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-8-1316-x-5-916-in-224-x-141-cm-barrel-vault-board-carpenter-carpentry-christ-christianity-foreshadowing-gospel-harmony-jesus-joseph-life-of-christ-luke-251-52-mary-new-testament-painting-passage-plank-religion-stairs-tissot-tunnel-village-walking-wood-wood-grain-work-young-young-man-youth-image454265729.html
RM2HB1GG1–The Youth of Jesus, Jeunesse de Jésus, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 8 13/16 x 5 9/16 in., 22.4 x 14.1 cm, barrel vault, board, carpenter, carpentry, Christ, Christianity, foreshadowing, Gospel Harmony, Jesus, Joseph, Life of Christ, Luke 2:51-52, Mary, New Testament, Painting, passage, plank, religion, stairs, Tissot, tunnel, village, walking, wood, wood grain, work, young, young man, youth
Parc de Sceaux. Dated: c. 1925. Dimensions: image: 22.2 x 17.4 cm (8 3/4 x 6 7/8 in.) mount: 36.8 x 29.4 cm (14 1/2 x 11 9/16 in.). Medium: albumen print mounted on paper. Museum: National Gallery of Art, Washington DC. Author: Eugène Atget. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parc-de-sceaux-dated-c-1925-dimensions-image-222-x-174-cm-8-34-x-6-78-in-mount-368-x-294-cm-14-12-x-11-916-in-medium-albumen-print-mounted-on-paper-museum-national-gallery-of-art-washington-dc-author-eugne-atget-image225818224.html
RMR3AWCG–Parc de Sceaux. Dated: c. 1925. Dimensions: image: 22.2 x 17.4 cm (8 3/4 x 6 7/8 in.) mount: 36.8 x 29.4 cm (14 1/2 x 11 9/16 in.). Medium: albumen print mounted on paper. Museum: National Gallery of Art, Washington DC. Author: Eugène Atget.
Our boys : a study of the 245,000 sixteen, seventeen and eighteen year old employed boys of the state of New York . Sixteen, Seventeen and Eighteen Year Old Employed Boys How They Saved Their Money Chart No. 22 — State Summary and Cities over 25,000 OuK Boys 21i 1 SalAm&noa. H 2 Loolqport B 3 Cortland 4 Hortli Tooawanda. H 5 aonw......... 6 Little FftllB. 7 Johastovn I S Comlag 9 Canandalgua 8 10 Oneida 11 Duntlrfc. 12 Oneonta 13 aioversvllle.. 14 Olean 15 Bscoon fl 16 Uiddletown 17 Tonawanda 18 Hudson fl 19 Port Jervls 20 Eomell 21 GaneTa2Z Glens Falls 23 Laclcawanna. H 24 White Plains....! 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/our-boys-a-study-of-the-245000-sixteen-seventeen-and-eighteen-year-old-employed-boys-of-the-state-of-new-york-sixteen-seventeen-and-eighteen-year-old-employed-boys-how-they-saved-their-money-chart-no-22-state-summary-and-cities-over-25000-ouk-boys-21i-1-salamnoa-h-2-loolqport-b-3-cortland-4-hortli-tooawanda-h-5-aonw-6-little-fftllb-7-johastovn-i-s-comlag-9-canandalgua-8-10-oneida-11-duntlrfc-12-oneonta-13-aioversvllle-14-olean-15-bscoon-fl-16-uiddletown-17-tonawanda-18-hudson-fl-19-port-jervls-20-eomell-21-ganeta2z-glens-falls-23-laclcawanna-h-24-white-plains!-2-image342944141.html
RM2AWXCN1–Our boys : a study of the 245,000 sixteen, seventeen and eighteen year old employed boys of the state of New York . Sixteen, Seventeen and Eighteen Year Old Employed Boys How They Saved Their Money Chart No. 22 — State Summary and Cities over 25,000 OuK Boys 21i 1 SalAm&noa. H 2 Loolqport B 3 Cortland 4 Hortli Tooawanda. H 5 aonw......... 6 Little FftllB. 7 Johastovn I S Comlag 9 Canandalgua 8 10 Oneida 11 Duntlrfc. 12 Oneonta 13 aioversvllle.. 14 Olean 15 Bscoon fl 16 Uiddletown 17 Tonawanda 18 Hudson fl 19 Port Jervls 20 Eomell 21 GaneTa2Z Glens Falls 23 Laclcawanna. H 24 White Plains....! 2
The Man Bearing a Pitcher, L'homme à la cruche, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 7/8 x 6 5/16 in., 25.1 x 16 cm, city wall, doubt, figures, French, French artist, Jerusalem, Jesus, John, Luke 22:10, Mark 14:12-17, miracle, passover, Peter, pitcher, religious, religious art, stairs, stone, street scene, towers, twilight, water vessel, watercolor, wine vessel, work on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-man-bearing-a-pitcher-lhomme-la-cruche-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-9-78-x-6-516-in-251-x-16-cm-city-wall-doubt-figures-french-french-artist-jerusalem-jesus-john-luke-2210-mark-1412-17-miracle-passover-peter-pitcher-religious-religious-art-stairs-stone-street-scene-towers-twilight-water-vessel-watercolor-wine-vessel-work-on-paper-image454265074.html
RM2HB1FMJ–The Man Bearing a Pitcher, L'homme à la cruche, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 7/8 x 6 5/16 in., 25.1 x 16 cm, city wall, doubt, figures, French, French artist, Jerusalem, Jesus, John, Luke 22:10, Mark 14:12-17, miracle, passover, Peter, pitcher, religious, religious art, stairs, stone, street scene, towers, twilight, water vessel, watercolor, wine vessel, work on paper
Seated Peasant Woman with Sleeping Child. Dated: 1758/1759. Dimensions: plate: 17.7 x 14.2 cm (6 15/16 x 5 9/16 in.) sheet: 28 x 22 cm (11 x 8 11/16 in.). Medium: etching with white heightening on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO LONDONIO. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-peasant-woman-with-sleeping-child-dated-17581759-dimensions-plate-177-x-142-cm-6-1516-x-5-916-in-sheet-28-x-22-cm-11-x-8-1116-in-medium-etching-with-white-heightening-on-blue-laid-paper-museum-national-gallery-of-art-washington-dc-author-francesco-londonio-image225587580.html
RMR30B78–Seated Peasant Woman with Sleeping Child. Dated: 1758/1759. Dimensions: plate: 17.7 x 14.2 cm (6 15/16 x 5 9/16 in.) sheet: 28 x 22 cm (11 x 8 11/16 in.). Medium: etching with white heightening on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO LONDONIO.
Descendants of William Scott of Hatfield, Mass., 1668-1906 and of John Scott of Springfield, Mass., 1659-1906 . 22, 1903, Frank W. Bissell.Reside in Florence, Mass.HL Frank Battles, b. Sept. 10, 1865 ; d. Aug. 7, 1867.IV. Carrie Lamson, b. Aug. 11, 1869; d. May 21, 1886. 168. Samuel Bridgman Scott, (Reubens, Phineas^, David^,Joseph^, William) b. in Hawley, Mass., Oct. 9, 1828; m. May 14,1854, Martha E. Pierce, dau. of Thomas, b. in Amherst, Mass.Reside in Shirley, Mass. Children: I. George Frederick, b. in Shirley, Mass., July 20, 1855 ;m. Aug. 16, 1886, Anna Strong, b. in Hebron, N. Y.Have on Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/descendants-of-william-scott-of-hatfield-mass-1668-1906-and-of-john-scott-of-springfield-mass-1659-1906-22-1903-frank-w-bissellreside-in-florence-masshl-frank-battles-b-sept-10-1865-d-aug-7-1867iv-carrie-lamson-b-aug-11-1869-d-may-21-1886-168-samuel-bridgman-scott-reubens-phineas-davidjoseph-william-b-in-hawley-mass-oct-9-1828-m-may-141854-martha-e-pierce-dau-of-thomas-b-in-amherst-massreside-in-shirley-mass-children-i-george-frederick-b-in-shirley-mass-july-20-1855-m-aug-16-1886-anna-strong-b-in-hebron-n-yhave-on-image338339145.html
RM2AJCK0W–Descendants of William Scott of Hatfield, Mass., 1668-1906 and of John Scott of Springfield, Mass., 1659-1906 . 22, 1903, Frank W. Bissell.Reside in Florence, Mass.HL Frank Battles, b. Sept. 10, 1865 ; d. Aug. 7, 1867.IV. Carrie Lamson, b. Aug. 11, 1869; d. May 21, 1886. 168. Samuel Bridgman Scott, (Reubens, Phineas^, David^,Joseph^, William) b. in Hawley, Mass., Oct. 9, 1828; m. May 14,1854, Martha E. Pierce, dau. of Thomas, b. in Amherst, Mass.Reside in Shirley, Mass. Children: I. George Frederick, b. in Shirley, Mass., July 20, 1855 ;m. Aug. 16, 1886, Anna Strong, b. in Hebron, N. Y.Have on
Saint Peter and Saint John Follow from Afar, Saint Pierre et Saint Jean suivent de loin, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 13/16 x 6 1/16 in., 24.9 x 15.4 cm, apostls, Christianity, French, French artist, Jesus, John, John 18:15, Luke 22:54, Mark 14:54, Matthew 26:58, path, Peter, procession, religious, Roman, saints, subscription, Tissot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-peter-and-saint-john-follow-from-afar-saint-pierre-et-saint-jean-suivent-de-loin-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-9-1316-x-6-116-in-249-x-154-cm-apostls-christianity-french-french-artist-jesus-john-john-1815-luke-2254-mark-1454-matthew-2658-path-peter-procession-religious-roman-saints-subscription-tissot-image454265112.html
RM2HB1FP0–Saint Peter and Saint John Follow from Afar, Saint Pierre et Saint Jean suivent de loin, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 13/16 x 6 1/16 in., 24.9 x 15.4 cm, apostls, Christianity, French, French artist, Jesus, John, John 18:15, Luke 22:54, Mark 14:54, Matthew 26:58, path, Peter, procession, religious, Roman, saints, subscription, Tissot
Decorated Child's Rocking Chair. Dated: c. 1942. Dimensions: overall: 27.7 x 22.8 cm (10 7/8 x 9 in.) Original IAD Object: 24 1/2'high; 14 3/4'wide, back; 20'long rockers. See data sh. for dets.. Medium: watercolor, colored pencil, and some heightening on paperboard.. Museum: National Gallery of Art, Washington DC. Author: James Fisher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decorated-childs-rocking-chair-dated-c-1942-dimensions-overall-277-x-228-cm-10-78-x-9-in-original-iad-object-24-12high-14-34wide-back-20long-rockers-see-data-sh-for-dets-medium-watercolor-colored-pencil-and-some-heightening-on-paperboard-museum-national-gallery-of-art-washington-dc-author-james-fisher-image225659632.html
RMR33K4G–Decorated Child's Rocking Chair. Dated: c. 1942. Dimensions: overall: 27.7 x 22.8 cm (10 7/8 x 9 in.) Original IAD Object: 24 1/2'high; 14 3/4'wide, back; 20'long rockers. See data sh. for dets.. Medium: watercolor, colored pencil, and some heightening on paperboard.. Museum: National Gallery of Art, Washington DC. Author: James Fisher.
