210 5 cm hi-res stock photography and images

Art inspired by Boar Spear, ca. 1600, German, Steel, wood, leather, L. 82 7/8 in. (210.5 cm); L. of head 19 1/2 in. (49.5 cm); W. 3 3/4 in. (9.5 cm); Wt. 9 lbs. 12.6 oz. (4439.5 g), Shafted Weapons, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTT7A8–Art inspired by Boar Spear, ca. 1600, German, Steel, wood, leather, L. 82 7/8 in. (210.5 cm); L. of head 19 1/2 in. (49.5 cm); W. 3 3/4 in. (9.5 cm); Wt. 9 lbs. 12.6 oz. (4439.5 g), Shafted Weapons, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Boar Spear. Culture: German. Dimensions: L. 82 7/8 in. (210.5 cm); L. of head 19 1/2 in. (49.5 cm); W. 3 3/4 in. (9.5 cm); Wt. 9 lbs. 12.6 oz. (4439.5 g). Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPATFWM–Boar Spear. Culture: German. Dimensions: L. 82 7/8 in. (210.5 cm); L. of head 19 1/2 in. (49.5 cm); W. 3 3/4 in. (9.5 cm); Wt. 9 lbs. 12.6 oz. (4439.5 g). Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA.

Feathered Panel, A.D. 600–900, Peru, Wari, Feathers, cotton, camelid hair, H. 28 1/2 × W. 82 7/8 in. (72.39 × 210.5 cm), Textile Stock Photo

RMKCDRJB–Feathered Panel, A.D. 600–900, Peru, Wari, Feathers, cotton, camelid hair, H. 28 1/2 × W. 82 7/8 in. (72.39 × 210.5 cm), Textile

Art inspired by Feathered Panel, A.D. 600–900, Peru, Wari, Feathers, cotton, camelid hair, H. 28 1/2 × W. 82 7/8 in. (72.39 × 210.5 cm), Textiles-Featherwork, The discovery of an ancient burial or ceremonial site in the upriver region of the Churunga Valley, in far south Peru, received, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX58Y–Art inspired by Feathered Panel, A.D. 600–900, Peru, Wari, Feathers, cotton, camelid hair, H. 28 1/2 × W. 82 7/8 in. (72.39 × 210.5 cm), Textiles-Featherwork, The discovery of an ancient burial or ceremonial site in the upriver region of the Churunga Valley, in far south Peru, received, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Boar Spear, ca. 1600, German, Steel, wood, leather, L. 82 7/8 in. (210.5 cm); L. of head 19 1/2 in. (49.5 cm); W. 3 3/4 in. (9.5 Stock Photo

RMKC2KDC–Boar Spear, ca. 1600, German, Steel, wood, leather, L. 82 7/8 in. (210.5 cm); L. of head 19 1/2 in. (49.5 cm); W. 3 3/4 in. (9.5

Title: Landscape in Brazil / Paisagem no Brasil Creator: Frans Janszoon Post Date: 1652 Medium: Oil on canvas Dimensions: 282.5 x 210.5 cm Location: Rijksmuseum Amsterdam Stock Photo

RM2GAXAGK–Title: Landscape in Brazil / Paisagem no Brasil Creator: Frans Janszoon Post Date: 1652 Medium: Oil on canvas Dimensions: 282.5 x 210.5 cm Location: Rijksmuseum Amsterdam

rag, rectangle, cover, tabula, fabric, rag, linen, wool, 70.5 x 210 cm, Coptic Period, 4th-5th century, Egypt Stock Photo

RM2B0DB4D–rag, rectangle, cover, tabula, fabric, rag, linen, wool, 70.5 x 210 cm, Coptic Period, 4th-5th century, Egypt

Art inspired by The Annunciation, ca. 1460–80, South Netherlandish, Wool warp, wool and silk wefts, 39 5/16 x 83 in. (99.9 x 210.8 cm), Textiles-Tapestries, Draped in rich ecclesiastical vestments, the archangel Gabriel greets Mary with the words “Hail, Mary, full of grace, the Lord is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYW8H–Art inspired by The Annunciation, ca. 1460–80, South Netherlandish, Wool warp, wool and silk wefts, 39 5/16 x 83 in. (99.9 x 210.8 cm), Textiles-Tapestries, Draped in rich ecclesiastical vestments, the archangel Gabriel greets Mary with the words “Hail, Mary, full of grace, the Lord is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Rug with the 'Hundred Antiques', China, Qing dynasty (1644–1911), Date 19th century, China, Wool senna knot on a cotton foundation, 83 x 51 in. (210.8 x 129.5 cm), Textiles-Rugs Stock Photo

RM2B0J03T–Rug with the 'Hundred Antiques', China, Qing dynasty (1644–1911), Date 19th century, China, Wool senna knot on a cotton foundation, 83 x 51 in. (210.8 x 129.5 cm), Textiles-Rugs

Art inspired by Chirurgia è Graeco in Latinum conversa, Vido Vidio Florentino interprete, 1544, Printed book with 210 woodcut illustrations, Overall: 14 3/4 x 10 x 1 15/16 in. (37.4 x 25.4 x 5 cm), Books, Attributed to Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5J07–Art inspired by Chirurgia è Graeco in Latinum conversa, Vido Vidio Florentino interprete, 1544, Printed book with 210 woodcut illustrations, Overall: 14 3/4 x 10 x 1 15/16 in. (37.4 x 25.4 x 5 cm), Books, Attributed to Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Landscape in Brazil. Doorkijk between plants at a river landscape with a plantation in the distance. tropical plants in the foreground (pineapple, gourd, cactus) and animals (bird, grasshopper) . Manufacturer : painter: Frans Jansz. Post (listed on object) Dated: 1652 Physical characteristics: oil on canvas material: oil canvas Dimensions: H 282.5 cm. (Arched) b × 210.5 cm. Subject: landscapes in tropical and sub-tropical regions where plantation Brazil Stock Photo

RM2B71632–Landscape in Brazil. Doorkijk between plants at a river landscape with a plantation in the distance. tropical plants in the foreground (pineapple, gourd, cactus) and animals (bird, grasshopper) . Manufacturer : painter: Frans Jansz. Post (listed on object) Dated: 1652 Physical characteristics: oil on canvas material: oil canvas Dimensions: H 282.5 cm. (Arched) b × 210.5 cm. Subject: landscapes in tropical and sub-tropical regions where plantation Brazil

Lojacono Francesco - Private Collection - La serenata- unknown date - oil on canvas 108,5 x 210,5 cm - Stock Photo

RF2HGKM6Y–Lojacono Francesco - Private Collection - La serenata- unknown date - oil on canvas 108,5 x 210,5 cm -

Art inspired by Porringer, ca0, Made in Providence, Rhode Island, United States, American, Silver, Overall: 2 1/8 x 7 3/4 in. (5.4 x 19.7 cm); 6 oz. 15 dwt. (210.5 g), Silver, Saunders Pitman (1732–1804, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW2DDX–Art inspired by Porringer, ca0, Made in Providence, Rhode Island, United States, American, Silver, Overall: 2 1/8 x 7 3/4 in. (5.4 x 19.7 cm); 6 oz. 15 dwt. (210.5 g), Silver, Saunders Pitman (1732–1804, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Raub der Töchter des Leukippos - 1618c. - Oil on canvas 224 x 210,5 cm - Rubens Pieter Paul Stock Photo

RF2HGKHWA–Raub der Töchter des Leukippos - 1618c. - Oil on canvas 224 x 210,5 cm - Rubens Pieter Paul

Art inspired by Powder Flask, ca. 1575–85, German, Copper alloy, iron alloy, H. 5 3/16 in. (13.2 cm); W. 3 3/4 in. (9.5 cm); D. 2 9/16 in. (6.6 cm); D. of dome 2 1/16 in. (5.2 cm); Wt. 7.4 oz.. (210 g), Firearms Accessories-Flasks & Primers, The only known example of its kind, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW17D8–Art inspired by Powder Flask, ca. 1575–85, German, Copper alloy, iron alloy, H. 5 3/16 in. (13.2 cm); W. 3 3/4 in. (9.5 cm); D. 2 9/16 in. (6.6 cm); D. of dome 2 1/16 in. (5.2 cm); Wt. 7.4 oz.. (210 g), Firearms Accessories-Flasks & Primers, The only known example of its kind, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Gustave Courbet, 1856, The Quarry (La Curée), oil on canvas, 210.2 x 183.5 cm, Museum of Fine Arts, Boston. Stock Photo

RMMMMGJH–Gustave Courbet, 1856, The Quarry (La Curée), oil on canvas, 210.2 x 183.5 cm, Museum of Fine Arts, Boston.

