1787 18 hi-res stock photography and images - Page 5

Fugu no bijin to kurage no tomo, Pufferfish courtesan and her jellyfish companion. [between 1818 and 1830, printed later], 1 Stock Photo

RMDDWR23–Fugu no bijin to kurage no tomo, Pufferfish courtesan and her jellyfish companion. [between 1818 and 1830, printed later], 1

Chairman of the Public Establishment of the Palace, Museum and National Estate of Versailles, Catherine Pegard poses during the opening to the public of Le Hameau de la Reine (The Queen's Hamlet) at the Versailles Palace on May 18, 2018 in Versailles, France. The hamlet of the Queen built by Richard Mique for Marie Antoinette between 1783 and 1787 is an outbuilding of the Petit Trianon located in the park of the Palace of Versailles. This hamlet was commissioned during the winter of 1782-1783 by Queen Marie-Antoinette who wanted to move away from the constraints of the court of Versailles. Pho Stock Photo

RM2DD8T4K–Chairman of the Public Establishment of the Palace, Museum and National Estate of Versailles, Catherine Pegard poses during the opening to the public of Le Hameau de la Reine (The Queen's Hamlet) at the Versailles Palace on May 18, 2018 in Versailles, France. The hamlet of the Queen built by Richard Mique for Marie Antoinette between 1783 and 1787 is an outbuilding of the Petit Trianon located in the park of the Palace of Versailles. This hamlet was commissioned during the winter of 1782-1783 by Queen Marie-Antoinette who wanted to move away from the constraints of the court of Versailles. Pho

Carl Friedrich Abel, 1723 – 1787, German composer, digitally edited according to a painting by Thomas Gainsborough, Sonatas for viola da gamba and bass, written in the author's own hand Stock Photo

RM2TC3EN0–Carl Friedrich Abel, 1723 – 1787, German composer, digitally edited according to a painting by Thomas Gainsborough, Sonatas for viola da gamba and bass, written in the author's own hand

Patriots chased away from The Hague, 1787, Anonymous, 1787 print A few patriots are driven away from their place of residence and guardhouse in the Wagenstraat in The Hague by a few Swiss soldiers, September 18, 1787. Title and Oranjegezind four -line verse pressed under the plate. Northern Netherlands paper etching / engraving / letterpress printing putting the enemy to flight Wagenstraat Stock Photo

RM2WG985X–Patriots chased away from The Hague, 1787, Anonymous, 1787 print A few patriots are driven away from their place of residence and guardhouse in the Wagenstraat in The Hague by a few Swiss soldiers, September 18, 1787. Title and Oranjegezind four -line verse pressed under the plate. Northern Netherlands paper etching / engraving / letterpress printing putting the enemy to flight Wagenstraat

The iconography of Manhattan Island, 1498-1909 : compiled from original sources and illustrated by photo-intaglio reproductions of important maps, plans, views, and documents in public and private collections . ;.. I. ;0, 1/84 Feb. 18 1787 1788 1789 Aug. S 1796 1797 Jan. 2 1799 Mar. EARLY NEWSPAPERS—BIBLIOGRAPHICAL DATA 421 DATE TITLE PRINTER, ETC. FREQUENCY THE INDEPENDENT JOURNAL: OR, THE GENERAL ADVERTISER 1783 Nov. 17 [No. l] Webster and McLean Weekly 1783 Dec. 25 Semi-weekly J. McLean and Co. Tri-weeklyThe New-York Daily Gazette A. McLean Daily Archibald McLeanThe New-York Gazette and Gen Stock Photo

RM2AWFNJ7–The iconography of Manhattan Island, 1498-1909 : compiled from original sources and illustrated by photo-intaglio reproductions of important maps, plans, views, and documents in public and private collections . ;.. I. ;0, 1/84 Feb. 18 1787 1788 1789 Aug. S 1796 1797 Jan. 2 1799 Mar. EARLY NEWSPAPERS—BIBLIOGRAPHICAL DATA 421 DATE TITLE PRINTER, ETC. FREQUENCY THE INDEPENDENT JOURNAL: OR, THE GENERAL ADVERTISER 1783 Nov. 17 [No. l] Webster and McLean Weekly 1783 Dec. 25 Semi-weekly J. McLean and Co. Tri-weeklyThe New-York Daily Gazette A. McLean Daily Archibald McLeanThe New-York Gazette and Gen

A Bacchante. Artist: After Francis Wheatley (British, London 1747-1801 London). Dimensions: Plate: 9 13/16 x 6 15/16 in. (24.9 x 17.6 cm) Sheet: 18 1/2 x 12 3/8 in. (47 x 31.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Published in: London. Publisher: Robert Pollard (British, Newcastle-upon-Tyne 1755-1838 London). Series/Portfolio: Imitations of Modern Drawings. Date: 1787. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAPJ1J–A Bacchante. Artist: After Francis Wheatley (British, London 1747-1801 London). Dimensions: Plate: 9 13/16 x 6 15/16 in. (24.9 x 17.6 cm) Sheet: 18 1/2 x 12 3/8 in. (47 x 31.5 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Published in: London. Publisher: Robert Pollard (British, Newcastle-upon-Tyne 1755-1838 London). Series/Portfolio: Imitations of Modern Drawings. Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

Godaime iwayahanshiro no fujimusume to sandaime bandomitsugoro no zato, Iwai Hanshiro V as Fuji Musume and Bando Mitsugoro III Stock Photo

RMDDWR6W–Godaime iwayahanshiro no fujimusume to sandaime bandomitsugoro no zato, Iwai Hanshiro V as Fuji Musume and Bando Mitsugoro III

The Prodigal Son, James Gillray, 1757–1815, British, 1787, Etching, hand-colored, Sheet: 7 1/8 x 5 1/2in. (18.1 x 14cm Stock Photo

RM2DJ3DDJ–The Prodigal Son, James Gillray, 1757–1815, British, 1787, Etching, hand-colored, Sheet: 7 1/8 x 5 1/2in. (18.1 x 14cm

RM2DD8T38–Chairman of the Public Establishment of the Palace, Museum and National Estate of Versailles, Catherine Pegard poses during the opening to the public of Le Hameau de la Reine (The Queen's Hamlet) at the Versailles Palace on May 18, 2018 in Versailles, France. The hamlet of the Queen built by Richard Mique for Marie Antoinette between 1783 and 1787 is an outbuilding of the Petit Trianon located in the park of the Palace of Versailles. This hamlet was commissioned during the winter of 1782-1783 by Queen Marie-Antoinette who wanted to move away from the constraints of the court of Versailles. Pho

RM2TC3EH9–Carl Friedrich Abel, 1723 – 1787, German composer, digitally edited according to a painting by Thomas Gainsborough, Sonatas for viola da gamba and bass, written in the author's own hand

Wait of the Wacht at the Binnenhof with a shameful banner, 1787, Reinier Vinkeles (I), After Jacobus Buys, in Or Before 1796 print At the Binnenhof in The Hague, the watch is being done with a shameful banner on which a gallows is placed around the Netherlands Lion, February 18, 1787. print maker: Amsterdamafter drawing by: Northern Netherlands paper etching / engraving drill military training Courtyard Stock Photo

RM2WG6D13–Wait of the Wacht at the Binnenhof with a shameful banner, 1787, Reinier Vinkeles (I), After Jacobus Buys, in Or Before 1796 print At the Binnenhof in The Hague, the watch is being done with a shameful banner on which a gallows is placed around the Netherlands Lion, February 18, 1787. print maker: Amsterdamafter drawing by: Northern Netherlands paper etching / engraving drill military training Courtyard

The national hand-book of American progress : a ready reference manual of facts and figures, from the discovery of America to the present time . NEW JERSEY RATIFIED THE CON-STITUTION Dec. 18,1787. Area, 8,320 sq. miles.Capital, Trenton. Pop. 1870,900,096. So named from the Island of Jersey on tlie coast of France.First settled by the Dutch at Bergen in 1620; mider the samegrants as Xew York; separated into East and West Jersey-March 3, 1677; formed a Constitution July 2, 1776. GEORGIA RATIFIED THE CON-STITUTION Jan. 2,1788. Area, 58,000 sq. miles. Capital, Atlanta. Pop. 1870, 1,184,109. So Stock Photo

RM2AM8NF3–The national hand-book of American progress : a ready reference manual of facts and figures, from the discovery of America to the present time . NEW JERSEY RATIFIED THE CON-STITUTION Dec. 18,1787. Area, 8,320 sq. miles.Capital, Trenton. Pop. 1870,900,096. So named from the Island of Jersey on tlie coast of France.First settled by the Dutch at Bergen in 1620; mider the samegrants as Xew York; separated into East and West Jersey-March 3, 1677; formed a Constitution July 2, 1776. GEORGIA RATIFIED THE CON-STITUTION Jan. 2,1788. Area, 58,000 sq. miles. Capital, Atlanta. Pop. 1870, 1,184,109. So

