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Alexander Gordon Laing (1793-1826), Scottish explorer of Western Africa. He was the first European known to have reached the ancient city of Tombouctou (Timbuctoo) in August 1826 but was murdered there a month later. From 'A Biographical Dictionary of Eminent Scotsmen' by Thomas Thomson. (London, 1870). Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-gordon-laing-1793-1826-scottish-explorer-of-western-africa-57312455.htmlRMD96PHB–Alexander Gordon Laing (1793-1826), Scottish explorer of Western Africa. He was the first European known to have reached the ancient city of Tombouctou (Timbuctoo) in August 1826 but was murdered there a month later. From 'A Biographical Dictionary of Eminent Scotsmen' by Thomas Thomson. (London, 1870). Engraving.
Alexander Gordon Laing (1793 - 1826), a British traveller in Africa. Date: circa 1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-gordon-laing-1793-1826-a-british-traveller-in-africa-date-105277177.htmlRMG37P35–Alexander Gordon Laing (1793 - 1826), a British traveller in Africa. Date: circa 1820
Alexander Gordon Laing (1793-1826), Scottish explorer and the first European to reach Timbuktu. Engraving by S. Freeman. 'It was felt in some conservative military circles that Major Gordon Laing was a clever but somewhat conceited officer, and probably there was feeling of mild relief when he applied to lead a new expedition into the Sahara.' The African Adventure - A History of Africa's Explorers by Timothy Severin, page 124. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-gordon-laing-1793-1826-scottish-explorer-and-the-first-european-to-reach-timbuktu-engraving-by-s-freeman-it-was-felt-in-some-conservative-military-circles-that-major-gordon-laing-was-a-clever-but-somewhat-conceited-officer-and-probably-there-was-feeling-of-mild-relief-when-he-applied-to-lead-a-new-expedition-into-the-sahara-the-african-adventure-a-history-of-africas-explorers-by-timothy-severin-page-124-image268794283.htmlRMWH8HRR–Alexander Gordon Laing (1793-1826), Scottish explorer and the first European to reach Timbuktu. Engraving by S. Freeman. 'It was felt in some conservative military circles that Major Gordon Laing was a clever but somewhat conceited officer, and probably there was feeling of mild relief when he applied to lead a new expedition into the Sahara.' The African Adventure - A History of Africa's Explorers by Timothy Severin, page 124.
Laing 1793 1826 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laing-1793-1826-image5073369.htmlRMANJHDA–Laing 1793 1826
ALEXANDER GORDON LAING (1793-1826) Scottish explorer and first European to reach Timbuktu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-gordon-laing-1793-1826-scottish-explorer-and-first-european-32528876.htmlRMBTWPWG–ALEXANDER GORDON LAING (1793-1826) Scottish explorer and first European to reach Timbuktu
Portrait of Pavel Ivanovich Pestel (1793-1826) Detail, 1813. Artist: Orlowski (Orlovsky), Alexander Osipovich (1777-1832) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-pavel-ivanovich-pestel-1793-1826-detail-1813-artist-orlowski-135276685.htmlRMHT2AP5–Portrait of Pavel Ivanovich Pestel (1793-1826) Detail, 1813. Artist: Orlowski (Orlovsky), Alexander Osipovich (1777-1832)
Portrait of Pavel Ivanovich Pestel (1793-1826). Museum: PRIVATE COLLECTION. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-pavel-ivanovich-pestel-1793-1826-museum-private-collection-image211765790.htmlRMP8ENBX–Portrait of Pavel Ivanovich Pestel (1793-1826). Museum: PRIVATE COLLECTION.
John Flaxman, (artist), British, 1755 - 1826, The Giants, Dante's 'Divine Comedy': Inferno, canto 31 (pl.33), (series), c. 1793, graphite on brown tracing paper, overall: 20 x 13 cm (7 7/8 x 5 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-flaxman-artist-british-1755-1826-the-giants-dantes-divine-comedy-inferno-canto-31-pl33-series-c-1793-graphite-on-brown-tracing-paper-overall-20-x-13-cm-7-78-x-5-18-in-image386337033.htmlRM2DCF4R5–John Flaxman, (artist), British, 1755 - 1826, The Giants, Dante's 'Divine Comedy': Inferno, canto 31 (pl.33), (series), c. 1793, graphite on brown tracing paper, overall: 20 x 13 cm (7 7/8 x 5 1/8 in
Micha Elwiro Andriolli, 'Mary and Miecznik', to the poem 'Mary' by A. Malczewski, a series of 'heroine of Polish poetry'; Z: 'K Osy' 1880 No. 785, p. 41; Holewi Ski, Józef (1848-1917), Andriolli, Micha Elwiro (1836-1893); 1880 (1880-00-00-1880-00-00);Federowski, Michał (1853-1923) - collection, ears (Warsaw - magazine - 1865-1890) - illustrations, Malczewski, Antoni (1793-1826). Maria, illustrations for literary works, Polish painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/micha-elwiro-andriolli-mary-and-miecznik-to-the-poem-mary-by-a-malczewski-a-series-of-heroine-of-polish-poetry-z-k-osy-1880-no-785-p-41-holewi-ski-jzef-1848-1917-andriolli-micha-elwiro-1836-1893-1880-1880-00-00-1880-00-00federowski-micha-1853-1923-collection-ears-warsaw-magazine-1865-1890-illustrations-malczewski-antoni-1793-1826-maria-illustrations-for-literary-works-polish-painting-image598963898.htmlRM2WPD4FP–Micha Elwiro Andriolli, 'Mary and Miecznik', to the poem 'Mary' by A. Malczewski, a series of 'heroine of Polish poetry'; Z: 'K Osy' 1880 No. 785, p. 41; Holewi Ski, Józef (1848-1917), Andriolli, Micha Elwiro (1836-1893); 1880 (1880-00-00-1880-00-00);Federowski, Michał (1853-1923) - collection, ears (Warsaw - magazine - 1865-1890) - illustrations, Malczewski, Antoni (1793-1826). Maria, illustrations for literary works, Polish painting
Portrait of F.P. Colthoff, Hendrik Roosing, after J.P. Ney, 1793 - 1826 Silhouette portrait of F.P. Colthoff, ensign during the siege of Willemstad by Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-fp-colthoff-hendrik-roosing-after-jp-ney-1793-1826-silhouette-portrait-of-fp-colthoff-ensign-during-the-siege-of-willemstad-by-image570300384.htmlRF2T3RBXT–Portrait of F.P. Colthoff, Hendrik Roosing, after J.P. Ney, 1793 - 1826 Silhouette portrait of F.P. Colthoff, ensign during the siege of Willemstad by
Portrait of Alexander Gordon Laing (1793-1826) Historical Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-alexander-gordon-laing-1793-1826-historical-engraving-image624513238.htmlRF2Y81106–Portrait of Alexander Gordon Laing (1793-1826) Historical Engraving
Portrait of F.P. Colthoff, Hendrik Roosing, after J.P. Ney, 1793 - 1826 print Silhouette portrait of F.P. Colthoff, ensign during the siege of Willemstad by the French in 1793. A few military attributes for the portrait. On the plinth are name and titles. Rotterdam paper etching / engraving firearms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-fp-colthoff-hendrik-roosing-after-jp-ney-1793-1826-print-silhouette-portrait-of-fp-colthoff-ensign-during-the-siege-of-willemstad-by-the-french-in-1793-a-few-military-attributes-for-the-portrait-on-the-plinth-are-name-and-titles-rotterdam-paper-etching-engraving-firearms-image593028478.htmlRM2WCPNTE–Portrait of F.P. Colthoff, Hendrik Roosing, after J.P. Ney, 1793 - 1826 print Silhouette portrait of F.P. Colthoff, ensign during the siege of Willemstad by the French in 1793. A few military attributes for the portrait. On the plinth are name and titles. Rotterdam paper etching / engraving firearms
Art inspired by Achilles and the Shade of Patroclus, 1793, Pen and black ink over graphite, Sheet: 8 3/8 x 11 3/8 in. (21.3 x 28.9 cm), Drawings, John Flaxman (British, York 1755–1826 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-achilles-and-the-shade-of-patroclus-1793-pen-and-black-ink-over-graphite-sheet-8-38-x-11-38-in-213-x-289-cm-drawings-john-flaxman-british-york-17551826-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462954849.htmlRF2HW5BHN–Art inspired by Achilles and the Shade of Patroclus, 1793, Pen and black ink over graphite, Sheet: 8 3/8 x 11 3/8 in. (21.3 x 28.9 cm), Drawings, John Flaxman (British, York 1755–1826 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marya. Novel by Antoni Malczewski with eight photographs according to drawings by E. M. Andriolli; 2nd edition. Malczewski, Antoni (1793-1826), author, Unger, Józef (Warszawa ; drukarnia, wydawnictwo, księgarnia ; 1841-ca 1877), printing house, Brandel, Konrad (1838-1920), photographer, Andriolli, Michał Elwiro (1836-1893), draughtsman, cartoonist, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publisher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marya-novel-by-antoni-malczewski-with-eight-photographs-according-to-drawings-by-e-m-andriolli-2nd-edition-malczewski-antoni-1793-1826-author-unger-jzef-warszawa-drukarnia-wydawnictwo-ksigarnia-1841-ca-1877-printing-house-brandel-konrad-1838-1920-photographer-andriolli-micha-elwiro-1836-1893-draughtsman-cartoonist-gebethner-i-wolff-warszawa-wydawnictwo-1857-1950-publisher-image480429174.htmlRM2JWHC8P–Marya. Novel by Antoni Malczewski with eight photographs according to drawings by E. M. Andriolli; 2nd edition. Malczewski, Antoni (1793-1826), author, Unger, Józef (Warszawa ; drukarnia, wydawnictwo, księgarnia ; 1841-ca 1877), printing house, Brandel, Konrad (1838-1920), photographer, Andriolli, Michał Elwiro (1836-1893), draughtsman, cartoonist, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publisher
. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 64 Augustus Earle Portrait of Bungaree Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-bungaree-a-native-of-new-south-wales-with-fort-macquarie-sydney-harbour-in-background-oil-on-canvas-1826-augustus-earle-17931838-alternative-names-augustus-earl-description-british-painter-british-artist-date-of-birthdeath-1-june-1793-10-december-1838-location-of-birthdeath-london-london-authority-control-q663092-viaf23050441-isni0000-0000-6681-0146-ulan500012341-lccnn81018129-gnd123476240-worldcat-64-augustus-earle-portrait-of-bungaree-image187670109.htmlRMMW933W–. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 64 Augustus Earle Portrait of Bungaree
Portrait of a woman 1793 Charles Paul Landon 1760 – 1826) France French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-woman-1793-charles-paul-landon-1760-1826-france-french-75090748.htmlRMEA4K0C–Portrait of a woman 1793 Charles Paul Landon 1760 – 1826) France French
John Adams (1735-1826), American statesman and Founding Father, 2nd President of the United States, portrait painting by John Trumbull, 1793 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-adams1735-1826-american-statesman-andfounding-father2ndpresident-of-the-united-states-portrait-painting-by-john-trumbull-1793-image382514006.htmlRM2D690EE–John Adams (1735-1826), American statesman and Founding Father, 2nd President of the United States, portrait painting by John Trumbull, 1793
John Adams. Portrait of the 2nd US President, John Adams (1735-1826) by John Trumbull, oil on canvas, 1793 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-adams-portrait-of-the-2nd-us-president-john-adams-1735-1826-by-134330042.htmlRMHPF79E–John Adams. Portrait of the 2nd US President, John Adams (1735-1826) by John Trumbull, oil on canvas, 1793
Jean Anthelme Brillat-Savarin (1755-1826). French jurist and politician. He had to go into exile in the United States when the Reign of Terror began in 1793. Author of the first treatise on gastronomy, 'Physiologie du goût’'(The Physiology of Taste), 1825. Portrait. Engraving by Pannemaker. 'History of the French Revolution'. Volume I, 1876. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-anthelme-brillat-savarin-1755-1826-french-jurist-and-politician-he-had-to-go-into-exile-in-the-united-states-when-the-reign-of-terror-began-in-1793-author-of-the-first-treatise-on-gastronomy-physiologie-du-gotthe-physiology-of-taste-1825-portrait-engraving-by-pannemaker-history-of-the-french-revolution-volume-i-1876-image627106983.htmlRM2YC759Y–Jean Anthelme Brillat-Savarin (1755-1826). French jurist and politician. He had to go into exile in the United States when the Reign of Terror began in 1793. Author of the first treatise on gastronomy, 'Physiologie du goût’'(The Physiology of Taste), 1825. Portrait. Engraving by Pannemaker. 'History of the French Revolution'. Volume I, 1876.
Dost Mohammad Khan (1793-1863) ruler of Afghanistan 1826-1863. Founder of Barakzai (Barakzay) dynasty. Wood engraving c.1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dost-mohammad-khan-1793-1863-ruler-of-afghanistan-1826-1863-founder-57299283.htmlRMD965PY–Dost Mohammad Khan (1793-1863) ruler of Afghanistan 1826-1863. Founder of Barakzai (Barakzay) dynasty. Wood engraving c.1880
Peruvian War of Independence (1809-1826). Baldomero Espartero (1793-1879). Spanish military and politician. Espartero, alone and disguised, lures a group of insurgents into an ambush near Presto, by pretending to be Fernández, the chieftain they were waiting for. The Spanish troops were located in Tarabuco, the place from which they carried out military actions. Engraving by Sadurní. 'Espartero: su vida militar, política, descriptiva y anecdótica' (Espartero: his military, political, descriptive and anecdotal life). Volume I, 1879. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peruvian-war-of-independence-1809-1826-baldomero-espartero-1793-1879-spanish-military-and-politician-espartero-alone-and-disguised-lures-a-group-of-insurgents-into-an-ambush-near-presto-by-pretending-to-be-fernndez-the-chieftain-they-were-waiting-for-the-spanish-troops-were-located-in-tarabuco-the-place-from-which-they-carried-out-military-actions-engraving-by-sadurn-espartero-su-vida-militar-poltica-descriptiva-y-anecdtica-espartero-his-military-political-descriptive-and-anecdotal-life-volume-i-1879-image611258471.htmlRM2XED6BK–Peruvian War of Independence (1809-1826). Baldomero Espartero (1793-1879). Spanish military and politician. Espartero, alone and disguised, lures a group of insurgents into an ambush near Presto, by pretending to be Fernández, the chieftain they were waiting for. The Spanish troops were located in Tarabuco, the place from which they carried out military actions. Engraving by Sadurní. 'Espartero: su vida militar, política, descriptiva y anecdótica' (Espartero: his military, political, descriptive and anecdotal life). Volume I, 1879.
Charles Lock Eastlake 1793-1865, The Champion 1826 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-lock-eastlake-1793-1865-the-champion-1826-57439306.htmlRMD9CGBP–Charles Lock Eastlake 1793-1865, The Champion 1826
JOHN ADAMS (1735-1826) American statesman and one of the Founding Fathers, painted by John Turnbull in 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-adams-1735-1826-american-statesman-and-one-of-the-founding-fathers-painted-by-john-turnbull-in-1793-image622427553.htmlRM2Y4J0KD–JOHN ADAMS (1735-1826) American statesman and one of the Founding Fathers, painted by John Turnbull in 1793.
Dost Mohammad Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mahommed belonged to the Pashtun ethnic group. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dost-mohammad-khan-december-23-1793-june-9-1863-was-the-emir-of-afghanistan-between-1826-and-1863-he-first-ruled-from-1826-to-1839-and-then-from-1843-to-1863-he-was-the-eleventh-son-of-sardar-pyendah-khan-chief-of-the-barakzai-tribe-who-was-killed-by-zaman-shah-durrani-in-1799-he-was-the-grandson-of-hajji-jamal-khan-who-founded-the-barakzai-dynasty-in-afghanistan-dost-mahommed-belonged-to-the-pashtun-ethnic-group-image344259892.htmlRM2B02B04–Dost Mohammad Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mahommed belonged to the Pashtun ethnic group.
Portrait of Empress Elizabeth Alexeievna (1779-1826) in Mourning Dress, 1831. Artist: Basin, Pyotr Vasilyevich (1793-1877) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-empress-elizabeth-alexeievna-1779-1826-in-mourning-dress-image60419512.htmlRMDE89KM–Portrait of Empress Elizabeth Alexeievna (1779-1826) in Mourning Dress, 1831. Artist: Basin, Pyotr Vasilyevich (1793-1877)
Portrait of Pavel Ivanovich Pestel (1793-1826) Detail. Museum: Russian National Library, St. Petersburg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-pavel-ivanovich-pestel-1793-1826-detail-museum-russian-national-library-st-petersburg-image211680947.htmlRMP8AW5R–Portrait of Pavel Ivanovich Pestel (1793-1826) Detail. Museum: Russian National Library, St. Petersburg.
Harlequin Duck, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on ivory wove paper, 525 x 717 mm (plate), 655 x 979 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harlequin-duck-182639-robert-havell-english-1793-1878-after-john-james-audubon-american-1785-1851-united-kingdom-hand-colored-engraving-with-aquatint-and-etching-on-ivory-wove-paper-525-x-717-mm-plate-655-x-979-mm-sheet-image328660479.htmlRM2A2KNP7–Harlequin Duck, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on ivory wove paper, 525 x 717 mm (plate), 655 x 979 mm (sheet
Dost Mohammad Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mahommed belonged to the Pashtun ethnic group. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dost-mohammad-khan-december-23-1793-june-9-1863-was-the-emir-of-afghanistan-between-1826-and-1863-he-first-ruled-from-1826-to-1839-and-then-from-1843-to-1863-he-was-the-eleventh-son-of-sardar-pyendah-khan-chief-of-the-barakzai-tribe-who-was-killed-by-zaman-shah-durrani-in-1799-he-was-the-grandson-of-hajji-jamal-khan-who-founded-the-barakzai-dynasty-in-afghanistan-dost-mahommed-belonged-to-the-pashtun-ethnic-group-image344281643.htmlRM2B03AMY–Dost Mohammad Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mahommed belonged to the Pashtun ethnic group.
