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1790 1839 Stock Photos and Images
Luise Wilhelmine von Bismarck, Luise Wilhelmine, n?e Mencken, 1790 - 1839, mother of Otto von Bismarck, wood engraving, 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-luise-wilhelmine-von-bismarck-luise-wilhelmine-ne-mencken-1790-1839-79365082.htmlRFEH3AY6–Luise Wilhelmine von Bismarck, Luise Wilhelmine, n?e Mencken, 1790 - 1839, mother of Otto von Bismarck, wood engraving, 1880
. Deutsch: Josef Freiherr von Knorr (1790-1839), k. k. Staats- und Konferenzrat. Lithographie von Josef Kriehuber, 1840 . 1840. Josef Kriehuber (1800-1876) 740 Josef von Knorr Litho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-josef-freiherr-von-knorr-1790-1839-k-k-staats-und-konferenzrat-lithographie-von-josef-kriehuber-1840-1840-josef-kriehuber-1800-1876-740-josef-von-knorr-litho-image185815050.htmlRMMP8GYP–. Deutsch: Josef Freiherr von Knorr (1790-1839), k. k. Staats- und Konferenzrat. Lithographie von Josef Kriehuber, 1840 . 1840. Josef Kriehuber (1800-1876) 740 Josef von Knorr Litho
General Jose Antonio Mexia (1790-1839). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/general-jose-antonio-mexia-1790-1839-image346067640.htmlRM2B30MPG–General Jose Antonio Mexia (1790-1839).
Luise Wilhelmine von Bismarck, Luise Wilhelmine, née Mencken, 1790 - 1839, mother of Otto von Bismarck, wood engraving, 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/luise-wilhelmine-von-bismarck-luise-wilhelmine-ne-mencken-1790-1839-mother-of-otto-von-bismarck-wood-engraving-1880-image231686246.htmlRMRCX64P–Luise Wilhelmine von Bismarck, Luise Wilhelmine, née Mencken, 1790 - 1839, mother of Otto von Bismarck, wood engraving, 1880
Amelia Surprising Her Husband and Miss Matthews, Robert Laurie, 1755?–1836, British, after Henry Singleton, 1766–1839, British, 1790, Mezzotint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amelia-surprising-her-husband-and-miss-matthews-robert-laurie-17551836-british-after-henry-singleton-17661839-british-1790-mezzotint-image389761088.htmlRM2DJ346T–Amelia Surprising Her Husband and Miss Matthews, Robert Laurie, 1755?–1836, British, after Henry Singleton, 1766–1839, British, 1790, Mezzotint
Jean Godefroy (Engraver) Citadel by the sea. etching 1790-1839 , 1790/1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-godefroy-engraver-citadel-by-the-sea-etching-1790-1839-17901839-image572943883.htmlRM2T83RNF–Jean Godefroy (Engraver) Citadel by the sea. etching 1790-1839 , 1790/1839
Art inspired by Hussein Khan, 1839, Watercolor and gouache, graphite, Sheet: 6 1/2 x 5 1/8 in. (16.5 x 13 cm), Drawings, Moritz Michael Daffinger (Austrian, Vienna 1790–1849 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hussein-khan-1839-watercolor-and-gouache-graphite-sheet-6-12-x-5-18-in-165-x-13-cm-drawings-moritz-michael-daffinger-austrian-vienna-17901849-vienna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462812450.htmlRF2HTXX02–Art inspired by Hussein Khan, 1839, Watercolor and gouache, graphite, Sheet: 6 1/2 x 5 1/8 in. (16.5 x 13 cm), Drawings, Moritz Michael Daffinger (Austrian, Vienna 1790–1849 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![N/A. English: Clematis incisodentata A.Rich. is a synonym of Clematis hirsuta Guill. & Perr. between 1839 and 1843. Antoine-Charles Vauthier (1790-c1850) [drawn by 'Vauthier pinx' and engraved by 'Mlle Massard sc.'] 110 Antoine-Charles Vauthier10 Stock Photo](https://c8.alamy.com/comp/P5EFPX/na-english-clematis-incisodentata-arich-is-a-synonym-of-clematis-hirsuta-guill-perr-between-1839-and-1843-antoine-charles-vauthier-1790-c1850-drawn-by-vauthier-pinx-and-engraved-by-mlle-massard-sc-110-antoine-charles-vauthier10-P5EFPX.jpg "N/A. English: Clematis incisodentata A.Rich. is a synonym of Clematis hirsuta Guill. & Perr. between 1839 and 1843. Antoine-Charles Vauthier (1790-c1850) [drawn by 'Vauthier pinx' and engraved by 'Mlle Massard sc.'] 110 Antoine-Charles Vauthier10 Stock Photo")
N/A. English: Clematis incisodentata A.Rich. is a synonym of Clematis hirsuta Guill. & Perr. between 1839 and 1843. Antoine-Charles Vauthier (1790-c1850) [drawn by 'Vauthier pinx' and engraved by 'Mlle Massard sc.'] 110 Antoine-Charles Vauthier10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-clematis-incisodentata-arich-is-a-synonym-of-clematis-hirsuta-guill-perr-between-1839-and-1843-antoine-charles-vauthier-1790-c1850-drawn-by-vauthier-pinx-and-engraved-by-mlle-massard-sc-110-antoine-charles-vauthier10-image209917426.htmlRMP5EFPX–N/A. English: Clematis incisodentata A.Rich. is a synonym of Clematis hirsuta Guill. & Perr. between 1839 and 1843. Antoine-Charles Vauthier (1790-c1850) [drawn by 'Vauthier pinx' and engraved by 'Mlle Massard sc.'] 110 Antoine-Charles Vauthier10
Art inspired by Teapot, Edo period (1615–1868), 1790, Japan, Clay, fine and thin, decorated in polychrome enamels (Kyoto ware), H. 4 1/4 in. (10.8 cm), Ceramics, Kentei (Japanese, 16th–17th century), Shuhei (Japanese, 1788–1839, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-teapot-edo-period-16151868-1790-japan-clay-fine-and-thin-decorated-in-polychrome-enamels-kyoto-ware-h-4-14-in-108-cm-ceramics-kentei-japanese-16th17th-century-shuhei-japanese-17881839-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462763778.htmlRF2HTTKWP–Art inspired by Teapot, Edo period (1615–1868), 1790, Japan, Clay, fine and thin, decorated in polychrome enamels (Kyoto ware), H. 4 1/4 in. (10.8 cm), Ceramics, Kentei (Japanese, 16th–17th century), Shuhei (Japanese, 1788–1839, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: self portrait of Sir William Beechey (1753-1839) . circa 1790. William Beechey (1753–1839) Alternative names Henry William Beechey Description British portrait painter Date of birth/death 12 December 1753 28 January 1839 Location of birth/death England London Work location England Authority control : Q48566 VIAF: 74124605 ISNI: 0000 0000 6664 1098 ULAN: 500014785 LCCN: nr89014510 NLA: 36532603 WorldCat 1126 SirWilliamBeechey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-self-portrait-of-sir-william-beechey-1753-1839-circa-1790-william-beechey-17531839-alternative-names-henry-william-beechey-description-british-portrait-painter-date-of-birthdeath-12-december-1753-28-january-1839-location-of-birthdeath-england-london-work-location-england-authority-control-q48566-viaf74124605-isni0000-0000-6664-1098-ulan500014785-lccnnr89014510-nla36532603-worldcat-1126-sirwilliambeechey-image185729040.htmlRMMP4K80–. English: self portrait of Sir William Beechey (1753-1839) . circa 1790. William Beechey (1753–1839) Alternative names Henry William Beechey Description British portrait painter Date of birth/death 12 December 1753 28 January 1839 Location of birth/death England London Work location England Authority control : Q48566 VIAF: 74124605 ISNI: 0000 0000 6664 1098 ULAN: 500014785 LCCN: nr89014510 NLA: 36532603 WorldCat 1126 SirWilliamBeechey
John Ross (1800-62) British polar explorer and naval officer. In 1818 Ross led an expedition to search for the northwest passage. Accompanied William Parry (1790-1855) on Arctic expeditions in 1819-1827. Led an Arctic expedition 1829-1833, an Antarctic expedition 1839-1843, and the Franklin search expedition of 1850. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-ross-1800-62-british-polar-explorer-and-naval-officer-in-1818-57312180.htmlRMD96P7G–John Ross (1800-62) British polar explorer and naval officer. In 1818 Ross led an expedition to search for the northwest passage. Accompanied William Parry (1790-1855) on Arctic expeditions in 1819-1827. Led an Arctic expedition 1829-1833, an Antarctic expedition 1839-1843, and the Franklin search expedition of 1850. Engraving.
The naval Battle of Reval on 13 May 1790. Creator: Hägg, Jacob (1839-1931). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-naval-battle-of-reval-on-13-may-1790-creator-hgg-jacob-1839-1931-image248913173.htmlRMTCXY85–The naval Battle of Reval on 13 May 1790. Creator: Hägg, Jacob (1839-1931).
Eustache-Marie Courtin 1769-1839 (par Pierre Duval-Le Camus 1790-1854) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-eustache-marie-courtin-1769-1839-par-pierre-duval-le-camus-1790-1854-132593183.htmlRMHKM3XR–Eustache-Marie Courtin 1769-1839 (par Pierre Duval-Le Camus 1790-1854)
Jose Antonio Paez (1790-1873). Venezuelan militar and politician. President of Venezuela on three times (1830-1835, 1839-1843, 1861-1863). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jose-antonio-paez-1790-1873-venezuelan-militar-and-politician-president-of-venezuela-on-three-times-1830-1835-1839-1843-1861-1863-image209568147.htmlRMP4XJ8K–Jose Antonio Paez (1790-1873). Venezuelan militar and politician. President of Venezuela on three times (1830-1835, 1839-1843, 1861-1863).
Theodor Gülcher (1777-1839) between 1790 and 1810 by Adriaan de Lelie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theodor-glcher-1777-1839-between-1790-and-1810-by-adriaan-de-lelie-image562299220.htmlRM2RJPXB0–Theodor Gülcher (1777-1839) between 1790 and 1810 by Adriaan de Lelie
Thomas Spring Rice, 1st Baron Monteagle of Brandon (1790 – 1866) was a British Whig politician, who served as Chancellor of the Exchequer from 1835 to 1839. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thomas-spring-rice-1st-baron-monteagle-of-brandon-1790-1866-was-a-113036792.htmlRMGFW7G8–Thomas Spring Rice, 1st Baron Monteagle of Brandon (1790 – 1866) was a British Whig politician, who served as Chancellor of the Exchequer from 1835 to 1839.
Mingun Pahtodawgyi (1790) or Ruined Mingun Temple Stupa, after being damaged by an earthquake in 1839, Sagaing Region, Burma or Central Myanmar. Vintage Illustration or Engraving 1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mingun-pahtodawgyi-1790-or-ruined-mingun-temple-stupa-after-being-damaged-by-an-earthquake-in-1839-sagaing-region-burma-or-central-myanmar-vintage-illustration-or-engraving-1860-image464963023.htmlRM2J0CW27–Mingun Pahtodawgyi (1790) or Ruined Mingun Temple Stupa, after being damaged by an earthquake in 1839, Sagaing Region, Burma or Central Myanmar. Vintage Illustration or Engraving 1860.
Journal des Dames et des Modes, Costume Parisien, 25 janvier 1819 (1790) Standing woman on the head a poke bonnet of velvet, lined with satin . She wears an redingote of merino wool with a double row of buttons, shoulder collar (?) And a belt. High pleated collar. Further accessories: handkerchief, shoes with square toes. Proof of a picture from fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. Manufacturer : printmaker: anonymous publisher: Pierre de la MésangèrePlaats manufacture: Paris Date: 1819 Physical features: engraproof material: p Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/journal-des-dames-et-des-modes-costume-parisien-25-janvier-1819-1790-standing-woman-on-the-head-a-poke-bonnet-of-velvet-lined-with-satin-she-wears-an-redingote-of-merino-wool-with-a-double-row-of-buttons-shoulder-collar-and-a-belt-high-pleated-collar-further-accessories-handkerchief-shoes-with-square-toes-proof-of-a-picture-from-fashion-magazine-journal-des-dames-et-des-modes-published-by-pierre-de-la-msangre-paris-1797-1839-manufacturer-printmaker-anonymous-publisher-pierre-de-la-msangreplaats-manufacture-paris-date-1819-physical-features-engraproof-material-p-image348471407.htmlRM2B6X6RB–Journal des Dames et des Modes, Costume Parisien, 25 janvier 1819 (1790) Standing woman on the head a poke bonnet of velvet, lined with satin . She wears an redingote of merino wool with a double row of buttons, shoulder collar (?) And a belt. High pleated collar. Further accessories: handkerchief, shoes with square toes. Proof of a picture from fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. Manufacturer : printmaker: anonymous publisher: Pierre de la MésangèrePlaats manufacture: Paris Date: 1819 Physical features: engraproof material: p
William Henry Worthington (c.1790-after 1839) - John Black (1783–1855), Journalist, Editor of the 'Morning Chronicle' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-henry-worthington-c1790-after-1839-john-black-17831855-journalist-editor-of-the-morning-chronicle-image575624266.htmlRM2TCDXHE–William Henry Worthington (c.1790-after 1839) - John Black (1783–1855), Journalist, Editor of the 'Morning Chronicle'
Half-length portrait of James Weir Hogg, to front, dressed in dark coat and white stock, against a dark red curtain, c.1820-5. James Weir Hogg (1790-1876) practised at the Calcutta Bar from 1814-22, and was Registrar of the Supreme Court from 1822-33. In that year he returned to England, where he entered Parliament. He became a Director of the East India Company in 1839, and Chairman in 1846 and 1852, ‘representing, practically, the E.I.Co. in Parliament’ (Buckland). He was made a Baronet in 1836, and became in 1858 one of the original members of the Council of India, from which he retired Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/half-length-portrait-of-james-weir-hogg-to-front-dressed-in-dark-coat-and-white-stock-against-a-dark-red-curtain-c1820-5-james-weir-hogg-1790-1876-practised-at-the-calcutta-bar-from-1814-22-and-was-registrar-of-the-supreme-court-from-1822-33-in-that-year-he-returned-to-england-where-he-entered-parliament-he-became-a-director-of-the-east-india-company-in-1839-and-chairman-in-1846-and-1852-representing-practically-the-eico-in-parliament-buckland-he-was-made-a-baronet-in-1836-and-became-in-1858-one-of-the-original-members-of-the-council-of-india-from-which-he-retired-image231631729.htmlRMRCRMHN–Half-length portrait of James Weir Hogg, to front, dressed in dark coat and white stock, against a dark red curtain, c.1820-5. James Weir Hogg (1790-1876) practised at the Calcutta Bar from 1814-22, and was Registrar of the Supreme Court from 1822-33. In that year he returned to England, where he entered Parliament. He became a Director of the East India Company in 1839, and Chairman in 1846 and 1852, ‘representing, practically, the E.I.Co. in Parliament’ (Buckland). He was made a Baronet in 1836, and became in 1858 one of the original members of the Council of India, from which he retired
Wilhelmine Luise von Bismarck Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wilhelmine-luise-von-bismarck-36996331.htmlRMC4595F–Wilhelmine Luise von Bismarck
Mingun Pahtodawgyi, an incomplete 50 metre high brick construction stupa begun in 1790, damaged in 1839 earthquake, Mingun Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mingun-pahtodawgyi-an-incomplete-50-metre-high-brick-construction-97873551.htmlRMFK6EKY–Mingun Pahtodawgyi, an incomplete 50 metre high brick construction stupa begun in 1790, damaged in 1839 earthquake, Mingun
Johann Nepomuk Ebner, seit 1839 Ritter von Rofenstein, 8. Mai 1790 - 8. Juli 1876, war ein österreichischer Beamter und Kreishauptmann von Vorarlberg, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-nepomuk-ebner-seit-1839-ritter-von-rofenstein-8-mai-1790-8-juli-1876-war-ein-sterreichischer-beamter-und-kreishauptmann-von-vorarlberg-image612117354.htmlRM2XFT9X2–Johann Nepomuk Ebner, seit 1839 Ritter von Rofenstein, 8. Mai 1790 - 8. Juli 1876, war ein österreichischer Beamter und Kreishauptmann von Vorarlberg,
Thomas Stothard, Esq. R. A., William Henry Worthington, ca. 1790–active 1839, British, after George Henry Harlow, 1787–1819, British, 1818, Line engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-stothard-esq-r-a-william-henry-worthington-ca-1790active-1839-british-after-george-henry-harlow-17871819-british-1818-line-engraving-image389780668.htmlRM2DJ4164–Thomas Stothard, Esq. R. A., William Henry Worthington, ca. 1790–active 1839, British, after George Henry Harlow, 1787–1819, British, 1818, Line engraving
Jean Godefroy Bay with round tower. Copper engraving, etching 1790-1839 , 1790/1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-godefroy-bay-with-round-tower-copper-engraving-etching-1790-1839-17901839-image572942588.htmlRM2T83P38–Jean Godefroy Bay with round tower. Copper engraving, etching 1790-1839 , 1790/1839
William Dunlap, American, 1766-1839, Major David Van Horne, ca. 1790, oil on canvas, Unframed: 30 1/4 × 24 1/4 inches (76.8 × 61.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-dunlap-american-1766-1839-major-david-van-horne-ca-1790-oil-on-canvas-unframed-30-14-24-14-inches-768-616-cm-image328729031.htmlRM2A2PW6F–William Dunlap, American, 1766-1839, Major David Van Horne, ca. 1790, oil on canvas, Unframed: 30 1/4 × 24 1/4 inches (76.8 × 61.6 cm
MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mingun-myanmar-mingun-pahtodawgyi-also-known-as-the-unfinished-pagoda-132917241.htmlRMHM6W89–MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure.
The Farm-Yard, Print made by William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1790, Stipple, printed in colors, Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm), cow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-farm-yard-print-made-by-william-nutter-17541802-british-after-henry-singleton-17661839-british-1790-stipple-printed-in-colors-sheet-15-58-x-11-12in-397-x-292cm-cow-image389731162.htmlRM2DJ1P22–The Farm-Yard, Print made by William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1790, Stipple, printed in colors, Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm), cow
. English: self portrait of Sir William Beechey (1753-1839) . circa 1790. William Beechey (1753–1839) Alternative names Henry William Beechey Description British portrait painter Date of birth/death 12 December 1753 28 January 1839 Location of birth/death England London Work location England Authority control : Q48566 VIAF: 74124605 ISNI: 0000 0000 6664 1098 ULAN: 500014785 LCCN: nr89014510 NLA: 36532603 WorldCat 1126 SirWilliamBeechey (cropped) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-self-portrait-of-sir-william-beechey-1753-1839-circa-1790-william-beechey-17531839-alternative-names-henry-william-beechey-description-british-portrait-painter-date-of-birthdeath-12-december-1753-28-january-1839-location-of-birthdeath-england-london-work-location-england-authority-control-q48566-viaf74124605-isni0000-0000-6664-1098-ulan500014785-lccnnr89014510-nla36532603-worldcat-1126-sirwilliambeechey-cropped-image185729027.htmlRMMP4K7F–. English: self portrait of Sir William Beechey (1753-1839) . circa 1790. William Beechey (1753–1839) Alternative names Henry William Beechey Description British portrait painter Date of birth/death 12 December 1753 28 January 1839 Location of birth/death England London Work location England Authority control : Q48566 VIAF: 74124605 ISNI: 0000 0000 6664 1098 ULAN: 500014785 LCCN: nr89014510 NLA: 36532603 WorldCat 1126 SirWilliamBeechey (cropped)
Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruined-mingun-pahtodawgyi-pagoda-near-mandalay-myanmar-begun-in-1790-it-was-never-finished-following-a-damaging-earthquake-in-1839-image434743258.htmlRF2G787CX–Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839
. Nederlands: portretten v.l.n.r. van Pieter Ymes Tichelaar, Jelmer Pieters Tichelaar, Adam Sijbel en Sara van Woensel . 1781/1790. Matthias Jansz van Geuns (1758–1839) Alternative names Matthias van Geuns Jz., Mathias van Geuns Description Dutch silhouette artist Date of birth/death 15 September 1758 21 November 1839 Location of birth/death Groningen Haarlem Work period from 1783 until 1839 Work location Template:Makkum (1783-1787), Template:Harlingen (1787-1792), Haarlem (1792-1839) Authority control : Q13426762 BPN: 23199070 RKD: 369695 1120 Silhouetportretten door Matthias van Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nederlands-portretten-vlnr-van-pieter-ymes-tichelaar-jelmer-pieters-tichelaar-adam-sijbel-en-sara-van-woensel-17811790-matthias-jansz-van-geuns-17581839-alternative-names-matthias-van-geuns-jz-mathias-van-geuns-description-dutch-silhouette-artist-date-of-birthdeath-15-september-1758-21-november-1839-location-of-birthdeath-groningen-haarlem-work-period-from-1783-until-1839-work-location-templatemakkum-1783-1787-templateharlingen-1787-1792-haarlem-1792-1839-authority-control-q13426762-bpn23199070-rkd369695-1120-silhouetportretten-door-matthias-van-image185712380.htmlRMMP3X10–. Nederlands: portretten v.l.n.r. van Pieter Ymes Tichelaar, Jelmer Pieters Tichelaar, Adam Sijbel en Sara van Woensel . 1781/1790. Matthias Jansz van Geuns (1758–1839) Alternative names Matthias van Geuns Jz., Mathias van Geuns Description Dutch silhouette artist Date of birth/death 15 September 1758 21 November 1839 Location of birth/death Groningen Haarlem Work period from 1783 until 1839 Work location Template:Makkum (1783-1787), Template:Harlingen (1787-1792), Haarlem (1792-1839) Authority control : Q13426762 BPN: 23199070 RKD: 369695 1120 Silhouetportretten door Matthias van
Portrait of Dorothea Friederike Schlegel (1764-1839), née Brendel Mendelssohn, c.1790. Creator: Graff, Anton (1736-1813). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-dorothea-friederike-schlegel-1764-1839-ne-brendel-mendelssohn-c1790-creator-graff-anton-1736-1813-image221500689.htmlRMPTA6AW–Portrait of Dorothea Friederike Schlegel (1764-1839), née Brendel Mendelssohn, c.1790. Creator: Graff, Anton (1736-1813).
. Deutsch: Viktor Graf Ossoliński (geb. 1790), Lithographie von Josef Kriehuber, 1839 Polski: Wiktor Maksymilian Ossoliński (1790-1860) . 1839. Josef Kriehuber (1800-1876) 1236 Viktor Ossietzki Litho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-viktor-graf-ossoliski-geb-1790-lithographie-von-josef-kriehuber-1839-polski-wiktor-maksymilian-ossoliski-1790-1860-1839-josef-kriehuber-1800-1876-1236-viktor-ossietzki-litho-image185608958.htmlRMMNY63A–. Deutsch: Viktor Graf Ossoliński (geb. 1790), Lithographie von Josef Kriehuber, 1839 Polski: Wiktor Maksymilian Ossoliński (1790-1860) . 1839. Josef Kriehuber (1800-1876) 1236 Viktor Ossietzki Litho
Portrait of Marie-Louise of Austria (1791-1847), Duchess of Parma, 1837-1839. Artist: Borghesi, Giovan Battista (1790-1846) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-marie-louise-of-austria-1791-1847-duchess-of-parma-1837-135271889.htmlRMHT24JW–Portrait of Marie-Louise of Austria (1791-1847), Duchess of Parma, 1837-1839. Artist: Borghesi, Giovan Battista (1790-1846)
Jose Antonio Paez (1790-1873). Venezuelan militar and politician. President of Venezuela on three times (1830-1835, 1839-1843, 1861-1863). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jose-antonio-paez-1790-1873-venezuelan-militar-and-politician-president-of-venezuela-on-three-times-1830-1835-1839-1843-1861-1863-image209663051.htmlRMP52YA3–Jose Antonio Paez (1790-1873). Venezuelan militar and politician. President of Venezuela on three times (1830-1835, 1839-1843, 1861-1863).
Map of Kentucky & Tennessee : exhibiting the post offices, post roads, canals, rail roads, &c. 1839 by Arrowsmith, John, 1790-1873 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-kentucky-tennessee-exhibiting-the-post-offices-post-roads-canals-rail-roads-c-1839-by-arrowsmith-john-1790-1873-image633422499.htmlRM2YPETT3–Map of Kentucky & Tennessee : exhibiting the post offices, post roads, canals, rail roads, &c. 1839 by Arrowsmith, John, 1790-1873
Languedoc, Vue générale extérieure de Saint Saturnin, Languedoc, Voyages pittoresques et romantiques dans l'ancienne France, Chapuy, Nicolas-Marie-Joseph, 1790-1858, Engelmann, G. (Godefroy), 1788-1839, Nodier, Charles, 1780-1844, Lithography, 1833, Lower left: Chapuy 1833, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/languedoc-vue-gnrale-extrieure-de-saint-saturnin-languedoc-voyages-pittoresques-et-romantiques-dans-lancienne-france-chapuy-nicolas-marie-joseph-1790-1858-engelmann-g-godefroy-1788-1839-nodier-charles-1780-1844-lithography-1833-lower-left-chapuy-1833-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350075104.htmlRF2B9F8A8–Languedoc, Vue générale extérieure de Saint Saturnin, Languedoc, Voyages pittoresques et romantiques dans l'ancienne France, Chapuy, Nicolas-Marie-Joseph, 1790-1858, Engelmann, G. (Godefroy), 1788-1839, Nodier, Charles, 1780-1844, Lithography, 1833, Lower left: Chapuy 1833, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Gove book; history and genealogy of the American family of Gove, and notes of European Goves . ortimer, born March 22, 1836. See family numbered1548. 732 Ebenezer Gove^, born at Strafford, Vt., Oct. I2, 1790. Helived in his native town; and married, first, Phebe Jones March1, 1810. She was born June 20, 1791 ; and died at StraffordMarch 8, 1839. He married, second. Widow Harriet Kibbie, whosurvived him. He died at Strafford Feb. 12. 1866. Children, born at Strafford: 1549—1. Dana B., born Sept. 14, 1811. See family numbered 1549. 1550—II. Daniel, born Aug. 14, 1814. See family numbered 155 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gove-book-history-and-genealogy-of-the-american-family-of-gove-and-notes-of-european-goves-ortimer-born-march-22-1836-see-family-numbered1548-732-ebenezer-gove-born-at-strafford-vt-oct-i2-1790-helived-in-his-native-town-and-married-first-phebe-jones-march1-1810-she-was-born-june-20-1791-and-died-at-straffordmarch-8-1839-he-married-second-widow-harriet-kibbie-whosurvived-him-he-died-at-strafford-feb-12-1866-children-born-at-strafford-15491-dana-b-born-sept-14-1811-see-family-numbered-1549-1550ii-daniel-born-aug-14-1814-see-family-numbered-155-image339038507.htmlRM2AKGF23–The Gove book; history and genealogy of the American family of Gove, and notes of European Goves . ortimer, born March 22, 1836. See family numbered1548. 732 Ebenezer Gove^, born at Strafford, Vt., Oct. I2, 1790. Helived in his native town; and married, first, Phebe Jones March1, 1810. She was born June 20, 1791 ; and died at StraffordMarch 8, 1839. He married, second. Widow Harriet Kibbie, whosurvived him. He died at Strafford Feb. 12. 1866. Children, born at Strafford: 1549—1. Dana B., born Sept. 14, 1811. See family numbered 1549. 1550—II. Daniel, born Aug. 14, 1814. See family numbered 155
. Dictionnaire de pomologie, contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus g©n©ralement connus et cultiv©s. Fruit-culture. DOU 267 Historique. â Depuis un temps immémorial le Doux d'Argent se rencontre dans l'Anjou ; avant 1790 il figurait déjà dans le Catalogue des pépinières de Pierre Leroy, mon grand-père, alors situées sur la lisière du faubourg Saint-Michel d'Angers. Je le crois originaire des campagnes environnant cette ville, et non- seulement c'était l'opinion de Louis Noisette, qui dès 1839 [Jardin fruitier, p. 208) l'ap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-fruit-culture-dou-267-historique-depuis-un-temps-immmorial-le-doux-dargent-se-rencontre-dans-lanjou-avant-1790-il-figurait-dj-dans-le-catalogue-des-ppinires-de-pierre-leroy-mon-grand-pre-alors-situes-sur-la-lisire-du-faubourg-saint-michel-dangers-je-le-crois-originaire-des-campagnes-environnant-cette-ville-et-non-seulement-ctait-lopinion-de-louis-noisette-qui-ds-1839-jardin-fruitier-p-208-lap-image215981284.htmlRMPFAP98–. Dictionnaire de pomologie, contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus g©n©ralement connus et cultiv©s. Fruit-culture. DOU 267 Historique. â Depuis un temps immémorial le Doux d'Argent se rencontre dans l'Anjou ; avant 1790 il figurait déjà dans le Catalogue des pépinières de Pierre Leroy, mon grand-père, alors situées sur la lisière du faubourg Saint-Michel d'Angers. Je le crois originaire des campagnes environnant cette ville, et non- seulement c'était l'opinion de Louis Noisette, qui dès 1839 [Jardin fruitier, p. 208) l'ap
Pieter Gerardus van Os (Engraver) Two horses in the stable. etching 1790-1839 , 1790/1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-gerardus-van-os-engraver-two-horses-in-the-stable-etching-1790-1839-17901839-image572995936.htmlRM2T8664G–Pieter Gerardus van Os (Engraver) Two horses in the stable. etching 1790-1839 , 1790/1839
MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mingun-myanmar-mingun-pahtodawgyi-also-known-as-the-unfinished-pagoda-132917364.htmlRMHM6WCM–MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure.
The Ale-House Door, 'Come my Dear! I'll pledge you!', William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1790, Stipple, printed in colors, Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ale-house-door-come-my-dear!-ill-pledge-you!-william-nutter-17541802-british-after-henry-singleton-17661839-british-1790-stipple-printed-in-colors-sheet-15-58-x-11-12in-397-x-292cm-image389731429.htmlRM2DJ1PBH–The Ale-House Door, 'Come my Dear! I'll pledge you!', William Nutter, 1754–1802, British, after Henry Singleton, 1766–1839, British, 1790, Stipple, printed in colors, Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm
Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruined-mingun-pahtodawgyi-pagoda-near-mandalay-myanmar-begun-in-1790-it-was-never-finished-following-a-damaging-earthquake-in-1839-image434743275.htmlRF2G787DF–Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839
N/A. English: Luigi Rossini's Engraving of the Basilica di San Paolo fuori le mura after the fire destroyed it Italiano: L'interno della basilica in rovina visto dall'ingresso, 1823. Incisione di Luigi Rossini eseguita all'indomani del disastroso incendio che distrusse la basilica di San Paolo fuori le mura nel 1823 . 1823. Luigi Rossini (1790–1857) Description Italian engraver and etcher Date of birth/death 15 December 1790 22 April 1857 Location of birth/death Ravenna Rome Work location Bologna (–1810); Rome (1810–1839) Authority control : Q3840107 VIAF:49496671 ISNI:0000 0000 6 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-luigi-rossinis-engraving-of-the-basilica-di-san-paolo-fuori-le-mura-after-the-fire-destroyed-it-italiano-linterno-della-basilica-in-rovina-visto-dallingresso-1823-incisione-di-luigi-rossini-eseguita-allindomani-del-disastroso-incendio-che-distrusse-la-basilica-di-san-paolo-fuori-le-mura-nel-1823-1823-luigi-rossini-17901857-description-italian-engraver-and-etcher-date-of-birthdeath-15-december-1790-22-april-1857-location-of-birthdeath-ravenna-rome-work-location-bologna-1810-rome-18101839-authority-control-q3840107-viaf49496671-isni0000-0000-6-image210071260.htmlRMP5NG10–N/A. English: Luigi Rossini's Engraving of the Basilica di San Paolo fuori le mura after the fire destroyed it Italiano: L'interno della basilica in rovina visto dall'ingresso, 1823. Incisione di Luigi Rossini eseguita all'indomani del disastroso incendio che distrusse la basilica di San Paolo fuori le mura nel 1823 . 1823. Luigi Rossini (1790–1857) Description Italian engraver and etcher Date of birth/death 15 December 1790 22 April 1857 Location of birth/death Ravenna Rome Work location Bologna (–1810); Rome (1810–1839) Authority control : Q3840107 VIAF:49496671 ISNI:0000 0000 6
Portrait of Decembrist Prince Sergei Petrovich Trubetskoy (1790-1860), 1839. Artist: Bestuzhev, Nikolai Alexandrovich (1791-1855) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-decembrist-prince-sergei-petrovich-trubetskoy-1790-1860-image60419912.htmlRMDE8A60–Portrait of Decembrist Prince Sergei Petrovich Trubetskoy (1790-1860), 1839. Artist: Bestuzhev, Nikolai Alexandrovich (1791-1855)
. Catherine Nelidova Портрет Е.И. Нелидовой. Неизвестный художник, 1790-е гг.: . 1790s. Неизвестный художник (Вуаль?) 1079 RusPortraits v5-038 Catherine Ivanowna Nelidoff, 1758-1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catherine-nelidova-1790-1790s-1079-rusportraits-v5-038-catherine-ivanowna-nelidoff-1758-1839-image185769441.htmlRMMP6EPW–. Catherine Nelidova Портрет Е.И. Нелидовой. Неизвестный художник, 1790-е гг.: . 1790s. Неизвестный художник (Вуаль?) 1079 RusPortraits v5-038 Catherine Ivanowna Nelidoff, 1758-1839
Landscape (from McGuire Scrapbook). Artist: Charles Antoine Colomb Hubert (born Gengembre) (1790-1863). Dimensions: 5 3/16 x 6 3/8 in. (13.2 x 16.2 cm). Date: 1839. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-from-mcguire-scrapbook-artist-charles-antoine-colomb-hubert-born-gengembre-1790-1863-dimensions-5-316-x-6-38-in-132-x-162-cm-date-1839-museum-metropolitan-museum-of-art-new-york-usa-image213247389.htmlRMPAX765–Landscape (from McGuire Scrapbook). Artist: Charles Antoine Colomb Hubert (born Gengembre) (1790-1863). Dimensions: 5 3/16 x 6 3/8 in. (13.2 x 16.2 cm). Date: 1839. Museum: Metropolitan Museum of Art, New York, USA.
Français : Portrait de Eustache-Marie Courtin (1769-1839), Procureur Impérial à Paris. first quarter of 19th century (circa 1810). Eustache-Marie Courtin 1769-1839 (par Pierre Duval-Le Camus 1790-1854) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-portrait-de-eustache-marie-courtin-1769-1839-procureur-imprial-paris-first-quarter-of-19th-century-circa-1810-eustache-marie-courtin-1769-1839-par-pierre-duval-le-camus-1790-1854-image184929480.htmlRMMMT7C8–Français : Portrait de Eustache-Marie Courtin (1769-1839), Procureur Impérial à Paris. first quarter of 19th century (circa 1810). Eustache-Marie Courtin 1769-1839 (par Pierre Duval-Le Camus 1790-1854)
Map of the eastern townships of Lower Canada drawn principally from actual survey for the British American Land Company: by A. Wells, provincial land survr. dedicated to the governor, deputy governor & court of directors of the above company 1839 by Arrowsmith, John, 1790-1873 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-the-eastern-townships-of-lower-canada-drawn-principally-from-actual-survey-for-the-british-american-land-company-by-a-wells-provincial-land-survr-dedicated-to-the-governor-deputy-governor-court-of-directors-of-the-above-company-1839-by-arrowsmith-john-1790-1873-image633089183.htmlRM2YNYKKY–Map of the eastern townships of Lower Canada drawn principally from actual survey for the British American Land Company: by A. Wells, provincial land survr. dedicated to the governor, deputy governor & court of directors of the above company 1839 by Arrowsmith, John, 1790-1873
ÖstergötlandÀv Andreas Lindblom . Fig. 257. Timglasställ från 1670-talet. Foto 1963. S. 282.Stundenglas der 1670er Jahre. Hour-glass holder, 1670s. 1 Magnus Hertzman, f. 1799 i Åtvid, t 1839 i Svinstad (= Bankekind). 2 En möjlighet är givetvis att predikstolen anskaffats genom sammanskott, varför utgifterna för den-samma icke redovisats i kyrkokassans räkenskaper. 3 Didric Johan Moll, f. 1780, t 1858, lantbrukare. G. m. Hedvig Ericana Blomensköld, f. 1790,t 1847. Ägde Värnas säteri i socknen. VÄRNA KYRKA. Fig. 258. Korsfästelsogrupp, cDie Kreuzigungsgruppe aus demAbb. 256. detail of altarpiece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stergtlandv-andreas-lindblom-fig-257-timglasstll-frn-1670-talet-foto-1963-s-282stundenglas-der-1670er-jahre-hour-glass-holder-1670s-1-magnus-hertzman-f-1799-i-tvid-t-1839-i-svinstad-=-bankekind-2-en-mjlighet-r-givetvis-att-predikstolen-anskaffats-genom-sammanskott-varfr-utgifterna-fr-den-samma-icke-redovisats-i-kyrkokassans-rkenskaper-3-didric-johan-moll-f-1780-t-1858-lantbrukare-g-m-hedvig-ericana-blomenskld-f-1790t-1847-gde-vrnas-steri-i-socknen-vrna-kyrka-fig-258-korsfstelsogrupp-cdie-kreuzigungsgruppe-aus-demabb-256-detail-of-altarpiece-image339985849.htmlRM2AN3KBN–ÖstergötlandÀv Andreas Lindblom . Fig. 257. Timglasställ från 1670-talet. Foto 1963. S. 282.Stundenglas der 1670er Jahre. Hour-glass holder, 1670s. 1 Magnus Hertzman, f. 1799 i Åtvid, t 1839 i Svinstad (= Bankekind). 2 En möjlighet är givetvis att predikstolen anskaffats genom sammanskott, varför utgifterna för den-samma icke redovisats i kyrkokassans räkenskaper. 3 Didric Johan Moll, f. 1780, t 1858, lantbrukare. G. m. Hedvig Ericana Blomensköld, f. 1790,t 1847. Ägde Värnas säteri i socknen. VÄRNA KYRKA. Fig. 258. Korsfästelsogrupp, cDie Kreuzigungsgruppe aus demAbb. 256. detail of altarpiece
. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés. Fruit. DOU 267 .Historique. â Depuis un temps immémorial le Doux d'Argent se rencontre dans l'Anjou ; avant 1790 il figurait déjà dans le Catalogue des pépinières de Pierre Leroy, mon grand-père, alors situées sur la lisière du faubourg Saint-Michel d'Angers. Je le crois originaire des campagnes environnant cette ville, et non- seulement c'était l'opinion de Louis Noisette, qui dès 1839 [Jardin fruitier, p. 208) l'appelait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dictionnaire-de-pomologie-contenant-lhistoire-la-description-la-figure-des-fruits-anciens-et-des-fruits-modernes-les-plus-gnralement-connus-et-cultivs-fruit-dou-267-historique-depuis-un-temps-immmorial-le-doux-dargent-se-rencontre-dans-lanjou-avant-1790-il-figurait-dj-dans-le-catalogue-des-ppinires-de-pierre-leroy-mon-grand-pre-alors-situes-sur-la-lisire-du-faubourg-saint-michel-dangers-je-le-crois-originaire-des-campagnes-environnant-cette-ville-et-non-seulement-ctait-lopinion-de-louis-noisette-qui-ds-1839-jardin-fruitier-p-208-lappelait-image215982121.htmlRMPFARB5–. Dictionnaire de pomologie : contenant l'histoire, la description, la figure des fruits anciens et des fruits modernes les plus généralement connus et cultivés. Fruit. DOU 267 .Historique. â Depuis un temps immémorial le Doux d'Argent se rencontre dans l'Anjou ; avant 1790 il figurait déjà dans le Catalogue des pépinières de Pierre Leroy, mon grand-père, alors situées sur la lisière du faubourg Saint-Michel d'Angers. Je le crois originaire des campagnes environnant cette ville, et non- seulement c'était l'opinion de Louis Noisette, qui dès 1839 [Jardin fruitier, p. 208) l'appelait
Languedoc, Vue générale extérieure de Saint Saturnin, Languedoc, Voyages pittoresques et romantiques dans l'ancienne reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/languedoc-vue-gnrale-extrieure-de-saint-saturnin-languedoc-voyages-pittoresques-et-romantiques-dans-lancienne-reimagined-image230254810.htmlRFRAH0A2–Languedoc, Vue générale extérieure de Saint Saturnin, Languedoc, Voyages pittoresques et romantiques dans l'ancienne reimagined
Pieter Gerardus van Os (Engraver) Ufer landscape with windmill; Shepherdin at Ruin. etching 1790-1839 , 1790/1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-gerardus-van-os-engraver-ufer-landscape-with-windmill-shepherdin-at-ruin-etching-1790-1839-17901839-image572995973.htmlRM2T8665W–Pieter Gerardus van Os (Engraver) Ufer landscape with windmill; Shepherdin at Ruin. etching 1790-1839 , 1790/1839
MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mingun-myanmar-mingun-pahtodawgyi-also-known-as-the-unfinished-pagoda-132917327.htmlRMHM6WBB–MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure.
Bacchus and Ariadne, Print made by William Henry Worthington, ca. 1790–active 1839, British, after Titian, 1488/90–1576, Italian, Published by John Major, active 1828–1833, British, 1832, Line engraving on medium, slightly textured, cream wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bacchus-and-ariadne-print-made-by-william-henry-worthington-ca-1790active-1839-british-after-titian-1488901576-italian-published-by-john-major-active-18281833-british-1832-line-engraving-on-medium-slightly-textured-cream-wove-paper-image389830144.htmlRM2DJ6894–Bacchus and Ariadne, Print made by William Henry Worthington, ca. 1790–active 1839, British, after Titian, 1488/90–1576, Italian, Published by John Major, active 1828–1833, British, 1832, Line engraving on medium, slightly textured, cream wove paper
Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruined-mingun-pahtodawgyi-pagoda-near-mandalay-myanmar-begun-in-1790-it-was-never-finished-following-a-damaging-earthquake-in-1839-image434743270.htmlRF2G787DA–Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839
Portrait of Maria Kazimirovna Yushnevskaya (1790-1863), wife of Decembrist Alexander Yushnevsky, 1830-1839. Artist: Bestuzhev, Nikolai Alexandrovich ( Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-maria-kazimirovna-yushnevskaya-1790-1863-wife-of-decembrist-image60420057.htmlRMDE8AB5–Portrait of Maria Kazimirovna Yushnevskaya (1790-1863), wife of Decembrist Alexander Yushnevsky, 1830-1839. Artist: Bestuzhev, Nikolai Alexandrovich (
Portrait of the poet Karl August Nicander (1799-1839), 1827. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-poet-karl-august-nicander-1799-1839-1827-image186209713.htmlRMMPXGAW–Portrait of the poet Karl August Nicander (1799-1839), 1827.
. English: Portrait of Count Yuly Litta (1763-1839), received from State Museum of Ethnography of the Peoples of the USSR, Leningrad, 1946 Русский: Портрет графа Ю. П. Литта (1763-1839). Государственный Эрмитаж; получен из Этнографического музея в 1946 году . English: 1790 or 1800s ???????: 1790 ??? 1800-? ??. . Count Giulio Litta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-count-yuly-litta-1763-1839-received-from-state-museum-of-ethnography-of-the-peoples-of-the-ussr-leningrad-1946-1763-1839-1946-english-1790-or-1800s-1790-1800-count-giulio-litta-image184963707.htmlRMMMWR2K–. English: Portrait of Count Yuly Litta (1763-1839), received from State Museum of Ethnography of the Peoples of the USSR, Leningrad, 1946 Русский: Портрет графа Ю. П. Литта (1763-1839). Государственный Эрмитаж; получен из Этнографического музея в 1946 году . English: 1790 or 1800s ???????: 1790 ??? 1800-? ??. . Count Giulio Litta
Portrait of a Boy. Date/Period: Ca. 1790. Painting. Oil on canvas. Height: 764 mm (30.07 in); Width: 640 mm (25.19 in). Author: William Beechey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-boy-dateperiod-ca-1790-painting-oil-on-canvas-height-764-mm-3007-in-width-640-mm-2519-in-author-william-beechey-image219109654.htmlRMPMD8GP–Portrait of a Boy. Date/Period: Ca. 1790. Painting. Oil on canvas. Height: 764 mm (30.07 in); Width: 640 mm (25.19 in). Author: William Beechey.
Portrait of Dorothea Schlegel (1764-1839), née Brendel Mendelssohn, c. 1790. Found in the collection of the Staatliche Museen, Berlin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-dorothea-schlegel-1764-1839-nxe9e-brendel-mendelssohn-c-1790-found-in-the-collection-of-the-staatliche-museen-berlin-image481982073.htmlRM2K0451D–Portrait of Dorothea Schlegel (1764-1839), née Brendel Mendelssohn, c. 1790. Found in the collection of the Staatliche Museen, Berlin.
Map of Ohio and Indiana : exhibiting the post offices, post roads, canals, rail roads, &c. 1839 by Burr, David H., 1803-1875 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-ohio-and-indiana-exhibiting-the-post-offices-post-roads-canals-rail-roads-c-1839-by-burr-david-h-1803-1875-image633424336.htmlRM2YPEY5M–Map of Ohio and Indiana : exhibiting the post offices, post roads, canals, rail roads, &c. 1839 by Burr, David H., 1803-1875
The Utah genealogical and historical magazine . born 22 July, 1790, anddied 19 Sep., 1850. Archibald Peery and family re-moved from Tazewell Co., Va., and settled in GrundyCo., Mo., in 1839. Children: 114. i. Mitchell Tate, b. 1814; d. 14 Sep., 1859. ii. William L., b. 1818; d. 3 June, 1820. iii. John W., b. 1819; d. 16 Nov., 1823. 115. iv. Henry Wynne, b. 1820; d. 18 Sep., 1852. 116. v. Clarissa Jane, b. 1822; d. 16 Mar., 1859. 117. vi. James Quinn, b. 1823; d. Dec, 1862.vii. Sarah E., b. 1825; d. 18 Sep., 1840. 118. viii. George Catlett, b. 27 May, 1828; d. 31 July, 1907. ix. Cosby Buren, b. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-utah-genealogical-and-historical-magazine-born-22-july-1790-anddied-19-sep-1850-archibald-peery-and-family-re-moved-from-tazewell-co-va-and-settled-in-grundyco-mo-in-1839-children-114-i-mitchell-tate-b-1814-d-14-sep-1859-ii-william-l-b-1818-d-3-june-1820-iii-john-w-b-1819-d-16-nov-1823-115-iv-henry-wynne-b-1820-d-18-sep-1852-116-v-clarissa-jane-b-1822-d-16-mar-1859-117-vi-james-quinn-b-1823-d-dec-1862vii-sarah-e-b-1825-d-18-sep-1840-118-viii-george-catlett-b-27-may-1828-d-31-july-1907-ix-cosby-buren-b-image339903341.htmlRM2AMYX51–The Utah genealogical and historical magazine . born 22 July, 1790, anddied 19 Sep., 1850. Archibald Peery and family re-moved from Tazewell Co., Va., and settled in GrundyCo., Mo., in 1839. Children: 114. i. Mitchell Tate, b. 1814; d. 14 Sep., 1859. ii. William L., b. 1818; d. 3 June, 1820. iii. John W., b. 1819; d. 16 Nov., 1823. 115. iv. Henry Wynne, b. 1820; d. 18 Sep., 1852. 116. v. Clarissa Jane, b. 1822; d. 16 Mar., 1859. 117. vi. James Quinn, b. 1823; d. Dec, 1862.vii. Sarah E., b. 1825; d. 18 Sep., 1840. 118. viii. George Catlett, b. 27 May, 1828; d. 31 July, 1907. ix. Cosby Buren, b.
Showing board pattern leaf, Johann Lechner, 1790 - 1839 brocade paper Leaf with chessboard pattern with alternating square in whole gold, two types of rosettes and dice five. Fürth paper. relief printing ornament geometric motifs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/showing-board-pattern-leaf-johann-lechner-1790-1839-brocade-paper-leaf-with-chessboard-pattern-with-alternating-square-in-whole-gold-two-types-of-rosettes-and-dice-five-frth-paper-relief-printing-ornament-geometric-motifs-image590723640.htmlRM2W91P0T–Showing board pattern leaf, Johann Lechner, 1790 - 1839 brocade paper Leaf with chessboard pattern with alternating square in whole gold, two types of rosettes and dice five. Fürth paper. relief printing ornament geometric motifs
MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mingun-myanmar-mingun-pahtodawgyi-also-known-as-the-unfinished-pagoda-132917418.htmlRMHM6WEJ–MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure.
Portrait of a Boy, Sir William Beechey, 1753–1839, British, ca. 1790, Oil on canvas, Support (PTG): 30 1/16 x 25 3/16 inches (76.4 x 64 cm), book, boy, brown, child, costume, portrait, reading, table Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-boy-sir-william-beechey-17531839-british-ca-1790-oil-on-canvas-support-ptg-30-116-x-25-316-inches-764-x-64-cm-book-boy-brown-child-costume-portrait-reading-table-image389654360.htmlRM2DHX834–Portrait of a Boy, Sir William Beechey, 1753–1839, British, ca. 1790, Oil on canvas, Support (PTG): 30 1/16 x 25 3/16 inches (76.4 x 64 cm), book, boy, brown, child, costume, portrait, reading, table
Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruined-mingun-pahtodawgyi-pagoda-near-mandalay-myanmar-begun-in-1790-it-was-never-finished-following-a-damaging-earthquake-in-1839-image434743260.htmlRF2G787D0–Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839
. Titel . 1799. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1047 Reilly Allgemeiner Postatlas Titel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/titel-1799-franz-johann-joseph-von-reilly-17661820-alternative-names-reilly-franz-johann-joseph-von-description-austrian-publisher-and-writer-date-of-birthdeath-18-august-1766-6-july-1820-location-of-birthdeath-vienna-vienna-work-period-1790-1800-work-location-vienna-authority-control-q113944-viaf102371035-isni0000-0001-1839-240x-lccnn88624007-gnd118748017-sudoc158784243-worldcat-1047-reilly-allgemeiner-postatlas-titel-image185556081.htmlRMMNTPJW–. Titel . 1799. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1047 Reilly Allgemeiner Postatlas Titel
Portrait of a Girl. Date/Period: Ca. 1790. Painting. Oil on canvas. Height: 76.5 cm (30.1 in); Width: 63.8 cm (25.1 in). Author: William Beechey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-girl-dateperiod-ca-1790-painting-oil-on-canvas-height-765-cm-301-in-width-638-cm-251-in-author-william-beechey-image219109323.htmlRMPMD84Y–Portrait of a Girl. Date/Period: Ca. 1790. Painting. Oil on canvas. Height: 76.5 cm (30.1 in); Width: 63.8 cm (25.1 in). Author: William Beechey.
. Deutsch: Westflandern. Nro. 171. Kolorierter Kupferstich . 1792. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1046 Reilly 171 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-westflandern-nro-171-kolorierter-kupferstich-1792-franz-johann-joseph-von-reilly-17661820-alternative-names-reilly-franz-johann-joseph-von-description-austrian-publisher-and-writer-date-of-birthdeath-18-august-1766-6-july-1820-location-of-birthdeath-vienna-vienna-work-period-1790-1800-work-location-vienna-authority-control-q113944-viaf102371035-isni0000-0001-1839-240x-lccnn88624007-gnd118748017-sudoc158784243-worldcat-1046-reilly-171-image185693888.htmlRMMP32CG–. Deutsch: Westflandern. Nro. 171. Kolorierter Kupferstich . 1792. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1046 Reilly 171
Map of Michigan & part of Wisconsin territory : exhibiting the post office, post roads, canals, rail roads, &c. 1839 by Burr, David H., 1803-1875 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-michigan-part-of-wisconsin-territory-exhibiting-the-post-office-post-roads-canals-rail-roads-c-1839-by-burr-david-h-1803-1875-image633300447.htmlRM2YP9953–Map of Michigan & part of Wisconsin territory : exhibiting the post office, post roads, canals, rail roads, &c. 1839 by Burr, David H., 1803-1875
. Deutsch: Die Grafschaft Henneberg. Nro. 215. Kolorierter Kupferstich . 1793. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF:?102371035 ISNI:?0000 0001 1839 240X LCCN:?n88624007 GND:?118748017 SUDOC:?158784243 WorldCat Reilly 215 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-die-grafschaft-henneberg-nro-215-kolorierter-kupferstich-1793-franz-johann-joseph-von-reilly-17661820-alternative-names-reilly-franz-johann-joseph-von-description-austrian-publisher-and-writer-date-of-birthdeath-18-august-1766-6-july-1820-location-of-birthdeath-vienna-vienna-work-period-1790-1800-work-location-vienna-authority-control-q113944-viaf102371035-isni0000-0001-1839-240x-lccnn88624007-gnd118748017-sudoc158784243-worldcat-reilly-215-image184811156.htmlRMMMJTEC–. Deutsch: Die Grafschaft Henneberg. Nro. 215. Kolorierter Kupferstich . 1793. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF:?102371035 ISNI:?0000 0001 1839 240X LCCN:?n88624007 GND:?118748017 SUDOC:?158784243 WorldCat Reilly 215
Portrait of Countess Delfina Potocka, née Komar (1807-1877), 1839. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-countess-delfina-potocka-nxe9e-komar-1807-1877-1839-private-collection-image621682711.htmlRM2Y3C2HY–Portrait of Countess Delfina Potocka, née Komar (1807-1877), 1839. Private Collection.
. Deutsch: Ostflandern. Nro. 172. Kolorierter Kupferstich . 1792. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1046 Reilly 172 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-ostflandern-nro-172-kolorierter-kupferstich-1792-franz-johann-joseph-von-reilly-17661820-alternative-names-reilly-franz-johann-joseph-von-description-austrian-publisher-and-writer-date-of-birthdeath-18-august-1766-6-july-1820-location-of-birthdeath-vienna-vienna-work-period-1790-1800-work-location-vienna-authority-control-q113944-viaf102371035-isni0000-0001-1839-240x-lccnn88624007-gnd118748017-sudoc158784243-worldcat-1046-reilly-172-image185692911.htmlRMMP315K–. Deutsch: Ostflandern. Nro. 172. Kolorierter Kupferstich . 1792. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1046 Reilly 172
Leaf with birds, 1790 - 1839 brocade paper Leaf with birds, at the top left a cockatoo, top right a swan, below a peacock and a heron at the bottom right. Fürth paper. paint (coating) relief printing birds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-with-birds-1790-1839-brocade-paper-leaf-with-birds-at-the-top-left-a-cockatoo-top-right-a-swan-below-a-peacock-and-a-heron-at-the-bottom-right-frth-paper-paint-coating-relief-printing-birds-image591924405.htmlRM2WB0DH9–Leaf with birds, 1790 - 1839 brocade paper Leaf with birds, at the top left a cockatoo, top right a swan, below a peacock and a heron at the bottom right. Fürth paper. paint (coating) relief printing birds
. Deutsch: Aussicht von Bohl gegen St. Mangen in St. Gallen (Originaltitel). . um 1790/1795. Zeichner und Kupferstecher: Johann Conrad Mayr (1750–1839) Description German copperplate engraver and draughtsman Date of birth/death 1750 1839 Location of birth/death Nuremberg Lindau(?) Authority control : Q18508382 VIAF:?3413987 ISNI:?0000 0000 2215 7093 ULAN:?500348426 LCCN:?n83143652 GND:?124755119 WorldCat Aussicht von Bohl gegen St. Mangen in St. Gallen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-aussicht-von-bohl-gegen-st-mangen-in-st-gallen-originaltitel-um-17901795-zeichner-und-kupferstecher-johann-conrad-mayr-17501839-description-german-copperplate-engraver-and-draughtsman-date-of-birthdeath-1750-1839-location-of-birthdeath-nuremberg-lindau-authority-control-q18508382-viaf3413987-isni0000-0000-2215-7093-ulan500348426-lccnn83143652-gnd124755119-worldcat-aussicht-von-bohl-gegen-st-mangen-in-st-gallen-image184791338.htmlRMMMHY6J–. Deutsch: Aussicht von Bohl gegen St. Mangen in St. Gallen (Originaltitel). . um 1790/1795. Zeichner und Kupferstecher: Johann Conrad Mayr (1750–1839) Description German copperplate engraver and draughtsman Date of birth/death 1750 1839 Location of birth/death Nuremberg Lindau(?) Authority control : Q18508382 VIAF:?3413987 ISNI:?0000 0000 2215 7093 ULAN:?500348426 LCCN:?n83143652 GND:?124755119 WorldCat Aussicht von Bohl gegen St. Mangen in St. Gallen
MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mingun-myanmar-mingun-pahtodawgyi-also-known-as-the-unfinished-pagoda-132917500.htmlRMHM6WHG–MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure.
Portrait of a Girl, Sir William Beechey, 1753–1839, British, ca. 1790, Oil on canvas, Support (PTG): 30 1/8 x 25 1/8 inches (76.5 x 63.8 cm), child, clouds, costume, flowers (plants), girl, landscape, portrait, sash Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-girl-sir-william-beechey-17531839-british-ca-1790-oil-on-canvas-support-ptg-30-18-x-25-18-inches-765-x-638-cm-child-clouds-costume-flowers-plants-girl-landscape-portrait-sash-image389654576.htmlRM2DHX8AT–Portrait of a Girl, Sir William Beechey, 1753–1839, British, ca. 1790, Oil on canvas, Support (PTG): 30 1/8 x 25 1/8 inches (76.5 x 63.8 cm), child, clouds, costume, flowers (plants), girl, landscape, portrait, sash
. Bench and bar of the Commonwealth of Massachusetts. Boston, June 30, 1884, and lives in Newton. Edmund Hatch Bennett, son of Milo Lyman and Adeline (Hatch) Bennett, wasborn in Manchester, Vt., April 6, 1824. His father, a jurist of note, was born inSharon, Conn., in 1790, and graduated at Yale in 1811. He studied law at the LawSchool in Litchfield, Conn., and establishing himself in practice in Burlington, Vt.,became in 1839 an associate justice of the Supreme Court in Vermont, and died inTaunton, Mass., July 7, 1868. The subject of this sketch was educated at VermontUniversity in Burlington Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bench-and-bar-of-the-commonwealth-of-massachusetts-boston-june-30-1884-and-lives-in-newton-edmund-hatch-bennett-son-of-milo-lyman-and-adeline-hatch-bennett-wasborn-in-manchester-vt-april-6-1824-his-father-a-jurist-of-note-was-born-insharon-conn-in-1790-and-graduated-at-yale-in-1811-he-studied-law-at-the-lawschool-in-litchfield-conn-and-establishing-himself-in-practice-in-burlington-vtbecame-in-1839-an-associate-justice-of-the-supreme-court-in-vermont-and-died-intaunton-mass-july-7-1868-the-subject-of-this-sketch-was-educated-at-vermontuniversity-in-burlington-image370593758.htmlRM2CEX03A–. Bench and bar of the Commonwealth of Massachusetts. Boston, June 30, 1884, and lives in Newton. Edmund Hatch Bennett, son of Milo Lyman and Adeline (Hatch) Bennett, wasborn in Manchester, Vt., April 6, 1824. His father, a jurist of note, was born inSharon, Conn., in 1790, and graduated at Yale in 1811. He studied law at the LawSchool in Litchfield, Conn., and establishing himself in practice in Burlington, Vt.,became in 1839 an associate justice of the Supreme Court in Vermont, and died inTaunton, Mass., July 7, 1868. The subject of this sketch was educated at VermontUniversity in Burlington
Charles Antoine Colomb Hubert (born Gengembre), Landscape (from McGuire Scrapbook), American, Charles Antoine Colomb Hubert (born Gengembre) (1790–1863), 1839, American, Graphite and brown ink on light buff-colored wove paper, 5 3/16 x 6 3/8 in. (13.2 x 16.2 cm), Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-antoine-colomb-hubert-born-gengembre-landscape-from-mcguire-scrapbook-american-charles-antoine-colomb-hubert-born-gengembre-17901863-1839-american-graphite-and-brown-ink-on-light-buff-colored-wove-paper-5-316-x-6-38-in-132-x-162-cm-drawings-image344604159.htmlRM2B0J23B–Charles Antoine Colomb Hubert (born Gengembre), Landscape (from McGuire Scrapbook), American, Charles Antoine Colomb Hubert (born Gengembre) (1790–1863), 1839, American, Graphite and brown ink on light buff-colored wove paper, 5 3/16 x 6 3/8 in. (13.2 x 16.2 cm), Drawings
Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruined-mingun-pahtodawgyi-pagoda-near-mandalay-myanmar-begun-in-1790-it-was-never-finished-following-a-damaging-earthquake-in-1839-image434743192.htmlRF2G787AG–Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839
Sir Humphrey Davy, Print made by William Henry Worthington, ca. 1790–active 1839, British, after James Lonsdale, 1777–1839, British, 1827, Etching and line engraving on medium, slightly textured, cream laid paper, Sheet: 21 × 16 3/8 inches (53.3 × 41.6 cm), Plate: 18 × 13 inches (45.7 × 33 cm), and Image: 14 1/2 × 11 inches (36.8 × 27.9 cm), chair, column (architectural element), curtain, dogs (animals), inkwell, portrait, quill, scepter, suit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-humphrey-davy-print-made-by-william-henry-worthington-ca-1790active-1839-british-after-james-lonsdale-17771839-british-1827-etching-and-line-engraving-on-medium-slightly-textured-cream-laid-paper-sheet-21-16-38-inches-533-416-cm-plate-18-13-inches-457-33-cm-and-image-14-12-11-inches-368-279-cm-chair-column-architectural-element-curtain-dogs-animals-inkwell-portrait-quill-scepter-suit-image389646600.htmlRM2DHWX60–Sir Humphrey Davy, Print made by William Henry Worthington, ca. 1790–active 1839, British, after James Lonsdale, 1777–1839, British, 1827, Etching and line engraving on medium, slightly textured, cream laid paper, Sheet: 21 × 16 3/8 inches (53.3 × 41.6 cm), Plate: 18 × 13 inches (45.7 × 33 cm), and Image: 14 1/2 × 11 inches (36.8 × 27.9 cm), chair, column (architectural element), curtain, dogs (animals), inkwell, portrait, quill, scepter, suit
Map of Maine, New Hampshire, Vermont, Massachusetts, Rhode Island, and Connecticut: exhibiting the post offices, post roads, canals, rail roads, &c. 1839 by Burr, David H., 1803-1875 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-maine-new-hampshire-vermont-massachusetts-rhode-island-and-connecticut-exhibiting-the-post-offices-post-roads-canals-rail-roads-c-1839-by-burr-david-h-1803-1875-image633123413.htmlRM2YP17AD–Map of Maine, New Hampshire, Vermont, Massachusetts, Rhode Island, and Connecticut: exhibiting the post offices, post roads, canals, rail roads, &c. 1839 by Burr, David H., 1803-1875
Showing board pattern leaf, Johann Lechner, 1790 - 1839 brocade paper Leaf with chessboard pattern with alternating square in whole gold, two types of rosettes and dice five. Fürth paper. paint (coating) relief printing ornament geometric motifs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/showing-board-pattern-leaf-johann-lechner-1790-1839-brocade-paper-leaf-with-chessboard-pattern-with-alternating-square-in-whole-gold-two-types-of-rosettes-and-dice-five-frth-paper-paint-coating-relief-printing-ornament-geometric-motifs-image590723736.htmlRM2W91P48–Showing board pattern leaf, Johann Lechner, 1790 - 1839 brocade paper Leaf with chessboard pattern with alternating square in whole gold, two types of rosettes and dice five. Fürth paper. paint (coating) relief printing ornament geometric motifs
. The Ale-House Door, oil on canvas . circa 1790. Henry Singleton (1766–1839) Alternative names H. Singleton; Singleton Description English painter Date of birth/death 19 October 1766 15 September 1839 Location of birth/death London London Work location London; Paris (1813) Authority control : Q15452884 VIAF:?24870331 ISNI:?0000 0000 6657 1560 ULAN:?500001987 LCCN:?nr89009324 WGA:?SINGLETON, Henry WorldCat Henry Singleton The Ale-House Door c. 1790 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ale-house-door-oil-on-canvas-circa-1790-henry-singleton-17661839-alternative-names-h-singleton-singleton-description-english-painter-date-of-birthdeath-19-october-1766-15-september-1839-location-of-birthdeath-london-london-work-location-london-paris-1813-authority-control-q15452884-viaf24870331-isni0000-0000-6657-1560-ulan500001987-lccnnr89009324-wgasingleton-henry-worldcat-henry-singleton-the-ale-house-door-c-1790-image185013106.htmlRMMN022X–. The Ale-House Door, oil on canvas . circa 1790. Henry Singleton (1766–1839) Alternative names H. Singleton; Singleton Description English painter Date of birth/death 19 October 1766 15 September 1839 Location of birth/death London London Work location London; Paris (1813) Authority control : Q15452884 VIAF:?24870331 ISNI:?0000 0000 6657 1560 ULAN:?500001987 LCCN:?nr89009324 WGA:?SINGLETON, Henry WorldCat Henry Singleton The Ale-House Door c. 1790
MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mingun-myanmar-mingun-pahtodawgyi-also-known-as-the-unfinished-pagoda-132917385.htmlRMHM6WDD–MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure.
. Genealogical history of the Redfield family in the United States : being a revision and extension of the genealogical tables compiled in 1839 by William C. Redfield . ter the latter marriage. We have no information of any children. 94. James Rcilfteld^ t^ldest son of Capt. Janie^ (23), son of THEO-PHILUS (8), at an early age became a cabin boy on an American privateer,near the close ot the revolutionary war. lie continued to follow Ihe seas foreleven years thereafter. About 1790 he married his first wife, Sarah Haines,* daugliter of and Anna Haines of Weston, Conn. She died in Weston, in 179 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genealogical-history-of-the-redfield-family-in-the-united-states-being-a-revision-and-extension-of-the-genealogical-tables-compiled-in-1839-by-william-c-redfield-ter-the-latter-marriage-we-have-no-information-of-any-children-94-james-rcilfteld-tldest-son-of-capt-janie-23-son-of-theo-philus-8-at-an-early-age-became-a-cabin-boy-on-an-american-privateernear-the-close-ot-the-revolutionary-war-lie-continued-to-follow-ihe-seas-foreleven-years-thereafter-about-1790-he-married-his-first-wife-sarah-haines-daugliter-of-and-anna-haines-of-weston-conn-she-died-in-weston-in-179-image371629280.htmlRM2CGH4X8–. Genealogical history of the Redfield family in the United States : being a revision and extension of the genealogical tables compiled in 1839 by William C. Redfield . ter the latter marriage. We have no information of any children. 94. James Rcilfteld^ t^ldest son of Capt. Janie^ (23), son of THEO-PHILUS (8), at an early age became a cabin boy on an American privateer,near the close ot the revolutionary war. lie continued to follow Ihe seas foreleven years thereafter. About 1790 he married his first wife, Sarah Haines,* daugliter of and Anna Haines of Weston, Conn. She died in Weston, in 179
Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruined-mingun-pahtodawgyi-pagoda-near-mandalay-myanmar-begun-in-1790-it-was-never-finished-following-a-damaging-earthquake-in-1839-image434743188.htmlRF2G787AC–Ruined Mingun Pahtodawgyi pagoda near Mandalay, Myanmar. Begun in 1790 it was never finished following a damaging earthquake in 1839
The Flight into Egypt, Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Dorothea Lister, 1766–1839, British, 1790, Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flight-into-egypt-francesco-bartolozzi-ra-17281815-italian-active-in-britain-176499-after-dorothea-lister-17661839-british-1790-engraving-image389761784.htmlRM2DJ353M–The Flight into Egypt, Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after Dorothea Lister, 1766–1839, British, 1790, Engraving
Leaf with small branches with flowers, Johann Lechner, 1790 - 1839 brocade paper Leaf with small branches with flowers, close together and evenly spread over the leaf. Numbered below: 12. Fürth paper. paint (coating) relief printing ornament derived from plant forms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-with-small-branches-with-flowers-johann-lechner-1790-1839-brocade-paper-leaf-with-small-branches-with-flowers-close-together-and-evenly-spread-over-the-leaf-numbered-below-12-frth-paper-paint-coating-relief-printing-ornament-derived-from-plant-forms-image594071104.htmlRM2WEE7N4–Leaf with small branches with flowers, Johann Lechner, 1790 - 1839 brocade paper Leaf with small branches with flowers, close together and evenly spread over the leaf. Numbered below: 12. Fürth paper. paint (coating) relief printing ornament derived from plant forms
. Deutsch: Der Markt gegen St. Laurenzen Kirch in St. Gallen (Originaltitel). . um 1790/1795. Zeichner und Kupferstecher: Johann Conrad Mayr (1750–1839) Description German copperplate engraver and draughtsman Date of birth/death 1750 1839 Location of birth/death Nuremberg Lindau(?) Authority control : Q18508382 VIAF:?3413987 ISNI:?0000 0000 2215 7093 ULAN:?500348426 LCCN:?n83143652 GND:?124755119 WorldCat Der Markt gegen St. Laurenzen Kirch in St. Gallen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-der-markt-gegen-st-laurenzen-kirch-in-st-gallen-originaltitel-um-17901795-zeichner-und-kupferstecher-johann-conrad-mayr-17501839-description-german-copperplate-engraver-and-draughtsman-date-of-birthdeath-1750-1839-location-of-birthdeath-nuremberg-lindau-authority-control-q18508382-viaf3413987-isni0000-0000-2215-7093-ulan500348426-lccnn83143652-gnd124755119-worldcat-der-markt-gegen-st-laurenzen-kirch-in-st-gallen-image184791344.htmlRMMMHY6T–. Deutsch: Der Markt gegen St. Laurenzen Kirch in St. Gallen (Originaltitel). . um 1790/1795. Zeichner und Kupferstecher: Johann Conrad Mayr (1750–1839) Description German copperplate engraver and draughtsman Date of birth/death 1750 1839 Location of birth/death Nuremberg Lindau(?) Authority control : Q18508382 VIAF:?3413987 ISNI:?0000 0000 2215 7093 ULAN:?500348426 LCCN:?n83143652 GND:?124755119 WorldCat Der Markt gegen St. Laurenzen Kirch in St. Gallen
William Henry Worthington, ca. 1790–active 1839, British, The Countess of Arundel. Engraving on laid paper. Public Domain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-henry-worthington-ca-1790active-1839-british-the-countess-of-arundel-engraving-on-laid-paper-public-domain-image398461219.htmlRM2E47D9R–William Henry Worthington, ca. 1790–active 1839, British, The Countess of Arundel. Engraving on laid paper. Public Domain
. Deutsch: Die Grafschaft Erbach. Nro. 211. Kolorierter Kupferstich . 1793. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1046 Reilly 211 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-die-grafschaft-erbach-nro-211-kolorierter-kupferstich-1793-franz-johann-joseph-von-reilly-17661820-alternative-names-reilly-franz-johann-joseph-von-description-austrian-publisher-and-writer-date-of-birthdeath-18-august-1766-6-july-1820-location-of-birthdeath-vienna-vienna-work-period-1790-1800-work-location-vienna-authority-control-q113944-viaf102371035-isni0000-0001-1839-240x-lccnn88624007-gnd118748017-sudoc158784243-worldcat-1046-reilly-211-image185695964.htmlRMMP352M–. Deutsch: Die Grafschaft Erbach. Nro. 211. Kolorierter Kupferstich . 1793. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1046 Reilly 211
MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mingun-myanmar-mingun-pahtodawgyi-also-known-as-the-unfinished-pagoda-132917415.htmlRMHM6WEF–MINGUN, Myanmar - Mingun Pahtodawgyi, also known as the Unfinished Pagoda of Mingun, was commissioned by King Bodawpaya in 1790. The current structure stands 50 meters tall; the plans called for it to reach a total height of 150 meters when completed. The structure is solid and built entirely of bricks. An earthquaker in March 1839 tore large cracks in the structure.