The Airedale terrier standard simplified . 1. Fossa on lower Jaw 19. The Fibula 7 Branch of lower Jaw 20. Stifle Joint 3. Superior Maxilla 21. Hock Joint 4. Temporal Fossa 22. Metatarsal Bone 5. Parietal Bone 23. Phalanges 6. Sagiittal Crest 24. Shoulder Blade 7. Malar Bone 25. Shoulder Joint 8. Nasal Bone 26. Humerus or Arm 9. Occipital Crest 27. Elbow Joint 10. Cervical Vertebrae 28. Radius of Forearm 11. Dorsal Vertehne 29. Ulnar 12. Lumbar Vertebra* 30. Wrist or Carpal Bones 13. Front part of Sacrum 31. Metatarsal Bones 14. The Pelvis 32. Phalanges 15. Bones of Tail 33. Ribs 16. Femur of 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-airedale-terrier-standard-simplified-1-fossa-on-lower-jaw-19-the-fibula-7-branch-of-lower-jaw-20-stifle-joint-3-superior-maxilla-21-hock-joint-4-temporal-fossa-22-metatarsal-bone-5-parietal-bone-23-phalanges-6-sagiittal-crest-24-shoulder-blade-7-malar-bone-25-shoulder-joint-8-nasal-bone-26-humerus-or-arm-9-occipital-crest-27-elbow-joint-10-cervical-vertebrae-28-radius-of-forearm-11-dorsal-vertehne-29-ulnar-12-lumbar-vertebra-30-wrist-or-carpal-bones-13-front-part-of-sacrum-31-metatarsal-bones-14-the-pelvis-32-phalanges-15-bones-of-tail-33-ribs-16-femur-of-1-image338177502.html
RM2AJ58RX–The Airedale terrier standard simplified . 1. Fossa on lower Jaw 19. The Fibula 7 Branch of lower Jaw 20. Stifle Joint 3. Superior Maxilla 21. Hock Joint 4. Temporal Fossa 22. Metatarsal Bone 5. Parietal Bone 23. Phalanges 6. Sagiittal Crest 24. Shoulder Blade 7. Malar Bone 25. Shoulder Joint 8. Nasal Bone 26. Humerus or Arm 9. Occipital Crest 27. Elbow Joint 10. Cervical Vertebrae 28. Radius of Forearm 11. Dorsal Vertehne 29. Ulnar 12. Lumbar Vertebra* 30. Wrist or Carpal Bones 13. Front part of Sacrum 31. Metatarsal Bones 14. The Pelvis 32. Phalanges 15. Bones of Tail 33. Ribs 16. Femur of 1
The Flight into Egypt, La fuite en Égypte, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 6 5/16 x 9 in., 16 x 22.9 cm, 19th Century, arduous, biblical, biblical scene, camel, camels, Christ, Christian, Christianity, danger, desert, donkey, drawing, Egypt, escape, european, flight, French, graphite, Holy Family, Jesus, Joseph, journey, Mary, Matthew 2:13-14, Middle East, painting, paper, religion, religious art, scene, skeleton, textiles, Tissot, travel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flight-into-egypt-la-fuite-en-gypte-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-6-516-x-9-in-16-x-229-cm-19th-century-arduous-biblical-biblical-scene-camel-camels-christ-christian-christianity-danger-desert-donkey-drawing-egypt-escape-european-flight-french-graphite-holy-family-jesus-joseph-journey-mary-matthew-213-14-middle-east-painting-paper-religion-religious-art-scene-skeleton-textiles-tissot-travel-image454265570.html
RM2HB1GAA–The Flight into Egypt, La fuite en Égypte, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 6 5/16 x 9 in., 16 x 22.9 cm, 19th Century, arduous, biblical, biblical scene, camel, camels, Christ, Christian, Christianity, danger, desert, donkey, drawing, Egypt, escape, european, flight, French, graphite, Holy Family, Jesus, Joseph, journey, Mary, Matthew 2:13-14, Middle East, painting, paper, religion, religious art, scene, skeleton, textiles, Tissot, travel
Roman Statue of a Standing Woman. Dimensions: Overall (approximate): 21.3 x 14.3 cm (8 3/8 x 5 5/8 in.) support: 22.9 x 16.6 cm (9 x 6 9/16 in.). Medium: red chalk with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: DAVID, JACQUES LOUIS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-statue-of-a-standing-woman-dimensions-overall-approximate-213-x-143-cm-8-38-x-5-58-in-support-229-x-166-cm-9-x-6-916-in-medium-red-chalk-with-brown-wash-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-david-jacques-louis-image225634914.html
RMR32FHP–Roman Statue of a Standing Woman. Dimensions: Overall (approximate): 21.3 x 14.3 cm (8 3/8 x 5 5/8 in.) support: 22.9 x 16.6 cm (9 x 6 9/16 in.). Medium: red chalk with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: DAVID, JACQUES LOUIS.