'Signing the (American) Declaration of Independence, 28th June 1776' - after a painting by John Trumbull, commissioned 1817. Oil on canvas, 12 inches x 18 inches. Thomas Jefferson and the drafting committee presenting document to John Hancock. TJ, principal author of the American Declaration of Independence and later US president: 13 April 1743 - 4 July 1826. JH, patriot of the American Revolution: 23 January 1737 - 8 October 1793. JT, American artist: 6 June 1756 - 10 November 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-signing-the-american-declaration-of-independence-28th-june-1776-after-83326892.htmlRMERFT8C–'Signing the (American) Declaration of Independence, 28th June 1776' - after a painting by John Trumbull, commissioned 1817. Oil on canvas, 12 inches x 18 inches. Thomas Jefferson and the drafting committee presenting document to John Hancock. TJ, principal author of the American Declaration of Independence and later US president: 13 April 1743 - 4 July 1826. JH, patriot of the American Revolution: 23 January 1737 - 8 October 1793. JT, American artist: 6 June 1756 - 10 November 1843.
Afghanistan: 'Dost Mahommed, King of Caubul, and his youngest son'. Lithograph from 'Afghaunistan' by James Rattray (1818-1854), 1841. Dost Mohammed Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mohammed belonged to the Pashtun ethnic group. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/afghanistan-dost-mahommed-king-of-caubul-and-his-youngest-son-lithograph-from-afghaunistan-by-james-rattray-1818-1854-1841-dost-mohammed-khan-december-23-1793-june-9-1863-was-the-emir-of-afghanistan-between-1826-and-1863-he-first-ruled-from-1826-to-1839-and-then-from-1843-to-1863-he-was-the-eleventh-son-of-sardar-pyendah-khan-chief-of-the-barakzai-tribe-who-was-killed-by-zaman-shah-durrani-in-1799-he-was-the-grandson-of-hajji-jamal-khan-who-founded-the-barakzai-dynasty-in-afghanistan-dost-mohammed-belonged-to-the-pashtun-ethnic-group-image344224093.htmlRM2B00N9H–Afghanistan: 'Dost Mahommed, King of Caubul, and his youngest son'. Lithograph from 'Afghaunistan' by James Rattray (1818-1854), 1841. Dost Mohammed Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mohammed belonged to the Pashtun ethnic group.
John Adams (1735-1826), 1st Vice President and 2nd President of the United States, American Founding Father, oil on canvas painting by John Trumbull from an original painting by Gilbert Stuart, 1793 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-adams-1735-1826-1st-vice-president-and-2nd-president-of-the-united-states-american-founding-father-oil-on-canvas-painting-by-john-trumbull-from-an-original-painting-by-gilbert-stuart-1793-image452967816.htmlRM2H8XD20–John Adams (1735-1826), 1st Vice President and 2nd President of the United States, American Founding Father, oil on canvas painting by John Trumbull from an original painting by Gilbert Stuart, 1793
Art inspired by The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome, 1793, Illustrations: line engraving, Overall: 10 7/8 x 16 9/16 x 7/8in. (27.6 x 42 x 2.3cm), Books, After John Flaxman (British, York 1755–1826 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-iliad-and-odyssey-of-homer-engraved-from-the-compositions-of-john-flaxman-sculptor-rome-1793-illustrations-line-engraving-overall-10-78-x-16-916-x-78in-276-x-42-x-23cm-books-after-john-flaxman-british-york-17551826-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949891.htmlRF2HW558K–Art inspired by The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome, 1793, Illustrations: line engraving, Overall: 10 7/8 x 16 9/16 x 7/8in. (27.6 x 42 x 2.3cm), Books, After John Flaxman (British, York 1755–1826 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
fine arts, Stanfield, (William) Clarkson Frederick (1793-1867), painting, The Cathedral of Cologne, circa 1826 / 1835, Rheinisches Landesmuseum, Bonn, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-stanfield-william-clarkson-frederick-1793-1867-painting-110583207.htmlRMGBWE07–fine arts, Stanfield, (William) Clarkson Frederick (1793-1867), painting, The Cathedral of Cologne, circa 1826 / 1835, Rheinisches Landesmuseum, Bonn,
. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 64 Augustus Earle Portrait of Bungaree Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-bungaree-a-native-of-new-south-wales-with-fort-macquarie-sydney-harbour-in-background-oil-on-canvas-1826-augustus-earle-17931838-alternative-names-augustus-earl-description-british-painter-british-artist-date-of-birthdeath-1-june-1793-10-december-1838-location-of-birthdeath-london-london-authority-control-q663092-viaf23050441-isni0000-0000-6681-0146-ulan500012341-lccnn81018129-gnd123476240-worldcat-64-augustus-earle-portrait-of-bungaree-image188209135.htmlRMMX5JJR–. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 64 Augustus Earle Portrait of Bungaree
Art inspired by Glenfinlas Valley (Vallée de Glenfinlas, from Vues Pittoresques de l'Écosse), 1826, Lithograph, sheet: 10 3/16 x 13 9/16 in. (25.8 x 34.4 cm), Prints, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), After François-Alexandre Pernot (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-glenfinlas-valley-valle-de-glenfinlas-from-vues-pittoresques-de-lcosse-1826-lithograph-sheet-10-316-x-13-916-in-258-x-344-cm-prints-richard-parkes-bonington-british-arnold-nottinghamshire-18021828-london-after-franois-alexandre-pernot-french-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463001062.htmlRF2HW7EG6–Art inspired by Glenfinlas Valley (Vallée de Glenfinlas, from Vues Pittoresques de l'Écosse), 1826, Lithograph, sheet: 10 3/16 x 13 9/16 in. (25.8 x 34.4 cm), Prints, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), After François-Alexandre Pernot (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dost Mohammad Khan (1793-1863) ruler of Afghanistan 1826-63. Founder of Barakzai (Barakzay) dynasty c.1880 Wood engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dost-mohammad-khan-1793-1863-ruler-of-afghanistan-1826-63-founder-of-barakzai-barakzay-dynasty-c1880-wood-engraving-image257296215.htmlRMTXGRXF–Dost Mohammad Khan (1793-1863) ruler of Afghanistan 1826-63. Founder of Barakzai (Barakzay) dynasty c.1880 Wood engraving
John Adams. Portrait of the 2nd US President, John Adams (1735-1826) by John Trumbull, oil on canvas, 1793. Detail from a larger painting, HPF79E. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-adams-portrait-of-the-2nd-us-president-john-adams-1735-1826-by-134330040.htmlRMHPF79C–John Adams. Portrait of the 2nd US President, John Adams (1735-1826) by John Trumbull, oil on canvas, 1793. Detail from a larger painting, HPF79E.
This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Funeral of Hector. It was done 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-scene-is-one-of-several-designs-that-the-english-sculptor-and-draughtsman-john-flaxman-17551826-did-to-illustrate-passages-from-the-greek-epic-poet-homers-iliad-and-odyssey-a-commission-he-had-been-given-by-georgiana-hare-naylor-while-he-was-living-in-rome-it-represents-funeral-of-hector-it-was-done-1793-image398039291.htmlRF2E3G74Y–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Funeral of Hector. It was done 1793.
JEAN-PAUL MARAT Joseph Boze (1744-1826). 'Jean-Paul Marat (1743-1793), homme politique français'. Huile sur toile. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-paul-marat-joseph-boze-1744-1826-jean-paul-marat-1743-1793-homme-politique-franais-huile-sur-toile-paris-muse-carnavalet-image350069810.htmlRM2B9F1H6–JEAN-PAUL MARAT Joseph Boze (1744-1826). 'Jean-Paul Marat (1743-1793), homme politique français'. Huile sur toile. Paris, musée Carnavalet.
Family going to the tavern, c. 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/family-going-to-the-tavern-c-1793-image186191281.htmlRMMPWMTH–Family going to the tavern, c. 1793.
Auber, Daniel Stecher: Geoffroy, Jean (1793) Publisher: Janet, LouisDation: 1826/1850 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/auber-daniel-stecher-geoffroy-jean-1793-publisher-janet-louisdation-18261850-image418416033.htmlRM2F8MDWN–Auber, Daniel Stecher: Geoffroy, Jean (1793) Publisher: Janet, LouisDation: 1826/1850
The departure of the volunteers for the revolutionary armies, c. 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-departure-of-the-volunteers-for-the-revolutionary-armies-c-1793-image186191263.htmlRMMPWMRY–The departure of the volunteers for the revolutionary armies, c. 1793.
