1793 1826 hi-res stock photography and images

Alexander Gordon Laing (1793-1826), Scottish explorer of Western Africa. He was the first European known to have reached the ancient city of Tombouctou (Timbuctoo) in August 1826 but was murdered there a month later. From 'A Biographical Dictionary of Eminent Scotsmen' by Thomas Thomson. (London, 1870). Engraving. Stock Photo

RMD96PHB–Alexander Gordon Laing (1793-1826), Scottish explorer of Western Africa. He was the first European known to have reached the ancient city of Tombouctou (Timbuctoo) in August 1826 but was murdered there a month later. From 'A Biographical Dictionary of Eminent Scotsmen' by Thomas Thomson. (London, 1870). Engraving.

Alexander Gordon Laing (1793 - 1826), a British traveller in Africa. Date: circa 1820 Stock Photo

RMG37P35–Alexander Gordon Laing (1793 - 1826), a British traveller in Africa. Date: circa 1820

Alexander Gordon Laing (1793-1826), Scottish explorer and the first European to reach Timbuktu. Engraving by S. Freeman. 'It was felt in some conservative military circles that Major Gordon Laing was a clever but somewhat conceited officer, and probably there was feeling of mild relief when he applied to lead a new expedition into the Sahara.' The African Adventure - A History of Africa's Explorers by Timothy Severin, page 124. Stock Photo

RMWH8HRR–Alexander Gordon Laing (1793-1826), Scottish explorer and the first European to reach Timbuktu. Engraving by S. Freeman. 'It was felt in some conservative military circles that Major Gordon Laing was a clever but somewhat conceited officer, and probably there was feeling of mild relief when he applied to lead a new expedition into the Sahara.' The African Adventure - A History of Africa's Explorers by Timothy Severin, page 124.

RMANJHDA–Laing 1793 1826

ALEXANDER GORDON LAING (1793-1826) Scottish explorer and first European to reach Timbuktu Stock Photo

RMBTWPWG–ALEXANDER GORDON LAING (1793-1826) Scottish explorer and first European to reach Timbuktu

Portrait of Pavel Ivanovich Pestel (1793-1826) Detail, 1813. Artist: Orlowski (Orlovsky), Alexander Osipovich (1777-1832) Stock Photo

RMHT2AP5–Portrait of Pavel Ivanovich Pestel (1793-1826) Detail, 1813. Artist: Orlowski (Orlovsky), Alexander Osipovich (1777-1832)

Portrait of Pavel Ivanovich Pestel (1793-1826). Museum: PRIVATE COLLECTION. Stock Photo

RMP8ENBX–Portrait of Pavel Ivanovich Pestel (1793-1826). Museum: PRIVATE COLLECTION.

John Flaxman, (artist), British, 1755 - 1826, The Giants, Dante's 'Divine Comedy': Inferno, canto 31 (pl.33), (series), c. 1793, graphite on brown tracing paper, overall: 20 x 13 cm (7 7/8 x 5 1/8 in Stock Photo

RM2DCF4R5–John Flaxman, (artist), British, 1755 - 1826, The Giants, Dante's 'Divine Comedy': Inferno, canto 31 (pl.33), (series), c. 1793, graphite on brown tracing paper, overall: 20 x 13 cm (7 7/8 x 5 1/8 in

Micha Elwiro Andriolli, 'Mary and Miecznik', to the poem 'Mary' by A. Malczewski, a series of 'heroine of Polish poetry'; Z: 'K Osy' 1880 No. 785, p. 41; Holewi Ski, Józef (1848-1917), Andriolli, Micha Elwiro (1836-1893); 1880 (1880-00-00-1880-00-00);Federowski, Michał (1853-1923) - collection, ears (Warsaw - magazine - 1865-1890) - illustrations, Malczewski, Antoni (1793-1826). Maria, illustrations for literary works, Polish painting Stock Photo

RM2WPD4FP–Micha Elwiro Andriolli, 'Mary and Miecznik', to the poem 'Mary' by A. Malczewski, a series of 'heroine of Polish poetry'; Z: 'K Osy' 1880 No. 785, p. 41; Holewi Ski, Józef (1848-1917), Andriolli, Micha Elwiro (1836-1893); 1880 (1880-00-00-1880-00-00);Federowski, Michał (1853-1923) - collection, ears (Warsaw - magazine - 1865-1890) - illustrations, Malczewski, Antoni (1793-1826). Maria, illustrations for literary works, Polish painting

Portrait of F.P. Colthoff, Hendrik Roosing, after J.P. Ney, 1793 - 1826 Silhouette portrait of F.P. Colthoff, ensign during the siege of Willemstad by Stock Photo

RF2T3RBXT–Portrait of F.P. Colthoff, Hendrik Roosing, after J.P. Ney, 1793 - 1826 Silhouette portrait of F.P. Colthoff, ensign during the siege of Willemstad by

Portrait of Alexander Gordon Laing (1793-1826) Historical Engraving Stock Photo

RF2Y81106–Portrait of Alexander Gordon Laing (1793-1826) Historical Engraving

Portrait of F.P. Colthoff, Hendrik Roosing, after J.P. Ney, 1793 - 1826 print Silhouette portrait of F.P. Colthoff, ensign during the siege of Willemstad by the French in 1793. A few military attributes for the portrait. On the plinth are name and titles. Rotterdam paper etching / engraving firearms Stock Photo