The God-man; or, The life and works of Jesus, the Christ and son of God; a poem in fifteen parts . igor moving. He Gods works wrought, whereer He went. ^Rev. 5: 9-14 etc. ^ Mat. 4: 12-17 etc. ^ Mat. 4: 16; Isa.9: I, 2 etc. * Mat. 4: 17 etc. ^ Mat. 4: 18 etc. ^ jviat. 4: 24etc., etc. ?Mat. 5: 3 ff.; Mark i: 27 etc., etc. * Mark 2: 5etc. Mat. 4: 23 fF.; Luke 7: 21 etc. i Luke 7: 22 etc. Mat. 4: 23 etc. 82 the God-Man. LXVIII Christ never had equivocated With Gods Will not to coincide. To whatsoeer it be related. Should it een paths of death provide: — LXIX Thus day by day in preparation To close Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-god-man-or-the-life-and-works-of-jesus-the-christ-and-son-of-god-a-poem-in-fifteen-parts-igor-moving-he-gods-works-wrought-whereer-he-went-rev-5-9-14-etc-mat-4-12-17-etc-mat-4-16-isa9-i-2-etc-mat-4-17-etc-mat-4-18-etc-jviat-4-24etc-etc-mat-5-3-ff-mark-i-27-etc-etc-mark-2-5etc-mat-4-23-ff-luke-7-21-etc-i-luke-7-22-etc-mat-4-23-etc-82-the-god-man-lxviii-christ-never-had-equivocated-with-gods-will-not-to-coincide-to-whatsoeer-it-be-related-should-it-een-paths-of-death-provide-lxix-thus-day-by-day-in-preparation-to-close-image339122282.html
RM2AKM9X2–The God-man; or, The life and works of Jesus, the Christ and son of God; a poem in fifteen parts . igor moving. He Gods works wrought, whereer He went. ^Rev. 5: 9-14 etc. ^ Mat. 4: 12-17 etc. ^ Mat. 4: 16; Isa.9: I, 2 etc. * Mat. 4: 17 etc. ^ Mat. 4: 18 etc. ^ jviat. 4: 24etc., etc. ?Mat. 5: 3 ff.; Mark i: 27 etc., etc. * Mark 2: 5etc. Mat. 4: 23 fF.; Luke 7: 21 etc. i Luke 7: 22 etc. Mat. 4: 23 etc. 82 the God-Man. LXVIII Christ never had equivocated With Gods Will not to coincide. To whatsoeer it be related. Should it een paths of death provide: — LXIX Thus day by day in preparation To close
Map of Fort Mardijk, 1646, Plan du Fort Mardick Et de ses attacques, en l'an 1646 Par S.A.R. Monsr. le Duc d'Orleans (title on object), Les Glorieuses conquêtes de Louis le Grand, d'après le chevalier de Beaulieu (series title), Map of the Mardijk fort near the town of Mardijk near Dunkirk, besieged and conquered by the French army under Gaston, Duke of Orléans on the Spanish, June 22 - July 9, 1645. Off the coast a Dutch fleet under the command of Admiral Maarten Tromp. Top right a scale stick: Eschelle de deux cent Thoises. In the caption the legend 1-14 in French. A coat of arms at the top Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-fort-mardijk-1646-plan-du-fort-mardick-et-de-ses-attacques-en-lan-1646-par-sar-monsr-le-duc-dorleans-title-on-object-les-glorieuses-conqutes-de-louis-le-grand-daprs-le-chevalier-de-beaulieu-series-title-map-of-the-mardijk-fort-near-the-town-of-mardijk-near-dunkirk-besieged-and-conquered-by-the-french-army-under-gaston-duke-of-orlans-on-the-spanish-june-22-july-9-1645-off-the-coast-a-dutch-fleet-under-the-command-of-admiral-maarten-tromp-top-right-a-scale-stick-eschelle-de-deux-cent-thoises-in-the-caption-the-legend-1-14-in-french-a-coat-of-arms-at-the-top-image606627475.html
RM2X6X7EY–Map of Fort Mardijk, 1646, Plan du Fort Mardick Et de ses attacques, en l'an 1646 Par S.A.R. Monsr. le Duc d'Orleans (title on object), Les Glorieuses conquêtes de Louis le Grand, d'après le chevalier de Beaulieu (series title), Map of the Mardijk fort near the town of Mardijk near Dunkirk, besieged and conquered by the French army under Gaston, Duke of Orléans on the Spanish, June 22 - July 9, 1645. Off the coast a Dutch fleet under the command of Admiral Maarten Tromp. Top right a scale stick: Eschelle de deux cent Thoises. In the caption the legend 1-14 in French. A coat of arms at the top
Reclining Cow and Calf in the Open. Dated: 1758/1759. Dimensions: plate: 17.9 x 14.4 cm (7 1/16 x 5 11/16 in.) sheet: 28 x 22.1 cm (11 x 8 11/16 in.). Medium: etching heightened with white gouache on blue paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO LONDONIO. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reclining-cow-and-calf-in-the-open-dated-17581759-dimensions-plate-179-x-144-cm-7-116-x-5-1116-in-sheet-28-x-221-cm-11-x-8-1116-in-medium-etching-heightened-with-white-gouache-on-blue-paper-museum-national-gallery-of-art-washington-dc-author-francesco-londonio-image225641148.html
RMR32RGC–Reclining Cow and Calf in the Open. Dated: 1758/1759. Dimensions: plate: 17.9 x 14.4 cm (7 1/16 x 5 11/16 in.) sheet: 28 x 22.1 cm (11 x 8 11/16 in.). Medium: etching heightened with white gouache on blue paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO LONDONIO.
. The Rhododendron [serial]. 1. Becky Price 2. JoAnn Tubergen 3. Rosemary Williams 4. Paula Miller 5. Helen Eicher 6. Sue Church 7. Marianne Stevens 8. Becky Harrill 9. Joyce Wheeler 10. Janet Annas n. Linda Tucker 12. Marcia Gemayel 13. Sandra Bateman 14. Jeonnette Potts 15. Jody Fletcher 16. Lynette Starnes 17. Janet Pike 18. Jeannine Austin 19. Sandra Barker 20. Jean Simmerson 21. JoAnne Anderson 22. Kothy McGinnis 23. Martha Hughes 24. Gwen Rogers 25. Kathy Rhodeheffer 26. Sandy Weeks 27. Mortha Stacy 28. Cindy Davis 29. Elaine Spongier 30. Cindy Carson 31. Anna Williams 32. Sissel Johanne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rhododendron-serial-1-becky-price-2-joann-tubergen-3-rosemary-williams-4-paula-miller-5-helen-eicher-6-sue-church-7-marianne-stevens-8-becky-harrill-9-joyce-wheeler-10-janet-annas-n-linda-tucker-12-marcia-gemayel-13-sandra-bateman-14-jeonnette-potts-15-jody-fletcher-16-lynette-starnes-17-janet-pike-18-jeannine-austin-19-sandra-barker-20-jean-simmerson-21-joanne-anderson-22-kothy-mcginnis-23-martha-hughes-24-gwen-rogers-25-kathy-rhodeheffer-26-sandy-weeks-27-mortha-stacy-28-cindy-davis-29-elaine-spongier-30-cindy-carson-31-anna-williams-32-sissel-johanne-image336734575.html
RM2AFRGAR–. The Rhododendron [serial]. 1. Becky Price 2. JoAnn Tubergen 3. Rosemary Williams 4. Paula Miller 5. Helen Eicher 6. Sue Church 7. Marianne Stevens 8. Becky Harrill 9. Joyce Wheeler 10. Janet Annas n. Linda Tucker 12. Marcia Gemayel 13. Sandra Bateman 14. Jeonnette Potts 15. Jody Fletcher 16. Lynette Starnes 17. Janet Pike 18. Jeannine Austin 19. Sandra Barker 20. Jean Simmerson 21. JoAnne Anderson 22. Kothy McGinnis 23. Martha Hughes 24. Gwen Rogers 25. Kathy Rhodeheffer 26. Sandy Weeks 27. Mortha Stacy 28. Cindy Davis 29. Elaine Spongier 30. Cindy Carson 31. Anna Williams 32. Sissel Johanne
The Third Denial of Peter. Jesus' Look of Reproach, Le troisième reniement de Saint Pierre. Le regard de reproche de Jésus., The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 3/16 x 7 13/16 in., 23.3 x 19.8 cm, Bible, Biblical, Catholicism, Christ, Christianity, coward, French, French artist, glow, God, hiding, Jesus, John 18:26-27, lighting, Luke 22:59-61, Mark 14:70-72, Matthew 26:73-75, mob, New Testament, Peter, Religion, religious, Saint Peter, terror Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-third-denial-of-peter-jesus-look-of-reproach-le-troisime-reniement-de-saint-pierre-le-regard-de-reproche-de-jsus-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-9-316-x-7-1316-in-233-x-198-cm-bible-biblical-catholicism-christ-christianity-coward-french-french-artist-glow-god-hiding-jesus-john-1826-27-lighting-luke-2259-61-mark-1470-72-matthew-2673-75-mob-new-testament-peter-religion-religious-saint-peter-terror-image454265243.html
RM2HB1FXK–The Third Denial of Peter. Jesus' Look of Reproach, Le troisième reniement de Saint Pierre. Le regard de reproche de Jésus., The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 9 3/16 x 7 13/16 in., 23.3 x 19.8 cm, Bible, Biblical, Catholicism, Christ, Christianity, coward, French, French artist, glow, God, hiding, Jesus, John 18:26-27, lighting, Luke 22:59-61, Mark 14:70-72, Matthew 26:73-75, mob, New Testament, Peter, Religion, religious, Saint Peter, terror
Long Island Surf. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 9 x 5 11/16 in. (22.9 x 14.5 cm) Sheet: 11 13/16 x 8 13/16 in. (30 x 22.4 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/long-island-surf-artist-childe-hassam-american-dorchester-massachusetts-1859-1935-east-hampton-new-york-dimensions-plate-9-x-5-1116-in-229-x-145-cm-sheet-11-1316-x-8-1316-in-30-x-224-cm-date-1912-museum-metropolitan-museum-of-art-new-york-usa-image213152679.html
RMPANXBK–Long Island Surf. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 9 x 5 11/16 in. (22.9 x 14.5 cm) Sheet: 11 13/16 x 8 13/16 in. (30 x 22.4 cm). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.
