Leopold I Belgium Jour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leopold-i-belgium-jour-image6078678.html
RMA31AN7–Leopold I Belgium Jour
Aroleid, oil on canvas, 65.5 x 50 cm, monogrammed lower right: E ST., Ernst Stückelberg, Basel 1831–1903 Basel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aroleid-oil-on-canvas-655-x-50-cm-monogrammed-lower-right-e-st-ernst-stckelberg-basel-18311903-basel-image328706636.html
RM2A2NTJM–Aroleid, oil on canvas, 65.5 x 50 cm, monogrammed lower right: E ST., Ernst Stückelberg, Basel 1831–1903 Basel
Nat Turner (October 2, 1800 - November 11, 1831) was an enslaved African-American mystical preacher who led a rebellion of both enslaved and free black people in Southampton County, Virginia, beginning August 21, 1831. Rebel slaves killed from 55 to 65 people, at least 51 being white. The rebellion was put down within a few days, but Turner survived in hiding for more than two months afterwards. When found, he was tried, convicted, sentenced to death, hanged and possibly beheaded. African-Americans have generally regarded Turner as a hero of resistance, who made slaveowners pay for the hardshi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nat-turner-october-2-1800-november-11-1831-was-an-enslaved-african-american-mystical-preacher-who-led-a-rebellion-of-both-enslaved-and-free-black-people-in-southampton-county-virginia-beginning-august-21-1831-rebel-slaves-killed-from-55-to-65-people-at-least-51-being-white-the-rebellion-was-put-down-within-a-few-days-but-turner-survived-in-hiding-for-more-than-two-months-afterwards-when-found-he-was-tried-convicted-sentenced-to-death-hanged-and-possibly-beheaded-african-americans-have-generally-regarded-turner-as-a-hero-of-resistance-who-made-slaveowners-pay-for-the-hardshi-image352825314.html
RM2BE0G82–Nat Turner (October 2, 1800 - November 11, 1831) was an enslaved African-American mystical preacher who led a rebellion of both enslaved and free black people in Southampton County, Virginia, beginning August 21, 1831. Rebel slaves killed from 55 to 65 people, at least 51 being white. The rebellion was put down within a few days, but Turner survived in hiding for more than two months afterwards. When found, he was tried, convicted, sentenced to death, hanged and possibly beheaded. African-Americans have generally regarded Turner as a hero of resistance, who made slaveowners pay for the hardshi
Medal Commemorating the Marriage of Duke and Duchesse of Brabant. Subject: Leopold I, King of the Belgians, Belgian, 1790–1865, ruled 1831–65 Artist: Leopold Wiener, Belgian, 1823–1891 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medal-commemorating-the-marriage-of-duke-and-duchesse-ofbrabant-subject-leopold-i-king-of-the-belgians-belgian-17901865-ruled-183165-artist-leopold-wiener-belgian-18231891-image463231827.html
RM2HWJ0WR–Medal Commemorating the Marriage of Duke and Duchesse of Brabant. Subject: Leopold I, King of the Belgians, Belgian, 1790–1865, ruled 1831–65 Artist: Leopold Wiener, Belgian, 1823–1891
Eagle Attacking a Mountain Lion. Artist: Kawanabe Kyosai (Japanese, 1831-1889). Culture: Japan. Dimensions: Image: 65 1/2 x 33 in. (166.4 x 83.8 cm) Overall with mounting: 111 1/2 x 43 1/2 in. (283.2 x 110.5 cm) Overall with knobs: 111 1/2 x 47 1/2 in. (283.2 x 120.7 cm). Date: 1885. In this set of four large paintings (14.76.64a-d), depicting the fierce spirit of eagles hunting or protecting their young, the artist Kyosai distilled the soul of the Japanese nation, which was at the onset of westernization and exerting itself as an international power. In addition to their regal presence, th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eagle-attacking-a-mountain-lion-artist-kawanabe-kyosai-japanese-1831-1889-culture-japan-dimensions-image-65-12-x-33-in-1664-x-838-cm-overall-with-mounting-111-12-x-43-12-in-2832-x-1105-cm-overall-with-knobs-111-12-x-47-12-in-2832-x-1207-cm-date-1885-in-this-set-of-four-large-paintings-147664a-d-depicting-the-fierce-spirit-of-eagles-hunting-or-protecting-their-young-the-artist-kyosai-distilled-the-soul-of-the-japanese-nation-which-was-at-the-onset-of-westernization-and-exerting-itself-as-an-international-power-in-addition-to-their-regal-presence-th-image212897394.html
RMPAA8PA–Eagle Attacking a Mountain Lion. Artist: Kawanabe Kyosai (Japanese, 1831-1889). Culture: Japan. Dimensions: Image: 65 1/2 x 33 in. (166.4 x 83.8 cm) Overall with mounting: 111 1/2 x 43 1/2 in. (283.2 x 110.5 cm) Overall with knobs: 111 1/2 x 47 1/2 in. (283.2 x 120.7 cm). Date: 1885. In this set of four large paintings (14.76.64a-d), depicting the fierce spirit of eagles hunting or protecting their young, the artist Kyosai distilled the soul of the Japanese nation, which was at the onset of westernization and exerting itself as an international power. In addition to their regal presence, th
N/A. Français : 'La bergère et ses moutons en forêt' Huile sur toile, signée en bas à droite et datée 1879. 65 X 95 cm collection privée . 31 December 2014. Charles Ferdinand Ceramano (1831-1909) photographed Oalih1951 286 CERAMAMO Charles Ferdinand. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-franais-la-bergre-et-ses-moutons-en-fort-huile-sur-toile-signe-en-bas-droite-et-date-1879-65-x-95-cm-collection-prive-31-december-2014-charles-ferdinand-ceramano-1831-1909-photographed-oalih1951-286-ceramamo-charles-ferdinand-image209927453.html
RMP5F0H1–N/A. Français : 'La bergère et ses moutons en forêt' Huile sur toile, signée en bas à droite et datée 1879. 65 X 95 cm collection privée . 31 December 2014. Charles Ferdinand Ceramano (1831-1909) photographed Oalih1951 286 CERAMAMO Charles Ferdinand.
N/A. English: Image from Afternoon Tea . 1880. John George Sowerby (1850–1914) and Henry Hetherington Emmerson (1831–1895) 65 Afternoon Tea 08 Sewing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-image-from-afternoon-tea-1880-john-george-sowerby-18501914-and-henry-hetherington-emmerson-18311895-65-afternoon-tea-08-sewing-image209944746.html
RMP5FPJJ–N/A. English: Image from Afternoon Tea . 1880. John George Sowerby (1850–1914) and Henry Hetherington Emmerson (1831–1895) 65 Afternoon Tea 08 Sewing
Carrosses supplémentaires - Le guide des sergens de ville et autres préposés de l'administration de police - Barlet - Paris 1831 - page 65. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carrosses-supplmentaires-le-guide-des-sergens-de-ville-et-autres-prposs-de-ladministration-de-police-barlet-paris-1831-page-65-image237108608.html
RMRNN6CG–Carrosses supplémentaires - Le guide des sergens de ville et autres préposés de l'administration de police - Barlet - Paris 1831 - page 65.
N/A. English: Afternoon Tea, pg. 35 . 1880. John George Sowerby (1850–1914) and Henry Hetherington Emmerson (1831–1895) 65 Afternoon Tea 1880 (Play-time) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-afternoon-tea-pg-35-1880-john-george-sowerby-18501914-and-henry-hetherington-emmerson-18311895-65-afternoon-tea-1880-play-time-image209910351.html
RMP5E6P7–N/A. English: Afternoon Tea, pg. 35 . 1880. John George Sowerby (1850–1914) and Henry Hetherington Emmerson (1831–1895) 65 Afternoon Tea 1880 (Play-time)
Art inspired by 猿を襲う鷲図, Eagle Attacking a Monkey, Meiji period (1868–1912), 1885, Japan, Hanging scroll; ink and color on paper, Image: 65 1/2 x 33 in. (166.4 x 83.8 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), In this set of four large paintings, depicting the fierce spirit, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-eagle-attacking-a-monkey-meiji-period-18681912-1885-japan-hanging-scroll-ink-and-color-on-paper-image-65-12-x-33-in-1664-x-838-cm-paintings-kawanabe-kysai-japanese-18311889-in-this-set-of-four-large-paintings-depicting-the-fierce-spirit-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462913997.html
RF2HW3FEN–Art inspired by 猿を襲う鷲図, Eagle Attacking a Monkey, Meiji period (1868–1912), 1885, Japan, Hanging scroll; ink and color on paper, Image: 65 1/2 x 33 in. (166.4 x 83.8 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), In this set of four large paintings, depicting the fierce spirit, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Image from Afternoon Tea . 1880. John George Sowerby (1850–1914) and Henry Hetherington Emmerson (1831–1895) 65 Afternoon Tea 1880 - Afternoon Tea Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-image-from-afternoon-tea-1880-john-george-sowerby-18501914-and-henry-hetherington-emmerson-18311895-65-afternoon-tea-1880-afternoon-tea-image209944755.html
RMP5FPJY–N/A. English: Image from Afternoon Tea . 1880. John George Sowerby (1850–1914) and Henry Hetherington Emmerson (1831–1895) 65 Afternoon Tea 1880 - Afternoon Tea
Art inspired by Eagle Attacking a Mountain Lion, Meiji period (1868–1912), 1885, Japan, Hanging scroll; ink and color on paper, Image: 65 1/2 x 33 in. (166.4 x 83.8 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), In this set of four large paintings, depicting the fierce spirit, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-eagle-attacking-a-mountain-lion-meiji-period-18681912-1885-japan-hanging-scroll-ink-and-color-on-paper-image-65-12-x-33-in-1664-x-838-cm-paintings-kawanabe-kysai-japanese-18311889-in-this-set-of-four-large-paintings-depicting-the-fierce-spirit-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462913993.html
RF2HW3FEH–Art inspired by Eagle Attacking a Mountain Lion, Meiji period (1868–1912), 1885, Japan, Hanging scroll; ink and color on paper, Image: 65 1/2 x 33 in. (166.4 x 83.8 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), In this set of four large paintings, depicting the fierce spirit, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. English: Afternoon Tea, pg. 35 . 1880. John George Sowerby (1850–1914) and Henry Hetherington Emmerson (1831–1895) 65 Afternoon Tea 1880 (Play-time) (crop) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-afternoon-tea-pg-35-1880-john-george-sowerby-18501914-and-henry-hetherington-emmerson-18311895-65-afternoon-tea-1880-play-time-crop-image209910348.html
RMP5E6P4–N/A. English: Afternoon Tea, pg. 35 . 1880. John George Sowerby (1850–1914) and Henry Hetherington Emmerson (1831–1895) 65 Afternoon Tea 1880 (Play-time) (crop)
Giuseppe Pietro Bagetti. 1764-1831. Mountain tree. 1825-1830. tempera on paper. cm 65 x 100. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-pietro-bagetti-1764-1831-mountain-tree-1825-1830-tempera-on-paper-cm-65-x-100-image390688320.html
RM2DKHAX8–Giuseppe Pietro Bagetti. 1764-1831. Mountain tree. 1825-1830. tempera on paper. cm 65 x 100.
