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1843 c w Stock Photos and Images
C.W. Eckersberg, Erling Eckersberg, 1843, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 214 mm, Height (paper size) 224 mm, Width (plate size) 168 mm, Width (paper size) 178 mm, W. Marstrand pinx. 1836, E.C.W. Eckersberg stylogr. et sc. 1843, C.W. ECKERSBERG, Graphic Design, European Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cw-eckersberg-erling-eckersberg-1843-graphic-art-copper-engraving-paper-color-printers-ink-copper-engraving-printet-height-plate-size-214-mm-height-paper-size-224-mm-width-plate-size-168-mm-width-paper-size-178-mm-w-marstrand-pinx-1836-ecw-eckersberg-stylogr-et-sc-1843-cw-eckersberg-graphic-design-european-image573195454.htmlRM2T8F8J6–C.W. Eckersberg, Erling Eckersberg, 1843, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 214 mm, Height (paper size) 224 mm, Width (plate size) 168 mm, Width (paper size) 178 mm, W. Marstrand pinx. 1836, E.C.W. Eckersberg stylogr. et sc. 1843, C.W. ECKERSBERG, Graphic Design, European
C.W. Marr, The Blind Fiddle, 1843-1845, print, etching, The J. Paul Getty Museum, Los Angeles, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cw-marr-the-blind-fiddle-1843-1845-print-etching-the-j-paul-getty-museum-los-angeles-usa-image371012912.htmlRM2CFH2N4–C.W. Marr, The Blind Fiddle, 1843-1845, print, etching, The J. Paul Getty Museum, Los Angeles, USA.
Alfred Stieglitz, David Octavius Hill, Robert Adamson, The Bird-Cage, Japanese paper, heliogravure, image size: height: 20.7 cm; width: 16 cm, inscribed: recto u. r. on the light-colored cardboard: in lead: D. O. Hill + Perth, C W 09 (28) The Bird Cage 1843/45, inscribed: recto on the passe-partout: lower left in lead: lower right in lead: Kph 275; verso on the passe-partout in lead: No. 066, Phot. David Octavius Hill (1802-1870), Edinburgh 1843-1848, Two Sisters at the Birdcage, photograph D. O. Hill + Perth c. 1843 C.W. 09 (28), heliogravure = 20.71/2 x 16 cm, upper right in lead Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alfred-stieglitz-david-octavius-hill-robert-adamson-the-bird-cage-japanese-paper-heliogravure-image-size-height-207-cm-width-16-cm-inscribed-recto-u-r-on-the-light-colored-cardboard-in-lead-d-o-hill-perth-c-w-09-28-the-bird-cage-184345-inscribed-recto-on-the-passe-partout-lower-left-in-lead-lower-right-in-lead-kph-275-verso-on-the-passe-partout-in-lead-no-066-phot-david-octavius-hill-1802-1870-edinburgh-1843-1848-two-sisters-at-the-birdcage-photograph-d-o-hill-perth-c-1843-cw-09-28-heliogravure-=-20712-x-16-cm-upper-right-in-lead-image392016440.htmlRM2DNNTY4–Alfred Stieglitz, David Octavius Hill, Robert Adamson, The Bird-Cage, Japanese paper, heliogravure, image size: height: 20.7 cm; width: 16 cm, inscribed: recto u. r. on the light-colored cardboard: in lead: D. O. Hill + Perth, C W 09 (28) The Bird Cage 1843/45, inscribed: recto on the passe-partout: lower left in lead: lower right in lead: Kph 275; verso on the passe-partout in lead: No. 066, Phot. David Octavius Hill (1802-1870), Edinburgh 1843-1848, Two Sisters at the Birdcage, photograph D. O. Hill + Perth c. 1843 C.W. 09 (28), heliogravure = 20.71/2 x 16 cm, upper right in lead
West view, in Library, by Kimball, W. G. C. (Willis G. C.), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-west-view-in-library-by-kimball-w-g-c-willis-g-c-1843-1916-96320070.htmlRMFGKN6E–West view, in Library, by Kimball, W. G. C. (Willis G. C.), 1843-1916
Museum, Smisthsonian., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/museum-smisthsonian-smillie-t-w-thomas-william-1843-1917-washington-dc-united-states-image386374888.htmlRM2DCGW34–Museum, Smisthsonian., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States
Vintage 1880's politically incorrect racist entertainment poster Calders White Slave Co. Theatre Royal Edinburgh Commencing Monday, Aug. 24th. Printed by Montague Chatterton & Co., 38 Acton St., Gray's Inn Rd., London, W.C. Date 1885 Poster Netherlands, designer: Emmanuel Gaillard, 1930s, Artist Bartley Theodore, 1843-1888 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-1880s-politically-incorrect-racist-entertainment-poster-calders-white-slave-co-theatre-royal-edinburgh-commencing-monday-aug-24th-printed-by-montague-chatterton-co-38-acton-st-grays-inn-rd-london-wc-date-1885-poster-netherlands-designer-emmanuel-gaillard-1930s-artist-bartley-theodore-1843-1888-image402522402.htmlRM2EATDC2–Vintage 1880's politically incorrect racist entertainment poster Calders White Slave Co. Theatre Royal Edinburgh Commencing Monday, Aug. 24th. Printed by Montague Chatterton & Co., 38 Acton St., Gray's Inn Rd., London, W.C. Date 1885 Poster Netherlands, designer: Emmanuel Gaillard, 1930s, Artist Bartley Theodore, 1843-1888
Museum, Smisthsonian., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/museum-smisthsonian-smillie-t-w-thomas-william-1843-1917-washington-dc-united-states-image386372105.htmlRM2DCGNFN–Museum, Smisthsonian., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States
Sugar bowl. Culture: American. Dimensions: H. 6 in. (15.2 cm). Maker: James C. Mackley (1843-1916). Date: 1875-80. Mackley worked with Anthony W. Baecher before the latter moved to Virginia. The close similarity of the work of the two potters is seen here in the applied stylized leaves and the floral elements in high relief. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sugar-bowl-culture-american-dimensions-h-6-in-152-cm-maker-james-c-mackley-1843-1916-date-1875-80-mackley-worked-with-anthony-w-baecher-before-the-latter-moved-to-virginia-the-close-similarity-of-the-work-of-the-two-potters-is-seen-here-in-the-applied-stylized-leaves-and-the-floral-elements-in-high-relief-museum-metropolitan-museum-of-art-new-york-usa-image212903970.htmlRMPAAH56–Sugar bowl. Culture: American. Dimensions: H. 6 in. (15.2 cm). Maker: James C. Mackley (1843-1916). Date: 1875-80. Mackley worked with Anthony W. Baecher before the latter moved to Virginia. The close similarity of the work of the two potters is seen here in the applied stylized leaves and the floral elements in high relief. Museum: Metropolitan Museum of Art, New York, USA.
Smisthsonian Institution., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smisthsonian-institution-smillie-t-w-thomas-william-1843-1917-washington-dc-united-states-image376486899.htmlRM2CTECTK–Smisthsonian Institution., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States
Art inspired by Seated Statue of Hatshepsut, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri & el- Asasif, Senenmut Quarry, 1926–28/Lepsius 1843–45, Indurated limestone, paint, H. 195 cm (76 3/4 in.); W. 49 cm (19 5/16 in.); D. 114 cm (44 7/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-seated-statue-of-hatshepsut-new-kingdom-dynasty-18-ca-14791458-bc-from-egypt-upper-egypt-thebes-deir-el-bahri-el-asasif-senenmut-quarry-192628lepsius-184345-indurated-limestone-paint-h-195-cm-76-34-in-w-49-cm-19-516-in-d-114-cm-44-78-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462849512.htmlRF2HW0H7M–Art inspired by Seated Statue of Hatshepsut, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri & el- Asasif, Senenmut Quarry, 1926–28/Lepsius 1843–45, Indurated limestone, paint, H. 195 cm (76 3/4 in.); W. 49 cm (19 5/16 in.); D. 114 cm (44 7/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Smisthsonian Institution. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 274 Smisthsonian Institution, by Smillie, T. W. (Thomas William), 1843-1917 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smisthsonian-institution-coverage-1870-1890-source-imprint-washington-dc-tw-smillie-1870-1890-digital-item-published-1-25-2006-updated-2-13-2009-274-smisthsonian-institution-by-smillie-t-w-thomas-william-1843-1917-2-image208676704.htmlRMP3E17C–. Smisthsonian Institution. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 274 Smisthsonian Institution, by Smillie, T. W. (Thomas William), 1843-1917 2
![Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series III – Surrender of Cornwallis [The Surrender of Lord Cornwallis is an oil painting by John Trumbull. The painting was completed in 1820, and hangs in the rotunda of the United States Capitol in Washington, D.C. The painting depicts the surrender of British Lieutenant General Charles, Earl Cornwallis at Yorktown, Virginia, on October 19, 1781, ending the siege of Yorktown, and virtually guaranteeing American independence. Included in the depiction are many leaders of the American troops that took part in the siege]. from the ' W Stock Photo](https://c8.alamy.com/comp/2HBMD04/trumbull-john-trumbull-june-6-1756-november-10-1843-series-iii-surrender-of-cornwallis-the-surrender-of-lord-cornwallis-is-an-oil-painting-by-john-trumbull-the-painting-was-completed-in-1820-and-hangs-in-the-rotunda-of-the-united-states-capitol-in-washington-dc-the-painting-depicts-the-surrender-of-british-lieutenant-general-charles-earl-cornwallis-at-yorktown-virginia-on-october-19-1781-ending-the-siege-of-yorktown-and-virtually-guaranteeing-american-independence-included-in-the-depiction-are-many-leaders-of-the-american-troops-that-took-part-in-the-siege-from-the-w-2HBMD04.jpg "Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series III – Surrender of Cornwallis [The Surrender of Lord Cornwallis is an oil painting by John Trumbull. The painting was completed in 1820, and hangs in the rotunda of the United States Capitol in Washington, D.C. The painting depicts the surrender of British Lieutenant General Charles, Earl Cornwallis at Yorktown, Virginia, on October 19, 1781, ending the siege of Yorktown, and virtually guaranteeing American independence. Included in the depiction are many leaders of the American troops that took part in the siege]. from the ' W Stock Photo")
Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series III – Surrender of Cornwallis [The Surrender of Lord Cornwallis is an oil painting by John Trumbull. The painting was completed in 1820, and hangs in the rotunda of the United States Capitol in Washington, D.C. The painting depicts the surrender of British Lieutenant General Charles, Earl Cornwallis at Yorktown, Virginia, on October 19, 1781, ending the siege of Yorktown, and virtually guaranteeing American independence. Included in the depiction are many leaders of the American troops that took part in the siege]. from the ' W Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trumbull-john-trumbull-june-6-1756-november-10-1843-series-iii-surrender-of-cornwallis-the-surrender-of-lord-cornwallis-is-an-oil-painting-by-john-trumbull-the-painting-was-completed-in-1820-and-hangs-in-the-rotunda-of-the-united-states-capitol-in-washington-dc-the-painting-depicts-the-surrender-of-british-lieutenant-general-charles-earl-cornwallis-at-yorktown-virginia-on-october-19-1781-ending-the-siege-of-yorktown-and-virtually-guaranteeing-american-independence-included-in-the-depiction-are-many-leaders-of-the-american-troops-that-took-part-in-the-siege-from-the-w-image454680020.htmlRF2HBMD04–Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series III – Surrender of Cornwallis [The Surrender of Lord Cornwallis is an oil painting by John Trumbull. The painting was completed in 1820, and hangs in the rotunda of the United States Capitol in Washington, D.C. The painting depicts the surrender of British Lieutenant General Charles, Earl Cornwallis at Yorktown, Virginia, on October 19, 1781, ending the siege of Yorktown, and virtually guaranteeing American independence. Included in the depiction are many leaders of the American troops that took part in the siege]. from the ' W
Battle of Meeanee Miani in 1843 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-meeanee-miani-in-1843-image241327667.htmlRMT0HBW7–Battle of Meeanee Miani in 1843
Sir Charles Bagot GCB 1781 1843 English diplomat colonial administrator served Governor General Province of Canada 1841-1843 dip Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-charles-bagot-gcb-1781-1843-english-diplomat-colonial-administrator-15266272.htmlRMAMHA0H–Sir Charles Bagot GCB 1781 1843 English diplomat colonial administrator served Governor General Province of Canada 1841-1843 dip
Miss Power, Marguerite Agnes Power, c.1815-1867, writer and niece of Irish writer Lady Blessington (Marguerite Gardiner). With her hair in plaits, wearing a dress with lace collar and tight waist. Steel stipple engraving by W.H. Eagleton after an illustration by William Drummond from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miss-power-marguerite-agnes-power-c1815-1867-writer-and-niece-of-irish-writer-lady-blessington-marguerite-gardiner-with-her-hair-in-plaits-wearing-a-dress-with-lace-collar-and-tight-waist-steel-stipple-engraving-by-wh-eagleton-after-an-illustration-by-william-drummond-from-charles-heaths-english-pearls-or-portraits-for-the-boudoir-tilt-and-bogue-london-1843-image494124012.htmlRM2KKW864–Miss Power, Marguerite Agnes Power, c.1815-1867, writer and niece of Irish writer Lady Blessington (Marguerite Gardiner). With her hair in plaits, wearing a dress with lace collar and tight waist. Steel stipple engraving by W.H. Eagleton after an illustration by William Drummond from Charles Heath’s English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.
