Juida ornata, Print, 1796-1808
Juida ornata, Print, 1796-1808 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/juida-ornata-print-1796-1808-image328685701.html
Juida morio, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Juida morio, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/juida-morio-print-1796-1808-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349756947.html
Map of The Battle of Cape St Vincent (14 February 1797), one of the opening battles of the Anglo-Spanish War (1796–1808), as part of the French Revolutionary Wars, where a British fleet under Admiral Sir John Jervis defeated a larger Spanish fleet under Admiral Don José de Córdoba y Ramos near Cape St. Vincent, Portugal.
Map of The Battle of Cape St Vincent (14 February 1797), one of the opening battles of the Anglo-Spanish War (1796–1808), as part of the French Revolutionary Wars, where a British fleet under Admiral Sir John Jervis defeated a larger Spanish fleet under Admiral Don José de Córdoba y Ramos near Cape St. Vincent, Portugal. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-map-of-the-battle-of-cape-st-vincent-14-february-1797-one-of-the-opening-97173471.html
Antique 1808 engraving, hand-colored scene showing the surrender of the Spanish to Commodore Horatio Nelson: 'The San Nicolas & San Josef, Carried by Boarding.' The Battle of Cape St Vincent (14 February 1797) was one of the opening battles of the Anglo-Spanish War (1796–1808), as part of the French Revolutionary Wars, where a British fleet under Admiral Sir John Jervis defeated a larger Spanish fleet under Admiral Don José de Córdoba y Ramos near Cape St. Vincent, Portugal. SOURCE: ORIGINAL ENGRAVING.
Antique 1808 engraving, hand-colored scene showing the surrender of the Spanish to Commodore Horatio Nelson: 'The San Nicolas & San Josef, Carried by Boarding.' The Battle of Cape St Vincent (14 February 1797) was one of the opening battles of the Anglo-Spanish War (1796–1808), as part of the French Revolutionary Wars, where a British fleet under Admiral Sir John Jervis defeated a larger Spanish fleet under Admiral Don José de Córdoba y Ramos near Cape St. Vincent, Portugal. SOURCE: ORIGINAL ENGRAVING. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-antique-1808-engraving-hand-colored-scene-showing-the-surrender-of-130028324.html
Plane of Ferrol Expedition (Battle of Brion). It takes place on the Sunday closest to August 25th in the Brion's Mounts, in 1800. It was a part of the War of the Second Coalition. There fought the troops stationed in Ferrol and invading English troops who landed on the beach of Doñinos, in the context of the Anglo-Spanish War of 1796-1808 initiated by Spain as an ally of France against England. Atlas de l'Histoire du Consulat et de l'Empire. History of the Consulate and the Empire of France under Napoleon by Marie Joseph Louis Adolphe Thiers (1797-1877). Drawings by Dufour and engravings by Dy
Plane of Ferrol Expedition (Battle of Brion). It takes place on the Sunday closest to August 25th in the Brion's Mounts, in 1800. It was a part of the War of the Second Coalition. There fought the troops stationed in Ferrol and invading English troops who landed on the beach of Doñinos, in the context of the Anglo-Spanish War of 1796-1808 initiated by Spain as an ally of France against England. Atlas de l'Histoire du Consulat et de l'Empire. History of the Consulate and the Empire of France under Napoleon by Marie Joseph Louis Adolphe Thiers (1797-1877). Drawings by Dufour and engravings by Dy https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plane-of-ferrol-expedition-battle-of-brion-it-takes-place-on-the-sunday-closest-to-august-25th-in-the-brions-mounts-in-1800-it-was-a-part-of-the-war-of-the-second-coalition-there-fought-the-troops-stationed-in-ferrol-and-invading-english-troops-who-landed-on-the-beach-of-doinos-in-the-context-of-the-anglo-spanish-war-of-1796-1808-initiated-by-spain-as-an-ally-of-france-against-england-atlas-de-lhistoire-du-consulat-et-de-lempire-history-of-the-consulate-and-the-empire-of-france-under-napoleon-by-marie-joseph-louis-adolphe-thiers-1797-1877-drawings-by-dufour-and-engravings-by-dy-image231266103.html
Francisco de Goya y Lucientes / 'The street'. 1796 - 1808. Wash, Pencil, Red chalk, Indian ink, Iron gall ink on grey laid paper. Artwork also known as: UNA CALLE. Museum: Museo del Prado, Madrid, España.
Francisco de Goya y Lucientes / 'The street'. 1796 - 1808. Wash, Pencil, Red chalk, Indian ink, Iron gall ink on grey laid paper. Artwork also known as: UNA CALLE. Museum: Museo del Prado, Madrid, España. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/francisco-de-goya-y-lucientes-the-street-1796-1808-wash-pencil-red-chalk-indian-ink-iron-gall-ink-on-grey-laid-paper-artwork-also-known-as-una-calle-museum-museo-del-prado-madrid-espaa-image213550550.html
The Battle of Cape St Vincent on the 14 February 1797, was one of the opening battles of The Anglo-Spanish War (1796–1808) in which a British fleet under Admiral Sir John Jervis defeated a larger Spanish fleet under Admiral Don José de Córdoba near Cape St. Vincent, Portugal.
The Battle of Cape St Vincent on the 14 February 1797, was one of the opening battles of The Anglo-Spanish War (1796–1808) in which a British fleet under Admiral Sir John Jervis defeated a larger Spanish fleet under Admiral Don José de Córdoba near Cape St. Vincent, Portugal. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-the-battle-of-cape-st-vincent-on-the-14-february-1797-was-one-of-the-88067209.html
Flowers - 1796/1808 - Anne Allen (English, born 1750) after Jean Baptiste Pillement (French, 1728-1808) - Artist: Anne Allen, Origin: United Kingdom,
Flowers - 1796/1808 - Anne Allen (English, born 1750) after Jean Baptiste Pillement (French, 1728-1808) - Artist: Anne Allen, Origin: United Kingdom, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/flowers-17961808-anne-allen-english-born-1750-after-jean-baptiste-pillement-french-1728-1808-artist-anne-allen-origin-united-kingdom-image235907825.html
. Circus melanoleucus . between 1796 and 1808 62 Circus melanoleucus - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18300221
. Circus melanoleucus . between 1796 and 1808 62 Circus melanoleucus - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18300221 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/circus-melanoleucus-between-1796-and-1808-62-circus-melanoleucus-1796-1808-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18300221-image207785710.html
Imaginary View of the Grand Gallery of the Louvre in Ruins', 1796. Artist: Hubert Robert. Hubert Robert (1733-1808) was a French Rococo Era Painter.
Imaginary View of the Grand Gallery of the Louvre in Ruins', 1796. Artist: Hubert Robert. Hubert Robert (1733-1808) was a French Rococo Era Painter. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/imaginary-view-of-the-grand-gallery-of-the-louvre-in-ruins-1796-artist-hubert-robert-hubert-robert-1733-1808-was-a-french-rococo-era-painter-image377037320.html
Chamber candlestick. Maker: John Emes (active 1796-1808); Date: 1802-3; Culture: British, London; Medium: Silver; Dimensions: h. 3 1/4 x w. 4 1/8 in.
Chamber candlestick. Maker: John Emes (active 1796-1808); Date: 1802-3; Culture: British, London; Medium: Silver; Dimensions: h. 3 1/4 x w. 4 1/8 in. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/chamber-candlestick-maker-john-emes-active-1796-1808-date-1802-3-culture-british-london-medium-silver-dimensions-h-3-14-x-w-4-18-in-image275763710.html
'Meux's Brewhouse (built about 1796)', 1808, (1925). Creator: Unknown.
'Meux's Brewhouse (built about 1796)', 1808, (1925). Creator: Unknown. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/meuxs-brewhouse-built-about-1796-1808-1925-creator-unknown-image231239221.html
Anne Allen. Flowers. 1796–1808. United Kingdom. Color etching from two plates inked à la poupée on blue-green laid paper
Anne Allen. Flowers. 1796–1808. United Kingdom. Color etching from two plates inked à la poupée on blue-green laid paper https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/anne-allen-flowers-17961808-united-kingdom-color-etching-from-two-plates-inked-la-poupe-on-blue-green-laid-paper-image337960864.html
View from Wallberg to Lahner Schneid, in the back Tyrolean Schinder (1808 m) and Bavarian Schinder (1796 m), in the back Hohe Tauern with Grossglockner (3798 m), and Großvenediger (3666 m), Rottach-Egern, Tegernsee, Bavarian Alps, Bavaria, Germany, Europe
View from Wallberg to Lahner Schneid, in the back Tyrolean Schinder (1808 m) and Bavarian Schinder (1796 m), in the back Hohe Tauern with Grossglockner (3798 m), and Großvenediger (3666 m), Rottach-Egern, Tegernsee, Bavarian Alps, Bavaria, Germany, Europe https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/view-from-wallberg-to-lahner-schneid-in-the-back-tyrolean-schinder-1808-m-and-bavarian-schinder-1796-m-in-the-back-hohe-tauern-with-grossglockner-3798-m-and-grovenediger-3666-m-rottach-egern-tegernsee-bavarian-alps-bavaria-germany-europe-image390663002.html
Franz Joseph Haydn (1732-1809). Austrian composer. Orchestra playing The Creation, written between 1796- 1798). Engraving.
