Shoulao (Sunoin), God of Longevity; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Purchased with Museum Funds (M.2000.15.33) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Shoulao (Sunoin), God of Longevity; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Purchased with Museum Funds (M.2000.15.33) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/shoulao-sunoin-god-of-longevity-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-purchased-with-museum-funds-m20001533-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257212686.html
'Shoulao (Sunoin), God of Longevity; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Purchased with Museum Funds (M.2000.15.33) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Shoulao (Sunoin), God of Longevity; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Purchased with Museum Funds (M.2000.15.33) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/shoulao-sunoin-god-of-longevity-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-purchased-with-museum-funds-m20001533-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349839987.html
White Cockatoo, 18th Century Japanese hanging scroll by Itō Jakuchū, circa 1755
White Cockatoo, 18th Century Japanese hanging scroll by Itō Jakuchū, circa 1755 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/white-cockatoo-18th-century-japanese-hanging-scroll-by-it-jakuch-circa-1755-image458365080.html
Standing Buddha(?), Thailand, 17th–18th century, Thailand, Hanging scroll; color on cloth, 117 7/8 x 36 in. (299.4 x 91.4 cm), Paintings
Standing Buddha(?), Thailand, 17th–18th century, Thailand, Hanging scroll; color on cloth, 117 7/8 x 36 in. (299.4 x 91.4 cm), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/standing-buddha-thailand-17th18th-century-thailand-hanging-scroll-color-on-cloth-117-78-x-36-in-2994-x-914-cm-paintings-image344603481.html
Korea: 'Chijang Posal'. Hanging scroll painting, early 18th century. Chijang Posal (Korean version of Ksitigarbha) as Supreme Lord of the Underworld. Ksitigarbha is a bodhisattva primarily revered in East Asian Buddhism, usually depicted as a Buddhist monk in the Orient. The name may be translated as 'Earth Treasury'. Ksitigarbha is known for his vow to take responsibility for the instruction of all beings in the six worlds between the death of Gautama (Sakyamuni) Buddha and the rise of Maitreya Buddha, as well as his vow not to achieve Buddhahood until all hells are emptied.Ruler
Korea: 'Chijang Posal'. Hanging scroll painting, early 18th century. Chijang Posal (Korean version of Ksitigarbha) as Supreme Lord of the Underworld. Ksitigarbha is a bodhisattva primarily revered in East Asian Buddhism, usually depicted as a Buddhist monk in the Orient. The name may be translated as 'Earth Treasury'. Ksitigarbha is known for his vow to take responsibility for the instruction of all beings in the six worlds between the death of Gautama (Sakyamuni) Buddha and the rise of Maitreya Buddha, as well as his vow not to achieve Buddhahood until all hells are emptied.Ruler https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/korea-chijang-posal-hanging-scroll-painting-early-18th-century-chijang-posal-korean-version-of-ksitigarbha-as-supreme-lord-of-the-underworld-ksitigarbha-is-a-bodhisattva-primarily-revered-in-east-asian-buddhism-usually-depicted-as-a-buddhist-monk-in-the-orient-the-name-may-be-translated-as-earth-treasury-ksitigarbha-is-known-for-his-vow-to-take-responsibility-for-the-instruction-of-all-beings-in-the-six-worlds-between-the-death-of-gautama-sakyamuni-buddha-and-the-rise-of-maitreya-buddha-as-well-as-his-vow-not-to-achieve-buddhahood-until-all-hells-are-emptiedruler-image344235070.html
Tiger, Magpies, and Pine. Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on silk
Tiger, Magpies, and Pine. Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on silk https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/tiger-magpies-and-pine-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-silk-image464704533.html
Japan: 'A Chinese Beauty'. Hanging scroll painting by Maruyama Okyo (12 June 1733 - 31 August 1795), 18th century. Maruyama Okyo, born Maruyama Masataka, was an artist of the Edo Period who specialised in painting in a traditional Chinese style combined with Western elements such as perspective. This features in 'Portrait of a Chinese Beauty' with the use of reflection (albeit inaccurately rendered) in the mirror. He founded the Maruyama school of painting and it proved a success with laypeople, despite the criticism of his fellow artists for his slavish devotion to natural representation.
Japan: 'A Chinese Beauty'. Hanging scroll painting by Maruyama Okyo (12 June 1733 - 31 August 1795), 18th century. Maruyama Okyo, born Maruyama Masataka, was an artist of the Edo Period who specialised in painting in a traditional Chinese style combined with Western elements such as perspective. This features in 'Portrait of a Chinese Beauty' with the use of reflection (albeit inaccurately rendered) in the mirror. He founded the Maruyama school of painting and it proved a success with laypeople, despite the criticism of his fellow artists for his slavish devotion to natural representation. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japan-a-chinese-beauty-hanging-scroll-painting-by-maruyama-okyo-12-june-1733-31-august-1795-18th-century-maruyama-okyo-born-maruyama-masataka-was-an-artist-of-the-edo-period-who-specialised-in-painting-in-a-traditional-chinese-style-combined-with-western-elements-such-as-perspective-this-features-in-portrait-of-a-chinese-beauty-with-the-use-of-reflection-albeit-inaccurately-rendered-in-the-mirror-he-founded-the-maruyama-school-of-painting-and-it-proved-a-success-with-laypeople-despite-the-criticism-of-his-fellow-artists-for-his-slavish-devotion-to-natural-representation-image344234471.html
Inspired by Ink Bamboo, Gion Nankai, Japanese, 1676–1751, Edo period, 1615–1868, early 18th century, Hanging scroll: ink on silk, Made in Japan, Asia, Paintings, 14 3/4 x 20 1/4 in. (37.5 x 51.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Inspired by Ink Bamboo, Gion Nankai, Japanese, 1676–1751, Edo period, 1615–1868, early 18th century, Hanging scroll: ink on silk, Made in Japan, Asia, Paintings, 14 3/4 x 20 1/4 in. (37.5 x 51.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/inspired-by-ink-bamboo-gion-nankai-japanese-16761751-edo-period-16151868-early-18th-century-hanging-scroll-ink-on-silk-made-in-japan-asia-paintings-14-34-x-20-14-in-375-x-515-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459272682.html
China: Prince Yunli (24 March 1697 - 21 March 1738), 17th son of the Qing Dynasty Kangxi Emperor. Hanging scroll painting by Jiang Tingxi (1669-1732), 18th century. Yunli, born Yinli and formally known as Prince Guo, was the seventeenth son of the Qing Dynasty Kangxi Emperor. Unlike his brothers, Yunli was never involved in the succession struggles for the throne, focusing on his political achievements as well as his art and poetry. When his brother Yinzhi became the Yongzheng Emperor, Yunli was promoted and appointed to the Grand Council, where he was given greater responsibilities.
China: Prince Yunli (24 March 1697 - 21 March 1738), 17th son of the Qing Dynasty Kangxi Emperor. Hanging scroll painting by Jiang Tingxi (1669-1732), 18th century. Yunli, born Yinli and formally known as Prince Guo, was the seventeenth son of the Qing Dynasty Kangxi Emperor. Unlike his brothers, Yunli was never involved in the succession struggles for the throne, focusing on his political achievements as well as his art and poetry. When his brother Yinzhi became the Yongzheng Emperor, Yunli was promoted and appointed to the Grand Council, where he was given greater responsibilities. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/china-prince-yunli-24-march-1697-21-march-1738-17th-son-of-the-qing-dynasty-kangxi-emperor-hanging-scroll-painting-by-jiang-tingxi-1669-1732-18th-century-yunli-born-yinli-and-formally-known-as-prince-guo-was-the-seventeenth-son-of-the-qing-dynasty-kangxi-emperor-unlike-his-brothers-yunli-was-never-involved-in-the-succession-struggles-for-the-throne-focusing-on-his-political-achievements-as-well-as-his-art-and-poetry-when-his-brother-yinzhi-became-the-yongzheng-emperor-yunli-was-promoted-and-appointed-to-the-grand-council-where-he-was-given-greater-responsibilities-image344234403.html
Chinese Empress Xiaojingxian (1681-1731), Empress consort of the Qing Dynasty (1723-1731), hanging scroll, 1700-1799
Chinese Empress Xiaojingxian (1681-1731), Empress consort of the Qing Dynasty (1723-1731), hanging scroll, 1700-1799 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chineseempress-xiaojingxian-1681-1731-empress-consort-of-the-qing-dynasty-1723-1731-hanging-scroll-1700-1799-image425922868.html
Women Viewing Scroll Paintings of the Gods of Good Fortune, late 18th-early 19th century.