RM2WCPNTE–Portrait of F.P. Colthoff, Hendrik Roosing, after J.P. Ney, 1793 - 1826 print Silhouette portrait of F.P. Colthoff, ensign during the siege of Willemstad by the French in 1793. A few military attributes for the portrait. On the plinth are name and titles. Rotterdam paper etching / engraving firearms

Art inspired by Achilles and the Shade of Patroclus, 1793, Pen and black ink over graphite, Sheet: 8 3/8 x 11 3/8 in. (21.3 x 28.9 cm), Drawings, John Flaxman (British, York 1755–1826 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5BHN–Art inspired by Achilles and the Shade of Patroclus, 1793, Pen and black ink over graphite, Sheet: 8 3/8 x 11 3/8 in. (21.3 x 28.9 cm), Drawings, John Flaxman (British, York 1755–1826 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Marya. Novel by Antoni Malczewski with eight photographs according to drawings by E. M. Andriolli; 2nd edition. Malczewski, Antoni (1793-1826), author, Unger, Józef (Warszawa ; drukarnia, wydawnictwo, księgarnia ; 1841-ca 1877), printing house, Brandel, Konrad (1838-1920), photographer, Andriolli, Michał Elwiro (1836-1893), draughtsman, cartoonist, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publisher Stock Photo

RM2JWHC8P–Marya. Novel by Antoni Malczewski with eight photographs according to drawings by E. M. Andriolli; 2nd edition. Malczewski, Antoni (1793-1826), author, Unger, Józef (Warszawa ; drukarnia, wydawnictwo, księgarnia ; 1841-ca 1877), printing house, Brandel, Konrad (1838-1920), photographer, Andriolli, Michał Elwiro (1836-1893), draughtsman, cartoonist, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publisher

. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 64 Augustus Earle Portrait of Bungaree Stock Photo

RMMW933W–. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 64 Augustus Earle Portrait of Bungaree

Portrait of a woman 1793 Charles Paul Landon 1760 – 1826) France French Stock Photo

RMEA4K0C–Portrait of a woman 1793 Charles Paul Landon 1760 – 1826) France French

John Adams (1735-1826), American statesman and Founding Father, 2nd President of the United States, portrait painting by John Trumbull, 1793 Stock Photo

RM2D690EE–John Adams (1735-1826), American statesman and Founding Father, 2nd President of the United States, portrait painting by John Trumbull, 1793

John Adams. Portrait of the 2nd US President, John Adams (1735-1826) by John Trumbull, oil on canvas, 1793 Stock Photo

RMHPF79E–John Adams. Portrait of the 2nd US President, John Adams (1735-1826) by John Trumbull, oil on canvas, 1793

Jean Anthelme Brillat-Savarin (1755-1826). French jurist and politician. He had to go into exile in the United States when the Reign of Terror began in 1793. Author of the first treatise on gastronomy, 'Physiologie du goût’'(The Physiology of Taste), 1825. Portrait. Engraving by Pannemaker. 'History of the French Revolution'. Volume I, 1876. Stock Photo

RM2YC759Y–Jean Anthelme Brillat-Savarin (1755-1826). French jurist and politician. He had to go into exile in the United States when the Reign of Terror began in 1793. Author of the first treatise on gastronomy, 'Physiologie du goût’'(The Physiology of Taste), 1825. Portrait. Engraving by Pannemaker. 'History of the French Revolution'. Volume I, 1876.

Dost Mohammad Khan (1793-1863) ruler of Afghanistan 1826-1863. Founder of Barakzai (Barakzay) dynasty. Wood engraving c.1880 Stock Photo

RMD965PY–Dost Mohammad Khan (1793-1863) ruler of Afghanistan 1826-1863. Founder of Barakzai (Barakzay) dynasty. Wood engraving c.1880

Peruvian War of Independence (1809-1826). Baldomero Espartero (1793-1879). Spanish military and politician. Espartero, alone and disguised, lures a group of insurgents into an ambush near Presto, by pretending to be Fernández, the chieftain they were waiting for. The Spanish troops were located in Tarabuco, the place from which they carried out military actions. Engraving by Sadurní. 'Espartero: su vida militar, política, descriptiva y anecdótica' (Espartero: his military, political, descriptive and anecdotal life). Volume I, 1879. Stock Photo

RM2XED6BK–Peruvian War of Independence (1809-1826). Baldomero Espartero (1793-1879). Spanish military and politician. Espartero, alone and disguised, lures a group of insurgents into an ambush near Presto, by pretending to be Fernández, the chieftain they were waiting for. The Spanish troops were located in Tarabuco, the place from which they carried out military actions. Engraving by Sadurní. 'Espartero: su vida militar, política, descriptiva y anecdótica' (Espartero: his military, political, descriptive and anecdotal life). Volume I, 1879.

Charles Lock Eastlake 1793-1865, The Champion 1826 Stock Photo

RMD9CGBP–Charles Lock Eastlake 1793-1865, The Champion 1826

JOHN ADAMS (1735-1826) American statesman and one of the Founding Fathers, painted by John Turnbull in 1793. Stock Photo

RM2Y4J0KD–JOHN ADAMS (1735-1826) American statesman and one of the Founding Fathers, painted by John Turnbull in 1793.

Dost Mohammad Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mahommed belonged to the Pashtun ethnic group. Stock Photo

RM2B02B04–Dost Mohammad Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mahommed belonged to the Pashtun ethnic group.