The District of Main: from the latest surveys 1793 by Morse, Jedidiah, 1761-1826 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-district-of-main-from-the-latest-surveys-1793-by-morse-jedidiah-1761-1826-image633421339.htmlRM2YPERAK–The District of Main: from the latest surveys 1793 by Morse, Jedidiah, 1761-1826
Portrait of Zygmunt Vogl; Kokular, Aleksander (1793-1846); 1823 (1823-00-00-1823-00-00);The Order of St. Stanisława, State Art Collections (Warsaw-1922-1939)-collections, Vogel, Zygmunt (1764-1826), Halsztuki, closed books, portraits of en trois-quarts, male portraits, message (provenance), grate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-zygmunt-vogl-kokular-aleksander-1793-1846-1823-1823-00-00-1823-00-00the-order-of-st-stanisawa-state-art-collections-warsaw-1922-1939-collections-vogel-zygmunt-1764-1826-halsztuki-closed-books-portraits-of-en-trois-quarts-male-portraits-message-provenance-grate-image598911569.htmlRM2WPANPW–Portrait of Zygmunt Vogl; Kokular, Aleksander (1793-1846); 1823 (1823-00-00-1823-00-00);The Order of St. Stanisława, State Art Collections (Warsaw-1922-1939)-collections, Vogel, Zygmunt (1764-1826), Halsztuki, closed books, portraits of en trois-quarts, male portraits, message (provenance), grate
Sleep Escaping from the Wrath of Jupiter - 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293). Artist: John Flaxman (British, York 1755-1826 London). Dimensions: Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleep-escaping-from-the-wrath-of-jupiter-but-gentle-night-to-whom-i-fled-for-aid-the-friend-of-earth-and-heaven-her-wings-displayd-popes-iliad-book-14-line-293-artist-john-flaxman-british-york-1755-1826-london-dimensions-sheet-11-x-8-516-in-279-x-211-cm-date-1793-museum-metropolitan-museum-of-art-new-york-usa-image233251173.htmlRMRFDE71–Sleep Escaping from the Wrath of Jupiter - 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293). Artist: John Flaxman (British, York 1755-1826 London). Dimensions: Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA.
Black Backed Gull, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on cream wove paper, 966 x 648 mm (plate), 979 x 657 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-backed-gull-182639-robert-havell-english-1793-1878-after-john-james-audubon-american-1785-1851-united-kingdom-hand-colored-engraving-with-aquatint-and-etching-on-cream-wove-paper-966-x-648-mm-plate-979-x-657-mm-sheet-image328660456.htmlRM2A2KNNC–Black Backed Gull, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on cream wove paper, 966 x 648 mm (plate), 979 x 657 mm (sheet
![Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee Stock Photo](https://c8.alamy.com/comp/2RT1BJ1/mechanitis-lysimnia-the-confused-tigerwing-sweet-oil-tiger-2-or-lysimnia-tigerwing-is-a-species-of-butterfly-of-the-family-nymphalidae-it-was-described-by-johan-christian-fabricius-in-1793-it-is-found-in-central-and-south-america-here-as-papilio-lysimnia-lysimnia-butterfly-coloured-plate-from-the-naturalists-repository-or-monthly-miscellany-of-exotic-natural-history-by-donovan-e-edward-1768-1837-volume-4-1826-consisting-of-elegantly-coloured-plates-with-appropriate-scientific-and-general-directions-of-the-most-curious-scarce-and-beautiful-productions-of-nature-that-have-bee-2RT1BJ1.jpg "Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee Stock Photo")
Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mechanitis-lysimnia-the-confused-tigerwing-sweet-oil-tiger-2-or-lysimnia-tigerwing-is-a-species-of-butterfly-of-the-family-nymphalidae-it-was-described-by-johan-christian-fabricius-in-1793-it-is-found-in-central-and-south-america-here-as-papilio-lysimnia-lysimnia-butterfly-coloured-plate-from-the-naturalists-repository-or-monthly-miscellany-of-exotic-natural-history-by-donovan-e-edward-1768-1837-volume-4-1826-consisting-of-elegantly-coloured-plates-with-appropriate-scientific-and-general-directions-of-the-most-curious-scarce-and-beautiful-productions-of-nature-that-have-bee-image565514601.htmlRF2RT1BJ1–Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee
Sketches from Life, Edmund Thomas Parris, 1793–1873, British, 1826, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 7 1/8 × 4 3/4 inches (18.1 × 12.1 cm), apron, basket, bonnet (hat), costume, couple, dresses, figure study, hats, hats, top, horses (animals), kerchief, ladder, men, parasols, people, tailcoats, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketches-from-life-edmund-thomas-parris-17931873-british-1826-graphite-and-watercolor-on-medium-smooth-cream-wove-paper-sheet-7-18-4-34-inches-181-121-cm-apron-basket-bonnet-hat-costume-couple-dresses-figure-study-hats-hats-top-horses-animals-kerchief-ladder-men-parasols-people-tailcoats-women-image389633831.htmlRM2DHW9WY–Sketches from Life, Edmund Thomas Parris, 1793–1873, British, 1826, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 7 1/8 × 4 3/4 inches (18.1 × 12.1 cm), apron, basket, bonnet (hat), costume, couple, dresses, figure study, hats, hats, top, horses (animals), kerchief, ladder, men, parasols, people, tailcoats, women
Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839, digitally optimized Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amir-dost-mohammed-khan-1793-1863-amir-of-afghanistan-from-1826-to-1839amir-dost-mohammed-khan-1793-1863-amir-of-afghanistan-from-1826-to-1839-digitally-optimized-image437823566.htmlRM2GC8GBX–Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839, digitally optimized
Picturesque Views of Scotland: Brackline, 1826. Richard Parkes Bonington (British, 1802-1828), after François Alexandre Pernot (French, 1793-1865). Lithograph; sheet: 25.5 x 34.2 cm (10 1/16 x 13 7/16 in.); image: 16 x 22.6 cm (6 5/16 x 8 7/8 in.); with black border: 17 x 23.7 cm (6 11/16 x 9 5/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picturesque-views-of-scotland-brackline-1826-richard-parkes-bonington-british-1802-1828-after-franois-alexandre-pernot-french-1793-1865-lithograph-sheet-255-x-342-cm-10-116-x-13-716-in-image-16-x-226-cm-6-516-x-8-78-in-with-black-border-17-x-237-cm-6-1116-x-9-516-in-image240490882.htmlRMRY78G2–Picturesque Views of Scotland: Brackline, 1826. Richard Parkes Bonington (British, 1802-1828), after François Alexandre Pernot (French, 1793-1865). Lithograph; sheet: 25.5 x 34.2 cm (10 1/16 x 13 7/16 in.); image: 16 x 22.6 cm (6 5/16 x 8 7/8 in.); with black border: 17 x 23.7 cm (6 11/16 x 9 5/16 in
The origin and history of Grace church, Jamaica, New York . 1 Skidmore, John, 1804 1863 Skillman, Joseph H., 1867 Skinner, Abraham, 1793 1826 Smith, Samuel, Jr., 1761 Smith, Christopher, 1788 1805 Smith, John C, 1832 1859 Smith, Daniel, i860 1865 Smith, William Wood, 1911 Stoughtenberg, Gilbert B., 1912 Stout, William C, Captain, 1832 Simonson, Jeremiah 1824 1835 Thatford, Joseph, 1809 1827 Thatford, John, Jr., 1800 1833 Titford, Isaac, 1799 Troup, John, . 1761 1775 Valentine, Jeremiah, 1813 1850 Valentine, Jeremiah, Jr., 1850 1875 Valentine, James, 1829 1865 Valentine, John, 1831 Valentine, J Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-origin-and-history-of-grace-church-jamaica-new-york-1-skidmore-john-1804-1863-skillman-joseph-h-1867-skinner-abraham-1793-1826-smith-samuel-jr-1761-smith-christopher-1788-1805-smith-john-c-1832-1859-smith-daniel-i860-1865-smith-william-wood-1911-stoughtenberg-gilbert-b-1912-stout-william-c-captain-1832-simonson-jeremiah-1824-1835-thatford-joseph-1809-1827-thatford-john-jr-1800-1833-titford-isaac-1799-troup-john-1761-1775-valentine-jeremiah-1813-1850-valentine-jeremiah-jr-1850-1875-valentine-james-1829-1865-valentine-john-1831-valentine-j-image340278259.htmlRM2ANH0AY–The origin and history of Grace church, Jamaica, New York . 1 Skidmore, John, 1804 1863 Skillman, Joseph H., 1867 Skinner, Abraham, 1793 1826 Smith, Samuel, Jr., 1761 Smith, Christopher, 1788 1805 Smith, John C, 1832 1859 Smith, Daniel, i860 1865 Smith, William Wood, 1911 Stoughtenberg, Gilbert B., 1912 Stout, William C, Captain, 1832 Simonson, Jeremiah 1824 1835 Thatford, Joseph, 1809 1827 Thatford, John, Jr., 1800 1833 Titford, Isaac, 1799 Troup, John, . 1761 1775 Valentine, Jeremiah, 1813 1850 Valentine, Jeremiah, Jr., 1850 1875 Valentine, James, 1829 1865 Valentine, John, 1831 Valentine, J
Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Chateau d'Argyle, Vues pittoresques de l'Ecosse:p.91, (series), 1826, lithograph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-parkes-bonington-artist-british-1802-1828-francois-alexandre-pernot-artist-after-french-1793-1865-chateau-dargyle-vues-pittoresques-de-lecossep91-series-1826-lithograph-image386367906.htmlRM2DCGG5P–Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Chateau d'Argyle, Vues pittoresques de l'Ecosse:p.91, (series), 1826, lithograph
. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 56 Augustus Earle Portrait of Bungaree Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-bungaree-a-native-of-new-south-wales-with-fort-macquarie-sydney-harbour-in-background-oil-on-canvas-1826-augustus-earle-17931838-alternative-names-augustus-earl-description-british-painter-british-artist-date-of-birthdeath-1-june-1793-10-december-1838-location-of-birthdeath-london-london-authority-control-q663092-viaf23050441-isni0000-0000-6681-0146-ulan500012341-lccnn81018129-gnd123476240-worldcat-56-augustus-earle-portrait-of-bungaree-image188941068.htmlRMMYB078–. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 56 Augustus Earle Portrait of Bungaree
Model of the Bastille. Oath of Children, c. 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/model-of-the-bastille-oath-of-children-c-1793-image186191283.htmlRMMPWMTK–Model of the Bastille. Oath of Children, c. 1793.