Franz Joseph Haydn (1732-1809). Austrian composer. Orchestra playing The Creation, written between 1796- 1798). Engraving. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-franz-joseph-haydn-1732-1809-austrian-composer-orchestra-playing-the-53208912.html
Mary Ann Talbot Resisting A Pressgang
Mary Ann Talbot Resisting A Pressgang https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-mary-ann-talbot-resisting-a-pressgang-56681831.html
Gilly, David, 7.1.1748 - 5.5.1808, German architect, Royal senior government building officer 1788 - 1807, portrait, copper engraving by J. S. L. Halle after drawing by W. Chodowiecki, 1796, Artist's Copyright has not to be cleared
Gilly, David, 7.1.1748 - 5.5.1808, German architect, Royal senior government building officer 1788 - 1807, portrait, copper engraving by J. S. L. Halle after drawing by W. Chodowiecki, 1796, Artist's Copyright has not to be cleared https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-gilly-david-711748-551808-german-architect-royal-senior-government-95721161.html
Werther drawing children, 1796. Artist: Quadal, Martin Ferdinand (1736-1808)
Werther drawing children, 1796. Artist: Quadal, Martin Ferdinand (1736-1808) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/werther-drawing-children-1796-artist-quadal-martin-ferdinand-1736-image60366869.html
James Walker, 1748–1808, British, Putney Bridge, 1796. Engraving.
James Walker, 1748–1808, British, Putney Bridge, 1796. Engraving. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/james-walker-17481808-british-putney-bridge-1796-engraving-image398368631.html
Serpentarius reptilivorus, Print, 1796-1808
Serpentarius reptilivorus, Print, 1796-1808 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/serpentarius-reptilivorus-print-1796-1808-image328700516.html
Pernis tachardus, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Pernis tachardus, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/pernis-tachardus-print-1796-1808-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349776146.html
James Walker, 1748–1808, British, Black-Friars Bridge, 1796. Engraving.
James Walker, 1748–1808, British, Black-Friars Bridge, 1796. Engraving. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/james-walker-17481808-british-black-friars-bridge-1796-engraving-image398352961.html
Empress Mu Cheng was of the Niuhuru clan. She was the first Empress Consort of the Qing Dynasty Daoguang Emperor. Niuhuru became the principal wife of the then Prince Mianning in 1796. She died in 1808, and when in 1820 Mianning (Minning) ascended the throne as the Daoguang emperor, Niuhuru was posthumously made Empress and given the title of 'Empress Xiao Mu Cheng'. Long after her death she was removed from her tomb to the Muling mausoleum.
Empress Mu Cheng was of the Niuhuru clan. She was the first Empress Consort of the Qing Dynasty Daoguang Emperor. Niuhuru became the principal wife of the then Prince Mianning in 1796. She died in 1808, and when in 1820 Mianning (Minning) ascended the throne as the Daoguang emperor, Niuhuru was posthumously made Empress and given the title of 'Empress Xiao Mu Cheng'. Long after her death she was removed from her tomb to the Muling mausoleum. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/empress-mu-cheng-was-of-the-niuhuru-clan-she-was-the-first-empress-consort-of-the-qing-dynasty-daoguang-emperor-niuhuru-became-the-principal-wife-of-the-then-prince-mianning-in-1796-she-died-in-1808-and-when-in-1820-mianning-minning-ascended-the-throne-as-the-daoguang-emperor-niuhuru-was-posthumously-made-empress-and-given-the-title-of-empress-xiao-mu-cheng-long-after-her-death-she-was-removed-from-her-tomb-to-the-muling-mausoleum-image344234246.html
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Man-of-War being Refitted, ca. 1787. Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper. Public Domain
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Man-of-War being Refitted, ca. 1787. Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper. Public Domain https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/samuel-atkins-active-17871808-british-active-in-the-east-indies-17961804-man-of-war-being-refitted-ca-1787-watercolor-pen-and-black-ink-and-graphite-on-medium-slightly-textured-cream-wove-paper-public-domain-image398457850.html
Plane of Ferrol Expedition (Battle of Brion). It takes place on the Sunday closest to August 25th in the Brion's Mounts, in 1800. It was a part of the War of the Second Coalition. There fought the troops stationed in Ferrol and invading English troops who landed on the beach of Don_inos, in the context of the Anglo-Spanish War of 1796-1808 initiated by Spain as an ally of France against England. Atlas de l'Histoire du Consulat et de l'Empire. History of the Consulate and the Empire of France under Napoleon by Marie Joseph Louis Adolphe Thiers (1797-1877). Drawings by Dufour and engravings by D
Plane of Ferrol Expedition (Battle of Brion). It takes place on the Sunday closest to August 25th in the Brion's Mounts, in 1800. It was a part of the War of the Second Coalition. There fought the troops stationed in Ferrol and invading English troops who landed on the beach of Don_inos, in the context of the Anglo-Spanish War of 1796-1808 initiated by Spain as an ally of France against England. Atlas de l'Histoire du Consulat et de l'Empire. History of the Consulate and the Empire of France under Napoleon by Marie Joseph Louis Adolphe Thiers (1797-1877). Drawings by Dufour and engravings by D https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/plane-of-ferrol-expedition-battle-of-brion-it-takes-place-on-the-sunday-closest-to-august-25th-in-the-brions-mounts-in-1800-it-was-a-part-of-the-war-of-the-second-coalition-there-fought-the-troops-stationed-in-ferrol-and-invading-english-troops-who-landed-on-the-beach-of-don-inos-in-the-context-of-the-anglo-spanish-war-of-1796-1808-initiated-by-spain-as-an-ally-of-france-against-england-atlas-de-lhistoire-du-consulat-et-de-lempire-history-of-the-consulate-and-the-empire-of-france-under-napoleon-by-marie-joseph-louis-adolphe-thiers-1797-1877-drawings-by-dufour-and-engravings-by-d-image232457720.html
The National cyclopædia of American biography : being the history of the United States as illustrated in the lives of the founders, builders, and defenders of the republic, and of the men and women who are doing the work and moulding the thought of the present time, edited by distinguished biographers, selected from each state, revised and approved by the most eminent historians, scholars, and statesmen of the day . an admirable soldier; while he was also noted forhis theological learnings He published Addressesto the People (1796 and 1799). He died in Rich-mond, Va., Oct. 11,1808. CliAIBOBNE,
The National cyclopædia of American biography : being the history of the United States as illustrated in the lives of the founders, builders, and defenders of the republic, and of the men and women who are doing the work and moulding the thought of the present time, edited by distinguished biographers, selected from each state, revised and approved by the most eminent historians, scholars, and statesmen of the day . an admirable soldier; while he was also noted forhis theological learnings He published Addressesto the People (1796 and 1799). He died in Rich-mond, Va., Oct. 11,1808. CliAIBOBNE, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-national-cyclopdia-of-american-biography-being-the-history-of-the-united-states-as-illustrated-in-the-lives-of-the-founders-builders-and-defenders-of-the-republic-and-of-the-men-and-women-who-are-doing-the-work-and-moulding-the-thought-of-the-present-time-edited-by-distinguished-biographers-selected-from-each-state-revised-and-approved-by-the-most-eminent-historians-scholars-and-statesmen-of-the-day-an-admirable-soldier-while-he-was-also-noted-forhis-theological-learnings-he-published-addressesto-the-people-1796-and-1799-he-died-in-rich-mond-va-oct-111808-cliaibobne-image340231221.html
Battle of Cape St. Vincent, 1797
Battle of Cape St. Vincent, 1797 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-battle-of-cape-st-vincent-1797-82192571.html
. Trichoglossus discolor . between 1796 and 1808 308 Trichoglossus discolor - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18500229
. Trichoglossus discolor . between 1796 and 1808 308 Trichoglossus discolor - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18500229 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/trichoglossus-discolor-between-1796-and-1808-308-trichoglossus-discolor-1796-1808-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18500229-image207786252.html
Battle of Cape St. Vincent, 1797 Batalla del Cabo de San Vicente (1797)
Battle of Cape St. Vincent, 1797 Batalla del Cabo de San Vicente (1797) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-battle-of-cape-st-vincent-1797-batalla-del-cabo-de-san-vicente-1797-82222001.html
Chamber candlestick. Maker: John Emes (active 1796-1808); Date: 1802-3; Culture: British, London; Medium: Silver; Dimensions: h. 3 1/4 x w. 4 1/8 in.