The Rival Richards, or Sheakspear in Danger. Artist: William Heath ('Paul Pry') (British, London 1795-1840 Hampstead). Dimensions: Plate: 9 9/16 × 13 11/16 in. (24.3 × 34.8 cm) Sheet: 10 5/16 × 15 7/8 in. (26.2 × 40.3 cm). Publisher: Samuel Knight (British, 1805-1841). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon); Edmund Kean (British, 1787-1833); Charles Mayne Young (British, 1777-1856). Date: May 18, 1814. Two tragic actors Edmund Kean and Charles Mayne Young are here satirized struggling to control Shakespeare. Both are dressed as Richard III t Stock Photo

RMPATARC–The Rival Richards, or Sheakspear in Danger. Artist: William Heath ('Paul Pry') (British, London 1795-1840 Hampstead). Dimensions: Plate: 9 9/16 × 13 11/16 in. (24.3 × 34.8 cm) Sheet: 10 5/16 × 15 7/8 in. (26.2 × 40.3 cm). Publisher: Samuel Knight (British, 1805-1841). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon); Edmund Kean (British, 1787-1833); Charles Mayne Young (British, 1777-1856). Date: May 18, 1814. Two tragic actors Edmund Kean and Charles Mayne Young are here satirized struggling to control Shakespeare. Both are dressed as Richard III t

Monstrous Craws, At a New Coalition Feast, James Gillray, 1757–1815, British, 1787, Etching with hand coloring in watercolor, Sheet: 14 x 18 1/8in. (35.6 x 46cm Stock Photo

RM2DJ3ETH–Monstrous Craws, At a New Coalition Feast, James Gillray, 1757–1815, British, 1787, Etching with hand coloring in watercolor, Sheet: 14 x 18 1/8in. (35.6 x 46cm

RM2DD8T3M–Chairman of the Public Establishment of the Palace, Museum and National Estate of Versailles, Catherine Pegard poses during the opening to the public of Le Hameau de la Reine (The Queen's Hamlet) at the Versailles Palace on May 18, 2018 in Versailles, France. The hamlet of the Queen built by Richard Mique for Marie Antoinette between 1783 and 1787 is an outbuilding of the Petit Trianon located in the park of the Palace of Versailles. This hamlet was commissioned during the winter of 1782-1783 by Queen Marie-Antoinette who wanted to move away from the constraints of the court of Versailles. Pho

RM2TC3EDK–Carl Friedrich Abel, 1723 – 1787, German composer, digitally edited according to a painting by Thomas Gainsborough, Sonatas for viola da gamba and bass, written in the author's own hand

RM2WG5JPG–Wait of the Wacht at the Binnenhof with a shameful banner, 1787, Reinier Vinkeles (I), After Jacobus Buys, in Or Before 1796 print At the Binnenhof in The Hague, the watch is being done with a shameful banner on which a gallows is placed around the Netherlands Lion, February 18, 1787. print maker: Amsterdamafter drawing by: Northern Netherlands paper etching / engraving drill military training Courtyard

Genealogical and family history of southern New York and the Hudson River Valley : a record of the achievements of her people in the making of a commonwealth and the building of a nation . m C. Mulli-gan. 6. Henry, born Tune 5, 1787, died, un-married, August 18, 1809. 7. Nathan Wood-hull, born June 11, 1789, died September 9,1795- (VI) James Strong, son of Hon. Selah (2)and Sarah (Woodhull) Strong, was born Feb-ruary 26, 1783, died in New York City, July30, 1838. He was a merchant in New York,at first in company with his father, as the firmof Selah Strong & Son, and afterwards inthe firm of Pe Stock Photo

RM2AKAP0X–Genealogical and family history of southern New York and the Hudson River Valley : a record of the achievements of her people in the making of a commonwealth and the building of a nation . m C. Mulli-gan. 6. Henry, born Tune 5, 1787, died, un-married, August 18, 1809. 7. Nathan Wood-hull, born June 11, 1789, died September 9,1795- (VI) James Strong, son of Hon. Selah (2)and Sarah (Woodhull) Strong, was born Feb-ruary 26, 1783, died in New York City, July30, 1838. He was a merchant in New York,at first in company with his father, as the firmof Selah Strong & Son, and afterwards inthe firm of Pe

The Prisoner. Date/Period: 1787 to 1790. Painting. Oil on canvas. Height: 406 mm (15.98 in); Width: 470 mm (18.50 in). Author: Joseph Wright of Derby. Stock Photo

RMPNERB0–The Prisoner. Date/Period: 1787 to 1790. Painting. Oil on canvas. Height: 406 mm (15.98 in); Width: 470 mm (18.50 in). Author: Joseph Wright of Derby.

Going to the Levee, J. L. Marks, (?), active 1787–1799, c. 1821, Etching & aquatint, hand-colored, Sheet: 3 15/16 x 7 1/8in. (10 x 18.1cm Stock Photo

RM2DJ38NP–Going to the Levee, J. L. Marks, (?), active 1787–1799, c. 1821, Etching & aquatint, hand-colored, Sheet: 3 15/16 x 7 1/8in. (10 x 18.1cm

Woman Performing the Tea Ceremony, c. 1820. Eizan Kikugawa (Japanese, 1787-1867). Color woodblock print; sheet: 20.6 x 18.1 cm (8 1/8 x 7 1/8 in Stock Photo

RMRY26FB–Woman Performing the Tea Ceremony, c. 1820. Eizan Kikugawa (Japanese, 1787-1867). Color woodblock print; sheet: 20.6 x 18.1 cm (8 1/8 x 7 1/8 in

RM2DD8T22–Chairman of the Public Establishment of the Palace, Museum and National Estate of Versailles, Catherine Pegard poses during the opening to the public of Le Hameau de la Reine (The Queen's Hamlet) at the Versailles Palace on May 18, 2018 in Versailles, France. The hamlet of the Queen built by Richard Mique for Marie Antoinette between 1783 and 1787 is an outbuilding of the Petit Trianon located in the park of the Palace of Versailles. This hamlet was commissioned during the winter of 1782-1783 by Queen Marie-Antoinette who wanted to move away from the constraints of the court of Versailles. Pho

Racing: Fleur-de-Lis, Thomas Goff Lupton, 1791–1873, British, after Abraham Cooper, 1787–1868, British, 1828, Mezzotint, Sheet: 15 x 18 7/8in. (38.1 x 47.9cm Stock Photo

RM2DJ3FMH–Racing: Fleur-de-Lis, Thomas Goff Lupton, 1791–1873, British, after Abraham Cooper, 1787–1868, British, 1828, Mezzotint, Sheet: 15 x 18 7/8in. (38.1 x 47.9cm

Nicolas Fauconnier, French, active from 1785, Oval Tureen, 1787, silver, Overall: 12 × 18 3/4 × 13 5/8 inches (30.5 × 47.6 × 34.6 cm Stock Photo

RM2A2PXNX–Nicolas Fauconnier, French, active from 1785, Oval Tureen, 1787, silver, Overall: 12 × 18 3/4 × 13 5/8 inches (30.5 × 47.6 × 34.6 cm

RM2TC3E4J–Carl Friedrich Abel, 1723 – 1787, German composer, digitally edited according to a painting by Thomas Gainsborough, Sonatas for viola da gamba and bass, written in the author's own hand

Patriots driven away from their waiting room, 1787, Anonymous, 1787 print A few patriots are driven away by Swiss soldiers from their waiting room, a stable in the Second Wagenstraat in The Hague, September 18, 1787. A free village is drunk on a couch, another flight to the Bedstee. See also the Pendant. Northern Netherlands paper etching / engraving putting the enemy to flight Wagenstraat Stock Photo

RM2WG9AHY–Patriots driven away from their waiting room, 1787, Anonymous, 1787 print A few patriots are driven away by Swiss soldiers from their waiting room, a stable in the Second Wagenstraat in The Hague, September 18, 1787. A free village is drunk on a couch, another flight to the Bedstee. See also the Pendant. Northern Netherlands paper etching / engraving putting the enemy to flight Wagenstraat

History and genealogies of the Hammond families in America : with an account of the early history of the family in Normandy and Great Britain1000-1902 . c. 22, 1796, Polly AVeilin.ij^ton.Leonard, (Lawrence) b. May 6, 1777 ; m. Nancy ; d. Dec. 1851. Elizabeth, (Lawrence) b. Sept. 2, 1779 ; m Dec. 12, 1797, Abraham Wellington.Pkiscilla, (Lawrence) b. Dec. 2G, 1780; d. un-ai. July 24, 1803.Maky, (Lawrence) b. May 25, 1785 ; m. Sept. 23, 1810, Chester Lyman, of Roxbury.Nathan, (Lawrence) b. May 27, 1787.Abigail, (Lawrence) b. June 18, 1789 ; m. April 12, 1810, Jonas Viles, Jr.Jacob, (Lawrence) b. Stock Photo

RM2AN12EX–History and genealogies of the Hammond families in America : with an account of the early history of the family in Normandy and Great Britain1000-1902 . c. 22, 1796, Polly AVeilin.ij^ton.Leonard, (Lawrence) b. May 6, 1777 ; m. Nancy ; d. Dec. 1851. Elizabeth, (Lawrence) b. Sept. 2, 1779 ; m Dec. 12, 1797, Abraham Wellington.Pkiscilla, (Lawrence) b. Dec. 2G, 1780; d. un-ai. July 24, 1803.Maky, (Lawrence) b. May 25, 1785 ; m. Sept. 23, 1810, Chester Lyman, of Roxbury.Nathan, (Lawrence) b. May 27, 1787.Abigail, (Lawrence) b. June 18, 1789 ; m. April 12, 1810, Jonas Viles, Jr.Jacob, (Lawrence) b.