Dull Reading: with Portraits of Daniel Terry (c. 1780-1829) and Elizabeth (Nasmyth) Terry (1793-1862), Andrew Geddes (Edinburgh, Scotland, 1783 - 1844) 1826 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dull-reading-with-portraits-of-daniel-terry-c-1780-1829-and-elizabeth-nasmyth-terry-1793-1862-andrew-geddes-edinburgh-scotland-1783-1844-1826-image537198074.htmlRM2P5YDHE–Dull Reading: with Portraits of Daniel Terry (c. 1780-1829) and Elizabeth (Nasmyth) Terry (1793-1862), Andrew Geddes (Edinburgh, Scotland, 1783 - 1844) 1826
A Patriotic Women's Club, c. 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-patriotic-womens-club-c-1793-image186191286.htmlRMMPWMTP–A Patriotic Women's Club, c. 1793.
This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents the Council of the gods. It was done 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-scene-is-one-of-several-designs-that-the-english-sculptor-and-draughtsman-john-flaxman-17551826-did-to-illustrate-passages-from-the-greek-epic-poet-homers-iliad-and-odyssey-a-commission-he-had-been-given-by-georgiana-hare-naylor-while-he-was-living-in-rome-it-represents-the-council-of-the-gods-it-was-done-1793-image398039140.htmlRF2E3G6YG–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents the Council of the gods. It was done 1793.
Presume PORTRAIT DE DRUGS Joseph Boze (1744-1826). Portrait présumé d'Antoine Barnave (1761-1793), homme politique français. Pastel. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/presume-portrait-de-drugs-joseph-boze-1744-1826-portrait-prsum-dantoine-barnave-1761-1793-homme-politique-franais-pastel-paris-muse-carnavalet-image349545422.htmlRM2B8K4N2–Presume PORTRAIT DE DRUGS Joseph Boze (1744-1826). Portrait présumé d'Antoine Barnave (1761-1793), homme politique français. Pastel. Paris, musée Carnavalet.
The triumph of Marat, April 24, 1793, c. 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-triumph-of-marat-april-24-1793-c-1793-image186191282.htmlRMMPWMTJ–The triumph of Marat, April 24, 1793, c. 1793.
Harlequin Duck, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on ivory wove paper, 525 x 717 mm (plate), 655 x 979 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harlequin-duck-182639-robert-havell-english-1793-1878-after-john-james-audubon-american-1785-1851-united-kingdom-hand-colored-engraving-with-aquatint-and-etching-on-ivory-wove-paper-525-x-717-mm-plate-655-x-979-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349749432.htmlRF2B90CY4–Harlequin Duck, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on ivory wove paper, 525 x 717 mm (plate), 655 x 979 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Picturesque Views of Scotland: Brackline, 1826. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picturesque-views-of-scotland-brackline-1826-image330112176.htmlRM2A51WCG–Picturesque Views of Scotland: Brackline, 1826.
Portrait of Amir-i Kabir. Emir Dost Mohammad Khan Barakzai (1793-1863) was the founder of the Barakzai dynasty and one of the prominent rulers of Afghanistan during the First Anglo-Afghan War, Asia. Old 19th century engraved illustration from Trip to Punjab and Kashmir by Guillaume Lejean, Le Tour du Monde 1870 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-amir-i-kabir-emir-dost-mohammad-khan-barakzai-1793-1863-was-the-founder-of-the-barakzai-dynasty-and-one-of-the-prominent-rulers-of-afghanistan-during-the-first-anglo-afghan-war-asia-old-19th-century-engraved-illustration-from-trip-to-punjab-and-kashmir-by-guillaume-lejean-le-tour-du-monde-1870-image457598625.htmlRM2HGDBM1–Portrait of Amir-i Kabir. Emir Dost Mohammad Khan Barakzai (1793-1863) was the founder of the Barakzai dynasty and one of the prominent rulers of Afghanistan during the First Anglo-Afghan War, Asia. Old 19th century engraved illustration from Trip to Punjab and Kashmir by Guillaume Lejean, Le Tour du Monde 1870
Portrait of Duke Louis de Noailles (1713-1793), Marshal of France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-duke-louis-de-noailles-1713-1793-marshal-of-france-image214388597.htmlRMPCP6RH–Portrait of Duke Louis de Noailles (1713-1793), Marshal of France.
A Marmoset in Three Attitudes. Date/Period: 1793. Painting. Oil on panel. Height: 381 mm (15 in); Width: 489 mm (19.25 in). Author: George Garrard. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-marmoset-in-three-attitudes-dateperiod-1793-painting-oil-on-panel-height-381-mm-15-in-width-489-mm-1925-in-author-george-garrard-image219652026.htmlRMPNA0B6–A Marmoset in Three Attitudes. Date/Period: 1793. Painting. Oil on panel. Height: 381 mm (15 in); Width: 489 mm (19.25 in). Author: George Garrard.
The departure of the volunteers for the revolutionary armies, c. 1793. Found in the collection of Musée Carnavalet, Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-departure-of-the-volunteers-for-the-revolutionary-armies-c-1793-found-in-the-collection-of-musxe9e-carnavalet-paris-image433144239.htmlRM2G4KBW3–The departure of the volunteers for the revolutionary armies, c. 1793. Found in the collection of Musée Carnavalet, Paris.
![Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee Stock Photo](https://c8.alamy.com/comp/2RT1BJ0/mechanitis-lysimnia-the-confused-tigerwing-sweet-oil-tiger-2-or-lysimnia-tigerwing-is-a-species-of-butterfly-of-the-family-nymphalidae-it-was-described-by-johan-christian-fabricius-in-1793-it-is-found-in-central-and-south-america-here-as-papilio-lysimnia-lysimnia-butterfly-coloured-plate-from-the-naturalists-repository-or-monthly-miscellany-of-exotic-natural-history-by-donovan-e-edward-1768-1837-volume-4-1826-consisting-of-elegantly-coloured-plates-with-appropriate-scientific-and-general-directions-of-the-most-curious-scarce-and-beautiful-productions-of-nature-that-have-bee-2RT1BJ0.jpg "Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee Stock Photo")
Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mechanitis-lysimnia-the-confused-tigerwing-sweet-oil-tiger-2-or-lysimnia-tigerwing-is-a-species-of-butterfly-of-the-family-nymphalidae-it-was-described-by-johan-christian-fabricius-in-1793-it-is-found-in-central-and-south-america-here-as-papilio-lysimnia-lysimnia-butterfly-coloured-plate-from-the-naturalists-repository-or-monthly-miscellany-of-exotic-natural-history-by-donovan-e-edward-1768-1837-volume-4-1826-consisting-of-elegantly-coloured-plates-with-appropriate-scientific-and-general-directions-of-the-most-curious-scarce-and-beautiful-productions-of-nature-that-have-bee-image565514600.htmlRF2RT1BJ0–Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee
Jean-Paul Marat (1743-1793) révolutionnaire vers 1793 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-paul-marat-1743-1793-rvolutionnaire-vers-1793-image442099147.htmlRM2GK79Y7–Jean-Paul Marat (1743-1793) révolutionnaire vers 1793
Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839, digitally optimized Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amir-dost-mohammed-khan-1793-1863-amir-of-afghanistan-from-1826-to-1839amir-dost-mohammed-khan-1793-1863-amir-of-afghanistan-from-1826-to-1839-digitally-optimized-image437823900.htmlRM2GC8GRT–Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839, digitally optimized
The United States Capitol, First St SE, Washington, DC 20004, USA. Photographed in the daytime. American tourist destination. United States Congress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-united-states-capitol-first-st-se-washington-dc-20004-usa-photographed-in-the-daytime-american-tourist-destination-united-states-congress-image359580659.htmlRM2BW08PB–The United States Capitol, First St SE, Washington, DC 20004, USA. Photographed in the daytime. American tourist destination. United States Congress
![Winslow papers, A.D1776-1826 . Townsend, dated at Kin9sclear Jan. 17, 1793, which follows,there is the following sentence through which Winslow has drawn his pen.It no doubt contains a statement of fact. W. 0. P.l The establishment of the seat of Government at this place, [meaningFredericton], originally gave offence to the merchants at St. John, andthey grumble yet. WTienever the citizens have a fair opportunity theygive little specimens of their spite—but it is not verv distressing. Wehave had a recent instance of it with respect to Chipman who has lost hiselection in the City. *Ward Chipman Stock Photo](https://c8.alamy.com/comp/2AM31HW/winslow-papers-ad1776-1826-townsend-dated-at-kin9sclear-jan-17-1793-which-followsthere-is-the-following-sentence-through-which-winslow-has-drawn-his-penit-no-doubt-contains-a-statement-of-fact-w-0-pl-the-establishment-of-the-seat-of-government-at-this-place-meaningfredericton-originally-gave-offence-to-the-merchants-at-st-john-andthey-grumble-yet-wtienever-the-citizens-have-a-fair-opportunity-theygive-little-specimens-of-their-spitebut-it-is-not-verv-distressing-wehave-had-a-recent-instance-of-it-with-respect-to-chipman-who-has-lost-hiselection-in-the-city-ward-chipman-2AM31HW.jpg "Winslow papers, A.D1776-1826 . Townsend, dated at Kin9sclear Jan. 17, 1793, which follows,there is the following sentence through which Winslow has drawn his pen.It no doubt contains a statement of fact. W. 0. P.l The establishment of the seat of Government at this place, [meaningFredericton], originally gave offence to the merchants at St. John, andthey grumble yet. WTienever the citizens have a fair opportunity theygive little specimens of their spite—but it is not verv distressing. Wehave had a recent instance of it with respect to Chipman who has lost hiselection in the City. *Ward Chipman Stock Photo")
Winslow papers, A.D1776-1826 . Townsend, dated at Kin9sclear Jan. 17, 1793, which follows,there is the following sentence through which Winslow has drawn his pen.It no doubt contains a statement of fact. W. 0. P.l The establishment of the seat of Government at this place, [meaningFredericton], originally gave offence to the merchants at St. John, andthey grumble yet. WTienever the citizens have a fair opportunity theygive little specimens of their spite—but it is not verv distressing. Wehave had a recent instance of it with respect to Chipman who has lost hiselection in the City. *Ward Chipman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winslow-papers-ad1776-1826-townsend-dated-at-kin9sclear-jan-17-1793-which-followsthere-is-the-following-sentence-through-which-winslow-has-drawn-his-penit-no-doubt-contains-a-statement-of-fact-w-0-pl-the-establishment-of-the-seat-of-government-at-this-place-meaningfredericton-originally-gave-offence-to-the-merchants-at-st-john-andthey-grumble-yet-wtienever-the-citizens-have-a-fair-opportunity-theygive-little-specimens-of-their-spitebut-it-is-not-verv-distressing-wehave-had-a-recent-instance-of-it-with-respect-to-chipman-who-has-lost-hiselection-in-the-city-ward-chipman-image339357253.htmlRM2AM31HW–Winslow papers, A.D1776-1826 . Townsend, dated at Kin9sclear Jan. 17, 1793, which follows,there is the following sentence through which Winslow has drawn his pen.It no doubt contains a statement of fact. W. 0. P.l The establishment of the seat of Government at this place, [meaningFredericton], originally gave offence to the merchants at St. John, andthey grumble yet. WTienever the citizens have a fair opportunity theygive little specimens of their spite—but it is not verv distressing. Wehave had a recent instance of it with respect to Chipman who has lost hiselection in the City. *Ward Chipman
Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Lac Lomond, Vues pittoresques de l'Ecosse:p.77, (series), 1826, lithograph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-parkes-bonington-artist-british-1802-1828-francois-alexandre-pernot-artist-after-french-1793-1865-lac-lomond-vues-pittoresques-de-lecossep77-series-1826-lithograph-image386225623.htmlRM2DCA2M7–Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Lac Lomond, Vues pittoresques de l'Ecosse:p.77, (series), 1826, lithograph
. Engraving: Nell'aer d'ogni parte from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 922 Nell'aer d'ogni parte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-nellaer-dogni-parte-from-divina-commedia-by-dante-illustration-designed-by-john-flaxman-engraved-by-tommaso-piroli-1793-john-flaxman-17551826-alternative-names-john-flaxman-ii-john-flaxman-ii-flaxman-flaxman-junior-description-british-painter-poet-sculptor-and-illustrator-date-of-birthdeath-6-july-1755-7-december-1826-location-of-birthdeath-york-london-work-location-florence-1787-authority-control-q366066-viaf17260670-isni0000-0001-2095-6665-ulan500115449-lccnn50004058-nla35088387-worldcat-922-nellaer-dogni-parte-image185879246.htmlRMMPBETE–. Engraving: Nell'aer d'ogni parte from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 922 Nell'aer d'ogni parte
Snowfall over Ash lawn, the home of located in Charlottesville, VA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-snowfall-over-ash-lawn-the-home-of-located-in-charlottesville-va-25900601.htmlRMBE3TDD–Snowfall over Ash lawn, the home of located in Charlottesville, VA.
George Garrard, 1760–1826, British, A Marmoset in Three Attitudes, 1793. Oil on panel. branches , landscape , leaves , marmosets , sitting , stripes , study (visual work) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-garrard-17601826-british-a-marmoset-in-three-attitudes-1793-oil-on-panel-branches-landscape-leaves-marmosets-sitting-stripes-study-visual-work-image398423106.htmlRM2E45MMJ–George Garrard, 1760–1826, British, A Marmoset in Three Attitudes, 1793. Oil on panel. branches , landscape , leaves , marmosets , sitting , stripes , study (visual work)
This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Judgment of Paris. It was done 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-scene-is-one-of-several-designs-that-the-english-sculptor-and-draughtsman-john-flaxman-17551826-did-to-illustrate-passages-from-the-greek-epic-poet-homers-iliad-and-odyssey-a-commission-he-had-been-given-by-georgiana-hare-naylor-while-he-was-living-in-rome-it-represents-judgment-of-paris-it-was-done-1793-image398039294.htmlRF2E3G752–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Judgment of Paris. It was done 1793.
SEAT LYON, October 26, 1793 Jean-Marie Chavanne (1766-1826). 'Siège de Lyon, 26 octobre 1793'. Bronze repoussé, 1793. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seat-lyon-october-26-1793-jean-marie-chavanne-1766-1826-sige-de-lyon-26-octobre-1793-bronze-repouss-1793-paris-muse-carnavalet-image349975075.htmlRM2B9AMNR–SEAT LYON, October 26, 1793 Jean-Marie Chavanne (1766-1826). 'Siège de Lyon, 26 octobre 1793'. Bronze repoussé, 1793. Paris, musée Carnavalet.
Medal of France World Exposition Palais de L’Industrie. Subject: Napoleon III, French, 1808–1873 Subject: Eugénie de Montijo, Spanish, 1826–1920 Artist: Armand Auguste Caqué, French, 1793–1881 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medal-of-france-world-exposition-palais-de-lindustrie-subject-napoleon-iii-french-18081873-subject-eugnie-de-montijo-spanish-18261920-artist-armand-auguste-caqu-french-17931881-image463229586.htmlRM2HWHX1P–Medal of France World Exposition Palais de L’Industrie. Subject: Napoleon III, French, 1808–1873 Subject: Eugénie de Montijo, Spanish, 1826–1920 Artist: Armand Auguste Caqué, French, 1793–1881
Bridge, railway station and port Grenelle, 1826 (dummy Title) Jacques-Jean Barre (1793-1855). Pont, gare et port de Grenelle, 1826. Argent (avers). Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bridge-railway-station-and-port-grenelle-1826-dummy-title-jacques-jean-barre-1793-1855-pont-gare-et-port-de-grenelle-1826-argent-avers-paris-muse-carnavalet-image349885034.htmlRM2B96HX2–Bridge, railway station and port Grenelle, 1826 (dummy Title) Jacques-Jean Barre (1793-1855). Pont, gare et port de Grenelle, 1826. Argent (avers). Paris, musée Carnavalet.