Art inspired by Madonna and Child with Saints, 1454, Tempera on wood, gold ground, Central panel 82 3/4 x 25 7/8 in. (210.2 x 65.7 cm); left panels 70 7/8 x 16 7/8 in. (180 x 42.9 cm), 70 7/8 x 16 3/4 in. (180 x 42.5 cm); right panels 70 7/8 x 16 7/8 in. (180 x 42.9 cm), 70 7/8 x 16 3/, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8GPJ–Art inspired by Madonna and Child with Saints, 1454, Tempera on wood, gold ground, Central panel 82 3/4 x 25 7/8 in. (210.2 x 65.7 cm); left panels 70 7/8 x 16 7/8 in. (180 x 42.9 cm), 70 7/8 x 16 3/4 in. (180 x 42.5 cm); right panels 70 7/8 x 16 7/8 in. (180 x 42.9 cm), 70 7/8 x 16 3/, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Italiano: Federico II Gonzaga difende Pavia - Olio su tela, cm. 210 × 276.5 33 Federico II Gonzaga difende Pavia Stock Photo

RMMYXYWX–. Italiano: Federico II Gonzaga difende Pavia - Olio su tela, cm. 210 × 276.5 33 Federico II Gonzaga difende Pavia

Art inspired by Dress, 4th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Linen, wool, Overall: 43 5/16 × 82 11/16 in. (110 × 210 cm), Textiles-Costumes-Secular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW09H4–Art inspired by Dress, 4th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Linen, wool, Overall: 43 5/16 × 82 11/16 in. (110 × 210 cm), Textiles-Costumes-Secular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

A presentation case for visiting cards in silver, The inside stamped and marked '800 - Handarbeit'. Applied Habsburg monarchy eagle of gilt non-ferrous metal. Dimensions 10 x 7.5 x 1.4 cm, weight 210 g. In a later, non-corresponding case. Imperial, Austria, Austrian, Danube Monarchy, Empire, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, historic, historical 20th century, 19th century, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMTB7M7B–A presentation case for visiting cards in silver, The inside stamped and marked '800 - Handarbeit'. Applied Habsburg monarchy eagle of gilt non-ferrous metal. Dimensions 10 x 7.5 x 1.4 cm, weight 210 g. In a later, non-corresponding case. Imperial, Austria, Austrian, Danube Monarchy, Empire, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, historic, historical 20th century, 19th century, Additional-Rights-Clearance-Info-Not-Available

'The Forge', 1911-1913, Oil on canvas, 162 x 210,5 cm. Author: VLADIMIR BARANOV-ROSSINE. Location: LOUVRE MUSEUM-PAINTINGS. France. Stock Photo

RM2YJ5F0P–'The Forge', 1911-1913, Oil on canvas, 162 x 210,5 cm. Author: VLADIMIR BARANOV-ROSSINE. Location: LOUVRE MUSEUM-PAINTINGS. France.

Inspired by The Brooklyn Oracle Papyrus, Papyrus, pigment, ink, October 4, 651 B.C.E., Dynasty 26, Late Period, Saite Period, Overall: 10 15/16 × 210 5/16 in., 27.8 × 534.2 cm, antiquity, document, law, legal, petition, record, Religion, sepia, Society, testimony, witnesses, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4T8H–Inspired by The Brooklyn Oracle Papyrus, Papyrus, pigment, ink, October 4, 651 B.C.E., Dynasty 26, Late Period, Saite Period, Overall: 10 15/16 × 210 5/16 in., 27.8 × 534.2 cm, antiquity, document, law, legal, petition, record, Religion, sepia, Society, testimony, witnesses, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

The Miraculous Draught of Fishes; Joachim Beuckelaer (Netherlandish, about 1534 - about 1574); 1563; Oil on panel; 110.5 x 210.8 cm (43 1/2 x 83 in.); 71.PB.59 Stock Photo

RM2WKT8HM–The Miraculous Draught of Fishes; Joachim Beuckelaer (Netherlandish, about 1534 - about 1574); 1563; Oil on panel; 110.5 x 210.8 cm (43 1/2 x 83 in.); 71.PB.59

Art inspired by Floor Covering or Hanging (Pha Kiao), 18th century, India (Coromandel Coast), for the Thai market, Cotton (painted resist and mordant, dyed), Overall: 83 x 43 1/8 in. (210.8 x 109.5 cm), Textiles-Painted and Printed, Luxury painted cotton textiles expressly commissioned, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW5AC–Art inspired by Floor Covering or Hanging (Pha Kiao), 18th century, India (Coromandel Coast), for the Thai market, Cotton (painted resist and mordant, dyed), Overall: 83 x 43 1/8 in. (210.8 x 109.5 cm), Textiles-Painted and Printed, Luxury painted cotton textiles expressly commissioned, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Large Bathers - 1900 06 - Oil on canvas 210,5 x 250,8 cm - ce03Cézanne Paul Stock Photo

RF2HGM2JC–The Large Bathers - 1900 06 - Oil on canvas 210,5 x 250,8 cm - ce03Cézanne Paul

Art inspired by The Brooklyn Oracle Papyrus, Papyrus, pigment, ink, October 4, 651 B.C.E., Dynasty 26, Late Period, Saite Period, Overall: 10 15/16 × 210 5/16 in., 27.8 × 534.2 cm, antiquity, document, law, legal, petition, record, Religion, sepia, Society, testimony, witnesses, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK4YX–Art inspired by The Brooklyn Oracle Papyrus, Papyrus, pigment, ink, October 4, 651 B.C.E., Dynasty 26, Late Period, Saite Period, Overall: 10 15/16 × 210 5/16 in., 27.8 × 534.2 cm, antiquity, document, law, legal, petition, record, Religion, sepia, Society, testimony, witnesses, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Frieze (France); blockprinted on handmade paper; 210.5 x 73 cm (82 7/8 x 28 3/4 in.) Stock Photo

RM2PMMG0E–Frieze (France); blockprinted on handmade paper; 210.5 x 73 cm (82 7/8 x 28 3/4 in.)

Kesa, 1650/1700, Edo period (1615–1868), Japan, Silk and gilt-paper strip, twill weave with secondary binding warp and supplementary patterning wefts, 119.4 x 210.5 cm (47 x 82 7/8 in Stock Photo

RM2A2KNWR–Kesa, 1650/1700, Edo period (1615–1868), Japan, Silk and gilt-paper strip, twill weave with secondary binding warp and supplementary patterning wefts, 119.4 x 210.5 cm (47 x 82 7/8 in

Art inspired by Plaque with Greek dedication to Isis, Serapis and Apollo by Komon for the benefit of Ptolemy IV and V, Ptolemaic Period, Ptolemaic Dynasty, 210–204 B.C., From Egypt, Marble, L. 27.9 cm (11 in.); H. 17.5 cm (6 7/8 in.); Th. 5.1 cm (2 in.), This plaque can be precisely, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9643–Art inspired by Plaque with Greek dedication to Isis, Serapis and Apollo by Komon for the benefit of Ptolemy IV and V, Ptolemaic Period, Ptolemaic Dynasty, 210–204 B.C., From Egypt, Marble, L. 27.9 cm (11 in.); H. 17.5 cm (6 7/8 in.); Th. 5.1 cm (2 in.), This plaque can be precisely, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

By biang Doek cloth with floral and geometric motieven. Manufacturer : weaver: anonymous place manufacture: Thailand Date: 1900 - 1949 Physical features: woven cotton and silk; additional weft material: cotton silk Technique: Wea Dimensions: L 210 cm. (Including fringe) × L 182 cm. (No-frills) b × 46.5 cm. Stock Photo

RM2B6JWMT–By biang Doek cloth with floral and geometric motieven. Manufacturer : weaver: anonymous place manufacture: Thailand Date: 1900 - 1949 Physical features: woven cotton and silk; additional weft material: cotton silk Technique: Wea Dimensions: L 210 cm. (Including fringe) × L 182 cm. (No-frills) b × 46.5 cm.