étude préparatoire de Napoléon-Louis Bonaparte (1804 - 1831), Prince français et altesse impériale, Prince Royal de Hollande en 1806 *oil on canvas *33 x 22 cm *ca 1810-1811 65 Napoléon-Louis Bonaparte, by François-Joseph Kinson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tude-prparatoire-de-napolon-louis-bonaparte-1804-1831-prince-franais-et-altesse-impriale-prince-royal-de-hollande-en-1806-oil-on-canvas-33-x-22-cm-ca-1810-1811-65-napolon-louis-bonaparte-by-franois-joseph-kinson-image214109286.html
RMPC9EG6–étude préparatoire de Napoléon-Louis Bonaparte (1804 - 1831), Prince français et altesse impériale, Prince Royal de Hollande en 1806 *oil on canvas *33 x 22 cm *ca 1810-1811 65 Napoléon-Louis Bonaparte, by François-Joseph Kinson
A new song on the departure of the Militia, NM NM-10388-65-G Leaflet printed on four sides with two gedichten. Manufacturer : creator: anonymous Date: ca. 1830 - ca. 1831 Material: paper Technique: press dimensions: h 17.2 cm. B × 11.3 cm. Subject When: 1830 - 1832 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-new-song-on-the-departure-of-the-militia-nm-nm-10388-65-g-leaflet-printed-on-four-sides-with-two-gedichten-manufacturer-creator-anonymous-date-ca-1830-ca-1831-material-paper-technique-press-dimensions-h-172-cm-b-113-cm-subject-when-1830-1832-image348328654.html
RM2B6KMN2–A new song on the departure of the Militia, NM NM-10388-65-G Leaflet printed on four sides with two gedichten. Manufacturer : creator: anonymous Date: ca. 1830 - ca. 1831 Material: paper Technique: press dimensions: h 17.2 cm. B × 11.3 cm. Subject When: 1830 - 1832
. Nederlands: Keukeninterieur. oil on canvas. 52 × 65 cm (20.4 × 25.5 in). RCE (B728). Vroeger Rijksmuseum Amsterdam (SK-A-1831). . 1854. Johannes Stroebel 58 Kitchen Scene by Johannes Stroebel Rijksdienst voor het Cultureel Erfgoed B728 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nederlands-keukeninterieur-oil-on-canvas-52-65-cm-204-255-in-rce-b728-vroeger-rijksmuseum-amsterdam-sk-a-1831-1854-johannes-stroebel-58-kitchen-scene-by-johannes-stroebel-rijksdienst-voor-het-cultureel-erfgoed-b728-image189295780.html
RMMYY4KG–. Nederlands: Keukeninterieur. oil on canvas. 52 × 65 cm (20.4 × 25.5 in). RCE (B728). Vroeger Rijksmuseum Amsterdam (SK-A-1831). . 1854. Johannes Stroebel 58 Kitchen Scene by Johannes Stroebel Rijksdienst voor het Cultureel Erfgoed B728
LEOPOLD I/BELGIUM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leopold-ibelgium-105346227.html
RMG3AX57–LEOPOLD I/BELGIUM
. Portrait of Johan Philip van der Kellen (1831-1906). Director of the Rijksprentenkabinet (1876-96) . Nederlands: Johan Philip van der Kellen (1831-1906). Directeur van het Rijksprentenkabinet (1876-96) oil on canvas 65 × 56 cm 1904 signed t.r.: 'JV 1904 AET 72 . 1904 221 Johan Philip van der Kellen (1831-1906), by Jan Veth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-johan-philip-van-der-kellen-1831-1906-director-of-the-rijksprentenkabinet-1876-96-nederlands-johan-philip-van-der-kellen-1831-1906-directeur-van-het-rijksprentenkabinet-1876-96-oil-on-canvas-65-56-cm-1904-signed-tr-jv-1904-aet-72-1904-221-johan-philip-van-der-kellen-1831-1906-by-jan-veth-image211346505.html
RMP7RJHD–. Portrait of Johan Philip van der Kellen (1831-1906). Director of the Rijksprentenkabinet (1876-96) . Nederlands: Johan Philip van der Kellen (1831-1906). Directeur van het Rijksprentenkabinet (1876-96) oil on canvas 65 × 56 cm 1904 signed t.r.: 'JV 1904 AET 72 . 1904 221 Johan Philip van der Kellen (1831-1906), by Jan Veth
Children's Breakfast, 1879, oil on canvas, 81.2 x 65.4 cm, signed and dated lower right: Anker 1879, Albert Anker, Ins/Bern 1831–1910 Ins/Bern Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/childrens-breakfast-1879-oil-on-canvas-812-x-654-cm-signed-and-dated-lower-right-anker-1879-albert-anker-insbern-18311910-insbern-image328708337.html
RM2A2NXRD–Children's Breakfast, 1879, oil on canvas, 81.2 x 65.4 cm, signed and dated lower right: Anker 1879, Albert Anker, Ins/Bern 1831–1910 Ins/Bern
Nat Turner (October 2, 1800 - November 11, 1831) was an enslaved African-American mystical preacher who led a rebellion of both enslaved and free black people in Southampton County, Virginia, beginning August 21, 1831. Rebel slaves killed from 55 to 65 people, at least 51 being white. The rebellion was put down within a few days, but Turner survived in hiding for more than two months afterwards. When found, he was tried, convicted, sentenced to death, hanged and possibly beheaded. African-Americans have generally regarded Turner as a hero of resistance, who made slaveowners pay for the hardshi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nat-turner-october-2-1800-november-11-1831-was-an-enslaved-african-american-mystical-preacher-who-led-a-rebellion-of-both-enslaved-and-free-black-people-in-southampton-county-virginia-beginning-august-21-1831-rebel-slaves-killed-from-55-to-65-people-at-least-51-being-white-the-rebellion-was-put-down-within-a-few-days-but-turner-survived-in-hiding-for-more-than-two-months-afterwards-when-found-he-was-tried-convicted-sentenced-to-death-hanged-and-possibly-beheaded-african-americans-have-generally-regarded-turner-as-a-hero-of-resistance-who-made-slaveowners-pay-for-the-hardshi-image352834410.html
RM2BE0YTX–Nat Turner (October 2, 1800 - November 11, 1831) was an enslaved African-American mystical preacher who led a rebellion of both enslaved and free black people in Southampton County, Virginia, beginning August 21, 1831. Rebel slaves killed from 55 to 65 people, at least 51 being white. The rebellion was put down within a few days, but Turner survived in hiding for more than two months afterwards. When found, he was tried, convicted, sentenced to death, hanged and possibly beheaded. African-Americans have generally regarded Turner as a hero of resistance, who made slaveowners pay for the hardshi
Medal of Leopold I, Peace & Railroad Inauguration. Artist: Laurent Joseph Hart, Belgian, 1810–1860Honorand: Leopold I, King of the Belgians, Belgian, 1790–1865, ruled 1831–65 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medal-of-leopold-i-peace-railroadinauguration-artist-laurent-joseph-hart-belgian-18101860honorand-leopold-i-king-of-the-belgians-belgian-17901865-ruled-183165-image463231212.html
RM2HWJ03T–Medal of Leopold I, Peace & Railroad Inauguration. Artist: Laurent Joseph Hart, Belgian, 1810–1860Honorand: Leopold I, King of the Belgians, Belgian, 1790–1865, ruled 1831–65
Bible Reading. Dating: 1831. Measurements: h 55.5 cm × w 65.5 cm; d 6.2 cm. Museum: Rijksmuseum, Amsterdam. Author: Eduard Karl Gustav Lebrecht Pistorius. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bible-reading-dating-1831-measurements-h-555-cm-w-655-cm-d-62-cm-museum-rijksmuseum-amsterdam-author-eduard-karl-gustav-lebrecht-pistorius-image232910460.html
RMREWYJM–Bible Reading. Dating: 1831. Measurements: h 55.5 cm × w 65.5 cm; d 6.2 cm. Museum: Rijksmuseum, Amsterdam. Author: Eduard Karl Gustav Lebrecht Pistorius.
. Hohes Alter II (alte Frau sich aufwärmend). Um 1885. Öl auf Leinwand. Unten rechts signiert: Anker. 83,5 x 65 cm. . circa 1885. Albert Anker (1831–1910) Alternative names Birth name: Samuel Albrecht Anker Description Swiss illustrator and painter Date of birth/death 1 April 1831 16 July 1910 Location of birth/death Ins Ins Work location Paris, Bern, Ins, Neuchâtel Authority control : Q72510 VIAF:?14778781 ISNI:?0000 0001 2021 3239 ULAN:?500009804 LCCN:?n82070670 GND:?118503197 WorldCat Albert Anker Hohes Alter II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hohes-alter-ii-alte-frau-sich-aufwrmend-um-1885-l-auf-leinwand-unten-rechts-signiert-anker-835-x-65-cm-circa-1885-albert-anker-18311910-alternative-names-birth-name-samuel-albrecht-anker-description-swiss-illustrator-and-painter-date-of-birthdeath-1-april-1831-16-july-1910-location-of-birthdeath-ins-ins-work-location-paris-bern-ins-neuchtel-authority-control-q72510-viaf14778781-isni0000-0001-2021-3239-ulan500009804-lccnn82070670-gnd118503197-worldcat-albert-anker-hohes-alter-ii-image184884037.html
RMMMP5D9–. Hohes Alter II (alte Frau sich aufwärmend). Um 1885. Öl auf Leinwand. Unten rechts signiert: Anker. 83,5 x 65 cm. . circa 1885. Albert Anker (1831–1910) Alternative names Birth name: Samuel Albrecht Anker Description Swiss illustrator and painter Date of birth/death 1 April 1831 16 July 1910 Location of birth/death Ins Ins Work location Paris, Bern, Ins, Neuchâtel Authority control : Q72510 VIAF:?14778781 ISNI:?0000 0001 2021 3239 ULAN:?500009804 LCCN:?n82070670 GND:?118503197 WorldCat Albert Anker Hohes Alter II
Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): View. Ink on cardboard, 46.9 x 65.4 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schwatlo-carl-1831-1884-lodge-building-royal-york-berlin-without-dat-view-ink-on-cardboard-469-x-654-cm-including-scan-edges-schwatlo-carl-1831-1884-logengebude-royal-york-berlin-image477464933.html
RM2JMPBB1–Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): View. Ink on cardboard, 46.9 x 65.4 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin
LEOPOLD I/BELGIUM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leopold-ibelgium-56721388.html
Meeting of artists. Kyoka Nihon Fudoki [comic poems in features of Jap. 1831. A meeting of a group of Japanese artists and poets. Image taken from Kyoka Nihon Fudoki [comic poems in features of Japan]. Originally published/produced in 1831. . Source: 16099.c.65, 1v - 2r. Language: Japanese. Author: Yashima Gakutei. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/meeting-of-artists-kyoka-nihon-fudoki-comic-poems-in-features-of-jap-1831-a-meeting-of-a-group-of-japanese-artists-and-poets-image-taken-from-kyoka-nihon-fudoki-comic-poems-in-features-of-japan-originally-publishedproduced-in-1831-source-16099c65-1v-2r-language-japanese-author-yashima-gakutei-image227081944.html
RMR5CD9C–Meeting of artists. Kyoka Nihon Fudoki [comic poems in features of Jap. 1831. A meeting of a group of Japanese artists and poets. Image taken from Kyoka Nihon Fudoki [comic poems in features of Japan]. Originally published/produced in 1831. . Source: 16099.c.65, 1v - 2r. Language: Japanese. Author: Yashima Gakutei.
Bonnets Garden and Landhus in Thonex Clemens, J.F. 1748 - 1831 Etching, Print Johan Frederik Clemens: skitseret som Konstner og Menneske, J.C. Fick, omt. pp. 10-11, 2174, 1851. J.F. Clemens: Biografi samt Fortegnelse over hans Kobberstik. Avec un résumé francais, Leo Swane, omt. p. 106 og p. 166; afb. p. 65; vignetterne omt. pp. 105-106 og p. 161, 9968, 1929 Bonnets have og landhus i Thonex Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonnets-garden-and-landhus-in-thonex-clemens-jf-1748-1831-etching-print-johan-frederik-clemens-skitseret-som-konstner-og-menneske-jc-fick-omt-pp-10-11-2174-1851-jf-clemens-biografi-samt-fortegnelse-over-hans-kobberstik-avec-un-rsum-francais-leo-swane-omt-p-106-og-p-166-afb-p-65-vignetterne-omt-pp-105-106-og-p-161-9968-1929-bonnets-have-og-landhus-i-thonex-image613435075.html
RM2XJ0AKF–Bonnets Garden and Landhus in Thonex Clemens, J.F. 1748 - 1831 Etching, Print Johan Frederik Clemens: skitseret som Konstner og Menneske, J.C. Fick, omt. pp. 10-11, 2174, 1851. J.F. Clemens: Biografi samt Fortegnelse over hans Kobberstik. Avec un résumé francais, Leo Swane, omt. p. 106 og p. 166; afb. p. 65; vignetterne omt. pp. 105-106 og p. 161, 9968, 1929 Bonnets have og landhus i Thonex
Portrait of Salvatore Tonci (1756-1844). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-salvatore-tonci-1756-1844-image186151458.html
RMMPRX2A–Portrait of Salvatore Tonci (1756-1844).
Art inspired by 兎を追う鷲図, Eagle Pursuing Rabbit, Meiji period (1868–1912), 1885, Japan, Hanging scroll; ink and color on paper, Image: 65 1/2 x 33 in. (166.4 x 83.8 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), In this set of four large paintings, depicting the fierce spirit of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-eagle-pursuing-rabbit-meiji-period-18681912-1885-japan-hanging-scroll-ink-and-color-on-paper-image-65-12-x-33-in-1664-x-838-cm-paintings-kawanabe-kysai-japanese-18311889-in-this-set-of-four-large-paintings-depicting-the-fierce-spirit-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462913978.html
RF2HW3FE2–Art inspired by 兎を追う鷲図, Eagle Pursuing Rabbit, Meiji period (1868–1912), 1885, Japan, Hanging scroll; ink and color on paper, Image: 65 1/2 x 33 in. (166.4 x 83.8 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), In this set of four large paintings, depicting the fierce spirit of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mechanics' magazine and register of inventions and improvements . lass washed with oil of turpentine; theetching will then appear, and the parts thatwere covered with the wax will have re-mained untouched. Observation.—By this means glass vesselsare graduated and ornamented very easily. Patent Machine for Preparing Boards, ^c.—Economy in Manufacturing. ENGLISH PATKNT. Patent to |H. Muik, Engineer, for improve.ments in machinery for -preparing Boardsfor Flooring, and other purposes. GrantedDecanher 22, 1831.In the third volume of the present seriesof the Register, page 65, we have de-scribed a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mechanics-magazine-and-register-of-inventions-and-improvements-lass-washed-with-oil-of-turpentine-theetching-will-then-appear-and-the-parts-thatwere-covered-with-the-wax-will-have-re-mained-untouched-observationby-this-means-glass-vesselsare-graduated-and-ornamented-very-easily-patent-machine-for-preparing-boards-ceconomy-in-manufacturing-english-patknt-patent-to-h-muik-engineer-for-improvements-in-machinery-for-preparing-boardsfor-flooring-and-other-purposes-granteddecanher-22-1831in-the-third-volume-of-the-present-seriesof-the-register-page-65-we-have-de-scribed-a-image339417155.html
RM2AM5P17–Mechanics' magazine and register of inventions and improvements . lass washed with oil of turpentine; theetching will then appear, and the parts thatwere covered with the wax will have re-mained untouched. Observation.—By this means glass vesselsare graduated and ornamented very easily. Patent Machine for Preparing Boards, ^c.—Economy in Manufacturing. ENGLISH PATKNT. Patent to |H. Muik, Engineer, for improve.ments in machinery for -preparing Boardsfor Flooring, and other purposes. GrantedDecanher 22, 1831.In the third volume of the present seriesof the Register, page 65, we have de-scribed a
Giuseppe Pietro Bagetti. 1764-1831. Mountain tree. 1816. watercolor and tempera on paper. cm 65 x 100. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-pietro-bagetti-1764-1831-mountain-tree-1816-watercolor-and-tempera-on-paper-cm-65-x-100-image390688134.html
RM2DKHAKJ–Giuseppe Pietro Bagetti. 1764-1831. Mountain tree. 1816. watercolor and tempera on paper. cm 65 x 100.