Portrait of Empress Elizabeth Alexeievna (1779-1826) in Mourning Dress, 1831. Artist: Basin, Pyotr Vasilyevich (1793-1877) Stock Photo

RMDE89KM–Portrait of Empress Elizabeth Alexeievna (1779-1826) in Mourning Dress, 1831. Artist: Basin, Pyotr Vasilyevich (1793-1877)

Portrait of Pavel Ivanovich Pestel (1793-1826) Detail. Museum: Russian National Library, St. Petersburg. Stock Photo

RMP8AW5R–Portrait of Pavel Ivanovich Pestel (1793-1826) Detail. Museum: Russian National Library, St. Petersburg.

Harlequin Duck, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on ivory wove paper, 525 x 717 mm (plate), 655 x 979 mm (sheet Stock Photo

RM2A2KNP7–Harlequin Duck, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on ivory wove paper, 525 x 717 mm (plate), 655 x 979 mm (sheet

RM2B03AMY–Dost Mohammad Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mahommed belonged to the Pashtun ethnic group.

'Signing the (American) Declaration of Independence, 28th June 1776' - after a painting by John Trumbull, commissioned 1817. Oil on canvas, 12 inches x 18 inches. Thomas Jefferson and the drafting committee presenting document to John Hancock. TJ, principal author of the American Declaration of Independence and later US president: 13 April 1743 - 4 July 1826. JH, patriot of the American Revolution: 23 January 1737 - 8 October 1793. JT, American artist: 6 June 1756 - 10 November 1843. Stock Photo

RMERFT8C–'Signing the (American) Declaration of Independence, 28th June 1776' - after a painting by John Trumbull, commissioned 1817. Oil on canvas, 12 inches x 18 inches. Thomas Jefferson and the drafting committee presenting document to John Hancock. TJ, principal author of the American Declaration of Independence and later US president: 13 April 1743 - 4 July 1826. JH, patriot of the American Revolution: 23 January 1737 - 8 October 1793. JT, American artist: 6 June 1756 - 10 November 1843.

Afghanistan: 'Dost Mahommed, King of Caubul, and his youngest son'. Lithograph from 'Afghaunistan' by James Rattray (1818-1854), 1841. Dost Mohammed Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mohammed belonged to the Pashtun ethnic group. Stock Photo

RM2B00N9H–Afghanistan: 'Dost Mahommed, King of Caubul, and his youngest son'. Lithograph from 'Afghaunistan' by James Rattray (1818-1854), 1841. Dost Mohammed Khan (December 23, 1793 - June 9, 1863) was the Emir of Afghanistan between 1826 and 1863. He first ruled from 1826 to 1839 and then from 1843 to 1863. He was the eleventh son of Sardar Pāyendah Khan (chief of the Barakzai tribe) who was killed by Zaman Shah Durrani in 1799. He was the grandson of Hajji Jamal Khan who founded the Barakzai dynasty in Afghanistan. Dost Mohammed belonged to the Pashtun ethnic group.

John Adams (1735-1826), 1st Vice President and 2nd President of the United States, American Founding Father, oil on canvas painting by John Trumbull from an original painting by Gilbert Stuart, 1793 Stock Photo

RM2H8XD20–John Adams (1735-1826), 1st Vice President and 2nd President of the United States, American Founding Father, oil on canvas painting by John Trumbull from an original painting by Gilbert Stuart, 1793

Art inspired by The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome, 1793, Illustrations: line engraving, Overall: 10 7/8 x 16 9/16 x 7/8in. (27.6 x 42 x 2.3cm), Books, After John Flaxman (British, York 1755–1826 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW558K–Art inspired by The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome, 1793, Illustrations: line engraving, Overall: 10 7/8 x 16 9/16 x 7/8in. (27.6 x 42 x 2.3cm), Books, After John Flaxman (British, York 1755–1826 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Dost Mohammad Khan (1793-1863) ruler of Afghanistan 1826-63. Founder of Barakzai (Barakzay) dynasty c.1880 Wood engraving Stock Photo

RMTXGRXF–Dost Mohammad Khan (1793-1863) ruler of Afghanistan 1826-63. Founder of Barakzai (Barakzay) dynasty c.1880 Wood engraving

RMMX5JJR–. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 64 Augustus Earle Portrait of Bungaree

Art inspired by Glenfinlas Valley (Vallée de Glenfinlas, from Vues Pittoresques de l'Écosse), 1826, Lithograph, sheet: 10 3/16 x 13 9/16 in. (25.8 x 34.4 cm), Prints, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), After François-Alexandre Pernot (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7EG6–Art inspired by Glenfinlas Valley (Vallée de Glenfinlas, from Vues Pittoresques de l'Écosse), 1826, Lithograph, sheet: 10 3/16 x 13 9/16 in. (25.8 x 34.4 cm), Prints, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), After François-Alexandre Pernot (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Funeral of Hector. It was done 1793. Stock Photo

RF2E3G74Y–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Funeral of Hector. It was done 1793.

John Adams. Portrait of the 2nd US President, John Adams (1735-1826) by John Trumbull, oil on canvas, 1793. Detail from a larger painting, HPF79E. Stock Photo

RMHPF79C–John Adams. Portrait of the 2nd US President, John Adams (1735-1826) by John Trumbull, oil on canvas, 1793. Detail from a larger painting, HPF79E.

JEAN-PAUL MARAT Joseph Boze (1744-1826). 'Jean-Paul Marat (1743-1793), homme politique français'. Huile sur toile. Paris, musée Carnavalet. Stock Photo

RM2B9F1H6–JEAN-PAUL MARAT Joseph Boze (1744-1826). 'Jean-Paul Marat (1743-1793), homme politique français'. Huile sur toile. Paris, musée Carnavalet.