Art inspired by Wall hangings (3), 1774–93, French, Silk on satin, .35: H. 127 x W. 80 1/2 inches (322.6 x 204.5 cm); .36 and .37 each: H. 126 x W. 83 inches (320 x 210.8 cm), Textiles-Embroidered, After a design by Philippe de Lasalle (French, 1723–1804, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3Y96–Art inspired by Wall hangings (3), 1774–93, French, Silk on satin, .35: H. 127 x W. 80 1/2 inches (322.6 x 204.5 cm); .36 and .37 each: H. 126 x W. 83 inches (320 x 210.8 cm), Textiles-Embroidered, After a design by Philippe de Lasalle (French, 1723–1804, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sampler (England); silk embroidery, wool foundation; Warp x Weft: 32.5 x 30 cm (12 13/16 x 11 13/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-210 Stock Photo

RM2PMKT5F–Sampler (England); silk embroidery, wool foundation; Warp x Weft: 32.5 x 30 cm (12 13/16 x 11 13/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-210

Art inspired by Male Figure with Raised Arms, 14th–17th century, Mali, Tintam village, Dogon peoples, Wood, patina, H. 82 7/8 x W. 14 1/4 x D. 8 3/8 in. (210.5 x 36.2 x 21.3 cm), Wood-Sculpture, The Dogon live in the elevated rocky heights of Mali's Bandiagara Escarpment. They rely on, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX4HP–Art inspired by Male Figure with Raised Arms, 14th–17th century, Mali, Tintam village, Dogon peoples, Wood, patina, H. 82 7/8 x W. 14 1/4 x D. 8 3/8 in. (210.5 x 36.2 x 21.3 cm), Wood-Sculpture, The Dogon live in the elevated rocky heights of Mali's Bandiagara Escarpment. They rely on, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chowringhee. Panoramic view of Calcutta, 1847. Calcutta : T. Black, Asiatic Lithographic Press, 1847. 1 sheet : ill. ; 24 x 210 cm. folded to 24 x 17 cm. Source: V12765 no.5. Author: Frederick Fiebig. Stock Photo

RMR56MY0–Chowringhee. Panoramic view of Calcutta, 1847. Calcutta : T. Black, Asiatic Lithographic Press, 1847. 1 sheet : ill. ; 24 x 210 cm. folded to 24 x 17 cm. Source: V12765 no.5. Author: Frederick Fiebig.

Art inspired by Statue of the Goddess Sakhmet, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., From Egypt, Upper Egypt, Thebes, Karnak, Granodiorite, h. 210 cm (82 11/16 in); w. of base 47.5 cm (18 11/16 in); d. 95.5 cm (37 5/8 in), The goddess Sakhmet, whose lioness head with its small, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0H5C–Art inspired by Statue of the Goddess Sakhmet, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., From Egypt, Upper Egypt, Thebes, Karnak, Granodiorite, h. 210 cm (82 11/16 in); w. of base 47.5 cm (18 11/16 in); d. 95.5 cm (37 5/8 in), The goddess Sakhmet, whose lioness head with its small, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Sarape, c. 1820-1860. America, Native North American, Southwest, Mexico, Saltillo, Post-Contact, Classic Period. Tapestry weave: cotton and wool; overall: 210.9 x 124.5 cm (83 1/16 x 49 in.). Stock Photo

RM2H0YWND–Sarape, c. 1820-1860. America, Native North American, Southwest, Mexico, Saltillo, Post-Contact, Classic Period. Tapestry weave: cotton and wool; overall: 210.9 x 124.5 cm (83 1/16 x 49 in.).

English: Wineglasses by John Singer Sargent, probably 1875, oil on canvas, 45 x 37.5 cm, The National Gallery, London . probably 1875 210 Wineglasses by John Singer Sargent Stock Photo

RMP76C9K–English: Wineglasses by John Singer Sargent, probably 1875, oil on canvas, 45 x 37.5 cm, The National Gallery, London . probably 1875 210 Wineglasses by John Singer Sargent

Art inspired by Stained Glass Panel with Saint Roch, the van Merle Family Arms and a Donor, 16th century, Made in Cologne, Germany, German, Pot metal, white glass, vitreous paint, silver stain, Overall (with 2 T-bars): 82 7/8 x 29 5/16 x 3/8 in. (210.5 x 74.5 x 0.9 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8Y0J–Art inspired by Stained Glass Panel with Saint Roch, the van Merle Family Arms and a Donor, 16th century, Made in Cologne, Germany, German, Pot metal, white glass, vitreous paint, silver stain, Overall (with 2 T-bars): 82 7/8 x 29 5/16 x 3/8 in. (210.5 x 74.5 x 0.9 cm), Glass-Stained, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Countess de la Maitrie in equestrian dress *oil on canvas *210 x 125.5 cm *signed b.r.: Ch Walhain 1910 145 Countess de la Maitrie, by Charles-Albert Walhain Stock Photo

RMPC9DER–Countess de la Maitrie in equestrian dress *oil on canvas *210 x 125.5 cm *signed b.r.: Ch Walhain 1910 145 Countess de la Maitrie, by Charles-Albert Walhain

Landscape in Brazil. Dating: 1652. Measurements: h 282.5 cm × w 210.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Frans Jansz Post (mentioned on object). Stock Photo

RMREXEBN–Landscape in Brazil. Dating: 1652. Measurements: h 282.5 cm × w 210.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Frans Jansz Post (mentioned on object).

N/A. English: An Italianate Landscape by Jan Frans van Bloemen, called Orizzonte, oil on canvas, 46 x 37.5 cm. . Jan Frans van Bloemen 210 'An Italianate Landscape' (oval) by Jan Frans van Bloemen Stock Photo

RMP5R5C6–N/A. English: An Italianate Landscape by Jan Frans van Bloemen, called Orizzonte, oil on canvas, 46 x 37.5 cm. . Jan Frans van Bloemen 210 'An Italianate Landscape' (oval) by Jan Frans van Bloemen

RMTB7M7C–A presentation case for visiting cards in silver, The inside stamped and marked '800 - Handarbeit'. Applied Habsburg monarchy eagle of gilt non-ferrous metal. Dimensions 10 x 7.5 x 1.4 cm, weight 210 g. In a later, non-corresponding case. Imperial, Austria, Austrian, Danube Monarchy, Empire, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, historic, historical 20th century, 19th century, Additional-Rights-Clearance-Info-Not-Available

Drawing, Classical Scene; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and white gouache, graphite on cream paper; 10.5 × 9.5 cm (4 1/8 × 3 3/4 in.); 1914-38-210 Stock Photo

RM2PMCGGE–Drawing, Classical Scene; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and white gouache, graphite on cream paper; 10.5 × 9.5 cm (4 1/8 × 3 3/4 in.); 1914-38-210

A Corinthian pottery skyphos, 600 - 575 BC Thinly-potted, the body with a panther and a swan moving right and a goat moving left, its head lowered, rosettes in the field, with rays above the foot, vertical lines in the handle zones, details in added red. Height 8.3 cm. Provenance: Collection of Dr. Jean Lauffenburger, 1970s, Royal-Athena, 1987, William Suddaby, Key West, acquired 1989, Christie's, New York, 9 December 2005, no. 210. USA-lot, see page 5. historic, historical, ancient world, ancient times, Greek, Hellas, ancient world, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMT8NDPM–A Corinthian pottery skyphos, 600 - 575 BC Thinly-potted, the body with a panther and a swan moving right and a goat moving left, its head lowered, rosettes in the field, with rays above the foot, vertical lines in the handle zones, details in added red. Height 8.3 cm. Provenance: Collection of Dr. Jean Lauffenburger, 1970s, Royal-Athena, 1987, William Suddaby, Key West, acquired 1989, Christie's, New York, 9 December 2005, no. 210. USA-lot, see page 5. historic, historical, ancient world, ancient times, Greek, Hellas, ancient world, Additional-Rights-Clearance-Info-Not-Available

Illustration of Zhang Qi's Poem on the Cold Mountain Temple, mid- to late 1700s. Ike Taiga (Japanese, 1723-1776). Hanging scroll; ink and color on paper; overall: 210.8 x 53 cm (83 x 20 7/8 in.); painting only: 134.5 x 38.4 cm (52 15/16 x 15 1/8 in.). Stock Photo

RM2H0Y90D–Illustration of Zhang Qi's Poem on the Cold Mountain Temple, mid- to late 1700s. Ike Taiga (Japanese, 1723-1776). Hanging scroll; ink and color on paper; overall: 210.8 x 53 cm (83 x 20 7/8 in.); painting only: 134.5 x 38.4 cm (52 15/16 x 15 1/8 in.).