Board of Trade Building, by Kimball, W. G. C. (Willis G. C.), 1843 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-board-of-trade-building-by-kimball-w-g-c-willis-g-c-1843-1916-163881928.htmlRMKEHD20–Board of Trade Building, by Kimball, W. G. C. (Willis G. C.), 1843 1916
'Independent Statesman' Building, by Kimball, W G C (Willis G C), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/independent-statesman-building-by-kimball-w-g-c-willis-g-c-1843-1916-image259866887.htmlRMW2NXT7–'Independent Statesman' Building, by Kimball, W G C (Willis G C), 1843-1916
William Chalmers Burns (1815-1868), Scottish evangelist and Christian missionary to China with the English Presbyterian Mission in the 19th century. Burns worked with fellow missionary Hudson Taylor for quite some time and both were involved in the advance of the gospel within the Chinese interior. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-chalmers-burns-1815-1868-scottish-evangelist-and-christian-missionary-to-china-with-the-english-presbyterian-mission-in-the-19th-century-burns-worked-with-fellow-missionary-hudson-taylor-for-quite-some-time-and-both-were-involved-in-the-advance-of-the-gospel-within-the-chinese-interior-image341409247.htmlRM2ARCEYB–William Chalmers Burns (1815-1868), Scottish evangelist and Christian missionary to China with the English Presbyterian Mission in the 19th century. Burns worked with fellow missionary Hudson Taylor for quite some time and both were involved in the advance of the gospel within the Chinese interior.
Art inspired by Sugar bowl, 1875–80, Made in Thurmont, Maryland, United States, American, Earthenware, H. 6 in. (15.2 cm), Ceramics, James C. Mackley (1843–1916), Mackley worked with Anthony W. Baecher before the latter moved to Virginia. The close similarity of the work of the two, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-sugar-bowl-187580-made-in-thurmont-maryland-united-states-american-earthenware-h-6-in-152-cm-ceramics-james-c-mackley-18431916-mackley-worked-with-anthony-w-baecher-before-the-latter-moved-to-virginia-the-close-similarity-of-the-work-of-the-two-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462892632.htmlRF2HW2G7M–Art inspired by Sugar bowl, 1875–80, Made in Thurmont, Maryland, United States, American, Earthenware, H. 6 in. (15.2 cm), Ceramics, James C. Mackley (1843–1916), Mackley worked with Anthony W. Baecher before the latter moved to Virginia. The close similarity of the work of the two, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
!['Colonel W. D. Otter', 1900. William Dillon Otter (1843-1929) Canadian commander of the 2nd Battalion of The Royal Canadian Regiment of Infantry in South Africa who played an important part in the Battle of Paardeberg during the Second Boer War. From "South Africa and the Transvaal War, Vol. III", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1900] Stock Photo](https://c8.alamy.com/comp/2AG0GG9/colonel-w-d-otter-1900-william-dillon-otter-1843-1929-canadian-commander-of-the-2nd-battalion-of-the-royal-canadian-regiment-of-infantry-in-south-africa-who-played-an-important-part-in-the-battle-of-paardeberg-during-the-second-boer-war-from-quotsouth-africa-and-the-transvaal-war-vol-iiiquot-by-louis-creswicke-t-c-amp-e-c-jack-edinburgh-1900-2AG0GG9.jpg "'Colonel W. D. Otter', 1900. William Dillon Otter (1843-1929) Canadian commander of the 2nd Battalion of The Royal Canadian Regiment of Infantry in South Africa who played an important part in the Battle of Paardeberg during the Second Boer War. From "South Africa and the Transvaal War, Vol. III", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1900] Stock Photo")
'Colonel W. D. Otter', 1900. William Dillon Otter (1843-1929) Canadian commander of the 2nd Battalion of The Royal Canadian Regiment of Infantry in South Africa who played an important part in the Battle of Paardeberg during the Second Boer War. From "South Africa and the Transvaal War, Vol. III", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1900] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colonel-w-d-otter-1900-william-dillon-otter-1843-1929-canadian-commander-of-the-2nd-battalion-of-the-royal-canadian-regiment-of-infantry-in-south-africa-who-played-an-important-part-in-the-battle-of-paardeberg-during-the-second-boer-war-from-quotsouth-africa-and-the-transvaal-war-vol-iiiquot-by-louis-creswicke-t-c-amp-e-c-jack-edinburgh-1900-image336844489.htmlRM2AG0GG9–'Colonel W. D. Otter', 1900. William Dillon Otter (1843-1929) Canadian commander of the 2nd Battalion of The Royal Canadian Regiment of Infantry in South Africa who played an important part in the Battle of Paardeberg during the Second Boer War. From "South Africa and the Transvaal War, Vol. III", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1900]
Civil War veteran Private William A. Smith of Co. C, 14th North Carolina Infantry Regiment, in uniform. Liljenquist Family Collection of Civil War Photographs , pp/liljmem. Smith, W. A, (William Alexander), 1843-1934, United Confederate Veterans, People, 1920-1940, Confederate States of America, Army, North Carolina Infantry Regiment, 14th (1861 Nov.-1865), People, 1920-1940, Veterans, Confederate, 1920-1940, United States, History, Civil War, 1861-1865, Veterans, Confederate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/civil-war-veteran-private-william-a-smith-of-co-c-14th-north-carolina-infantry-regiment-in-uniform-liljenquist-family-collection-of-civil-war-photographs-ppliljmem-smith-w-a-william-alexander-1843-1934-united-confederate-veterans-people-1920-1940-confederate-states-of-america-army-north-carolina-infantry-regiment-14th-1861-nov-1865-people-1920-1940-veterans-confederate-1920-1940-united-states-history-civil-war-1861-1865-veterans-confederate-image541271180.htmlRM2PCH0WG–Civil War veteran Private William A. Smith of Co. C, 14th North Carolina Infantry Regiment, in uniform. Liljenquist Family Collection of Civil War Photographs , pp/liljmem. Smith, W. A, (William Alexander), 1843-1934, United Confederate Veterans, People, 1920-1940, Confederate States of America, Army, North Carolina Infantry Regiment, 14th (1861 Nov.-1865), People, 1920-1940, Veterans, Confederate, 1920-1940, United States, History, Civil War, 1861-1865, Veterans, Confederate.
Landscape, c. 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-c-1843-image457045896.htmlRM2HFG6KM–Landscape, c. 1843.
General view, Main Street, looking south, by Kimball, W. G. C. (Willis G. C.), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-general-view-main-street-looking-south-by-kimball-w-g-c-willis-g-c-96321396.htmlRMFGKPWT–General view, Main Street, looking south, by Kimball, W. G. C. (Willis G. C.), 1843-1916
Civil War veteran Private William A. Smith of Co. C, 14th North Carolina Infantry Regiment, in uniform. Liljenquist Family Collection of Civil War Photographs , pp/liljvet. Smith, W. A, (William Alexander), 1843-1934, United Confederate Veterans, People, 1920-1940, Confederate States of America, Army, North Carolina Infantry Regiment, 14th (1861 Nov.-1865), People, 1920-1940, Veterans, Confederate, 1910-1920, United States, History, Civil War, 1861-1865, Veterans, Confederate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/civil-war-veteran-private-william-a-smith-of-co-c-14th-north-carolina-infantry-regiment-in-uniform-liljenquist-family-collection-of-civil-war-photographs-ppliljvet-smith-w-a-william-alexander-1843-1934-united-confederate-veterans-people-1920-1940-confederate-states-of-america-army-north-carolina-infantry-regiment-14th-1861-nov-1865-people-1920-1940-veterans-confederate-1910-1920-united-states-history-civil-war-1861-1865-veterans-confederate-image541344927.htmlRM2PCMAYB–Civil War veteran Private William A. Smith of Co. C, 14th North Carolina Infantry Regiment, in uniform. Liljenquist Family Collection of Civil War Photographs , pp/liljvet. Smith, W. A, (William Alexander), 1843-1934, United Confederate Veterans, People, 1920-1940, Confederate States of America, Army, North Carolina Infantry Regiment, 14th (1861 Nov.-1865), People, 1920-1940, Veterans, Confederate, 1910-1920, United States, History, Civil War, 1861-1865, Veterans, Confederate.
A man-powered flying machine in a countryside setting. The Aerostat - Worked by Manual Power - Invented by W. Miller, M.R.C.S. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-man-powered-flying-machine-in-a-countryside-setting-the-aerostat-worked-by-manual-power-invented-by-w-miller-mrcs-image504781029.htmlRM2M96N9W–A man-powered flying machine in a countryside setting. The Aerostat - Worked by Manual Power - Invented by W. Miller, M.R.C.S.
Ten soldiers of the 2nd Kentucky Cavalry Regiment while imprisoned at Camp Douglas, Illinois / D.F. Brandon, photographer, Camp Douglas, Ill.. Liljenquist Family Collection of Civil War Photographs , pp/liljpaper. Kendall, William W, 1840-1895, Henry, Thomas D, 1843-1878, Farmer, Jonathan S, 1845-1925, Conn, Joseph H, 1836-1911, Exum, Robert B, approximately 1846-1891, Thompson, Robert C, 1839-1926, Williams, Gabriel L, Bryant, Henry H, 1843-1899, Kendall, Robert B, 1843-1913, Radford, William T, 1836-1893, Confederate States of America, Army, Kentucky Cavalry Regiment, 2nd, People, 1860-1870, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ten-soldiers-of-the-2nd-kentucky-cavalry-regiment-while-imprisoned-at-camp-douglas-illinois-df-brandon-photographer-camp-douglas-ill-liljenquist-family-collection-of-civil-war-photographs-ppliljpaper-kendall-william-w-1840-1895-henry-thomas-d-1843-1878-farmer-jonathan-s-1845-1925-conn-joseph-h-1836-1911-exum-robert-b-approximately-1846-1891-thompson-robert-c-1839-1926-williams-gabriel-l-bryant-henry-h-1843-1899-kendall-robert-b-1843-1913-radford-william-t-1836-1893-confederate-states-of-america-army-kentucky-cavalry-regiment-2nd-people-1860-1870-image541229067.htmlRM2PCF35F–Ten soldiers of the 2nd Kentucky Cavalry Regiment while imprisoned at Camp Douglas, Illinois / D.F. Brandon, photographer, Camp Douglas, Ill.. Liljenquist Family Collection of Civil War Photographs , pp/liljpaper. Kendall, William W, 1840-1895, Henry, Thomas D, 1843-1878, Farmer, Jonathan S, 1845-1925, Conn, Joseph H, 1836-1911, Exum, Robert B, approximately 1846-1891, Thompson, Robert C, 1839-1926, Williams, Gabriel L, Bryant, Henry H, 1843-1899, Kendall, Robert B, 1843-1913, Radford, William T, 1836-1893, Confederate States of America, Army, Kentucky Cavalry Regiment, 2nd, People, 1860-1870,
The Blind Fiddle. Date/Period: 1843 - 1845. Print. Etching. Height: 108 mm (4.25 in); Width: 144 mm (5.66 in). Author: C. W. Marr. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-blind-fiddle-dateperiod-1843-1845-print-etching-height-108-mm-425-in-width-144-mm-566-in-author-c-w-marr-image219739112.htmlRMPNDYDC–The Blind Fiddle. Date/Period: 1843 - 1845. Print. Etching. Height: 108 mm (4.25 in); Width: 144 mm (5.66 in). Author: C. W. Marr.