. Annual report of the Forest, Fish and Game Commission of the State of New York . Horicon, 1802 1839 William Gardner. Warren, Johnsburg, 1784 1790 John Thurman. Warren, Luzerne, 1797 1815 Jeremiah Rockwell. Warren, Queensbury, 1762 1764 Moses Clements. Warren, Stony Creek, J795 1825 James McDonald. Warren, Thurman, 1799 1815 Caleb Reynolds. Warren, Warrensburgh, 1784 1794 Jonathan Vowers. Washington, Cambridge, 1762 - Philip Van Ness. Washington, Dresden, 1784 1815 Amos Collins. Washington, Easton, 1762 1768 Nathan Tefft. Washington, Fort Ann, 1781 I788 Jacob Van Wormer. Washington, Fort Edwa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annual-report-of-the-forest-fish-and-game-commission-of-the-state-of-new-york-horicon-1802-1839-william-gardner-warren-johnsburg-1784-1790-john-thurman-warren-luzerne-1797-1815-jeremiah-rockwell-warren-queensbury-1762-1764-moses-clements-warren-stony-creek-j795-1825-james-mcdonald-warren-thurman-1799-1815-caleb-reynolds-warren-warrensburgh-1784-1794-jonathan-vowers-washington-cambridge-1762-philip-van-ness-washington-dresden-1784-1815-amos-collins-washington-easton-1762-1768-nathan-tefft-washington-fort-ann-1781-i788-jacob-van-wormer-washington-fort-edwa-image374677370.htmlRM2CNG0PJ–. Annual report of the Forest, Fish and Game Commission of the State of New York . Horicon, 1802 1839 William Gardner. Warren, Johnsburg, 1784 1790 John Thurman. Warren, Luzerne, 1797 1815 Jeremiah Rockwell. Warren, Queensbury, 1762 1764 Moses Clements. Warren, Stony Creek, J795 1825 James McDonald. Warren, Thurman, 1799 1815 Caleb Reynolds. Warren, Warrensburgh, 1784 1794 Jonathan Vowers. Washington, Cambridge, 1762 - Philip Van Ness. Washington, Dresden, 1784 1815 Amos Collins. Washington, Easton, 1762 1768 Nathan Tefft. Washington, Fort Ann, 1781 I788 Jacob Van Wormer. Washington, Fort Edwa
To the Memory of Sir George Saville Bart, Who in five Successive Parliaments represented the County of York ... 1790, Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after John Fisher, 1760?–1839, After 1790, Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/to-the-memory-of-sir-george-saville-bart-who-in-five-successive-parliaments-represented-the-county-of-york-1790-francesco-bartolozzi-ra-17281815-italian-active-in-britain-176499-after-john-fisher-17601839-after-1790-engraving-image389729149.htmlRM2DJ1KE5–To the Memory of Sir George Saville Bart, Who in five Successive Parliaments represented the County of York ... 1790, Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99), after John Fisher, 1760?–1839, After 1790, Engraving
Elevation of a Salon Wall, for the Palace of the Prince of Hesse, Etienne Dubois, French, 1766 - 1839, Pen and black ink, brush and watercolor, gold paint on paper, Sofa stands under an empty oblong frame and two pilaster strips and is flanked by wainscotted dados before the center of the wall. A decorative panel with a fountain is at left. Another with Ceres in clouds, at right. Ink lines along edges., France, ca. 1790, architecture, interiors, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elevation-of-a-salon-wall-for-the-palace-of-the-prince-of-hesse-etienne-dubois-french-1766-1839-pen-and-black-ink-brush-and-watercolor-gold-paint-on-paper-sofa-stands-under-an-empty-oblong-frame-and-two-pilaster-strips-and-is-flanked-by-wainscotted-dados-before-the-center-of-the-wall-a-decorative-panel-with-a-fountain-is-at-left-another-with-ceres-in-clouds-at-right-ink-lines-along-edges-france-ca-1790-architecture-interiors-drawing-image391647899.htmlRM2DN52TY–Elevation of a Salon Wall, for the Palace of the Prince of Hesse, Etienne Dubois, French, 1766 - 1839, Pen and black ink, brush and watercolor, gold paint on paper, Sofa stands under an empty oblong frame and two pilaster strips and is flanked by wainscotted dados before the center of the wall. A decorative panel with a fountain is at left. Another with Ceres in clouds, at right. Ink lines along edges., France, ca. 1790, architecture, interiors, Drawing
Façade St. Jean, Print made by Richard Parkes Bonington, 1802–1828, British, after Nicolas Marie Joseph Chapuy, 1790–1858, French, Printed by Godefroy Engelmann, 1788–1839, French, ca. 1824, Lithograph on moderately thick, slightly textured, cream wove paper, Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm) and Image: 8 11/16 x 11 15/16 inches (22.1 x 30.3 cm), arches, architectural subject, buckets (vessels), buttresses, carts, cathedral, cityscape, cloaks, clock, columns, facade, Grand Tour, horses (animals), men, naves, people, sculpture, spires, square, stained glass, stairs, street, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/faade-st-jean-print-made-by-richard-parkes-bonington-18021828-british-after-nicolas-marie-joseph-chapuy-17901858-french-printed-by-godefroy-engelmann-17881839-french-ca-1824-lithograph-on-moderately-thick-slightly-textured-cream-wove-paper-sheet-11-1516-x-18-38-inches-304-x-466-cm-and-image-8-1116-x-11-1516-inches-221-x-303-cm-arches-architectural-subject-buckets-vessels-buttresses-carts-cathedral-cityscape-cloaks-clock-columns-facade-grand-tour-horses-animals-men-naves-people-sculpture-spires-square-stained-glass-stairs-street-women-image389671375.htmlRM2DHY1PR–Façade St. Jean, Print made by Richard Parkes Bonington, 1802–1828, British, after Nicolas Marie Joseph Chapuy, 1790–1858, French, Printed by Godefroy Engelmann, 1788–1839, French, ca. 1824, Lithograph on moderately thick, slightly textured, cream wove paper, Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm) and Image: 8 11/16 x 11 15/16 inches (22.1 x 30.3 cm), arches, architectural subject, buckets (vessels), buttresses, carts, cathedral, cityscape, cloaks, clock, columns, facade, Grand Tour, horses (animals), men, naves, people, sculpture, spires, square, stained glass, stairs, street, women
William Henry Worthington, ca. 1790–active 1839, British, The Countess of Arundel. Engraving on laid paper. Public Domain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-henry-worthington-ca-1790active-1839-british-the-countess-of-arundel-engraving-on-laid-paper-public-domain-image398461218.htmlRM2E47D9P–William Henry Worthington, ca. 1790–active 1839, British, The Countess of Arundel. Engraving on laid paper. Public Domain
. Deutsch: Das Herzogthum Brabant. Nro. 179. Kolorierter Kupferstich. Version ohne Quartiernamen . 1792. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1046 Reilly 179b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-das-herzogthum-brabant-nro-179-kolorierter-kupferstich-version-ohne-quartiernamen-1792-franz-johann-joseph-von-reilly-17661820-alternative-names-reilly-franz-johann-joseph-von-description-austrian-publisher-and-writer-date-of-birthdeath-18-august-1766-6-july-1820-location-of-birthdeath-vienna-vienna-work-period-1790-1800-work-location-vienna-authority-control-q113944-viaf102371035-isni0000-0001-1839-240x-lccnn88624007-gnd118748017-sudoc158784243-worldcat-1046-reilly-179b-image185695949.htmlRMMP3525–. Deutsch: Das Herzogthum Brabant. Nro. 179. Kolorierter Kupferstich. Version ohne Quartiernamen . 1792. Franz Johann Joseph von Reilly (1766–1820) Alternative names Reilly, Franz Johann Joseph von Description Austrian publisher and writer Date of birth/death 18 August 1766 6 July 1820 Location of birth/death Vienna Vienna Work period 1790 – 1800 Work location Vienna Authority control : Q113944 VIAF: 102371035 ISNI: 0000 0001 1839 240X LCCN: n88624007 GND: 118748017 SUDOC: 158784243 WorldCat 1046 Reilly 179b