Print, Two Goats, 1635–83; Print Maker: Nicolaes Berchem (Dutch, 1620–1683); Netherlands; etching on paper; Plate: 10.3 × 12.9 cm (4 1/16 × 5 1/16 in.) Paper: 11.4 × 14.3 cm (4 1/2 × 5 5/8 in.); Bequest of George Campbell Cooper; 1896-3-210 Stock Photo

RM2PMBY16–Print, Two Goats, 1635–83; Print Maker: Nicolaes Berchem (Dutch, 1620–1683); Netherlands; etching on paper; Plate: 10.3 × 12.9 cm (4 1/16 × 5 1/16 in.) Paper: 11.4 × 14.3 cm (4 1/2 × 5 5/8 in.); Bequest of George Campbell Cooper; 1896-3-210

Landscape in Brazil, Landscape in Brazil. Look through plants to a river landscape with a plantation in the distance. In the foreground tropical plants (pineapple, gourd, cactus) and animals (bird, grasshopper), landscapes in tropical and sub-tropical regions, plantation, Brasil, Frans Jansz Post (mentioned on object), 1652, canvas, oil paint (paint), h 282.5 cm × w 210.5 cm Stock Photo

RMW587EC–Landscape in Brazil, Landscape in Brazil. Look through plants to a river landscape with a plantation in the distance. In the foreground tropical plants (pineapple, gourd, cactus) and animals (bird, grasshopper), landscapes in tropical and sub-tropical regions, plantation, Brasil, Frans Jansz Post (mentioned on object), 1652, canvas, oil paint (paint), h 282.5 cm × w 210.5 cm

Panoramic View of the Alps, Les Dents du Midi, 1877. Gustave Courbet (French, 1819-1877). Oil on fabric; framed: 172 x 230 x 8.5 cm (67 11/16 x 90 9/16 x 3 3/8 in.); unframed: 151.2 x 210.2 cm (59 1/2 x 82 3/4 in.). Stock Photo

RM2H10DT3–Panoramic View of the Alps, Les Dents du Midi, 1877. Gustave Courbet (French, 1819-1877). Oil on fabric; framed: 172 x 230 x 8.5 cm (67 11/16 x 90 9/16 x 3 3/8 in.); unframed: 151.2 x 210.2 cm (59 1/2 x 82 3/4 in.).

The wife of Sebastian Leerse, SK-A-210 Portrait of the wife of Sebastian Leerse. Knee length, standing on the right chest. Pendant of SK-A-209. Manufacturer : painter Willem Bartel van der Kooi painter Anthony van Dyck (copy to) Dated: 1804 Physical characteristics: oil on canvas material: oil canvas Dimensions: support: h 132.5 cm. (Incl. Top folds of the canvas) b × 102 cm. (Incl. Top folds of the fabric) × 4.5 cm d. (Incl rear protection.) Outer size: 9.5 cm d. (Including carrier SK-L-3965.) Notes to copy the original München. Stock Photo

RM2B6JF54–The wife of Sebastian Leerse, SK-A-210 Portrait of the wife of Sebastian Leerse. Knee length, standing on the right chest. Pendant of SK-A-209. Manufacturer : painter Willem Bartel van der Kooi painter Anthony van Dyck (copy to) Dated: 1804 Physical characteristics: oil on canvas material: oil canvas Dimensions: support: h 132.5 cm. (Incl. Top folds of the canvas) b × 102 cm. (Incl. Top folds of the fabric) × 4.5 cm d. (Incl rear protection.) Outer size: 9.5 cm d. (Including carrier SK-L-3965.) Notes to copy the original München.

Coin of the Senones 2nd–1st century B.C. Celtic. Coin of the Senones 464911 Celtic, Coin of the Senones, 2nd?1st century B.C., Potin, 5/8 ? 11/16 ? 1/8 in., 0.1oz. (1.6 ? 1.8 ? 0.3 cm, 3.5g). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.210) Stock Photo

RM2HH3XKM–Coin of the Senones 2nd–1st century B.C. Celtic. Coin of the Senones 464911 Celtic, Coin of the Senones, 2nd?1st century B.C., Potin, 5/8 ? 11/16 ? 1/8 in., 0.1oz. (1.6 ? 1.8 ? 0.3 cm, 3.5g). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.210)

Textile; cotton; Repeat H: 44.5 cm (17 1/2 in.) Warp x Weft (a): 210 x 74 cm (6 ft. 10 11/16 in. x 29 1/8 in.) Warp x Weft (b): 209 x 74 cm (6 ft. 10 5/16 in. x 29 1/8 in.) Warp x Weft (c): 210 x 74 cm (6 ft. 10 11/16 in. x 29 1/8 in.) Stock Photo

RM2PMH9D3–Textile; cotton; Repeat H: 44.5 cm (17 1/2 in.) Warp x Weft (a): 210 x 74 cm (6 ft. 10 11/16 in. x 29 1/8 in.) Warp x Weft (b): 209 x 74 cm (6 ft. 10 5/16 in. x 29 1/8 in.) Warp x Weft (c): 210 x 74 cm (6 ft. 10 11/16 in. x 29 1/8 in.)

Fragment of a terracotta architectural tile 6th century B.C. Lydian Wedge-shaped pattern, from a roof.. Fragment of a terracotta architectural tile 252777 Lydian, Fragment of a terracotta architectural tile, 6th century B.C., Terracotta, Overall: 5 3/4 x 2 1/8 in. (14.6 x 5.4 cm). The Metropolitan Museum of Art, New York. Gift of The American Society for the Excavation of Sardis, 1926 (26.199.210) Stock Photo

RM2HHPPND–Fragment of a terracotta architectural tile 6th century B.C. Lydian Wedge-shaped pattern, from a roof.. Fragment of a terracotta architectural tile 252777 Lydian, Fragment of a terracotta architectural tile, 6th century B.C., Terracotta, Overall: 5 3/4 x 2 1/8 in. (14.6 x 5.4 cm). The Metropolitan Museum of Art, New York. Gift of The American Society for the Excavation of Sardis, 1926 (26.199.210)

Fragmentary Muse Sarcophagus, about A.D. 210, Marble, bluish-grained, 49.5 x 63 cm (19 1,2 x 24 13,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9D09R–Fragmentary Muse Sarcophagus, about A.D. 210, Marble, bluish-grained, 49.5 x 63 cm (19 1,2 x 24 13,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

The Brooklyn Oracle Papyrus The Brooklyn Oracle Papyrus, October 4, 651 B.C.E. Papyrus, pigment, ink, Overall: 10 15/16 × 210 5/16 in. (27.8 × 534.2 cm). The Brooklyn Oracle Papyrus records the petition of a man named Pemou on behalf of his father, Harsiese. Harsiese was an ordinary priest in the service of the god Amun-Re at Karnak, but he wished to leave that god's service and join the priesthood of the neighboring temple of Montu-Re-Horakhty. Because temple personnel were seen as the property of the divinity, the god had to be consulted about any change in staff. Pemou asked for the god's Stock Photo

RM2M91BD5–The Brooklyn Oracle Papyrus The Brooklyn Oracle Papyrus, October 4, 651 B.C.E. Papyrus, pigment, ink, Overall: 10 15/16 × 210 5/16 in. (27.8 × 534.2 cm). The Brooklyn Oracle Papyrus records the petition of a man named Pemou on behalf of his father, Harsiese. Harsiese was an ordinary priest in the service of the god Amun-Re at Karnak, but he wished to leave that god's service and join the priesthood of the neighboring temple of Montu-Re-Horakhty. Because temple personnel were seen as the property of the divinity, the god had to be consulted about any change in staff. Pemou asked for the god's