History of the invention and illustrated process of making Foley's diamond pointed gold pens . BROAD POINTS AND DESK HOLDERS, INDELIBLE INK PEN AND HOLDER, SHORT NIBS. No. 22 and 22^ Gold Pen and Holder each, $3 00 I No. 25 Gold Pen and Holder each. $2 75 23and23| 4 50 5i and 6| Gold Pen and Holder 2 75 24and24£ 5 50 I 1$ and 8* •• ? 375 Nos. 22, 23 and 24 Pens will fit any No. 5, 7 and 10 Holder or Case. 14. GOLD PENS, WITH GOLD-PLATED SLIDE HOLDERS. No. 1 Gold Pen and Slide Holder each, $1 50 | No. 7 to 9| Gold Pen and Slide Holder. 2 2 00 10 and -10* Gold Pen and Slide Holder. 2 50 11 to 12 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-the-invention-and-illustrated-process-of-making-foleys-diamond-pointed-gold-pens-broad-points-and-desk-holders-indelible-ink-pen-and-holder-short-nibs-no-22-and-22-gold-pen-and-holder-each-3-00-i-no-25-gold-pen-and-holder-each-2-75-23and23-4-50-5i-and-6-gold-pen-and-holder-2-75-24and24-5-50-i-1-and-8-375-nos-22-23-and-24-pens-will-fit-any-no-5-7-and-10-holder-or-case-14-gold-pens-with-gold-plated-slide-holders-no-1-gold-pen-and-slide-holder-each-1-50-no-7-to-9-gold-pen-and-slide-holder-2-2-00-10-and-10-gold-pen-and-slide-holder-2-50-11-to-12-image340030812.html
RM2AN5MNG–History of the invention and illustrated process of making Foley's diamond pointed gold pens . BROAD POINTS AND DESK HOLDERS, INDELIBLE INK PEN AND HOLDER, SHORT NIBS. No. 22 and 22^ Gold Pen and Holder each, $3 00 I No. 25 Gold Pen and Holder each. $2 75 23and23| 4 50 5i and 6| Gold Pen and Holder 2 75 24and24£ 5 50 I 1$ and 8* •• ? 375 Nos. 22, 23 and 24 Pens will fit any No. 5, 7 and 10 Holder or Case. 14. GOLD PENS, WITH GOLD-PLATED SLIDE HOLDERS. No. 1 Gold Pen and Slide Holder each, $1 50 | No. 7 to 9| Gold Pen and Slide Holder. 2 2 00 10 and -10* Gold Pen and Slide Holder. 2 50 11 to 12
John W. Casilear, American, 1811-1893, Forest of Fontainebleau, November 8th, 1857, 1857, graphite on paper, Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-w-casilear-american-1811-1893-forest-of-fontainebleau-november-8th-1857-1857-graphite-on-paper-sheet-9-14-38-inches-229-365-cm-image328727601.html
RM2A2PRBD–John W. Casilear, American, 1811-1893, Forest of Fontainebleau, November 8th, 1857, 1857, graphite on paper, Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm
Salesman's Sample. France, possibly Lyon. Date: 1780-1790. Dimensions: 22.9 × 14 cm (9 × 5 1/2 in.). Silk, warp-float faced satin weave; appliquéd with silk, warp-float faced satin weave; embroidered with silk floss and yarns in outline, satin, single satin and stem stitches; couching and French knots. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salesmans-sample-france-possibly-lyon-date-1780-1790-dimensions-229-14-cm-9-5-12-in-silk-warp-float-faced-satin-weave-appliqud-with-silk-warp-float-faced-satin-weave-embroidered-with-silk-floss-and-yarns-in-outline-satin-single-satin-and-stem-stitches-couching-and-french-knots-origin-france-museum-the-chicago-art-institute-image240153416.html
RMRXKX3M–Salesman's Sample. France, possibly Lyon. Date: 1780-1790. Dimensions: 22.9 × 14 cm (9 × 5 1/2 in.). Silk, warp-float faced satin weave; appliquéd with silk, warp-float faced satin weave; embroidered with silk floss and yarns in outline, satin, single satin and stem stitches; couching and French knots. Origin: France. Museum: The Chicago Art Institute.
. Our mountain work [serial]. o fill at these times.Be in your place every time. Public Worship, Church School,Womans Auxiliary, Men of theChurch, Young People. MonthlyPrograms 1945 — AU GU S T — 1945 S M T W T F S 12 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Topics Given Are Those Used By The Group Indicated.For Further Help Consult Sources Mentioned In Connection With Each. Auxiliary : Lets Face It Now! - War-time Services. Sources: Presbyterian Wrmen,*Committee on Womans Work,Henry Grady Building, Atlanta 3,Ga. Men: The Presbyterian Church AndPolitical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/our-mountain-work-serial-o-fill-at-these-timesbe-in-your-place-every-time-public-worship-church-schoolwomans-auxiliary-men-of-thechurch-young-people-monthlyprograms-1945-au-gu-s-t-1945-s-m-t-w-t-f-s-12-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-28-29-30-31-topics-given-are-those-used-by-the-group-indicatedfor-further-help-consult-sources-mentioned-in-connection-with-each-auxiliary-lets-face-it-now!-war-time-services-sources-presbyterian-wrmencommittee-on-womans-workhenry-grady-building-atlanta-3ga-men-the-presbyterian-church-andpolitical-image337142695.html
RM2AGE4XF–. Our mountain work [serial]. o fill at these times.Be in your place every time. Public Worship, Church School,Womans Auxiliary, Men of theChurch, Young People. MonthlyPrograms 1945 — AU GU S T — 1945 S M T W T F S 12 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Topics Given Are Those Used By The Group Indicated.For Further Help Consult Sources Mentioned In Connection With Each. Auxiliary : Lets Face It Now! - War-time Services. Sources: Presbyterian Wrmen,*Committee on Womans Work,Henry Grady Building, Atlanta 3,Ga. Men: The Presbyterian Church AndPolitical
Unknown (Italian), Processional Cross, between late 12th and early 13th century, Silver, gilt, wood, iron, Overall: 22 × 14 × 2 inches (55.9 × 35.6 × 5.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-italian-processional-cross-between-late-12th-and-early-13th-century-silver-gilt-wood-iron-overall-22-14-2-inches-559-356-51-cm-image328727115.html
RM2A2PPP3–Unknown (Italian), Processional Cross, between late 12th and early 13th century, Silver, gilt, wood, iron, Overall: 22 × 14 × 2 inches (55.9 × 35.6 × 5.1 cm
La bardane au saule (Burdock with Willow). Dated: published 1849. Dimensions: plate: 14.1 x 11 cm (5 9/16 x 4 5/16 in.) sheet: 31.5 x 22.3 cm (12 3/8 x 8 3/4 in.). Medium: etching on chine coll. Museum: National Gallery of Art, Washington DC. Author: Eugène Bléry. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-bardane-au-saule-burdock-with-willow-dated-published-1849-dimensions-plate-141-x-11-cm-5-916-x-4-516-in-sheet-315-x-223-cm-12-38-x-8-34-in-medium-etching-on-chine-coll-museum-national-gallery-of-art-washington-dc-author-eugne-blry-image233289525.html
RMRFF74N–La bardane au saule (Burdock with Willow). Dated: published 1849. Dimensions: plate: 14.1 x 11 cm (5 9/16 x 4 5/16 in.) sheet: 31.5 x 22.3 cm (12 3/8 x 8 3/4 in.). Medium: etching on chine coll. Museum: National Gallery of Art, Washington DC. Author: Eugène Bléry.
Luke Walton . auoefa as a Woman . 9. Led by Love .... 10. Cast Up by the Tide . , 11. Golden Gates ....32. Ten Nights in a Bar Room SECTION 13. Faith Gartneys Girlhood 14. Soldiers Three .... 15. The Light That Failed . 16. Daddys Giii .... 17. The Rifle Rangers . . 18. Two Years Before the Mast 19. Great Expectations, VoL 1. 20. * , Vol a.Zl. Ishmael, VoL 1 22. Vol 2. . 23. Self-Raised, VoL 1. . 24. * ** Vol 2. . Mary J. HolmesMary J, Holmes Augusta J. Evans Augusta J. Evans May Agnes Fleming* May Agnes Fleming•* Charles Garvlco** Charles Garvice** Dora Delmar** Bertha M. Clay** T. S. Arthur Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/luke-walton-auoefa-as-a-woman-9-led-by-love-10-cast-up-by-the-tide-11-golden-gates-32-ten-nights-in-a-bar-room-section-13-faith-gartneys-girlhood-14-soldiers-three-15-the-light-that-failed-16-daddys-giii-17-the-rifle-rangers-18-two-years-before-the-mast-19-great-expectations-vol-1-20-vol-azl-ishmael-vol-1-22-vol-2-23-self-raised-vol-1-24-vol-2-mary-j-holmesmary-j-holmes-augusta-j-evans-augusta-j-evans-may-agnes-fleming-may-agnes-fleming-charles-garvlco-charles-garvice-dora-delmar-bertha-m-clay-t-s-arthur-image342645529.html
RM2AWCRT9–Luke Walton . auoefa as a Woman . 9. Led by Love .... 10. Cast Up by the Tide . , 11. Golden Gates ....32. Ten Nights in a Bar Room SECTION 13. Faith Gartneys Girlhood 14. Soldiers Three .... 15. The Light That Failed . 16. Daddys Giii .... 17. The Rifle Rangers . . 18. Two Years Before the Mast 19. Great Expectations, VoL 1. 20. * , Vol a.Zl. Ishmael, VoL 1 22. Vol 2. . 23. Self-Raised, VoL 1. . 24. * ** Vol 2. . Mary J. HolmesMary J, Holmes Augusta J. Evans Augusta J. Evans May Agnes Fleming* May Agnes Fleming•* Charles Garvlco** Charles Garvice** Dora Delmar** Bertha M. Clay** T. S. Arthur
Utagawa Kunisada, Japanese, 1786-1865, Figures on a Bridge in the Rain, between 1800 and 1865, Color woodcut, ink, Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utagawa-kunisada-japanese-1786-1865-figures-on-a-bridge-in-the-rain-between-1800-and-1865-color-woodcut-ink-sheet-14-12-9-inches-368-229-cm-image328739865.html
RM2A2RB1D–Utagawa Kunisada, Japanese, 1786-1865, Figures on a Bridge in the Rain, between 1800 and 1865, Color woodcut, ink, Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm
Hammer and Compass. Dated: 1890-1891. Dimensions: image (irregular): 8.26 × 14.61 cm (3 1/4 × 5 3/4 in.) board: 22.86 × 21.59 cm (9 × 8 1/2 in.). Medium: pen and black ink over graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hammer-and-compass-dated-1890-1891-dimensions-image-irregular-826-1461-cm-3-14-5-34-in-board-2286-2159-cm-9-8-12-in-medium-pen-and-black-ink-over-graphite-on-paperboard-museum-national-gallery-of-art-washington-dc-author-james-henry-moser-image225773323.html
RMR38T4Y–Hammer and Compass. Dated: 1890-1891. Dimensions: image (irregular): 8.26 × 14.61 cm (3 1/4 × 5 3/4 in.) board: 22.86 × 21.59 cm (9 × 8 1/2 in.). Medium: pen and black ink over graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser.