Chamber candlestick. Maker: John Emes (active 1796-1808); Date: 1802-3; Culture: British, London; Medium: Silver; Dimensions: h. 3 1/4 x w. 4 1/8 in. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-chamber-candlestick-maker-john-emes-active-1796-1808-date-1802-3-culture-168106361.html
Nelson boarding the San Josef at the Battle of St Vincent, February 1797.
Nelson boarding the San Josef at the Battle of St Vincent, February 1797. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/nelson-boarding-the-san-josef-at-the-battle-of-st-vincent-february-image7497016.html
Design for the Grand Gallery of the Louvre (1796), Hubert Robert, Louvre Museum, Paris, France
Design for the Grand Gallery of the Louvre (1796), Hubert Robert, Louvre Museum, Paris, France https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-design-for-the-grand-gallery-of-the-louvre-1796-hubert-robert-louvre-168066985.html
Portrait of Joachim Murat by Galliano
Portrait of Joachim Murat by Galliano https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-portrait-of-joachim-murat-by-galliano-132604827.html
Christian Febiger. Lossing, Benson John, 1813-1891 (Author) Hall, Henry Bryan (1808-1884) (Etcher). Emmet Collection of Manuscripts Etc. Relating to
Christian Febiger. Lossing, Benson John, 1813-1891 (Author) Hall, Henry Bryan (1808-1884) (Etcher). Emmet Collection of Manuscripts Etc. Relating to https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/christian-febiger-lossing-benson-john-1813-1891-author-hall-henry-bryan-1808-1884-etcher-emmet-collection-of-manuscripts-etc-relating-to-image235904285.html
An heavy cavalry officer's sword, pattern 1796., Broad, lenticular blade with short fuller. Maker's signature 'J:J: Runkel Solingen'. Gilded hilt, silver wire winding. Leather scabbard with gilded brass mountings. Blade somewhat stained, small notches. Length 100 cm. Johann Justus Runkel of Neuwied was a weapons importer who, as a naturalised British subject, supplied the British army with Solingen weapons during the period 1795 - 1808. (Cf. May/Annis. Swords for Sea Service, vol. 2., p. 302). historic, historical, 19th century, 18th century, thrusting, thrusti,
An heavy cavalry officer's sword, pattern 1796., Broad, lenticular blade with short fuller. Maker's signature 'J:J: Runkel Solingen'. Gilded hilt, silver wire winding. Leather scabbard with gilded brass mountings. Blade somewhat stained, small notches. Length 100 cm. Johann Justus Runkel of Neuwied was a weapons importer who, as a naturalised British subject, supplied the British army with Solingen weapons during the period 1795 - 1808. (Cf. May/Annis. Swords for Sea Service, vol. 2., p. 302). historic, historical, 19th century, 18th century, thrusting, thrusti, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-an-heavy-cavalry-officers-sword-pattern-1796-broad-lenticular-blade-31682745.html
The Blue Hall of the Ostankino palace in Moscow, 1796. Artist: Starov, Ivan Yegorovich (1745-1808)
The Blue Hall of the Ostankino palace in Moscow, 1796. Artist: Starov, Ivan Yegorovich (1745-1808) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-blue-hall-of-the-ostankino-palace-in-moscow-1796-artist-starov-image60429716.html
Dicrurus musicus, Print, 1796-1808
Dicrurus musicus, Print, 1796-1808 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dicrurus-musicus-print-1796-1808-image328677821.html
Peristera larvata, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Peristera larvata, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/peristera-larvata-print-1796-1808-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349776072.html
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Man-of-War and Shipping off the Coast, undated. Watercolor, pen and black ink, and graphite on thick, slightly textured, cream laid paper. Public Domain
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Man-of-War and Shipping off the Coast, undated. Watercolor, pen and black ink, and graphite on thick, slightly textured, cream laid paper. Public Domain https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/samuel-atkins-active-17871808-british-active-in-the-east-indies-17961804-man-of-war-and-shipping-off-the-coast-undated-watercolor-pen-and-black-ink-and-graphite-on-thick-slightly-textured-cream-laid-paper-public-domain-image398457896.html
Captain Benjamin Sydenham (1777-1828), c.1810 A half-length portrait, the body slightly turned to the left, the face looking at the spectator. Sydenham wears a black coat, cream waistcoat and white stock. A red curtain is draped behind him and in the distance is a landscape. He served in the Madras Engineers 1796-1808, returning to England on leave in 1801 with his mother after the death of his father. He was a protégé of Sir Arthur Wellesley and went back to England with him in 1808. He became involved in politics and was sent on a mission to Wellesley in Spain in 1809. He held the post of
Captain Benjamin Sydenham (1777-1828), c.1810 A half-length portrait, the body slightly turned to the left, the face looking at the spectator. Sydenham wears a black coat, cream waistcoat and white stock. A red curtain is draped behind him and in the distance is a landscape. He served in the Madras Engineers 1796-1808, returning to England on leave in 1801 with his mother after the death of his father. He was a protégé of Sir Arthur Wellesley and went back to England with him in 1808. He became involved in politics and was sent on a mission to Wellesley in Spain in 1809. He held the post of https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/captain-benjamin-sydenham-1777-1828-c1810-a-half-length-portrait-the-body-slightly-turned-to-the-left-the-face-looking-at-the-spectator-sydenham-wears-a-black-coat-cream-waistcoat-and-white-stock-a-red-curtain-is-draped-behind-him-and-in-the-distance-is-a-landscape-he-served-in-the-madras-engineers-1796-1808-returning-to-england-on-leave-in-1801-with-his-mother-after-the-death-of-his-father-he-was-a-protg-of-sir-arthur-wellesley-and-went-back-to-england-with-him-in-1808-he-became-involved-in-politics-and-was-sent-on-a-mission-to-wellesley-in-spain-in-1809-he-held-the-post-of-image231705480.html
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), A Third-Rate in Coastal Waters, 1788. Pen and black ink and watercolor on medium, moderately textured, cream wove paper. frigate , marine art , sails , sea , ship
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), A Third-Rate in Coastal Waters, 1788. Pen and black ink and watercolor on medium, moderately textured, cream wove paper. frigate , marine art , sails , sea , ship https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/samuel-atkins-active-17871808-british-active-in-the-east-indies-17961804-a-third-rate-in-coastal-waters-1788-pen-and-black-ink-and-watercolor-on-medium-moderately-textured-cream-wove-paper-frigate-marine-art-sails-sea-ship-image398458126.html
Views of the seats of noblemen and gentlemen, in England, Wales, Scotland, and Ireland . 1791, and served in Flanders, under the Duke of York,in 1793 and 1794. He proceeded to Madras in 1796, and served thewhole of the war against Tippoo Saib. In October, 1808, his Lord-ship, then Sir Stapleton Cotton, was sent to Portugal, with a brigade ofcavalry, and was present at all the principal actions to the end of the war.For these signal services he repeatedly received the unanimous thanksof both houses of parliament, and in 1814 was elevated to the peerage.In 1817 he was appointed Governor of Barba
Views of the seats of noblemen and gentlemen, in England, Wales, Scotland, and Ireland . 1791, and served in Flanders, under the Duke of York,in 1793 and 1794. He proceeded to Madras in 1796, and served thewhole of the war against Tippoo Saib. In October, 1808, his Lord-ship, then Sir Stapleton Cotton, was sent to Portugal, with a brigade ofcavalry, and was present at all the principal actions to the end of the war.For these signal services he repeatedly received the unanimous thanksof both houses of parliament, and in 1814 was elevated to the peerage.In 1817 he was appointed Governor of Barba https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/views-of-the-seats-of-noblemen-and-gentlemen-in-england-wales-scotland-and-ireland-1791-and-served-in-flanders-under-the-duke-of-yorkin-1793-and-1794-he-proceeded-to-madras-in-1796-and-served-thewhole-of-the-war-against-tippoo-saib-in-october-1808-his-lord-ship-then-sir-stapleton-cotton-was-sent-to-portugal-with-a-brigade-ofcavalry-and-was-present-at-all-the-principal-actions-to-the-end-of-the-warfor-these-signal-services-he-repeatedly-received-the-unanimous-thanksof-both-houses-of-parliament-and-in-1814-was-elevated-to-the-peeragein-1817-he-was-appointed-governor-of-barba-image342913206.html
. Falco minor . between 1796 and 1808 122 Falco minor - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18200150
. Falco minor . between 1796 and 1808 122 Falco minor - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18200150 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/falco-minor-between-1796-and-1808-122-falco-minor-1796-1808-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18200150-image207785129.html
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Merchant Ship off Shore, undated. Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper. landscape , marine art , merchants , sail , ships , shoreline
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Merchant Ship off Shore, undated. Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper. landscape , marine art , merchants , sail , ships , shoreline https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/samuel-atkins-active-17871808-british-active-in-the-east-indies-17961804-merchant-ship-off-shore-undated-watercolor-pen-and-brown-ink-and-graphite-on-medium-slightly-textured-cream-wove-paper-landscape-marine-art-merchants-sail-ships-shoreline-image398457838.html
Amos Green, 1735–1807, British, Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun, between 1796 and 1808. Gray wash, brush and black in, heightened with white, over graphite on wove paper.