. The grasses of Tennessee; including cereals and forage plants. Grasses; Forage plants; Grain. . , d P 2 , 65 O a a o. a C cs o o3 o = H o -p ^ S -a °P2. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Killebrew, J. B. (Joseph Buckner), 1831-1906. Nashville, The American co. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-grasses-of-tennessee-including-cereals-and-forage-plants-grasses-forage-plants-grain-d-p-2-65-o-a-a-o-a-c-cs-o-o3-o-=-h-o-p-s-a-p2-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-killebrew-j-b-joseph-buckner-1831-1906-nashville-the-american-co-image216386880.html
RMPG17JT–. The grasses of Tennessee; including cereals and forage plants. Grasses; Forage plants; Grain. . , d P 2 , 65 O a a o. a C cs o o3 o = H o -p ^ S -a °P2. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Killebrew, J. B. (Joseph Buckner), 1831-1906. Nashville, The American co.
decoration, Anonymous, 1831, silk, bronze, struck, General: 6.5 x 1.4 x 0.2cm 65 x 14 x 2mm, Small model of the bronze cross medal 1830-1831, worn by Jhr. W.I.C. Rammelman Elsevier. On the front is a crowned W within a wreath of a palm branch and an oak branch. On the reverse, the years 1830 - 1831 are shown within the same wreath, with the text TROUW AAN KONING EN VADERLAND spread around the four legs of the cross. The medal hangs from a blue / white striped ribbon of ribbed silk. The Metal Cross 1830-1831 was awarded to those who participated in the Ten Day Campaign, 1885 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decoration-anonymous-1831-silk-bronze-struck-general-65-x-14-x-02cm-65-x-14-x-2mm-small-model-of-the-bronze-cross-medal-1830-1831-worn-by-jhr-wic-rammelman-elsevier-on-the-front-is-a-crowned-w-within-a-wreath-of-a-palm-branch-and-an-oak-branch-on-the-reverse-the-years-1830-1831-are-shown-within-the-same-wreath-with-the-text-trouw-aan-koning-en-vaderland-spread-around-the-four-legs-of-the-cross-the-medal-hangs-from-a-blue-white-striped-ribbon-of-ribbed-silk-the-metal-cross-1830-1831-was-awarded-to-those-who-participated-in-the-ten-day-campaign-1885-image386384724.html
RM2DCH9JC–decoration, Anonymous, 1831, silk, bronze, struck, General: 6.5 x 1.4 x 0.2cm 65 x 14 x 2mm, Small model of the bronze cross medal 1830-1831, worn by Jhr. W.I.C. Rammelman Elsevier. On the front is a crowned W within a wreath of a palm branch and an oak branch. On the reverse, the years 1830 - 1831 are shown within the same wreath, with the text TROUW AAN KONING EN VADERLAND spread around the four legs of the cross. The medal hangs from a blue / white striped ribbon of ribbed silk. The Metal Cross 1830-1831 was awarded to those who participated in the Ten Day Campaign, 1885
Johan Philip van der Kellen (1831-1906). Director of the Rijksprentenkabinet (1876-96). Dating: 1904. Measurements: h 65 cm × w 56 cm; d 7.1 cm. Museum: Rijksmuseum, Amsterdam. Author: JAN VETH. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johan-philip-van-der-kellen-1831-1906-director-of-the-rijksprentenkabinet-1876-96-dating-1904-measurements-h-65-cm-w-56-cm-d-71-cm-museum-rijksmuseum-amsterdam-author-jan-veth-image232863143.html
RMRERR8R–Johan Philip van der Kellen (1831-1906). Director of the Rijksprentenkabinet (1876-96). Dating: 1904. Measurements: h 65 cm × w 56 cm; d 7.1 cm. Museum: Rijksmuseum, Amsterdam. Author: JAN VETH.
Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): Return view. Ink on cardboard, 46.8 x 65 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schwatlo-carl-1831-1884-lodge-building-royal-york-berlin-without-dat-return-view-ink-on-cardboard-468-x-65-cm-including-scan-edges-schwatlo-carl-1831-1884-logengebude-royal-york-berlin-image477464937.html
RM2JMPBB5–Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): Return view. Ink on cardboard, 46.8 x 65 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin
Dreer's garden calendar : 1903 . dreersgardencale1903henr Year: 1903 -tlEHRYADRKR -PHILADELPHIA 4*A RELIABLE FLOWER SEEDS 65 CARNATION. Carnations are genera1 favorites for their delicious fragrance and richness of colors. They are indispensable, both for greenhouse culture in winter and for the garden in summer. PEK PKT. 1850 Fine Double Mixed. The best for garden culture 10 1840 Finest Double Mixed. Saved from extra fine flowers 25 1831 Chabaud's Everblooming. Raised by a famous French specialist. Blooms in five months after being sown, and continues to flower in the greatest profusion inde Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dreers-garden-calendar-1903-dreersgardencale1903henr-year-1903-tlehryadrkr-philadelphia-4a-reliable-flower-seeds-65-carnation-carnations-are-genera1-favorites-for-their-delicious-fragrance-and-richness-of-colors-they-are-indispensable-both-for-greenhouse-culture-in-winter-and-for-the-garden-in-summer-pek-pkt-1850-fine-double-mixed-the-best-for-garden-culture-10-1840-finest-double-mixed-saved-from-extra-fine-flowers-25-1831-chabauds-everblooming-raised-by-a-famous-french-specialist-blooms-in-five-months-after-being-sown-and-continues-to-flower-in-the-greatest-profusion-inde-image240995489.html
RMT0285N–Dreer's garden calendar : 1903 . dreersgardencale1903henr Year: 1903 -tlEHRYADRKR -PHILADELPHIA 4*A RELIABLE FLOWER SEEDS 65 CARNATION. Carnations are genera1 favorites for their delicious fragrance and richness of colors. They are indispensable, both for greenhouse culture in winter and for the garden in summer. PEK PKT. 1850 Fine Double Mixed. The best for garden culture 10 1840 Finest Double Mixed. Saved from extra fine flowers 25 1831 Chabaud's Everblooming. Raised by a famous French specialist. Blooms in five months after being sown, and continues to flower in the greatest profusion inde
Sanderumgaards have I Clemens, J.F. 1748 - 1831 Drawing Johan Frederik Clemens: skitseret som Konstner og Menneske, J.C. Fick, p. 39, nr. 194-218, 2174, 1851. J.F. Clemens: Biografi samt Fortegnelse over hans Kobberstik. Avec un résumé francais, Leo Swane, p. 232-233, 9968, 1929. Sanderumgaards Romantiske Have : set med Eckersbergs og andres øjne o. 1800, Anne Christiansen, afb. p. 65 (fig. 41), omt. p. 62ff, 2010 Sanderumgaards have I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sanderumgaards-have-i-clemens-jf-1748-1831-drawing-johan-frederik-clemens-skitseret-som-konstner-og-menneske-jc-fick-p-39-nr-194-218-2174-1851-jf-clemens-biografi-samt-fortegnelse-over-hans-kobberstik-avec-un-rsum-francais-leo-swane-p-232-233-9968-1929-sanderumgaards-romantiske-have-set-med-eckersbergs-og-andres-jne-o-1800-anne-christiansen-afb-p-65-fig-41-omt-p-62ff-2010-sanderumgaards-have-i-image613420857.html
RM2XHYMFN–Sanderumgaards have I Clemens, J.F. 1748 - 1831 Drawing Johan Frederik Clemens: skitseret som Konstner og Menneske, J.C. Fick, p. 39, nr. 194-218, 2174, 1851. J.F. Clemens: Biografi samt Fortegnelse over hans Kobberstik. Avec un résumé francais, Leo Swane, p. 232-233, 9968, 1929. Sanderumgaards Romantiske Have : set med Eckersbergs og andres øjne o. 1800, Anne Christiansen, afb. p. 65 (fig. 41), omt. p. 62ff, 2010 Sanderumgaards have I
Art inspired by White Eagle Eyeing a Mountain Lion, Meiji period (1868–1912), 1885, Japan, Hanging scroll; ink and color on paper, Image: 65 1/2 x 33 in. (166.4 x 83.8 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), In this set of four large paintings, depicting the fierce, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-white-eagle-eyeing-a-mountain-lion-meiji-period-18681912-1885-japan-hanging-scroll-ink-and-color-on-paper-image-65-12-x-33-in-1664-x-838-cm-paintings-kawanabe-kysai-japanese-18311889-in-this-set-of-four-large-paintings-depicting-the-fierce-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462913998.html
RF2HW3FEP–Art inspired by White Eagle Eyeing a Mountain Lion, Meiji period (1868–1912), 1885, Japan, Hanging scroll; ink and color on paper, Image: 65 1/2 x 33 in. (166.4 x 83.8 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), In this set of four large paintings, depicting the fierce, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Photographic pedigree of the descendants of Isaac and Rachel Wilson . Sarah Lloyd, born at Wood Green, Wednesbury, 3rd October, 1831. Marriedat Birmingham on 7th September, 1859, age 27, Wilson Sturge, secondson of Charles Sturge and his wife Mary Darby Dickinson. He was bornat Edgbaston 14th April, 1834, married at 25, and died at sea on 4thOctober, 1899, aged 65. Address : 17 Frederick Road, Edgbaston. Issue—Five sons and five daughters. (I) Mary Darby Sturge, born at Moseley, near Birmingham, on 16thOctober, 1862.(II) Wilson Henry Sturge = Lucy Gibbins. (Page 147.) (III) Leonard Sturge, bor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photographic-pedigree-of-the-descendants-of-isaac-and-rachel-wilson-sarah-lloyd-born-at-wood-green-wednesbury-3rd-october-1831-marriedat-birmingham-on-7th-september-1859-age-27-wilson-sturge-secondson-of-charles-sturge-and-his-wife-mary-darby-dickinson-he-was-bornat-edgbaston-14th-april-1834-married-at-25-and-died-at-sea-on-4thoctober-1899-aged-65-address-17-frederick-road-edgbaston-issuefive-sons-and-five-daughters-i-mary-darby-sturge-born-at-moseley-near-birmingham-on-16thoctober-1862ii-wilson-henry-sturge-=-lucy-gibbins-page-147-iii-leonard-sturge-bor-image343031325.html
RM2AX2BXN–Photographic pedigree of the descendants of Isaac and Rachel Wilson . Sarah Lloyd, born at Wood Green, Wednesbury, 3rd October, 1831. Marriedat Birmingham on 7th September, 1859, age 27, Wilson Sturge, secondson of Charles Sturge and his wife Mary Darby Dickinson. He was bornat Edgbaston 14th April, 1834, married at 25, and died at sea on 4thOctober, 1899, aged 65. Address : 17 Frederick Road, Edgbaston. Issue—Five sons and five daughters. (I) Mary Darby Sturge, born at Moseley, near Birmingham, on 16thOctober, 1862.(II) Wilson Henry Sturge = Lucy Gibbins. (Page 147.) (III) Leonard Sturge, bor
Aroleid, oil on canvas, 65.5 x 50 cm, monogrammed lower right: E ST., Ernst Stückelberg, Basel 1831–1903 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aroleid-oil-on-canvas-655-x-50-cm-monogrammed-lower-right-e-st-ernst-stckelberg-basel-18311903-basel-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349798471.html
RF2B92KEF–Aroleid, oil on canvas, 65.5 x 50 cm, monogrammed lower right: E ST., Ernst Stückelberg, Basel 1831–1903 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. History of Hereford cattle : proven conclusively the oldest of improved breeds . Hereford cattle. HISTORY OF H E E E F 0 R D CATTLE 65 HEREFORDS. No. of Guin- Dol- Year. prizes, eas. lars. 1825 2 25 125 1826 1827 1828 1829 1830 1831 1832 1833 1834 1835 45 45 65 45 30 50 55 55 30 60 Total 225 225 325 225 150 250 275 275 150 300 7060 Year. 1825 1S26 1827 1828 1829 1830 1831 1832 1833 1834 1835 SHORTHORNS. No. of Guin- Dol- prizes. eas. lars. 50 30 20 10 40 55 40 20 35 40 30 250 150 100 50 20O 275 200 100 175 200 150 3275 From Youatt is learned that throughout the whole of Gloucestershire the H Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-hereford-cattle-proven-conclusively-the-oldest-of-improved-breeds-hereford-cattle-history-of-h-e-e-e-f-0-r-d-cattle-65-herefords-no-of-guin-dol-year-prizes-eas-lars-1825-2-25-125-1826-1827-1828-1829-1830-1831-1832-1833-1834-1835-45-45-65-45-30-50-55-55-30-60-total-225-225-325-225-150-250-275-275-150-300-7060-year-1825-1s26-1827-1828-1829-1830-1831-1832-1833-1834-1835-shorthorns-no-of-guin-dol-prizes-eas-lars-50-30-20-10-40-55-40-20-35-40-30-250-150-100-50-20o-275-200-100-175-200-150-3275-from-youatt-is-learned-that-throughout-the-whole-of-gloucestershire-the-h-image216370840.html
RMPG0F60–. History of Hereford cattle : proven conclusively the oldest of improved breeds . Hereford cattle. HISTORY OF H E E E F 0 R D CATTLE 65 HEREFORDS. No. of Guin- Dol- Year. prizes, eas. lars. 1825 2 25 125 1826 1827 1828 1829 1830 1831 1832 1833 1834 1835 45 45 65 45 30 50 55 55 30 60 Total 225 225 325 225 150 250 275 275 150 300 7060 Year. 1825 1S26 1827 1828 1829 1830 1831 1832 1833 1834 1835 SHORTHORNS. No. of Guin- Dol- prizes. eas. lars. 50 30 20 10 40 55 40 20 35 40 30 250 150 100 50 20O 275 200 100 175 200 150 3275 From Youatt is learned that throughout the whole of Gloucestershire the H
Romeo and Juliet, Arnoud Schaepkens, 1831 - 1904, print maker: Arnoud Schaepkens, 1831 - 1904, paper, etching, h 65 mm × w 80 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/romeo-and-juliet-arnoud-schaepkens-1831-1904-print-maker-arnoud-schaepkens-1831-1904-paper-etching-h-65-mm-w-80-mm-image473376349.html
RM2JE44A5–Romeo and Juliet, Arnoud Schaepkens, 1831 - 1904, print maker: Arnoud Schaepkens, 1831 - 1904, paper, etching, h 65 mm × w 80 mm
Compote. Culture: American. Dimensions: H. 3 3/4 in. (9.5 cm). Manufacturer: Possibly by Redwood Glass Company (1828-1868); Possibly by Redford Crown Glass Works (1831-1851). Date: 1835-65. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/compote-culture-american-dimensions-h-3-34-in-95-cm-manufacturer-possibly-by-redwood-glass-company-1828-1868-possibly-by-redford-crown-glass-works-1831-1851-date-1835-65-museum-metropolitan-museum-of-art-new-york-usa-image213104502.html
RMPAKMY2–Compote. Culture: American. Dimensions: H. 3 3/4 in. (9.5 cm). Manufacturer: Possibly by Redwood Glass Company (1828-1868); Possibly by Redford Crown Glass Works (1831-1851). Date: 1835-65. Museum: Metropolitan Museum of Art, New York, USA.