Family going to the tavern, c. 1793. Stock Photo

RMMPWMTH–Family going to the tavern, c. 1793.

Auber, Daniel Stecher: Geoffroy, Jean (1793) Publisher: Janet, LouisDation: 1826/1850 Stock Photo

RM2F8MDWN–Auber, Daniel Stecher: Geoffroy, Jean (1793) Publisher: Janet, LouisDation: 1826/1850

The departure of the volunteers for the revolutionary armies, c. 1793. Stock Photo

RMMPWMRY–The departure of the volunteers for the revolutionary armies, c. 1793.

The District of Main: from the latest surveys 1793 by Morse, Jedidiah, 1761-1826 Stock Photo

RM2YPERAK–The District of Main: from the latest surveys 1793 by Morse, Jedidiah, 1761-1826

Portrait of Zygmunt Vogl; Kokular, Aleksander (1793-1846); 1823 (1823-00-00-1823-00-00);The Order of St. Stanisława, State Art Collections (Warsaw-1922-1939)-collections, Vogel, Zygmunt (1764-1826), Halsztuki, closed books, portraits of en trois-quarts, male portraits, message (provenance), grate Stock Photo

RM2WPANPW–Portrait of Zygmunt Vogl; Kokular, Aleksander (1793-1846); 1823 (1823-00-00-1823-00-00);The Order of St. Stanisława, State Art Collections (Warsaw-1922-1939)-collections, Vogel, Zygmunt (1764-1826), Halsztuki, closed books, portraits of en trois-quarts, male portraits, message (provenance), grate

Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee Stock Photo

RF2RT1BJ1–Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee

Sleep Escaping from the Wrath of Jupiter - 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293). Artist: John Flaxman (British, York 1755-1826 London). Dimensions: Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFDE71–Sleep Escaping from the Wrath of Jupiter - 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293). Artist: John Flaxman (British, York 1755-1826 London). Dimensions: Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA.

Black Backed Gull, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on cream wove paper, 966 x 648 mm (plate), 979 x 657 mm (sheet Stock Photo

RM2A2KNNC–Black Backed Gull, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on cream wove paper, 966 x 648 mm (plate), 979 x 657 mm (sheet

Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839, digitally optimized Stock Photo

RM2GC8GBX–Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839, digitally optimized

Sketches from Life, Edmund Thomas Parris, 1793–1873, British, 1826, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 7 1/8 × 4 3/4 inches (18.1 × 12.1 cm), apron, basket, bonnet (hat), costume, couple, dresses, figure study, hats, hats, top, horses (animals), kerchief, ladder, men, parasols, people, tailcoats, women Stock Photo

RM2DHW9WY–Sketches from Life, Edmund Thomas Parris, 1793–1873, British, 1826, Graphite and watercolor on medium, smooth, cream wove paper, Sheet: 7 1/8 × 4 3/4 inches (18.1 × 12.1 cm), apron, basket, bonnet (hat), costume, couple, dresses, figure study, hats, hats, top, horses (animals), kerchief, ladder, men, parasols, people, tailcoats, women

The origin and history of Grace church, Jamaica, New York . 1 Skidmore, John, 1804 1863 Skillman, Joseph H., 1867 Skinner, Abraham, 1793 1826 Smith, Samuel, Jr., 1761 Smith, Christopher, 1788 1805 Smith, John C, 1832 1859 Smith, Daniel, i860 1865 Smith, William Wood, 1911 Stoughtenberg, Gilbert B., 1912 Stout, William C, Captain, 1832 Simonson, Jeremiah 1824 1835 Thatford, Joseph, 1809 1827 Thatford, John, Jr., 1800 1833 Titford, Isaac, 1799 Troup, John, . 1761 1775 Valentine, Jeremiah, 1813 1850 Valentine, Jeremiah, Jr., 1850 1875 Valentine, James, 1829 1865 Valentine, John, 1831 Valentine, J Stock Photo

RM2ANH0AY–The origin and history of Grace church, Jamaica, New York . 1 Skidmore, John, 1804 1863 Skillman, Joseph H., 1867 Skinner, Abraham, 1793 1826 Smith, Samuel, Jr., 1761 Smith, Christopher, 1788 1805 Smith, John C, 1832 1859 Smith, Daniel, i860 1865 Smith, William Wood, 1911 Stoughtenberg, Gilbert B., 1912 Stout, William C, Captain, 1832 Simonson, Jeremiah 1824 1835 Thatford, Joseph, 1809 1827 Thatford, John, Jr., 1800 1833 Titford, Isaac, 1799 Troup, John, . 1761 1775 Valentine, Jeremiah, 1813 1850 Valentine, Jeremiah, Jr., 1850 1875 Valentine, James, 1829 1865 Valentine, John, 1831 Valentine, J

Picturesque Views of Scotland: Brackline, 1826. Richard Parkes Bonington (British, 1802-1828), after François Alexandre Pernot (French, 1793-1865). Lithograph; sheet: 25.5 x 34.2 cm (10 1/16 x 13 7/16 in.); image: 16 x 22.6 cm (6 5/16 x 8 7/8 in.); with black border: 17 x 23.7 cm (6 11/16 x 9 5/16 in Stock Photo

RMRY78G2–Picturesque Views of Scotland: Brackline, 1826. Richard Parkes Bonington (British, 1802-1828), after François Alexandre Pernot (French, 1793-1865). Lithograph; sheet: 25.5 x 34.2 cm (10 1/16 x 13 7/16 in.); image: 16 x 22.6 cm (6 5/16 x 8 7/8 in.); with black border: 17 x 23.7 cm (6 11/16 x 9 5/16 in

Model of the Bastille. Oath of Children, c. 1793. Stock Photo

RMMPWMTK–Model of the Bastille. Oath of Children, c. 1793.

Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Chateau d'Argyle, Vues pittoresques de l'Ecosse:p.91, (series), 1826, lithograph Stock Photo

RM2DCGG5P–Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Chateau d'Argyle, Vues pittoresques de l'Ecosse:p.91, (series), 1826, lithograph

RMMYB078–. Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, oil on canvas . 1826. Augustus Earle (1793–1838) Alternative names Augustus Earl Description British painter British artist Date of birth/death 1 June 1793 10 December 1838 Location of birth/death London London Authority control : Q663092 VIAF: 23050441 ISNI: 0000 0000 6681 0146 ULAN: 500012341 LCCN: n81018129 GND: 123476240 WorldCat 56 Augustus Earle Portrait of Bungaree

A Patriotic Women's Club, c. 1793. Stock Photo

RMMPWMTP–A Patriotic Women's Club, c. 1793.

RF2E3G6YG–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents the Council of the gods. It was done 1793.

The triumph of Marat, April 24, 1793, c. 1793. Stock Photo

RMMPWMTJ–The triumph of Marat, April 24, 1793, c. 1793.

Presume PORTRAIT DE DRUGS Joseph Boze (1744-1826). Portrait présumé d'Antoine Barnave (1761-1793), homme politique français. Pastel. Paris, musée Carnavalet. Stock Photo

RM2B8K4N2–Presume PORTRAIT DE DRUGS Joseph Boze (1744-1826). Portrait présumé d'Antoine Barnave (1761-1793), homme politique français. Pastel. Paris, musée Carnavalet.

Picturesque Views of Scotland: Brackline, 1826. Stock Photo

RM2A51WCG–Picturesque Views of Scotland: Brackline, 1826.

Dull Reading: with Portraits of Daniel Terry (c. 1780-1829) and Elizabeth (Nasmyth) Terry (1793-1862), Andrew Geddes (Edinburgh, Scotland, 1783 - 1844) 1826 Stock Photo

RM2P5YDHE–Dull Reading: with Portraits of Daniel Terry (c. 1780-1829) and Elizabeth (Nasmyth) Terry (1793-1862), Andrew Geddes (Edinburgh, Scotland, 1783 - 1844) 1826

Portrait of Duke Louis de Noailles (1713-1793), Marshal of France. Stock Photo

RMPCP6RH–Portrait of Duke Louis de Noailles (1713-1793), Marshal of France.

RF2B90CY4–Harlequin Duck, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on ivory wove paper, 525 x 717 mm (plate), 655 x 979 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Portrait of Amir-i Kabir. Emir Dost Mohammad Khan Barakzai (1793-1863) was the founder of the Barakzai dynasty and one of the prominent rulers of Afghanistan during the First Anglo-Afghan War, Asia. Old 19th century engraved illustration from Trip to Punjab and Kashmir by Guillaume Lejean, Le Tour du Monde 1870 Stock Photo

RM2HGDBM1–Portrait of Amir-i Kabir. Emir Dost Mohammad Khan Barakzai (1793-1863) was the founder of the Barakzai dynasty and one of the prominent rulers of Afghanistan during the First Anglo-Afghan War, Asia. Old 19th century engraved illustration from Trip to Punjab and Kashmir by Guillaume Lejean, Le Tour du Monde 1870

RF2RT1BJ0–Mechanitis lysimnia, the confused tigerwing, sweet-oil tiger[2] or lysimnia tigerwing, is a species of butterfly of the family Nymphalidae. It was described by Johan Christian Fabricius in 1793. It is found in Central and South America, Here as Papilio Lysimnia, Lysimnia Butterfly Coloured Plate from ' The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E. (Edward), 1768-1837 Volume 4 1826 Consisting of elegantly coloured plates with appropriate scientific and general directions of the most curious, scarce, and beautiful productions of nature that have bee

A Marmoset in Three Attitudes. Date/Period: 1793. Painting. Oil on panel. Height: 381 mm (15 in); Width: 489 mm (19.25 in). Author: George Garrard. Stock Photo

RMPNA0B6–A Marmoset in Three Attitudes. Date/Period: 1793. Painting. Oil on panel. Height: 381 mm (15 in); Width: 489 mm (19.25 in). Author: George Garrard.

The departure of the volunteers for the revolutionary armies, c. 1793. Found in the collection of Musée Carnavalet, Paris. Stock Photo

RM2G4KBW3–The departure of the volunteers for the revolutionary armies, c. 1793. Found in the collection of Musée Carnavalet, Paris.