Department of Agriculture., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/department-of-agriculture-smillie-t-w-thomas-william-1843-1917-washington-dc-united-states-image376484657.htmlRM2CTEA0H–Department of Agriculture., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States
Asmus Kaufmann (1806-1890); C.W. Eckersberg (1783-1853); , M. Nielsen, 1820 - 1843 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/asmus-kaufmann-1806-1890-cw-eckersberg-1783-1853-m-nielsen-1820-1843-image408001066.htmlRM2EKP1EJ–Asmus Kaufmann (1806-1890); C.W. Eckersberg (1783-1853); , M. Nielsen, 1820 - 1843
. President's House, East. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 243 President's House, East, by Smillie, T. W. (Thomas William), 1843-1917 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/presidents-house-east-coverage-1870-1890-source-imprint-washington-dc-tw-smillie-1870-1890-digital-item-published-1-25-2006-updated-2-13-2009-243-presidents-house-east-by-smillie-t-w-thomas-william-1843-1917-image208634378.htmlRMP3C37P–. President's House, East. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 243 President's House, East, by Smillie, T. W. (Thomas William), 1843-1917
United States: c. 1843 A portrait of author Margaret Fuller. She was a journalist and an early women's rights advocate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/united-states-c-1843-a-portrait-of-author-margaret-fuller-she-was-a-journalist-and-an-early-womens-rights-advocate-image558644003.htmlRM2RCTC3F–United States: c. 1843 A portrait of author Margaret Fuller. She was a journalist and an early women's rights advocate.
Lombardsteeg. Catalogusnummer: PR 1000319 Plaats: Alkmaar BeschrijvingHet gebouw van de Bank van Lening, recht van voren gezien. Datering: 1843 Vervaardiger: Bruinvis, C.W. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lombardsteeg-catalogusnummer-pr-1000319-plaats-alkmaar-beschrijvinghet-gebouw-van-de-bank-van-lening-recht-van-voren-gezien-datering-1843-vervaardiger-bruinvis-cw-image188851459.htmlRMMY6WXY–Lombardsteeg. Catalogusnummer: PR 1000319 Plaats: Alkmaar BeschrijvingHet gebouw van de Bank van Lening, recht van voren gezien. Datering: 1843 Vervaardiger: Bruinvis, C.W.
L'Allegro. A poem. The Poetical Works of John Milton, with a memoir, , and critical remarks on his genius and writings, by James Montgomery and one hundred and twenty engravings from drawings by W. Harvey. Tilt and Bogue: London, 1843. Source: C.70.c.8 volume 2, 195. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lallegro-a-poem-the-poetical-works-of-john-milton-with-a-memoir-and-critical-remarks-on-his-genius-and-writings-by-james-montgomery-and-one-hundred-and-twenty-engravings-from-drawings-by-w-harvey-tilt-and-bogue-london-1843-source-c70c8-volume-2-195-language-english-image227119565.htmlRMR5E591–L'Allegro. A poem. The Poetical Works of John Milton, with a memoir, , and critical remarks on his genius and writings, by James Montgomery and one hundred and twenty engravings from drawings by W. Harvey. Tilt and Bogue: London, 1843. Source: C.70.c.8 volume 2, 195. Language: English.
Textile, Jeanne d'Arc; Designed by Charles Abraham Chasselat (French, 1782 – 1843); Manufactured by Hartmann et Fils (France); France; cotton; Warp x Weft (a): 210.8 x 86.4 cm (6 ft. 11 in. x 34 in.) Warp x Weft (i): 149.9 x 86.4 cm (59 x 34 in.) Repeat H (straight): 61 cm (24 in.) H x W (b): 232.5 x 69 cm (7 ft. 7 9/16 in. x 27 3/16 in.) H x W (c): 176.6 x 87.6 cm (5 ft. 9 1/2 in. x 34 1/2 in.) H x W (d): 217.3 x 69 cm (7 ft. 1 9/16 in. x 27 3/16 in.) H x W (e): 223.6 x 69 cm (7 ft. 4 1/16 in. x 27 3/16 in.); Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma Greenleaf; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-jeanne-darc-designed-by-charles-abraham-chasselat-french-1782-1843-manufactured-by-hartmann-et-fils-france-france-cotton-warp-x-weft-a-2108-x-864-cm-6-ft-11-in-x-34-in-warp-x-weft-i-1499-x-864-cm-59-x-34-in-repeat-h-straight-61-cm-24-in-h-x-w-b-2325-x-69-cm-7-ft-7-916-in-x-27-316-in-h-x-w-c-1766-x-876-cm-5-ft-9-12-in-x-34-12-in-h-x-w-d-2173-x-69-cm-7-ft-1-916-in-x-27-316-in-h-x-w-e-2236-x-69-cm-7-ft-4-116-in-x-27-316-in-bequest-of-richard-cranch-greenleaf-in-memory-of-his-mother-adeline-emma-greenleaf-image546249824.htmlRM2PMKR68–Textile, Jeanne d'Arc; Designed by Charles Abraham Chasselat (French, 1782 – 1843); Manufactured by Hartmann et Fils (France); France; cotton; Warp x Weft (a): 210.8 x 86.4 cm (6 ft. 11 in. x 34 in.) Warp x Weft (i): 149.9 x 86.4 cm (59 x 34 in.) Repeat H (straight): 61 cm (24 in.) H x W (b): 232.5 x 69 cm (7 ft. 7 9/16 in. x 27 3/16 in.) H x W (c): 176.6 x 87.6 cm (5 ft. 9 1/2 in. x 34 1/2 in.) H x W (d): 217.3 x 69 cm (7 ft. 1 9/16 in. x 27 3/16 in.) H x W (e): 223.6 x 69 cm (7 ft. 4 1/16 in. x 27 3/16 in.); Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma Greenleaf;
'Independent Statesman' Building, by Kimball, W. G. C. (Willis G. C.), 1843 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-independent-statesman-building-by-kimball-w-g-c-willis-g-c-1843-1916-163881186.htmlRMKEHC3E–'Independent Statesman' Building, by Kimball, W. G. C. (Willis G. C.), 1843 1916
NH State House, by Kimball, W G C (Willis G C), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nh-state-house-by-kimball-w-g-c-willis-g-c-1843-1916-image259992339.htmlRMW2YJTK–NH State House, by Kimball, W G C (Willis G C), 1843-1916
William Chalmers Burns (1815-1868), Scottish evangelist and Christian missionary to China with the English Presbyterian Mission in the 19th century. Burns worked with fellow missionary Hudson Taylor for quite some time and both were involved in the advance of the gospel within the Chinese interior. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-chalmers-burns-1815-1868-scottish-evangelist-and-christian-missionary-to-china-with-the-english-presbyterian-mission-in-the-19th-century-burns-worked-with-fellow-missionary-hudson-taylor-for-quite-some-time-and-both-were-involved-in-the-advance-of-the-gospel-within-the-chinese-interior-image341409243.htmlRM2ARCEY7–William Chalmers Burns (1815-1868), Scottish evangelist and Christian missionary to China with the English Presbyterian Mission in the 19th century. Burns worked with fellow missionary Hudson Taylor for quite some time and both were involved in the advance of the gospel within the Chinese interior.
Exterior view of the British Museum south entrance and forecourt, London, England, United Kingdom, circa 1890. Photography by Francis Godolphin Osbourne Stuart (c.1843–1923). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-view-of-the-british-museum-south-entrance-and-forecourt-london-england-united-kingdom-circa-1890-photography-by-francis-godolphin-osbourne-stuart-c18431923-image473082009.htmlRM2JDJMX1–Exterior view of the British Museum south entrance and forecourt, London, England, United Kingdom, circa 1890. Photography by Francis Godolphin Osbourne Stuart (c.1843–1923).
William Chalmers Burns (1815-1868), Scottish evangelist and missionary to China. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-chalmers-burns-1815-1868-scottish-evangelist-and-missionary-to-china-image343875911.htmlRM2AYCW6F–William Chalmers Burns (1815-1868), Scottish evangelist and missionary to China.
!['Major-General Sir W. F. Gatacre, K. C. B.', 1900. William Forbes Gatacre (1843-1906) British soldier who served between 1862 and 1904 in India and Africa, commanding the 3rd Division during the first months of the Second Boer War. From "South Africa and the Transvaal War, Vol. III", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1900] Stock Photo](https://c8.alamy.com/comp/2AG0GFC/major-general-sir-w-f-gatacre-k-c-b-1900-william-forbes-gatacre-1843-1906-british-soldier-who-served-between-1862-and-1904-in-india-and-africa-commanding-the-3rd-division-during-the-first-months-of-the-second-boer-war-from-quotsouth-africa-and-the-transvaal-war-vol-iiiquot-by-louis-creswicke-t-c-amp-e-c-jack-edinburgh-1900-2AG0GFC.jpg "'Major-General Sir W. F. Gatacre, K. C. B.', 1900. William Forbes Gatacre (1843-1906) British soldier who served between 1862 and 1904 in India and Africa, commanding the 3rd Division during the first months of the Second Boer War. From "South Africa and the Transvaal War, Vol. III", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1900] Stock Photo")
'Major-General Sir W. F. Gatacre, K. C. B.', 1900. William Forbes Gatacre (1843-1906) British soldier who served between 1862 and 1904 in India and Africa, commanding the 3rd Division during the first months of the Second Boer War. From "South Africa and the Transvaal War, Vol. III", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1900] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/major-general-sir-w-f-gatacre-k-c-b-1900-william-forbes-gatacre-1843-1906-british-soldier-who-served-between-1862-and-1904-in-india-and-africa-commanding-the-3rd-division-during-the-first-months-of-the-second-boer-war-from-quotsouth-africa-and-the-transvaal-war-vol-iiiquot-by-louis-creswicke-t-c-amp-e-c-jack-edinburgh-1900-image336844464.htmlRM2AG0GFC–'Major-General Sir W. F. Gatacre, K. C. B.', 1900. William Forbes Gatacre (1843-1906) British soldier who served between 1862 and 1904 in India and Africa, commanding the 3rd Division during the first months of the Second Boer War. From "South Africa and the Transvaal War, Vol. III", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1900]
Woman and her Children, c. 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-and-her-children-c-1843-image457045865.htmlRM2HFG6JH–Woman and her Children, c. 1843.