Title Page, from Bozzy and Piozzi by Peter Pindar, Esq. Dimensions: Sheet: 9 3/8 × 7 3/16 in. (23.8 × 18.3 cm). Publisher: George Kearsley (London). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0PYP–Title Page, from Bozzy and Piozzi by Peter Pindar, Esq. Dimensions: Sheet: 9 3/8 × 7 3/16 in. (23.8 × 18.3 cm). Publisher: George Kearsley (London). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

Nicolas Fauconnier, French, active from 1785, Oval Tureen, 1787, silver, Overall: 12 × 18 3/4 × 13 1/2 inches (30.5 × 47.6 × 34.3 cm Stock Photo

RM2A2PXNY–Nicolas Fauconnier, French, active from 1785, Oval Tureen, 1787, silver, Overall: 12 × 18 3/4 × 13 1/2 inches (30.5 × 47.6 × 34.3 cm

RM2TC3EAJ–Carl Friedrich Abel, 1723 – 1787, German composer, digitally edited according to a painting by Thomas Gainsborough, Sonatas for viola da gamba and bass, written in the author's own hand

His Majesty Landing on the Pier at Howth, J. L. Marks, (?), active 1787–1799, c. 1821, Etching & aquatint, hand-colored, Sheet: 3 15/16 x 7 1/8in. (10 x 18.1cm Stock Photo

RM2DJ38P0–His Majesty Landing on the Pier at Howth, J. L. Marks, (?), active 1787–1799, c. 1821, Etching & aquatint, hand-colored, Sheet: 3 15/16 x 7 1/8in. (10 x 18.1cm

Prince and Princess of Orange view the Westcappelse Dijk, 1786, Mathias de Sallieth, 1786 - 1787 print The Prince and Princess of Orange and their children view the work on the Westkappelse Dijk on Walcheren, July 1, 1786. Illustrations of the Prince's visit and Princess to Zeeland 18 June - 25 July 1786. Print Maker: Zeelandafter Drawing by: Middelburg paper etching public festivities on the occasion of royal events Walcheren Stock Photo

RM2WG6BBY–Prince and Princess of Orange view the Westcappelse Dijk, 1786, Mathias de Sallieth, 1786 - 1787 print The Prince and Princess of Orange and their children view the work on the Westkappelse Dijk on Walcheren, July 1, 1786. Illustrations of the Prince's visit and Princess to Zeeland 18 June - 25 July 1786. Print Maker: Zeelandafter Drawing by: Middelburg paper etching public festivities on the occasion of royal events Walcheren

Diptera danica : genera and species of flies hitherto found in Denmark . 1781. Spec. Ins. II, 431, 52 et 1787.Mani. Ins. II, 340 et 1794. Entom. Syst. IV, 303, 95 (Syrplms). — 1862.Schin. F. A. I, 2G8. — 1901. Verr. Brit. Fl. VIII, 192, 1, figs. 203—204. — 1907. Kat. palåarkt. Dipt. III, 17. — Eristalis metallica Fabr. 1805.Syst. Antl. 246, 67. — 1817. Fall. Dipt. Suec. Syrph. 57, 16. — Chryso- f Ghrysogaster. 109 gaster metallica 1822. Meig. Syst. Beschr, III, 267, 3. — 1843. Zett. Dipt.Scand. II, 820, 5 el 1849. VIII, 3178, 5. — 1843. Loew, Stett. ent. Zeitg.IV, 211. — Chr. violacea Meig. 18 Stock Photo

RM2AN2EN8–Diptera danica : genera and species of flies hitherto found in Denmark . 1781. Spec. Ins. II, 431, 52 et 1787.Mani. Ins. II, 340 et 1794. Entom. Syst. IV, 303, 95 (Syrplms). — 1862.Schin. F. A. I, 2G8. — 1901. Verr. Brit. Fl. VIII, 192, 1, figs. 203—204. — 1907. Kat. palåarkt. Dipt. III, 17. — Eristalis metallica Fabr. 1805.Syst. Antl. 246, 67. — 1817. Fall. Dipt. Suec. Syrph. 57, 16. — Chryso- f Ghrysogaster. 109 gaster metallica 1822. Meig. Syst. Beschr, III, 267, 3. — 1843. Zett. Dipt.Scand. II, 820, 5 el 1849. VIII, 3178, 5. — 1843. Loew, Stett. ent. Zeitg.IV, 211. — Chr. violacea Meig. 18

Title Page, from Ode Upon Ode by Peter Pindar. Dimensions: Sheet: 9 3/8 × 7 5/16 in. (23.8 × 18.5 cm). Publisher: George Kearsley (London). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB21RR–Title Page, from Ode Upon Ode by Peter Pindar. Dimensions: Sheet: 9 3/8 × 7 5/16 in. (23.8 × 18.5 cm). Publisher: George Kearsley (London). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

Laditcher Bruck, Tyrol, Rev. Charles Annesley, 1787–1863, British, 1823, Watercolor and pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 18 1/8 x 11 1/8in. (46 x 28.3cm), Tyrol Stock Photo

RM2DHTRWR–Laditcher Bruck, Tyrol, Rev. Charles Annesley, 1787–1863, British, 1823, Watercolor and pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 18 1/8 x 11 1/8in. (46 x 28.3cm), Tyrol

Distant View of Mount Fuji at Dawn from Hakone, c. 1828/30, Utagawa Kuniyoshi, Japanese, 1787-1861, Japan, Color woodblock print, shikishiban, surimono, 21.2 x 18.4 cm (8 3/8 x 7 1/4 in Stock Photo

RM2A2J8P4–Distant View of Mount Fuji at Dawn from Hakone, c. 1828/30, Utagawa Kuniyoshi, Japanese, 1787-1861, Japan, Color woodblock print, shikishiban, surimono, 21.2 x 18.4 cm (8 3/8 x 7 1/4 in

RM2WE2FJR–Prince and Princess of Orange view the Westcappelse Dijk, 1786, Mathias de Sallieth, 1786 - 1787 print The Prince and Princess of Orange and their children view the work on the Westkappelse Dijk on Walcheren, July 1, 1786. Illustrations of the Prince's visit and Princess to Zeeland 18 June - 25 July 1786. print maker: Northern Netherlandsafter drawing by: Middelburg paper etching / engraving public festivities on the occasion of royal events Walcheren

History of Chesterfield, Cheshire county, N.H., from the incorporation of 'township number one,' by Massachusetts, in 1736, to the year 1881; . lived many years on the farm now own-ed and occupied by Wm. L. Clegg. Soldier i775- He d.Nov. 16, 1844. Ch. : Isaac (4), b. Apr. 12, 1780.—Polly, b. Jan. 9, 1782;m., 1800, Josiah Hastings (8).—J^oseph, b. Jan. 18, 1784; d.1787.—Ashbel (5), b. Nov. 26, 1785.—Sally, b. Aug. 39,1787 ; d. 1795.— (Three infants b. and d. 1790.)—Clarissa, h.May 28, 1792; m., 1815, Eleazer Randall (5) ; d. June 7,1844.—Salome, b. Apr. 22, 1794; m., 1813, David W. Good-rich (i Stock Photo

RM2AKTMN9–History of Chesterfield, Cheshire county, N.H., from the incorporation of 'township number one,' by Massachusetts, in 1736, to the year 1881; . lived many years on the farm now own-ed and occupied by Wm. L. Clegg. Soldier i775- He d.Nov. 16, 1844. Ch. : Isaac (4), b. Apr. 12, 1780.—Polly, b. Jan. 9, 1782;m., 1800, Josiah Hastings (8).—J^oseph, b. Jan. 18, 1784; d.1787.—Ashbel (5), b. Nov. 26, 1785.—Sally, b. Aug. 39,1787 ; d. 1795.— (Three infants b. and d. 1790.)—Clarissa, h.May 28, 1792; m., 1815, Eleazer Randall (5) ; d. June 7,1844.—Salome, b. Apr. 22, 1794; m., 1813, David W. Good-rich (i

Flowers: Onoe Kikugoro III, from an untitled series of actors representing snow, moon, and flowers. Utagawa Kuniyoshi; Japanese, 1787-1861. Date: 1825-1845. Dimensions: 21.1 x 18.4 cm. Color woodblock print; shikishiban, surimono. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRX13HW–Flowers: Onoe Kikugoro III, from an untitled series of actors representing snow, moon, and flowers. Utagawa Kuniyoshi; Japanese, 1787-1861. Date: 1825-1845. Dimensions: 21.1 x 18.4 cm. Color woodblock print; shikishiban, surimono. Origin: Japan. Museum: The Chicago Art Institute.