RM2GC8GRT–Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839Amir Dost Mohammed Khan, 1793-1863, Amir of Afghanistan from 1826 to 1839, digitally optimized

Jean-Paul Marat (1743-1793) révolutionnaire vers 1793 Stock Photo

RM2GK79Y7–Jean-Paul Marat (1743-1793) révolutionnaire vers 1793

Winslow papers, A.D1776-1826 . Townsend, dated at Kin9sclear Jan. 17, 1793, which follows,there is the following sentence through which Winslow has drawn his pen.It no doubt contains a statement of fact. W. 0. P.l The establishment of the seat of Government at this place, [meaningFredericton], originally gave offence to the merchants at St. John, andthey grumble yet. WTienever the citizens have a fair opportunity theygive little specimens of their spite—but it is not verv distressing. Wehave had a recent instance of it with respect to Chipman who has lost hiselection in the City. *Ward Chipman Stock Photo

RM2AM31HW–Winslow papers, A.D1776-1826 . Townsend, dated at Kin9sclear Jan. 17, 1793, which follows,there is the following sentence through which Winslow has drawn his pen.It no doubt contains a statement of fact. W. 0. P.l The establishment of the seat of Government at this place, [meaningFredericton], originally gave offence to the merchants at St. John, andthey grumble yet. WTienever the citizens have a fair opportunity theygive little specimens of their spite—but it is not verv distressing. Wehave had a recent instance of it with respect to Chipman who has lost hiselection in the City. *Ward Chipman

The United States Capitol, First St SE, Washington, DC 20004, USA. Photographed in the daytime. American tourist destination. United States Congress Stock Photo

RM2BW08PB–The United States Capitol, First St SE, Washington, DC 20004, USA. Photographed in the daytime. American tourist destination. United States Congress

Snowfall over Ash lawn, the home of located in Charlottesville, VA. Stock Photo

RMBE3TDD–Snowfall over Ash lawn, the home of located in Charlottesville, VA.

Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Lac Lomond, Vues pittoresques de l'Ecosse:p.77, (series), 1826, lithograph Stock Photo

RM2DCA2M7–Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Lac Lomond, Vues pittoresques de l'Ecosse:p.77, (series), 1826, lithograph

. Engraving: Nell'aer d'ogni parte from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 922 Nell'aer d'ogni parte Stock Photo

RMMPBETE–. Engraving: Nell'aer d'ogni parte from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 922 Nell'aer d'ogni parte

RF2E3G752–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Judgment of Paris. It was done 1793.

SEAT LYON, October 26, 1793 Jean-Marie Chavanne (1766-1826). 'Siège de Lyon, 26 octobre 1793'. Bronze repoussé, 1793. Paris, musée Carnavalet. Stock Photo

RM2B9AMNR–SEAT LYON, October 26, 1793 Jean-Marie Chavanne (1766-1826). 'Siège de Lyon, 26 octobre 1793'. Bronze repoussé, 1793. Paris, musée Carnavalet.

Bridge, railway station and port Grenelle, 1826 (dummy Title) Jacques-Jean Barre (1793-1855). Pont, gare et port de Grenelle, 1826. Argent (avers). Paris, musée Carnavalet. Stock Photo

RM2B96HX2–Bridge, railway station and port Grenelle, 1826 (dummy Title) Jacques-Jean Barre (1793-1855). Pont, gare et port de Grenelle, 1826. Argent (avers). Paris, musée Carnavalet.

George Garrard, 1760â€“1826, British, A Marmoset in Three Attitudes, 1793. Oil on panel. branches , landscape , leaves , marmosets , sitting , stripes , study (visual work) Stock Photo

RM2E45MMJ–George Garrard, 1760â€“1826, British, A Marmoset in Three Attitudes, 1793. Oil on panel. branches , landscape , leaves , marmosets , sitting , stripes , study (visual work)

THE TRIUMPH OF MARAT, THE April 24, 1793 Jean-Baptiste Lesueur (1749-1826). 'Le triomphe de Marat, 24 avril 1793'. Gouache sur carton découpé collé sur une feuille de papier lavée de bleu. Paris, musée Carnavalet. Stock Photo

RM2B97RGX–THE TRIUMPH OF MARAT, THE April 24, 1793 Jean-Baptiste Lesueur (1749-1826). 'Le triomphe de Marat, 24 avril 1793'. Gouache sur carton découpé collé sur une feuille de papier lavée de bleu. Paris, musée Carnavalet.

Medal of France World Exposition Palais de L’Industrie. Subject: Napoleon III, French, 1808–1873 Subject: Eugénie de Montijo, Spanish, 1826–1920 Artist: Armand Auguste Caqué, French, 1793–1881 Stock Photo

RM2HWHX1P–Medal of France World Exposition Palais de L’Industrie. Subject: Napoleon III, French, 1808–1873 Subject: Eugénie de Montijo, Spanish, 1826–1920 Artist: Armand Auguste Caqué, French, 1793–1881

Nicolas François Bellart (1761-1826), attorney general in the Royal Court of Paris, 1829 Jacques-Jean Barre (1793-1855). 'Nicolas François Bellart (1761-1826), procureur général à la Cour royale de Paris, 1829'. Bronze. 1829. Paris, musée Carnavalet. Stock Photo

RM2B99CTA–Nicolas François Bellart (1761-1826), attorney general in the Royal Court of Paris, 1829 Jacques-Jean Barre (1793-1855). 'Nicolas François Bellart (1761-1826), procureur général à la Cour royale de Paris, 1829'. Bronze. 1829. Paris, musée Carnavalet.

RM2YD0D4F–Jean Anthelme Brillat-Savarin (1755-1826). French jurist and politician. He had to go into exile in the United States when the Reign of Terror began in 1793. Author of the first treatise on gastronomy, 'Physiologie du goût''(The Physiology of Taste), 1825. Portrait. Engraving by Pannemaker. 'History of the French Revolution'. Volume I, 1876.