Women Viewing Scroll Paintings of the Gods of Good Fortune, late 18th-early 19th century. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/women-viewing-scroll-paintings-of-the-gods-of-good-fortune-late-18th-early-19th-century-image457031801.html
Chinese Emperor, The Qianlong Emperor (1711-1799), portrait, hanging scroll by Giuseppe Castiglione, 1736- c. 1770
Chinese Emperor, The Qianlong Emperor (1711-1799), portrait, hanging scroll by Giuseppe Castiglione, 1736- c. 1770 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chinese-emperor-the-qianlong-emperor-1711-1799-portrait-hanging-scroll-by-giuseppe-castiglione-1736-c-1770-image426566292.html
Hanging scroll. Culture: China. Dimensions: H. 6 in. (15.2 cm); Diam. 6 1/4 in. (15.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Hanging scroll. Culture: China. Dimensions: H. 6 in. (15.2 cm); Diam. 6 1/4 in. (15.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hanging-scroll-culture-china-dimensions-h-6-in-152-cm-diam-6-14-in-159-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212937155.html
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 17 O sf
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 17 O sf https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japan-hanging-scroll-paintings-18th19th-century-67-met-14-76-17-o-sf-image210564451.html
Mount Penglai, mythical Chinese island, landscape painting, Yuan Yao, 18th Century
Mount Penglai, mythical Chinese island, landscape painting, Yuan Yao, 18th Century https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mount-penglai-mythical-chinese-island-landscape-painting-yuan-yao-18th-century-image247110028.html
Landscape; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 10 5/8 x 8 3/4 in. (27 x 22.23 cm); Mount: 51 1/4 x 14 1/2 in. (130.18 x 36.83 cm); Roller: 17 1/4 in. (43.82 cm) Purchased with Museum Funds (M.2000.15.23) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Landscape; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 10 5/8 x 8 3/4 in. (27 x 22.23 cm); Mount: 51 1/4 x 14 1/2 in. (130.18 x 36.83 cm); Roller: 17 1/4 in. (43.82 cm) Purchased with Museum Funds (M.2000.15.23) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/landscape-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image-10-58-x-8-34-in-27-x-2223-cm-mount-51-14-x-14-12-in-13018-x-3683-cm-roller-17-14-in-4382-cm-purchased-with-museum-funds-m20001523-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257100935.html
'Zhongli Quan (Chongni Kwon) with Liu Hai (Yu Hae), Two Chinese Daoist Immortals; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Purchased with Museum Funds (M.2000.15.34) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Zhongli Quan (Chongni Kwon) with Liu Hai (Yu Hae), Two Chinese Daoist Immortals; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Purchased with Museum Funds (M.2000.15.34) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/zhongli-quan-chongni-kwon-with-liu-hai-yu-hae-two-chinese-daoist-immortals-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-purchased-with-museum-funds-m20001534-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349859033.html
Buddhist Temple Painting, Thailand, 18th century, Thailand, Hanging scroll; color on canvas(?), 87 31/32 x 38 1/4 in. (223.5 x 97.2 cm), Paintings
Buddhist Temple Painting, Thailand, 18th century, Thailand, Hanging scroll; color on canvas(?), 87 31/32 x 38 1/4 in. (223.5 x 97.2 cm), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/buddhist-temple-painting-thailand-18th-century-thailand-hanging-scroll-color-on-canvas-87-3132-x-38-14-in-2235-x-972-cm-paintings-image344603403.html
Artist: Wu Huan, Birds Among Bamboo and Roses, 18th century, Hanging scroll, ink and color on silk, without mounting: 50 × 24 in. (127 × 61 cm), China, Chinese, Qing dynasty (1644–1911), Paintings
Artist: Wu Huan, Birds Among Bamboo and Roses, 18th century, Hanging scroll, ink and color on silk, without mounting: 50 × 24 in. (127 × 61 cm), China, Chinese, Qing dynasty (1644–1911), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/artist-wu-huan-birds-among-bamboo-androses-18thcentury-hanging-scroll-ink-and-color-on-silk-without-mounting-50-24-in-127-61-cm-china-chinese-qing-dynasty16441911-paintings-image393647467.html
Shoulao (Sunoin), God of Longevity. Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on paper
Shoulao (Sunoin), God of Longevity. Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/shoulao-sunoin-god-of-longevity-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image464708707.html
Inspired by Two Scholars, Attendant, and Donkey in a Landscape, Korean, Joseon dynasty, 1392–1910, 17th–18th century, Hanging scroll: ink on silk, Made in Korea, Asia, Paintings, image: 15 3/4 × 14 7/8 in. (40 × 37.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Inspired by Two Scholars, Attendant, and Donkey in a Landscape, Korean, Joseon dynasty, 1392–1910, 17th–18th century, Hanging scroll: ink on silk, Made in Korea, Asia, Paintings, image: 15 3/4 × 14 7/8 in. (40 × 37.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/inspired-by-two-scholars-attendant-and-donkey-in-a-landscape-korean-joseon-dynasty-13921910-17th18th-century-hanging-scroll-ink-on-silk-made-in-korea-asia-paintings-image-15-34-14-78-in-40-378-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459286277.html
China: Prince Yunli (24 March 1697 - 21 March 1738), 17th son of the Qing Dynasty Kangxi Emperor. Hanging scroll painting by Jiang Tingxi (1669-1732), 18th century. Yunli, born Yinli and formally known as Prince Guo, was the seventeenth son of the Qing Dynasty Kangxi Emperor. Unlike his brothers, Yunli was never involved in the succession struggles for the throne, focusing on his political achievements as well as his art and poetry. When his brother Yinzhi became the Yongzheng Emperor, Yunli was promoted and appointed to the Grand Council, where he was given greater responsibilities.
China: Prince Yunli (24 March 1697 - 21 March 1738), 17th son of the Qing Dynasty Kangxi Emperor. Hanging scroll painting by Jiang Tingxi (1669-1732), 18th century. Yunli, born Yinli and formally known as Prince Guo, was the seventeenth son of the Qing Dynasty Kangxi Emperor. Unlike his brothers, Yunli was never involved in the succession struggles for the throne, focusing on his political achievements as well as his art and poetry. When his brother Yinzhi became the Yongzheng Emperor, Yunli was promoted and appointed to the Grand Council, where he was given greater responsibilities. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/china-prince-yunli-24-march-1697-21-march-1738-17th-son-of-the-qing-dynasty-kangxi-emperor-hanging-scroll-painting-by-jiang-tingxi-1669-1732-18th-century-yunli-born-yinli-and-formally-known-as-prince-guo-was-the-seventeenth-son-of-the-qing-dynasty-kangxi-emperor-unlike-his-brothers-yunli-was-never-involved-in-the-succession-struggles-for-the-throne-focusing-on-his-political-achievements-as-well-as-his-art-and-poetry-when-his-brother-yinzhi-became-the-yongzheng-emperor-yunli-was-promoted-and-appointed-to-the-grand-council-where-he-was-given-greater-responsibilities-image344234405.html
Art inspired by Orchids, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink on paper, 38 1/16 x 9 15/16 in. (96.7 x 25.2 cm), Paintings, Ike Taiga (Japanese, 1723–1776, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Orchids, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink on paper, 38 1/16 x 9 15/16 in. (96.7 x 25.2 cm), Paintings, Ike Taiga (Japanese, 1723–1776, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-orchids-edo-period-16151868-18th-century-japan-hanging-scroll-ink-on-paper-38-116-x-9-1516-in-967-x-252-cm-paintings-ike-taiga-japanese-17231776-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462765733.html
A Woman's Poetry Party, c. 1793. In the alcove at top right are hanging scroll paintings depicting ancient poets: Kakinomoto no Hitomaro, Yamabe no Akihito and Sotori.
A Woman's Poetry Party, c. 1793. In the alcove at top right are hanging scroll paintings depicting ancient poets: Kakinomoto no Hitomaro, Yamabe no Akihito and Sotori. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-womans-poetry-party-c-1793-in-the-alcove-at-top-right-are-hanging-scroll-paintings-depicting-ancient-poets-kakinomoto-no-hitomaro-yamabe-no-akihito-and-sotori-image457031903.html
Evening Glow in a Mountain Village and Calligraphy. Artist: Ike Taiga (Japanese, 1723-1776). Calligrapher: Rokunyo (Japanese, 1737-1801). Culture: Japan. Dimensions: Image (each): 9 × 14 5/8 in. (22.9 × 37.1 cm) Overall with mounting (each): 39 1/4 × 21 1/2 in. (99.7 × 54.6 cm). Date: late 18th-early 19th century. These works are part of a set of nine hanging scrolls and an album that includes four paintings by Ike Taiga along with thirteen colophons and poems. Taiga originally made the four paintings as small sliding-door panels (kobusuma). Some time after Taiga's death, the four panels wer
Evening Glow in a Mountain Village and Calligraphy. Artist: Ike Taiga (Japanese, 1723-1776). Calligrapher: Rokunyo (Japanese, 1737-1801). Culture: Japan. Dimensions: Image (each): 9 × 14 5/8 in. (22.9 × 37.1 cm) Overall with mounting (each): 39 1/4 × 21 1/2 in. (99.7 × 54.6 cm). Date: late 18th-early 19th century. These works are part of a set of nine hanging scrolls and an album that includes four paintings by Ike Taiga along with thirteen colophons and poems. Taiga originally made the four paintings as small sliding-door panels (kobusuma). Some time after Taiga's death, the four panels wer https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/evening-glow-in-a-mountain-village-and-calligraphy-artist-ike-taiga-japanese-1723-1776-calligrapher-rokunyo-japanese-1737-1801-culture-japan-dimensions-image-each-9-14-58-in-229-371-cm-overall-with-mounting-each-39-14-21-12-in-997-546-cm-date-late-18th-early-19th-century-these-works-are-part-of-a-set-of-nine-hanging-scrolls-and-an-album-that-includes-four-paintings-by-ike-taiga-along-with-thirteen-colophons-and-poems-taiga-originally-made-the-four-paintings-as-small-sliding-door-panels-kobusuma-some-time-after-taigas-death-the-four-panels-wer-image213300960.html
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 17 D1 sf
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 17 D1 sf https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japan-hanging-scroll-paintings-18th19th-century-67-met-14-76-17-d1-sf-image210564431.html
Cat under Chrysanthemums; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 14 1/8 x 10 3/8 in. (35.88 x 26.35 cm); Mount: 45 1/2 x 15 7/8 in. (115.57 x 40.32 cm); Roller: 18 in. (45.72 cm) Purchased with Museum Funds (M.2000.15.45) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Cat under Chrysanthemums; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 14 1/8 x 10 3/8 in. (35.88 x 26.35 cm); Mount: 45 1/2 x 15 7/8 in. (115.57 x 40.32 cm); Roller: 18 in. (45.72 cm) Purchased with Museum Funds (M.2000.15.45) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cat-under-chrysanthemums-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image-14-18-x-10-38-in-3588-x-2635-cm-mount-45-12-x-15-78-in-11557-x-4032-cm-roller-18-in-4572-cm-purchased-with-museum-funds-m20001545-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image256947574.html
'Spirit of a Noble Woman (Probably Princess Pari) and Attendant; English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll, ink and color on silk Image: 24 x 21 1/2 in. (60.96 x 54.61 cm) Purchased with Museum Funds (M.2000.15.11) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Spirit of a Noble Woman (Probably Princess Pari) and Attendant; English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll, ink and color on silk Image: 24 x 21 1/2 in. (60.96 x 54.61 cm) Purchased with Museum Funds (M.2000.15.11) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/spirit-of-a-noble-woman-probably-princess-pari-and-attendant-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-silk-image-24-x-21-12-in-6096-x-5461-cm-purchased-with-museum-funds-m20001511-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349841834.html
Arhat with Fly Whisk, late 18th–early 19th century, Hanging scroll, ink and color on silk, without mounting: 38 3/8 × 13 in. (97.5 × 33 cm), Japan, Japanese, Edo period (1615–1868), Paintings
Arhat with Fly Whisk, late 18th–early 19th century, Hanging scroll, ink and color on silk, without mounting: 38 3/8 × 13 in. (97.5 × 33 cm), Japan, Japanese, Edo period (1615–1868), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arhat-with-flywhisk-late-18thearly-19thcentury-hanging-scroll-ink-and-color-on-silk-without-mounting-38-38-13-in-975-33cm-japan-japanese-edo-period16151868-paintings-image393223787.html
Landscape. Sim Sajong (Korea, 1707-1769). Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on paper
Landscape. Sim Sajong (Korea, 1707-1769). Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/landscape-sim-sajong-korea-1707-1769-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image464703593.html
China: Prince Yunli (24 March 1697 - 21 March 1738), 17th son of the Qing Dynasty Kangxi Emperor. Hanging scroll painting by Mang Huli (1672-1736), 18th century. Yunli, born Yinli and formally known as Prince Guo, was the seventeenth son of the Qing Dynasty Kangxi Emperor. Unlike his brothers, Yunli was never involved in the succession struggles for the throne, focusing on his political achievements as well as his art and poetry. When his brother Yinzhi became the Yongzheng Emperor, Yunli was promoted and appointed to the Grand Council, where he was given greater responsibilities.