Figure-top spoon MET 17848 188233 possibly Southern German, Figure-top spoon, second half 16th century, Silver, parcel-gilt (?), Length: 5 3/8 in. (13.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1897 (97.2.210) Stock Photo

RMKNFRGH–Figure-top spoon MET 17848 188233 possibly Southern German, Figure-top spoon, second half 16th century, Silver, parcel-gilt (?), Length: 5 3/8 in. (13.7 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Samuel P. Avery, 1897 (97.2.210)

RM2M91BD0–The Brooklyn Oracle Papyrus The Brooklyn Oracle Papyrus, October 4, 651 B.C.E. Papyrus, pigment, ink, Overall: 10 15/16 × 210 5/16 in. (27.8 × 534.2 cm). The Brooklyn Oracle Papyrus records the petition of a man named Pemou on behalf of his father, Harsiese. Harsiese was an ordinary priest in the service of the god Amun-Re at Karnak, but he wished to leave that god's service and join the priesthood of the neighboring temple of Montu-Re-Horakhty. Because temple personnel were seen as the property of the divinity, the god had to be consulted about any change in staff. Pemou asked for the god's

Fragment of a terracotta architectural tile MET DP130722 252777 Lydian, Fragment of a terracotta architectural tile, 6th century B.C., Terracotta, Overall: 5 3/4 x 2 1/8 in. (14.6 x 5.4 cm). The Metropolitan Museum of Art, New York. Gift of The American Society for the Excavation of Sardis, 1926 (26.199.210) Stock Photo

RMKNB5RP–Fragment of a terracotta architectural tile MET DP130722 252777 Lydian, Fragment of a terracotta architectural tile, 6th century B.C., Terracotta, Overall: 5 3/4 x 2 1/8 in. (14.6 x 5.4 cm). The Metropolitan Museum of Art, New York. Gift of The American Society for the Excavation of Sardis, 1926 (26.199.210)

Archive image from page 280 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens861911akad Year: 1850 Ergebnisse der Monte Rosa-Expedition. 217 tabelle VI. (Körperruhe). (Monte Rosa) 4560 m. Exspirationsluft Zuwachs Defizit CO2 0. 0/ pro Minute COo C7«3 Oo cm Respirat. Quotient Kalorien pro Minute Körper- gewicht Kalorien pro Minute und m- Nr. Periode 1906. 3-60 3-81 4-09 4-02 3-78 3-69 3-84 4-74 5-08 5-06 5' 15 4-52 4-80 4-89 liU8& 210-3 234-3 225-7 222-9 212-1 218-» 270-8 280-2 289-9 289-1 266-5 275-9 278-7 0-768 0-750 Stock Photo

RMW27HA2–Archive image from page 280 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens861911akad Year: 1850 Ergebnisse der Monte Rosa-Expedition. 217 tabelle VI. (Körperruhe). (Monte Rosa) 4560 m. Exspirationsluft Zuwachs Defizit CO2 0. 0/ pro Minute COo C7«3 Oo cm Respirat. Quotient Kalorien pro Minute Körper- gewicht Kalorien pro Minute und m- Nr. Periode 1906. 3-60 3-81 4-09 4-02 3-78 3-69 3-84 4-74 5-08 5-06 5' 15 4-52 4-80 4-89 liU8& 210-3 234-3 225-7 222-9 212-1 218-» 270-8 280-2 289-9 289-1 266-5 275-9 278-7 0-768 0-750

Portrait of Teresa Francisca Mudarra y Herrera. Date/Period: Ca. 1690. Painting. Oil on canvas. Height: 210.5 cm (82.8 in); Width: 145.5 cm (57.2 in). Author: CLAUDIO COELLO. Coello, Claudio. Stock Photo

RMPNE41D–Portrait of Teresa Francisca Mudarra y Herrera. Date/Period: Ca. 1690. Painting. Oil on canvas. Height: 210.5 cm (82.8 in); Width: 145.5 cm (57.2 in). Author: CLAUDIO COELLO. Coello, Claudio.

English: Jane Erin Emmet and Wilfred De Glehn at the Fountain, Villa Torlonia, Frascati, oil on canvas, 71.4 × 56.5 cm, The Art Institute of Chicago . 1907 210 Sargent - Jane Emmet und Wilfred de Glehn Stock Photo

RMP76C90–English: Jane Erin Emmet and Wilfred De Glehn at the Fountain, Villa Torlonia, Frascati, oil on canvas, 71.4 × 56.5 cm, The Art Institute of Chicago . 1907 210 Sargent - Jane Emmet und Wilfred de Glehn

Free storage of liberty bonds MET DP867901 726160 Publisher: Issued by Liberty Loan Committee, Free storage of liberty bonds, ca. 1919, Commercial color lithograph, Sheet: 21 7/8 ? 15 15/16 in. (55.5 ? 40.5 cm). The Metropolitan Museum of Art, New York. Gift of William C. Moore, 1972 (1972.535.210) Stock Photo

RMKNHXK9–Free storage of liberty bonds MET DP867901 726160 Publisher: Issued by Liberty Loan Committee, Free storage of liberty bonds, ca. 1919, Commercial color lithograph, Sheet: 21 7/8 ? 15 15/16 in. (55.5 ? 40.5 cm). The Metropolitan Museum of Art, New York. Gift of William C. Moore, 1972 (1972.535.210)

Adoration of the Magi; Defendente Ferrari, Italian, Stock Photo

RMDE2MF0–Adoration of the Magi; Defendente Ferrari, Italian,

RMT8NDPK–A Corinthian pottery skyphos, 600 - 575 BC Thinly-potted, the body with a panther and a swan moving right and a goat moving left, its head lowered, rosettes in the field, with rays above the foot, vertical lines in the handle zones, details in added red. Height 8.3 cm. Provenance: Collection of Dr. Jean Lauffenburger, 1970s, Royal-Athena, 1987, William Suddaby, Key West, acquired 1989, Christie's, New York, 9 December 2005, no. 210. USA-lot, see page 5. historic, historical, ancient world, ancient times, Greek, Hellas, ancient world, Additional-Rights-Clearance-Info-Not-Available

Coin of the Senones MET sf17-191-210s1 464911 Celtic, Coin of the Senones, 2nd?1st century B.C., Potin, 5/8 ? 11/16 ? 1/8 in., 0.1oz. (1.6 ? 1.8 ? 0.3 cm, 3.5g). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.210) Stock Photo

RMKNMM20–Coin of the Senones MET sf17-191-210s1 464911 Celtic, Coin of the Senones, 2nd?1st century B.C., Potin, 5/8 ? 11/16 ? 1/8 in., 0.1oz. (1.6 ? 1.8 ? 0.3 cm, 3.5g). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.210)

. Denkschriften - Österreichische Akademie der Wissenschaften. Ergebnisse der Monte Rosa-Expedition. 217 tabelle VI. (Körperruhe). (Monte Rosa) 4560 m. Exspirationsluft Zuwachs Defizit CO2 % 0. 0/^ pro Minute COo C7«3 Oo cm^ Respirat. Quotient Kalorien pro Minute Körper- gewicht Kalorien pro Minute und m- Nr. Periode 1906. 3-60 3-81 4-09 4-02 3-78 3-69 3-84 4-74 5-08 5-06 5' 15 4-52 4-80 4-89 liU8*& 210-3 234-3 225-7 222-9 212-1 218-» 270-8 280-2 289-9 289-1 266-5 275-9 278-7 0-768 0-750 0-808 0-781 0-836 0-769 0-785 1-332 r3-5 73-2 72-6 731 0-617 101 102 113 114 120 121 Periode 1906. 7 4- Stock Photo

RMPFDWKA–. Denkschriften - Österreichische Akademie der Wissenschaften. Ergebnisse der Monte Rosa-Expedition. 217 tabelle VI. (Körperruhe). (Monte Rosa) 4560 m. Exspirationsluft Zuwachs Defizit CO2 % 0. 0/^ pro Minute COo C7«3 Oo cm^ Respirat. Quotient Kalorien pro Minute Körper- gewicht Kalorien pro Minute und m- Nr. Periode 1906. 3-60 3-81 4-09 4-02 3-78 3-69 3-84 4-74 5-08 5-06 5' 15 4-52 4-80 4-89 liU8*& 210-3 234-3 225-7 222-9 212-1 218-» 270-8 280-2 289-9 289-1 266-5 275-9 278-7 0-768 0-750 0-808 0-781 0-836 0-769 0-785 1-332 r3-5 73-2 72-6 731 0-617 101 102 113 114 120 121 Periode 1906. 7 4-

Four Crows in a Tree Crows on a tree branch, Three crows sitting on a tree branch, with another crow approaching. In wooden box., Mano Gyotei, Japan, c. 1900 - c. 1925, schildering, montering, h 124.7 cm × w 51.0 cm h 210.5 cm × w 64.3 cm h 8 cm × w 75 cm × d 8.5 cm Stock Photo

RMW54135–Four Crows in a Tree Crows on a tree branch, Three crows sitting on a tree branch, with another crow approaching. In wooden box., Mano Gyotei, Japan, c. 1900 - c. 1925, schildering, montering, h 124.7 cm × w 51.0 cm h 210.5 cm × w 64.3 cm h 8 cm × w 75 cm × d 8.5 cm

Textile, Jeanne d'Arc; Designed by Charles Abraham Chasselat (French, 1782 – 1843); Manufactured by Hartmann et Fils (France); France; cotton; Warp x Weft (a): 210.8 x 86.4 cm (6 ft. 11 in. x 34 in.) Warp x Weft (i): 149.9 x 86.4 cm (59 x 34 in.) Repeat H (straight): 61 cm (24 in.) H x W (b): 232.5 x 69 cm (7 ft. 7 9/16 in. x 27 3/16 in.) H x W (c): 176.6 x 87.6 cm (5 ft. 9 1/2 in. x 34 1/2 in.) H x W (d): 217.3 x 69 cm (7 ft. 1 9/16 in. x 27 3/16 in.) H x W (e): 223.6 x 69 cm (7 ft. 4 1/16 in. x 27 3/16 in.); Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma Greenleaf; Stock Photo

RM2PMKR68–Textile, Jeanne d'Arc; Designed by Charles Abraham Chasselat (French, 1782 – 1843); Manufactured by Hartmann et Fils (France); France; cotton; Warp x Weft (a): 210.8 x 86.4 cm (6 ft. 11 in. x 34 in.) Warp x Weft (i): 149.9 x 86.4 cm (59 x 34 in.) Repeat H (straight): 61 cm (24 in.) H x W (b): 232.5 x 69 cm (7 ft. 7 9/16 in. x 27 3/16 in.) H x W (c): 176.6 x 87.6 cm (5 ft. 9 1/2 in. x 34 1/2 in.) H x W (d): 217.3 x 69 cm (7 ft. 1 9/16 in. x 27 3/16 in.) H x W (e): 223.6 x 69 cm (7 ft. 4 1/16 in. x 27 3/16 in.); Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma Greenleaf;

RF2B90D6K–Kesa, 1650/1700, Edo period (1615–1868), Japan, Silk and gilt-paper strip, twill weave with secondary binding warp and supplementary patterning wefts, 119.4 x 210.5 cm (47 x 82 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RM2M91BJH–The Brooklyn Oracle Papyrus The Brooklyn Oracle Papyrus, October 4, 651 B.C.E. Papyrus, pigment, ink, Overall: 10 15/16 × 210 5/16 in. (27.8 × 534.2 cm). The Brooklyn Oracle Papyrus records the petition of a man named Pemou on behalf of his father, Harsiese. Harsiese was an ordinary priest in the service of the god Amun-Re at Karnak, but he wished to leave that god's service and join the priesthood of the neighboring temple of Montu-Re-Horakhty. Because temple personnel were seen as the property of the divinity, the god had to be consulted about any change in staff. Pemou asked for the god's

Archive image from page 141 of Die Säugthiere Deutsch-Ost-Afrikas (1895). Die Säugthiere Deutsch-Ost-Afrikas diesugthierede00mats Year: 1895 — HO — Nach Böhm ist die Kuhantilope mit dem Stiinwulst vom Westrande der Mgunda-MkaH an bis zum Tanganyika verbreitet. Derselbe Reisende nennt die Haltung- dieser Kuhantilopen sehr sonderbar, fast eselhaft. Die alten Böcke sind auf dem Rücken fast haarlos. 172. Bubalis cokei (Gthr.) — Kongoni-Antilope. Günther, Ann. Mag. N. H. (5) XIV. p. 426. Schulterhöhe 115 cm. L. 210; c. 45 cm. Grösster Abstand des Vorder- randes der Gehörnwurzel von der Spitze: 34 Stock Photo

RMT3XPFB–Archive image from page 141 of Die Säugthiere Deutsch-Ost-Afrikas (1895). Die Säugthiere Deutsch-Ost-Afrikas diesugthierede00mats Year: 1895 — HO — Nach Böhm ist die Kuhantilope mit dem Stiinwulst vom Westrande der Mgunda-MkaH an bis zum Tanganyika verbreitet. Derselbe Reisende nennt die Haltung- dieser Kuhantilopen sehr sonderbar, fast eselhaft. Die alten Böcke sind auf dem Rücken fast haarlos. 172. Bubalis cokei (Gthr.) — Kongoni-Antilope. Günther, Ann. Mag. N. H. (5) XIV. p. 426. Schulterhöhe 115 cm. L. 210; c. 45 cm. Grösster Abstand des Vorder- randes der Gehörnwurzel von der Spitze: 34

Kesa. Japan. Date: 1650-1700. Dimensions: 119.4 x 210.5 cm (47 x 82 7/8 in.). Silk and gilt-paper strip; twill weave with secondary binding warp and supplementary patterning wefts. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXFH93–Kesa. Japan. Date: 1650-1700. Dimensions: 119.4 x 210.5 cm (47 x 82 7/8 in.). Silk and gilt-paper strip; twill weave with secondary binding warp and supplementary patterning wefts. Origin: Japan. Museum: The Chicago Art Institute.

Painting; oil on canvas; overall: 210.3 x 127 cm (82 13/16 x 50 in.) framed: 231.8 x 146.4 cm (91 1/4 x 57 5/8 in.); Goya - The Marquesa de Pontejos Stock Photo

RMMMY8ET–Painting; oil on canvas; overall: 210.3 x 127 cm (82 13/16 x 50 in.) framed: 231.8 x 146.4 cm (91 1/4 x 57 5/8 in.); Goya - The Marquesa de Pontejos

. English: Countess de La Mettrie (1875-1943) in equestrian dress oil on canvas 210 x 125.5 cm signed b.r.: Ch Walhain 1910 . 1910. Charles-Albert Walhain (1877-1936) 145 Countess de la Maitrie, by Charles-Albert Walhain Stock Photo

RMMW4HCG–. English: Countess de La Mettrie (1875-1943) in equestrian dress oil on canvas 210 x 125.5 cm signed b.r.: Ch Walhain 1910 . 1910. Charles-Albert Walhain (1877-1936) 145 Countess de la Maitrie, by Charles-Albert Walhain

RMKNYEXG–Coin of the Senones MET sf17-191-210s1 464911 Celtic, Coin of the Senones, 2nd?1st century B.C., Potin, 5/8 ? 11/16 ? 1/8 in., 0.1oz. (1.6 ? 1.8 ? 0.3 cm, 3.5g). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.210)

Kesa, Edo period (1615–1868), late 18th century, Japan, 210.5 x 112.4 cm (82 7/8 x 44 1/4 in Stock Photo

RM2A2JN5P–Kesa, Edo period (1615–1868), late 18th century, Japan, 210.5 x 112.4 cm (82 7/8 x 44 1/4 in

A manual of anatomy . Fig. 210.—The oral salivary glands in their normal positions. process. In front it extends a little distance over the massetermuscle, behind to the external auditory canal and sternomastoidmuscle. The deepest and thickest part is wedge-shaped and inclose relation with the great vessels of the neck. This constitutesthe processus retromandibtilaris and occupies the so-called parotidfossa. Within the gland are important vessels and the facial nerveand its branches. The parotid duct {ductus parotideus) extends from the upperanterior part of the gland, is 5 to 6 cm. in length Stock Photo