Laying the foundation stone of the barracks of the Trocadero, August 31, 1826 Jacques-Jean Barre (1793-1855). Portrait de Louis de France (1775-1844). (Autre face : Pose de la première pierre de la caserne du Trocadéro). 31 août 1826. Bronze. 1826. Paris, musée Carnavalet. Stock Photo

RM2B9N7E5–Laying the foundation stone of the barracks of the Trocadero, August 31, 1826 Jacques-Jean Barre (1793-1855). Portrait de Louis de France (1775-1844). (Autre face : Pose de la première pierre de la caserne du Trocadéro). 31 août 1826. Bronze. 1826. Paris, musée Carnavalet.

Joseph Boze (1744-1826). 'Jean-Paul Marat (1743-1793), French politician'. Oil on canvas. Paris, Carnavalet museum. 27120-2 French politician, portrait, French revolution, oil on canvas Stock Photo

RM2WJX375–Joseph Boze (1744-1826). 'Jean-Paul Marat (1743-1793), French politician'. Oil on canvas. Paris, Carnavalet museum. 27120-2 French politician, portrait, French revolution, oil on canvas

RF2B90CY0–Black Backed Gull, 1826/39, Robert Havell (English, 1793-1878), after John James Audubon (American, 1785-1851), United Kingdom, Hand-colored engraving with aquatint and etching on cream wove paper, 966 x 648 mm (plate), 979 x 657 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

1855 Exposition Medal with Napoleon III and Eugenie. Ruler: Napoleon III, French, 1808–1873Ruler: Eugénie de Montijo, Spanish, 1826–1920 Artist: Armand Auguste Caqué, French, 1793–1881Engraver: Jacques Weiner, Belgian Stock Photo

RM2HWHX19–1855 Exposition Medal with Napoleon III and Eugenie. Ruler: Napoleon III, French, 1808–1873Ruler: Eugénie de Montijo, Spanish, 1826–1920 Artist: Armand Auguste Caqué, French, 1793–1881Engraver: Jacques Weiner, Belgian

RM2HK05WG–Portrait of Amir-i Kabir. Emir Dost Mohammad Khan Barakzai (1793-1863) was the founder of the Barakzai dynasty and one of the prominent rulers of Afghanistan during the First Anglo-Afghan War, Asia. Old 19th century engraved illustration from Trip to Punjab and Kashmir by Guillaume Lejean, Le Tour du Monde 1870

Journal of luxury and fashions, 1793, 1793 Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching fashion plates Stock Photo

RM2WEHMDY–Journal of luxury and fashions, 1793, 1793 Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching fashion plates

Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Chateau de Bothwell, Vues pittoresques de l'Ecosse:p.125, (series), 1826, lithograph Stock Photo

RM2DCG61A–Richard Parkes Bonington, (artist), British, 1802 - 1828, Francois Alexandre Pernot, (artist after), French, 1793 - 1865, Chateau de Bothwell, Vues pittoresques de l'Ecosse:p.125, (series), 1826, lithograph

. Engraving: Vider Beatrice volta from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 1233 Vider Beatrice volta Stock Photo

RMMNY5JR–. Engraving: Vider Beatrice volta from Divina Commedia by Dante - illustration designed by John Flaxman, engraved by Tommaso Piroli. 1793. John Flaxman (1755–1826) Alternative names John Flaxman II; John Flaxman (II); Flaxman; Flaxman junior Description British painter, poet, sculptor and illustrator Date of birth/death 6 July 1755 7 December 1826 Location of birth/death York London Work location Florence (1787) Authority control : Q366066 VIAF: 17260670 ISNI: 0000 0001 2095 6665 ULAN: 500115449 LCCN: n50004058 NLA: 35088387 WorldCat 1233 Vider Beatrice volta

Portrait of Ignacy Krasicki; TEPPLAR, Antoni (1804-Post 1839), Prek, Ksawery (1801-1863), Krafft, per (st.; 1724-1793), Czech, Józef (Kraków; Drukarnia; 1826-1850); 1830 (1830-00-00-1830-00-00); Stock Photo

RM2WPBPR3–Portrait of Ignacy Krasicki; TEPPLAR, Antoni (1804-Post 1839), Prek, Ksawery (1801-1863), Krafft, per (st.; 1724-1793), Czech, Józef (Kraków; Drukarnia; 1826-1850); 1830 (1830-00-00-1830-00-00);

RF2E3G74X–This scene is one of several designs that the English sculptor and draughtsman John Flaxman (1755–1826) did to illustrate passages from the Greek epic poet Homer's Iliad and Odyssey, a commission he had been given by Georgiana Hare-Naylor while he was living in Rome. It represents Funeral of Hector. It was done 1793.

Mary, Queen of Scots 1793 John Kay British, Scottish. Mary, Queen of Scots. John Kay (British, Dalkeith, Scotland 1742–1826 Edinburgh). 1793. Stipple and etching. Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints Stock Photo

RM2HGNP7K–Mary, Queen of Scots 1793 John Kay British, Scottish. Mary, Queen of Scots. John Kay (British, Dalkeith, Scotland 1742–1826 Edinburgh). 1793. Stipple and etching. Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints

Art inspired by Sleep Escaping from the Wrath of Jupiter – 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293), 1793, Pen and black ink over graphite, Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm), Drawings, John, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5BJ3–Art inspired by Sleep Escaping from the Wrath of Jupiter – 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293), 1793, Pen and black ink over graphite, Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm), Drawings, John, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