William Etty, (artist), British, 1787 - 1849, Seated Youth with a Staff, c. 1815, graphite with brown wash heightened with white on brown wove paper, overall: 30.7 x 18.6 cm (12 1/16 x 7 5/16 in Stock Photo

RM2DCC12W–William Etty, (artist), British, 1787 - 1849, Seated Youth with a Staff, c. 1815, graphite with brown wash heightened with white on brown wove paper, overall: 30.7 x 18.6 cm (12 1/16 x 7 5/16 in

A Parrot, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm), animal art, parrot Stock Photo

RM2DHWBJ2–A Parrot, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm), animal art, parrot

Song on the 40th birthday of Prince Willem V, 1788, S. & W. Koene, 1788 text sheet Text magazine with a song in honor of the 40th anniversary of Prince Willem V on March 8, 1788 and the return of the royal family in The Hague in 1787. Song of 18 couplets in three columns. At the top an allegorical orange -way vignette. Amsterdam paper letterpress printing Stock Photo

RM2WGA919–Song on the 40th birthday of Prince Willem V, 1788, S. & W. Koene, 1788 text sheet Text magazine with a song in honor of the 40th anniversary of Prince Willem V on March 8, 1788 and the return of the royal family in The Hague in 1787. Song of 18 couplets in three columns. At the top an allegorical orange -way vignette. Amsterdam paper letterpress printing

The Frost genealogy : descendants of William Frost of Oyster Bay, New York, showing connections never before published with the Winthrop, Underhill, Feke, Bowne and Wickes families . Home cf Jordan C. Frost, Youktowx Heights, X. Y.(No. 448). JoRDAx Cox Frost(No. 448) Phier Frost(Xo. 449) y Fifth Geneeation 71 Issue: +433 Charity, b. Nov. 18, 1787. 434 Mary Anna, b. Aug. 5, 1790, d. April 23, 1805;buried Houston St., New York. +435 Mary, b. July 9, 1792. +436 Hannah, b. Feb. 10, 1795. 437 Juliette (?) ; m. Andrew Hoogland {?). 438 A child, buried Houston St., New York, d. Aug. 14, 1799.Jordan C Stock Photo

RM2AJ1KWG–The Frost genealogy : descendants of William Frost of Oyster Bay, New York, showing connections never before published with the Winthrop, Underhill, Feke, Bowne and Wickes families . Home cf Jordan C. Frost, Youktowx Heights, X. Y.(No. 448). JoRDAx Cox Frost(No. 448) Phier Frost(Xo. 449) y Fifth Geneeation 71 Issue: +433 Charity, b. Nov. 18, 1787. 434 Mary Anna, b. Aug. 5, 1790, d. April 23, 1805;buried Houston St., New York. +435 Mary, b. July 9, 1792. +436 Hannah, b. Feb. 10, 1795. 437 Juliette (?) ; m. Andrew Hoogland {?). 438 A child, buried Houston St., New York, d. Aug. 14, 1799.Jordan C

The Dinner. Dated: 1787. Dimensions: sheet: 47.7 x 57.6 cm (18 3/4 x 22 11/16 in.). Medium: hand-colored etching and aquatint on (J. Whatman paper?). Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson. ROWLANDSON, THOMAS. Stock Photo

RMPKR96B–The Dinner. Dated: 1787. Dimensions: sheet: 47.7 x 57.6 cm (18 3/4 x 22 11/16 in.). Medium: hand-colored etching and aquatint on (J. Whatman paper?). Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson. ROWLANDSON, THOMAS.

Squire Boru giving Old Tarpaulin a Quietus in a Duel, J. L. Marks, active 1787–1799, c. 1822, Etching & aquatint, hand-colored, Sheet: 4 1/8 x 7 3/8in. (10.5 x 18.7cm Stock Photo

RM2DJ38NM–Squire Boru giving Old Tarpaulin a Quietus in a Duel, J. L. Marks, active 1787–1799, c. 1822, Etching & aquatint, hand-colored, Sheet: 4 1/8 x 7 3/8in. (10.5 x 18.7cm

RM2WG6FNA–Prince and Princess of Orange view the Westcappelse Dijk, 1786, Mathias de Sallieth, 1786 - 1787 print The Prince and Princess of Orange and their children view the work on the Westkappelse Dijk on Walcheren, July 1, 1786. Illustrations of the Prince's visit and Princess to Zeeland 18 June - 25 July 1786. Print Maker: Zeelandafter Drawing by: Middelburg paper etching / engraving public festivities on the occasion of royal events Walcheren

The Spanish in the Southwest . La Purisima Concepcion Santa Cruz Soledad San Jose San Juan Bautista San Miguel San Fernando San Luis Rey Santa Inez . San Rafael San Francisco de Solano June i6? 1769.June 3, 1770.River in 1771.July 14, 1771.September 8, 1771.September 1, 1772.October 9, 1776. November 1, 1776.January 18, 1777.March 31, 1782.December 4, 1786.December 8, 1787.August 28, 1791.October 9, 1791.June 18, 1797.June 24, T797.July 2^, 1797.September 8, 1797.June 13, 1798.September 17, 1804.December 18, 1817.August 25, 1823. Situated at Sonoma. IV. SPANISH CALIFORNIA CHAPTER XVIII LIFE IN Stock Photo

RM2AM5PE7–The Spanish in the Southwest . La Purisima Concepcion Santa Cruz Soledad San Jose San Juan Bautista San Miguel San Fernando San Luis Rey Santa Inez . San Rafael San Francisco de Solano June i6? 1769.June 3, 1770.River in 1771.July 14, 1771.September 8, 1771.September 1, 1772.October 9, 1776. November 1, 1776.January 18, 1777.March 31, 1782.December 4, 1786.December 8, 1787.August 28, 1791.October 9, 1791.June 18, 1797.June 24, T797.July 2^, 1797.September 8, 1797.June 13, 1798.September 17, 1804.December 18, 1817.August 25, 1823. Situated at Sonoma. IV. SPANISH CALIFORNIA CHAPTER XVIII LIFE IN

Takenouchi-no Subune, from the series 'Pi Ads of the Display (Kotobuki Goban-No Uchi); Surimono, Copy; Yanagawa, Shigenobu I (1787-1832); around 1890-1900 (1890-00 -00-1900-00-00); was downloaded from the Muse of the National Museum in Warsaw; graphic / convex printing / woodcut / coloring woodcut; products from Wzkien / Paper; height 22.2 cm, width 18.0 CM; SKAZG 1001 MNW; all rights reserved. Stock Photo

RM2WPD39J–Takenouchi-no Subune, from the series 'Pi Ads of the Display (Kotobuki Goban-No Uchi); Surimono, Copy; Yanagawa, Shigenobu I (1787-1832); around 1890-1900 (1890-00 -00-1900-00-00); was downloaded from the Muse of the National Museum in Warsaw; graphic / convex printing / woodcut / coloring woodcut; products from Wzkien / Paper; height 22.2 cm, width 18.0 CM; SKAZG 1001 MNW; all rights reserved.