. 1. Art. Astropecten aurantiaeus (Linne). Taf. 2, Fig. 1, 2; Taf. 6, Fig. 1 Astropecten echinatus major liinek p. 27, T. VI, No. 6. Astropecten stellatus Linck p. 28, T. 27, No. 44. 1758 Asterias aranciaca Linne p. 662. 1792 Asterias aranciaca Olivi p. 65. 1816 Asterias aurantiaca Tiedemann p. 33 — 63, T. 5—9. 1816 Asterias aranciaca Lamarck Vol. 2, p. 563 (partim). 1823 Asterias aurantiaca Otto p. 285. 1825 Asterias aranciaca Delle Chiaje Vol. 2, p. 355, T. 19, f. 1. 1826 Asterias aurantiaca Risso p. 270. 1831 Asterias aranciaca Gravenhorst p. 08—103. 1834 Stellaria aurantiaca Nardo p. 716. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1-art-astropecten-aurantiaeus-linne-taf-2-fig-1-2-taf-6-fig-1-astropecten-echinatus-major-liinek-p-27-t-vi-no-6-astropecten-stellatus-linck-p-28-t-27-no-44-1758-asterias-aranciaca-linne-p-662-1792-asterias-aranciaca-olivi-p-65-1816-asterias-aurantiaca-tiedemann-p-33-63-t-59-1816-asterias-aranciaca-lamarck-vol-2-p-563-partim-1823-asterias-aurantiaca-otto-p-285-1825-asterias-aranciaca-delle-chiaje-vol-2-p-355-t-19-f-1-1826-asterias-aurantiaca-risso-p-270-1831-asterias-aranciaca-gravenhorst-p-08103-1834-stellaria-aurantiaca-nardo-p-716-image179971368.html
RMMCPB8T–. 1. Art. Astropecten aurantiaeus (Linne). Taf. 2, Fig. 1, 2; Taf. 6, Fig. 1 Astropecten echinatus major liinek p. 27, T. VI, No. 6. Astropecten stellatus Linck p. 28, T. 27, No. 44. 1758 Asterias aranciaca Linne p. 662. 1792 Asterias aranciaca Olivi p. 65. 1816 Asterias aurantiaca Tiedemann p. 33 — 63, T. 5—9. 1816 Asterias aranciaca Lamarck Vol. 2, p. 563 (partim). 1823 Asterias aurantiaca Otto p. 285. 1825 Asterias aranciaca Delle Chiaje Vol. 2, p. 355, T. 19, f. 1. 1826 Asterias aurantiaca Risso p. 270. 1831 Asterias aranciaca Gravenhorst p. 08—103. 1834 Stellaria aurantiaca Nardo p. 716.
Schwatlo Carl (1831-1884), festival and concert hall, Krefeld (without dat.): Ballroom decoration. Pencil watercolor on the box, 65.5 x 47.8 cm (including scan edges) Schwatlo Carl (1831-1884): Fest- und Konzerthaus, Krefeld Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schwatlo-carl-1831-1884-festival-and-concert-hall-krefeld-without-dat-ballroom-decoration-pencil-watercolor-on-the-box-655-x-478-cm-including-scan-edges-schwatlo-carl-1831-1884-fest-und-konzerthaus-krefeld-image477464976.html
RM2JMPBCG–Schwatlo Carl (1831-1884), festival and concert hall, Krefeld (without dat.): Ballroom decoration. Pencil watercolor on the box, 65.5 x 47.8 cm (including scan edges) Schwatlo Carl (1831-1884): Fest- und Konzerthaus, Krefeld
Sanderumgaards have IV Clemens, J.F. 1748 - 1831 Drawing Johan Frederik Clemens: skitseret som Konstner og Menneske, J.C. Fick, p. 39, nr. 194-218, 2174, 1851. J.F. Clemens: Biografi samt Fortegnelse over hans Kobberstik. Avec un résumé francais, Leo Swane, p. 233-234, 9968, 1929. Sanderumgaards Romantiske Have : set med Eckersbergs og andres øjne o. 1800, Anne Christiansen, afb. p. 65 (fig. 42), omt. p. 62ff, 2010 Sanderumgaards have IV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sanderumgaards-have-iv-clemens-jf-1748-1831-drawing-johan-frederik-clemens-skitseret-som-konstner-og-menneske-jc-fick-p-39-nr-194-218-2174-1851-jf-clemens-biografi-samt-fortegnelse-over-hans-kobberstik-avec-un-rsum-francais-leo-swane-p-233-234-9968-1929-sanderumgaards-romantiske-have-set-med-eckersbergs-og-andres-jne-o-1800-anne-christiansen-afb-p-65-fig-42-omt-p-62ff-2010-sanderumgaards-have-iv-image613423201.html
RM2XHYRFD–Sanderumgaards have IV Clemens, J.F. 1748 - 1831 Drawing Johan Frederik Clemens: skitseret som Konstner og Menneske, J.C. Fick, p. 39, nr. 194-218, 2174, 1851. J.F. Clemens: Biografi samt Fortegnelse over hans Kobberstik. Avec un résumé francais, Leo Swane, p. 233-234, 9968, 1929. Sanderumgaards Romantiske Have : set med Eckersbergs og andres øjne o. 1800, Anne Christiansen, afb. p. 65 (fig. 42), omt. p. 62ff, 2010 Sanderumgaards have IV
Davis's manual of magnetism : including galvanism, magnetism, electro-magnetism, electro-dynamics, magneto-electricity, and thermo-electricity . Professor Faraday, in 1831, during the samecourse of experiments which led to the discovery ofelectro-dynamic induction. 427. Let the heliacal ring (271) be connectedwith a gold leaf galvanoscope, as represented in Fig.171. By passing the ring over one of the poles ofa steel U-magnet, the gold leaf will be sensibly M A G N i: T O - S L E C T R I C I T y . ^65 deflected during the continuance of the motion. On withdrawing the ring from the pole, a defl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daviss-manual-of-magnetism-including-galvanism-magnetism-electro-magnetism-electro-dynamics-magneto-electricity-and-thermo-electricity-professor-faraday-in-1831-during-the-samecourse-of-experiments-which-led-to-the-discovery-ofelectro-dynamic-induction-427-let-the-heliacal-ring-271-be-connectedwith-a-gold-leaf-galvanoscope-as-represented-in-fig171-by-passing-the-ring-over-one-of-the-poles-ofa-steel-u-magnet-the-gold-leaf-will-be-sensibly-m-a-g-n-i-t-o-s-l-e-c-t-r-i-c-i-t-y-65-deflected-during-the-continuance-of-the-motion-on-withdrawing-the-ring-from-the-pole-a-defl-image343283858.html
RM2AXDX1P–Davis's manual of magnetism : including galvanism, magnetism, electro-magnetism, electro-dynamics, magneto-electricity, and thermo-electricity . Professor Faraday, in 1831, during the samecourse of experiments which led to the discovery ofelectro-dynamic induction. 427. Let the heliacal ring (271) be connectedwith a gold leaf galvanoscope, as represented in Fig.171. By passing the ring over one of the poles ofa steel U-magnet, the gold leaf will be sensibly M A G N i: T O - S L E C T R I C I T y . ^65 deflected during the continuance of the motion. On withdrawing the ring from the pole, a defl
Children's Breakfast, 1879, oil on canvas, 81.2 x 65.4 cm, signed and dated lower right: Anker 1879, Albert Anker, Ins/Bern 1831–1910 Ins/Bern, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/childrens-breakfast-1879-oil-on-canvas-812-x-654-cm-signed-and-dated-lower-right-anker-1879-albert-anker-insbern-18311910-insbern-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349802862.html
RF2B92W3A–Children's Breakfast, 1879, oil on canvas, 81.2 x 65.4 cm, signed and dated lower right: Anker 1879, Albert Anker, Ins/Bern 1831–1910 Ins/Bern, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Adolf von Becker, 14.8.1831, Helsinki, 23.8.1909, Vevey, Switzerland, A Game of Piquet, 1869, 65 × 87 cm, oil, oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adolf-von-becker-1481831-helsinki-2381909-vevey-switzerland-a-game-of-piquet-1869-65-87-cm-oil-oil-on-canvas-image573413870.html
RM2T8W76P–Adolf von Becker, 14.8.1831, Helsinki, 23.8.1909, Vevey, Switzerland, A Game of Piquet, 1869, 65 × 87 cm, oil, oil on canvas
Pitcher. Culture: American. Dimensions: H. 7 1/4 in. (18.4 cm). Maker: Possibly Redwood Glass Company (1828-1868). Manufacturer: Possibly Redford Crown Glass Works (1831-1851). Date: 1835-65. The applied red threading on the neck of this pitcher is rare. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pitcher-culture-american-dimensions-h-7-14-in-184-cm-maker-possibly-redwood-glass-company-1828-1868-manufacturer-possibly-redford-crown-glass-works-1831-1851-date-1835-65-the-applied-red-threading-on-the-neck-of-this-pitcher-is-rare-museum-metropolitan-museum-of-art-new-york-usa-image212873915.html
RMPA96RR–Pitcher. Culture: American. Dimensions: H. 7 1/4 in. (18.4 cm). Maker: Possibly Redwood Glass Company (1828-1868). Manufacturer: Possibly Redford Crown Glass Works (1831-1851). Date: 1835-65. The applied red threading on the neck of this pitcher is rare. Museum: Metropolitan Museum of Art, New York, USA.
Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): Cross-section. Tusche watercolor on the box, 48.4 x 65 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schwatlo-carl-1831-1884-lodge-building-royal-york-berlin-without-dat-cross-section-tusche-watercolor-on-the-box-484-x-65-cm-including-scan-edges-schwatlo-carl-1831-1884-logengebude-royal-york-berlin-image477464951.html
RM2JMPBBK–Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): Cross-section. Tusche watercolor on the box, 48.4 x 65 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin
The home of the mutineers . on, Captain Hall; John Buffett came onshore, as school-master, and John Evansalso came on shore. 1825, December 5.—Arrived, H. M. S.Blossom, Captain F. W. Beechey. 1826, December 19.—Jane Quintal left 308 HOME OP THE MUTINEERS. the island in the Lovely^ of London, Cap-tain Blythe. 1828, Novemher 15.—George Nobbscame on shore to reside. 1829, March 5.— John Adams died, aged 65. 1830, March 15.—Arrived, H. M. S.Seringapatam, Captain Hon. W. Walde-grave, with a present of clothes and agri-cultural implements and tools from theBritish government. 1831, February 28.—Arri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-home-of-the-mutineers-on-captain-hall-john-buffett-came-onshore-as-school-master-and-john-evansalso-came-on-shore-1825-december-5arrived-h-m-sblossom-captain-f-w-beechey-1826-december-19jane-quintal-left-308-home-op-the-mutineers-the-island-in-the-lovely-of-london-cap-tain-blythe-1828-novemher-15george-nobbscame-on-shore-to-reside-1829-march-5-john-adams-died-aged-65-1830-march-15arrived-h-m-sseringapatam-captain-hon-w-walde-grave-with-a-present-of-clothes-and-agri-cultural-implements-and-tools-from-thebritish-government-1831-february-28arri-image338269147.html
RM2AJ9DMY–The home of the mutineers . on, Captain Hall; John Buffett came onshore, as school-master, and John Evansalso came on shore. 1825, December 5.—Arrived, H. M. S.Blossom, Captain F. W. Beechey. 1826, December 19.—Jane Quintal left 308 HOME OP THE MUTINEERS. the island in the Lovely^ of London, Cap-tain Blythe. 1828, Novemher 15.—George Nobbscame on shore to reside. 1829, March 5.— John Adams died, aged 65. 1830, March 15.—Arrived, H. M. S.Seringapatam, Captain Hon. W. Walde-grave, with a present of clothes and agri-cultural implements and tools from theBritish government. 1831, February 28.—Arri
Emanuel Lindgren, Henrik August Ankarcrona, 1831-1917, painting, 1907, Oil, Height, 65 cm (25.5 inches), Width, 55 cm (21.6 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emanuel-lindgren-henrik-august-ankarcrona-1831-1917-painting-1907-oil-height-65-cm-255-inches-width-55-cm-216-inches-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349937151.html
RF2B990BB–Emanuel Lindgren, Henrik August Ankarcrona, 1831-1917, painting, 1907, Oil, Height, 65 cm (25.5 inches), Width, 55 cm (21.6 inches), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Benjamin Crehore, Square Piano, Benjamin Crehore (American, Milton, Massachusetts 1765–1831 Milton, Massachusetts), ca. 1800–1810, Milton, Massachusetts, United States, Mahogany, rosewood, pine, maple, iron, brass, ivory, ebony, various materials., Overall: 85.9 x 167.1 x 58.7cm (33 13/16 x 65 13/16 x 23 1/8in.), Chordophone-Zither-struck-piano Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/benjamin-crehore-square-piano-benjamin-crehore-american-milton-massachusetts-17651831-milton-massachusetts-ca-18001810-milton-massachusetts-united-states-mahogany-rosewood-pine-maple-iron-brass-ivory-ebony-various-materials-overall-859-x-1671-x-587cm-33-1316-x-65-1316-x-23-18in-chordophone-zither-struck-piano-image344668519.html
RM2B0N05Y–Benjamin Crehore, Square Piano, Benjamin Crehore (American, Milton, Massachusetts 1765–1831 Milton, Massachusetts), ca. 1800–1810, Milton, Massachusetts, United States, Mahogany, rosewood, pine, maple, iron, brass, ivory, ebony, various materials., Overall: 85.9 x 167.1 x 58.7cm (33 13/16 x 65 13/16 x 23 1/8in.), Chordophone-Zither-struck-piano
West Point, from Phillipstown. Dated: published 1831. Dimensions: plate: 49.8 x 65.5 cm (19 5/8 x 25 13/16 in.) sheet: 57 x 72.8 cm (22 7/16 x 28 11/16 in.). Medium: color aquatint with touches of engraving, hand-colored, on wove paper. Museum: National Gallery of Art, Washington DC. Author: WILLIAM JAMES BENNETT. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/west-point-from-phillipstown-dated-published-1831-dimensions-plate-498-x-655-cm-19-58-x-25-1316-in-sheet-57-x-728-cm-22-716-x-28-1116-in-medium-color-aquatint-with-touches-of-engraving-hand-colored-on-wove-paper-museum-national-gallery-of-art-washington-dc-author-william-james-bennett-image233302380.html
RMRFFRFT–West Point, from Phillipstown. Dated: published 1831. Dimensions: plate: 49.8 x 65.5 cm (19 5/8 x 25 13/16 in.) sheet: 57 x 72.8 cm (22 7/16 x 28 11/16 in.). Medium: color aquatint with touches of engraving, hand-colored, on wove paper. Museum: National Gallery of Art, Washington DC. Author: WILLIAM JAMES BENNETT.
Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): Perspective view. Tusche watercolor on the box, 65.1 x 73.8 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schwatlo-carl-1831-1884-lodge-building-royal-york-berlin-without-dat-perspective-view-tusche-watercolor-on-the-box-651-x-738-cm-including-scan-edges-schwatlo-carl-1831-1884-logengebude-royal-york-berlin-image477464950.html
RM2JMPBBJ–Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): Perspective view. Tusche watercolor on the box, 65.1 x 73.8 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin
The centennial anniversary of the city of Hamilton, Ohio . 1853, W. R. Davis. Eddy. 1854. J. J. Hill. 1825, A. S. McClain and John P. 1855, Moses Smith.Taylor. 1856, E. G. Nicholson. 1826, A. M. Loring. 1857 i 5 i 59, C. R. Lovell. 1827, William vSimmons D D. Dav- i860, A. Lowrey. isson. 1861 and i 62, W. H. Lawder. 1828, John A. Baughmau. 1863, Moses Smith. 1829, John A. Baughman. 1864,1 65 and i 66, J. J.Thompson. 1830, Robert O. Spencer. 1867, Chas. Ferguson. 1831, G. R. Jones. 1868, i 69 and i 70, W. I. Fee. 1832, Willliam Simmons. 1871, i 72 and i 73, D. W. Starr. 1833, E. Zimmerman. 1874 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-centennial-anniversary-of-the-city-of-hamilton-ohio-1853-w-r-davis-eddy-1854-j-j-hill-1825-a-s-mcclain-and-john-p-1855-moses-smithtaylor-1856-e-g-nicholson-1826-a-m-loring-1857-i-5-i-59-c-r-lovell-1827-william-vsimmons-d-d-dav-i860-a-lowrey-isson-1861-and-i-62-w-h-lawder-1828-john-a-baughmau-1863-moses-smith-1829-john-a-baughman-18641-65-and-i-66-j-jthompson-1830-robert-o-spencer-1867-chas-ferguson-1831-g-r-jones-1868-i-69-and-i-70-w-i-fee-1832-willliam-simmons-1871-i-72-and-i-73-d-w-starr-1833-e-zimmerman-1874-image342892015.html
RM2AWT27B–The centennial anniversary of the city of Hamilton, Ohio . 1853, W. R. Davis. Eddy. 1854. J. J. Hill. 1825, A. S. McClain and John P. 1855, Moses Smith.Taylor. 1856, E. G. Nicholson. 1826, A. M. Loring. 1857 i 5 i 59, C. R. Lovell. 1827, William vSimmons D D. Dav- i860, A. Lowrey. isson. 1861 and i 62, W. H. Lawder. 1828, John A. Baughmau. 1863, Moses Smith. 1829, John A. Baughman. 1864,1 65 and i 66, J. J.Thompson. 1830, Robert O. Spencer. 1867, Chas. Ferguson. 1831, G. R. Jones. 1868, i 69 and i 70, W. I. Fee. 1832, Willliam Simmons. 1871, i 72 and i 73, D. W. Starr. 1833, E. Zimmerman. 1874
Johan Philip van der Kellen (1831-1906). Director of the Dutch Print Room (1876-96), Portrait of Johan Philip van der Kellen (1831-1906), director of the Dutch Print Room (1876-96). Bust to the left, historical persons, museum personnel, Johan Philip van der Kellen, Rijksprentenkabinet, Jan Veth (signed by artist), Netherlands, 1904, canvas, oil paint (paint), h 65 cm × w 56 cm d 7.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern tech Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johan-philip-van-der-kellen-1831-1906-director-of-the-dutch-print-room-1876-96-portrait-of-johan-philip-van-der-kellen-1831-1906-director-of-the-dutch-print-room-1876-96-bust-to-the-left-historical-persons-museum-personnel-johan-philip-van-der-kellen-rijksprentenkabinet-jan-veth-signed-by-artist-netherlands-1904-canvas-oil-paint-paint-h-65-cm-w-56-cm-d-71-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-tech-image350013004.html
RF2B9CD4C–Johan Philip van der Kellen (1831-1906). Director of the Dutch Print Room (1876-96), Portrait of Johan Philip van der Kellen (1831-1906), director of the Dutch Print Room (1876-96). Bust to the left, historical persons, museum personnel, Johan Philip van der Kellen, Rijksprentenkabinet, Jan Veth (signed by artist), Netherlands, 1904, canvas, oil paint (paint), h 65 cm × w 56 cm d 7.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern tech
Emanuel Lindgren, Henrik August Ankarcrona, 1831-1917, painting, 1907, Oil, Height, 65 cm (25.5 inches), Width, 55 cm (21.6 inches) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emanuel-lindgren-henrik-august-ankarcrona-1831-1917-painting-1907-oil-height-65-cm-255-inches-width-55-cm-216-inches-image261315615.html
RMW53XMF–Emanuel Lindgren, Henrik August Ankarcrona, 1831-1917, painting, 1907, Oil, Height, 65 cm (25.5 inches), Width, 55 cm (21.6 inches)
La Cervara, the Roman Campagna, c. 1830-1831. Jean Baptiste Camille Corot (French, 1796-1875). Oil on fabric; framed: 130 x 167.5 x 9.5 cm (51 3/16 x 65 15/16 x 3 3/4 in.); unframed: 97.6 x 135.8 cm (38 7/16 x 53 7/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-cervara-the-roman-campagna-c-1830-1831-jean-baptiste-camille-corot-french-1796-1875-oil-on-fabric-framed-130-x-1675-x-95-cm-51-316-x-65-1516-x-3-34-in-unframed-976-x-1358-cm-38-716-x-53-716-in-image240437883.html
RMRY4TY7–La Cervara, the Roman Campagna, c. 1830-1831. Jean Baptiste Camille Corot (French, 1796-1875). Oil on fabric; framed: 130 x 167.5 x 9.5 cm (51 3/16 x 65 15/16 x 3 3/4 in.); unframed: 97.6 x 135.8 cm (38 7/16 x 53 7/16 in
Snowy Owl. Dated: 1831. Dimensions: plate: 89.5 x 65.4 cm (35 1/4 x 25 3/4 in.) sheet: 100.7 x 68 cm (39 5/8 x 26 3/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/snowy-owl-dated-1831-dimensions-plate-895-x-654-cm-35-14-x-25-34-in-sheet-1007-x-68-cm-39-58-x-26-34-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-john-james-audubon-robert-havell-der-jngere-audubon-john-james-image226449704.html
RMR4BJWC–Snowy Owl. Dated: 1831. Dimensions: plate: 89.5 x 65.4 cm (35 1/4 x 25 3/4 in.) sheet: 100.7 x 68 cm (39 5/8 x 26 3/4 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. John James Audubon. ROBERT HAVELL DER JÜNGERE. AUDUBON, JOHN JAMES.