Joseph Boze (1744-1826). 'Jean-Paul Marat (1743-1793), French politician'. Oil on canvas. Paris, Carnavalet museum. 27120-2 French politician, portrait, French revolution, oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-boze-1744-1826-jean-paul-marat-1743-1793-french-politician-oil-on-canvas-paris-carnavalet-museum-27120-2-french-politician-portrait-french-revolution-oil-on-canvas-image596789625.htmlRM2WJX375–Joseph Boze (1744-1826). 'Jean-Paul Marat (1743-1793), French politician'. Oil on canvas. Paris, Carnavalet museum. 27120-2 French politician, portrait, French revolution, oil on canvas
THE TRIUMPH OF MARAT, THE April 24, 1793 Jean-Baptiste Lesueur (1749-1826). 'Le triomphe de Marat, 24 avril 1793'. Gouache sur carton découpé collé sur une feuille de papier lavée de bleu. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-triumph-of-marat-the-april-24-1793-jean-baptiste-lesueur-1749-1826-le-triomphe-de-marat-24-avril-1793-gouache-sur-carton-dcoup-coll-sur-une-feuille-de-papier-lave-de-bleu-paris-muse-carnavalet-image349911434.htmlRM2B97RGX–THE TRIUMPH OF MARAT, THE April 24, 1793 Jean-Baptiste Lesueur (1749-1826). 'Le triomphe de Marat, 24 avril 1793'. Gouache sur carton découpé collé sur une feuille de papier lavée de bleu. Paris, musée Carnavalet.
1855 Exposition Medal with Napoleon III and Eugenie. Ruler: Napoleon III, French, 1808–1873Ruler: Eugénie de Montijo, Spanish, 1826–1920 Artist: Armand Auguste Caqué, French, 1793–1881Engraver: Jacques Weiner, Belgian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1855-exposition-medal-with-napoleon-iii-andeugenie-ruler-napoleon-iii-french-18081873ruler-eugnie-de-montijo-spanish-18261920-artist-armand-auguste-caqu-french-17931881engraver-jacques-weiner-belgian-image463229573.htmlRM2HWHX19–1855 Exposition Medal with Napoleon III and Eugenie. Ruler: Napoleon III, French, 1808–1873Ruler: Eugénie de Montijo, Spanish, 1826–1920 Artist: Armand Auguste Caqué, French, 1793–1881Engraver: Jacques Weiner, Belgian
Jean Anthelme Brillat-Savarin (1755-1826). French jurist and politician. He had to go into exile in the United States when the Reign of Terror began in 1793. Author of the first treatise on gastronomy, 'Physiologie du goût''(The Physiology of Taste), 1825. Portrait. Engraving by Pannemaker. 'History of the French Revolution'. Volume I, 1876. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-anthelme-brillat-savarin-1755-1826-french-jurist-and-politician-he-had-to-go-into-exile-in-the-united-states-when-the-reign-of-terror-began-in-1793-author-of-the-first-treatise-on-gastronomy-physiologie-du-gotthe-physiology-of-taste-1825-portrait-engraving-by-pannemaker-history-of-the-french-revolution-volume-i-1876-image627574095.htmlRM2YD0D4F–Jean Anthelme Brillat-Savarin (1755-1826). French jurist and politician. He had to go into exile in the United States when the Reign of Terror began in 1793. Author of the first treatise on gastronomy, 'Physiologie du goût''(The Physiology of Taste), 1825. Portrait. Engraving by Pannemaker. 'History of the French Revolution'. Volume I, 1876.
Nicolas François Bellart (1761-1826), attorney general in the Royal Court of Paris, 1829 Jacques-Jean Barre (1793-1855). 'Nicolas François Bellart (1761-1826), procureur général à la Cour royale de Paris, 1829'. Bronze. 1829. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-franois-bellart-1761-1826-attorney-general-in-the-royal-court-of-paris-1829-jacques-jean-barre-1793-1855-nicolas-franois-bellart-1761-1826-procureur-gnral-la-cour-royale-de-paris-1829-bronze-1829-paris-muse-carnavalet-image349946922.htmlRM2B99CTA–Nicolas François Bellart (1761-1826), attorney general in the Royal Court of Paris, 1829 Jacques-Jean Barre (1793-1855). 'Nicolas François Bellart (1761-1826), procureur général à la Cour royale de Paris, 1829'. Bronze. 1829. Paris, musée Carnavalet.
Journal of luxury and fashions, 1793, 1793 Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching fashion plates Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/journal-of-luxury-and-fashions-1793-1793-print-from-the-fashion-magazine-journal-des-luxus-und-der-moden-published-by-friedrich-justin-bertuch-and-georg-melchior-kraus-weimar-1786-1826-paper-etching-fashion-plates-image594146951.htmlRM2WEHMDY–Journal of luxury and fashions, 1793, 1793 Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching fashion plates
Laying the foundation stone of the barracks of the Trocadero, August 31, 1826 Jacques-Jean Barre (1793-1855). Portrait de Louis de France (1775-1844). (Autre face : Pose de la première pierre de la caserne du Trocadéro). 31 août 1826. Bronze. 1826. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laying-the-foundation-stone-of-the-barracks-of-the-trocadero-august-31-1826-jacques-jean-barre-1793-1855-portrait-de-louis-de-france-1775-1844-autre-face-pose-de-la-premire-pierre-de-la-caserne-du-trocadro-31-aot-1826-bronze-1826-paris-muse-carnavalet-image350206141.htmlRM2B9N7E5–Laying the foundation stone of the barracks of the Trocadero, August 31, 1826 Jacques-Jean Barre (1793-1855). Portrait de Louis de France (1775-1844). (Autre face : Pose de la première pierre de la caserne du Trocadéro). 31 août 1826. Bronze. 1826. Paris, musée Carnavalet.
Portrait of Ignacy Krasicki; TEPPLAR, Antoni (1804-Post 1839), Prek, Ksawery (1801-1863), Krafft, per (st.; 1724-1793), Czech, Józef (Kraków; Drukarnia; 1826-1850); 1830 (1830-00-00-1830-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-ignacy-krasicki-tepplar-antoni-1804-post-1839-prek-ksawery-1801-1863-krafft-per-st-1724-1793-czech-jzef-krakw-drukarnia-1826-1850-1830-1830-00-00-1830-00-00-image598934311.htmlRM2WPBPR3–Portrait of Ignacy Krasicki; TEPPLAR, Antoni (1804-Post 1839), Prek, Ksawery (1801-1863), Krafft, per (st.; 1724-1793), Czech, Józef (Kraków; Drukarnia; 1826-1850); 1830 (1830-00-00-1830-00-00);
Black Backed Gull, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on cream wove paper, 966 x 648 mm (plate), 979 x 657 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-backed-gull-182639-robert-havell-english-1793-1878-after-john-james-audubon-american-1785-1851-united-kingdom-hand-colored-engraving-with-aquatint-and-etching-on-cream-wove-paper-966-x-648-mm-plate-979-x-657-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349749428.htmlRF2B90CY0–Black Backed Gull, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on cream wove paper, 966 x 648 mm (plate), 979 x 657 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Mary, Queen of Scots 1793 John Kay British, Scottish. Mary, Queen of Scots. John Kay (British, Dalkeith, Scotland 1742–1826 Edinburgh). 1793. Stipple and etching. Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-queen-of-scots-1793-john-kay-british-scottish-mary-queen-of-scots-john-kay-british-dalkeith-scotland-17421826-edinburgh-1793-stipple-and-etching-mary-queen-of-scots-british-linlithgow-15421587-fotheringhay-prints-image457782519.htmlRM2HGNP7K–Mary, Queen of Scots 1793 John Kay British, Scottish. Mary, Queen of Scots. John Kay (British, Dalkeith, Scotland 1742–1826 Edinburgh). 1793. Stipple and etching. Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints
Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Chateau de Bothwell, Vues pittoresques de l'Ecosse:p.125, (series), 1826, lithograph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-parkes-bonington-artist-british-1802-1828-francois-alexandre-pernot-artist-after-french-1793-1865-chateau-de-bothwell-vues-pittoresques-de-lecossep125-series-1826-lithograph-image386359942.htmlRM2DCG61A–Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Chateau de Bothwell, Vues pittoresques de l'Ecosse:p.125, (series), 1826, lithograph
. Engraving: Vider Beatrice volta from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 1233 Vider Beatrice volta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-vider-beatrice-volta-from-divina-commedia-by-dante-illustration-designed-by-john-flaxman-engraved-by-tommaso-piroli-1793-john-flaxman-17551826-alternative-names-john-flaxman-ii-john-flaxman-ii-flaxman-flaxman-junior-description-british-painter-poet-sculptor-and-illustrator-date-of-birthdeath-6-july-1755-7-december-1826-location-of-birthdeath-york-london-work-location-florence-1787-authority-control-q366066-viaf17260670-isni0000-0001-2095-6665-ulan500115449-lccnn50004058-nla35088387-worldcat-1233-vider-beatrice-volta-image185608607.htmlRMMNY5JR–. Engraving: Vider Beatrice volta from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 1233 Vider Beatrice volta