Amos Green, 1735–1807, British, Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun, between 1796 and 1808. Gray wash, brush and black in, heightened with white, over graphite on wove paper. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/amos-green-17351807-british-views-in-england-scotland-and-wales-vue-de-la-caverne-de-st-beat-sur-le-lac-de-thun-between-1796-and-1808-gray-wash-brush-and-black-in-heightened-with-white-over-graphite-on-wove-paper-image398340558.html
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Shakespeare Cliff, Dover, ca. 1800. Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper. Dover. Shakespeare, William (1564–1616), playwright and poet
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Shakespeare Cliff, Dover, ca. 1800. Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper. Dover. Shakespeare, William (1564–1616), playwright and poet https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/samuel-atkins-active-17871808-british-active-in-the-east-indies-17961804-shakespeare-cliff-dover-ca-1800-watercolor-pen-and-black-ink-and-graphite-on-moderately-thick-slightly-textured-cream-laid-paper-dover-shakespeare-william-15641616-playwright-and-poet-image398457845.html
Elias Boudinot, L.L.D. Waldo & Jewett (Artist) Durand, Asher Brown (1796-1886) (Engraver). Emmet Collection of Manuscripts Etc. Relating to American
Elias Boudinot, L.L.D. Waldo & Jewett (Artist) Durand, Asher Brown (1796-1886) (Engraver). Emmet Collection of Manuscripts Etc. Relating to American https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/elias-boudinot-lld-waldo-jewett-artist-durand-asher-brown-1796-1886-engraver-emmet-collection-of-manuscripts-etc-relating-to-american-image333977003.html
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Ships of the Line off Dover, undated. Watercolor and pen and black ink on medium, slightly textured, cream laid paper. boats , clouds , coast , Grand Tour , marine art , men , sails , ships. Dover , England , Europe , Kent , United Kingdom
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), Ships of the Line off Dover, undated. Watercolor and pen and black ink on medium, slightly textured, cream laid paper. boats , clouds , coast , Grand Tour , marine art , men , sails , ships. Dover , England , Europe , Kent , United Kingdom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/samuel-atkins-active-17871808-british-active-in-the-east-indies-17961804-ships-of-the-line-off-dover-undated-watercolor-and-pen-and-black-ink-on-medium-slightly-textured-cream-laid-paper-boats-clouds-coast-grand-tour-marine-art-men-sails-ships-dover-england-europe-kent-united-kingdom-image398448018.html
An heavy cavalry officer's sword, pattern 1796., Broad, lenticular blade with short fuller. Maker's signature 'J:J: Runkel Solingen'. Gilded hilt, silver wire winding. Leather scabbard with gilded brass mountings. Blade somewhat stained, small notches. Length 100 cm. Johann Justus Runkel of Neuwied was a weapons importer who, as a naturalised British subject, supplied the British army with Solingen weapons during the period 1795 - 1808. (Cf. May/Annis. Swords for Sea Service, vol. 2., p. 302). historic, historical, 19th century, 18th century, thrusting, thrusti,
An heavy cavalry officer's sword, pattern 1796., Broad, lenticular blade with short fuller. Maker's signature 'J:J: Runkel Solingen'. Gilded hilt, silver wire winding. Leather scabbard with gilded brass mountings. Blade somewhat stained, small notches. Length 100 cm. Johann Justus Runkel of Neuwied was a weapons importer who, as a naturalised British subject, supplied the British army with Solingen weapons during the period 1795 - 1808. (Cf. May/Annis. Swords for Sea Service, vol. 2., p. 302). historic, historical, 19th century, 18th century, thrusting, thrusti, https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-an-heavy-cavalry-officers-sword-pattern-1796-broad-lenticular-blade-31683012.html
Portrait of Empress Catherine II (1729-1796), 1779. Artist: Rokotov, Fyodor Stepanovich (1735-1808)
Portrait of Empress Catherine II (1729-1796), 1779. Artist: Rokotov, Fyodor Stepanovich (1735-1808) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-empress-catherine-ii-1729-1796-1779-artist-rokotov-fyodor-image60427483.html
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), A Warship Preparing to Leave the Anchorage, between 1787 and 1808. Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream, wove paper. birds , boats , figures (representations) , marine art , men , military art , navy , sails , sea , seascape , ship , ships , warship , water
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), A Warship Preparing to Leave the Anchorage, between 1787 and 1808. Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream, wove paper. birds , boats , figures (representations) , marine art , men , military art , navy , sails , sea , seascape , ship , ships , warship , water https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/samuel-atkins-active-17871808-british-active-in-the-east-indies-17961804-a-warship-preparing-to-leave-the-anchorage-between-1787-and-1808-watercolor-pen-and-black-ink-and-gray-ink-on-moderately-thick-slightly-textured-cream-wove-paper-birds-boats-figures-representations-marine-art-men-military-art-navy-sails-sea-seascape-ship-ships-warship-water-image398449522.html
Otogyps auricularis, Print, 1796-1808
Otogyps auricularis, Print, 1796-1808 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/otogyps-auricularis-print-1796-1808-image328694645.html
Phoenicophaus curvirostris, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Phoenicophaus curvirostris, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/phoenicophaus-curvirostris-print-1796-1808-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349776966.html
Print made by David Allan, 1744–1796, British, born in Scotland, Alan Ramsay Scotus, 1808. Aquatint, stipple engraving, and etching on moderately thick, slightly textured, cream wove paper. bust , collar , frame (furnishing) , frontispiece (illustration) , horns , illustration , man , mask , poem , portrait , profile , ribbons , scroll (motif) , self-portrait , sheet music , steeple. Ramsay, Allan (1684–1758), poet
Print made by David Allan, 1744–1796, British, born in Scotland, Alan Ramsay Scotus, 1808. Aquatint, stipple engraving, and etching on moderately thick, slightly textured, cream wove paper. bust , collar , frame (furnishing) , frontispiece (illustration) , horns , illustration , man , mask , poem , portrait , profile , ribbons , scroll (motif) , self-portrait , sheet music , steeple. Ramsay, Allan (1684–1758), poet https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-made-by-david-allan-17441796-british-born-in-scotland-alan-ramsay-scotus-1808-aquatint-stipple-engraving-and-etching-on-moderately-thick-slightly-textured-cream-wove-paper-bust-collar-frame-furnishing-frontispiece-illustration-horns-illustration-man-mask-poem-portrait-profile-ribbons-scroll-motif-self-portrait-sheet-music-steeple-ramsay-allan-16841758-poet-image398370098.html
Franz Joseph Haydn (1732-1809). Austrian composer. Orchestra playing The Creation, written between 1796- 1798). University of Vienna (1808). Engraving, 1809. Color.
Franz Joseph Haydn (1732-1809). Austrian composer. Orchestra playing The Creation, written between 1796- 1798). University of Vienna (1808). Engraving, 1809. Color. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/franz-joseph-haydn-1732-1809-austrian-composer-orchestra-playing-the-creation-written-between-1796-1798-university-of-vienna-1808-engraving-1809-color-image209567924.html
. Old and new London : a narrative of its history, its people, and its places. Stephens Crypt (Interior) Interior of the House of Commons, 1875 • Interior of the House of Commons, 1834 . The Lobby of the House of Commons The Refreshment-room of the House of Lords The Houses of Parliament after the Fire, in 183: Ruins of the Houses of Parliament Lord North ..... William Pitt .... Old Palace Yard in 1796 . Westminster Hall in 1808 . Palace Yard, from the South Interior of Old Westminster Hall in 1797 ^Varren Hastings .... Margaret Street, Westminster, in 1S20Mr. Dymoke, the Kings Champion .Coron
. Old and new London : a narrative of its history, its people, and its places. Stephens Crypt (Interior) Interior of the House of Commons, 1875 • Interior of the House of Commons, 1834 . The Lobby of the House of Commons The Refreshment-room of the House of Lords The Houses of Parliament after the Fire, in 183: Ruins of the Houses of Parliament Lord North ..... William Pitt .... Old Palace Yard in 1796 . Westminster Hall in 1808 . Palace Yard, from the South Interior of Old Westminster Hall in 1797 ^Varren Hastings .... Margaret Street, Westminster, in 1S20Mr. Dymoke, the Kings Champion .Coron https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/old-and-new-london-a-narrative-of-its-history-its-people-and-its-places-stephens-crypt-interior-interior-of-the-house-of-commons-1875-interior-of-the-house-of-commons-1834-the-lobby-of-the-house-of-commons-the-refreshment-room-of-the-house-of-lords-the-houses-of-parliament-after-the-fire-in-183-ruins-of-the-houses-of-parliament-lord-north-william-pitt-old-palace-yard-in-1796-westminster-hall-in-1808-palace-yard-from-the-south-interior-of-old-westminster-hall-in-1797-varren-hastings-margaret-street-westminster-in-1s20mr-dymoke-the-kings-champion-coron-image336906984.html
. Conurus ferrugineus . between 1796 and 1808 66 Conurus ferrugineus - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18500207
. Conurus ferrugineus . between 1796 and 1808 66 Conurus ferrugineus - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18500207 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/conurus-ferrugineus-between-1796-and-1808-66-conurus-ferrugineus-1796-1808-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18500207-image207786223.html
Mrs. John Garden (Ann Garden, 1769-1842) and Her Children, John (1796-1854) and Ann Margaret (born 1793). Artist: John Hoppner (British, London
Mrs. John Garden (Ann Garden, 1769-1842) and Her Children, John (1796-1854) and Ann Margaret (born 1793). Artist: John Hoppner (British, London https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-mrs-john-garden-ann-garden-1769-1842-and-her-children-john-1796-1854-168370096.html
Johan Hulshout (1623-1687). Artist: Pieter van Slingelandt (Dutch, Leiden 1640-1691 Leiden); Date: ca. 1670 or slightly later; Medium: Oil on wood;
Johan Hulshout (1623-1687). Artist: Pieter van Slingelandt (Dutch, Leiden 1640-1691 Leiden); Date: ca. 1670 or slightly later; Medium: Oil on wood; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/johan-hulshout-1623-1687-artist-pieter-van-slingelandt-dutch-leiden-1640-1691-leiden-date-ca-1670-or-slightly-later-medium-oil-on-wood-image279163709.html
Portrait of Empress Catherine II (1729-1796), 1763. Artist: Rokotov, Fyodor Stepanovich (1735-1808)
Portrait of Empress Catherine II (1729-1796), 1763. Artist: Rokotov, Fyodor Stepanovich (1735-1808) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-empress-catherine-ii-1729-1796-1763-artist-rokotov-fyodor-image60427373.html
Drymoica thoracica, Print, 1796-1808
Drymoica thoracica, Print, 1796-1808 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/drymoica-thoracica-print-1796-1808-image328678540.html
Juida aenea, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Juida aenea, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/juida-aenea-print-1796-1808-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349756934.html
Print made by David Allan, 1744–1796, British, born in Scotland, Patie Rebukes Roger, 1808. Etching and aquatint on moderately thick, moderately textured, cream wove paper. canes , cattle , comedy , costume , dogs (animals) , genre subject , gesture , hills , houses , illustration , jackets , men , pastoral , peasants , plaid , poem , recorder , resting , river , sash , sheep , shepherds , tams , trees , waterfall. Europe , Scotland , United Kingdom
Print made by David Allan, 1744–1796, British, born in Scotland, Patie Rebukes Roger, 1808. Etching and aquatint on moderately thick, moderately textured, cream wove paper. canes , cattle , comedy , costume , dogs (animals) , genre subject , gesture , hills , houses , illustration , jackets , men , pastoral , peasants , plaid , poem , recorder , resting , river , sash , sheep , shepherds , tams , trees , waterfall. Europe , Scotland , United Kingdom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-made-by-david-allan-17441796-british-born-in-scotland-patie-rebukes-roger-1808-etching-and-aquatint-on-moderately-thick-moderately-textured-cream-wove-paper-canes-cattle-comedy-costume-dogs-animals-genre-subject-gesture-hills-houses-illustration-jackets-men-pastoral-peasants-plaid-poem-recorder-resting-river-sash-sheep-shepherds-tams-trees-waterfall-europe-scotland-united-kingdom-image398370020.html
Print made by David Allan, 1744–1796, British, born in Scotland, Jenny and Roger, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. bonnet , bowl , breeches , cane , cattle , coat , costume , dog (animal) , fichu , genre subject , gesture , gown , illustration , love , man , pastoral , peasants , plaid , poem , rural , sadness , sash , tam-o'-shanter , trees , tub , weeping , woman. Europe , Scotland , United Kingdom
Print made by David Allan, 1744–1796, British, born in Scotland, Jenny and Roger, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. bonnet , bowl , breeches , cane , cattle , coat , costume , dog (animal) , fichu , genre subject , gesture , gown , illustration , love , man , pastoral , peasants , plaid , poem , rural , sadness , sash , tam-o'-shanter , trees , tub , weeping , woman. Europe , Scotland , United Kingdom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-made-by-david-allan-17441796-british-born-in-scotland-jenny-and-roger-1808-etching-and-aquatint-on-moderately-thick-slightly-textured-cream-wove-paper-bonnet-bowl-breeches-cane-cattle-coat-costume-dog-animal-fichu-genre-subject-gesture-gown-illustration-love-man-pastoral-peasants-plaid-poem-rural-sadness-sash-tam-o-shanter-trees-tub-weeping-woman-europe-scotland-united-kingdom-image398370151.html
Mrs. John Garden (Ann Garden, 1769-1842) and Her Children, John (1796-1854) and Ann Margaret (born 1793). Artist: John Hoppner (British, London 1758-1810 London). Dimensions: 50 1/8 x 39 7/8 in. (127.3 x 101.3 cm). Date: 1796 or 1797. This portrait of a mother and two children shows the family of John Garden. Until 1808, when Garden senior bought the estate of Redisham Hall, Suffolk, the family lived in London. Garden's son, still a baby, has the fair skin of a redhead. He wears a white dress trimmed with three rows of four tiny, brass buttons on the bodice, and sits in his mother's lap. The
Mrs. John Garden (Ann Garden, 1769-1842) and Her Children, John (1796-1854) and Ann Margaret (born 1793). Artist: John Hoppner (British, London 1758-1810 London). Dimensions: 50 1/8 x 39 7/8 in. (127.3 x 101.3 cm). Date: 1796 or 1797. This portrait of a mother and two children shows the family of John Garden. Until 1808, when Garden senior bought the estate of Redisham Hall, Suffolk, the family lived in London. Garden's son, still a baby, has the fair skin of a redhead. He wears a white dress trimmed with three rows of four tiny, brass buttons on the bodice, and sits in his mother's lap. The https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mrs-john-garden-ann-garden-1769-1842-and-her-children-john-1796-1854-and-ann-margaret-born-1793-artist-john-hoppner-british-london-1758-1810-london-dimensions-50-18-x-39-78-in-1273-x-1013-cm-date-1796-or-1797-this-portrait-of-a-mother-and-two-children-shows-the-family-of-john-garden-until-1808-when-garden-senior-bought-the-estate-of-redisham-hall-suffolk-the-family-lived-in-london-gardens-son-still-a-baby-has-the-fair-skin-of-a-redhead-he-wears-a-white-dress-trimmed-with-three-rows-of-four-tiny-brass-buttons-on-the-bodice-and-sits-in-his-mothers-lap-the-image212898236.html
Print made by David Allan, 1744–1796, British, born in Scotland, Peggy Advocates a Sweetheart, 1808. Etching and aquatint on moderately thick, moderately textured, cream wove paper. aprons , bathing , bonnets , cloth , clouds , comedy , dresses , genre subject , gesture , illustration , landscape , pastoral , peasants , poem , pointing , pots , ribbons , river , rocks (landforms) , shawl , stripes , trees , tubs , urns , waterfall , women. Europe , Scotland , United Kingdom
Print made by David Allan, 1744–1796, British, born in Scotland, Peggy Advocates a Sweetheart, 1808. Etching and aquatint on moderately thick, moderately textured, cream wove paper. aprons , bathing , bonnets , cloth , clouds , comedy , dresses , genre subject , gesture , illustration , landscape , pastoral , peasants , poem , pointing , pots , ribbons , river , rocks (landforms) , shawl , stripes , trees , tubs , urns , waterfall , women. Europe , Scotland , United Kingdom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-made-by-david-allan-17441796-british-born-in-scotland-peggy-advocates-a-sweetheart-1808-etching-and-aquatint-on-moderately-thick-moderately-textured-cream-wove-paper-aprons-bathing-bonnets-cloth-clouds-comedy-dresses-genre-subject-gesture-illustration-landscape-pastoral-peasants-poem-pointing-pots-ribbons-river-rocks-landforms-shawl-stripes-trees-tubs-urns-waterfall-women-europe-scotland-united-kingdom-image398370009.html
Random recollections of Albany, from 1800 to 1808 . f Dr. Nott,! carried me, nolens volens, into thePresbyterian brick church of South-pearl street.^Thus I acquired, at nearly one and the same time,a decided inclination to church and state; or, in Of all the persons mentioned in these reminiscences, it is 1)e-lieved Dr. Nott is the only survivor. He was born in Ashford,Conn., 25th .June, 1773. This is the oldest church edifice in the city, having beenerected in 1796, and is now occupied by the Congregationalists,imder Dr. Palmer. There were not at this time more than sevenor eight church edifi
Random recollections of Albany, from 1800 to 1808 . f Dr. Nott,! carried me, nolens volens, into thePresbyterian brick church of South-pearl street.^Thus I acquired, at nearly one and the same time,a decided inclination to church and state; or, in Of all the persons mentioned in these reminiscences, it is 1)e-lieved Dr. Nott is the only survivor. He was born in Ashford,Conn., 25th .June, 1773. This is the oldest church edifice in the city, having beenerected in 1796, and is now occupied by the Congregationalists,imder Dr. Palmer. There were not at this time more than sevenor eight church edifi https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/random-recollections-of-albany-from-1800-to-1808-f-dr-nott!-carried-me-nolens-volens-into-thepresbyterian-brick-church-of-south-pearl-streetthus-i-acquired-at-nearly-one-and-the-same-timea-decided-inclination-to-church-and-state-or-in-of-all-the-persons-mentioned-in-these-reminiscences-it-is-1e-lieved-dr-nott-is-the-only-survivor-he-was-born-in-ashfordconn-25th-june-1773-this-is-the-oldest-church-edifice-in-the-city-having-beenerected-in-1796-and-is-now-occupied-by-the-congregationalistsimder-dr-palmer-there-were-not-at-this-time-more-than-sevenor-eight-church-edifi-image340308137.html
. Dendropicus cardinalis . between 1796 and 1808 80 Dendropicus cardinalis - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18700181
. Dendropicus cardinalis . between 1796 and 1808 80 Dendropicus cardinalis - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18700181 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dendropicus-cardinalis-between-1796-and-1808-80-dendropicus-cardinalis-1796-1808-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18700181-image207786994.html
Print made by David Allan, 1744–1796, British, born in Scotland, Bauldy, Symon and Sir William Worthy, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. bed , breeches , brocade , caps , coats , cottage , cradle , curtains , door , gesture , gun (small arm) , illustration , interior , jackets , ladder , literary theme , men , pastoral , peasants , poem , pointing , pot , rafters , shepherd , shirts , slippers , surprise , talking , tub , woman. Europe , Scotland , United Kingdom
Print made by David Allan, 1744–1796, British, born in Scotland, Bauldy, Symon and Sir William Worthy, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. bed , breeches , brocade , caps , coats , cottage , cradle , curtains , door , gesture , gun (small arm) , illustration , interior , jackets , ladder , literary theme , men , pastoral , peasants , poem , pointing , pot , rafters , shepherd , shirts , slippers , surprise , talking , tub , woman. Europe , Scotland , United Kingdom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-made-by-david-allan-17441796-british-born-in-scotland-bauldy-symon-and-sir-william-worthy-1808-etching-and-aquatint-on-moderately-thick-slightly-textured-cream-wove-paper-bed-breeches-brocade-caps-coats-cottage-cradle-curtains-door-gesture-gun-small-arm-illustration-interior-jackets-ladder-literary-theme-men-pastoral-peasants-poem-pointing-pot-rafters-shepherd-shirts-slippers-surprise-talking-tub-woman-europe-scotland-united-kingdom-image398370237.html
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond, between 1787 and 1808. Watercolor, pen, black ink, and graphite on moderately thick, slightly textured, cream laid paper. brig , cityscape , genre subject , marine art , men , oars , rowboats , rowing , seamen , ships , town , village , warships , windmill. England , Europe , Thames , United Kingdom
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond, between 1787 and 1808. Watercolor, pen, black ink, and graphite on moderately thick, slightly textured, cream laid paper. brig , cityscape , genre subject , marine art , men , oars , rowboats , rowing , seamen , ships , town , village , warships , windmill. England , Europe , Thames , United Kingdom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/samuel-atkins-active-17871808-british-active-in-the-east-indies-17961804-a-trading-brig-preparing-to-set-sail-on-the-thames-warships-running-down-the-estuary-beyond-between-1787-and-1808-watercolor-pen-black-ink-and-graphite-on-moderately-thick-slightly-textured-cream-laid-paper-brig-cityscape-genre-subject-marine-art-men-oars-rowboats-rowing-seamen-ships-town-village-warships-windmill-england-europe-thames-united-kingdom-image398458316.html
Print made by David Allan, 1744–1796, British, born in Scotland, Patie and Peggy, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. agriculture , breeches , cane , cattle , coat , comforting , costume , cows , dog (animal) , dress , fichu , genre subject , gesture , grazing , hills , illustration , landscape , love , man , pastoral , peasants , plaid , poem , rocks (landforms) , rural , sash , shepherd , shepherd's crook , stream , tam-o'-shanter , trees , tub , weeping , woman. Europe , Scotland , United Kingdom
Print made by David Allan, 1744–1796, British, born in Scotland, Patie and Peggy, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. agriculture , breeches , cane , cattle , coat , comforting , costume , cows , dog (animal) , dress , fichu , genre subject , gesture , grazing , hills , illustration , landscape , love , man , pastoral , peasants , plaid , poem , rocks (landforms) , rural , sash , shepherd , shepherd's crook , stream , tam-o'-shanter , trees , tub , weeping , woman. Europe , Scotland , United Kingdom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-made-by-david-allan-17441796-british-born-in-scotland-patie-and-peggy-1808-etching-and-aquatint-on-moderately-thick-slightly-textured-cream-wove-paper-agriculture-breeches-cane-cattle-coat-comforting-costume-cows-dog-animal-dress-fichu-genre-subject-gesture-grazing-hills-illustration-landscape-love-man-pastoral-peasants-plaid-poem-rocks-landforms-rural-sash-shepherd-shepherds-crook-stream-tam-o-shanter-trees-tub-weeping-woman-europe-scotland-united-kingdom-image398370209.html
Johan Hulshout (1623-1687). Artist: Pieter van Slingelandt (Dutch, Leiden 1640-1691 Leiden); Date: ca. 1670 or slightly later; Medium: Oil on wood;
Johan Hulshout (1623-1687). Artist: Pieter van Slingelandt (Dutch, Leiden 1640-1691 Leiden); Date: ca. 1670 or slightly later; Medium: Oil on wood; https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-johan-hulshout-1623-1687-artist-pieter-van-slingelandt-dutch-leiden-168360564.html
Portrait of Empress Catherine II (1729-1796), 1780s. Artist: Rokotov, Fyodor Stepanovich (1735-1808)
Portrait of Empress Catherine II (1729-1796), 1780s. Artist: Rokotov, Fyodor Stepanovich (1735-1808) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-portrait-of-empress-catherine-ii-1729-1796-1780s-artist-rokotov-fyodor-135271029.html
The Latest Fashions Expressly Designed and Prepared for the Milliner, Dressmaker and Draper and Illustrated Household Journal, from Le Moniteur de la
The Latest Fashions Expressly Designed and Prepared for the Milliner, Dressmaker and Draper and Illustrated Household Journal, from Le Moniteur de la https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-latest-fashions-expressly-designed-and-prepared-for-the-milliner-dressmaker-and-draper-and-illustrated-household-journal-from-le-moniteur-de-la-image278266146.html
Archibuteo lagopus, Print, 1796-1808
Archibuteo lagopus, Print, 1796-1808 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/archibuteo-lagopus-print-1796-1808-image328666584.html
Thamnobia coryphaeus, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Thamnobia coryphaeus, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/thamnobia-coryphaeus-print-1796-1808-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349790944.html
Panel (Furnishing Fabric). Designed by Jean Baptiste Huët (French, 1745-1811) after Jean Baptiste Pillement (French, 1728-1808); France, Jouy-en-Josas or Nantes. Date: 1776-1796. Dimensions: 274 x 99.1 cm (107 7/8 x 39 in.) Warp repeat: 92.2 cm (36 1/4 in.). Linen, plain weave; copperplate printed. Origin: Nantes. Museum: The Chicago Art Institute.
Panel (Furnishing Fabric). Designed by Jean Baptiste Huët (French, 1745-1811) after Jean Baptiste Pillement (French, 1728-1808); France, Jouy-en-Josas or Nantes. Date: 1776-1796. Dimensions: 274 x 99.1 cm (107 7/8 x 39 in.) Warp repeat: 92.2 cm (36 1/4 in.). Linen, plain weave; copperplate printed. Origin: Nantes. Museum: The Chicago Art Institute. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/panel-furnishing-fabric-designed-by-jean-baptiste-hut-french-1745-1811-after-jean-baptiste-pillement-french-1728-1808-france-jouy-en-josas-or-nantes-date-1776-1796-dimensions-274-x-991-cm-107-78-x-39-in-warp-repeat-922-cm-36-14-in-linen-plain-weave-copperplate-printed-origin-nantes-museum-the-chicago-art-institute-image240110628.html
. The British in Capri, 1806-1808 . on February 23rd, 1787, he joined a cavalry regiment.Murat soon came under the notice of Napoleon and hewas promoted, in Paris, on October 5th, 1795, Colonelof the 21st Chasseurs. In 1796 to 1798, he was appointedChef-de-brigade and Aide-de-camp to Napoleon duringthe campaign in Italy. In 1798 to 1799, he went to Egypt and Syria, and, atthe battle of Aboukir, on March 8th, 1801, he waswounded. The victory was due chiefly to Murat, and,in his report to the Directory, Napoleon asked them togrant him the rank of a general of division, adding hiscavalry-brigade
. The British in Capri, 1806-1808 . on February 23rd, 1787, he joined a cavalry regiment.Murat soon came under the notice of Napoleon and hewas promoted, in Paris, on October 5th, 1795, Colonelof the 21st Chasseurs. In 1796 to 1798, he was appointedChef-de-brigade and Aide-de-camp to Napoleon duringthe campaign in Italy. In 1798 to 1799, he went to Egypt and Syria, and, atthe battle of Aboukir, on March 8th, 1801, he waswounded. The victory was due chiefly to Murat, and,in his report to the Directory, Napoleon asked them togrant him the rank of a general of division, adding hiscavalry-brigade https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-british-in-capri-1806-1808-on-february-23rd-1787-he-joined-a-cavalry-regimentmurat-soon-came-under-the-notice-of-napoleon-and-hewas-promoted-in-paris-on-october-5th-1795-colonelof-the-21st-chasseurs-in-1796-to-1798-he-was-appointedchef-de-brigade-and-aide-de-camp-to-napoleon-duringthe-campaign-in-italy-in-1798-to-1799-he-went-to-egypt-and-syria-and-atthe-battle-of-aboukir-on-march-8th-1801-he-waswounded-the-victory-was-due-chiefly-to-murat-andin-his-report-to-the-directory-napoleon-asked-them-togrant-him-the-rank-of-a-general-of-division-adding-hiscavalry-brigade-image372330015.html
. Palaeornis eupatria . between 1796 and 1808 216 Palaeornis eupatria - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18500039
. Palaeornis eupatria . between 1796 and 1808 216 Palaeornis eupatria - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18500039 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/palaeornis-eupatria-between-1796-and-1808-216-palaeornis-eupatria-1796-1808-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18500039-image207786045.html
Print made by David Allan, 1744–1796, British, born in Scotland, Madge and Bauldy, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. agriculture , apron (main garment) , attack , blouses , breeches , caps , coats , cottages , distaff , dog (animal) , farmhouses , fence , fichu , genre subject , gesture , haystacks , houses , huts , illustration , kerchiefs , ladder , laughing , men , pastoral , peasants , poem , post , reaching , running , rural , sticks , thatched roofs , trees , women. Europe , Scotland , United Kingdom
Print made by David Allan, 1744–1796, British, born in Scotland, Madge and Bauldy, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. agriculture , apron (main garment) , attack , blouses , breeches , caps , coats , cottages , distaff , dog (animal) , farmhouses , fence , fichu , genre subject , gesture , haystacks , houses , huts , illustration , kerchiefs , ladder , laughing , men , pastoral , peasants , poem , post , reaching , running , rural , sticks , thatched roofs , trees , women. Europe , Scotland , United Kingdom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-made-by-david-allan-17441796-british-born-in-scotland-madge-and-bauldy-1808-etching-and-aquatint-on-moderately-thick-slightly-textured-cream-wove-paper-agriculture-apron-main-garment-attack-blouses-breeches-caps-coats-cottages-distaff-dog-animal-farmhouses-fence-fichu-genre-subject-gesture-haystacks-houses-huts-illustration-kerchiefs-ladder-laughing-men-pastoral-peasants-poem-post-reaching-running-rural-sticks-thatched-roofs-trees-women-europe-scotland-united-kingdom-image398370182.html
Portrait of Empress Catherine II (1729-1796), 1775-1780. Artist: Rokotov, Fyodor Stepanovich (1735-1808)
Portrait of Empress Catherine II (1729-1796), 1775-1780. Artist: Rokotov, Fyodor Stepanovich (1735-1808) https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-empress-catherine-ii-1729-1796-1775-1780-artist-rokotov-image60412210.html
The Latest Fashions Expressly Designed and Prepared for the Milliner, Dressmaker and Draper and Illustrated Household Journal, from Le Moniteur de la
The Latest Fashions Expressly Designed and Prepared for the Milliner, Dressmaker and Draper and Illustrated Household Journal, from Le Moniteur de la https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-the-latest-fashions-expressly-designed-and-prepared-for-the-milliner-168368055.html
Conurus pictus, Print, 1796-1808
Conurus pictus, Print, 1796-1808 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/conurus-pictus-print-1796-1808-image328674051.html
Juida cafra, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Juida cafra, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/juida-cafra-print-1796-1808-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349756940.html
Portrait of Paul Wranitzky (1756-1808), 1796.
Portrait of Paul Wranitzky (1756-1808), 1796. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-paul-wranitzky-1756-1808-1796-image186155939.html
Landscape with a Ruined Tower and Two Figures. Artist: Martin von Molitor (Austrian, Vienna 1759-1812 Vienna); Date: 1794; Medium: Brush and gray
Landscape with a Ruined Tower and Two Figures. Artist: Martin von Molitor (Austrian, Vienna 1759-1812 Vienna); Date: 1794; Medium: Brush and gray https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-landscape-with-a-ruined-tower-and-two-figures-artist-martin-von-molitor-168378842.html
Miquelet Gun Made for Charles IV of Spain (reigned 1788-1808), Spanish, Eibar, dated 1796.
Miquelet Gun Made for Charles IV of Spain (reigned 1788-1808), Spanish, Eibar, dated 1796. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/miquelet-gun-made-for-charles-iv-of-spain-reigned-1788-1808-spanish-eibar-dated-1796-image406449770.html
The American Drawing Book: Manual for the Amateur, Basis of Study for the Professional Artist. Author: John Gadsby Chapman (American, Alexandria, Virginia 1808-1889 New York). Dimensions: book: 12 1/16 x 9 5/8 x 1 7/16 in. (30.7 x 24.4 x 3.6 cm) sheet: 11 11/16 x 8 7/8 in. (29.7 x 22.5 cm). Illustrator: Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Publisher: W. J. Widdleton (New York, NY). Date: 1864. Museum: Metropolitan Museum of Art, New York, USA.
The American Drawing Book: Manual for the Amateur, Basis of Study for the Professional Artist. Author: John Gadsby Chapman (American, Alexandria, Virginia 1808-1889 New York). Dimensions: book: 12 1/16 x 9 5/8 x 1 7/16 in. (30.7 x 24.4 x 3.6 cm) sheet: 11 11/16 x 8 7/8 in. (29.7 x 22.5 cm). Illustrator: Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Publisher: W. J. Widdleton (New York, NY). Date: 1864. Museum: Metropolitan Museum of Art, New York, USA. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-american-drawing-book-manual-for-the-amateur-basis-of-study-for-the-professional-artist-author-john-gadsby-chapman-american-alexandria-virginia-1808-1889-new-york-dimensions-book-12-116-x-9-58-x-1-716-in-307-x-244-x-36-cm-sheet-11-1116-x-8-78-in-297-x-225-cm-illustrator-asher-brown-durand-american-jefferson-new-jersey-1796-1886-maplewood-new-jersey-publisher-w-j-widdleton-new-york-ny-date-1864-museum-metropolitan-museum-of-art-new-york-usa-image212936178.html
Imaginary View of the Grand Gallery of the Louvre in Ruins, 1796.