William James Bennett, (artist), American, born England, c. 1787 - 1844, West Point, from Phillipstown, published 1831, color aquatint with touches of engraving, hand-colored, on wove paper, plate: 49.8 x 65.5 cm (19 5/8 x 25 13/16 in.), sheet: 57 x 72.8 cm (22 7/16 x 28 11/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-james-bennett-artist-american-born-england-c-1787-1844-west-point-from-phillipstown-published-1831-color-aquatint-with-touches-of-engraving-hand-colored-on-wove-paper-plate-498-x-655-cm-19-58-x-25-1316-in-sheet-57-x-728-cm-22-716-x-28-1116-in-image386352920.html
RM2DCFW2G–William James Bennett, (artist), American, born England, c. 1787 - 1844, West Point, from Phillipstown, published 1831, color aquatint with touches of engraving, hand-colored, on wove paper, plate: 49.8 x 65.5 cm (19 5/8 x 25 13/16 in.), sheet: 57 x 72.8 cm (22 7/16 x 28 11/16 in
Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without date): floor plan intermediate floors. Ink, ink colored, watercolor on cardboard, 65 x 63 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schwatlo-carl-1831-1884-lodge-building-royal-york-berlin-without-date-floor-plan-intermediate-floors-ink-ink-colored-watercolor-on-cardboard-65-x-63-cm-including-scan-edges-schwatlo-carl-1831-1884-logengebude-royal-york-berlin-image477464930.html
RM2JMPBAX–Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without date): floor plan intermediate floors. Ink, ink colored, watercolor on cardboard, 65 x 63 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin
Johan Philip van der Kellen (1831-1906). Director of the Dutch Print Room (1876-96), Portrait of Johan Philip van der Kellen (1831-1906), director of the Dutch Print Room (1876-96). Bust to the left, historical persons, museum personnel, Johan Philip van der Kellen, Rijksprentenkabinet, Jan Veth (signed by artist), Netherlands, 1904, canvas, oil paint (paint), h 65 cm × w 56 cm d 7.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johan-philip-van-der-kellen-1831-1906-director-of-the-dutch-print-room-1876-96-portrait-of-johan-philip-van-der-kellen-1831-1906-director-of-the-dutch-print-room-1876-96-bust-to-the-left-historical-persons-museum-personnel-johan-philip-van-der-kellen-rijksprentenkabinet-jan-veth-signed-by-artist-netherlands-1904-canvas-oil-paint-paint-h-65-cm-w-56-cm-d-71-cm-image261409133.html
RMW5860D–Johan Philip van der Kellen (1831-1906). Director of the Dutch Print Room (1876-96), Portrait of Johan Philip van der Kellen (1831-1906), director of the Dutch Print Room (1876-96). Bust to the left, historical persons, museum personnel, Johan Philip van der Kellen, Rijksprentenkabinet, Jan Veth (signed by artist), Netherlands, 1904, canvas, oil paint (paint), h 65 cm × w 56 cm d 7.1 cm
High Street, Oxford, Print made by Samuel Middiman, ca. 1750–1831, British, after Joseph Mallord William Turner, 1775–1851, British, Published by James Wyatt, active 1811–1834, British, 1811, Etching; open etched state on medium, slightly textured, cream wove paper, Sheet: 23 3/8 × 35 inches (59.4 × 88.9 cm), Plate: 19 3/4 × 25 7/8 inches (50.2 × 65.7 cm), and Image: 14 3/4 × 23 7/8 inches (37.5 × 60.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/high-street-oxford-print-made-by-samuel-middiman-ca-17501831-british-after-joseph-mallord-william-turner-17751851-british-published-by-james-wyatt-active-18111834-british-1811-etching-open-etched-state-on-medium-slightly-textured-cream-wove-paper-sheet-23-38-35-inches-594-889-cm-plate-19-34-25-78-inches-502-657-cm-and-image-14-34-23-78-inches-375-606-cm-image389626147.html
RM2DHW03F–High Street, Oxford, Print made by Samuel Middiman, ca. 1750–1831, British, after Joseph Mallord William Turner, 1775–1851, British, Published by James Wyatt, active 1811–1834, British, 1811, Etching; open etched state on medium, slightly textured, cream wove paper, Sheet: 23 3/8 × 35 inches (59.4 × 88.9 cm), Plate: 19 3/4 × 25 7/8 inches (50.2 × 65.7 cm), and Image: 14 3/4 × 23 7/8 inches (37.5 × 60.6 cm
. Storia dell'Italia antica. agli orrori della guerra civile.Dilettò il bel paesaggio italiano, in cui i guardiani deigreggi cantavano dolcemente assisi sullerba. Fu festeg- 1 Vedi Meusel, De Theoorito et VirgiUo, poeCix fti/eoZìc/s , Gottingae 1770 ; Ifunger,De poesi Romanoruni bucolici^ Ilalae ISll, pag. 18 e sfgg. ; Gebauer, De poatarumgraecorum bucolìcorum. impriìnii TheGCriti,. curminibufi in Eclogìs a Virgilio ex-pressis. Lipsia 1831. 2 Egl., IV e VI. 3 Egl. I, 65, IX, 4 e segg-.* Egl.^ I, 6 e segg. 5 Egl, ILI. 81, IV, 12, VI!I, 0-13. 6 Egl, VI, 7, IX, -20. 7 Eql., VI, 61 e seL-L., e X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/storia-dellitalia-antica-agli-orrori-della-guerra-civiledilett-il-bel-paesaggio-italiano-in-cui-i-guardiani-deigreggi-cantavano-dolcemente-assisi-sullerba-fu-festeg-1-vedi-meusel-de-theoorito-et-virgiuo-poecix-ftieozcs-gottingae-1770-ifungerde-poesi-romanoruni-bucolici-ilalae-isll-pag-18-e-sfgg-gebauer-de-poatarumgraecorum-bucolcorum-imprinii-thegcriti-curminibufi-in-eclogs-a-virgilio-ex-pressis-lipsia-1831-2-egl-iv-e-vi-3-egl-i-65-ix-4-e-segg-egl-i-6-e-segg-5-egl-ili-81-iv-12-vi!i-0-13-6-egl-vi-7-ix-20-7-eql-vi-61-e-sel-l-e-x-image336938961.html
RM2AG4W29–. Storia dell'Italia antica. agli orrori della guerra civile.Dilettò il bel paesaggio italiano, in cui i guardiani deigreggi cantavano dolcemente assisi sullerba. Fu festeg- 1 Vedi Meusel, De Theoorito et VirgiUo, poeCix fti/eoZìc/s , Gottingae 1770 ; Ifunger,De poesi Romanoruni bucolici^ Ilalae ISll, pag. 18 e sfgg. ; Gebauer, De poatarumgraecorum bucolìcorum. impriìnii TheGCriti,. curminibufi in Eclogìs a Virgilio ex-pressis. Lipsia 1831. 2 Egl., IV e VI. 3 Egl. I, 65, IX, 4 e segg-.* Egl.^ I, 6 e segg. 5 Egl, ILI. 81, IV, 12, VI!I, 0-13. 6 Egl, VI, 7, IX, -20. 7 Eql., VI, 61 e seL-L., e X.
Bible Reading. Interior in which the father reads from a bible. An old woman is sitting at the table with eyes closed, a young girl is kneeling at her feet. Next to the father a young woman listens, to her left is a young man yawning. A boy looks in through the window on the left. Left a spinning wheel, right a cat by a laundry basket. A clock and a gun hang on the wall., Eduard Karl Gustav Lebrecht Pistorius, 1831, canvas, oil paint (paint), h 55.5 cm × w 65.5 cm d 6.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bible-reading-interior-in-which-the-father-reads-from-a-bible-an-old-woman-is-sitting-at-the-table-with-eyes-closed-a-young-girl-is-kneeling-at-her-feet-next-to-the-father-a-young-woman-listens-to-her-left-is-a-young-man-yawning-a-boy-looks-in-through-the-window-on-the-left-left-a-spinning-wheel-right-a-cat-by-a-laundry-basket-a-clock-and-a-gun-hang-on-the-wall-eduard-karl-gustav-lebrecht-pistorius-1831-canvas-oil-paint-paint-h-555-cm-w-655-cm-d-62-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-image350018315.html
RF2B9CKX3–Bible Reading. Interior in which the father reads from a bible. An old woman is sitting at the table with eyes closed, a young girl is kneeling at her feet. Next to the father a young woman listens, to her left is a young man yawning. A boy looks in through the window on the left. Left a spinning wheel, right a cat by a laundry basket. A clock and a gun hang on the wall., Eduard Karl Gustav Lebrecht Pistorius, 1831, canvas, oil paint (paint), h 55.5 cm × w 65.5 cm d 6.2 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a
'The Academy Courtyard (The Old Academy in Düsseldorf). Date/Period: 1831. Painting. Oil on canvas. Height: 65 cm (25.5 in); Width: 81.2 cm (31.9 in). Author: Andreas Achenbach. ACHENBACH, ANDREAS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-academy-courtyard-the-old-academy-in-dsseldorf-dateperiod-1831-painting-oil-on-canvas-height-65-cm-255-in-width-812-cm-319-in-author-andreas-achenbach-achenbach-andreas-image219121347.html
RMPMDREB–'The Academy Courtyard (The Old Academy in Düsseldorf). Date/Period: 1831. Painting. Oil on canvas. Height: 65 cm (25.5 in); Width: 81.2 cm (31.9 in). Author: Andreas Achenbach. ACHENBACH, ANDREAS.
Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): Perspective view of the street side. Pencil watercolor on the box, 60.3 x 65.7 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schwatlo-carl-1831-1884-lodge-building-royal-york-berlin-without-dat-perspective-view-of-the-street-side-pencil-watercolor-on-the-box-603-x-657-cm-including-scan-edges-schwatlo-carl-1831-1884-logengebude-royal-york-berlin-image477464842.html
RM2JMPB7P–Schwatlo Carl (1831-1884), lodge building Royal York, Berlin (without dat.): Perspective view of the street side. Pencil watercolor on the box, 60.3 x 65.7 cm (including scan edges) Schwatlo Carl (1831-1884): Logengebäude Royal York, Berlin
Begas Reinhold (1831-1911), monument to Kaiser Wilhelm I in Berlin (1894-1894): layers 14-28, sandstone work 1:50. Ink on transparent, 62.7 x 65.8 cm (including scan edges) Begas Reinhold (1831-1911): Denkmal für Kaiser Wilhelm I., Berlin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/begas-reinhold-1831-1911-monument-to-kaiser-wilhelm-i-in-berlin-1894-1894-layers-14-28-sandstone-work-150-ink-on-transparent-627-x-658-cm-including-scan-edges-begas-reinhold-1831-1911-denkmal-fr-kaiser-wilhelm-i-berlin-image477456355.html
RM2JMP0CK–Begas Reinhold (1831-1911), monument to Kaiser Wilhelm I in Berlin (1894-1894): layers 14-28, sandstone work 1:50. Ink on transparent, 62.7 x 65.8 cm (including scan edges) Begas Reinhold (1831-1911): Denkmal für Kaiser Wilhelm I., Berlin
Death of Captain Alexander Hood, Print made by Samuel William Reynolds, 1773–1835, British, after James Northcote, 1746–1831, British, 1798, Mezzotint on moderately thick, moderately textured, cream, wove paper, Sheet: 22 1/8 × 26 1/2 inches (56.2 × 67.3 cm), Plate: 21 3/4 × 25 7/8 inches (55.2 × 65.7 cm), and Image: 19 3/4 × 25 3/8 inches (50.2 × 64.5 cm), boats, captain (military officer), dying, flag, genre subject, military art, sailors, swords Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/death-of-captain-alexander-hood-print-made-by-samuel-william-reynolds-17731835-british-after-james-northcote-17461831-british-1798-mezzotint-on-moderately-thick-moderately-textured-cream-wove-paper-sheet-22-18-26-12-inches-562-673-cm-plate-21-34-25-78-inches-552-657-cm-and-image-19-34-25-38-inches-502-645-cm-boats-captain-military-officer-dying-flag-genre-subject-military-art-sailors-swords-image389674027.html
RM2DHY55F–Death of Captain Alexander Hood, Print made by Samuel William Reynolds, 1773–1835, British, after James Northcote, 1746–1831, British, 1798, Mezzotint on moderately thick, moderately textured, cream, wove paper, Sheet: 22 1/8 × 26 1/2 inches (56.2 × 67.3 cm), Plate: 21 3/4 × 25 7/8 inches (55.2 × 65.7 cm), and Image: 19 3/4 × 25 3/8 inches (50.2 × 64.5 cm), boats, captain (military officer), dying, flag, genre subject, military art, sailors, swords
Schadow Friedrich Gottlieb (1761-1831), Jaspis Hall in the new chambers of Sanssouci, Potsdam (July 13, 1830): floor plan, 2 wall tears. Pencil on paper, 46.6 x 65.7 cm (including scan edges) Schadow Friedrich Gottlieb (1761-1831): Jaspis-Saal in den Neuen Kammern zu Sanssouci, Potsdam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schadow-friedrich-gottlieb-1761-1831-jaspis-hall-in-the-new-chambers-of-sanssouci-potsdam-july-13-1830-floor-plan-2-wall-tears-pencil-on-paper-466-x-657-cm-including-scan-edges-schadow-friedrich-gottlieb-1761-1831-jaspis-saal-in-den-neuen-kammern-zu-sanssouci-potsdam-image477475840.html
RM2JMPW8G–Schadow Friedrich Gottlieb (1761-1831), Jaspis Hall in the new chambers of Sanssouci, Potsdam (July 13, 1830): floor plan, 2 wall tears. Pencil on paper, 46.6 x 65.7 cm (including scan edges) Schadow Friedrich Gottlieb (1761-1831): Jaspis-Saal in den Neuen Kammern zu Sanssouci, Potsdam
Boy playing flute with dog, print, print maker: Arnoud Schaepkens, 1831 - 1904, paper, etching, drypoint, height, 150 mm × width, 65 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boy-playing-flute-with-dog-print-print-maker-arnoud-schaepkens-1831-1904-paper-etching-drypoint-height-150-mm-width-65-mm-image623512298.html
RM2Y6BC8A–Boy playing flute with dog, print, print maker: Arnoud Schaepkens, 1831 - 1904, paper, etching, drypoint, height, 150 mm × width, 65 mm
Zimmermann Carl Johannes (1831-1911), drainage system for Friedrichstadt, Berlin. Schinkel competition 1861 (1861): Kessel and machine house: cross-section 1:60; Details; Scale bar. Tusche watercolor on the box, 65.2 x 104.4 cm (including scan edges) Zimmermann Carl Johannes (1831-1911): Entwässerungssystem für die Friedrichstadt, Berlin. Schinkelwettbewerb 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zimmermann-carl-johannes-1831-1911-drainage-system-for-friedrichstadt-berlin-schinkel-competition-1861-1861-kessel-and-machine-house-cross-section-160-details-scale-bar-tusche-watercolor-on-the-box-652-x-1044-cm-including-scan-edges-zimmermann-carl-johannes-1831-1911-entwsserungssystem-fr-die-friedrichstadt-berlin-schinkelwettbewerb-1861-image477480773.html
RM2JMR3GN–Zimmermann Carl Johannes (1831-1911), drainage system for Friedrichstadt, Berlin. Schinkel competition 1861 (1861): Kessel and machine house: cross-section 1:60; Details; Scale bar. Tusche watercolor on the box, 65.2 x 104.4 cm (including scan edges) Zimmermann Carl Johannes (1831-1911): Entwässerungssystem für die Friedrichstadt, Berlin. Schinkelwettbewerb 1861
History of Shiawassee and Clinton counties, Michigan . a Ewers, 1836 320 SECTION 23. Hosea Baker, 1833 80 William Black, 1834 80 S. S. Seymour, 1835 160 Consider Warner, 1835 160 William Black, 1835 80 Hosea Baker, 1835 40 Martin Post, 1835 40 SECTION 24. Hosea Baker, 1S33 92.09 S. F. Durkee, 1833, 1834 167.04 Abel MiUington. 1835 155.65 Cheslcv Blake, 1836 40 Charles W. Penny, 1S36 160 SECTION 25. A. L. Williams, 1831 79.55 Jasper Parish, 1832 217.69 Trumbull Carv, 1835 80 Abel Milliugt.in, 1835 136.78 L. B. Wizner, 1836 80 SECTION 26. A. J. D. and T. Beaubein, 1835 40 Gabriel Bandi, 1835 40 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-shiawassee-and-clinton-counties-michigan-a-ewers-1836-320-section-23-hosea-baker-1833-80-william-black-1834-80-s-s-seymour-1835-160-consider-warner-1835-160-william-black-1835-80-hosea-baker-1835-40-martin-post-1835-40-section-24-hosea-baker-1s33-9209-s-f-durkee-1833-1834-16704-abel-miuington-1835-15565-cheslcv-blake-1836-40-charles-w-penny-1s36-160-section-25-a-l-williams-1831-7955-jasper-parish-1832-21769-trumbull-carv-1835-80-abel-milliugtin-1835-13678-l-b-wizner-1836-80-section-26-a-j-d-and-t-beaubein-1835-40-gabriel-bandi-1835-40-image339100380.html
RM2AKK9YT–History of Shiawassee and Clinton counties, Michigan . a Ewers, 1836 320 SECTION 23. Hosea Baker, 1833 80 William Black, 1834 80 S. S. Seymour, 1835 160 Consider Warner, 1835 160 William Black, 1835 80 Hosea Baker, 1835 40 Martin Post, 1835 40 SECTION 24. Hosea Baker, 1S33 92.09 S. F. Durkee, 1833, 1834 167.04 Abel MiUington. 1835 155.65 Cheslcv Blake, 1836 40 Charles W. Penny, 1S36 160 SECTION 25. A. L. Williams, 1831 79.55 Jasper Parish, 1832 217.69 Trumbull Carv, 1835 80 Abel Milliugt.in, 1835 136.78 L. B. Wizner, 1836 80 SECTION 26. A. J. D. and T. Beaubein, 1835 40 Gabriel Bandi, 1835 40
Pan. Culture: American. Dimensions: Diam. 12 in. (30.5 cm). Manufacturer: Possibly Redwood Glass Company (1828-1868); Possibly Redford Crown Glass Works (1831-1851). Date: 1835-65. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pan-culture-american-dimensions-diam-12-in-305-cm-manufacturer-possibly-redwood-glass-company-1828-1868-possibly-redford-crown-glass-works-1831-1851-date-1835-65-museum-metropolitan-museum-of-art-new-york-usa-image213319296.html
RMPB1EX8–Pan. Culture: American. Dimensions: Diam. 12 in. (30.5 cm). Manufacturer: Possibly Redwood Glass Company (1828-1868); Possibly Redford Crown Glass Works (1831-1851). Date: 1835-65. Museum: Metropolitan Museum of Art, New York, USA.