General view, Main Street, looking north, by Kimball, W. G. C. (Willis G. C.), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-general-view-main-street-looking-north-by-kimball-w-g-c-willis-g-c-96321397.htmlRMFGKPWW–General view, Main Street, looking north, by Kimball, W. G. C. (Willis G. C.), 1843-1916
J. C. Horsley, Esq., R.A., 1864. Engraving from a photograph by J. and C. Watkins. 'Probably few, if any, living painters have given to all unsophisticated lovers of art more unalloyed pleasure...But Mr. Horsley is less widely known for powers he has occasionally displayed in that difficult branch of art, monumental painting...In the grand movement for the development of mural painting in this country by the decoration of the new Houses of Parliament, Mr. Horsley has taken, as we have already intimated, a prominent and successful part. In the (first) cartoon competition of 1843, at Westminster Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/j-c-horsley-esq-ra-1864-engraving-from-a-photograph-by-j-and-c-watkins-probably-few-if-any-living-painters-have-given-to-all-unsophisticated-lovers-of-art-more-unalloyed-pleasurebut-mr-horsley-is-less-widely-known-for-powers-he-has-occasionally-displayed-in-that-difficult-branch-of-art-monumental-paintingin-the-grand-movement-for-the-development-of-mural-painting-in-this-country-by-the-decoration-of-the-new-houses-of-parliament-mr-horsley-has-taken-as-we-have-already-intimated-a-prominent-and-successful-part-in-the-first-cartoon-competition-of-1843-at-westminster-image599660891.htmlRM2WRGWGB–J. C. Horsley, Esq., R.A., 1864. Engraving from a photograph by J. and C. Watkins. 'Probably few, if any, living painters have given to all unsophisticated lovers of art more unalloyed pleasure...But Mr. Horsley is less widely known for powers he has occasionally displayed in that difficult branch of art, monumental painting...In the grand movement for the development of mural painting in this country by the decoration of the new Houses of Parliament, Mr. Horsley has taken, as we have already intimated, a prominent and successful part. In the (first) cartoon competition of 1843, at Westminster
At Home. Major Powell. Column Reporter. Hillers, photo. Maj. C.W. Ingalls, John K. Hillers (American, 1843 - 1925), about 1872, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-home-major-powell-column-reporter-hillers-photo-maj-cw-ingalls-john-k-hillers-american-1843-1925-about-1872-albumen-silver-print-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349918521.htmlRF2B984J1–At Home. Major Powell. Column Reporter. Hillers, photo. Maj. C.W. Ingalls, John K. Hillers (American, 1843 - 1925), about 1872, Albumen silver print, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
!['Durban, Natal', 1901. The Colony of Natal was a British colony annexed from the Boer Republic of Natalia on 4 May 1843. From "South Africa and the Transvaal War, Vol. VI", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1901] Stock Photo](https://c8.alamy.com/comp/2AG0GWX/durban-natal-1901-the-colony-of-natal-was-a-british-colony-annexed-from-the-boer-republic-of-natalia-on-4-may-1843-from-quotsouth-africa-and-the-transvaal-war-vol-viquot-by-louis-creswicke-t-c-amp-e-c-jack-edinburgh-1901-2AG0GWX.jpg "'Durban, Natal', 1901. The Colony of Natal was a British colony annexed from the Boer Republic of Natalia on 4 May 1843. From "South Africa and the Transvaal War, Vol. VI", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1901] Stock Photo")
'Durban, Natal', 1901. The Colony of Natal was a British colony annexed from the Boer Republic of Natalia on 4 May 1843. From "South Africa and the Transvaal War, Vol. VI", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1901] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/durban-natal-1901-the-colony-of-natal-was-a-british-colony-annexed-from-the-boer-republic-of-natalia-on-4-may-1843-from-quotsouth-africa-and-the-transvaal-war-vol-viquot-by-louis-creswicke-t-c-amp-e-c-jack-edinburgh-1901-image336844758.htmlRM2AG0GWX–'Durban, Natal', 1901. The Colony of Natal was a British colony annexed from the Boer Republic of Natalia on 4 May 1843. From "South Africa and the Transvaal War, Vol. VI", by Louis Creswicke. [T. C. & E. C. Jack, Edinburgh, 1901]
![Intemperance.-The Animal: 'Though you can guess what temperance should be, You know not what it is'-Shakespeare. Artist: After Alfred Henry Forrester [Alfred Crowquill] (British, London 1804-1872 London). Dimensions: Plate: 13 1/8 × 10 1/8 in. (33.4 × 25.7 cm) Sheet: 18 1/2 × 13 3/4 in. (47 × 35 cm). Engraver: T. W. Huffam (British, active 1825-56). Publisher: R. C. Lambe (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PB588R/intemperance-the-animal-though-you-can-guess-what-temperance-should-be-you-know-not-what-it-is-shakespeare-artist-after-alfred-henry-forrester-alfred-crowquill-british-london-1804-1872-london-dimensions-plate-13-18-10-18-in-334-257-cm-sheet-18-12-13-34-in-47-35-cm-engraver-t-w-huffam-british-active-1825-56-publisher-r-c-lambe-london-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-date-1843-museum-metropolitan-museum-of-art-new-york-usa-PB588R.jpg "Intemperance.-The Animal: 'Though you can guess what temperance should be, You know not what it is'-Shakespeare. Artist: After Alfred Henry Forrester [Alfred Crowquill] (British, London 1804-1872 London). Dimensions: Plate: 13 1/8 × 10 1/8 in. (33.4 × 25.7 cm) Sheet: 18 1/2 × 13 3/4 in. (47 × 35 cm). Engraver: T. W. Huffam (British, active 1825-56). Publisher: R. C. Lambe (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
Intemperance.-The Animal: 'Though you can guess what temperance should be, You know not what it is'-Shakespeare. Artist: After Alfred Henry Forrester [Alfred Crowquill] (British, London 1804-1872 London). Dimensions: Plate: 13 1/8 × 10 1/8 in. (33.4 × 25.7 cm) Sheet: 18 1/2 × 13 3/4 in. (47 × 35 cm). Engraver: T. W. Huffam (British, active 1825-56). Publisher: R. C. Lambe (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/intemperance-the-animal-though-you-can-guess-what-temperance-should-be-you-know-not-what-it-is-shakespeare-artist-after-alfred-henry-forrester-alfred-crowquill-british-london-1804-1872-london-dimensions-plate-13-18-10-18-in-334-257-cm-sheet-18-12-13-34-in-47-35-cm-engraver-t-w-huffam-british-active-1825-56-publisher-r-c-lambe-london-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-date-1843-museum-metropolitan-museum-of-art-new-york-usa-image213401911.htmlRMPB588R–Intemperance.-The Animal: 'Though you can guess what temperance should be, You know not what it is'-Shakespeare. Artist: After Alfred Henry Forrester [Alfred Crowquill] (British, London 1804-1872 London). Dimensions: Plate: 13 1/8 × 10 1/8 in. (33.4 × 25.7 cm) Sheet: 18 1/2 × 13 3/4 in. (47 × 35 cm). Engraver: T. W. Huffam (British, active 1825-56). Publisher: R. C. Lambe (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA.
Smisthsonian Institution., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smisthsonian-institution-smillie-t-w-thomas-william-1843-1917-washington-dc-united-states-image376488801.htmlRM2CTEF8H–Smisthsonian Institution., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States
'At Home.' Major Powell. Column Reporter. Hillers, photo. Maj. C.W. Ingalls. John K. Hillers (American, 1843 - 1925) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/at-home-major-powell-column-reporter-hillers-photo-maj-cw-ingalls-john-k-hillers-american-1843-1925-image416588116.htmlRM2F5N6B0–'At Home.' Major Powell. Column Reporter. Hillers, photo. Maj. C.W. Ingalls. John K. Hillers (American, 1843 - 1925)
. President's House, North. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 243 President's House, North, by Smillie, T. W. (Thomas William), 1843-1917 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/presidents-house-north-coverage-1870-1890-source-imprint-washington-dc-tw-smillie-1870-1890-digital-item-published-1-25-2006-updated-2-13-2009-243-presidents-house-north-by-smillie-t-w-thomas-william-1843-1917-image208634380.htmlRMP3C37T–. President's House, North. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 243 President's House, North, by Smillie, T. W. (Thomas William), 1843-1917
Civil War veteran Abner Letts / C.W. Abels, fine portraits, Eisle, Mich.. Liljenquist Family Collection of Civil War Photographs , pp/liljvet. Letts, Abner, 1843-1933, United States, Army, Michigan Cavalry Regiment, 1st (1861-1866), People, 1890-1910, Veterans, Union, 1890-1910, United States, History, Civil War, 1861-1865, Veterans, Union. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/civil-war-veteran-abner-letts-cw-abels-fine-portraits-eisle-mich-liljenquist-family-collection-of-civil-war-photographs-ppliljvet-letts-abner-1843-1933-united-states-army-michigan-cavalry-regiment-1st-1861-1866-people-1890-1910-veterans-union-1890-1910-united-states-history-civil-war-1861-1865-veterans-union-image541146353.htmlRM2PCB9KD–Civil War veteran Abner Letts / C.W. Abels, fine portraits, Eisle, Mich.. Liljenquist Family Collection of Civil War Photographs , pp/liljvet. Letts, Abner, 1843-1933, United States, Army, Michigan Cavalry Regiment, 1st (1861-1866), People, 1890-1910, Veterans, Union, 1890-1910, United States, History, Civil War, 1861-1865, Veterans, Union.
![De zoutketen de Burg van Alkmaar. Catalogusnummer: PR 1002387 Plaats: Alkmaar Beschrijving: "De zoutketen de Burg van Alkmaar [met gevelsteen 1791] en het Westzaner Wapen in de jaren 1791-1796 tijdens het Boekhouderschap van Christianus Stuurman Bucerus herbouwd en vereenigd met de Oranjeboom en gesloopt anno 1843". Datering: 1843 Vervaardiger: Bruinvis, C.W. Stock Photo](https://c8.alamy.com/comp/MY64F3/de-zoutketen-de-burg-van-alkmaar-catalogusnummer-pr-1002387-plaats-alkmaar-beschrijving-quotde-zoutketen-de-burg-van-alkmaar-met-gevelsteen-1791-en-het-westzaner-wapen-in-de-jaren-1791-1796-tijdens-het-boekhouderschap-van-christianus-stuurman-bucerus-herbouwd-en-vereenigd-met-de-oranjeboom-en-gesloopt-anno-1843quot-datering-1843-vervaardiger-bruinvis-cw-MY64F3.jpg "De zoutketen de Burg van Alkmaar. Catalogusnummer: PR 1002387 Plaats: Alkmaar Beschrijving: "De zoutketen de Burg van Alkmaar [met gevelsteen 1791] en het Westzaner Wapen in de jaren 1791-1796 tijdens het Boekhouderschap van Christianus Stuurman Bucerus herbouwd en vereenigd met de Oranjeboom en gesloopt anno 1843". Datering: 1843 Vervaardiger: Bruinvis, C.W. Stock Photo")
De zoutketen de Burg van Alkmaar. Catalogusnummer: PR 1002387 Plaats: Alkmaar Beschrijving: "De zoutketen de Burg van Alkmaar [met gevelsteen 1791] en het Westzaner Wapen in de jaren 1791-1796 tijdens het Boekhouderschap van Christianus Stuurman Bucerus herbouwd en vereenigd met de Oranjeboom en gesloopt anno 1843". Datering: 1843 Vervaardiger: Bruinvis, C.W. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-zoutketen-de-burg-van-alkmaar-catalogusnummer-pr-1002387-plaats-alkmaar-beschrijving-quotde-zoutketen-de-burg-van-alkmaar-met-gevelsteen-1791-en-het-westzaner-wapen-in-de-jaren-1791-1796-tijdens-het-boekhouderschap-van-christianus-stuurman-bucerus-herbouwd-en-vereenigd-met-de-oranjeboom-en-gesloopt-anno-1843quot-datering-1843-vervaardiger-bruinvis-cw-image188834663.htmlRMMY64F3–De zoutketen de Burg van Alkmaar. Catalogusnummer: PR 1002387 Plaats: Alkmaar Beschrijving: "De zoutketen de Burg van Alkmaar [met gevelsteen 1791] en het Westzaner Wapen in de jaren 1791-1796 tijdens het Boekhouderschap van Christianus Stuurman Bucerus herbouwd en vereenigd met de Oranjeboom en gesloopt anno 1843". Datering: 1843 Vervaardiger: Bruinvis, C.W.
W. Mitchell McAllister, Case: scroll design., Attributed to William Young McAllister., Etched on plate: W. Mitchell McAllister, Ap. 3, 1844., Note attached to case: Mitchell when a baby, 1843., Hallmark: Rinhart 21, except with 30 instead of 40 for the plate weight., Pressure sensitive label on case: 52., Purchase; Marian S. Carson; 1998; (DLC/PP-1998:151.7)., Forms part of: Daguerreotype collection , Forms part of: Marian S. Carson collection , , Published in: Gathering history: the Marian S. Carson collection of Americana. Washington, D.C. : Library of Congress, 1999, p. 104.. McAllister, W Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/w-mitchell-mcallister-case-scroll-design-attributed-to-william-young-mcallister-etched-on-plate-w-mitchell-mcallister-ap-3-1844-note-attached-to-case-mitchell-when-a-baby-1843-hallmark-rinhart-21-except-with-30-instead-of-40-for-the-plate-weight-pressure-sensitive-label-on-case-52-purchase-marian-s-carson-1998-dlcpp-19981517-forms-part-of-daguerreotype-collection-forms-part-of-marian-s-carson-collection-published-in-gathering-history-the-marian-s-carson-collection-of-americana-washington-dc-library-of-congress-1999-p-104-mcallister-w-image606944193.htmlRM2X7CKE9–W. Mitchell McAllister, Case: scroll design., Attributed to William Young McAllister., Etched on plate: W. Mitchell McAllister, Ap. 3, 1844., Note attached to case: Mitchell when a baby, 1843., Hallmark: Rinhart 21, except with 30 instead of 40 for the plate weight., Pressure sensitive label on case: 52., Purchase; Marian S. Carson; 1998; (DLC/PP-1998:151.7)., Forms part of: Daguerreotype collection , Forms part of: Marian S. Carson collection , , Published in: Gathering history: the Marian S. Carson collection of Americana. Washington, D.C. : Library of Congress, 1999, p. 104.. McAllister, W
J.C. Loudon. The Garden; an illustrated weekly journal of Garde. London, 1871-1927. John Claudius Loudon (1783-1843). Scottish horticultural writer, dendrologist and designer. Portrait. Image taken from The Garden; an illustrated weekly journal of Gardening in all its branches. Conducted by W. Robinson. vol. 1-91. Originally published/produced in London, 1871-1927. . Source: P.P.2243.ba, frontispiece. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jc-loudon-the-garden-an-illustrated-weekly-journal-of-garde-london-1871-1927-john-claudius-loudon-1783-1843-scottish-horticultural-writer-dendrologist-and-designer-portrait-image-taken-from-the-garden-an-illustrated-weekly-journal-of-gardening-in-all-its-branches-conducted-by-w-robinson-vol-1-91-originally-publishedproduced-in-london-1871-1927-source-pp2243ba-frontispiece-language-english-image226859932.htmlRMR52A4C–J.C. Loudon. The Garden; an illustrated weekly journal of Garde. London, 1871-1927. John Claudius Loudon (1783-1843). Scottish horticultural writer, dendrologist and designer. Portrait. Image taken from The Garden; an illustrated weekly journal of Gardening in all its branches. Conducted by W. Robinson. vol. 1-91. Originally published/produced in London, 1871-1927. . Source: P.P.2243.ba, frontispiece. Language: English.
N.H. State House, by Kimball, W. G. C. (Willis G. C.), 1843 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-nh-state-house-by-kimball-w-g-c-willis-g-c-1843-1916-163947646.htmlRMKEMCW2–N.H. State House, by Kimball, W. G. C. (Willis G. C.), 1843 1916
Board of Trade Building, by Kimball, W G C (Willis G C), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/board-of-trade-building-by-kimball-w-g-c-willis-g-c-1843-1916-image259896370.htmlRMW2R8D6–Board of Trade Building, by Kimball, W G C (Willis G C), 1843-1916
Captain Abbott A. Shattuck of Co. B, 6th Massachusetts Infantry Regiment and Co. C, 25th U.S. Colored Troops Infantry Regiment in uniform / W.L. Germon's Atelier, No. 702 Chestnut Street, Philadelphia.. Liljenquist Family Collection of Civil War Photographs , pp/liljpaper. Shattuck, Abbott A, approximately 1843- , United States, Army, Colored Infantry Regiment, 25th (1864-1865), People, United States, Army, Massachusetts Infantry Regiment, 6th (1861-1864), People, Soldiers, Union, 1860-1870, Military uniforms, Union, 1860-1870, United States, History, Civil War, 1861-1865, Military personnel, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/captain-abbott-a-shattuck-of-co-b-6th-massachusetts-infantry-regiment-and-co-c-25th-us-colored-troops-infantry-regiment-in-uniform-wl-germons-atelier-no-702-chestnut-street-philadelphia-liljenquist-family-collection-of-civil-war-photographs-ppliljpaper-shattuck-abbott-a-approximately-1843-united-states-army-colored-infantry-regiment-25th-1864-1865-people-united-states-army-massachusetts-infantry-regiment-6th-1861-1864-people-soldiers-union-1860-1870-military-uniforms-union-1860-1870-united-states-history-civil-war-1861-1865-military-personnel-image541106310.htmlRM2PC9EHA–Captain Abbott A. Shattuck of Co. B, 6th Massachusetts Infantry Regiment and Co. C, 25th U.S. Colored Troops Infantry Regiment in uniform / W.L. Germon's Atelier, No. 702 Chestnut Street, Philadelphia.. Liljenquist Family Collection of Civil War Photographs , pp/liljpaper. Shattuck, Abbott A, approximately 1843- , United States, Army, Colored Infantry Regiment, 25th (1864-1865), People, United States, Army, Massachusetts Infantry Regiment, 6th (1861-1864), People, Soldiers, Union, 1860-1870, Military uniforms, Union, 1860-1870, United States, History, Civil War, 1861-1865, Military personnel,
Harbors of Captain's Island East and Captain's Island West (Harbors of Refuge no.) 1860 by Hassler, F. R. (Ferdinand Rudolph), 1770-1843 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harbors-of-captains-island-east-and-captains-island-west-harbors-of-refuge-no-1860-by-hassler-f-r-ferdinand-rudolph-1770-1843-image633221399.htmlRM2YP5M9Y–Harbors of Captain's Island East and Captain's Island West (Harbors of Refuge no.) 1860 by Hassler, F. R. (Ferdinand Rudolph), 1770-1843
William Chalmers Burns (1815-1868), Scottish evangelist and missionary to China. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-chalmers-burns-1815-1868-scottish-evangelist-and-missionary-to-china-image343875905.htmlRM2AYCW69–William Chalmers Burns (1815-1868), Scottish evangelist and missionary to China.
Adjutant Harrison J.O. Walker of Co. C, 1st Connecticut Cavalry Regiment and Captain Joseph Backus of Co. C and Co. K, 1st Connecticut Cavalry Regiment, reading letter, in uniform / R.W. Addis, photographer, 308 Penna. Avenue, Washington, D.C.. Liljenquist Family Collection of Civil War Photographs , pp/liljpaper. Backus, Joseph, 1843-1864, Walker, Harrison J. O, 1840-1888, United States, Army, Connecticut Cavalry Regiment, 1st (1861-1865), People, Soldiers, Union, 1860-1870, Military uniforms, Union, 1860-1870, Reading, 1860-1870, United States, History, Civil War, 1861-1865, Military personn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adjutant-harrison-jo-walker-of-co-c-1st-connecticut-cavalry-regiment-and-captain-joseph-backus-of-co-c-and-co-k-1st-connecticut-cavalry-regiment-reading-letter-in-uniform-rw-addis-photographer-308-penna-avenue-washington-dc-liljenquist-family-collection-of-civil-war-photographs-ppliljpaper-backus-joseph-1843-1864-walker-harrison-j-o-1840-1888-united-states-army-connecticut-cavalry-regiment-1st-1861-1865-people-soldiers-union-1860-1870-military-uniforms-union-1860-1870-reading-1860-1870-united-states-history-civil-war-1861-1865-military-personn-image541214780.htmlRM2PCECY8–Adjutant Harrison J.O. Walker of Co. C, 1st Connecticut Cavalry Regiment and Captain Joseph Backus of Co. C and Co. K, 1st Connecticut Cavalry Regiment, reading letter, in uniform / R.W. Addis, photographer, 308 Penna. Avenue, Washington, D.C.. Liljenquist Family Collection of Civil War Photographs , pp/liljpaper. Backus, Joseph, 1843-1864, Walker, Harrison J. O, 1840-1888, United States, Army, Connecticut Cavalry Regiment, 1st (1861-1865), People, Soldiers, Union, 1860-1870, Military uniforms, Union, 1860-1870, Reading, 1860-1870, United States, History, Civil War, 1861-1865, Military personn
Untitled (Landscape), c. 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/untitled-landscape-c-1843-image457045882.htmlRM2HFG6K6–Untitled (Landscape), c. 1843.
Soldier's Home, Washington, D.C, by Smillie, T. W. (Thomas William), 1843-1917 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-soldiers-home-washington-dc-by-smillie-t-w-thomas-william-1843-1917-96315039.htmlRMFGKEPR–Soldier's Home, Washington, D.C, by Smillie, T. W. (Thomas William), 1843-1917
Portrait of J.M.C. van Voorst, born June 17, 1772, wife of W. van Beest, died October 23, 1843. Borst statue left, with Biedermeier Muts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jmc-van-voorst-born-june-17-1772-wife-of-w-van-beest-died-october-23-1843-borst-statue-left-with-biedermeier-muts-image480215468.htmlRM2JW7KMC–Portrait of J.M.C. van Voorst, born June 17, 1772, wife of W. van Beest, died October 23, 1843. Borst statue left, with Biedermeier Muts.
The Blind Fiddle, C.W. Marr, Sir David Wilkie, R.A. (Scottish, 1785 - 1841), England, 1843 - 1845, Engraving, 10.8 x reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-blind-fiddle-cw-marr-sir-david-wilkie-ra-scottish-1785-1841-england-1843-1845-engraving-108-x-reimagined-image230251464.htmlRFRAGT2G–The Blind Fiddle, C.W. Marr, Sir David Wilkie, R.A. (Scottish, 1785 - 1841), England, 1843 - 1845, Engraving, 10.8 x reimagined
![Dr. Ellicott, Bishop Designate of Gloucester and Bristol, 1862. Engraving from a photograph by John and Charles Watkins. 'The Very Rev. Charles John Ellicott, B.D...was born at Whitwell in 1819, and was educated at Oakham and Stamford Schools, and St. John's College, Cambridge, where he graduated in honours in 1841, and subsequently became Fellow of his college. He obtained the first member's prize in 1842, and the Hulsean prize in 1843, on "The Obligations of the Sabbath." In 1848 he was appointed to the small living of Tilton, in Rutlandshire, which he resigned in 1858, and in the Stock Photo](https://c8.alamy.com/comp/2WRGWRD/dr-ellicott-bishop-designate-of-gloucester-and-bristol-1862-engraving-from-a-photograph-by-john-and-charles-watkins-the-very-rev-charles-john-ellicott-bdwas-born-at-whitwell-in-1819-and-was-educated-at-oakham-and-stamford-schools-and-st-johns-college-cambridge-where-he-graduated-in-honours-in-1841-and-subsequently-became-fellow-of-his-college-he-obtained-the-first-members-prize-in-1842-and-the-hulsean-prize-in-1843-on-quotthe-obligations-of-the-sabbathquot-in-1848-he-was-appointed-to-the-small-living-of-tilton-in-rutlandshire-which-he-resigned-in-1858-and-in-the-2WRGWRD.jpg "Dr. Ellicott, Bishop Designate of Gloucester and Bristol, 1862. Engraving from a photograph by John and Charles Watkins. 'The Very Rev. Charles John Ellicott, B.D...was born at Whitwell in 1819, and was educated at Oakham and Stamford Schools, and St. John's College, Cambridge, where he graduated in honours in 1841, and subsequently became Fellow of his college. He obtained the first member's prize in 1842, and the Hulsean prize in 1843, on "The Obligations of the Sabbath." In 1848 he was appointed to the small living of Tilton, in Rutlandshire, which he resigned in 1858, and in the Stock Photo")
Dr. Ellicott, Bishop Designate of Gloucester and Bristol, 1862. Engraving from a photograph by John and Charles Watkins. 'The Very Rev. Charles John Ellicott, B.D...was born at Whitwell in 1819, and was educated at Oakham and Stamford Schools, and St. John's College, Cambridge, where he graduated in honours in 1841, and subsequently became Fellow of his college. He obtained the first member's prize in 1842, and the Hulsean prize in 1843, on "The Obligations of the Sabbath." In 1848 he was appointed to the small living of Tilton, in Rutlandshire, which he resigned in 1858, and in the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dr-ellicott-bishop-designate-of-gloucester-and-bristol-1862-engraving-from-a-photograph-by-john-and-charles-watkins-the-very-rev-charles-john-ellicott-bdwas-born-at-whitwell-in-1819-and-was-educated-at-oakham-and-stamford-schools-and-st-johns-college-cambridge-where-he-graduated-in-honours-in-1841-and-subsequently-became-fellow-of-his-college-he-obtained-the-first-members-prize-in-1842-and-the-hulsean-prize-in-1843-on-quotthe-obligations-of-the-sabbathquot-in-1848-he-was-appointed-to-the-small-living-of-tilton-in-rutlandshire-which-he-resigned-in-1858-and-in-the-image599661089.htmlRM2WRGWRD–Dr. Ellicott, Bishop Designate of Gloucester and Bristol, 1862. Engraving from a photograph by John and Charles Watkins. 'The Very Rev. Charles John Ellicott, B.D...was born at Whitwell in 1819, and was educated at Oakham and Stamford Schools, and St. John's College, Cambridge, where he graduated in honours in 1841, and subsequently became Fellow of his college. He obtained the first member's prize in 1842, and the Hulsean prize in 1843, on "The Obligations of the Sabbath." In 1848 he was appointed to the small living of Tilton, in Rutlandshire, which he resigned in 1858, and in the
![Temperance.-The Man: 'Here is that which is too weak to be a sinner-honest Water'-Shakespeare. Artist: After Alfred Henry Forrester [Alfred Crowquill] (British, London 1804-1872 London). Dimensions: Plate: 13 1/8 × 10 1/8 in. (33.4 × 25.7 cm) Sheet: 17 1/2 × 13 3/4 in. (44.5 × 35 cm). Engraver: T. W. Huffam (British, active 1825-56). Publisher: R. C. Lambe (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon); Theobold Wolfe Tone (Irish, 1763-1789). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PANRHG/temperance-the-man-here-is-that-which-is-too-weak-to-be-a-sinner-honest-water-shakespeare-artist-after-alfred-henry-forrester-alfred-crowquill-british-london-1804-1872-london-dimensions-plate-13-18-10-18-in-334-257-cm-sheet-17-12-13-34-in-445-35-cm-engraver-t-w-huffam-british-active-1825-56-publisher-r-c-lambe-london-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-theobold-wolfe-tone-irish-1763-1789-date-1843-museum-metropolitan-museum-of-art-new-york-usa-PANRHG.jpg "Temperance.-The Man: 'Here is that which is too weak to be a sinner-honest Water'-Shakespeare. Artist: After Alfred Henry Forrester [Alfred Crowquill] (British, London 1804-1872 London). Dimensions: Plate: 13 1/8 × 10 1/8 in. (33.4 × 25.7 cm) Sheet: 17 1/2 × 13 3/4 in. (44.5 × 35 cm). Engraver: T. W. Huffam (British, active 1825-56). Publisher: R. C. Lambe (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon); Theobold Wolfe Tone (Irish, 1763-1789). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
Temperance.-The Man: 'Here is that which is too weak to be a sinner-honest Water'-Shakespeare. Artist: After Alfred Henry Forrester [Alfred Crowquill] (British, London 1804-1872 London). Dimensions: Plate: 13 1/8 × 10 1/8 in. (33.4 × 25.7 cm) Sheet: 17 1/2 × 13 3/4 in. (44.5 × 35 cm). Engraver: T. W. Huffam (British, active 1825-56). Publisher: R. C. Lambe (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon); Theobold Wolfe Tone (Irish, 1763-1789). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temperance-the-man-here-is-that-which-is-too-weak-to-be-a-sinner-honest-water-shakespeare-artist-after-alfred-henry-forrester-alfred-crowquill-british-london-1804-1872-london-dimensions-plate-13-18-10-18-in-334-257-cm-sheet-17-12-13-34-in-445-35-cm-engraver-t-w-huffam-british-active-1825-56-publisher-r-c-lambe-london-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-theobold-wolfe-tone-irish-1763-1789-date-1843-museum-metropolitan-museum-of-art-new-york-usa-image213150492.htmlRMPANRHG–Temperance.-The Man: 'Here is that which is too weak to be a sinner-honest Water'-Shakespeare. Artist: After Alfred Henry Forrester [Alfred Crowquill] (British, London 1804-1872 London). Dimensions: Plate: 13 1/8 × 10 1/8 in. (33.4 × 25.7 cm) Sheet: 17 1/2 × 13 3/4 in. (44.5 × 35 cm). Engraver: T. W. Huffam (British, active 1825-56). Publisher: R. C. Lambe (London). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon); Theobold Wolfe Tone (Irish, 1763-1789). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA.
Smisthsonian Museum., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smisthsonian-museum-smillie-t-w-thomas-william-1843-1917-washington-dc-united-states-image376483844.htmlRM2CTE8YG–Smisthsonian Museum., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States
Sheet music cover image of the song 'Ashland Quick Step', with original authorship notes reading 'Composed by P Burgheim', United States, 1843. The publisher is listed as 'John Marsh', the form of composition is 'sectional', the instrumentation is 'piano', the first line reads 'None', and the illustration artist is listed as 'C.T. Gillingham; L.W. Webb'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sheet-music-cover-image-of-the-song-ashland-quick-step-with-original-135193478.htmlRMHRXGJE–Sheet music cover image of the song 'Ashland Quick Step', with original authorship notes reading 'Composed by P Burgheim', United States, 1843. The publisher is listed as 'John Marsh', the form of composition is 'sectional', the instrumentation is 'piano', the first line reads 'None', and the illustration artist is listed as 'C.T. Gillingham; L.W. Webb'.
. Smisthsonian Institution, North. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 274 Smisthsonian Institution, North, by Smillie, T. W. (Thomas William), 1843-1917 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smisthsonian-institution-north-coverage-1870-1890-source-imprint-washington-dc-tw-smillie-1870-1890-digital-item-published-1-25-2006-updated-2-13-2009-274-smisthsonian-institution-north-by-smillie-t-w-thomas-william-1843-1917-image208676711.htmlRMP3E17K–. Smisthsonian Institution, North. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 274 Smisthsonian Institution, North, by Smillie, T. W. (Thomas William), 1843-1917
John Trumbull Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-trumbull-105198246.htmlRMG345C6–John Trumbull
![De zoutketen de Oranjeboom en het Westzaner Wapen. Catalogusnummer: PR 1002385 Plaats: Alkmaar Beschrijving: "De zoutketen de Oranjeboom en het Westzaner Wapen in de jaren 1791-1796 onder het boekhouderschap van Christiaan Stuurman Bucerus herbouwd en vereenigd met de Burg van Alkmaar en gesloopt anno 1843". Datering: 1843 naar de situatie eind 18e eeuw. Vervaardiger: Bruinvis, C.W. Stock Photo](https://c8.alamy.com/comp/MY64FJ/de-zoutketen-de-oranjeboom-en-het-westzaner-wapen-catalogusnummer-pr-1002385-plaats-alkmaar-beschrijving-quotde-zoutketen-de-oranjeboom-en-het-westzaner-wapen-in-de-jaren-1791-1796-onder-het-boekhouderschap-van-christiaan-stuurman-bucerus-herbouwd-en-vereenigd-met-de-burg-van-alkmaar-en-gesloopt-anno-1843quot-datering-1843-naar-de-situatie-eind-18e-eeuw-vervaardiger-bruinvis-cw-MY64FJ.jpg "De zoutketen de Oranjeboom en het Westzaner Wapen. Catalogusnummer: PR 1002385 Plaats: Alkmaar Beschrijving: "De zoutketen de Oranjeboom en het Westzaner Wapen in de jaren 1791-1796 onder het boekhouderschap van Christiaan Stuurman Bucerus herbouwd en vereenigd met de Burg van Alkmaar en gesloopt anno 1843". Datering: 1843 naar de situatie eind 18e eeuw. Vervaardiger: Bruinvis, C.W. Stock Photo")
De zoutketen de Oranjeboom en het Westzaner Wapen. Catalogusnummer: PR 1002385 Plaats: Alkmaar Beschrijving: "De zoutketen de Oranjeboom en het Westzaner Wapen in de jaren 1791-1796 onder het boekhouderschap van Christiaan Stuurman Bucerus herbouwd en vereenigd met de Burg van Alkmaar en gesloopt anno 1843". Datering: 1843 naar de situatie eind 18e eeuw. Vervaardiger: Bruinvis, C.W. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-zoutketen-de-oranjeboom-en-het-westzaner-wapen-catalogusnummer-pr-1002385-plaats-alkmaar-beschrijving-quotde-zoutketen-de-oranjeboom-en-het-westzaner-wapen-in-de-jaren-1791-1796-onder-het-boekhouderschap-van-christiaan-stuurman-bucerus-herbouwd-en-vereenigd-met-de-burg-van-alkmaar-en-gesloopt-anno-1843quot-datering-1843-naar-de-situatie-eind-18e-eeuw-vervaardiger-bruinvis-cw-image188834678.htmlRMMY64FJ–De zoutketen de Oranjeboom en het Westzaner Wapen. Catalogusnummer: PR 1002385 Plaats: Alkmaar Beschrijving: "De zoutketen de Oranjeboom en het Westzaner Wapen in de jaren 1791-1796 onder het boekhouderschap van Christiaan Stuurman Bucerus herbouwd en vereenigd met de Burg van Alkmaar en gesloopt anno 1843". Datering: 1843 naar de situatie eind 18e eeuw. Vervaardiger: Bruinvis, C.W.
. Membership, 1843. e^*4 ^iM^Q/f ^»Ma,i4MjL. j^^^^iifA c^; ^c ?.t>t^e*-^l^ cyf^^i^ 9. -/ ^^^ .^^/ ^y>//W ; ^/ ^Z^IT^C^a <rtAj^iy^ ^. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/membership-1843-e4-imqf-mai4mjl-jiifa-c-c-tgtte-l-cyfi-9-ygtw-zitca-ltrtajiy-image336838641.htmlRM2AG093D–. Membership, 1843. e^*4 ^iM^Q/f ^»Ma,i4MjL. j^^^^iifA c^; ^c ?.t>t^e*-^l^ cyf^^i^ 9. -/ ^^^ .^^/ ^y>//W ; ^/ ^Z^IT^C^a <rtAj^iy^ ^.
Portrait group of Bengal Engineers. A full-length portrait of three Bengal Engineers, grouped round a table. They are identified as follows: F.W. Randall, Henry Drummond (d.1883), Bengal Engineers 1843-78, and Sir Alexander Cunningham (1814-1893), Chief Engineer NWFP 1858-61. Yule Collection: Album of Portraits. c. 1860. Photograph. Source: Photo 139/1(41). Language: English. Author: UNKNOWN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-group-of-bengal-engineers-a-full-length-portrait-of-three-bengal-engineers-grouped-round-a-table-they-are-identified-as-follows-fw-randall-henry-drummond-d1883-bengal-engineers-1843-78-and-sir-alexander-cunningham-1814-1893-chief-engineer-nwfp-1858-61-yule-collection-album-of-portraits-c-1860-photograph-source-photo-139141-language-english-author-unknown-image227160915.htmlRMR5G21R–Portrait group of Bengal Engineers. A full-length portrait of three Bengal Engineers, grouped round a table. They are identified as follows: F.W. Randall, Henry Drummond (d.1883), Bengal Engineers 1843-78, and Sir Alexander Cunningham (1814-1893), Chief Engineer NWFP 1858-61. Yule Collection: Album of Portraits. c. 1860. Photograph. Source: Photo 139/1(41). Language: English. Author: UNKNOWN.
West view, in Library, by Kimball, W. G. C. (Willis G. C.), 1843 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-west-view-in-library-by-kimball-w-g-c-willis-g-c-1843-1916-163946202.htmlRMKEMB1E–West view, in Library, by Kimball, W. G. C. (Willis G. C.), 1843 1916
West view, in Library, by Kimball, W G C (Willis G C), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/west-view-in-library-by-kimball-w-g-c-willis-g-c-1843-1916-image260192997.htmlRMW38PR1–West view, in Library, by Kimball, W G C (Willis G C), 1843-1916
Caracal Persian Lynx African Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-caracal-persian-lynx-african-20686389.htmlRMB5J9KH–Caracal Persian Lynx African
NEW HAVEN MANUFACTURING CO. New Haven. Conn. W. C. DUYCKINCK THE SOUTHERN STATES AGRICULTURAL AND INDUSTRIAL Will be Held on the Fair Grounds at Executive Committee. STREET $5 a year by mail post-paid. The Eagle Anvil WARRANTED and Price Reduced to 10 Cts. per Pound. ESTABLISHED 1843. The NILES ENGINE. 10 HOURS Wow HOWARD IRON WORKS BUFFAL N.Y. NOYE'S Mill Furnishing Works THE BEST INJECTOR For Locomotive and Stationary Boilers. FRIEDMANN'S PATENT. Over 15000 Now in Use Here and in Europe 108 Liberty Et New ireea ;PURE EMERY Portland Cement H. W. JOHNS' Patent ASBESTOS BOILER AND STEAM PIPE H Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-haven-manufacturing-co-new-haven-conn-w-c-duyckinck-the-southern-states-agricultural-and-industrial-will-be-held-on-the-fair-grounds-at-executive-committee-street-5-a-year-by-mail-post-paid-the-eagle-anvil-warranted-and-price-reduced-to-10-cts-per-pound-established-1843-the-niles-engine-10-hours-wow-howard-iron-works-buffal-ny-noyes-mill-furnishing-works-the-best-injector-for-locomotive-and-stationary-boilers-friedmanns-patent-over-15000-now-in-use-here-and-in-europe-108-liberty-et-new-ireea-pure-emery-portland-cement-h-w-johns-patent-asbestos-boiler-and-steam-pipe-h-image334318144.htmlRM2ABWE5M–NEW HAVEN MANUFACTURING CO. New Haven. Conn. W. C. DUYCKINCK THE SOUTHERN STATES AGRICULTURAL AND INDUSTRIAL Will be Held on the Fair Grounds at Executive Committee. STREET $5 a year by mail post-paid. The Eagle Anvil WARRANTED and Price Reduced to 10 Cts. per Pound. ESTABLISHED 1843. The NILES ENGINE. 10 HOURS Wow HOWARD IRON WORKS BUFFAL N.Y. NOYE'S Mill Furnishing Works THE BEST INJECTOR For Locomotive and Stationary Boilers. FRIEDMANN'S PATENT. Over 15000 Now in Use Here and in Europe 108 Liberty Et New ireea ;PURE EMERY Portland Cement H. W. JOHNS' Patent ASBESTOS BOILER AND STEAM PIPE H
Rag-Picker, c. 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rag-picker-c-1843-image457045884.htmlRM2HFG6K8–Rag-Picker, c. 1843.
'Independent Statesman' Building, by Kimball, W. G. C. (Willis G. C.), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-independent-statesman-building-by-kimball-w-g-c-willis-g-c-1843-1916-96315079.htmlRMFGKET7–'Independent Statesman' Building, by Kimball, W. G. C. (Willis G. C.), 1843-1916
John C. Riker, New York, document signed, 28 September 1843 , American literature, 19th century, History and criticism, Authors, American, 19th century, Correspondence, Authors and publishers, Poets, American, 19th century, Correspondence. Rufus W. Griswold Papers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-c-riker-new-york-document-signed-28-september-1843-american-literature-19th-century-history-and-criticism-authors-american-19th-century-correspondence-authors-and-publishers-poets-american-19th-century-correspondence-rufus-w-griswold-papers-image501241476.htmlRM2M3DEH8–John C. Riker, New York, document signed, 28 September 1843 , American literature, 19th century, History and criticism, Authors, American, 19th century, Correspondence, Authors and publishers, Poets, American, 19th century, Correspondence. Rufus W. Griswold Papers
The Blind Fiddle, C.W. Marr, Sir David Wilkie, R.A. (Scottish, 1785 - 1841), England, 1843 - 1845, Engraving, 10.8 x 14.4 cm (4 1,4 x 5 11,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-blind-fiddle-cw-marr-sir-david-wilkie-ra-scottish-1785-1841-england-1843-1845-engraving-108-x-144-cm-4-14-x-5-1116-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350059736.htmlRF2B9EGNC–The Blind Fiddle, C.W. Marr, Sir David Wilkie, R.A. (Scottish, 1785 - 1841), England, 1843 - 1845, Engraving, 10.8 x 14.4 cm (4 1,4 x 5 11,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Portrait of a girl, presumably Miss Sligting. Dating: c. 1830 - c. 1843. Place: Northern Netherlands. Measurements: h 68.1 cm × w 52.9 cm × t 1.9 cm; d 8.0 cm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-girl-presumably-miss-sligting-dating-c-1830-c-1843-place-northern-netherlands-measurements-h-681-cm-w-529-cm-t-19-cm-d-80-cm-museum-rijksmuseum-amsterdam-image232828659.htmlRMREP797–Portrait of a girl, presumably Miss Sligting. Dating: c. 1830 - c. 1843. Place: Northern Netherlands. Measurements: h 68.1 cm × w 52.9 cm × t 1.9 cm; d 8.0 cm. Museum: Rijksmuseum, Amsterdam.
President's Room., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/presidents-room-smillie-t-w-thomas-william-1843-1917-washington-dc-united-states-image376449440.htmlRM2CTCN2T–President's Room., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States
Sheet music cover image of the song 'The Washington Blues' March and Camp Rogers Quick Step', with original authorship notes reading 'Arranged for the Piano Forte by WC peters', 1843. The publisher is listed as 'W.C. Peters', the form of composition is 'da capo', the instrumentation is 'piano', the first line reads 'None', and the illustration artist is listed as 'Thayer and Co's Lithogy. Boston'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sheet-music-cover-image-of-the-song-the-washington-blues-march-and-135195898.htmlRMHRXKMX–Sheet music cover image of the song 'The Washington Blues' March and Camp Rogers Quick Step', with original authorship notes reading 'Arranged for the Piano Forte by WC peters', 1843. The publisher is listed as 'W.C. Peters', the form of composition is 'da capo', the instrumentation is 'piano', the first line reads 'None', and the illustration artist is listed as 'Thayer and Co's Lithogy. Boston'.
. U.S. Treasury. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 336 U.S. Treasury, by Smillie, T. W. (Thomas William), 1843-1917 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/us-treasury-coverage-1870-1890-source-imprint-washington-dc-tw-smillie-1870-1890-digital-item-published-1-25-2006-updated-2-13-2009-336-us-treasury-by-smillie-t-w-thomas-william-1843-1917-image208735084.htmlRMP3GKMC–. U.S. Treasury. Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 336 U.S. Treasury, by Smillie, T. W. (Thomas William), 1843-1917
Archive image from page 117 of The Danish Ingolf-expedition (1898). The Danish Ingolf-expedition danishingolfexpe1517dani Year: 1898 112 HYDROIDA 11 Diphasia rosacea (Linne) L. Agassiz. 1758 Sertularia rosacea, Linne, Systema naturae, Ed. 10, p. 807. 1862 Diphasia rosacea, L. Agassiz, Contributions to the natural history of the United States, vol. 4, p. 355. Upright colonies without distinct main stem. The colonies are irregularly pinnate or bushily branched, segmented, and with a pair of oppositely placed hydrothecse on each internodium. The hydrothecse are slender, almost evenly tubular, w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-117-of-the-danish-ingolf-expedition-1898-the-danish-ingolf-expedition-danishingolfexpe1517dani-year-1898-112-hydroida-11-diphasia-rosacea-linne-l-agassiz-1758-sertularia-rosacea-linne-systema-naturae-ed-10-p-807-1862-diphasia-rosacea-l-agassiz-contributions-to-the-natural-history-of-the-united-states-vol-4-p-355-upright-colonies-without-distinct-main-stem-the-colonies-are-irregularly-pinnate-or-bushily-branched-segmented-and-with-a-pair-of-oppositely-placed-hydrothecse-on-each-internodium-the-hydrothecse-are-slender-almost-evenly-tubular-w-image259450193.htmlRMW22YA9–Archive image from page 117 of The Danish Ingolf-expedition (1898). The Danish Ingolf-expedition danishingolfexpe1517dani Year: 1898 112 HYDROIDA 11 Diphasia rosacea (Linne) L. Agassiz. 1758 Sertularia rosacea, Linne, Systema naturae, Ed. 10, p. 807. 1862 Diphasia rosacea, L. Agassiz, Contributions to the natural history of the United States, vol. 4, p. 355. Upright colonies without distinct main stem. The colonies are irregularly pinnate or bushily branched, segmented, and with a pair of oppositely placed hydrothecse on each internodium. The hydrothecse are slender, almost evenly tubular, w
. Membership, 1843. -/ ^^^ .^^/ ^y>//W ; ^/ ^Z^IT^C^a <rtAj^iy^ ^.. .?^V.^^^-N ^^ . . >;^ y ^^leA-oy* y,/^ ^^-i^Kt^ J^«.^^ // ^^Hr.- /H ^ /H(^fi f^^^/w-^ Vofii^A.M. ^??/P^fi,- ^/f. /^/f f :3l ^y:^^.- ^-/^^r 0. V Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/membership-1843-ygtw-zitca-ltrtajiy-v-n-gt-y-lea-oy-y-ikt-j-hr-h-hfi-fw-vofiiam-pfi-f-f-f-3l-y-r-0-v-image336838410.htmlRM2AG08R6–. Membership, 1843. -/ ^^^ .^^/ ^y>//W ; ^/ ^Z^IT^C^a <rtAj^iy^ ^.. .?^V.^^^-N ^^ . . >;^ y ^^leA-oy* y,/^ ^^-i^Kt^ J^«.^^ // ^^Hr.- /H ^ /H(^fi f^^^/w-^ Vofii^A.M. ^??/P^fi,- ^/f. /^/f f :3l ^y:^^.- ^-/^^r 0. V
A general reviewing cavalry and infantry, who are about to enter a walled town in mountainous country, perhaps Kandahar (N.W.F.P.). 1843, after an earlier sketch. . 1843. Inscribed on front in ink: ‘C. Graham, 1843.’ Water-colour; 10 by 12 ins. Source: WD 157. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-general-reviewing-cavalry-and-infantry-who-are-about-to-enter-a-walled-town-in-mountainous-country-perhaps-kandahar-nwfp-1843-after-an-earlier-sketch-1843-inscribed-on-front-in-ink-c-graham-1843-water-colour-10-by-12-ins-source-wd-157-image231711822.htmlRMRCYAP6–A general reviewing cavalry and infantry, who are about to enter a walled town in mountainous country, perhaps Kandahar (N.W.F.P.). 1843, after an earlier sketch. . 1843. Inscribed on front in ink: ‘C. Graham, 1843.’ Water-colour; 10 by 12 ins. Source: WD 157.
St. Paul's School, Concord, The Chapel, by Kimball, W. G. C. (Willis G. C.), 1843 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-st-pauls-school-concord-the-chapel-by-kimball-w-g-c-willis-g-c-1843-163971021.htmlRMKENEKW–St. Paul's School, Concord, The Chapel, by Kimball, W. G. C. (Willis G. C.), 1843 1916
St Paul's School, Concord, The Chapel, by Kimball, W G C (Willis G C), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-pauls-school-concord-the-chapel-by-kimball-w-g-c-willis-g-c-1843-1916-image260053454.htmlRMW32CRA–St Paul's School, Concord, The Chapel, by Kimball, W G C (Willis G C), 1843-1916
COLUMBIA BICYCLE. BAXTER ENGINE FOR SALE. HULLER 3137 AIR ENGINES DEAN BROTHERS Dean Steam Pumps MINING MACHINERY. Engines Rollers PampS Cigar Box Lumber The Best in the World. SPA.NISI-1 Wood-Working Machinery Ay-ye' 1783 Printing Press EACLE TTTEE CO. 614 to 626 W. 24th St. New York. Of Best Material and Warranted. Satisfactory. J. B. PIERCE See'y. n eab le and G C WATER CLOSETS. WOOD WORKING MACHINERY. The George Place Machinery Agency WA ORR Liquid Paints Roofing Boiler Coverings The Three idols of the Farming Public. EMPIRE THRESHER MANUFACTURED AT Y7NENAGERSTOWNSTEAMENGINE&MACHINEC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/columbia-bicycle-baxter-engine-for-sale-huller-3137-air-engines-dean-brothers-dean-steam-pumps-mining-machinery-engines-rollers-pamps-cigar-box-lumber-the-best-in-the-world-spanisi-1-wood-working-machinery-ay-ye-1783-printing-press-eacle-tttee-co-614-to-626-w-24th-st-new-york-of-best-material-and-warranted-satisfactory-j-b-pierce-seey-n-eab-le-and-g-c-water-closets-wood-working-machinery-the-george-place-machinery-agency-wa-orr-liquid-paints-roofing-boiler-coverings-the-three-idols-of-the-farming-public-empire-thresher-manufactured-at-y7nenagerstownsteamenginemachinec-image334322398.htmlRM2ABWKHJ–COLUMBIA BICYCLE. BAXTER ENGINE FOR SALE. HULLER 3137 AIR ENGINES DEAN BROTHERS Dean Steam Pumps MINING MACHINERY. Engines Rollers PampS Cigar Box Lumber The Best in the World. SPA.NISI-1 Wood-Working Machinery Ay-ye' 1783 Printing Press EACLE TTTEE CO. 614 to 626 W. 24th St. New York. Of Best Material and Warranted. Satisfactory. J. B. PIERCE See'y. n eab le and G C WATER CLOSETS. WOOD WORKING MACHINERY. The George Place Machinery Agency WA ORR Liquid Paints Roofing Boiler Coverings The Three idols of the Farming Public. EMPIRE THRESHER MANUFACTURED AT Y7NENAGERSTOWNSTEAMENGINE&MACHINEC
Monk at Prayer, c. 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monk-at-prayer-c-1843-image457045859.htmlRM2HFG6JB–Monk at Prayer, c. 1843.
Board of Trade Building, by Kimball, W. G. C. (Willis G. C.), 1843-1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-board-of-trade-building-by-kimball-w-g-c-willis-g-c-1843-1916-96315524.htmlRMFGKFC4–Board of Trade Building, by Kimball, W. G. C. (Willis G. C.), 1843-1916
Dutch ½ cent, 1843, Willem II (King of the Netherlands), 1843 coin Copper mint. Front: Between the year crowned straight letter W. Rail side: between value designation ½ C. Crowned Rijksweetschild. Smooth edge. Utrecht copper (metal) striking (metalworking) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dutch-cent-1843-willem-ii-king-of-the-netherlands-1843-coin-copper-mint-front-between-the-year-crowned-straight-letter-w-rail-side-between-value-designation-c-crowned-rijksweetschild-smooth-edge-utrecht-copper-metal-striking-metalworking-image590804152.htmlRM2W95CM8–Dutch ½ cent, 1843, Willem II (King of the Netherlands), 1843 coin Copper mint. Front: Between the year crowned straight letter W. Rail side: between value designation ½ C. Crowned Rijksweetschild. Smooth edge. Utrecht copper (metal) striking (metalworking)
Amateur keepsake album including the earliest known photographs of India, Unknown maker, British, active India about 1843, Attributed to James G. Jones (active 1860s), J. Kenny Meadows, Henry Thomas Ryall, John William Wright (British, 1802 - 1848), Richard Austin Artlett, Peter Paul Rubens (Flemish, 1577 - 1640), William Henry Worthington, C.W. Marr, Sir David Wilkie, R.A. (Scottish, 1785 - 1841), Frederick Christian Lewis, Jr. (English, 1813 - 1875), George Pickering, A. Le Petit, Fanny Corbeaux, Henry Corbould, Samuel H. Owen, William Henry Bartlett, Joseph Clayton Bentley, Samuel Davenport Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amateur-keepsake-album-including-the-earliest-known-photographs-of-india-unknown-maker-british-active-india-about-1843-attributed-to-james-g-jones-active-1860s-j-kenny-meadows-henry-thomas-ryall-john-william-wright-british-1802-1848-richard-austin-artlett-peter-paul-rubens-flemish-1577-1640-william-henry-worthington-cw-marr-sir-david-wilkie-ra-scottish-1785-1841-frederick-christian-lewis-jr-english-1813-1875-george-pickering-a-le-petit-fanny-corbeaux-henry-corbould-samuel-h-owen-william-henry-bartlett-joseph-clayton-bentley-samuel-davenport-image349920909.htmlRF2B987K9–Amateur keepsake album including the earliest known photographs of India, Unknown maker, British, active India about 1843, Attributed to James G. Jones (active 1860s), J. Kenny Meadows, Henry Thomas Ryall, John William Wright (British, 1802 - 1848), Richard Austin Artlett, Peter Paul Rubens (Flemish, 1577 - 1640), William Henry Worthington, C.W. Marr, Sir David Wilkie, R.A. (Scottish, 1785 - 1841), Frederick Christian Lewis, Jr. (English, 1813 - 1875), George Pickering, A. Le Petit, Fanny Corbeaux, Henry Corbould, Samuel H. Owen, William Henry Bartlett, Joseph Clayton Bentley, Samuel Davenport
Miss Power, Marguerite Agnes Power, c.1815-1867, writer and niece of Irish writer Lady Blessington (Marguerite Gardiner). With her hair in plaits, wearing a dress with lace collar and tight waist. Steel stipple engraving by W.H. Eagleton after an illustration by William Drummond from Charles Heaths English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miss-power-marguerite-agnes-power-c1815-1867-writer-and-niece-of-irish-writer-lady-blessington-marguerite-gardiner-with-her-hair-in-plaits-wearing-a-dress-with-lace-collar-and-tight-waist-steel-stipple-engraving-by-wh-eagleton-after-an-illustration-by-william-drummond-from-charles-heaths-english-pearls-or-portraits-for-the-boudoir-tilt-and-bogue-london-1843-image571912500.htmlRM2T6CT6C–Miss Power, Marguerite Agnes Power, c.1815-1867, writer and niece of Irish writer Lady Blessington (Marguerite Gardiner). With her hair in plaits, wearing a dress with lace collar and tight waist. Steel stipple engraving by W.H. Eagleton after an illustration by William Drummond from Charles Heaths English Pearls, or Portraits for the Boudoir, Tilt and Bogue, London, 1843.
Museum, Smisthsonian., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/museum-smisthsonian-smillie-t-w-thomas-william-1843-1917-washington-dc-united-states-image376420890.htmlRM2CTBCK6–Museum, Smisthsonian., Smillie, T. W. (Thomas William) (1843-1917), Washington (D.C.), United States
Sheet music cover image of the song 'The Ashland March', with original authorship notes reading 'composed by Philip Burgheim, Professor of Music', United States, 1843. The publisher is listed as 'F.D. Benteen', the form of composition is 'march; with trio', the instrumentation is 'piano', the first line reads 'None', and the illustration artist is listed as 'C.T. Gillingham Sci.; W.H. Duffy; L.W. Webb'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sheet-music-cover-image-of-the-song-the-ashland-march-with-original-135191657.htmlRMHRXE9D–Sheet music cover image of the song 'The Ashland March', with original authorship notes reading 'composed by Philip Burgheim, Professor of Music', United States, 1843. The publisher is listed as 'F.D. Benteen', the form of composition is 'march; with trio', the instrumentation is 'piano', the first line reads 'None', and the illustration artist is listed as 'C.T. Gillingham Sci.; W.H. Duffy; L.W. Webb'.
. Brumidi's painting, 'Mechanics.' . Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 48 Brumidi's painting, 'Mechanics.', by Smillie, T. W. (Thomas William), 1843-1917 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brumidis-painting-mechanics-coverage-1870-1890-source-imprint-washington-dc-tw-smillie-1870-1890-digital-item-published-1-25-2006-updated-2-13-2009-48-brumidis-painting-mechanics-by-smillie-t-w-thomas-william-1843-1917-image208798625.htmlRMP3KGNN–. Brumidi's painting, 'Mechanics.' . Coverage: 1870?-1890?. Source Imprint: Washington, D.C. : T.W. Smillie, 1870?-1890?. Digital item published 1-25-2006; updated 2-13-2009. 48 Brumidi's painting, 'Mechanics.', by Smillie, T. W. (Thomas William), 1843-1917
![Archive image from page 149 of The Danish Ingolf-expedition (1898). The Danish Ingolf-expedition danishingolfexpe1517dani Year: 1898 144 HVDROIDA II The gonothecae are set on the upper side of the branches. They are pear-shaped, with rudi- mentary neck and broad aperture. .Material: 'Ingolf St. 31 66°35' N., 55°54' W., depth 88 fathoms i,6° - 34 65°i7' N, 54°i7' W., - 55 — Greenland: Davis Strait, — 100 — (without further details) [type specimen|. Iceland: Skagi, 20 — |labelled Tlutjaria lonchitis] Dyrafjord, 15 — In all probability, this species also will prove to have a pinnate development Stock Photo](https://c8.alamy.com/comp/W23AWT/archive-image-from-page-149-of-the-danish-ingolf-expedition-1898-the-danish-ingolf-expedition-danishingolfexpe1517dani-year-1898-144-hvdroida-ii-the-gonothecae-are-set-on-the-upper-side-of-the-branches-they-are-pear-shaped-with-rudi-mentary-neck-and-broad-aperture-material-ingolf-st-31-6635-n-5554-w-depth-88-fathoms-i6-34-65i7-n-54i7-w-55-greenland-davis-strait-100-without-further-details-type-specimen-iceland-skagi-20-labelled-tlutjaria-lonchitis-dyrafjord-15-in-all-probability-this-species-also-will-prove-to-have-a-pinnate-development-W23AWT.jpg "Archive image from page 149 of The Danish Ingolf-expedition (1898). The Danish Ingolf-expedition danishingolfexpe1517dani Year: 1898 144 HVDROIDA II The gonothecae are set on the upper side of the branches. They are pear-shaped, with rudi- mentary neck and broad aperture. .Material: 'Ingolf St. 31 66°35' N., 55°54' W., depth 88 fathoms i,6° - 34 65°i7' N, 54°i7' W., - 55 — Greenland: Davis Strait, — 100 — (without further details) [type specimen|. Iceland: Skagi, 20 — |labelled Tlutjaria lonchitis] Dyrafjord, 15 — In all probability, this species also will prove to have a pinnate development Stock Photo")
Archive image from page 149 of The Danish Ingolf-expedition (1898). The Danish Ingolf-expedition danishingolfexpe1517dani Year: 1898 144 HVDROIDA II The gonothecae are set on the upper side of the branches. They are pear-shaped, with rudi- mentary neck and broad aperture. .Material: 'Ingolf St. 31 66°35' N., 55°54' W., depth 88 fathoms i,6° - 34 65°i7' N, 54°i7' W., - 55 — Greenland: Davis Strait, — 100 — (without further details) [type specimen|. Iceland: Skagi, 20 — |labelled Tlutjaria lonchitis] Dyrafjord, 15 — In all probability, this species also will prove to have a pinnate development Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-149-of-the-danish-ingolf-expedition-1898-the-danish-ingolf-expedition-danishingolfexpe1517dani-year-1898-144-hvdroida-ii-the-gonothecae-are-set-on-the-upper-side-of-the-branches-they-are-pear-shaped-with-rudi-mentary-neck-and-broad-aperture-material-ingolf-st-31-6635-n-5554-w-depth-88-fathoms-i6-34-65i7-n-54i7-w-55-greenland-davis-strait-100-without-further-details-type-specimen-iceland-skagi-20-labelled-tlutjaria-lonchitis-dyrafjord-15-in-all-probability-this-species-also-will-prove-to-have-a-pinnate-development-image259459252.htmlRMW23AWT–Archive image from page 149 of The Danish Ingolf-expedition (1898). The Danish Ingolf-expedition danishingolfexpe1517dani Year: 1898 144 HVDROIDA II The gonothecae are set on the upper side of the branches. They are pear-shaped, with rudi- mentary neck and broad aperture. .Material: 'Ingolf St. 31 66°35' N., 55°54' W., depth 88 fathoms i,6° - 34 65°i7' N, 54°i7' W., - 55 — Greenland: Davis Strait, — 100 — (without further details) [type specimen|. Iceland: Skagi, 20 — |labelled Tlutjaria lonchitis] Dyrafjord, 15 — In all probability, this species also will prove to have a pinnate development
A treatise on wood engravings : historical and practical . We have here, engraved by Mr.W. A. FoLKARD, another of the earlydesigns of Mr. John Gilbert. It isone of the illustrations to the Bookof English Ballads, edited by S. C.Hall, in 1843, which contains up-wards of four hundred wood-engrav-ings, and was the first work of anyconsequence that presented a com-bination of the best artists of thetime. Indeed, it was the leader inwhat may be called the IllustratedChristmas Books of the present day.Since this period, Mr. Gilbert has probably produced more drawings onwood than any other artist, an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-treatise-on-wood-engravings-historical-and-practical-we-have-here-engraved-by-mrw-a-folkard-another-of-the-earlydesigns-of-mr-john-gilbert-it-isone-of-the-illustrations-to-the-bookof-english-ballads-edited-by-s-chall-in-1843-which-contains-up-wards-of-four-hundred-wood-engrav-ings-and-was-the-first-work-of-anyconsequence-that-presented-a-com-bination-of-the-best-artists-of-thetime-indeed-it-was-the-leader-inwhat-may-be-called-the-illustratedchristmas-books-of-the-present-daysince-this-period-mr-gilbert-has-probably-produced-more-drawings-onwood-than-any-other-artist-an-image343254592.htmlRM2AXCGMG–A treatise on wood engravings : historical and practical . We have here, engraved by Mr.W. A. FoLKARD, another of the earlydesigns of Mr. John Gilbert. It isone of the illustrations to the Bookof English Ballads, edited by S. C.Hall, in 1843, which contains up-wards of four hundred wood-engrav-ings, and was the first work of anyconsequence that presented a com-bination of the best artists of thetime. Indeed, it was the leader inwhat may be called the IllustratedChristmas Books of the present day.Since this period, Mr. Gilbert has probably produced more drawings onwood than any other artist, an