View of the Tyszkiewicz Paś; Vogel, Zygmunt (1764-1826); after 1785 (1785-00-00-1793-00-00);Krakowskie Przedmieście, Warsaw, town, Raczyński Edward, collection, visits, church, Warsaw, town, architecture, view, classicism, buildings, palace, Warsaw, town, palace, buildings, recovery, redeemed, purchased, deposit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-tyszkiewicz-pa-vogel-zygmunt-1764-1826-after-1785-1785-00-00-1793-00-00krakowskie-przedmiecie-warsaw-town-raczyski-edward-collection-visits-church-warsaw-town-architecture-view-classicism-buildings-palace-warsaw-town-palace-buildings-recovery-redeemed-purchased-deposit-image598818380.htmlRM2WP6EXM–View of the Tyszkiewicz Paś; Vogel, Zygmunt (1764-1826); after 1785 (1785-00-00-1793-00-00);Krakowskie Przedmieście, Warsaw, town, Raczyński Edward, collection, visits, church, Warsaw, town, architecture, view, classicism, buildings, palace, Warsaw, town, palace, buildings, recovery, redeemed, purchased, deposit
Portrait of Amir-i Kabir. Emir Dost Mohammad Khan Barakzai (1793-1863) was the founder of the Barakzai dynasty and one of the prominent rulers of Afghanistan during the First Anglo-Afghan War, Asia. Old 19th century engraved illustration from Trip to Punjab and Kashmir by Guillaume Lejean, Le Tour du Monde 1870 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-amir-i-kabir-emir-dost-mohammad-khan-barakzai-1793-1863-was-the-founder-of-the-barakzai-dynasty-and-one-of-the-prominent-rulers-of-afghanistan-during-the-first-anglo-afghan-war-asia-old-19th-century-engraved-illustration-from-trip-to-punjab-and-kashmir-by-guillaume-lejean-le-tour-du-monde-1870-image459152668.htmlRM2HK05WG–Portrait of Amir-i Kabir. Emir Dost Mohammad Khan Barakzai (1793-1863) was the founder of the Barakzai dynasty and one of the prominent rulers of Afghanistan during the First Anglo-Afghan War, Asia. Old 19th century engraved illustration from Trip to Punjab and Kashmir by Guillaume Lejean, Le Tour du Monde 1870
Edmund Thomas Parris, 1793–1873, British, Sketches from Life, 1826. Graphite and watercolor on medium, smooth, cream wove paper. apron , basket , bonnet (hat) , costume , couple , dresses , figure study , hats , hats, top , horses (animals) , kerchief , ladder , men , parasols , people , tailcoats , women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edmund-thomas-parris-17931873-british-sketches-from-life-1826-graphite-and-watercolor-on-medium-smooth-cream-wove-paper-apron-basket-bonnet-hat-costume-couple-dresses-figure-study-hats-hats-top-horses-animals-kerchief-ladder-men-parasols-people-tailcoats-women-image398449638.htmlRM2E46XG6–Edmund Thomas Parris, 1793–1873, British, Sketches from Life, 1826. Graphite and watercolor on medium, smooth, cream wove paper. apron , basket , bonnet (hat) , costume , couple , dresses , figure study , hats , hats, top , horses (animals) , kerchief , ladder , men , parasols , people , tailcoats , women
This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Funeral of Hector. It was done 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-scene-is-one-of-several-designs-that-the-english-sculptor-and-draughtsman-john-flaxman-17551826-did-to-illustrate-passages-from-the-greek-epic-poet-homers-iliad-and-odyssey-a-commission-he-had-been-given-by-georgiana-hare-naylor-while-he-was-living-in-rome-it-represents-funeral-of-hector-it-was-done-1793-image398039290.htmlRF2E3G74X–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Funeral of Hector. It was done 1793.
The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome 1793 After John Flaxman British. The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome. After John Flaxman (British, York 1755–1826 London). 1793. Illustrations: line engraving. Tommaso Piroli (Italian, Rome 1752–1824 Rome). Books Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-iliad-and-odyssey-of-homer-engraved-from-the-compositions-of-john-flaxman-sculptor-rome-1793-after-john-flaxman-british-the-iliad-and-odyssey-of-homer-engraved-from-the-compositions-of-john-flaxman-sculptor-rome-after-john-flaxman-british-york-17551826-london-1793-illustrations-line-engraving-tommaso-piroli-italian-rome-17521824-rome-books-image458577549.htmlRM2HJ209H–The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome 1793 After John Flaxman British. The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome. After John Flaxman (British, York 1755–1826 London). 1793. Illustrations: line engraving. Tommaso Piroli (Italian, Rome 1752–1824 Rome). Books
Art inspired by Sleep Escaping from the Wrath of Jupiter – 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293), 1793, Pen and black ink over graphite, Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm), Drawings, John, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-sleep-escaping-from-the-wrath-of-jupiter-but-gentle-night-to-whom-i-fled-for-aid-the-friend-of-earth-and-heaven-her-wings-displayd-popes-iliad-book-14-line-293-1793-pen-and-black-ink-over-graphite-sheet-11-x-8-516-in-279-x-211-cm-drawings-john-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462954859.htmlRF2HW5BJ3–Art inspired by Sleep Escaping from the Wrath of Jupiter – 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293), 1793, Pen and black ink over graphite, Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm), Drawings, John, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sir Edwin Henry Landseer, 1802–1873, British, Francis Rawdon-Hastings, 1st Marquess of Hastings, 1793-1816. Stipple engraving on thick, moderately textured, cream, wove paper. crown , feathers , garlands , lions , military art , portrait , throne. Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-edwin-henry-landseer-18021873-british-francis-rawdon-hastings-1st-marquess-of-hastings-1793-1816-stipple-engraving-on-thick-moderately-textured-cream-wove-paper-crown-feathers-garlands-lions-military-art-portrait-throne-hastings-francis-rawdon-first-marquess-of-hastings-and-second-earl-of-moira-17541826-army-officer-and-politician-image398389445.htmlRM2E445PD–Sir Edwin Henry Landseer, 1802–1873, British, Francis Rawdon-Hastings, 1st Marquess of Hastings, 1793-1816. Stipple engraving on thick, moderately textured, cream, wove paper. crown , feathers , garlands , lions , military art , portrait , throne. Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
Portrait of Jean-Paul Marat (1743-1793), 1793. Found in the collection of Musée Carnavalet, Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-paul-marat-1743-1793-1793-found-in-the-collection-of-musxe9e-carnavalet-paris-image433143874.htmlRM2G4KBC2–Portrait of Jean-Paul Marat (1743-1793), 1793. Found in the collection of Musée Carnavalet, Paris.
Picturesque Views of Scotland: Brackline, 1826. Richard Parkes Bonington (British, 1802-1828), after François Alexandre Pernot (French, 1793-1865). Lithograph; sheet: 25.5 x 34.2 cm (10 1/16 x 13 7/16 in.); image: 16 x 22.6 cm (6 5/16 x 8 7/8 in.); with black border: 17 x 23.7 cm (6 11/16 x 9 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picturesque-views-of-scotland-brackline-1826-richard-parkes-bonington-british-1802-1828-after-franois-alexandre-pernot-french-1793-1865-lithograph-sheet-255-x-342-cm-10-116-x-13-716-in-image-16-x-226-cm-6-516-x-8-78-in-with-black-border-17-x-237-cm-6-1116-x-9-516-in-image448135762.htmlRM2H129MJ–Picturesque Views of Scotland: Brackline, 1826. Richard Parkes Bonington (British, 1802-1828), after François Alexandre Pernot (French, 1793-1865). Lithograph; sheet: 25.5 x 34.2 cm (10 1/16 x 13 7/16 in.); image: 16 x 22.6 cm (6 5/16 x 8 7/8 in.); with black border: 17 x 23.7 cm (6 11/16 x 9 5/16 in.).
Glacier Gate of the Black Lütschine near Grindelwald, 1826, pencil, quill, watercolor and opaque white, page: 30.3 x 45.5 cm, L. u., Signed with pen: S. Birmann., f ., M.u., designated and dated: Grindelwald., July., 1826th, Samuel Birmann, Basel 1793–1847 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glacier-gate-of-the-black-ltschine-near-grindelwald-1826-pencil-quill-watercolor-and-opaque-white-page-303-x-455-cm-l-u-signed-with-pen-s-birmann-f-mu-designated-and-dated-grindelwald-july-1826th-samuel-birmann-basel-17931847-basel-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349805409.htmlRF2B930A9–Glacier Gate of the Black Lütschine near Grindelwald, 1826, pencil, quill, watercolor and opaque white, page: 30.3 x 45.5 cm, L. u., Signed with pen: S. Birmann., f ., M.u., designated and dated: Grindelwald., July., 1826th, Samuel Birmann, Basel 1793–1847 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