View of the Tyszkiewicz Paś; Vogel, Zygmunt (1764-1826); after 1785 (1785-00-00-1793-00-00);Krakowskie Przedmieście, Warsaw, town, Raczyński Edward, collection, visits, church, Warsaw, town, architecture, view, classicism, buildings, palace, Warsaw, town, palace, buildings, recovery, redeemed, purchased, deposit Stock Photo

RM2WP6EXM–View of the Tyszkiewicz Paś; Vogel, Zygmunt (1764-1826); after 1785 (1785-00-00-1793-00-00);Krakowskie Przedmieście, Warsaw, town, Raczyński Edward, collection, visits, church, Warsaw, town, architecture, view, classicism, buildings, palace, Warsaw, town, palace, buildings, recovery, redeemed, purchased, deposit

Portrait of Jean-Paul Marat (1743-1793), 1793. Found in the collection of Musée Carnavalet, Paris. Stock Photo

RM2G4KBC2–Portrait of Jean-Paul Marat (1743-1793), 1793. Found in the collection of Musée Carnavalet, Paris.

Edmund Thomas Parris, 1793–1873, British, Sketches from Life, 1826. Graphite and watercolor on medium, smooth, cream wove paper. apron , basket , bonnet (hat) , costume , couple , dresses , figure study , hats , hats, top , horses (animals) , kerchief , ladder , men , parasols , people , tailcoats , women Stock Photo

RM2E46XG6–Edmund Thomas Parris, 1793–1873, British, Sketches from Life, 1826. Graphite and watercolor on medium, smooth, cream wove paper. apron , basket , bonnet (hat) , costume , couple , dresses , figure study , hats , hats, top , horses (animals) , kerchief , ladder , men , parasols , people , tailcoats , women

Glacier Gate of the Black Lütschine near Grindelwald, 1826, pencil, quill, watercolor and opaque white, page: 30.3 x 45.5 cm, L. u., Signed with pen: S. Birmann., f ., M.u., designated and dated: Grindelwald., July., 1826th, Samuel Birmann, Basel 1793–1847 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B930A9–Glacier Gate of the Black Lütschine near Grindelwald, 1826, pencil, quill, watercolor and opaque white, page: 30.3 x 45.5 cm, L. u., Signed with pen: S. Birmann., f ., M.u., designated and dated: Grindelwald., July., 1826th, Samuel Birmann, Basel 1793–1847 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome 1793 After John Flaxman British. The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome. After John Flaxman (British, York 1755–1826 London). 1793. Illustrations: line engraving. Tommaso Piroli (Italian, Rome 1752–1824 Rome). Books Stock Photo

RM2HJ209H–The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome 1793 After John Flaxman British. The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome. After John Flaxman (British, York 1755–1826 London). 1793. Illustrations: line engraving. Tommaso Piroli (Italian, Rome 1752–1824 Rome). Books

Roodscreens and roodlofts . ury (restoration planned since 1847. [in 1883). prior to 1847. in 1832. since 1822. in 1833 ; since partly reconstructed. since 1822. since 1865. Removed within recent years, by the then vicar.Removed in 1840. in 1856. in 1857 ; part since re-erected at Whitchurch.Removed (and sold) in 1836, at the demolition of the church.Removed since 1822. (and sold) in 1826. since 1844. before 1852 ; upper part destroyed. since 1822. in 1887 (mutilated in 1793). in 1831. in or about 1826. in 1758. in 1577. [part removed. Broken up in recent years by Sir Massey Lopes, and the gre Stock Photo

RM2ANE8F7–Roodscreens and roodlofts . ury (restoration planned since 1847. [in 1883). prior to 1847. in 1832. since 1822. in 1833 ; since partly reconstructed. since 1822. since 1865. Removed within recent years, by the then vicar.Removed in 1840. in 1856. in 1857 ; part since re-erected at Whitchurch.Removed (and sold) in 1836, at the demolition of the church.Removed since 1822. (and sold) in 1826. since 1844. before 1852 ; upper part destroyed. since 1822. in 1887 (mutilated in 1793). in 1831. in or about 1826. in 1758. in 1577. [part removed. Broken up in recent years by Sir Massey Lopes, and the gre

RM2XEYHEF–Peruvian War of Independence (1809-1826). Baldomero Espartero (1793-1879). Spanish military and politician. Espartero, alone and disguised, lures a group of insurgents into an ambush near Presto, by pretending to be Fernández, the chieftain they were waiting for. The Spanish troops were located in Tarabuco, the place from which they carried out military actions. Engraving by Sadurní. 'Espartero: su vida militar, política, descriptiva y anecdótica' (Espartero: his military, political, descriptive and anecdotal life). Volume I, 1879. Author: Celestino Sadurní (ca. 1830-1896). Spanish engraver.

Laying the foundation stone of the barracks of the Trocadero, August 31, 1826 Jacques-Jean Barre (1793-1855). Portrait du Louis-Antoine d'Artois (1775-1844). (Autre face : Pose de la première pierre de la caserne du Trocadéro). 31 août 1826. Bronze. 1826. Paris, musée Carnavalet. Stock Photo

RM2B9N7EG–Laying the foundation stone of the barracks of the Trocadero, August 31, 1826 Jacques-Jean Barre (1793-1855). Portrait du Louis-Antoine d'Artois (1775-1844). (Autre face : Pose de la première pierre de la caserne du Trocadéro). 31 août 1826. Bronze. 1826. Paris, musée Carnavalet.

1793 1826 Stock Photos and Images

1793 1826 Stock Photos and Images

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