China: Prince Yunli (24 March 1697 - 21 March 1738), 17th son of the Qing Dynasty Kangxi Emperor. Hanging scroll painting by Mang Huli (1672-1736), 18th century. Yunli, born Yinli and formally known as Prince Guo, was the seventeenth son of the Qing Dynasty Kangxi Emperor. Unlike his brothers, Yunli was never involved in the succession struggles for the throne, focusing on his political achievements as well as his art and poetry. When his brother Yinzhi became the Yongzheng Emperor, Yunli was promoted and appointed to the Grand Council, where he was given greater responsibilities. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/china-prince-yunli-24-march-1697-21-march-1738-17th-son-of-the-qing-dynasty-kangxi-emperor-hanging-scroll-painting-by-mang-huli-1672-1736-18th-century-yunli-born-yinli-and-formally-known-as-prince-guo-was-the-seventeenth-son-of-the-qing-dynasty-kangxi-emperor-unlike-his-brothers-yunli-was-never-involved-in-the-succession-struggles-for-the-throne-focusing-on-his-political-achievements-as-well-as-his-art-and-poetry-when-his-brother-yinzhi-became-the-yongzheng-emperor-yunli-was-promoted-and-appointed-to-the-grand-council-where-he-was-given-greater-responsibilities-image344234404.html
Art inspired by Courtesan and Attendant, 18th–19th century, Japan, Hanging scroll; ink and color on paper, 36 1/2 x 15 3/4 in. (92.7 x 40 cm), Paintings, Attributed to Chōbunsai Eishi (Japanese, 1756–1829, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Courtesan and Attendant, 18th–19th century, Japan, Hanging scroll; ink and color on paper, 36 1/2 x 15 3/4 in. (92.7 x 40 cm), Paintings, Attributed to Chōbunsai Eishi (Japanese, 1756–1829, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-courtesan-and-attendant-18th19th-century-japan-hanging-scroll-ink-and-color-on-paper-36-12-x-15-34-in-927-x-40-cm-paintings-attributed-to-chbunsai-eishi-japanese-17561829-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462919320.html
China: 'A Hermit in the Mountains'. Hanging scroll painting by Zhu Henian (1760-1834), c. 1775-1834. This landscape was originally painted on a silk scroll in the late 18th or early 19th century. Zhu Henian was clearly a great admirer of 14th-century painter Huang Gongwang and imitated his simplistic but soothing style.
China: 'A Hermit in the Mountains'. Hanging scroll painting by Zhu Henian (1760-1834), c. 1775-1834. This landscape was originally painted on a silk scroll in the late 18th or early 19th century. Zhu Henian was clearly a great admirer of 14th-century painter Huang Gongwang and imitated his simplistic but soothing style. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/china-a-hermit-in-the-mountains-hanging-scroll-painting-by-zhu-henian-1760-1834-c-1775-1834-this-landscape-was-originally-painted-on-a-silk-scroll-in-the-late-18th-or-early-19th-century-zhu-henian-was-clearly-a-great-admirer-of-14th-century-painter-huang-gongwang-and-imitated-his-simplistic-but-soothing-style-image344235154.html
Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels ( fusuma ) used to define room spaces in traditional Japanese interior settings. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, e
Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels ( fusuma ) used to define room spaces in traditional Japanese interior settings. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, e https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/puppies-sparrows-and-chrysanthemums-1754-1799-rosetsu-is-regarded-as-one-of-the-most-versatile-painters-of-18th-century-japan-he-studied-in-kyoto-japans-cultural-capital-and-enjoyed-a-successful-career-as-an-independent-artist-rather-than-as-a-more-conservative-quotschoolquot-artist-originally-these-four-paintings-were-mounted-on-the-wall-panels-fusuma-used-to-define-room-spaces-in-traditional-japanese-interior-settings-the-light-wood-panels-slide-along-grooves-allowing-interior-spaces-to-change-with-minimal-effort-the-round-circular-areas-in-the-paintings-paper-surfaces-e-image330114559.html
China: 'A Hermit in the Mountains'. Hanging scroll painting by Zhu Henian (1760-1834), c. 1775-1834. This landscape was originally painted on a silk scroll in the late 18th or early 19th century. Zhu Henian was clearly a great admirer of 14th-century painter Huang Gongwang and imitated his simplistic but soothing style.
China: 'A Hermit in the Mountains'. Hanging scroll painting by Zhu Henian (1760-1834), c. 1775-1834. This landscape was originally painted on a silk scroll in the late 18th or early 19th century. Zhu Henian was clearly a great admirer of 14th-century painter Huang Gongwang and imitated his simplistic but soothing style. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/china-a-hermit-in-the-mountains-hanging-scroll-painting-by-zhu-henian-1760-1834-c-1775-1834-this-landscape-was-originally-painted-on-a-silk-scroll-in-the-late-18th-or-early-19th-century-zhu-henian-was-clearly-a-great-admirer-of-14th-century-painter-huang-gongwang-and-imitated-his-simplistic-but-soothing-style-image457661270.html
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 17 D2 sf
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 17 D2 sf https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japan-hanging-scroll-paintings-18th19th-century-67-met-14-76-17-d2-sf-image210564469.html
Japan: 'A Beautiful Woman with her Maid'. Hanging scroll painting by Hishikawa Morofusa (active c. 1685-1715), c. 1700. Yamato-e is a style of Japanese painting inspired by Tang Dynasty paintings and developed in the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term Yamato-e has been used to distinguish work from contemporary Chinese style paintings (kara-e), which were inspired by Song and Yuan Dynasty Zen Buddhism paintings.
Japan: 'A Beautiful Woman with her Maid'. Hanging scroll painting by Hishikawa Morofusa (active c. 1685-1715), c. 1700. Yamato-e is a style of Japanese painting inspired by Tang Dynasty paintings and developed in the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term Yamato-e has been used to distinguish work from contemporary Chinese style paintings (kara-e), which were inspired by Song and Yuan Dynasty Zen Buddhism paintings. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japan-a-beautiful-woman-with-her-maid-hanging-scroll-painting-by-hishikawa-morofusa-active-c-1685-1715-c-1700-yamato-e-is-a-style-of-japanese-painting-inspired-by-tang-dynasty-paintings-and-developed-in-the-late-heian-period-it-is-considered-the-classical-japanese-style-from-the-muromachi-period-15th-century-the-term-yamato-e-has-been-used-to-distinguish-work-from-contemporary-chinese-style-paintings-kara-e-which-were-inspired-by-song-and-yuan-dynasty-zen-buddhism-paintings-image344234890.html
Mother and Children at the New Year. Artist: Utagawa Toyoharu (Japanese, 1735-1814). Culture: Japan. Dimensions: 40 3/4 x 12 1/2 in. (103.5 x 31.8 cm). Date: 18th century. Toyoharu, the founder of the Utagawa school, depicted women more often in paintings than in prints. The gentle elegance of his images of women is also seen in works by other artists of the late eighteenth century. Here, a boy entertains his younger brother by hiding in the layers of their mother's kimono while she tries to hold onto the wriggling child. The playful, swirling movement of the three figures reflects the plea
Mother and Children at the New Year. Artist: Utagawa Toyoharu (Japanese, 1735-1814). Culture: Japan. Dimensions: 40 3/4 x 12 1/2 in. (103.5 x 31.8 cm). Date: 18th century. Toyoharu, the founder of the Utagawa school, depicted women more often in paintings than in prints. The gentle elegance of his images of women is also seen in works by other artists of the late eighteenth century. Here, a boy entertains his younger brother by hiding in the layers of their mother's kimono while she tries to hold onto the wriggling child. The playful, swirling movement of the three figures reflects the plea https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mother-and-children-at-the-new-year-artist-utagawa-toyoharu-japanese-1735-1814-culture-japan-dimensions-40-34-x-12-12-in-1035-x-318-cm-date-18th-century-toyoharu-the-founder-of-the-utagawa-school-depicted-women-more-often-in-paintings-than-in-prints-the-gentle-elegance-of-his-images-of-women-is-also-seen-in-works-by-other-artists-of-the-late-eighteenth-century-here-a-boy-entertains-his-younger-brother-by-hiding-in-the-layers-of-their-mothers-kimono-while-she-tries-to-hold-onto-the-wriggling-child-the-playful-swirling-movement-of-the-three-figures-reflects-the-plea-image233247479.html
China: 'Arhats Laundering'. Hanging scroll painting by Lin Tinggui (fl. circa 1174–1189), 1178 CE, Song Dynasty. Arhat in Buddhism signifies a spiritual practitioner who has realized certain high stages of attainment. The implications of the term vary based on the respective schools and traditions. In Theravada Buddhism, it means anyone who has reached the total Awakening and attained Nirvana, including the Buddha. An ‘arahant’ is a person who has destroyed greed, hatred, and delusion - the unwholesome roots which underlie all fetters - who upon dying will not be reborn in any world.