Imaginary View of the Grand Gallery of the Louvre in Ruins, 1796. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/imaginary-view-of-the-grand-gallery-of-the-louvre-in-ruins-1796-image186154206.html
Early American paintings; catalogue of an exhibition held in the Museum of the Brooklyn instituteof arts and sciences, Brooklyn, February 3d to March 12th, 1917 . n and died in Kingston, New York. He was a pupil ofStuart in New York City and later went to Paris where hestudied from 1796 until 1801. He painted in Europe from 1803to 1815. In 1808 his painting Marius among the Ruins ofCarthage was awarded a medal in Paris, and his Landingof Columbus is in the Rotunda of the Capitol in Washington. 1 COLONEL MOSES THOMAS. Moses Thomas wasJ-^ the editor of the Analectic Magazine. This portraitwas
Early American paintings; catalogue of an exhibition held in the Museum of the Brooklyn instituteof arts and sciences, Brooklyn, February 3d to March 12th, 1917 . n and died in Kingston, New York. He was a pupil ofStuart in New York City and later went to Paris where hestudied from 1796 until 1801. He painted in Europe from 1803to 1815. In 1808 his painting Marius among the Ruins ofCarthage was awarded a medal in Paris, and his Landingof Columbus is in the Rotunda of the Capitol in Washington. 1 COLONEL MOSES THOMAS. Moses Thomas wasJ-^ the editor of the Analectic Magazine. This portraitwas https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/early-american-paintings-catalogue-of-an-exhibition-held-in-the-museum-of-the-brooklyn-instituteof-arts-and-sciences-brooklyn-february-3d-to-march-12th-1917-n-and-died-in-kingston-new-york-he-was-a-pupil-ofstuart-in-new-york-city-and-later-went-to-paris-where-hestudied-from-1796-until-1801-he-painted-in-europe-from-1803to-1815-in-1808-his-painting-marius-among-the-ruins-ofcarthage-was-awarded-a-medal-in-paris-and-his-landingof-columbus-is-in-the-rotunda-of-the-capitol-in-washington-1-colonel-moses-thomas-moses-thomas-wasj-the-editor-of-the-analectic-magazine-this-portraitwas-image338322964.html
. Buteo aequinoctialis . between 1796 and 1808 45 Buteo aequinoctialis - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18200065
. Buteo aequinoctialis . between 1796 and 1808 45 Buteo aequinoctialis - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18200065 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/buteo-aequinoctialis-between-1796-and-1808-45-buteo-aequinoctialis-1796-1808-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18200065-image207785050.html
Portrait of Empress Catherine II (1729-1796).
Portrait of Empress Catherine II (1729-1796). https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-empress-catherine-ii-1729-1796-image186151368.html
Print made by David Allan, 1744–1796, British, born in Scotland, Peggy and Patie, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. breeches , cane , cattle , chimney , coat , costume , cottage , couple , dome , dress , fence , fichu , genre subject , gesture , hills , horse (animal) , illustration , kerchief , landscape , lovers , man , pastoral , peasants , plaid , poem , pointing , recorder , ribbons , rural , sash , sheep , stripes , tam-o'-shanter , thatched roof , trees , tub , women. Europe , Scotland , United Kingdom
Print made by David Allan, 1744–1796, British, born in Scotland, Peggy and Patie, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper. breeches , cane , cattle , chimney , coat , costume , cottage , couple , dome , dress , fence , fichu , genre subject , gesture , hills , horse (animal) , illustration , kerchief , landscape , lovers , man , pastoral , peasants , plaid , poem , pointing , recorder , ribbons , rural , sash , sheep , stripes , tam-o'-shanter , thatched roof , trees , tub , women. Europe , Scotland , United Kingdom https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/print-made-by-david-allan-17441796-british-born-in-scotland-peggy-and-patie-1808-etching-and-aquatint-on-moderately-thick-slightly-textured-cream-wove-paper-breeches-cane-cattle-chimney-coat-costume-cottage-couple-dome-dress-fence-fichu-genre-subject-gesture-hills-horse-animal-illustration-kerchief-landscape-lovers-man-pastoral-peasants-plaid-poem-pointing-recorder-ribbons-rural-sash-sheep-stripes-tam-o-shanter-thatched-roof-trees-tub-women-europe-scotland-united-kingdom-image398370085.html
Dendropicus cardinalis, Print, 1796-1808
Dendropicus cardinalis, Print, 1796-1808 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/dendropicus-cardinalis-print-1796-1808-image328677269.html
Juida ornata, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Juida ornata, Print, 1796-1808, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/juida-ornata-print-1796-1808-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349756949.html
Landscape with a Ruined Tower and Two Figures. Artist: Martin von Molitor (Austrian, Vienna 1759-1812 Vienna); Date: 1794; Medium: Brush and gray
Landscape with a Ruined Tower and Two Figures. Artist: Martin von Molitor (Austrian, Vienna 1759-1812 Vienna); Date: 1794; Medium: Brush and gray https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/landscape-with-a-ruined-tower-and-two-figures-artist-martin-von-molitor-austrian-vienna-1759-1812-vienna-date-1794-medium-brush-and-gray-image283895243.html
Head of a Child. Artist: Style of Jacques Louis David (French, first quarter 19th century); Medium: Oil on canvas; Dimensions: 15 3/4 x 12 5/8 in.
Head of a Child. Artist: Style of Jacques Louis David (French, first quarter 19th century); Medium: Oil on canvas; Dimensions: 15 3/4 x 12 5/8 in. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-image-head-of-a-child-artist-style-of-jacques-louis-david-french-first-quarter-168369710.html
. A history of the rise and progress of the arts of design in the United States. Newbury port,Mass., 1796. He was a member of various partnerships of bank-noteengravers; later president of the American Bank Note Co. Torrens. Rosalba Torrens is mentioned by Ramsay in his His-tory of South Carolina as a painter of landscapes. She was practicingher art in Charleston in 1808. Torrey. Charles C. Torrey, brother of Manasseh C. Torrey,was located in Salem, Mass., about 1820 and died Nashville, Tenn.,1827. He engraved a view of Harvard College published in 1823and a few small plates. Townsend. The Caz
. A history of the rise and progress of the arts of design in the United States. Newbury port,Mass., 1796. He was a member of various partnerships of bank-noteengravers; later president of the American Bank Note Co. Torrens. Rosalba Torrens is mentioned by Ramsay in his His-tory of South Carolina as a painter of landscapes. She was practicingher art in Charleston in 1808. Torrey. Charles C. Torrey, brother of Manasseh C. Torrey,was located in Salem, Mass., about 1820 and died Nashville, Tenn.,1827. He engraved a view of Harvard College published in 1823and a few small plates. Townsend. The Caz https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/a-history-of-the-rise-and-progress-of-the-arts-of-design-in-the-united-states-newbury-portmass-1796-he-was-a-member-of-various-partnerships-of-bank-noteengravers-later-president-of-the-american-bank-note-co-torrens-rosalba-torrens-is-mentioned-by-ramsay-in-his-his-tory-of-south-carolina-as-a-painter-of-landscapes-she-was-practicingher-art-in-charleston-in-1808-torrey-charles-c-torrey-brother-of-manasseh-c-torreywas-located-in-salem-mass-about-1820-and-died-nashville-tenn1827-he-engraved-a-view-of-harvard-college-published-in-1823and-a-few-small-plates-townsend-the-caz-image370498390.html
. Elanus melanopterus . between 1796 and 1808 115 Elanus melanopterus - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18200374
. Elanus melanopterus . between 1796 and 1808 115 Elanus melanopterus - 1796-1808 - Print - Iconographia Zoologica - Special Collections University of Amsterdam - UBA01 IZ18200374 https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/elanus-melanopterus-between-1796-and-1808-115-elanus-melanopterus-1796-1808-print-iconographia-zoologica-special-collections-university-of-amsterdam-uba01-iz18200374-image207785371.html
Portrait of Empress Catherine II (1729-1796) (After Alexander Roslin), 1780s.
Portrait of Empress Catherine II (1729-1796) (After Alexander Roslin), 1780s. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/portrait-of-empress-catherine-ii-1729-1796-after-alexander-roslin-1780s-image186191428.html