Figures with sailing poles on a floating platform, print, print maker: Arnoud Schaepkens, 1831 - 1904, paper, etching, drypoint, height, 65 mm × width, 191 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figures-with-sailing-poles-on-a-floating-platform-print-print-maker-arnoud-schaepkens-1831-1904-paper-etching-drypoint-height-65-mm-width-191-mm-image623512255.html
RM2Y6BC6R–Figures with sailing poles on a floating platform, print, print maker: Arnoud Schaepkens, 1831 - 1904, paper, etching, drypoint, height, 65 mm × width, 191 mm
Zimmermann Carl Johannes (1831-1911), drainage system for Friedrichstadt, Berlin. Schinkel competition 1861 (1861): 4 floor profiles with a sewer 1: 1000/1: 96 (length/height); Scale bar. Tusche watercolor on the box, 53.8 x 65.8 cm (including scan edges) Zimmermann Carl Johannes (1831-1911): Entwässerungssystem für die Friedrichstadt, Berlin. Schinkelwettbewerb 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zimmermann-carl-johannes-1831-1911-drainage-system-for-friedrichstadt-berlin-schinkel-competition-1861-1861-4-floor-profiles-with-a-sewer-1-10001-96-lengthheight-scale-bar-tusche-watercolor-on-the-box-538-x-658-cm-including-scan-edges-zimmermann-carl-johannes-1831-1911-entwsserungssystem-fr-die-friedrichstadt-berlin-schinkelwettbewerb-1861-image477480767.html
RM2JMR3GF–Zimmermann Carl Johannes (1831-1911), drainage system for Friedrichstadt, Berlin. Schinkel competition 1861 (1861): 4 floor profiles with a sewer 1: 1000/1: 96 (length/height); Scale bar. Tusche watercolor on the box, 53.8 x 65.8 cm (including scan edges) Zimmermann Carl Johannes (1831-1911): Entwässerungssystem für die Friedrichstadt, Berlin. Schinkelwettbewerb 1861
Blue Grosbeak. Dated: 1831. Dimensions: plate: 65.4 x 52.1 cm (25 3/4 x 20 1/2 in.) sheet: 99.7 x 67.3 cm (39 1/4 x 26 1/2 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. AUDUBON, JOHN JAMES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blue-grosbeak-dated-1831-dimensions-plate-654-x-521-cm-25-34-x-20-12-in-sheet-997-x-673-cm-39-14-x-26-12-in-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-audubon-john-james-image225880128.html
RMR3DMBC–Blue Grosbeak. Dated: 1831. Dimensions: plate: 65.4 x 52.1 cm (25 3/4 x 20 1/2 in.) sheet: 99.7 x 67.3 cm (39 1/4 x 26 1/2 in.). Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. AUDUBON, JOHN JAMES.
Adolf von Becker, 14.8.1831, Helsinki, 23.8.1909, Vevey, Switzerland, The Bridge at Asnières after the Siege of Paris in 1971, 1871, 44.5 × 65 cm, oil, oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adolf-von-becker-1481831-helsinki-2381909-vevey-switzerland-the-bridge-at-asnires-after-the-siege-of-paris-in-1971-1871-445-65-cm-oil-oil-on-canvas-image573413729.html
RM2T8W71N–Adolf von Becker, 14.8.1831, Helsinki, 23.8.1909, Vevey, Switzerland, The Bridge at Asnières after the Siege of Paris in 1971, 1871, 44.5 × 65 cm, oil, oil on canvas
Zimmermann Carl Johannes (1831-1911), drainage system for Friedrichstadt, Berlin. Schinkel competition 1861 (1861): House toilet in floor plan, cross -section, longitudinal section and water supply 1: 5; Scale bar. Tusche watercolor on the box, 51.6 x 65.8 cm (including scan edges) Zimmermann Carl Johannes (1831-1911): Entwässerungssystem für die Friedrichstadt, Berlin. Schinkelwettbewerb 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zimmermann-carl-johannes-1831-1911-drainage-system-for-friedrichstadt-berlin-schinkel-competition-1861-1861-house-toilet-in-floor-plan-cross-section-longitudinal-section-and-water-supply-1-5-scale-bar-tusche-watercolor-on-the-box-516-x-658-cm-including-scan-edges-zimmermann-carl-johannes-1831-1911-entwsserungssystem-fr-die-friedrichstadt-berlin-schinkelwettbewerb-1861-image477480770.html
RM2JMR3GJ–Zimmermann Carl Johannes (1831-1911), drainage system for Friedrichstadt, Berlin. Schinkel competition 1861 (1861): House toilet in floor plan, cross -section, longitudinal section and water supply 1: 5; Scale bar. Tusche watercolor on the box, 51.6 x 65.8 cm (including scan edges) Zimmermann Carl Johannes (1831-1911): Entwässerungssystem für die Friedrichstadt, Berlin. Schinkelwettbewerb 1861
. The photographic history of the Civil War : thousands of scenes photographed 1861-65, with text by many special authorities . MAJOR-GEMJKAl- 1*1111,11 UKNUY SHEKIDAN General Sheridan was the leader who relieved the Union cavalryfrom waste of energy and restored it an arm of the service aseffective and terrible to the Confederacy as the Southern cavalryhad been to the orth at the outset of the war. He was born atAlbany, X. Y., 1831, and graduated atWest Point in 1853. In May, 1862, hewas appointed colonel of the SecondMichigan Cavalry, and served innorthern Mississippi. In July he wasappoint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-photographic-history-of-the-civil-war-thousands-of-scenes-photographed-1861-65-with-text-by-many-special-authorities-major-gemjkal-1111111-uknuy-shekidan-general-sheridan-was-the-leader-who-relieved-the-union-cavalryfrom-waste-of-energy-and-restored-it-an-arm-of-the-service-aseffective-and-terrible-to-the-confederacy-as-the-southern-cavalryhad-been-to-the-orth-at-the-outset-of-the-war-he-was-born-atalbany-x-y-1831-and-graduated-atwest-point-in-1853-in-may-1862-hewas-appointed-colonel-of-the-secondmichigan-cavalry-and-served-innorthern-mississippi-in-july-he-wasappoint-image371657505.html
RM2CGJCX9–. The photographic history of the Civil War : thousands of scenes photographed 1861-65, with text by many special authorities . MAJOR-GEMJKAl- 1*1111,11 UKNUY SHEKIDAN General Sheridan was the leader who relieved the Union cavalryfrom waste of energy and restored it an arm of the service aseffective and terrible to the Confederacy as the Southern cavalryhad been to the orth at the outset of the war. He was born atAlbany, X. Y., 1831, and graduated atWest Point in 1853. In May, 1862, hewas appointed colonel of the SecondMichigan Cavalry, and served innorthern Mississippi. In July he wasappoint
Map of Antwerp with the Citadel, 1831, 1831 print Map of the city of Antwerp, with the Citadel on the right, 1831. On the left a list of the most important events in the city, at the bottom of Legenda 1-65. At the top right a cartouche with the inscription 'For the purpose of the homeland and the general reinforcement ...', and 'Chassé. 27 Oct. 1830. '' print maker: Netherlandspublisher: Amsterdam paper etching / engraving maps of cities Antwerp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-antwerp-with-the-citadel-1831-1831-print-map-of-the-city-of-antwerp-with-the-citadel-on-the-right-1831-on-the-left-a-list-of-the-most-important-events-in-the-city-at-the-bottom-of-legenda-1-65-at-the-top-right-a-cartouche-with-the-inscription-for-the-purpose-of-the-homeland-and-the-general-reinforcement-and-chass-27-oct-1830-print-maker-netherlandspublisher-amsterdam-paper-etching-engraving-maps-of-cities-antwerp-image595218028.html
RM2WGAEJM–Map of Antwerp with the Citadel, 1831, 1831 print Map of the city of Antwerp, with the Citadel on the right, 1831. On the left a list of the most important events in the city, at the bottom of Legenda 1-65. At the top right a cartouche with the inscription 'For the purpose of the homeland and the general reinforcement ...', and 'Chassé. 27 Oct. 1830. '' print maker: Netherlandspublisher: Amsterdam paper etching / engraving maps of cities Antwerp
James Madison. Dated: c. 1821. Dimensions: overall: 65.3 x 54.3 cm (25 11/16 x 21 3/8 in.) framed: 88.9 x 79.4 x 12.1 cm (35 x 31 1/4 x 4 3/4 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-madison-dated-c-1821-dimensions-overall-653-x-543-cm-25-1116-x-21-38-in-framed-889-x-794-x-121-cm-35-x-31-14-x-4-34-in-medium-oil-on-wood-museum-national-gallery-of-art-washington-dc-author-gilbert-stuart-image233290392.html
RMRFF87M–James Madison. Dated: c. 1821. Dimensions: overall: 65.3 x 54.3 cm (25 11/16 x 21 3/8 in.) framed: 88.9 x 79.4 x 12.1 cm (35 x 31 1/4 x 4 3/4 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: GILBERT STUART.