RM2AXGR15–A manual of anatomy . Fig. 210.—The oral salivary glands in their normal positions. process. In front it extends a little distance over the massetermuscle, behind to the external auditory canal and sternomastoidmuscle. The deepest and thickest part is wedge-shaped and inclose relation with the great vessels of the neck. This constitutesthe processus retromandibtilaris and occupies the so-called parotidfossa. Within the gland are important vessels and the facial nerveand its branches. The parotid duct {ductus parotideus) extends from the upperanterior part of the gland, is 5 to 6 cm. in length

RF2B9CEW4–Landscape in Brazil, Landscape in Brazil. Look through plants to a river landscape with a plantation in the distance. In the foreground tropical plants (pineapple, gourd, cactus) and animals (bird, grasshopper), landscapes in tropical and sub-tropical regions, plantation, Brasil, Frans Jansz Post (mentioned on object), 1652, canvas, oil paint (paint), h 282.5 cm × w 210.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, move

RM2M91BHR–The Brooklyn Oracle Papyrus The Brooklyn Oracle Papyrus, October 4, 651 B.C.E. Papyrus, pigment, ink, Overall: 10 15/16 × 210 5/16 in. (27.8 × 534.2 cm). The Brooklyn Oracle Papyrus records the petition of a man named Pemou on behalf of his father, Harsiese. Harsiese was an ordinary priest in the service of the god Amun-Re at Karnak, but he wished to leave that god's service and join the priesthood of the neighboring temple of Montu-Re-Horakhty. Because temple personnel were seen as the property of the divinity, the god had to be consulted about any change in staff. Pemou asked for the god's

Wall hangings (3). Artist: After a design by Philippe de Lasalle (French, 1723-1804). Culture: French. Dimensions: .35: H. 127 x W. 80 1/2 inches (322.6 x 204.5 cm); .36 and .37 each: H. 126 x W. 83 inches (320 x 210.8 cm). Date: 1774-93. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPARAHX–Wall hangings (3). Artist: After a design by Philippe de Lasalle (French, 1723-1804). Culture: French. Dimensions: .35: H. 127 x W. 80 1/2 inches (322.6 x 204.5 cm); .36 and .37 each: H. 126 x W. 83 inches (320 x 210.8 cm). Date: 1774-93. Museum: Metropolitan Museum of Art, New York, USA.

RMMY6R0Y–. English: Countess de La Mettrie (1875-1943) in equestrian dress oil on canvas 210 x 125.5 cm signed b.r.: Ch Walhain 1910 . 1910. Charles-Albert Walhain (1877-1936) 125 Countess de la Maitrie, by Charles-Albert Walhain

Coin of the Senones MET sf17-191-210s2 464911 Celtic, Coin of the Senones, 2nd?1st century B.C., Potin, 5/8 ? 11/16 ? 1/8 in., 0.1oz. (1.6 ? 1.8 ? 0.3 cm, 3.5g). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.210) Stock Photo

RMKNMM21–Coin of the Senones MET sf17-191-210s2 464911 Celtic, Coin of the Senones, 2nd?1st century B.C., Potin, 5/8 ? 11/16 ? 1/8 in., 0.1oz. (1.6 ? 1.8 ? 0.3 cm, 3.5g). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.210)

Olof Arenius, 16.12.1700, Bro, 5.5.1766, Stockholm (city), Portrait of a young lady, 8 × 7.3 cm, oil, oil on cardboard, cardboard S 210 Stock Photo

RM2T8W8E7–Olof Arenius, 16.12.1700, Bro, 5.5.1766, Stockholm (city), Portrait of a young lady, 8 × 7.3 cm, oil, oil on cardboard, cardboard S 210

Fragmentary Muse Sarcophagus; about A.D. 210; Marble, bluish-grained; 49.5 x 63 cm, 19 1,2 x 24 13,16 in Stock Photo

RMPPT2D7–Fragmentary Muse Sarcophagus; about A.D. 210; Marble, bluish-grained; 49.5 x 63 cm, 19 1,2 x 24 13,16 in

Issued by W. Duke, Sons & Co., Card Number 210, Davenport, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 1/2 × 1 3/8 in. (6.4 × 3.5 cm Stock Photo

RM2B0JT20–Issued by W. Duke, Sons & Co., Card Number 210, Davenport, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 1/2 × 1 3/8 in. (6.4 × 3.5 cm

Trees; a handbook of forest-botany for the woodlands and the laboratory . 253).w. ii. 14 210 WHITE POPLAR, ETC. Petioles of smaller leaves 2—3 cm. long, round and slender,those of larger leaves 5—9 cm. and compressed, white-tomentose. Lamina thick and tough, deep green and be-coming glabrous above (the venation paler), densely whitecottony or tomentose beneath; though there are varietieswhere this tomentum is greyer or even disappears. Upperstomata absent. Autumn leaves dark brown. Venation as in P. alba, var. canescens, but more palmate,in accordance with the greater segmentation of the leaf. Stock Photo

RM2ANHN4C–Trees; a handbook of forest-botany for the woodlands and the laboratory . 253).w. ii. 14 210 WHITE POPLAR, ETC. Petioles of smaller leaves 2—3 cm. long, round and slender,those of larger leaves 5—9 cm. and compressed, white-tomentose. Lamina thick and tough, deep green and be-coming glabrous above (the venation paler), densely whitecottony or tomentose beneath; though there are varietieswhere this tomentum is greyer or even disappears. Upperstomata absent. Autumn leaves dark brown. Venation as in P. alba, var. canescens, but more palmate,in accordance with the greater segmentation of the leaf.

RF2B991X8–Four Crows in a Tree Crows on a tree branch, Three crows sitting on a tree branch, with another crow approaching. In wooden box., Mano Gyotei, Japan, c. 1900 - c. 1925, schildering, montering, h 124.7 cm × w 51.0 cm h 210.5 cm × w 64.3 cm h 8 cm × w 75 cm × d 8.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RM2M920NY–The Brooklyn Oracle Papyrus The Brooklyn Oracle Papyrus, October 4, 651 B.C.E. Papyrus, pigment, ink, Overall: 10 15/16 × 210 5/16 in. (27.8 × 534.2 cm). The Brooklyn Oracle Papyrus records the petition of a man named Pemou on behalf of his father, Harsiese. Harsiese was an ordinary priest in the service of the god Amun-Re at Karnak, but he wished to leave that god's service and join the priesthood of the neighboring temple of Montu-Re-Horakhty. Because temple personnel were seen as the property of the divinity, the god had to be consulted about any change in staff. Pemou asked for the god's

The Annunciation. Culture: South Netherlandish. Dimensions: 39 5/16 x 83 in. (99.9 x 210.8 cm). Date: ca. 1460-80. Draped in rich ecclesiastical vestments, the archangel Gabriel greets Mary with the words 'Hail, Mary, full of grace, the Lord is with thee' (Luke 1:28) inscribed on a scroll. The Holy Spirit, in the form of a dove, descends on the Virgin, who will become the mother of Jesus. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA8N5X–The Annunciation. Culture: South Netherlandish. Dimensions: 39 5/16 x 83 in. (99.9 x 210.8 cm). Date: ca. 1460-80. Draped in rich ecclesiastical vestments, the archangel Gabriel greets Mary with the words 'Hail, Mary, full of grace, the Lord is with thee' (Luke 1:28) inscribed on a scroll. The Holy Spirit, in the form of a dove, descends on the Virgin, who will become the mother of Jesus. Museum: Metropolitan Museum of Art, New York, USA.