The Ninth Month (Kugatsu), from an untitled series of genre scenes in the twelve months, with kyoka poems. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1787-1798. Dimensions: 24.3 x 18.7 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRX562D–The Ninth Month (Kugatsu), from an untitled series of genre scenes in the twelve months, with kyoka poems. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1787-1798. Dimensions: 24.3 x 18.7 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

Design for a monument in the restoration of the old constitution in Amsterdam, 1787, Anonymous, 1787 - 1788 drawing Design for an allegorical monument (or illumination?) In Amsterdam. On the occasion of the restoration of the old constitution, ie the power of Stadholder Willem V, September 18, 1787. Obelisk crowned with an Oranjeboom and decorated with weapons and vignettes. At the bottom a warrior (the stadholder?) Standing on a pedestal with the city coat of arms of Amsterdam. Sketch on the front of a double -folded leaf. Amsterdam paper. pencil Amsterdam Stock Photo

RM2WG67K7–Design for a monument in the restoration of the old constitution in Amsterdam, 1787, Anonymous, 1787 - 1788 drawing Design for an allegorical monument (or illumination?) In Amsterdam. On the occasion of the restoration of the old constitution, ie the power of Stadholder Willem V, September 18, 1787. Obelisk crowned with an Oranjeboom and decorated with weapons and vignettes. At the bottom a warrior (the stadholder?) Standing on a pedestal with the city coat of arms of Amsterdam. Sketch on the front of a double -folded leaf. Amsterdam paper. pencil Amsterdam

Fox Hunting: Daniel Haigh Esqre., Print made by William Giller, 1805–ca. 1868, British, after Abraham Cooper, 1787–1868, British, undated, Mezzotint, printed in color, Sheet: 18 3/8 x 23 3/8in. (46.7 x 59.4cm Stock Photo

RM2DJ3FMD–Fox Hunting: Daniel Haigh Esqre., Print made by William Giller, 1805–ca. 1868, British, after Abraham Cooper, 1787–1868, British, undated, Mezzotint, printed in color, Sheet: 18 3/8 x 23 3/8in. (46.7 x 59.4cm

. Transactions of the Southern Surgical and Gynecological Association. Fig. 17.—Steel engraving from the Anatomia Uteri Humani Gravidi, Hunter. 1774.. Fig. 18.—Copperplate from Yasorum Lymphaticorum, Mascagni, 1787. Stock Photo

RM2CF0FCX–. Transactions of the Southern Surgical and Gynecological Association. Fig. 17.—Steel engraving from the Anatomia Uteri Humani Gravidi, Hunter. 1774.. Fig. 18.—Copperplate from Yasorum Lymphaticorum, Mascagni, 1787.

Fishing, from the series 'A Set of Ten Beauties in Flowerlike Styles (Enshoku hana fuzoku ju awase)'. Torii Kiyonaga; Japanese, 1752-1815. Date: 1777-1787. Dimensions: 26.2 x 18.9 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXKBPW–Fishing, from the series 'A Set of Ten Beauties in Flowerlike Styles (Enshoku hana fuzoku ju awase)'. Torii Kiyonaga; Japanese, 1752-1815. Date: 1777-1787. Dimensions: 26.2 x 18.9 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

Devils on the Oostenrijk Smeltoven, Anonymous, 1787 - 1790 print Cartoons with two devils with wind balls that sit on a melting oven. Two eagle heads whisper in their ears. Church jewels are melted in the ovens. Related to August 1789. With verse of 18 lines in French. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving fire, oven, furnace interior of industrial structure Brabant Stock Photo

RM2WG62PP–Devils on the Oostenrijk Smeltoven, Anonymous, 1787 - 1790 print Cartoons with two devils with wind balls that sit on a melting oven. Two eagle heads whisper in their ears. Church jewels are melted in the ovens. Related to August 1789. With verse of 18 lines in French. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving fire, oven, furnace interior of industrial structure Brabant

RM2DHWBHY–A Parrot, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm), animal art, branch, parrot

. Transactions of the Southern Surgical and Gynecological Association. Fig. 18.—Copperplate from Yasorum Lymphaticorum, Mascagni, 1787.. Fig. 19.—Colored lithograph from Anatomy of the Arteries, Quain, 1844. THE POSTOPERATIVE COMPLICATIONS INABDOMINAL SURGERY. By C. M. Rosser, M.D.,Dallas, Texas. The purpose of this paper is to consider the untowardconditions which with more or less frequency supervene, andwe must include those incidents, accidents, and errors which,occurring beforehand, render possible postoperative compli-cations relatively probable. It is, I think, a common experience that Stock Photo

RM2CEYJ8J–. Transactions of the Southern Surgical and Gynecological Association. Fig. 18.—Copperplate from Yasorum Lymphaticorum, Mascagni, 1787.. Fig. 19.—Colored lithograph from Anatomy of the Arteries, Quain, 1844. THE POSTOPERATIVE COMPLICATIONS INABDOMINAL SURGERY. By C. M. Rosser, M.D.,Dallas, Texas. The purpose of this paper is to consider the untowardconditions which with more or less frequency supervene, andwe must include those incidents, accidents, and errors which,occurring beforehand, render possible postoperative compli-cations relatively probable. It is, I think, a common experience that

Watching the Water Festival from Azuma Bridge, from the series 'Eight Precincts of the Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei)'. Torii Kiyonaga; Japanese, 1752-1815. Date: 1777-1787. Dimensions: 25.0 x 18.6 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXKC9P–Watching the Water Festival from Azuma Bridge, from the series 'Eight Precincts of the Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei)'. Torii Kiyonaga; Japanese, 1752-1815. Date: 1777-1787. Dimensions: 25.0 x 18.6 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

Willem V addressed in the meeting of the States of Zeeland, 1786, Mathias de Sallieth, 1787 print Prince Willem V is received and addressed in the meeting of the States of Zeeland in Middelburg on June 19, 1786. Carpets hang on the walls with naval battles. Illustrations of the visit of the prince and princess to Zeeland June 18 - July 25, 1786. Print Maker: Zeelandafter Drawing by: Middelburg paper etching / engraving public festivities on the occasion of royal events. provincial government Middelburg Stock Photo

RM2WG7R60–Willem V addressed in the meeting of the States of Zeeland, 1786, Mathias de Sallieth, 1787 print Prince Willem V is received and addressed in the meeting of the States of Zeeland in Middelburg on June 19, 1786. Carpets hang on the walls with naval battles. Illustrations of the visit of the prince and princess to Zeeland June 18 - July 25, 1786. Print Maker: Zeelandafter Drawing by: Middelburg paper etching / engraving public festivities on the occasion of royal events. provincial government Middelburg

General View of the Temple of Apollo Epicurius at Bassai, Phigalea, John Foster, ca. 1787–1846, British, 1811, Graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 5/8 × 18 1/8 inches (29.5 × 46 cm Stock Photo

RM2DJ8DC0–General View of the Temple of Apollo Epicurius at Bassai, Phigalea, John Foster, ca. 1787–1846, British, 1811, Graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 5/8 × 18 1/8 inches (29.5 × 46 cm

Dancer in Momijigari, from an untitled series of nerimono festival dancers, c. 1823, Yanagawa Shigenobu I, Japanese, 1787–1832, Japan, Color woodblock print, shikishiban, surimono, 21.7 x 18.4 cm (8 9/16 x 7 1/4 in Stock Photo

RM2A2JWAA–Dancer in Momijigari, from an untitled series of nerimono festival dancers, c. 1823, Yanagawa Shigenobu I, Japanese, 1787–1832, Japan, Color woodblock print, shikishiban, surimono, 21.7 x 18.4 cm (8 9/16 x 7 1/4 in

. The Catholic encyclopedia; an international work of reference on the constitution, doctrine, discipline, and history of the Catholic Church . 1901): Webeb in Kirchenlei., X, 1558 sqq.; Ville-FRANCHE, Don Bosco, tr. Martin (London). E. F. Saxton. Boscovich, RuGGiERO GiDSEPPE, a DalmatianJesuit and well-known mathematician, astronomer,and natural philosopher, b. at Ragusa, 18 May, 1711;d. at Milan, 13 February, 1787. He was the youngestof six brothers and his education was begun at theJesuit college ofhis native city.Being early im-pressed by thesuccess achievedby his masters heresolved to see Stock Photo

RM2CJ754G–. The Catholic encyclopedia; an international work of reference on the constitution, doctrine, discipline, and history of the Catholic Church . 1901): Webeb in Kirchenlei., X, 1558 sqq.; Ville-FRANCHE, Don Bosco, tr. Martin (London). E. F. Saxton. Boscovich, RuGGiERO GiDSEPPE, a DalmatianJesuit and well-known mathematician, astronomer,and natural philosopher, b. at Ragusa, 18 May, 1711;d. at Milan, 13 February, 1787. He was the youngestof six brothers and his education was begun at theJesuit college ofhis native city.Being early im-pressed by thesuccess achievedby his masters heresolved to see

A Crane, James de Carle Sowerby, 1787–1871, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 7 7/16 inches (23.2 × 18.9 cm), animal art, crane, text Stock Photo

RM2DHWAT7–A Crane, James de Carle Sowerby, 1787–1871, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 7 7/16 inches (23.2 × 18.9 cm), animal art, crane, text