. Journal. PLATE II. Fig.1-4. Zygoselmis rautabilis, p. 102. 5. acus, p. 102. 6, 7. Heteromita putrina, p. 105. 8. Anisonema emarginata, p. 106. 9. Entosiphon ovatus, p. 108. 10,11. Notosolenus apocamptus, p. 109.12,13. sinuatus, p. 110. 14. orbicularis, p. 111. 15. Clostenema socialis, p. 112. 16. Chrysopyxis urceolata, p. 113. 17. triangularis, p. 114. 18. macrotrachela, p. 114. 19. ampuUacea, p. 114.20, 21. dispar, p. 115. 22. Derepyxis amphora, p. 116. 23. ollula, p. 116.24-26. Tetramitus variabilis, p. 118.27-29. Chilomonas ovata, p. 123.30, 31. Cyclonexis annularis, p. 117. 32. Exechlyga Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/journal-plate-ii-fig1-4-zygoselmis-rautabilis-p-102-5-acus-p-102-6-7-heteromita-putrina-p-105-8-anisonema-emarginata-p-106-9-entosiphon-ovatus-p-108-1011-notosolenus-apocamptus-p-1091213-sinuatus-p-110-14-orbicularis-p-111-15-clostenema-socialis-p-112-16-chrysopyxis-urceolata-p-113-17-triangularis-p-114-18-macrotrachela-p-114-19-ampuuacea-p-11420-21-dispar-p-115-22-derepyxis-amphora-p-116-23-ollula-p-11624-26-tetramitus-variabilis-p-11827-29-chilomonas-ovata-p-12330-31-cyclonexis-annularis-p-117-32-exechlyga-image336691330.html
RM2AFNH6A–. Journal. PLATE II. Fig.1-4. Zygoselmis rautabilis, p. 102. 5. acus, p. 102. 6, 7. Heteromita putrina, p. 105. 8. Anisonema emarginata, p. 106. 9. Entosiphon ovatus, p. 108. 10,11. Notosolenus apocamptus, p. 109.12,13. sinuatus, p. 110. 14. orbicularis, p. 111. 15. Clostenema socialis, p. 112. 16. Chrysopyxis urceolata, p. 113. 17. triangularis, p. 114. 18. macrotrachela, p. 114. 19. ampuUacea, p. 114.20, 21. dispar, p. 115. 22. Derepyxis amphora, p. 116. 23. ollula, p. 116.24-26. Tetramitus variabilis, p. 118.27-29. Chilomonas ovata, p. 123.30, 31. Cyclonexis annularis, p. 117. 32. Exechlyga
Pitcher, c. 1890, Designed by Edward Kemeys, American, 1843–1907, Made by Joseph Green (dates unknown), Ottawa, Illinois, Chicago, Earthenware, 14.3 × 22.9 cm (5 5/8 × 9 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pitcher-c-1890-designed-by-edward-kemeys-american-18431907-made-by-joseph-green-dates-unknown-ottawa-illinois-chicago-earthenware-143-229-cm-5-58-9-in-image328659363.html
RM2A2KMAB–Pitcher, c. 1890, Designed by Edward Kemeys, American, 1843–1907, Made by Joseph Green (dates unknown), Ottawa, Illinois, Chicago, Earthenware, 14.3 × 22.9 cm (5 5/8 × 9 in
View of the Convent of Neuberg from the Summit. Dated: 1829. Dimensions: image: 14.1 x 23.9 cm (5 9/16 x 9 7/16 in.) sheet: 22.6 x 30.2 cm (8 7/8 x 11 7/8 in.). Medium: lithograph on chine collé. Museum: National Gallery of Art, Washington DC. Author: Ernst Fries. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-convent-of-neuberg-from-the-summit-dated-1829-dimensions-image-141-x-239-cm-5-916-x-9-716-in-sheet-226-x-302-cm-8-78-x-11-78-in-medium-lithograph-on-chine-coll-museum-national-gallery-of-art-washington-dc-author-ernst-fries-image225727877.html
RMR36P5W–View of the Convent of Neuberg from the Summit. Dated: 1829. Dimensions: image: 14.1 x 23.9 cm (5 9/16 x 9 7/16 in.) sheet: 22.6 x 30.2 cm (8 7/8 x 11 7/8 in.). Medium: lithograph on chine collé. Museum: National Gallery of Art, Washington DC. Author: Ernst Fries.
www.flickr.com/photos/internetarchivebookimages/tags/book... . sons Jr. who reportedthat some of the things going on at Gardner-Webb are: (1) Craven E.Williams Osbervatory presently being constructed on the campus; (2)Record enrollment in that 2200 students last year and more expectedthis year; (3) The signing of an agreement with a University in Japan to 1. 2,3„4.5.6.7.8.9.10.11.12.13.14.15.16.17. 20.21.22.23.24.25.26.27.28.29.30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48, 49, Apple GroveBald MountainBaptist HomeBeaver CreekBethelBig FlattsBig LaurelBlue RidgeBris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wwwflickrcomphotosinternetarchivebookimagestagsbook-sons-jr-who-reportedthat-some-of-the-things-going-on-at-gardner-webb-are-1-craven-ewilliams-osbervatory-presently-being-constructed-on-the-campus-2record-enrollment-in-that-2200-students-last-year-and-more-expectedthis-year-3-the-signing-of-an-agreement-with-a-university-in-japan-to-1-234567891011121314151617-2021222324252627282930-31-32-33-34-35-36-37-38-39-40-41-42-43-44-45-46-47-48-49-apple-grovebald-mountainbaptist-homebeaver-creekbethelbig-flattsbig-laurelblue-ridgebris-image342655624.html
RM2AWD8MT–www.flickr.com/photos/internetarchivebookimages/tags/book... . sons Jr. who reportedthat some of the things going on at Gardner-Webb are: (1) Craven E.Williams Osbervatory presently being constructed on the campus; (2)Record enrollment in that 2200 students last year and more expectedthis year; (3) The signing of an agreement with a University in Japan to 1. 2,3„4.5.6.7.8.9.10.11.12.13.14.15.16.17. 20.21.22.23.24.25.26.27.28.29.30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48, 49, Apple GroveBald MountainBaptist HomeBeaver CreekBethelBig FlattsBig LaurelBlue RidgeBris
possibly Islamic, Iranian, possibly Islamic, Indian, Textile Fragment depicting European and Indian Merchants in the Indian Ocean, 1580/1620, Silk and silver threads, 9 x 5 3/4 in. (22.9 x 14.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/possibly-islamic-iranian-possibly-islamic-indian-textile-fragment-depicting-european-and-indian-merchants-in-the-indian-ocean-15801620-silk-and-silver-threads-9-x-5-34-in-229-x-146-cm-image328727010.html
RM2A2PPJA–possibly Islamic, Iranian, possibly Islamic, Indian, Textile Fragment depicting European and Indian Merchants in the Indian Ocean, 1580/1620, Silk and silver threads, 9 x 5 3/4 in. (22.9 x 14.6 cm
The Flagellation of Christ. Artist: Follower of Giambologna (Netherlandish, Douai 1529-1608 Florence). Culture: Italian. Dimensions: Height (.196- center): 5 7/8 in. (14.9 cm); Height (.196b- left): 9 in. (22.9 cm); Height (.196c- right): 7 1/4 in. (18.4 cm). Date: probably early 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flagellation-of-christ-artist-follower-of-giambologna-netherlandish-douai-1529-1608-florence-culture-italian-dimensions-height-196-center-5-78-in-149-cm-height-196b-left-9-in-229-cm-height-196c-right-7-14-in-184-cm-date-probably-early-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213321676.html
RMPB1HY8–The Flagellation of Christ. Artist: Follower of Giambologna (Netherlandish, Douai 1529-1608 Florence). Culture: Italian. Dimensions: Height (.196- center): 5 7/8 in. (14.9 cm); Height (.196b- left): 9 in. (22.9 cm); Height (.196c- right): 7 1/4 in. (18.4 cm). Date: probably early 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Boletín Oficial de la República Argentina1904 1ra sección . Acta W 13.497 Coelho.- 15, .(onvase). ,-< Abril 22 de 1904. -E. Mackinnon y AbriI 22 de i904i Raufir y Ca. Distin-mT^sÍT1^^ 6™ A 71 73% 79 ?^r ^articules de las cíases 1, 11,61 v 99-A.bril Abril 21 de 1904.— Lindwedel, Schreyery Cía.- Distinguir los artículos de las cla-ses 1 á 79. v-27-Abril.. Abril 22 de 1904,-Toyos Hermanos.-Distinguir los artículos de las clases 9.12, 14, 59, 62 á 70 y 72. v29-Abríl. Acta IV 13.499 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boletn-oficial-de-la-repblica-argentina1904-1ra-seccin-acta-w-13497-coelho-15-onvase-lt-abril-22-de-1904-e-mackinnon-y-abrii-22-de-i904i-raufir-y-ca-distin-mtst1-6-a-71-73-79-r-articules-de-las-cases-1-1161-v-99-abril-abril-21-de-1904-lindwedel-schreyery-ca-distinguir-los-artculos-de-las-cla-ses-1-79-v-27-abril-abril-22-de-1904-toyos-hermanos-distinguir-los-artculos-de-las-clases-912-14-59-62-70-y-72-v29-abrl-acta-iv-13499-image343127970.html
RM2AX6R6A–Boletín Oficial de la República Argentina1904 1ra sección . Acta W 13.497 Coelho.- 15, .(onvase). ,-< Abril 22 de 1904. -E. Mackinnon y AbriI 22 de i904i Raufir y Ca. Distin-mT^sÍT1^^ 6™ A 71 73% 79 ?^r ^articules de las cíases 1, 11,61 v 99-A.bril Abril 21 de 1904.— Lindwedel, Schreyery Cía.- Distinguir los artículos de las cla-ses 1 á 79. v-27-Abril.. Abril 22 de 1904,-Toyos Hermanos.-Distinguir los artículos de las clases 9.12, 14, 59, 62 á 70 y 72. v29-Abríl. Acta IV 13.499
Federico Barocci, Italian, 1535-1612, The Stigmatization of Saint Francis, between 1535 and 1612, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 9 × 5 3/4 inches (22.9 × 14.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/federico-barocci-italian-1535-1612-the-stigmatization-of-saint-francis-between-1535-and-1612-etching-and-engraving-printed-in-black-ink-on-laid-paper-sheet-trimmed-within-plate-mark-9-5-34-inches-229-146-cm-image328712870.html
RM2A2P4HA–Federico Barocci, Italian, 1535-1612, The Stigmatization of Saint Francis, between 1535 and 1612, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 9 × 5 3/4 inches (22.9 × 14.6 cm
The Athenaeum, Portsmouth. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 8 5/16 x 5 7/8 in. (21.1 x 14.9 cm) Sheet: 11 5/8 x 8 13/16 in. (29.6 x 22.4 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-athenaeum-portsmouth-artist-childe-hassam-american-dorchester-massachusetts-1859-1935-east-hampton-new-york-dimensions-plate-8-516-x-5-78-in-211-x-149-cm-sheet-11-58-x-8-1316-in-296-x-224-cm-date-1915-museum-metropolitan-museum-of-art-new-york-usa-image213111443.html
RMPAM1PY–The Athenaeum, Portsmouth. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 8 5/16 x 5 7/8 in. (21.1 x 14.9 cm) Sheet: 11 5/8 x 8 13/16 in. (29.6 x 22.4 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.