China: 'Arhats Laundering'. Hanging scroll painting by Lin Tinggui (fl. circa 1174–1189), 1178 CE, Song Dynasty. Arhat in Buddhism signifies a spiritual practitioner who has realized certain high stages of attainment. The implications of the term vary based on the respective schools and traditions. In Theravada Buddhism, it means anyone who has reached the total Awakening and attained Nirvana, including the Buddha. An ‘arahant’ is a person who has destroyed greed, hatred, and delusion - the unwholesome roots which underlie all fetters - who upon dying will not be reborn in any world. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/china-arhats-laundering-hanging-scroll-painting-by-lin-tinggui-fl-circa-11741189-1178-ce-song-dynasty-arhat-in-buddhism-signifies-a-spiritual-practitioner-who-has-realized-certain-high-stages-of-attainment-the-implications-of-the-term-vary-based-on-the-respective-schools-and-traditions-in-theravada-buddhism-it-means-anyone-who-has-reached-the-total-awakening-and-attained-nirvana-including-the-buddha-an-arahant-is-a-person-who-has-destroyed-greed-hatred-and-delusion-the-unwholesome-roots-which-underlie-all-fetters-who-upon-dying-will-not-be-reborn-in-any-world-image344224598.html
Portrait of a Scholar-Official in Blue Robe (image 3 of 4); Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Portrait of a Scholar-Official in Blue Robe (image 3 of 4); Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-a-scholar-official-in-blue-robe-image-3-of-4-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-image-61-14-x-39-in-15558-x-9906-cm-mount-63-12-x-40-34-in-16129-x-1035-cm-purchased-with-museum-funds-m20001515-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257188138.html
'Cat under Chrysanthemums; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 14 1/8 x 10 3/8 in. (35.88 x 26.35 cm); Mount: 45 1/2 x 15 7/8 in. (115.57 x 40.32 cm); Roller: 18 in. (45.72 cm) Purchased with Museum Funds (M.2000.15.45) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Cat under Chrysanthemums; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 14 1/8 x 10 3/8 in. (35.88 x 26.35 cm); Mount: 45 1/2 x 15 7/8 in. (115.57 x 40.32 cm); Roller: 18 in. (45.72 cm) Purchased with Museum Funds (M.2000.15.45) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/cat-under-chrysanthemums-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image-14-18-x-10-38-in-3588-x-2635-cm-mount-45-12-x-15-78-in-11557-x-4032-cm-roller-18-in-4572-cm-purchased-with-museum-funds-m20001545-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349390020.html
Arhat with monkey, late 18th–early 19th century, Hanging scroll, ink and color on silk, without mounting: 38 3/8 × 12 15/16 in. (97.5 × 32.8 cm), Japan, Japanese, Edo period (1615–1868), Paintings
Arhat with monkey, late 18th–early 19th century, Hanging scroll, ink and color on silk, without mounting: 38 3/8 × 12 15/16 in. (97.5 × 32.8 cm), Japan, Japanese, Edo period (1615–1868), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arhat-withmonkey-late-18thearly-19thcentury-hanging-scroll-ink-and-color-on-silk-without-mounting-38-38-12-1516-in-975-328cm-japan-japanese-edo-period16151868-paintings-image393609062.html
Portrait of a Meritorious Subject. Korea, Korean, Joseon dynasty (1392-1910), 18th century. Paintings. Hanging scroll mounted as a panel, ink and color on silk
Portrait of a Meritorious Subject. Korea, Korean, Joseon dynasty (1392-1910), 18th century. Paintings. Hanging scroll mounted as a panel, ink and color on silk https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-a-meritorious-subject-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-image464698281.html
Art inspired by Beauty, Edo period (1615–1868), 17th–18th century, Japan, Hanging scroll; ink and color on paper, 40 x 13 9/16 in. (101.6 x 34.4 cm), Paintings, Kano Chikanobu (Japanese, 1660–1728, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Beauty, Edo period (1615–1868), 17th–18th century, Japan, Hanging scroll; ink and color on paper, 40 x 13 9/16 in. (101.6 x 34.4 cm), Paintings, Kano Chikanobu (Japanese, 1660–1728, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-beauty-edo-period-16151868-17th18th-century-japan-hanging-scroll-ink-and-color-on-paper-40-x-13-916-in-1016-x-344-cm-paintings-kano-chikanobu-japanese-16601728-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462765633.html
Art inspired by Pleasure Quarters, Edo period (1615–1868), 18th–19th century, Japan, Hanging scroll; ink and color on silk, 40 x 12 3/16 in. (101.6 x 30.9 cm), Paintings, Suga Mitsusada (1738–1806, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Pleasure Quarters, Edo period (1615–1868), 18th–19th century, Japan, Hanging scroll; ink and color on silk, 40 x 12 3/16 in. (101.6 x 30.9 cm), Paintings, Suga Mitsusada (1738–1806, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-pleasure-quarters-edo-period-16151868-18th19th-century-japan-hanging-scroll-ink-and-color-on-silk-40-x-12-316-in-1016-x-309-cm-paintings-suga-mitsusada-17381806-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910962.html
Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels (fusuma) used to define room spaces in traditional Japanese interior settings. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, eac
Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels (fusuma) used to define room spaces in traditional Japanese interior settings. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, eac https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/puppies-sparrows-and-chrysanthemums-1754-1799-rosetsu-is-regarded-as-one-of-the-most-versatile-painters-of-18th-century-japan-he-studied-in-kyoto-japans-cultural-capital-and-enjoyed-a-successful-career-as-an-independent-artist-rather-than-as-a-more-conservative-quotschoolquot-artist-originally-these-four-paintings-were-mounted-on-the-wall-panels-fusuma-used-to-define-room-spaces-in-traditional-japanese-interior-settings-the-light-wood-panels-slide-along-grooves-allowing-interior-spaces-to-change-with-minimal-effort-the-round-circular-areas-in-the-paintings-paper-surfaces-eac-image330114561.html
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 18 O sf
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 18 O sf https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japan-hanging-scroll-paintings-18th19th-century-67-met-14-76-18-o-sf-image210564492.html
Tiger. Artist: Meiso (Japanese, active early 18th century). Culture: Japan. Dimensions: 30 5/8 x 13 3/8 in. (77.8 x 34 cm). Date: early 18th century. The tiger has long been an auspicious symbol of power throughout Asia, in both popular culture and elite society. In East Asian art a tiger in a bamboo grove conveys the idea of a peaceful and harmonious society, strong leadership, and just government, as it is one of the few animals able to navigate the thick bamboo forest. With its almost whimsical treatment of the animal, this work resembles Korean tiger paintings of the Joseon dynasty (1392-
Tiger. Artist: Meiso (Japanese, active early 18th century). Culture: Japan. Dimensions: 30 5/8 x 13 3/8 in. (77.8 x 34 cm). Date: early 18th century. The tiger has long been an auspicious symbol of power throughout Asia, in both popular culture and elite society. In East Asian art a tiger in a bamboo grove conveys the idea of a peaceful and harmonious society, strong leadership, and just government, as it is one of the few animals able to navigate the thick bamboo forest. With its almost whimsical treatment of the animal, this work resembles Korean tiger paintings of the Joseon dynasty (1392- https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/tiger-artist-meiso-japanese-active-early-18th-century-culture-japan-dimensions-30-58-x-13-38-in-778-x-34-cm-date-early-18th-century-the-tiger-has-long-been-an-auspicious-symbol-of-power-throughout-asia-in-both-popular-culture-and-elite-society-in-east-asian-art-a-tiger-in-a-bamboo-grove-conveys-the-idea-of-a-peaceful-and-harmonious-society-strong-leadership-and-just-government-as-it-is-one-of-the-few-animals-able-to-navigate-the-thick-bamboo-forest-with-its-almost-whimsical-treatment-of-the-animal-this-work-resembles-korean-tiger-paintings-of-the-joseon-dynasty-1392-image213244925.html
Portrait of a Scholar-Official in Blue Robe (image 2 of 4); Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Portrait of a Scholar-Official in Blue Robe (image 2 of 4); Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-a-scholar-official-in-blue-robe-image-2-of-4-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-image-61-14-x-39-in-15558-x-9906-cm-mount-63-12-x-40-34-in-16129-x-1035-cm-purchased-with-museum-funds-m20001515-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257188090.html
'Tiger, Magpies, and Pine; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on silk Image: 53 1/2 x 30 5/8 in. (135.89 x 77.79 cm); Mount: 80 x 36 5/8 in. (203.2 x 93.03 cm); Roller: 39 3/8 in. (100 cm) Purchased with Museum Funds (M.2000.15.49) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Tiger, Magpies, and Pine; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on silk Image: 53 1/2 x 30 5/8 in. (135.89 x 77.79 cm); Mount: 80 x 36 5/8 in. (203.2 x 93.03 cm); Roller: 39 3/8 in. (100 cm) Purchased with Museum Funds (M.2000.15.49) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/tiger-magpies-and-pine-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-silk-image-53-12-x-30-58-in-13589-x-7779-cm-mount-80-x-36-58-in-2032-x-9303-cm-roller-39-38-in-100-cm-purchased-with-museum-funds-m20001549-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349850654.html
Arhat hands clasped before lotus, late 18th–early 19th century, Hanging scroll, ink and color on silk, without mounting: 38 3/8 × 13 in. (97.5 × 33 cm), Japan, Japanese, Edo period (1615–1868), Paintings
Arhat hands clasped before lotus, late 18th–early 19th century, Hanging scroll, ink and color on silk, without mounting: 38 3/8 × 13 in. (97.5 × 33 cm), Japan, Japanese, Edo period (1615–1868), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arhat-hands-clasped-beforelotus-late-18thearly-19thcentury-hanging-scroll-ink-and-color-on-silk-without-mounting-38-38-13-in-975-33cm-japan-japanese-edo-period16151868-paintings-image393225090.html
Spirit of a Noble Woman (Probably Princess Pari) and Attendant. Korea, Korean, Joseon dynasty (1392-1910), 18th century. Paintings. Hanging scroll, ink and color on silk
Spirit of a Noble Woman (Probably Princess Pari) and Attendant. Korea, Korean, Joseon dynasty (1392-1910), 18th century. Paintings. Hanging scroll, ink and color on silk https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/spirit-of-a-noble-woman-probably-princess-pari-and-attendant-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-silk-image464704554.html
Art inspired by Buddha and Attendants, 阿弥陀二十五菩薩来迎図, Edo period (1615–1868), 17th–18th century, Japan, Hanging scroll; ink and color on paper, 37 15/16 x 18 3/16 in. (96.4 x 46.2 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Buddha and Attendants, 阿弥陀二十五菩薩来迎図, Edo period (1615–1868), 17th–18th century, Japan, Hanging scroll; ink and color on paper, 37 15/16 x 18 3/16 in. (96.4 x 46.2 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-buddha-and-attendants-edo-period-16151868-17th18th-century-japan-hanging-scroll-ink-and-color-on-paper-37-1516-x-18-316-in-964-x-462-cm-paintings-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462761800.html
Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels used to define room spaces in traditional Japanese interiors. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, each surrounded by a
Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels used to define room spaces in traditional Japanese interiors. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, each surrounded by a https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/puppies-sparrows-and-chrysanthemums-1754-1799-rosetsu-is-regarded-as-one-of-the-most-versatile-painters-of-18th-century-japan-he-studied-in-kyoto-japans-cultural-capital-and-enjoyed-a-successful-career-as-an-independent-artist-rather-than-as-a-more-conservative-quotschoolquot-artist-originally-these-four-paintings-were-mounted-on-the-wall-panels-used-to-define-room-spaces-in-traditional-japanese-interiors-the-light-wood-panels-slide-along-grooves-allowing-interior-spaces-to-change-with-minimal-effort-the-round-circular-areas-in-the-paintings-paper-surfaces-each-surrounded-by-a-image330114549.html
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 18 D1 sf
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 18 D1 sf https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japan-hanging-scroll-paintings-18th19th-century-67-met-14-76-18-d1-sf-image210564506.html
Standing Courtesan. Artist: Baioken Eishun (Japanese, active early 18th century). Culture: Japan. Dimensions: Image: 39 7/16 × 16 1/8 in. (100.2 × 41 cm) Overall with mounting: 77 9/16 × 22 3/8 in. (197 × 56.8 cm) Overall with knobs: 77 9/16 × 24 5/16 in. (197 × 61.7 cm). Date: probably 1720s. Baioken Eishun was among the ukiyo-e artists specializing in paintings of courtesans of the pleasure quarters in the style popularized by artists of the Kaigetsudo studio. He even prefaced his signature with Yamato-e, in the same way Kaigetsudo artists did, to assert that his style of painting was in
Standing Courtesan. Artist: Baioken Eishun (Japanese, active early 18th century). Culture: Japan. Dimensions: Image: 39 7/16 × 16 1/8 in. (100.2 × 41 cm) Overall with mounting: 77 9/16 × 22 3/8 in. (197 × 56.8 cm) Overall with knobs: 77 9/16 × 24 5/16 in. (197 × 61.7 cm). Date: probably 1720s. Baioken Eishun was among the ukiyo-e artists specializing in paintings of courtesans of the pleasure quarters in the style popularized by artists of the Kaigetsudo studio. He even prefaced his signature with Yamato-e, in the same way Kaigetsudo artists did, to assert that his style of painting was in https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/standing-courtesan-artist-baioken-eishun-japanese-active-early-18th-century-culture-japan-dimensions-image-39-716-16-18-in-1002-41-cm-overall-with-mounting-77-916-22-38-in-197-568-cm-overall-with-knobs-77-916-24-516-in-197-617-cm-date-probably-1720s-baioken-eishun-was-among-the-ukiyo-e-artists-specializing-in-paintings-of-courtesans-of-the-pleasure-quarters-in-the-style-popularized-by-artists-of-the-kaigetsudo-studio-he-even-prefaced-his-signature-with-yamato-e-in-the-same-way-kaigetsudo-artists-did-to-assert-that-his-style-of-painting-was-in-image213197910.html
Hen and Chicks under Flowers; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 13 1/4 x 10 1/4 in. (33.66 x 26.04 cm); Mount: 45 1/2 x 15 7/8 in. (115.57 x 40.32 cm); Roller: 18 1/8 in. (46.04 cm) Purchased with Museum Funds (M.2000.15.44) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Hen and Chicks under Flowers; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 13 1/4 x 10 1/4 in. (33.66 x 26.04 cm); Mount: 45 1/2 x 15 7/8 in. (115.57 x 40.32 cm); Roller: 18 1/8 in. (46.04 cm) Purchased with Museum Funds (M.2000.15.44) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hen-and-chicks-under-flowers-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image-13-14-x-10-14-in-3366-x-2604-cm-mount-45-12-x-15-78-in-11557-x-4032-cm-roller-18-18-in-4604-cm-purchased-with-museum-funds-m20001544-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257049038.html
'Landscape; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 10 5/8 x 8 3/4 in. (27 x 22.23 cm); Mount: 51 1/4 x 14 1/2 in. (130.18 x 36.83 cm); Roller: 17 1/4 in. (43.82 cm) Purchased with Museum Funds (M.2000.15.23) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Landscape; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 10 5/8 x 8 3/4 in. (27 x 22.23 cm); Mount: 51 1/4 x 14 1/2 in. (130.18 x 36.83 cm); Roller: 17 1/4 in. (43.82 cm) Purchased with Museum Funds (M.2000.15.23) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/landscape-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image-10-58-x-8-34-in-27-x-2223-cm-mount-51-14-x-14-12-in-13018-x-3683-cm-roller-17-14-in-4382-cm-purchased-with-museum-funds-m20001523-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349695517.html
Artist: Soga Shohaku, Japanese, 1730–1781, Winter Landscape, 18th century, Hanging scroll, ink on paper, without mounting: 51 3/16 × 20 1/2 in. (130 × 52 cm), Japan, Japanese, Edo period (1615–1868), Paintings
Artist: Soga Shohaku, Japanese, 1730–1781, Winter Landscape, 18th century, Hanging scroll, ink on paper, without mounting: 51 3/16 × 20 1/2 in. (130 × 52 cm), Japan, Japanese, Edo period (1615–1868), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/artist-soga-shohaku-japanese-17301781-winterlandscape-18thcentury-hanging-scroll-ink-on-paper-without-mounting-51-316-20-12-in-130-52-cm-japan-japanese-edo-period16151868-paintings-image393047615.html
Dongfang Shuo (Tongbang Sak), one of the Eight Chinese Immortals. Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on paper
Dongfang Shuo (Tongbang Sak), one of the Eight Chinese Immortals. Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dongfang-shuo-tongbang-sak-one-of-the-eight-chinese-immortals-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image464708701.html
Art inspired by Pleasure Quarters, Edo period (1615–1868), 18th–19th century, Japan, Hanging scroll; ink and color on silk, 40 x 12 3/16 in. (101.6 x 30.9 cm), Paintings, Suga Mitsusada (1738–1806, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Pleasure Quarters, Edo period (1615–1868), 18th–19th century, Japan, Hanging scroll; ink and color on silk, 40 x 12 3/16 in. (101.6 x 30.9 cm), Paintings, Suga Mitsusada (1738–1806, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-pleasure-quarters-edo-period-16151868-18th19th-century-japan-hanging-scroll-ink-and-color-on-silk-40-x-12-316-in-1016-x-309-cm-paintings-suga-mitsusada-17381806-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910943.html
Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels (fusuma) used to define room spaces in traditional Japanese interior settings. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, eac
Puppies, Sparrows and Chrysanthemums, 1754-1799. Rosetsu is regarded as one of the most versatile painters of 18th-century Japan. He studied in Kyoto, Japan's cultural capital, and enjoyed a successful career as an independent artist rather than as a more conservative "school" artist. Originally, these four paintings were mounted on the wall panels (fusuma) used to define room spaces in traditional Japanese interior settings. The light wood panels slide along grooves, allowing interior spaces to change with minimal effort. The round circular areas in the paintings paper surfaces, eac https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/puppies-sparrows-and-chrysanthemums-1754-1799-rosetsu-is-regarded-as-one-of-the-most-versatile-painters-of-18th-century-japan-he-studied-in-kyoto-japans-cultural-capital-and-enjoyed-a-successful-career-as-an-independent-artist-rather-than-as-a-more-conservative-quotschoolquot-artist-originally-these-four-paintings-were-mounted-on-the-wall-panels-fusuma-used-to-define-room-spaces-in-traditional-japanese-interior-settings-the-light-wood-panels-slide-along-grooves-allowing-interior-spaces-to-change-with-minimal-effort-the-round-circular-areas-in-the-paintings-paper-surfaces-eac-image330114576.html
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 18 Sig sf
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 18 Sig sf https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japan-hanging-scroll-paintings-18th19th-century-67-met-14-76-18-sig-sf-image210564518.html
Courtesans Parodying Kanzan and Jittoku. Artist: Kinpusha Toyomaro (Japanese, active early 19th century). Culture: Japan. Dimensions: Image: 48 1/4 × 22 1/4 in. (122.5 × 56.5 cm) Overall with mounting: 85 1/4 × 27 13/16 in. (216.5 × 70.7 cm) Overall with knobs: 85 1/4 × 30 5/16 in. (216.5 × 77 cm). Date: late 18th-early 19th century. At first glance, the scene appears to simply show two gorgeously garbed and coiffed courtesans in natural poses, one with a brush and paper and one holding a broom as she toys with a hairpin. But things are not always as they seem in such paintings of the pleas
Courtesans Parodying Kanzan and Jittoku. Artist: Kinpusha Toyomaro (Japanese, active early 19th century). Culture: Japan. Dimensions: Image: 48 1/4 × 22 1/4 in. (122.5 × 56.5 cm) Overall with mounting: 85 1/4 × 27 13/16 in. (216.5 × 70.7 cm) Overall with knobs: 85 1/4 × 30 5/16 in. (216.5 × 77 cm). Date: late 18th-early 19th century. At first glance, the scene appears to simply show two gorgeously garbed and coiffed courtesans in natural poses, one with a brush and paper and one holding a broom as she toys with a hairpin. But things are not always as they seem in such paintings of the pleas https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/courtesans-parodying-kanzan-and-jittoku-artist-kinpusha-toyomaro-japanese-active-early-19th-century-culture-japan-dimensions-image-48-14-22-14-in-1225-565-cm-overall-with-mounting-85-14-27-1316-in-2165-707-cm-overall-with-knobs-85-14-30-516-in-2165-77-cm-date-late-18th-early-19th-century-at-first-glance-the-scene-appears-to-simply-show-two-gorgeously-garbed-and-coiffed-courtesans-in-natural-poses-one-with-a-brush-and-paper-and-one-holding-a-broom-as-she-toys-with-a-hairpin-but-things-are-not-always-as-they-seem-in-such-paintings-of-the-pleas-image213421145.html
Portrait of a Scholar-Official in Blue Robe (image 1 of 4); Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Portrait of a Scholar-Official in Blue Robe (image 1 of 4); Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-a-scholar-official-in-blue-robe-image-1-of-4-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-image-61-14-x-39-in-15558-x-9906-cm-mount-63-12-x-40-34-in-16129-x-1035-cm-purchased-with-museum-funds-m20001515-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257188114.html
'Hen and Chicks under Flowers; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 13 1/4 x 10 1/4 in. (33.66 x 26.04 cm); Mount: 45 1/2 x 15 7/8 in. (115.57 x 40.32 cm); Roller: 18 1/8 in. (46.04 cm) Purchased with Museum Funds (M.2000.15.44) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Hen and Chicks under Flowers; English: Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 13 1/4 x 10 1/4 in. (33.66 x 26.04 cm); Mount: 45 1/2 x 15 7/8 in. (115.57 x 40.32 cm); Roller: 18 1/8 in. (46.04 cm) Purchased with Museum Funds (M.2000.15.44) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/hen-and-chicks-under-flowers-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image-13-14-x-10-14-in-3366-x-2604-cm-mount-45-12-x-15-78-in-11557-x-4032-cm-roller-18-18-in-4604-cm-purchased-with-museum-funds-m20001544-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349579817.html
Artist: Yun Huai’e, (18th century), Flowering Plum, 18th century, Hanging scroll, ink on silk, without mounting: 49 13/16 × 12 1/16 in. (126.5 × 30.7 cm), China, Chinese, Qing dynasty (1644–1911), Paintings
Artist: Yun Huai’e, (18th century), Flowering Plum, 18th century, Hanging scroll, ink on silk, without mounting: 49 13/16 × 12 1/16 in. (126.5 × 30.7 cm), China, Chinese, Qing dynasty (1644–1911), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/artist-yun-huaie-18th-century-floweringplum-18thcentury-hanging-scroll-ink-on-silk-without-mounting-49-1316-12-116-in-1265-307-cm-china-chinese-qing-dynasty16441911-paintings-image393024837.html
Monkey in a Peach Tree, One-panel Folding Screen. Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on silk
Monkey in a Peach Tree, One-panel Folding Screen. Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on silk https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/monkey-in-a-peach-tree-one-panel-folding-screen-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-silk-image464702764.html
Art inspired by Pleasure Quarters, Edo period (1615–1868), 18th–19th century, Japan, Hanging scroll; ink and color on silk, 40 x 12 3/16 in. (101.6 x 30.9 cm), Paintings, Suga Mitsusada (1738–1806, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Pleasure Quarters, Edo period (1615–1868), 18th–19th century, Japan, Hanging scroll; ink and color on silk, 40 x 12 3/16 in. (101.6 x 30.9 cm), Paintings, Suga Mitsusada (1738–1806, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-pleasure-quarters-edo-period-16151868-18th19th-century-japan-hanging-scroll-ink-and-color-on-silk-40-x-12-316-in-1016-x-309-cm-paintings-suga-mitsusada-17381806-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910957.html
Shirabyoshi Dancer and Female Servant; Courtesan and Girl Attendant , mid-18th century.
Shirabyoshi Dancer and Female Servant; Courtesan and Girl Attendant , mid-18th century. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/shirabyoshi-dancer-and-female-servant-courtesan-and-girl-attendant-mid-18th-century-image343007572.html
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 17 14 76 18 Group sf
Japan; Hanging scroll; Paintings . 18th–19th century 67 MET 14 76 17 14 76 18 Group sf https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/japan-hanging-scroll-paintings-18th19th-century-67-met-14-76-17-14-76-18-group-sf-image210554416.html
. Two Monkeys . English: Japan, late 18th-early 19th century Paintings; scrolls Hanging scroll; ink on paper Gift of Carl Holmes (M.71.100.163) Japanese Art . Late 18th-early 19th century 86 Two Monkeys LACMA M.71.100.163
. Two Monkeys . English: Japan, late 18th-early 19th century Paintings; scrolls Hanging scroll; ink on paper Gift of Carl Holmes (M.71.100.163) Japanese Art . Late 18th-early 19th century 86 Two Monkeys LACMA M.71.100.163 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/two-monkeys-english-japan-late-18th-early-19th-century-paintings-scrolls-hanging-scroll-ink-on-paper-gift-of-carl-holmes-m71100163-japanese-art-late-18th-early-19th-century-86-two-monkeys-lacma-m71100163-image210543815.html
Pine Tree and Calligraphy. Artist: Ike Taiga (Japanese, 1723-1776). Calligrapher: Minagawa Kien (Japanese, 1734-1807). Culture: Japan. Dimensions: Image (a): 9 in. × 14 7/16 in. (22.8 × 36.6 cm) Overall with mounting (a): 39 3/8 × 19 7/16 in. (100 × 49.4 cm) Overall with knobs (a): 39 3/8 × 21 7/16 in. (100 × 54.5 cm) Image (b): 9 5/16 × 14 15/16 in. (23.6 × 38 cm) Overall with mounting (b): 39 3/8 × 19 1/2 in. (100 × 49.6 cm) Overall with knobs (b): 39 3/8 × 21 9/16 in. (100 × 54.7 cm). Date: late 18th-early 19th century. These works are part of a set of nine hanging scrolls and an albu
Pine Tree and Calligraphy. Artist: Ike Taiga (Japanese, 1723-1776). Calligrapher: Minagawa Kien (Japanese, 1734-1807). Culture: Japan. Dimensions: Image (a): 9 in. × 14 7/16 in. (22.8 × 36.6 cm) Overall with mounting (a): 39 3/8 × 19 7/16 in. (100 × 49.4 cm) Overall with knobs (a): 39 3/8 × 21 7/16 in. (100 × 54.5 cm) Image (b): 9 5/16 × 14 15/16 in. (23.6 × 38 cm) Overall with mounting (b): 39 3/8 × 19 1/2 in. (100 × 49.6 cm) Overall with knobs (b): 39 3/8 × 21 9/16 in. (100 × 54.7 cm). Date: late 18th-early 19th century. These works are part of a set of nine hanging scrolls and an albu https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pine-tree-and-calligraphy-artist-ike-taiga-japanese-1723-1776-calligrapher-minagawa-kien-japanese-1734-1807-culture-japan-dimensions-image-a-9-in-14-716-in-228-366-cm-overall-with-mounting-a-39-38-19-716-in-100-494-cm-overall-with-knobs-a-39-38-21-716-in-100-545-cm-image-b-9-516-14-1516-in-236-38-cm-overall-with-mounting-b-39-38-19-12-in-100-496-cm-overall-with-knobs-b-39-38-21-916-in-100-547-cm-date-late-18th-early-19th-century-these-works-are-part-of-a-set-of-nine-hanging-scrolls-and-an-albu-image213264135.html
Portrait of a Scholar-Official in Blue Robe (image 4 of 4); Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Portrait of a Scholar-Official in Blue Robe (image 4 of 4); Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-a-scholar-official-in-blue-robe-image-4-of-4-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-image-61-14-x-39-in-15558-x-9906-cm-mount-63-12-x-40-34-in-16129-x-1035-cm-purchased-with-museum-funds-m20001515-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257188071.html
'Portrait of a Scholar-Official in Blue Robe (image 3 of 4); English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Portrait of a Scholar-Official in Blue Robe (image 3 of 4); English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-a-scholar-official-in-blue-robe-image-3-of-4-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-image-61-14-x-39-in-15558-x-9906-cm-mount-63-12-x-40-34-in-16129-x-1035-cm-purchased-with-museum-funds-m20001515-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349805634.html
Arhat with teeth, attendent wind or thunder god, late 18th–early 19th century, Hanging scroll, ink and color on silk, without mounting: 38 5/16 × 13 in. (97.3 × 33 cm), Japan, Japanese, Edo period (1615–1868), Paintings
Arhat with teeth, attendent wind or thunder god, late 18th–early 19th century, Hanging scroll, ink and color on silk, without mounting: 38 5/16 × 13 in. (97.3 × 33 cm), Japan, Japanese, Edo period (1615–1868), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arhat-with-teeth-attendent-wind-or-thundergod-late-18thearly-19thcentury-hanging-scroll-ink-and-color-on-silk-without-mounting-38-516-13-in-973-33cm-japan-japanese-edo-period16151868-paintings-image393608615.html
Two Chinese Daoist Immortals, Zhongli Quan (Jongni Gwon) and Liu Hai (Yu Hae). Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on paper
Two Chinese Daoist Immortals, Zhongli Quan (Jongni Gwon) and Liu Hai (Yu Hae). Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/two-chinese-daoist-immortals-zhongli-quan-jongni-gwon-and-liu-hai-yu-hae-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image464708694.html
Mandala of the One-Syllable Golden Wheel, Japan, Edo period (1615–1868), Date 18th century, Japan, Hanging scroll; ink, color, and gold on silk, 44 1/4 x 39 1/4 in. (112.4 x 99.7 cm), Paintings
Mandala of the One-Syllable Golden Wheel, Japan, Edo period (1615–1868), Date 18th century, Japan, Hanging scroll; ink, color, and gold on silk, 44 1/4 x 39 1/4 in. (112.4 x 99.7 cm), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mandala-of-the-one-syllable-golden-wheel-japan-edo-period-16151868-date-18th-century-japan-hanging-scroll-ink-color-and-gold-on-silk-44-14-x-39-14-in-1124-x-997-cm-paintings-image344665326.html
Two Boys Playing in a Garden with Sheep, 18th century, Hanging scroll, ink and colors on silk, framed, unframed: 39 9/16 × 20 1/4 in. (100.5 × 51.5 cm), China, Chinese, Qing dynasty (1644–1911), Paintings
Two Boys Playing in a Garden with Sheep, 18th century, Hanging scroll, ink and colors on silk, framed, unframed: 39 9/16 × 20 1/4 in. (100.5 × 51.5 cm), China, Chinese, Qing dynasty (1644–1911), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/two-boys-playing-in-a-garden-withsheep-18thcentury-hanging-scroll-ink-and-colors-on-silk-framed-unframed-39-916-20-14-in-1005-515-cm-china-chinese-qing-dynasty16441911-paintings-image393544209.html
Art inspired by Mountain Landscape, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, Image: 18 x 25 in. (45.7 x 63.5 cm), Paintings, Soga Shōhaku (Japanese, 1730–1781, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Mountain Landscape, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, Image: 18 x 25 in. (45.7 x 63.5 cm), Paintings, Soga Shōhaku (Japanese, 1730–1781, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-mountain-landscape-edo-period-16151868-18th-century-japan-hanging-scroll-ink-and-color-on-silk-image-18-x-25-in-457-x-635-cm-paintings-soga-shhaku-japanese-17301781-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462765777.html
Birds in a Tree, 18th-19th century. This scene of two Chinese pheasants with a flowering plum tree (a sign of the arrival of spring in Japan) is not painted. All the lines and surfaces are created by coloured threads carefully stitched together into the silk. Consequently, the surface appears quite different from the paintings on paper shown nearby.
Birds in a Tree, 18th-19th century. This scene of two Chinese pheasants with a flowering plum tree (a sign of the arrival of spring in Japan) is not painted. All the lines and surfaces are created by coloured threads carefully stitched together into the silk. Consequently, the surface appears quite different from the paintings on paper shown nearby. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/birds-in-a-tree-18th-19th-century-this-scene-of-two-chinese-pheasants-with-a-flowering-plum-tree-a-sign-of-the-arrival-of-spring-in-japan-is-not-painted-all-the-lines-and-surfaces-are-created-by-coloured-threads-carefully-stitched-together-into-the-silk-consequently-the-surface-appears-quite-different-from-the-paintings-on-paper-shown-nearby-image330077771.html
Art inspired by Kiku Jidō (Chrysanthemum Boy), Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink on silk, Image: 32 × 12 in. (81.3 × 30.5 cm), Paintings, Tsukioka Sessai (Japanese, 1761–1839, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Kiku Jidō (Chrysanthemum Boy), Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink on silk, Image: 32 × 12 in. (81.3 × 30.5 cm), Paintings, Tsukioka Sessai (Japanese, 1761–1839, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-kiku-jid-chrysanthemum-boy-edo-period-16151868-18th-century-japan-hanging-scroll-ink-on-silk-image-32-12-in-813-305-cm-paintings-tsukioka-sessai-japanese-17611839-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463043838.html
Inspired by Boating on a Snowy Night, Chinese, Qing dynasty, 1644–1911, Li Tang, Chinese, c.1050–after 1130, 18th century, Hanging scroll: ink and color on silk, Made in China, Asia, Paintings, 48 x 24 x 1 in. (121.9 x 61 x 2.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Inspired by Boating on a Snowy Night, Chinese, Qing dynasty, 1644–1911, Li Tang, Chinese, c.1050–after 1130, 18th century, Hanging scroll: ink and color on silk, Made in China, Asia, Paintings, 48 x 24 x 1 in. (121.9 x 61 x 2.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/inspired-by-boating-on-a-snowy-night-chinese-qing-dynasty-16441911-li-tang-chinese-c1050after-1130-18th-century-hanging-scroll-ink-and-color-on-silk-made-in-china-asia-paintings-48-x-24-x-1-in-1219-x-61-x-25-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459286791.html
Standing Courtesan. Artist: Kaigetsudo Ando (Japanese, ca. 1671-1743). Culture: Japan. Dimensions: Image: 40 15/16 × 16 5/8 in. (104 × 42.2 cm) Overall with mounting: 44 7/8 × 20 1/2 in. (114 × 52 cm). Date: early 18th century. A courtesan, statuesque and regal in pose, has paused her procession to glance back, perhaps to acknowledge an admirer. Kaigetsudo Ando was the founder of a studio of artists that produced woodblock prints and paintings of the high-ranking women of the demimonde. Here a poem card (shikishi) is inscribed with a poem attributed to Sarumaru Dayu (active late 8th century)
Standing Courtesan. Artist: Kaigetsudo Ando (Japanese, ca. 1671-1743). Culture: Japan. Dimensions: Image: 40 15/16 × 16 5/8 in. (104 × 42.2 cm) Overall with mounting: 44 7/8 × 20 1/2 in. (114 × 52 cm). Date: early 18th century. A courtesan, statuesque and regal in pose, has paused her procession to glance back, perhaps to acknowledge an admirer. Kaigetsudo Ando was the founder of a studio of artists that produced woodblock prints and paintings of the high-ranking women of the demimonde. Here a poem card (shikishi) is inscribed with a poem attributed to Sarumaru Dayu (active late 8th century) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/standing-courtesan-artist-kaigetsudo-ando-japanese-ca-1671-1743-culture-japan-dimensions-image-40-1516-16-58-in-104-422-cm-overall-with-mounting-44-78-20-12-in-114-52-cm-date-early-18th-century-a-courtesan-statuesque-and-regal-in-pose-has-paused-her-procession-to-glance-back-perhaps-to-acknowledge-an-admirer-kaigetsudo-ando-was-the-founder-of-a-studio-of-artists-that-produced-woodblock-prints-and-paintings-of-the-high-ranking-women-of-the-demimonde-here-a-poem-card-shikishi-is-inscribed-with-a-poem-attributed-to-sarumaru-dayu-active-late-8th-century-image213297502.html
Dongfang Shuo (Tongbang Sak), one of the Eight Chinese Immortals; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 27 3/8 x 14 1/2 in. (69.53 x 36.83 cm); Mount: 59 3/4 x 19 1/2 in. (151.77 x 49.53 cm); Roller: 22 in. (55.88 cm) Purchased with Museum Funds (M.2000.15.32) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Dongfang Shuo (Tongbang Sak), one of the Eight Chinese Immortals; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Image: 27 3/8 x 14 1/2 in. (69.53 x 36.83 cm); Mount: 59 3/4 x 19 1/2 in. (151.77 x 49.53 cm); Roller: 22 in. (55.88 cm) Purchased with Museum Funds (M.2000.15.32) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dongfang-shuo-tongbang-sak-one-of-the-eight-chinese-immortals-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-image-27-38-x-14-12-in-6953-x-3683-cm-mount-59-34-x-19-12-in-15177-x-4953-cm-roller-22-in-5588-cm-purchased-with-museum-funds-m20001532-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image256976803.html
'Portrait of a Scholar-Official in Blue Robe (image 2 of 4); English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Portrait of a Scholar-Official in Blue Robe (image 2 of 4); English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-a-scholar-official-in-blue-robe-image-2-of-4-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-image-61-14-x-39-in-15558-x-9906-cm-mount-63-12-x-40-34-in-16129-x-1035-cm-purchased-with-museum-funds-m20001515-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349805631.html
Turnip. Itō Jakuchū (Japan, 1716-1800). 18th century. Paintings; scrolls. Hanging scroll; ink on paper
Turnip. Itō Jakuchū (Japan, 1716-1800). 18th century. Paintings; scrolls. Hanging scroll; ink on paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/turnip-it-jakuch-japan-1716-1800-18th-century-paintings-scrolls-hanging-scroll-ink-on-paper-image464753363.html
Arhat meditating chin in hand, late 18th–early 19th century, Hanging scroll, ink and color on silk, metal roller, without mounting: 38 5/16 × 13 in. (97.3 × 33 cm), Japan, Japanese, Edo period (1615–1868), Paintings
Arhat meditating chin in hand, late 18th–early 19th century, Hanging scroll, ink and color on silk, metal roller, without mounting: 38 5/16 × 13 in. (97.3 × 33 cm), Japan, Japanese, Edo period (1615–1868), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/arhat-meditating-chin-inhand-late-18thearly-19thcentury-hanging-scroll-ink-and-color-on-silk-metal-roller-without-mounting-38-516-13-in-973-33-cm-japan-japanese-edo-period16151868-paintings-image393225058.html
Snow Landscape, c. 1770s. Buson is recognized in Japanese literary history as one of the country's greatest poets. He was also an accomplished painter who revolutionized the 18th-century "scholar-painting" school by introducing new subject matter and a more personalized brush style. Like most literati painters who were schooled in the Chinese classics, his early paintings invariably depicted historical subjects in a precise manner. By the 1770s, however, he developed a looser, more expressive brush manner distinctly his own. Although undated, the painting's exuberant style suggests t
Snow Landscape, c. 1770s. Buson is recognized in Japanese literary history as one of the country's greatest poets. He was also an accomplished painter who revolutionized the 18th-century "scholar-painting" school by introducing new subject matter and a more personalized brush style. Like most literati painters who were schooled in the Chinese classics, his early paintings invariably depicted historical subjects in a precise manner. By the 1770s, however, he developed a looser, more expressive brush manner distinctly his own. Although undated, the painting's exuberant style suggests t https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/snow-landscape-c-1770s-buson-is-recognized-in-japanese-literary-history-as-one-of-the-countrys-greatest-poets-he-was-also-an-accomplished-painter-who-revolutionized-the-18th-century-quotscholar-paintingquot-school-by-introducing-new-subject-matter-and-a-more-personalized-brush-style-like-most-literati-painters-who-were-schooled-in-the-chinese-classics-his-early-paintings-invariably-depicted-historical-subjects-in-a-precise-manner-by-the-1770s-however-he-developed-a-looser-more-expressive-brush-manner-distinctly-his-own-although-undated-the-paintings-exuberant-style-suggests-t-image330120112.html
Inspired by The Daming Palace, Chinese, Qing dynasty, 1644–1911, Wang Zhenpeng, Chinese, active c.1280–1329, 18th–early 19th century, Hanging scroll mounted as a panel: ink and color on silk, Made in China, Asia, Paintings, 49 3/4 x 22 in. (126.4 x 55.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Inspired by The Daming Palace, Chinese, Qing dynasty, 1644–1911, Wang Zhenpeng, Chinese, active c.1280–1329, 18th–early 19th century, Hanging scroll mounted as a panel: ink and color on silk, Made in China, Asia, Paintings, 49 3/4 x 22 in. (126.4 x 55.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/inspired-by-the-daming-palace-chinese-qing-dynasty-16441911-wang-zhenpeng-chinese-active-c12801329-18thearly-19th-century-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-made-in-china-asia-paintings-49-34-x-22-in-1264-x-559-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459273910.html
Pleasure Quarters. Artist: Suga Mitsusada (1738-1806). Culture: Japan. Dimensions: 40 x 12 3/16 in. (101.6 x 30.9 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.
Pleasure Quarters. Artist: Suga Mitsusada (1738-1806). Culture: Japan. Dimensions: 40 x 12 3/16 in. (101.6 x 30.9 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pleasure-quarters-artist-suga-mitsusada-1738-1806-culture-japan-dimensions-40-x-12-316-in-1016-x-309-cm-date-18th-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213175963.html
Zhongli Quan (Chongni Kwon) with Liu Hai (Yu Hae), Two Chinese Daoist Immortals; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Purchased with Museum Funds (M.2000.15.34) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Zhongli Quan (Chongni Kwon) with Liu Hai (Yu Hae), Two Chinese Daoist Immortals; Korea, Korean, Joseon dynasty, 1392-1910, 18th century Paintings Hanging scroll, ink and color on paper Purchased with Museum Funds (M.2000.15.34) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/zhongli-quan-chongni-kwon-with-liu-hai-yu-hae-two-chinese-daoist-immortals-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-paper-purchased-with-museum-funds-m20001534-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257227702.html
'Portrait of a Scholar-Official in Blue Robe (image 1 of 4); English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Portrait of a Scholar-Official in Blue Robe (image 1 of 4); English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-a-scholar-official-in-blue-robe-image-1-of-4-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-image-61-14-x-39-in-15558-x-9906-cm-mount-63-12-x-40-34-in-16129-x-1035-cm-purchased-with-museum-funds-m20001515-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349805524.html
Bamboo. Yanagisawa Kien (Japan, 1706-1758). Japan, 18th century. Paintings; scrolls. Hanging scroll; ink on paper
Bamboo. Yanagisawa Kien (Japan, 1706-1758). Japan, 18th century. Paintings; scrolls. Hanging scroll; ink on paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/bamboo-yanagisawa-kien-japan-1706-1758-japan-18th-century-paintings-scrolls-hanging-scroll-ink-on-paper-image464665434.html
Study after the Hikone Screen depicting a Courtesan with a Dog, 18th century, Hanging scroll, ink and color on paper, without mounting: 9 7/8 × 28 3/8 in. (25.1 × 72 cm), Japan, Japanese, Edo period (1615–1868), Paintings
Study after the Hikone Screen depicting a Courtesan with a Dog, 18th century, Hanging scroll, ink and color on paper, without mounting: 9 7/8 × 28 3/8 in. (25.1 × 72 cm), Japan, Japanese, Edo period (1615–1868), Paintings https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/study-after-the-hikone-screen-depicting-a-courtesan-with-adog-18thcentury-hanging-scroll-ink-and-color-on-paper-without-mounting-9-78-28-38-in-251-72-cm-japan-japanese-edo-period16151868-paintings-image393627732.html
Inspired by Summer Grasses and Flowers, Fukae Roshū, Japanese, 1699–1757, Edo period, 1615–1868, early to mid-18th century, Hanging scroll: ink and color on paper, Made in Kyoto, Kyoto prefecture, Japan, Asia, Paintings, image: 40 x 14 1/2 in. (101.6 x 36.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Inspired by Summer Grasses and Flowers, Fukae Roshū, Japanese, 1699–1757, Edo period, 1615–1868, early to mid-18th century, Hanging scroll: ink and color on paper, Made in Kyoto, Kyoto prefecture, Japan, Asia, Paintings, image: 40 x 14 1/2 in. (101.6 x 36.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/inspired-by-summer-grasses-and-flowers-fukae-rosh-japanese-16991757-edo-period-16151868-early-to-mid-18th-century-hanging-scroll-ink-and-color-on-paper-made-in-kyoto-kyoto-prefecture-japan-asia-paintings-image-40-x-14-12-in-1016-x-368-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459275449.html
Kiku Jido (Chrysanthemum Boy). Artist: Tsukioka Sessai (Japanese, 1761-1839). Culture: Japan. Dimensions: Image: 32 × 12 in. (81.3 × 30.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Kiku Jido (Chrysanthemum Boy). Artist: Tsukioka Sessai (Japanese, 1761-1839). Culture: Japan. Dimensions: Image: 32 × 12 in. (81.3 × 30.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/kiku-jido-chrysanthemum-boy-artist-tsukioka-sessai-japanese-1761-1839-culture-japan-dimensions-image-32-12-in-813-305-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213247154.html
Art inspired by Female Dancer with a Fan, Edo period (1615–1868), perhaps 18th century or 19th century, Japan, Hanging scroll; ink and color on paper, Image: 29 1/4 × 14 3/8 in. (74.3 × 36.5 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Female Dancer with a Fan, Edo period (1615–1868), perhaps 18th century or 19th century, Japan, Hanging scroll; ink and color on paper, Image: 29 1/4 × 14 3/8 in. (74.3 × 36.5 cm), Paintings, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/art-inspired-by-female-dancer-with-a-fan-edo-period-16151868-perhaps-18th-century-or-19th-century-japan-hanging-scroll-ink-and-color-on-paper-image-29-14-14-38-in-743-365-cm-paintings-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910692.html
Spirit of a Noble Woman (Probably Princess Pari) and Attendant; Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll, ink and color on silk Image: 24 x 21 1/2 in. (60.96 x 54.61 cm) Purchased with Museum Funds (M.2000.15.11) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7;
Spirit of a Noble Woman (Probably Princess Pari) and Attendant; Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll, ink and color on silk Image: 24 x 21 1/2 in. (60.96 x 54.61 cm) Purchased with Museum Funds (M.2000.15.11) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/spirit-of-a-noble-woman-probably-princess-pari-and-attendant-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-ink-and-color-on-silk-image-24-x-21-12-in-6096-x-5461-cm-purchased-with-museum-funds-m20001511-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image257214015.html
'Portrait of a Scholar-Official in Blue Robe (image 4 of 4); English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; '
'Portrait of a Scholar-Official in Blue Robe (image 4 of 4); English: Korea, Korean, Joseon dynasty (1392-1910), 18th century Paintings Hanging scroll mounted as a panel, ink and color on silk Image: 61 1/4 x 39 in. (155.58 x 99.06 cm); Mount: 63 1/2 x 40 3/4 in. (161.29 x 103.5 cm) Purchased with Museum Funds (M.2000.15.15) Korean Art; 18th century date QS:P571,+1750-00-00T00:00:00Z/7; ' https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-a-scholar-official-in-blue-robe-image-4-of-4-english-korea-korean-joseon-dynasty-1392-1910-18th-century-paintings-hanging-scroll-mounted-as-a-panel-ink-and-color-on-silk-image-61-14-x-39-in-15558-x-9906-cm-mount-63-12-x-40-34-in-16129-x-1035-cm-purchased-with-museum-funds-m20001515-korean-art-18th-century-date-qsp5711750-00-00t000000z7-image349805613.html