RMMX25CF–. English: Countess de La Mettrie (1875-1943) in equestrian dress oil on canvas 210 x 125.5 cm signed b.r.: Ch Walhain 1910 . 1910. Charles-Albert Walhain (1877-1936) 145 Countess de la Maitrie, by Charles-Albert Walhain

Painting; oil on canvas; overall: 153.7 x 93 cm (60 1/2 x 36 5/8 in.) framed: 181.6 x 122.2 x 10.2 cm (71 1/2 x 48 1/8 x 4 in.); 210 Sargent Mrs Adrian Iselin Stock Photo

RMP76CCA–Painting; oil on canvas; overall: 153.7 x 93 cm (60 1/2 x 36 5/8 in.) framed: 181.6 x 122.2 x 10.2 cm (71 1/2 x 48 1/8 x 4 in.); 210 Sargent Mrs Adrian Iselin

RMKNYEXH–Coin of the Senones MET sf17-191-210s2 464911 Celtic, Coin of the Senones, 2nd?1st century B.C., Potin, 5/8 ? 11/16 ? 1/8 in., 0.1oz. (1.6 ? 1.8 ? 0.3 cm, 3.5g). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.191.210)

Caster MET DP110818 1466 Maker: William Forbes, baptized 1799, active New York, 1826?63, Caster, ca. 1840, Silver, Overall: 6 13/16 x 2 3/4 in. (17.3 x 7 cm); 5 oz. 7 dwt. (167.1 g) Body: H. 4 5/8 in. (11.7 cm); 4 oz. 7 dwt. (135.3 g) Cover: H. 2 1/2 in. (6.4 cm); 1 oz. (31.8 g) Foot: Diam. 2 1/16 in. (5.2 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.210) Stock Photo

RMKN9APA–Caster MET DP110818 1466 Maker: William Forbes, baptized 1799, active New York, 1826?63, Caster, ca. 1840, Silver, Overall: 6 13/16 x 2 3/4 in. (17.3 x 7 cm); 5 oz. 7 dwt. (167.1 g) Body: H. 4 5/8 in. (11.7 cm); 4 oz. 7 dwt. (135.3 g) Cover: H. 2 1/2 in. (6.4 cm); 1 oz. (31.8 g) Foot: Diam. 2 1/16 in. (5.2 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.210)

Issued by W. Duke, Sons & Co., Card Number 210, Miss Theo, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 5/8 × 1 7/16 in. (6.6 × 3.7 cm Stock Photo

RM2B0JW3H–Issued by W. Duke, Sons & Co., Card Number 210, Miss Theo, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 5/8 × 1 7/16 in. (6.6 × 3.7 cm

Scientific and applied pharmacognosy intended for the use of students in pharmacy, as a hand book for pharmacists, and as a reference book for food and drug analysts and pharmacologists . Fig. 89.—Golden seal (Hydrastis canadensis): A, young plant with horizontalrhizome and numerous roots. B, fruit-head of small berries. C. olderplant showing the palmately lobed leaves. Description.—Rhizome horizontal or oblique, sub-cylindrical,2 to 5 cm. in length, 3 to 6 mm. in diameter; externally yellowishor dark brown, slightly annulate from circular scars of bud-scales, 210 SCIENTIFIC AND APPLIED PHARMA Stock Photo

RM2AJ8DW5–Scientific and applied pharmacognosy intended for the use of students in pharmacy, as a hand book for pharmacists, and as a reference book for food and drug analysts and pharmacologists . Fig. 89.—Golden seal (Hydrastis canadensis): A, young plant with horizontalrhizome and numerous roots. B, fruit-head of small berries. C. olderplant showing the palmately lobed leaves. Description.—Rhizome horizontal or oblique, sub-cylindrical,2 to 5 cm. in length, 3 to 6 mm. in diameter; externally yellowishor dark brown, slightly annulate from circular scars of bud-scales, 210 SCIENTIFIC AND APPLIED PHARMA

Kesa, Edo period (1615–1868), late 18th century, Japan, 210.5 x 112.4 cm (82 7/8 x 44 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8XDDF–Kesa, Edo period (1615–1868), late 18th century, Japan, 210.5 x 112.4 cm (82 7/8 x 44 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RM2M91BJ8–The Brooklyn Oracle Papyrus The Brooklyn Oracle Papyrus, October 4, 651 B.C.E. Papyrus, pigment, ink, Overall: 10 15/16 × 210 5/16 in. (27.8 × 534.2 cm). The Brooklyn Oracle Papyrus records the petition of a man named Pemou on behalf of his father, Harsiese. Harsiese was an ordinary priest in the service of the god Amun-Re at Karnak, but he wished to leave that god's service and join the priesthood of the neighboring temple of Montu-Re-Horakhty. Because temple personnel were seen as the property of the divinity, the god had to be consulted about any change in staff. Pemou asked for the god's

Plaque with Greek dedication to Isis, Serapis and Apollo by Komon for the benefit of Ptolemy IV and V. Dimensions: L. 27.9 cm (11 in.); H. 17.5 cm (6 7/8 in.); Th. 5.1 cm (2 in.). Dynasty: Ptolemaic Dynasty. Reign: reign of Ptolemy IV-V Coregency. Date: 210-204 B.C.. This plaque can be precisely dated to the overlapping reigns fo Ptolemy IV and V. It was dedicated on behalf of these kings at a sanctuary of Isis, Serapis and Apollo, by Komon, an oeconomos.. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAJP8D–Plaque with Greek dedication to Isis, Serapis and Apollo by Komon for the benefit of Ptolemy IV and V. Dimensions: L. 27.9 cm (11 in.); H. 17.5 cm (6 7/8 in.); Th. 5.1 cm (2 in.). Dynasty: Ptolemaic Dynasty. Reign: reign of Ptolemy IV-V Coregency. Date: 210-204 B.C.. This plaque can be precisely dated to the overlapping reigns fo Ptolemy IV and V. It was dedicated on behalf of these kings at a sanctuary of Isis, Serapis and Apollo, by Komon, an oeconomos.. Museum: Metropolitan Museum of Art, New York, USA.

. English: Moses and the Brass Serpent, oil on oakwood, 63.5 x 96 cm Deutsch: Moses errichtet die ehrene Schlange in der Wüste Sinai, Öl auf Eichenholz, 63,5 x 96 cm . 17th century. anonymous Flemish painter 210 Flemish 17th century Moses and the Brass Serpent Stock Photo

RMMWD919–. English: Moses and the Brass Serpent, oil on oakwood, 63.5 x 96 cm Deutsch: Moses errichtet die ehrene Schlange in der Wüste Sinai, Öl auf Eichenholz, 63,5 x 96 cm . 17th century. anonymous Flemish painter 210 Flemish 17th century Moses and the Brass Serpent

. Fishing on a Snowy River, by Chinese artist Xu Daoning, 11th century, Song Dynasty, ink and light color on silk hanging scroll, 169 cm by 110.5 cm, located in the National Palace Museum of Taipei, Taiwan. 11th century. Xu Daoning 210 Fishing on a Snowy River, by Xu Daoning, 11th century Stock Photo

RMMXDRXX–. Fishing on a Snowy River, by Chinese artist Xu Daoning, 11th century, Song Dynasty, ink and light color on silk hanging scroll, 169 cm by 110.5 cm, located in the National Palace Museum of Taipei, Taiwan. 11th century. Xu Daoning 210 Fishing on a Snowy River, by Xu Daoning, 11th century

Caster MET DP110817 1466 Maker: William Forbes, baptized 1799, active New York, 1826?63, Caster, ca. 1840, Silver, Overall: 6 13/16 x 2 3/4 in. (17.3 x 7 cm); 5 oz. 7 dwt. (167.1 g) Body: H. 4 5/8 in. (11.7 cm); 4 oz. 7 dwt. (135.3 g) Cover: H. 2 1/2 in. (6.4 cm); 1 oz. (31.8 g) Foot: Diam. 2 1/16 in. (5.2 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.210) Stock Photo

RMKN9ATD–Caster MET DP110817 1466 Maker: William Forbes, baptized 1799, active New York, 1826?63, Caster, ca. 1840, Silver, Overall: 6 13/16 x 2 3/4 in. (17.3 x 7 cm); 5 oz. 7 dwt. (167.1 g) Body: H. 4 5/8 in. (11.7 cm); 4 oz. 7 dwt. (135.3 g) Cover: H. 2 1/2 in. (6.4 cm); 1 oz. (31.8 g) Foot: Diam. 2 1/16 in. (5.2 cm). The Metropolitan Museum of Art, New York. Bequest of Alphonso T. Clearwater, 1933 (33.120.210)

210 5 cm Stock Photos and Images

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