Merrymaking at a Wayside Inn. Artist: Attributed to John Lewis Krimmel (1786-1821). Dimensions: 7 1/8 x 9 3/16 in. (18.1 x 23.3 cm). Former Attribution: Formerly attributed to Pavel Petrovich Svinin (1787/88-1839). Date: 1811-ca. 1813. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB594N–Merrymaking at a Wayside Inn. Artist: Attributed to John Lewis Krimmel (1786-1821). Dimensions: 7 1/8 x 9 3/16 in. (18.1 x 23.3 cm). Former Attribution: Formerly attributed to Pavel Petrovich Svinin (1787/88-1839). Date: 1811-ca. 1813. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Sir John Macpherson, 1st Baronet, Governor-General of India, 1787. John I Smart (British, 1741-1811). Watercolor and gouache heightened with white gouache on paper; sheet: 9.1 x 7.9 cm (3 9/16 x 3 1/8 in.); image: 8.8 x 7.6 cm (3 7/16 x 3 in.); secondary support: 18.1 x 16 cm (7 1/8 x 6 5/16 in.). Stock Photo

RM2H12PRP–Portrait of Sir John Macpherson, 1st Baronet, Governor-General of India, 1787. John I Smart (British, 1741-1811). Watercolor and gouache heightened with white gouache on paper; sheet: 9.1 x 7.9 cm (3 9/16 x 3 1/8 in.); image: 8.8 x 7.6 cm (3 7/16 x 3 in.); secondary support: 18.1 x 16 cm (7 1/8 x 6 5/16 in.).

. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. Lord Glenlyon, and sister of the Duke of Athol. 4 Hon. Catherine. 5 Hon. Julia. His Lordships father, the Rev. Henry Maynard, Rector of Radwinter, and Vicarof Thackstead, Essex, i. 30 Oct. 1758, (/. May 1806, leaving issue by his wife, whod. in Aug. 1787: 1 Henry, present and third Viscount. 2 Harriet. 3 Susan. 4 Mary-Anne. His Lordships grandfather, Sir William Maynard of Walton, Bart., was b. 19April 1721, d. 18 Jan. 1772, having vi. 1751, Charlotte, 2nd daughte Stock Photo

RM2CEDJ2G–. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. Lord Glenlyon, and sister of the Duke of Athol. 4 Hon. Catherine. 5 Hon. Julia. His Lordships father, the Rev. Henry Maynard, Rector of Radwinter, and Vicarof Thackstead, Essex, i. 30 Oct. 1758, (/. May 1806, leaving issue by his wife, whod. in Aug. 1787: 1 Henry, present and third Viscount. 2 Harriet. 3 Susan. 4 Mary-Anne. His Lordships grandfather, Sir William Maynard of Walton, Bart., was b. 19April 1721, d. 18 Jan. 1772, having vi. 1751, Charlotte, 2nd daughte

A Cockatoo, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 7 1/8 inches (21 × 18.1 cm), animal art, branch, cockatoo Stock Photo

RM2DHWBJ1–A Cockatoo, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 7 1/8 inches (21 × 18.1 cm), animal art, branch, cockatoo

The Fourth Month (Shigatsu), from an untitled series of genre scenes in the twelve months, with kyoka poems. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1787-1798. Dimensions: 24.6 x 18.8 cm (9 7/8 x 7 5/16 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRX16N7–The Fourth Month (Shigatsu), from an untitled series of genre scenes in the twelve months, with kyoka poems. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1787-1798. Dimensions: 24.6 x 18.8 cm (9 7/8 x 7 5/16 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

Scene on a Canal, first half 1800s. Hippolyte Jean Baptiste Garnerey (French, 1787-1858). Watercolor heightened with white gouache; framing lines in black [ink?]; sheet: 18.1 x 14.4 cm (7 1/8 x 5 11/16 in Stock Photo

RMRY4F0K–Scene on a Canal, first half 1800s. Hippolyte Jean Baptiste Garnerey (French, 1787-1858). Watercolor heightened with white gouache; framing lines in black [ink?]; sheet: 18.1 x 14.4 cm (7 1/8 x 5 11/16 in

Allegory on the establishment of the sincere Patriotic Society in Rotterdam, 1787, Mathias de Sallieth, after Gerrit Malleyn, 1787 print Allegory On the founding of the Orangist Society The Sincere Patriotic Society in Rotterdam, 7 or 18 January 1787. Interior with men sitting around a table, on the walls of the Union of Utrecht (1579) and the Dordtse Synod (1618-1619) . In the foreground, father lifts the curtain time and reveals images of religion, the freedom and of Hercules that the Hydra beats. In the background the portrait of Prince Willem V on the wall of the next room. The print inclu Stock Photo

RM2WGBK3Y–Allegory on the establishment of the sincere Patriotic Society in Rotterdam, 1787, Mathias de Sallieth, after Gerrit Malleyn, 1787 print Allegory On the founding of the Orangist Society The Sincere Patriotic Society in Rotterdam, 7 or 18 January 1787. Interior with men sitting around a table, on the walls of the Union of Utrecht (1579) and the Dordtse Synod (1618-1619) . In the foreground, father lifts the curtain time and reveals images of religion, the freedom and of Hercules that the Hydra beats. In the background the portrait of Prince Willem V on the wall of the next room. The print inclu

Maker, attributed to: Mark Nelson, American, 1733–1787, Stock buckle, ca. 1770–80, Silver, iron, 1 1/4 × 2 1/8 in. (3.18 × 5.4 cm), Made in Portsmouth, New Hampshire, United States, American, 18th century, Jewelry Stock Photo

RM2DT3T7C–Maker, attributed to: Mark Nelson, American, 1733–1787, Stock buckle, ca. 1770–80, Silver, iron, 1 1/4 × 2 1/8 in. (3.18 × 5.4 cm), Made in Portsmouth, New Hampshire, United States, American, 18th century, Jewelry

The Temple of Apollo Epicurius at Bassai, Phigalea, John Foster, ca. 1787–1846, British, 1811, Watercolor, pen and brown ink and graphite on medium, slighlty textured, cream wove paper, Sheet: 11 5/8 × 18 inches (29.5 × 45.7 cm), architectural subject Stock Photo

RM2DJ8DDF–The Temple of Apollo Epicurius at Bassai, Phigalea, John Foster, ca. 1787–1846, British, 1811, Watercolor, pen and brown ink and graphite on medium, slighlty textured, cream wove paper, Sheet: 11 5/8 × 18 inches (29.5 × 45.7 cm), architectural subject

Sketches of Heads (verso, left); Two Women (verso, right), c. 1770-1775. John Brown (British, 1752-1787). Left: graphite; right: gray and black wash with point of brush and graphite; sheet: 25.7 x 18.6 cm (10 1/8 x 7 5/16 in Stock Photo

RMRY58GM–Sketches of Heads (verso, left); Two Women (verso, right), c. 1770-1775. John Brown (British, 1752-1787). Left: graphite; right: gray and black wash with point of brush and graphite; sheet: 25.7 x 18.6 cm (10 1/8 x 7 5/16 in

The East End and South Side of the Parthenon, John Foster, ca. 1787–1846, British, ca. 1813, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/4 × 18 1/4 inches (29.8 × 46.4 cm), architectural subject Stock Photo

RM2DJ8DD8–The East End and South Side of the Parthenon, John Foster, ca. 1787–1846, British, ca. 1813, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/4 × 18 1/4 inches (29.8 × 46.4 cm), architectural subject

. The Spalding memorial: a genealogical history of Edward Spalding of Virginia and Massachusetts bay and his descendants; : with a record of their military services in the colonial, revolutionary and civil wars: together with information concerning ... other branches of the ... family . [2491], b. Jan. 23, 1780. 982. Oliver [2500], b. Dec, 1782; d. Dec. 24, 1853. 983. Matthias, b. about 1784; d. at Jamaica, aged 18. 984. Charles, b. about 1787. 985. Azariah5 [319], (Simeon4, Joseph3, John2, Edward1), b.Feb. 2, 1757, in Chelmsford, Mass.; d. Sept: 13, 1821; resided inChelmsford; m. Lucy Barron, Stock Photo

RM2CJA2BK–. The Spalding memorial: a genealogical history of Edward Spalding of Virginia and Massachusetts bay and his descendants; : with a record of their military services in the colonial, revolutionary and civil wars: together with information concerning ... other branches of the ... family . [2491], b. Jan. 23, 1780. 982. Oliver [2500], b. Dec, 1782; d. Dec. 24, 1853. 983. Matthias, b. about 1784; d. at Jamaica, aged 18. 984. Charles, b. about 1787. 985. Azariah5 [319], (Simeon4, Joseph3, John2, Edward1), b.Feb. 2, 1757, in Chelmsford, Mass.; d. Sept: 13, 1821; resided inChelmsford; m. Lucy Barron,

The Sixth Month (Rokugatsu), from an untitled series of genre scenes in the twelve months, with kyoka poems. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1787-1798. Dimensions: 24.9 x 18.6 (9 3/4 x 7 5/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXMXBW–The Sixth Month (Rokugatsu), from an untitled series of genre scenes in the twelve months, with kyoka poems. Kitagawa Utamaro ??? ??; Japanese, 1753 (?)-1806. Date: 1787-1798. Dimensions: 24.9 x 18.6 (9 3/4 x 7 5/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.

RM2WE3RPA–Allegory on the establishment of the sincere Patriotic Society in Rotterdam, 1787, Mathias de Sallieth, after Gerrit Malleyn, 1787 print Allegory On the founding of the Orangist Society The Sincere Patriotic Society in Rotterdam, 7 or 18 January 1787. Interior with men sitting around a table, on the walls of the Union of Utrecht (1579) and the Dordtse Synod (1618-1619) . In the foreground, father lifts the curtain time and reveals images of religion, the freedom and of Hercules that the Hydra beats. In the background the portrait of Prince Willem V on the wall of the next room. Northern Nether

[Seated Young Man Resting Arm on Table Beside Daguerreotype Case] 1840s Unknown The daguerreotype, the first photographic process, was invented by Louis-Jacques-Mandé Daguerre (French, 1787–1851) and spread rapidly around the world after its presentation to the public in Paris in 1839. Exposed in a camera obscura and developed in mercury vapors, each highly polished silvered copper plate is a unique photograph that, when viewed in proper light, exhibits extraordinary detail and three-dimensionality. The daguerreotype soon became extremely popular in the United States, where in the 1840s and 18 Stock Photo

RM2HGP22E–[Seated Young Man Resting Arm on Table Beside Daguerreotype Case] 1840s Unknown The daguerreotype, the first photographic process, was invented by Louis-Jacques-Mandé Daguerre (French, 1787–1851) and spread rapidly around the world after its presentation to the public in Paris in 1839. Exposed in a camera obscura and developed in mercury vapors, each highly polished silvered copper plate is a unique photograph that, when viewed in proper light, exhibits extraordinary detail and three-dimensionality. The daguerreotype soon became extremely popular in the United States, where in the 1840s and 18

Woman by a Plum Tree Matched with the Wisteria Maiden (from a series of women compared to figures from Otsu paintings), c. early 1830s. Yanagawa Shigenobu (Japanese, 1787-1832). Color woodblock print (surimono); sheet: 20.2 x 18.5 cm (7 15/16 x 7 5/16 in.). The print includes a portrayal of the otsu-e maiden behind the dancer to emphasize the subject’s origins in festival dances (see also Wisteria Maiden [1963.96]). The print is a surimono, an elaborately printed image designed for private distribution among friends or members of a poetry club. Stock Photo

RM2H0Y58F–Woman by a Plum Tree Matched with the Wisteria Maiden (from a series of women compared to figures from Otsu paintings), c. early 1830s. Yanagawa Shigenobu (Japanese, 1787-1832). Color woodblock print (surimono); sheet: 20.2 x 18.5 cm (7 15/16 x 7 5/16 in.). The print includes a portrayal of the otsu-e maiden behind the dancer to emphasize the subject’s origins in festival dances (see also Wisteria Maiden [1963.96]). The print is a surimono, an elaborately printed image designed for private distribution among friends or members of a poetry club.

Card with the location of the campsite of the Prussian troops at Hilversum on September 18, 1787. Part of a group of fourteen numbered cards of the champions of the Prussian troops during the intervention in the Netherlands in September 1787. Stock Photo

RM2F26M7G–Card with the location of the campsite of the Prussian troops at Hilversum on September 18, 1787. Part of a group of fourteen numbered cards of the champions of the Prussian troops during the intervention in the Netherlands in September 1787.

Pliny's Villa, belonging to the Marquis Canarizi near Como, John Webber, 1752–1793, British, 1787, Graphite and watercolor on conjoined sheets on medium, slightly textured, cream laid paper, Sheet: 11 3/8 × 18 7/8 inches (28.9 × 47.9 cm), Como Stock Photo

RM2DJ60KE–Pliny's Villa, belonging to the Marquis Canarizi near Como, John Webber, 1752–1793, British, 1787, Graphite and watercolor on conjoined sheets on medium, slightly textured, cream laid paper, Sheet: 11 3/8 × 18 7/8 inches (28.9 × 47.9 cm), Como

. A genealogical memoir of the Huntington family in this country: embracing all the known descendants of Simon and Margaret Huntington, who have retained the family name . ec. 7, 1759. He was a young man of promise and astudent of medicine. He died single. Sept. 7, 1780, from a wound inflictedupon his limb by the point of a penknife, while attempting to kill a fly. Hav-ing lived beloved, he died lamented. 554. Daniel, born March 8, 1762, married, Jan. 18, 1787, Polly Edgerton,who died June 5,1811, aged fifty-three years. He died Dec. 3, 1805. , 555. EiiEXEZER, born Aug. 26, 1764, married, in L Stock Photo

RM2CDHPHM–. A genealogical memoir of the Huntington family in this country: embracing all the known descendants of Simon and Margaret Huntington, who have retained the family name . ec. 7, 1759. He was a young man of promise and astudent of medicine. He died single. Sept. 7, 1780, from a wound inflictedupon his limb by the point of a penknife, while attempting to kill a fly. Hav-ing lived beloved, he died lamented. 554. Daniel, born March 8, 1762, married, Jan. 18, 1787, Polly Edgerton,who died June 5,1811, aged fifty-three years. He died Dec. 3, 1805. , 555. EiiEXEZER, born Aug. 26, 1764, married, in L

Sunday Morning in front of the Arch Street Meeting House, Philadelphia. Artist: Attributed to John Lewis Krimmel (1786-1821). Dimensions: 9 x 7 3/8 in. (22.9 x 18.7 cm). Former Attribution: Formerly attributed to Pavel Petrovich Svinin (1787/88-1839). Date: 1811-ca. 1813. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPARYCP–Sunday Morning in front of the Arch Street Meeting House, Philadelphia. Artist: Attributed to John Lewis Krimmel (1786-1821). Dimensions: 9 x 7 3/8 in. (22.9 x 18.7 cm). Former Attribution: Formerly attributed to Pavel Petrovich Svinin (1787/88-1839). Date: 1811-ca. 1813. Museum: Metropolitan Museum of Art, New York, USA.

Card with the location of the campsite of the Prussian troops at Tienhoven on September 18, 1787. Part of a group of fourteen numbered cards of the camps of the Prussian troops during the intervention in the Netherlands in September 1787. Stock Photo

RM2F289R8–Card with the location of the campsite of the Prussian troops at Tienhoven on September 18, 1787. Part of a group of fourteen numbered cards of the camps of the Prussian troops during the intervention in the Netherlands in September 1787.

RM2DJ6KTB–Studies of Rows of Spectators, John Brown, 1749–1787, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), cane, earrings, faces, genre subject, Grand Tour, hats, heads, profile, spectators

Two characters' studies; Gheyn, Jacob de II (1565-1629); 1602 (1602-00-00-1602-00-00);Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea (collection), Schlesisches Museum der Bildenn Künste (Wrocław - 1880- 1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in the Dutch Master's workshop (National Museum in Warsaw - exhibition - exhibition - exhibition - exh Stock Photo

RM2WP2A7R–Two characters' studies; Gheyn, Jacob de II (1565-1629); 1602 (1602-00-00-1602-00-00);Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea (collection), Schlesisches Museum der Bildenn Künste (Wrocław - 1880- 1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in the Dutch Master's workshop (National Museum in Warsaw - exhibition - exhibition - exhibition - exh

Two studies in the past; Saftleven, Cornelis (1607-1681); around 1630 (1625-00-00-1635-00-00);Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea (collection), Schlesisches Museum der Bildenn Künste (Wrocław - 1880- 1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in the Dutch Master's workshop (National Museum in Warsaw - exhibition - exhibition - exhibiti Stock Photo

RM2WP5N8N–Two studies in the past; Saftleven, Cornelis (1607-1681); around 1630 (1625-00-00-1635-00-00);Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea (collection), Schlesisches Museum der Bildenn Künste (Wrocław - 1880- 1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in the Dutch Master's workshop (National Museum in Warsaw - exhibition - exhibition - exhibiti

Barbara's manner; Thulden, Theodor Van (1606-1669); 1631-1633 (1631-00-00-1633-00-00);Barbara (Saint -? -306), Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea (collection), Schlesisches Museum der Bildenn Künste (Wrocław - 1880- 1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in the Dutch Master's workshop (National Museum in Warsaw - exhibition - exhi Stock Photo

RM2WP4HDJ–Barbara's manner; Thulden, Theodor Van (1606-1669); 1631-1633 (1631-00-00-1633-00-00);Barbara (Saint -? -306), Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea (collection), Schlesisches Museum der Bildenn Künste (Wrocław - 1880- 1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in the Dutch Master's workshop (National Museum in Warsaw - exhibition - exhi

Samuel appears Saul's return from endor; Verso: Samuel's Gentle Study; Bol, Ferdinand (1616-1680); 1640-1643 (1640-00-00-1643-00-00);Library of the church of St. Mary Magdalena (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea (collection), Samuel (Bible), Saul (Bible), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in workshop Dutch master Stock Photo

RM2WP1KGG–Samuel appears Saul's return from endor; Verso: Samuel's Gentle Study; Bol, Ferdinand (1616-1680); 1640-1643 (1640-00-00-1643-00-00);Library of the church of St. Mary Magdalena (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Magdalenaea (collection), Samuel (Bible), Saul (Bible), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in workshop Dutch master

RM2CDHN2E–. A genealogical memoir of the Huntington family in this country: embracing all the known descendants of Simon and Margaret Huntington, who have retained the family name . 1858) engaged. 599. XATHAXIEL. Butternuts, N. T. 1443. Mary, died about 1800, aged 18 years. 1444. Emily, born Xov. 23, 1787, married, Xov. 21, 1805, Eli Danielson, ofButternuts, X. Y. She died June 16, 1841, leaving three sons and threedaughters : Lucius, the oldest son, is in South America, the other sons are dead.Fanny, the oldest daughter, married George Wells of Dover, III. 1445. Fanny, born Xov. 16, 1790, married, in 1

Allegory of faith, hope andness (three theological virtues); Vos, Maerten DE (1532-1602); before 1577 (1570-00-00-1577-00-00);Library of the church of St. Maria Magdalena (Wrocław - Ante 1865) - collections, theological virtues (iconogr.), Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Huis der Liefde (religious community), Magdalenaea (collection), love (personification), hope (personification), Schlesisches Museum der Bildenden Künste (Wrocław -1880-1945) -collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - Collectio Stock Photo

RM2WP5MYH–Allegory of faith, hope andness (three theological virtues); Vos, Maerten DE (1532-1602); before 1577 (1570-00-00-1577-00-00);Library of the church of St. Maria Magdalena (Wrocław - Ante 1865) - collections, theological virtues (iconogr.), Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Huis der Liefde (religious community), Magdalenaea (collection), love (personification), hope (personification), Schlesisches Museum der Bildenden Künste (Wrocław -1880-1945) -collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - Collectio

The One-Page Preface and Colophon from the illustrated book 'Colors of the Triple Dawn (Saishiki mitsu no asa)'. Torii Kiyonaga; Japanese, 1752-1815. Date: 1787. Dimensions: 25.3 x 18.8 cm (right sheet); 25.3 x 18.8 cm (left sheet). Color woodblock print; pages from an illustrated book. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXN10R–The One-Page Preface and Colophon from the illustrated book 'Colors of the Triple Dawn (Saishiki mitsu no asa)'. Torii Kiyonaga; Japanese, 1752-1815. Date: 1787. Dimensions: 25.3 x 18.8 cm (right sheet); 25.3 x 18.8 cm (left sheet). Color woodblock print; pages from an illustrated book. Origin: Japan. Museum: The Chicago Art Institute.

Józef tells his dreams to parents and brothers; Rijn, Rembrandt Van (1606-1669); 1650-1659 (1650-00-00-1659-00-00);Albrecht von (1685-1748), Albrecht von (1685-1748)-collections, Bible, Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) -, Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Ernst Wilhelm von (1712-1787), Ernst Wilhelm von (1712-1787) - collections, Hubrig, Jakub (Bible), Józef, Magdalenaea (collection), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) -, Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collect Stock Photo

RM2WP36K5–Józef tells his dreams to parents and brothers; Rijn, Rembrandt Van (1606-1669); 1650-1659 (1650-00-00-1659-00-00);Albrecht von (1685-1748), Albrecht von (1685-1748)-collections, Bible, Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) -, Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Ernst Wilhelm von (1712-1787), Ernst Wilhelm von (1712-1787) - collections, Hubrig, Jakub (Bible), Józef, Magdalenaea (collection), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) -, Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collect

Christ from the Aposto on Mount Olives; Vianen, Paulus Willesz. Van (CA 1570-Ca 1613/1614); 1603-1604 (1603-00-00-1604-00-00);Bible, Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Jesus Christ (iconogr.), Magdalenaea (collection), Prayer in Ogrójiec (iconogr.), Passion (iconogr.), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek ( Wrocław - 186 Stock Photo

RM2WP6E1M–Christ from the Aposto on Mount Olives; Vianen, Paulus Willesz. Van (CA 1570-Ca 1613/1614); 1603-1604 (1603-00-00-1604-00-00);Bible, Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Jesus Christ (iconogr.), Magdalenaea (collection), Prayer in Ogrójiec (iconogr.), Passion (iconogr.), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748) - collections, Stadtbibliothek ( Wrocław - 186

Joanna d'Arc; Rubens, Peter Paul (1577-1640); around 1622 (1617-00-00-1627-00-00);Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Joanna d'Arc, Orlean Virgin (Ca 1412-1431), Magdalenaea (Collection), Peiresc, Nicolas-Claude Fabri DE (1580-1637), Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945)-collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748 ) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in the workshop of Stock Photo

RM2WPCHPM–Joanna d'Arc; Rubens, Peter Paul (1577-1640); around 1622 (1617-00-00-1627-00-00);Library of the church of St. Mary Magdalene (Wrocław - Ante 1865) - collections, Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - collections, Joanna d'Arc, Orlean Virgin (Ca 1412-1431), Magdalenaea (Collection), Peiresc, Nicolas-Claude Fabri DE (1580-1637), Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945)-collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748 ) - collections, Stadtbibliothek (Wrocław - 1865-1945) - collections, in the workshop of

Venus with a mirror; Lefebvre, Valentin (CA 1641-Ca 1680); 1661-1680 (1661-00-00-1680-00-00);Amor (mitol.), Library of the church of St. Mary Magdalene (Wrocław-Ante 1865)-collections, Cola, Giovanni (1636-1681), Gherardi, Filippo (1643-1704), Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - Collections, Magdalenaea (collection), San Giorgio Maggiore (Venice - Church), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748 ) - collections, Stadtbibliothek (Wrocław - 1865-1945 Stock Photo

RM2WP57G1–Venus with a mirror; Lefebvre, Valentin (CA 1641-Ca 1680); 1661-1680 (1661-00-00-1680-00-00);Amor (mitol.), Library of the church of St. Mary Magdalene (Wrocław-Ante 1865)-collections, Cola, Giovanni (1636-1681), Gherardi, Filippo (1643-1704), Hubrig, Ernst Wilhelm von (1712-1787), Hubrig, Ernst Wilhelm von (1712-1787) - Collections, Magdalenaea (collection), San Giorgio Maggiore (Venice - Church), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Sebisch, Albrecht von (1685-1748), Sebisch, Albrecht von (1685-1748 ) - collections, Stadtbibliothek (Wrocław - 1865-1945

Temple of Theseus, Athens, John Foster, ca. 1787–1846, British, ca. 1811, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm), architectural subject Stock Photo

RM2DJ8DMX–Temple of Theseus, Athens, John Foster, ca. 1787–1846, British, ca. 1811, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm), architectural subject

Chabry fils (active from 1765 to 1787). Litron cup and saucer. Porcelain, 1780. Paris, Cognacq-Jay museum. 79874-16 Art Menager, character, porcelain, Litron cup, dishes, 18th 18th 18th 18th 18th 18th 18th century Stock Photo

RM2WJWYAN–Chabry fils (active from 1765 to 1787). Litron cup and saucer. Porcelain, 1780. Paris, Cognacq-Jay museum. 79874-16 Art Menager, character, porcelain, Litron cup, dishes, 18th 18th 18th 18th 18th 18th 18th century

Study of a Seated Woman, attributed to James Ward, 1769–1859, British, 1787, Gray wash over graphite on medium, smooth, cream laid paper, Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm), genre subject, seated, study (visual work), woman Stock Photo

RM2DHTHFD–Study of a Seated Woman, attributed to James Ward, 1769–1859, British, 1787, Gray wash over graphite on medium, smooth, cream laid paper, Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm), genre subject, seated, study (visual work), woman

1787 18 Stock Photos and Images

1787 18 Stock Photos and Images