Annual report . Af//7t 22 I rlf, b/ v ^. //<?i:sr »- Pc//p »- Pregnant so/aZ/on ^Barren so/ut/on Flow Sheet. Lake Shore Mixe. Mine Ore Bin. Cruslier. Belt Conveyor. Mill Ore Bin. Ball Mill. Classifier.7. Tube Mill.S Bucket Elevator.9. Agitators. 10. Thickeners. 11. Diaphragm Pumps. ti. 12. Sump Tank. 13. Triplex Pump. 14. Storage Tank. 15. Water Tank. 16. Clarifier. 17. Vacuum Pump. 18. Pregnant Solution Tank. 19. Zinc Feeder. 20. Triplex Pump. 21. Precipitation Press. 22. Refinerv. 36 Department of Mines No. 4 milled, producing $393,818.18, with an average recovery of $24.67 per ton. Duri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annual-report-af7t-22-i-rlf-b-v-ltisr-pcp-pregnant-soazon-barren-souton-flow-sheet-lake-shore-mixe-mine-ore-bin-cruslier-belt-conveyor-mill-ore-bin-ball-mill-classifier7-tube-mills-bucket-elevator9-agitators-10-thickeners-11-diaphragm-pumps-ti-12-sump-tank-13-triplex-pump-14-storage-tank-15-water-tank-16-clarifier-17-vacuum-pump-18-pregnant-solution-tank-19-zinc-feeder-20-triplex-pump-21-precipitation-press-22-refinerv-36-department-of-mines-no-4-milled-producing-39381818-with-an-average-recovery-of-2467-per-ton-duri-image342714650.html
RM2AWG00X–Annual report . Af//7t 22 I rlf, b/ v ^. //<?i:sr »- Pc//p »- Pregnant so/aZ/on ^Barren so/ut/on Flow Sheet. Lake Shore Mixe. Mine Ore Bin. Cruslier. Belt Conveyor. Mill Ore Bin. Ball Mill. Classifier.7. Tube Mill.S Bucket Elevator.9. Agitators. 10. Thickeners. 11. Diaphragm Pumps. ti. 12. Sump Tank. 13. Triplex Pump. 14. Storage Tank. 15. Water Tank. 16. Clarifier. 17. Vacuum Pump. 18. Pregnant Solution Tank. 19. Zinc Feeder. 20. Triplex Pump. 21. Precipitation Press. 22. Refinerv. 36 Department of Mines No. 4 milled, producing $393,818.18, with an average recovery of $24.67 per ton. Duri
Tureen in the form of a Rabbit, 1755/56, Chelsea Porcelain Manufactory, London, England, c. 1745–1784, Chelsea, Soft-paste porcelain and polychrome enamels, 22.5 × 36.8 × 22.9 cm (8 7/8 × 14 1/2 × 9 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tureen-in-the-form-of-a-rabbit-175556-chelsea-porcelain-manufactory-london-england-c-17451784-chelsea-soft-paste-porcelain-and-polychrome-enamels-225-368-229-cm-8-78-14-12-9-in-image328618073.html
RM2A2HRKN–Tureen in the form of a Rabbit, 1755/56, Chelsea Porcelain Manufactory, London, England, c. 1745–1784, Chelsea, Soft-paste porcelain and polychrome enamels, 22.5 × 36.8 × 22.9 cm (8 7/8 × 14 1/2 × 9 in
New York Sky Line, Light Buildings. Dated: 1918. Dimensions: image: 22.86 × 34.29 cm (9 × 13 1/2 in.) sheet: 26.99 × 36.99 cm (10 5/8 × 14 9/16 in.). Medium: lithograph in black on smooth wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-york-sky-line-light-buildings-dated-1918-dimensions-image-2286-3429-cm-9-13-12-in-sheet-2699-3699-cm-10-58-14-916-in-medium-lithograph-in-black-on-smooth-wove-paper-museum-national-gallery-of-art-washington-dc-author-childe-hassam-image225771145.html
RMR38NB5–New York Sky Line, Light Buildings. Dated: 1918. Dimensions: image: 22.86 × 34.29 cm (9 × 13 1/2 in.) sheet: 26.99 × 36.99 cm (10 5/8 × 14 9/16 in.). Medium: lithograph in black on smooth wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.
North Carolina Christian advocate [serial] . pril 30-31 Race Street, May 1 WAYNESVILLE DISTRICT W. H. Willis, Presiding Eider. Second Round N. Haywood, Laurel Hill, March 26-27 Jonathan, Delwood. April 2-3 Canton, April 9-10 Bethel, Liberty, April 9-10 Sulphur Springs, Acton, April 16-17 West Asheville April 16-17 Leicester, Western, April 23-24 Brevard Circuit April 30, May 1 Mills River, May 7-8 Spring Creek, Balm Grove, May 14-15 Haywood, Davis, May 21-22 District Conference, Canton, May 25 27 WINSTON DISTRICT T. F. IVlarr, Presiding Elder, Winston-Salem, N. C.Second Round Forsythe, Pine Gr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/north-carolina-christian-advocate-serial-pril-30-31-race-street-may-1-waynesville-district-w-h-willis-presiding-eider-second-round-n-haywood-laurel-hill-march-26-27-jonathan-delwood-april-2-3-canton-april-9-10-bethel-liberty-april-9-10-sulphur-springs-acton-april-16-17-west-asheville-april-16-17-leicester-western-april-23-24-brevard-circuit-april-30-may-1-mills-river-may-7-8-spring-creek-balm-grove-may-14-15-haywood-davis-may-21-22-district-conference-canton-may-25-27-winston-district-t-f-ivlarr-presiding-elder-winston-salem-n-csecond-round-forsythe-pine-gr-image338304211.html
RM2AJB2D7–North Carolina Christian advocate [serial] . pril 30-31 Race Street, May 1 WAYNESVILLE DISTRICT W. H. Willis, Presiding Eider. Second Round N. Haywood, Laurel Hill, March 26-27 Jonathan, Delwood. April 2-3 Canton, April 9-10 Bethel, Liberty, April 9-10 Sulphur Springs, Acton, April 16-17 West Asheville April 16-17 Leicester, Western, April 23-24 Brevard Circuit April 30, May 1 Mills River, May 7-8 Spring Creek, Balm Grove, May 14-15 Haywood, Davis, May 21-22 District Conference, Canton, May 25 27 WINSTON DISTRICT T. F. IVlarr, Presiding Elder, Winston-Salem, N. C.Second Round Forsythe, Pine Gr
Fragment, late Edo period (1789–1868), 1800/25, Japan, Silk and silver-leaf-over-lacquered-paper, satin weave with supplementary patterning wefts bound by secondary binding warps twill interlacings, 22.7 × 14.9 cm (8 15/16 × 5 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-late-edo-period-17891868-180025-japan-silk-and-silver-leaf-over-lacquered-paper-satin-weave-with-supplementary-patterning-wefts-bound-by-secondary-binding-warps-twill-interlacings-227-149-cm-8-1516-5-78-in-image328623569.html
RM2A2J2M1–Fragment, late Edo period (1789–1868), 1800/25, Japan, Silk and silver-leaf-over-lacquered-paper, satin weave with supplementary patterning wefts bound by secondary binding warps twill interlacings, 22.7 × 14.9 cm (8 15/16 × 5 7/8 in
Side Chair. Dated: c. 1936. Dimensions: overall: 29.3 x 22.7 cm (11 9/16 x 8 15/16 in.) Original IAD Object: 49 1/4'high, 18 1/2'wide at seat, 14 1/2' deep at seat. 18 1/4'deep.. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frank Wenger. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-dated-c-1936-dimensions-overall-293-x-227-cm-11-916-x-8-1516-in-original-iad-object-49-14high-18-12wide-at-seat-14-12-deep-at-seat-18-14deep-medium-watercolor-colored-pencil-and-graphite-on-paperboard-museum-national-gallery-of-art-washington-dc-author-frank-wenger-image225509583.html
RMR2TRNK–Side Chair. Dated: c. 1936. Dimensions: overall: 29.3 x 22.7 cm (11 9/16 x 8 15/16 in.) Original IAD Object: 49 1/4'high, 18 1/2'wide at seat, 14 1/2' deep at seat. 18 1/4'deep.. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frank Wenger.
. Boletín Oficial de la República Argentina. 1920 1ra sección. DIAJVE CHñSSERESSEMarzo. 19 de, 1920.: — Mauricio .Si-do* y Compañía.; — Para distinguirsubstancias alimenticias o empleadascomo ingredientes en la alimentaciónde ía ciase 22: — Aviso X° 1679.E-9 abril v-14 abril Ateta N.° 73929 Marzo. 29 de 1920/ — Hires Tur-ncr Glass C0..1 — Para distinguir cris- .tales y vidrias en general y on todaforma y productos similares para te-doj uso; y ele lio da forma de la ciase 9*— AMsoí N° 1697., E-9 abriil v-14 abril Ajota N° ,73939. fz Marzo 29 de 1920. — A|ucrligliií*J¡ GeseUschafti M:: P>. H. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boletn-oficial-de-la-repblica-argentina-1920-1ra-seccin-diajve-chsseressemarzo-19-de-1920-mauricio-si-do-y-compaa-para-distinguirsubstancias-alimenticias-o-empleadascomo-ingredientes-en-la-alimentacinde-a-ciase-22-aviso-x-1679e-9-abril-v-14-abril-ateta-n-73929-marzo-29-de-1920-hires-tur-ncr-glass-c01-para-distinguir-cris-tales-y-vidrias-en-general-y-on-todaforma-y-productos-similares-para-te-doj-uso-y-ele-lio-da-forma-de-la-ciase-9-amso-n-1697-e-9-abriil-v-14-abril-ajota-n-73939-fz-marzo-29-de-1920-aucrligliij-geseuschafti-m-pgt-h-image337037832.html
RM2AG9B5C–. Boletín Oficial de la República Argentina. 1920 1ra sección. DIAJVE CHñSSERESSEMarzo. 19 de, 1920.: — Mauricio .Si-do* y Compañía.; — Para distinguirsubstancias alimenticias o empleadascomo ingredientes en la alimentaciónde ía ciase 22: — Aviso X° 1679.E-9 abril v-14 abril Ateta N.° 73929 Marzo. 29 de 1920/ — Hires Tur-ncr Glass C0..1 — Para distinguir cris- .tales y vidrias en general y on todaforma y productos similares para te-doj uso; y ele lio da forma de la ciase 9*— AMsoí N° 1697., E-9 abriil v-14 abril Ajota N° ,73939. fz Marzo 29 de 1920. — A|ucrligliií*J¡ GeseUschafti M:: P>. H.
Revolver with holster from Tonny van Renterghem, Revolver, Smith, Smith & Wesson, Springfield, 1920 - 1944, revolver, holster, sewing, l 22 cm × h 14.5 cm × d 3.5 cm × c 9 mm l 12.5 cm × h 4.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/revolver-with-holster-from-tonny-van-renterghem-revolver-smith-smith-wesson-springfield-1920-1944-revolver-holster-sewing-l-22-cm-h-145-cm-d-35-cm-c-9-mm-l-125-cm-h-45-cm-image261377339.html
RMW56NCY–Revolver with holster from Tonny van Renterghem, Revolver, Smith, Smith & Wesson, Springfield, 1920 - 1944, revolver, holster, sewing, l 22 cm × h 14.5 cm × d 3.5 cm × c 9 mm l 12.5 cm × h 4.5 cm
Fragment. Spain or Italy. Date: 1201-1400. Dimensions: 22.95 x 30.4 cm (9 x 12 in.) Weft repeat: 14.3 cm (5 5/8 in.). Silk and gilt-metal-strip-wrapped silk, warp-float faced warp chevron twill weave with plain interlacings of secondary binding warps and supplementary patterning and brocading wefts. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-spain-or-italy-date-1201-1400-dimensions-2295-x-304-cm-9-x-12-in-weft-repeat-143-cm-5-58-in-silk-and-gilt-metal-strip-wrapped-silk-warp-float-faced-warp-chevron-twill-weave-with-plain-interlacings-of-secondary-binding-warps-and-supplementary-patterning-and-brocading-wefts-origin-italy-museum-the-chicago-art-institute-image239836641.html
RMRX5E29–Fragment. Spain or Italy. Date: 1201-1400. Dimensions: 22.95 x 30.4 cm (9 x 12 in.) Weft repeat: 14.3 cm (5 5/8 in.). Silk and gilt-metal-strip-wrapped silk, warp-float faced warp chevron twill weave with plain interlacings of secondary binding warps and supplementary patterning and brocading wefts. Origin: Italy. Museum: The Chicago Art Institute.
. Genealogical and memorial history of the state of New Jersey ... ru-ary 8, 1763, died February 2, 1836. 4. Levi,February 27, 1765, died September 17, 1819.5. George. December 30, 1766. died January 20. 1819. 6. Daniel. August 10, 1768. diedFebruary 15, 1822. 7. Sabra, January 22,1770, died March 8, 1839. 8. Theodosia, Feb-ruary 4, 1773, died October 14, 1865. 9. Solo-mon, December 22, 1774, died April 25, 1828.10. Elihu, July 6, 1777, see forward. 11. Abi-gail, May 7, 1780, died November 23, 1828. (VII) Elihu, son of Captain Levi and .Abi-gail (Sergeant) Ely, was born in West Spring-field, M Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genealogical-and-memorial-history-of-the-state-of-new-jersey-ru-ary-8-1763-died-february-2-1836-4-levifebruary-27-1765-died-september-17-18195-george-december-30-1766-died-january-20-1819-6-daniel-august-10-1768-diedfebruary-15-1822-7-sabra-january-221770-died-march-8-1839-8-theodosia-feb-ruary-4-1773-died-october-14-1865-9-solo-mon-december-22-1774-died-april-25-182810-elihu-july-6-1777-see-forward-11-abi-gail-may-7-1780-died-november-23-1828-vii-elihu-son-of-captain-levi-and-abi-gail-sergeant-ely-was-born-in-west-spring-field-m-image336973929.html
RM2AG6DK5–. Genealogical and memorial history of the state of New Jersey ... ru-ary 8, 1763, died February 2, 1836. 4. Levi,February 27, 1765, died September 17, 1819.5. George. December 30, 1766. died January 20. 1819. 6. Daniel. August 10, 1768. diedFebruary 15, 1822. 7. Sabra, January 22,1770, died March 8, 1839. 8. Theodosia, Feb-ruary 4, 1773, died October 14, 1865. 9. Solo-mon, December 22, 1774, died April 25, 1828.10. Elihu, July 6, 1777, see forward. 11. Abi-gail, May 7, 1780, died November 23, 1828. (VII) Elihu, son of Captain Levi and .Abi-gail (Sergeant) Ely, was born in West Spring-field, M
Giovanni Battista Cipriani, Italian, 1727-1785, after Benvenuto Cellini, Italian, 1500-1571, Death of Cleopatra, between 1727 and 1785, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 9 × 5 7/8 inches (22.9 × 14.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-cipriani-italian-1727-1785-after-benvenuto-cellini-italian-1500-1571-death-of-cleopatra-between-1727-and-1785-etching-and-engraving-printed-in-black-ink-on-laid-paper-sheet-trimmed-within-plate-mark-9-5-78-inches-229-149-cm-image328711884.html
RM2A2P3A4–Giovanni Battista Cipriani, Italian, 1727-1785, after Benvenuto Cellini, Italian, 1500-1571, Death of Cleopatra, between 1727 and 1785, etching and engraving printed in black ink on laid paper, Sheet (trimmed within plate mark): 9 × 5 7/8 inches (22.9 × 14.9 cm
Figure Studies including Seated Mother and Child. Dated: published 1735. Dimensions: plate: 14.5 x 21.4 cm (5 11/16 x 8 7/16 in.) sheet: 22.8 x 34.7 cm (9 x 13 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: François Boucher after Abraham Bloemaert. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-studies-including-seated-mother-and-child-dated-published-1735-dimensions-plate-145-x-214-cm-5-1116-x-8-716-in-sheet-228-x-347-cm-9-x-13-1116-in-medium-etching-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-franois-boucher-after-abraham-bloemaert-image225508867.html
RMR2TPT3–Figure Studies including Seated Mother and Child. Dated: published 1735. Dimensions: plate: 14.5 x 21.4 cm (5 11/16 x 8 7/16 in.) sheet: 22.8 x 34.7 cm (9 x 13 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: François Boucher after Abraham Bloemaert.
. Mortarboard. 911-1908 4- -3 1 1909-1910 7 -2 ( 1911-1908 24- 10 1909 1910 • 14 -13 / 1911 1909 1908-1910 83 Commencement Week MAY 20-27, 1908 IEIjc ffizttiat JBantc EARL HALLWednesday Evening, May 20, 1908, at 9.00 p.m. (Eammxttss Mary Eleanor Curran Chairman Clairette Papin Armstrong Florence M. WolffCornelia Flack Ellen K. OGorman ) r E.V-offUtl) Josephine Prahl Mary Maxon ) 84 FRIDAY, MAY 22, 1908 Priuu-am Steps Oration . . . Elizabeth Freeman Fox(lass Songs, by the Seniors, led by . Josephine Prahl Tree Oration Irma Alexander Tree Song . Senior Class Barnard Medley Glee Club Dancing an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mortarboard-911-1908-4-3-1-1909-1910-7-2-1911-1908-24-10-1909-1910-14-13-1911-1909-1908-1910-83-commencement-week-may-20-27-1908-ieijc-ffizttiat-jbantc-earl-hallwednesday-evening-may-20-1908-at-900-pm-eammxttss-mary-eleanor-curran-chairman-clairette-papin-armstrong-florence-m-wolffcornelia-flack-ellen-k-ogorman-r-ev-offutl-josephine-prahl-mary-maxon-84-friday-may-22-1908-priuu-am-steps-oration-elizabeth-freeman-foxlass-songs-by-the-seniors-led-by-josephine-prahl-tree-oration-irma-alexander-tree-song-senior-class-barnard-medley-glee-club-dancing-an-image337026852.html
RM2AG8W58–. Mortarboard. 911-1908 4- -3 1 1909-1910 7 -2 ( 1911-1908 24- 10 1909 1910 • 14 -13 / 1911 1909 1908-1910 83 Commencement Week MAY 20-27, 1908 IEIjc ffizttiat JBantc EARL HALLWednesday Evening, May 20, 1908, at 9.00 p.m. (Eammxttss Mary Eleanor Curran Chairman Clairette Papin Armstrong Florence M. WolffCornelia Flack Ellen K. OGorman ) r E.V-offUtl) Josephine Prahl Mary Maxon ) 84 FRIDAY, MAY 22, 1908 Priuu-am Steps Oration . . . Elizabeth Freeman Fox(lass Songs, by the Seniors, led by . Josephine Prahl Tree Oration Irma Alexander Tree Song . Senior Class Barnard Medley Glee Club Dancing an
Twilight Moon at the Ryogoku Bridge (Ryogoku no yoizuki), from the series Famous Views of the Eastern Capital (Toto meisho), c. 1831, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 22.4 x 35.9 cm (8 3/4 x 14 1/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twilight-moon-at-the-ryogoku-bridge-ryogoku-no-yoizuki-from-the-series-famous-views-of-the-eastern-capital-toto-meisho-c-1831-utagawa-hiroshige-japanese-1797-1858-japan-color-woodblock-print-oban-224-x-359-cm-8-34-x-14-116-in-image328641789.html
RM2A2JWXN–Twilight Moon at the Ryogoku Bridge (Ryogoku no yoizuki), from the series Famous Views of the Eastern Capital (Toto meisho), c. 1831, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 22.4 x 35.9 cm (8 3/4 x 14 1/16 in
Mother and Child, No. 4. Dated: 1891/1895. Dimensions: image: 14.3 × 23.2 cm (5 5/8 × 9 1/8 in.) sheet: 22 × 28.8 cm (8 11/16 × 11 5/16 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mother-and-child-no-4-dated-18911895-dimensions-image-143-232-cm-5-58-9-18-in-sheet-22-288-cm-8-1116-11-516-in-medium-lithograph-in-black-on-wove-paper-museum-national-gallery-of-art-washington-dc-author-whistler-james-abbott-mcneill-image233765926.html
RMRG8XR2–Mother and Child, No. 4. Dated: 1891/1895. Dimensions: image: 14.3 × 23.2 cm (5 5/8 × 9 1/8 in.) sheet: 22 × 28.8 cm (8 11/16 × 11 5/16 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL.
. The Rhododendron [serial]. 1. Elaine Tedder 2. Susan Bradley 3. Claudia Stout 4. Carolyn Reece 5. Neal Latane 6. Peggy Greer 7. Rita Sigmon 8. Carlo Giles 9. Kothy Howie 10. Debbie Edwords 11. Diane King 12. Sue Laposnick 13. Susan Wild 14. Rebecca Julian 15. Billy Blolock 16. Jan Corcoran 17. John Russell 18. Donna Tolly 19. Sandie Grant 20. Danny Davis 21. Steve Royal 22.23.24.25.26.27.28.30.31.32.33.34.35.36.37.38.39.40.41.42. Sandy DavisGinger MohrJerry LewisKay DavisRita HoeneLen McClennyRonnie WeaverSharon DeschNorena BairdSherrill FarthingMarion ArnoldPatsy CreasyRachel VadenJames Ted Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rhododendron-serial-1-elaine-tedder-2-susan-bradley-3-claudia-stout-4-carolyn-reece-5-neal-latane-6-peggy-greer-7-rita-sigmon-8-carlo-giles-9-kothy-howie-10-debbie-edwords-11-diane-king-12-sue-laposnick-13-susan-wild-14-rebecca-julian-15-billy-blolock-16-jan-corcoran-17-john-russell-18-donna-tolly-19-sandie-grant-20-danny-davis-21-steve-royal-2223242526272830313233343536373839404142-sandy-davisginger-mohrjerry-lewiskay-davisrita-hoenelen-mcclennyronnie-weaversharon-deschnorena-bairdsherrill-farthingmarion-arnoldpatsy-creasyrachel-vadenjames-ted-image336709434.html
RM2AFPC8X–. The Rhododendron [serial]. 1. Elaine Tedder 2. Susan Bradley 3. Claudia Stout 4. Carolyn Reece 5. Neal Latane 6. Peggy Greer 7. Rita Sigmon 8. Carlo Giles 9. Kothy Howie 10. Debbie Edwords 11. Diane King 12. Sue Laposnick 13. Susan Wild 14. Rebecca Julian 15. Billy Blolock 16. Jan Corcoran 17. John Russell 18. Donna Tolly 19. Sandie Grant 20. Danny Davis 21. Steve Royal 22.23.24.25.26.27.28.30.31.32.33.34.35.36.37.38.39.40.41.42. Sandy DavisGinger MohrJerry LewisKay DavisRita HoeneLen McClennyRonnie WeaverSharon DeschNorena BairdSherrill FarthingMarion ArnoldPatsy CreasyRachel VadenJames Ted
attributed to Gaspero Bruschi, Italian, 1701-1780, after a model by Massimiliano Soldani, Italian, 1656-1740, Venus Plucking the Wings of Cupid, 1745/1746, Hard-paste porcelain on original gilt wood base, Overall: 14 5/8 × 13 1/2 × 9 inches (37.1 × 34.3 × 22.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-gaspero-bruschi-italian-1701-1780-after-a-model-by-massimiliano-soldani-italian-1656-1740-venus-plucking-the-wings-of-cupid-17451746-hard-paste-porcelain-on-original-gilt-wood-base-overall-14-58-13-12-9-inches-371-343-229-cm-image328714470.html
RM2A2P6JE–attributed to Gaspero Bruschi, Italian, 1701-1780, after a model by Massimiliano Soldani, Italian, 1656-1740, Venus Plucking the Wings of Cupid, 1745/1746, Hard-paste porcelain on original gilt wood base, Overall: 14 5/8 × 13 1/2 × 9 inches (37.1 × 34.3 × 22.9 cm
Anglo Saxon diadems 1,2, crowns 3,4,21,22, royal helmets 5,6, helmets 7,8,9,10, hats 11,12, bracelets 13, 14, signet ring 15 and shoes 16,17,18,19.Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's 'Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,' Chez Collignon, Metz, 1810. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anglo-saxon-diadems-12-crowns-342122-royal-helmets-56-helmets-78910-hats-1112-bracelets-13-14-signet-ring-15-and-shoes-16171819handcoloured-copperplate-engraving-by-paul-weindl-from-robert-von-spalarts-historical-picture-of-the-costumes-of-the-principal-people-of-antiquity-and-of-the-middle-ages-chez-collignon-metz-1810-image210536593.html
RMP6ENG1–Anglo Saxon diadems 1,2, crowns 3,4,21,22, royal helmets 5,6, helmets 7,8,9,10, hats 11,12, bracelets 13, 14, signet ring 15 and shoes 16,17,18,19.Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's 'Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,' Chez Collignon, Metz, 1810.