Gustaf Wilhelm Finnberg, 21.11.1784, Parainen, 28.6.1833, Stockholm, Sweden, Portrait of Baron R.F.G. Wrede, 1831 - 1833, 83 × 65.5 cm, oil, oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustaf-wilhelm-finnberg-21111784-parainen-2861833-stockholm-sweden-portrait-of-baron-rfg-wrede-1831-1833-83-655-cm-oil-oil-on-canvas-image573414173.html
RM2T8W7HH–Gustaf Wilhelm Finnberg, 21.11.1784, Parainen, 28.6.1833, Stockholm, Sweden, Portrait of Baron R.F.G. Wrede, 1831 - 1833, 83 × 65.5 cm, oil, oil on canvas
. The photographic history of the Civil War : thousands of scenes photographed 1861-65, with text by many special authorities . MAJOR-GEMJKAl- 1*1111,11 UKNUY SHEKIDAN General Sheridan was the leader who relieved the Union cavalryfrom waste of energy and restored it an arm of the service aseffective and terrible to the Confederacy as the Southern cavalryhad been to the orth at the outset of the war. He was born atAlbany, X. Y., 1831, and graduated atWest Point in 1853. In May, 1862, hewas appointed colonel of the SecondMichigan Cavalry, and served innorthern Mississippi. In July he wasappoint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-photographic-history-of-the-civil-war-thousands-of-scenes-photographed-1861-65-with-text-by-many-special-authorities-major-gemjkal-1111111-uknuy-shekidan-general-sheridan-was-the-leader-who-relieved-the-union-cavalryfrom-waste-of-energy-and-restored-it-an-arm-of-the-service-aseffective-and-terrible-to-the-confederacy-as-the-southern-cavalryhad-been-to-the-orth-at-the-outset-of-the-war-he-was-born-atalbany-x-y-1831-and-graduated-atwest-point-in-1853-in-may-1862-hewas-appointed-colonel-of-the-secondmichigan-cavalry-and-served-innorthern-mississippi-in-july-he-wasappoint-image371657531.html
RM2CGJCY7–. The photographic history of the Civil War : thousands of scenes photographed 1861-65, with text by many special authorities . MAJOR-GEMJKAl- 1*1111,11 UKNUY SHEKIDAN General Sheridan was the leader who relieved the Union cavalryfrom waste of energy and restored it an arm of the service aseffective and terrible to the Confederacy as the Southern cavalryhad been to the orth at the outset of the war. He was born atAlbany, X. Y., 1831, and graduated atWest Point in 1853. In May, 1862, hewas appointed colonel of the SecondMichigan Cavalry, and served innorthern Mississippi. In July he wasappoint
Map of Antwerp with the Citadel, 1831, 1831 print Map of the city of Antwerp, with the Citadel on the right, 1831. On the left a list of the most important events in the city, at the bottom of Legenda 1-65. At the top right a cartouche with the inscription 'For the purpose of the homeland and the general reinforcement ...', and 'Chassé. 27 Oct. 1830. '' print maker: Netherlandspublisher: Amsterdam paper etching / engraving maps of cities Antwerp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-antwerp-with-the-citadel-1831-1831-print-map-of-the-city-of-antwerp-with-the-citadel-on-the-right-1831-on-the-left-a-list-of-the-most-important-events-in-the-city-at-the-bottom-of-legenda-1-65-at-the-top-right-a-cartouche-with-the-inscription-for-the-purpose-of-the-homeland-and-the-general-reinforcement-and-chass-27-oct-1830-print-maker-netherlandspublisher-amsterdam-paper-etching-engraving-maps-of-cities-antwerp-image595191393.html
RM2WG98KD–Map of Antwerp with the Citadel, 1831, 1831 print Map of the city of Antwerp, with the Citadel on the right, 1831. On the left a list of the most important events in the city, at the bottom of Legenda 1-65. At the top right a cartouche with the inscription 'For the purpose of the homeland and the general reinforcement ...', and 'Chassé. 27 Oct. 1830. '' print maker: Netherlandspublisher: Amsterdam paper etching / engraving maps of cities Antwerp
Portrait of Leopold I, King of Belgium. unknown, graphic artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-leopold-i-king-of-belgium-unknown-graphic-artist-image480452168.html
RM2JWJDJ0–Portrait of Leopold I, King of Belgium. unknown, graphic artist
Map of Antwerp with the Citadel, 1831; Plan De La Ville et Citadelle d'Anvers. Map of the city of Antwerp, with the right-hand citadel, 1831. Links a list of the most important events in the city, at the bottom of the Legenda 1-65. At the top right a cartouche with the inscription 'for the benefit of the fatherland and the general reinforcement ...', and 'Chassé. Oct. 27 1830. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-antwerp-with-the-citadel-1831-plan-de-la-ville-et-citadelle-danvers-map-of-the-city-of-antwerp-with-the-right-hand-citadel-1831-links-a-list-of-the-most-important-events-in-the-city-at-the-bottom-of-the-legenda-1-65-at-the-top-right-a-cartouche-with-the-inscription-for-the-benefit-of-the-fatherland-and-the-general-reinforcement-and-chass-oct-27-1830-image432828529.html
RM2G4515N–Map of Antwerp with the Citadel, 1831; Plan De La Ville et Citadelle d'Anvers. Map of the city of Antwerp, with the right-hand citadel, 1831. Links a list of the most important events in the city, at the bottom of the Legenda 1-65. At the top right a cartouche with the inscription 'for the benefit of the fatherland and the general reinforcement ...', and 'Chassé. Oct. 27 1830.
Map of Antwerp with the Citadel, 1831, Plan de la Ville et Citadelle d'Anvers (title on object), Map of the city of Antwerp, with the Citadel on the right, 1831. On the left a list of the most important events in the city, at the bottom the legend 1-65. Top right a cartouche with the inscription 'For the benefit of the Fatherland and the General Armament ...', and 'Chassé. Oct 27 1830.', print, print maker: Willem Cornelis van Baarsel, (mentioned on object), publisher: François Joseph Weygand, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1831, paper, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-antwerp-with-the-citadel-1831-plan-de-la-ville-et-citadelle-danvers-title-on-object-map-of-the-city-of-antwerp-with-the-citadel-on-the-right-1831-on-the-left-a-list-of-the-most-important-events-in-the-city-at-the-bottom-the-legend-1-65-top-right-a-cartouche-with-the-inscription-for-the-benefit-of-the-fatherland-and-the-general-armament-and-chass-oct-27-1830-print-print-maker-willem-cornelis-van-baarsel-mentioned-on-object-publisher-franois-joseph-weygand-mentioned-on-object-print-maker-netherlands-publisher-amsterdam-1831-paper-etching-image606620434.html
RM2X6WXFE–Map of Antwerp with the Citadel, 1831, Plan de la Ville et Citadelle d'Anvers (title on object), Map of the city of Antwerp, with the Citadel on the right, 1831. On the left a list of the most important events in the city, at the bottom the legend 1-65. Top right a cartouche with the inscription 'For the benefit of the Fatherland and the General Armament ...', and 'Chassé. Oct 27 1830.', print, print maker: Willem Cornelis van Baarsel, (mentioned on object), publisher: François Joseph Weygand, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1831, paper, etching
. Frank Leslie's scenes and portraits of the Civil War ... . in. GENEEAL PHILIP H. SHERIDAN. General Philip II. Sheridan, born at Albany, N. Y., in 1831, died in Nonquitt, Mass., August 5th, 1888, was a graduate of United states MilitaryAcademy at West Point; served in the Civil War. 1801-65 ; from army in Southwest Missouri was transferred to Army of the Cumberland; and forhis successful operations at the battle of Murfreesborough was made major general of Volunteers ; in the spring of 1864 took command of the cavalrycorps of the Army of the Potomac; was in the battle of the Wilderness ; and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frank-leslies-scenes-and-portraits-of-the-civil-war-in-geneeal-philip-h-sheridan-general-philip-ii-sheridan-born-at-albany-n-y-in-1831-died-in-nonquitt-mass-august-5th-1888-was-a-graduate-of-united-states-militaryacademy-at-west-point-served-in-the-civil-war-1801-65-from-army-in-southwest-missouri-was-transferred-to-army-of-the-cumberland-and-forhis-successful-operations-at-the-battle-of-murfreesborough-was-made-major-general-of-volunteers-in-the-spring-of-1864-took-command-of-the-cavalrycorps-of-the-army-of-the-potomac-was-in-the-battle-of-the-wilderness-and-image371654076.html
RM2CGJ8FT–. Frank Leslie's scenes and portraits of the Civil War ... . in. GENEEAL PHILIP H. SHERIDAN. General Philip II. Sheridan, born at Albany, N. Y., in 1831, died in Nonquitt, Mass., August 5th, 1888, was a graduate of United states MilitaryAcademy at West Point; served in the Civil War. 1801-65 ; from army in Southwest Missouri was transferred to Army of the Cumberland; and forhis successful operations at the battle of Murfreesborough was made major general of Volunteers ; in the spring of 1864 took command of the cavalrycorps of the Army of the Potomac; was in the battle of the Wilderness ; and
Map of Antwerp with the Citadel, 1831; Plan De La Ville et Citadelle d'Anvers. Map of the city of Antwerp, with the right-hand citadel, 1831. Links a list of the most important events in the city, at the bottom of the Legenda 1-65. At the top right a cartouche with the inscription 'for the benefit of the fatherland and the general reinforcement ...', and 'Chassé. Oct. 27 1830. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-antwerp-with-the-citadel-1831-plan-de-la-ville-et-citadelle-danvers-map-of-the-city-of-antwerp-with-the-right-hand-citadel-1831-links-a-list-of-the-most-important-events-in-the-city-at-the-bottom-of-the-legenda-1-65-at-the-top-right-a-cartouche-with-the-inscription-for-the-benefit-of-the-fatherland-and-the-general-reinforcement-and-chass-oct-27-1830-image432751940.html
RM2G41FEC–Map of Antwerp with the Citadel, 1831; Plan De La Ville et Citadelle d'Anvers. Map of the city of Antwerp, with the right-hand citadel, 1831. Links a list of the most important events in the city, at the bottom of the Legenda 1-65. At the top right a cartouche with the inscription 'for the benefit of the fatherland and the general reinforcement ...', and 'Chassé. Oct. 27 1830.
King Leopold cuts paper soldiers, 1831; In 6 weeks I would have 65,000 soldiers. Cartoon on the Belgian defeats in the fighting with the Dutch in August 1831. King Leopold I sits with connected head to a table of paper soldiers. All kinds of pots and bowls on the floor. At the top right state 'Macedoine Pittoresque No. 5 '. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-leopold-cuts-paper-soldiers-1831-in-6-weeks-i-would-have-65000-soldiers-cartoon-on-the-belgian-defeats-in-the-fighting-with-the-dutch-in-august-1831-king-leopold-i-sits-with-connected-head-to-a-table-of-paper-soldiers-all-kinds-of-pots-and-bowls-on-the-floor-at-the-top-right-state-macedoine-pittoresque-no-5-image432750739.html
RM2G41DYF–King Leopold cuts paper soldiers, 1831; In 6 weeks I would have 65,000 soldiers. Cartoon on the Belgian defeats in the fighting with the Dutch in August 1831. King Leopold I sits with connected head to a table of paper soldiers. All kinds of pots and bowls on the floor. At the top right state 'Macedoine Pittoresque No. 5 '.
Map of Antwerp with the Citadel, 1831, Plan de la Ville et Citadelle d'Anvers (title on object), Map of the city of Antwerp, with the Citadel on the right, 1831. On the left a list of the most important events in the city, at the bottom the legend 1-65. Top right a cartouche with the inscription 'For the benefit of the Fatherland and the General Armament ...', and 'Chassé. Oct 27 1830.', print, print maker: Willem Cornelis van Baarsel, (mentioned on object), publisher: François Joseph Weygand, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1831, paper, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-antwerp-with-the-citadel-1831-plan-de-la-ville-et-citadelle-danvers-title-on-object-map-of-the-city-of-antwerp-with-the-citadel-on-the-right-1831-on-the-left-a-list-of-the-most-important-events-in-the-city-at-the-bottom-the-legend-1-65-top-right-a-cartouche-with-the-inscription-for-the-benefit-of-the-fatherland-and-the-general-armament-and-chass-oct-27-1830-print-print-maker-willem-cornelis-van-baarsel-mentioned-on-object-publisher-franois-joseph-weygand-mentioned-on-object-print-maker-netherlands-publisher-amsterdam-1831-paper-etching-image606620443.html
RM2X6WXFR–Map of Antwerp with the Citadel, 1831, Plan de la Ville et Citadelle d'Anvers (title on object), Map of the city of Antwerp, with the Citadel on the right, 1831. On the left a list of the most important events in the city, at the bottom the legend 1-65. Top right a cartouche with the inscription 'For the benefit of the Fatherland and the General Armament ...', and 'Chassé. Oct 27 1830.', print, print maker: Willem Cornelis van Baarsel, (mentioned on object), publisher: François Joseph Weygand, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1831, paper, etching
. Frank Leslie's scenes and portraits of the Civil War ... . GENEEAL PHILIP H. SHERIDAN. General Philip II. Sheridan, born at Albany, N. Y., in 1831, died in Nonquitt, Mass., August 5th, 1888, was a graduate of United states MilitaryAcademy at West Point; served in the Civil War. 1801-65 ; from army in Southwest Missouri was transferred to Army of the Cumberland; and forhis successful operations at the battle of Murfreesborough was made major general of Volunteers ; in the spring of 1864 took command of the cavalrycorps of the Army of the Potomac; was in the battle of the Wilderness ; and in t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frank-leslies-scenes-and-portraits-of-the-civil-war-geneeal-philip-h-sheridan-general-philip-ii-sheridan-born-at-albany-n-y-in-1831-died-in-nonquitt-mass-august-5th-1888-was-a-graduate-of-united-states-militaryacademy-at-west-point-served-in-the-civil-war-1801-65-from-army-in-southwest-missouri-was-transferred-to-army-of-the-cumberland-and-forhis-successful-operations-at-the-battle-of-murfreesborough-was-made-major-general-of-volunteers-in-the-spring-of-1864-took-command-of-the-cavalrycorps-of-the-army-of-the-potomac-was-in-the-battle-of-the-wilderness-and-in-t-image371653906.html
RM2CGJ89P–. Frank Leslie's scenes and portraits of the Civil War ... . GENEEAL PHILIP H. SHERIDAN. General Philip II. Sheridan, born at Albany, N. Y., in 1831, died in Nonquitt, Mass., August 5th, 1888, was a graduate of United states MilitaryAcademy at West Point; served in the Civil War. 1801-65 ; from army in Southwest Missouri was transferred to Army of the Cumberland; and forhis successful operations at the battle of Murfreesborough was made major general of Volunteers ; in the spring of 1864 took command of the cavalrycorps of the Army of the Potomac; was in the battle of the Wilderness ; and in t
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation