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1785 1824 Stock Photos and Images
Dancers in Croatian costume, still image, Prints, 1820 - 1829, Garneray, Auguste, 1785-1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dancers-in-croatian-costume-still-image-prints-1820-1829-garneray-auguste-1785-1824-image376429407.htmlRM2CTBRFB–Dancers in Croatian costume, still image, Prints, 1820 - 1829, Garneray, Auguste, 1785-1824
Art inspired by Devil's Bridge toward the Gothard Mountain in Switzerland, 1785–1824, Brush and brown, gray and green watercolor and bodycolor. Framing line in black ink and an approximately 1.25 inch border of olive-green watercolor., sheet: 22 3/8 x 17 1/4 in. (56.8 x 43.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-devils-bridge-toward-the-gothard-mountain-in-switzerland-17851824-brush-and-brown-gray-and-green-watercolor-and-bodycolor-framing-line-in-black-ink-and-an-approximately-125-inch-border-of-olive-green-watercolor-sheet-22-38-x-17-14-in-568-x-438-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970906.htmlRF2HW6436–Art inspired by Devil's Bridge toward the Gothard Mountain in Switzerland, 1785–1824, Brush and brown, gray and green watercolor and bodycolor. Framing line in black ink and an approximately 1.25 inch border of olive-green watercolor., sheet: 22 3/8 x 17 1/4 in. (56.8 x 43.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Devil's Bridge toward the Gothard Mountain in Switzerland. Artist: Franz Xaver Triner (Swiss, Arth 1767-1824 Buerglen). Dimensions: sheet: 22 3/8 x 17 1/4 in. (56.8 x 43.8 cm). Date: 1785-1824. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/devils-bridge-toward-the-gothard-mountain-in-switzerland-artist-franz-xaver-triner-swiss-arth-1767-1824-buerglen-dimensions-sheet-22-38-x-17-14-in-568-x-438-cm-date-1785-1824-museum-metropolitan-museum-of-art-new-york-usa-image213317258.htmlRMPB1C9E–Devil's Bridge toward the Gothard Mountain in Switzerland. Artist: Franz Xaver Triner (Swiss, Arth 1767-1824 Buerglen). Dimensions: sheet: 22 3/8 x 17 1/4 in. (56.8 x 43.8 cm). Date: 1785-1824. Museum: Metropolitan Museum of Art, New York, USA.
. English: Jacques Balmat by Bacler d'Albe, 1787, National Library of Scotland . 1787. Louis Albert Guislain Bacler d'Albe (1761–1824) Description French general, cartographer, topographer and painter Date of birth/death 21 October 1761 12 September 1824 Location of birth/death Saint-Pol-sur-Ternoise Sèvres Work period 1785-1824 Work location France Authority control : Q535751 VIAF: 77375434 ISNI: 0000 0001 0655 0722 ULAN: 500019222 LCCN: n2013074727 GND: 128786442 WorldCat 689 Jacques Balmat by Bacler d'Albe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-jacques-balmat-by-bacler-dalbe-1787-national-library-of-scotland-1787-louis-albert-guislain-bacler-dalbe-17611824-description-french-general-cartographer-topographer-and-painter-date-of-birthdeath-21-october-1761-12-september-1824-location-of-birthdeath-saint-pol-sur-ternoise-svres-work-period-1785-1824-work-location-france-authority-control-q535751-viaf77375434-isni0000-0001-0655-0722-ulan500019222-lccnn2013074727-gnd128786442-worldcat-689-jacques-balmat-by-bacler-dalbe-image185794156.htmlRMMP7J9G–. English: Jacques Balmat by Bacler d'Albe, 1787, National Library of Scotland . 1787. Louis Albert Guislain Bacler d'Albe (1761–1824) Description French general, cartographer, topographer and painter Date of birth/death 21 October 1761 12 September 1824 Location of birth/death Saint-Pol-sur-Ternoise Sèvres Work period 1785-1824 Work location France Authority control : Q535751 VIAF: 77375434 ISNI: 0000 0001 0655 0722 ULAN: 500019222 LCCN: n2013074727 GND: 128786442 WorldCat 689 Jacques Balmat by Bacler d'Albe
1826 ca , ITALY : Costume design by Auguste Garneray ( 1785 - 1824 ), printed by the lithographic firm of G. Engelmann ( 1788 - 1839 ), for the Opera Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1826-ca-italy-costume-design-by-auguste-garneray-1785-1824-printed-by-the-lithographic-firm-of-g-engelmann-1788-1839-for-the-opera-image342471174.htmlRF2AW4WDA–1826 ca , ITALY : Costume design by Auguste Garneray ( 1785 - 1824 ), printed by the lithographic firm of G. Engelmann ( 1788 - 1839 ), for the Opera
. Español: Vista de Zaragoza (1824) Louis Albert Guislain Bacler d'Albe (1761–1824) Description French general, cartographer, topographer and painter Date of birth/death 21 October 1761 12 September 1824 Location of birth/death Saint-Pol-sur-Ternoise Sèvres Work period 1785-1824 Work location France Authority control : Q535751 VIAF: 77375434 ISNI: 0000 0001 0655 0722 ULAN: 500019222 LCCN: n2013074727 GND: 128786442 WorldCat (dib.) y Godofroy Engelmann (grab.) Colección Luis Sorando, Zaragoza . 1824. Ecelan 1241 Vista de Zaragoza 02 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/espaol-vista-de-zaragoza-1824-louis-albert-guislain-bacler-dalbe-17611824-description-french-general-cartographer-topographer-and-painter-date-of-birthdeath-21-october-1761-12-september-1824-location-of-birthdeath-saint-pol-sur-ternoise-svres-work-period-1785-1824-work-location-france-authority-control-q535751-viaf77375434-isni0000-0001-0655-0722-ulan500019222-lccnn2013074727-gnd128786442-worldcat-dib-y-godofroy-engelmann-grab-coleccin-luis-sorando-zaragoza-1824-ecelan-1241-vista-de-zaragoza-02-image185552971.htmlRMMNTJKR–. Español: Vista de Zaragoza (1824) Louis Albert Guislain Bacler d'Albe (1761–1824) Description French general, cartographer, topographer and painter Date of birth/death 21 October 1761 12 September 1824 Location of birth/death Saint-Pol-sur-Ternoise Sèvres Work period 1785-1824 Work location France Authority control : Q535751 VIAF: 77375434 ISNI: 0000 0001 0655 0722 ULAN: 500019222 LCCN: n2013074727 GND: 128786442 WorldCat (dib.) y Godofroy Engelmann (grab.) Colección Luis Sorando, Zaragoza . 1824. Ecelan 1241 Vista de Zaragoza 02
MEMBER OF COSTUME THE HIGH COURT OF JUSTICE Pierre-Michel Alix (1762-1817) et Auguste Garneray (1785-1824). 'Costume de membre de la Haute Cour de Justice (Directoire)'. Eau-forte et aquatinte. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/member-of-costume-the-high-court-of-justice-pierre-michel-alix-1762-1817-et-auguste-garneray-1785-1824-costume-de-membre-de-la-haute-cour-de-justice-directoire-eau-forte-et-aquatinte-paris-muse-carnavalet-image350063941.htmlRM2B9EP3H–MEMBER OF COSTUME THE HIGH COURT OF JUSTICE Pierre-Michel Alix (1762-1817) et Auguste Garneray (1785-1824). 'Costume de membre de la Haute Cour de Justice (Directoire)'. Eau-forte et aquatinte. Paris, musée Carnavalet.
Art inspired by Medallion, 1824, Bronze, Diam. 2 in. (5.1 cm), Metal, Christian Gobrecht (1785–1844, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-medallion-1824-bronze-diam-2-in-51-cm-metal-christian-gobrecht-17851844-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462886139.htmlRF2HW27YR–Art inspired by Medallion, 1824, Bronze, Diam. 2 in. (5.1 cm), Metal, Christian Gobrecht (1785–1844, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Devil's Bridge toward the Gothard Mountain in Switzerland 1785–1824 Franz Xaver Triner Swiss. Devil's Bridge toward the Gothard Mountain in Switzerland 371641 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/devils-bridge-toward-the-gothard-mountain-in-switzerland-17851824-franz-xaver-triner-swiss-devils-bridge-toward-the-gothard-mountain-in-switzerland-371641-image458623658.htmlRM2HJ434A–Devil's Bridge toward the Gothard Mountain in Switzerland 1785–1824 Franz Xaver Triner Swiss. Devil's Bridge toward the Gothard Mountain in Switzerland 371641
Devil's Bridge toward the Gothard Mountain in Switzerland, 1785-1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/devils-bridge-toward-the-gothard-mountain-in-switzerland-1785-1824-image365764375.htmlRM2C7205B–Devil's Bridge toward the Gothard Mountain in Switzerland, 1785-1824.
Art inspired by Mrs. Palmer, 1785, Watercolor, colored chalk over graphite, sheet: 8 1/8 x 7 3/8 in. (20.6 x 18.7 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mrs-palmer-1785-watercolor-colored-chalk-over-graphite-sheet-8-18-x-7-38-in-206-x-187-cm-drawings-john-downman-british-ruabon-wales-17501824-wrexham-wales-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802450.htmlRF2HTXD6X–Art inspired by Mrs. Palmer, 1785, Watercolor, colored chalk over graphite, sheet: 8 1/8 x 7 3/8 in. (20.6 x 18.7 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Joseph Lange (1751-1831) and Aloisia Lange, née Weber (1760-1839), 1785. Creator: Berger, Gottfried Daniel (1744-1824). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-lange-1751-1831-and-aloisia-lange-ne-weber-1760-1839-1785-creator-berger-gottfried-daniel-1744-1824-image248912724.htmlRMTCXXM4–Joseph Lange (1751-1831) and Aloisia Lange, née Weber (1760-1839), 1785. Creator: Berger, Gottfried Daniel (1744-1824).
Art inspired by Mrs. Morgan and her Child, 1785, Watercolor, colored chalk, charcoal over graphite, sheet: 16 1/2 x 12 3/8 in. (41.9 x 31.4 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mrs-morgan-and-her-child-1785-watercolor-colored-chalk-charcoal-over-graphite-sheet-16-12-x-12-38-in-419-x-314-cm-drawings-john-downman-british-ruabon-wales-17501824-wrexham-wales-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802451.htmlRF2HTXD6Y–Art inspired by Mrs. Morgan and her Child, 1785, Watercolor, colored chalk, charcoal over graphite, sheet: 16 1/2 x 12 3/8 in. (41.9 x 31.4 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. German: Die Familie Dr. Franz Ritter von Sidorowicz . (laut Familientradition; Dr. Franz von Sidorowicz, Primararzt im Allgemeinen Krankenhaus, mit seiner Frau und seinem Kind) . 1824. Josef Ziegler (1785-1852) 324 Josef Ziegler Familie Sidorowicz 1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-die-familie-dr-franz-ritter-von-sidorowicz-laut-familientradition-dr-franz-von-sidorowicz-primararzt-im-allgemeinen-krankenhaus-mit-seiner-frau-und-seinem-kind-1824-josef-ziegler-1785-1852-324-josef-ziegler-familie-sidorowicz-1824-image187819912.htmlRMMWFX60–. German: Die Familie Dr. Franz Ritter von Sidorowicz . (laut Familientradition; Dr. Franz von Sidorowicz, Primararzt im Allgemeinen Krankenhaus, mit seiner Frau und seinem Kind) . 1824. Josef Ziegler (1785-1852) 324 Josef Ziegler Familie Sidorowicz 1824
Art inspired by Creamer, 1785–1800, Made in New York, New York, United States, American, Silver, Overall: 7 3/8 x 5 1/4 in. (18.7 x 13.3 cm); 7 oz. 9 dwt. (232 g), Silver, Daniel Van Voorhis (1751–1824, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-creamer-17851800-made-in-new-york-new-york-united-states-american-silver-overall-7-38-x-5-14-in-187-x-133-cm-7-oz-9-dwt-232-g-silver-daniel-van-voorhis-17511824-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462881941.htmlRF2HW22HW–Art inspired by Creamer, 1785–1800, Made in New York, New York, United States, American, Silver, Overall: 7 3/8 x 5 1/4 in. (18.7 x 13.3 cm); 7 oz. 9 dwt. (232 g), Silver, Daniel Van Voorhis (1751–1824, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Saint Charles Borromée communiant les pestiférés de Milan - St. Charles Borromeo communion the plague of Milan 1785 Anicet Charles Gabriel Lemonnier (1743-1824)France French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-charles-borrome-communiant-les-pestifrs-de-milan-st-charles-95950694.htmlRMFG2X2E–Saint Charles Borromée communiant les pestiférés de Milan - St. Charles Borromeo communion the plague of Milan 1785 Anicet Charles Gabriel Lemonnier (1743-1824)France French
The headstone for John Sproston (1785-1824) at the Church of the Holy Trinity in Stratford-upon-Avon, Warwickshire, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-headstone-for-john-sproston-1785-1824-at-the-church-of-the-holy-131484310.htmlRMHHWHG6–The headstone for John Sproston (1785-1824) at the Church of the Holy Trinity in Stratford-upon-Avon, Warwickshire, England.
Tuko-see-mathla (Seminole Chief 1824-1833) Charles Bird King from Pablo Prints, lithograph, (1785-1862) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tuko-see-mathla-seminole-chief-1824-1833-charles-bird-king-from-pablo-29553660.htmlRMBM27YT–Tuko-see-mathla (Seminole Chief 1824-1833) Charles Bird King from Pablo Prints, lithograph, (1785-1862)
The Highland Family by Sir David Wilkie (1785-1841), oil on wood, 1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-highland-family-by-sir-david-wilkie-1785-1841-oil-on-wood-1824-image500267999.htmlRM2M1W4X7–The Highland Family by Sir David Wilkie (1785-1841), oil on wood, 1824
Auguste Garneray, Anne, ma soeur Anne, ne vois-tu rien venir?, Auguste Garneray (French, Paris 1785–1824 Paris), 1817, Watercolor, Sheet: 6 13/16 × 8 9/16 in. (17.3 × 21.7 cm), Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/auguste-garneray-anne-ma-soeur-anne-ne-vois-tu-rien-venir-auguste-garneray-french-paris-17851824-paris-1817-watercolor-sheet-6-1316-8-916-in-173-217-cm-drawings-image344652969.htmlRM2B0M8AH–Auguste Garneray, Anne, ma soeur Anne, ne vois-tu rien venir?, Auguste Garneray (French, Paris 1785–1824 Paris), 1817, Watercolor, Sheet: 6 13/16 × 8 9/16 in. (17.3 × 21.7 cm), Drawings
Thomas L McKenney (1785-1859) by Charles Loring Eliot, oil on canvas, 1856. McKenney was Superintendent of Indian Trade from 1824-1830 and was one of the most important figures in setting and implementing early government policy towards American Indians. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thomas-l-mckenney-1785-1859-by-charles-loring-eliot-oil-on-canvas-133764168.htmlRMHNHDFM–Thomas L McKenney (1785-1859) by Charles Loring Eliot, oil on canvas, 1856. McKenney was Superintendent of Indian Trade from 1824-1830 and was one of the most important figures in setting and implementing early government policy towards American Indians.
Devil's Bridge toward the Gothard Mountain in Switzerland, Franz Xaver Triner, 1785–1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-devils-bridge-toward-the-gothard-mountain-in-switzerland-franz-xaver-162514525.htmlRMKCB4X5–Devil's Bridge toward the Gothard Mountain in Switzerland, Franz Xaver Triner, 1785–1824
Vue de Pausilype Près de Naples. Artist: Robert Daudet (French, 1737-1824); After Joseph Vernet (French, Avignon 1714-1789 Paris). Dimensions: Sheet: 19 1/8 × 24 1/2 in. (48.6 × 62.2 cm). Date: 1785. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-de-pausilype-prs-de-naples-artist-robert-daudet-french-1737-1824-after-joseph-vernet-french-avignon-1714-1789-paris-dimensions-sheet-19-18-24-12-in-486-622-cm-date-1785-museum-metropolitan-museum-of-art-new-york-usa-image213108827.htmlRMPAKXDF–Vue de Pausilype Près de Naples. Artist: Robert Daudet (French, 1737-1824); After Joseph Vernet (French, Avignon 1714-1789 Paris). Dimensions: Sheet: 19 1/8 × 24 1/2 in. (48.6 × 62.2 cm). Date: 1785. Museum: Metropolitan Museum of Art, New York, USA.
The Lost Receipt, 1824. David Wilkie (British, 1785-1841). Drypoint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lost-receipt-1824-david-wilkie-british-1785-1841-drypoint-image240461377.htmlRMRY5XX9–The Lost Receipt, 1824. David Wilkie (British, 1785-1841). Drypoint
Portrait of the mezzo-soprano Isabella Colbran (1785-1845), 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-mezzo-soprano-isabella-colbran-1785-1845-1824-image186155169.htmlRMMPT2PW–Portrait of the mezzo-soprano Isabella Colbran (1785-1845), 1824.
The Doctors of the Church, William Sharp, British, 1749 - 1824, Guido Reni, (Italian, 1575–1642), Europe, 1785, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-doctors-of-the-church-william-sharp-british-1749-1824-guido-reni-italian-15751642-europe-1785-print-image391741199.htmlRM2DN99W3–The Doctors of the Church, William Sharp, British, 1749 - 1824, Guido Reni, (Italian, 1575–1642), Europe, 1785, Print
Thomas Loraine McKenney (1785-1859) served as U.S. Superintendent of Indian Affairs from 1824–1830. While serving earlier as Superintendent of Trade and Indian Affairs, McKenney helped gain passage of the Indian Civilization Act of 1819. Eleven years later, he helped draft and gain passage of the Indian Removal Act of 1830. While in office, McKenney commissioned paintings of Native diplomats by portraitist Charles Bird King. This effort eventually led him to compile the three-volume History of the Indian Tribes of North America (1836-1844). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-loraine-mckenney-1785-1859-served-as-us-superintendent-of-indian-affairs-from-18241830-while-serving-earlier-as-superintendent-of-trade-and-indian-affairs-mckenney-helped-gain-passage-of-the-indian-civilization-act-of-1819-eleven-years-later-he-helped-draft-and-gain-passage-of-the-indian-removal-act-of-1830-while-in-office-mckenney-commissioned-paintings-of-native-diplomats-by-portraitist-charles-bird-king-this-effort-eventually-led-him-to-compile-the-three-volume-history-of-the-indian-tribes-of-north-america-1836-1844-image574406620.htmlRM2TAEDE4–Thomas Loraine McKenney (1785-1859) served as U.S. Superintendent of Indian Affairs from 1824–1830. While serving earlier as Superintendent of Trade and Indian Affairs, McKenney helped gain passage of the Indian Civilization Act of 1819. Eleven years later, he helped draft and gain passage of the Indian Removal Act of 1830. While in office, McKenney commissioned paintings of Native diplomats by portraitist Charles Bird King. This effort eventually led him to compile the three-volume History of the Indian Tribes of North America (1836-1844).
Pygmalion and Galatea, Jean N. Langier, French, 1785 - 1875, Anne-Louis Girodet de Roucy-Trioson, French, 1767 - 1824, Engraving on china paper, pasted down, France, 1824, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pygmalion-and-galatea-jean-n-langier-french-1785-1875-anne-louis-girodet-de-roucy-trioson-french-1767-1824-engraving-on-china-paper-pasted-down-france-1824-print-image391086457.htmlRM2DM7END–Pygmalion and Galatea, Jean N. Langier, French, 1785 - 1875, Anne-Louis Girodet de Roucy-Trioson, French, 1767 - 1824, Engraving on china paper, pasted down, France, 1824, Print
![John Howard Payne. Jonathan D. Meredith [1785-1872], Baltimore, Maryland; his son, Gilmor Meredith [1824-1899], 1883; Gift to William Wilson Corcoran [1798-1888], 1883; Gift to the Corcoran Gallery of Art, 1883; Gift to NPG, 2019. Stock Photo](https://c8.alamy.com/comp/2BTX9E7/john-howard-payne-jonathan-d-meredith-1785-1872-baltimore-maryland-his-son-gilmor-meredith-1824-1899-1883-gift-to-william-wilson-corcoran-1798-1888-1883-gift-to-the-corcoran-gallery-of-art-1883-gift-to-npg-2019-2BTX9E7.jpg "John Howard Payne. Jonathan D. Meredith [1785-1872], Baltimore, Maryland; his son, Gilmor Meredith [1824-1899], 1883; Gift to William Wilson Corcoran [1798-1888], 1883; Gift to the Corcoran Gallery of Art, 1883; Gift to NPG, 2019. Stock Photo")
John Howard Payne. Jonathan D. Meredith [1785-1872], Baltimore, Maryland; his son, Gilmor Meredith [1824-1899], 1883; Gift to William Wilson Corcoran [1798-1888], 1883; Gift to the Corcoran Gallery of Art, 1883; Gift to NPG, 2019. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-howard-payne-jonathan-d-meredith-1785-1872-baltimore-maryland-his-son-gilmor-meredith-1824-1899-1883-gift-to-william-wilson-corcoran-1798-1888-1883-gift-to-the-corcoran-gallery-of-art-1883-gift-to-npg-2019-image359537311.htmlRM2BTX9E7–John Howard Payne. Jonathan D. Meredith [1785-1872], Baltimore, Maryland; his son, Gilmor Meredith [1824-1899], 1883; Gift to William Wilson Corcoran [1798-1888], 1883; Gift to the Corcoran Gallery of Art, 1883; Gift to NPG, 2019.
David Wilkie, English, 1785-1841, The Pope Examining a Censer, 1824, etching printed in black ink on chine collé, Image: 7 × 5 1/2 inches (17.8 × 14 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-wilkie-english-1785-1841-the-pope-examining-a-censer-1824-etching-printed-in-black-ink-on-chine-coll-image-7-5-12-inches-178-14-cm-image328711425.htmlRM2A2P2NN–David Wilkie, English, 1785-1841, The Pope Examining a Censer, 1824, etching printed in black ink on chine collé, Image: 7 × 5 1/2 inches (17.8 × 14 cm
French actor Tonon Gontier (1785-1841) as Colonel Derville and Bernard-Leon (1785-1858) as farmer Thibaut in the comedy Le Baiser au Porteur by Eugene Scribe at the Theatre de Madame, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1825. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-actor-tonon-gontier-1785-1841-as-colonel-derville-and-bernard-leon-1785-1858-as-farmer-thibaut-in-the-comedy-le-baiser-au-porteur-by-eugene-scribe-at-the-theatre-de-madame-1824-handcoloured-copperplate-engraving-from-charles-malos-almanach-des-spectacles-par-k-y-z-chez-louis-janet-paris-1825-image182646642.htmlRMMH47JA–French actor Tonon Gontier (1785-1841) as Colonel Derville and Bernard-Leon (1785-1858) as farmer Thibaut in the comedy Le Baiser au Porteur by Eugene Scribe at the Theatre de Madame, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1825.
Stratford-on-Avon, Charles Heath, 1785–1848, British, after Richard Westall, 1765–1836, British, 1824, Line engraving on wove paper, Sheet: 6 1/4 x 5in. (15.9 x 12.7cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stratford-on-avon-charles-heath-17851848-british-after-richard-westall-17651836-british-1824-line-engraving-on-wove-paper-sheet-6-14-x-5in-159-x-127cm-image389655230.htmlRM2DHX966–Stratford-on-Avon, Charles Heath, 1785–1848, British, after Richard Westall, 1765–1836, British, 1824, Line engraving on wove paper, Sheet: 6 1/4 x 5in. (15.9 x 12.7cm
. German: Die Familie Dr. Franz Ritter von Sidorowicz . (laut Familientradition; Dr. Franz von Sidorowicz, Primararzt im Allgemeinen Krankenhaus, mit seiner Frau und seinem Kind) . 1824. Josef Ziegler (1785-1852) 325 Josef Ziegler Familie Sidorowicz 1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-die-familie-dr-franz-ritter-von-sidorowicz-laut-familientradition-dr-franz-von-sidorowicz-primararzt-im-allgemeinen-krankenhaus-mit-seiner-frau-und-seinem-kind-1824-josef-ziegler-1785-1852-325-josef-ziegler-familie-sidorowicz-1824-image188334607.htmlRMMXBAKY–. German: Die Familie Dr. Franz Ritter von Sidorowicz . (laut Familientradition; Dr. Franz von Sidorowicz, Primararzt im Allgemeinen Krankenhaus, mit seiner Frau und seinem Kind) . 1824. Josef Ziegler (1785-1852) 325 Josef Ziegler Familie Sidorowicz 1824
Art inspired by Teapot, 1785–1800, Made in New York, New York, United States, American, Silver, Overall: 6 5/8 x 12 in. (16.8 x 30.5 cm); 22 oz. 16 dwt. (709 g), Silver, Daniel Van Voorhis (1751–1824, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-teapot-17851800-made-in-new-york-new-york-united-states-american-silver-overall-6-58-x-12-in-168-x-305-cm-22-oz-16-dwt-709-g-silver-daniel-van-voorhis-17511824-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462893744.htmlRF2HW2HKC–Art inspired by Teapot, 1785–1800, Made in New York, New York, United States, American, Silver, Overall: 6 5/8 x 12 in. (16.8 x 30.5 cm); 22 oz. 16 dwt. (709 g), Silver, Daniel Van Voorhis (1751–1824, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
French explorers visiting a Morai (temple) on Oweihi (Hawaii). Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-explorers-visiting-a-morai-temple-on-oweihi-hawaii-handcoloured-lithograph-from-friedrich-wilhelm-goedsches-vollstaendige-vlkergallerie-in-getreuen-abbildungen-complete-gallery-of-peoples-in-true-pictures-meissen-circa-1835-1840-goedsche-1785-1863-was-a-german-writer-bookseller-and-publisher-in-meissen-illustration-from-freycinets-voyage-autour-du-monde-1824-image331623045.htmlRM2A7EMG5–French explorers visiting a Morai (temple) on Oweihi (Hawaii). Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824.
Art inspired by Elizabeth Ford, later Lady Colville of Culross, 1785, Watercolor, colored chalk, and graphite, sheet: 17 x 13 in. (43.2 x 33 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Dowman represents Elizabeth, second daughter of Francis Ford of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-elizabeth-ford-later-lady-colville-of-culross-1785-watercolor-colored-chalk-and-graphite-sheet-17-x-13-in-432-x-33-cm-drawings-john-downman-british-ruabon-wales-17501824-wrexham-wales-dowman-represents-elizabeth-second-daughter-of-francis-ford-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462954771.htmlRF2HW5BEY–Art inspired by Elizabeth Ford, later Lady Colville of Culross, 1785, Watercolor, colored chalk, and graphite, sheet: 17 x 13 in. (43.2 x 33 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Dowman represents Elizabeth, second daughter of Francis Ford of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mrs. John Quincy Adams ca. 1824 by Charles Bird King, born Newport, RI 1785-died Washington, DC 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-john-quincy-adams-ca-1824-by-charles-bird-king-born-newport-ri-1785-died-washington-dc-1862-image555999331.htmlRM2R8FXPY–Mrs. John Quincy Adams ca. 1824 by Charles Bird King, born Newport, RI 1785-died Washington, DC 1862
Art inspired by Eugène Joseph Stanislas Foullon d'Écotier (1753–1821), 1785, Oil on canvas, Oval, 31 5/8 x 25 1/8 in. (80.3 x 63.8 cm), Paintings, Antoine Vestier (French, Avallon 1740–1824 Paris), Eugène Foulon d'Écotier must have commissioned the portrait to commemorate his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-eugne-joseph-stanislas-foullon-dcotier-17531821-1785-oil-on-canvas-oval-31-58-x-25-18-in-803-x-638-cm-paintings-antoine-vestier-french-avallon-17401824-paris-eugne-foulon-dcotier-must-have-commissioned-the-portrait-to-commemorate-his-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463026517.htmlRF2HW8K19–Art inspired by Eugène Joseph Stanislas Foullon d'Écotier (1753–1821), 1785, Oil on canvas, Oval, 31 5/8 x 25 1/8 in. (80.3 x 63.8 cm), Paintings, Antoine Vestier (French, Avallon 1740–1824 Paris), Eugène Foulon d'Écotier must have commissioned the portrait to commemorate his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Lost Receipt, 1824. David Wilkie (British, 1785-1841). Drypoint; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lost-receipt-1824-david-wilkie-british-1785-1841-drypoint-image448127114.htmlRM2H11XKP–The Lost Receipt, 1824. David Wilkie (British, 1785-1841). Drypoint;
Art inspired by The Highland Family, 1824, Oil on wood, 24 x 36 in. (61 x 91.4 cm), Paintings, Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar), Wilkie, a genre painter, served as a court artist under George IV and his successors. This painting, commissioned by the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-highland-family-1824-oil-on-wood-24-x-36-in-61-x-914-cm-paintings-sir-david-wilkie-british-cults-scotland-17851841-off-gibraltar-wilkie-a-genre-painter-served-as-a-court-artist-under-george-iv-and-his-successors-this-painting-commissioned-by-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462817307.htmlRF2HTY45F–Art inspired by The Highland Family, 1824, Oil on wood, 24 x 36 in. (61 x 91.4 cm), Paintings, Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar), Wilkie, a genre painter, served as a court artist under George IV and his successors. This painting, commissioned by the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Eugène Joseph Stanislas Foullon d'Ecotier (1753–1821) - oil painting by Antoine Vestier (1740-1824), 1785 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-eugne-joseph-stanislas-foullon-decotier-17531821-oil-painting-by-antoine-168095734.htmlRMKNDBR2–Eugène Joseph Stanislas Foullon d'Ecotier (1753–1821) - oil painting by Antoine Vestier (1740-1824), 1785
Creamer. Culture: American. Dimensions: Overall: 7 3/8 x 5 1/4 in. (18.7 x 13.3 cm); 7 oz. 9 dwt. (232 g) Foot: 2 3/8 x 2 3/8 in. (6 x 6 cm). Maker: Daniel Van Voorhis (1751-1824). Date: 1785-1800. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/creamer-culture-american-dimensions-overall-7-38-x-5-14-in-187-x-133-cm-7-oz-9-dwt-232-g-foot-2-38-x-2-38-in-6-x-6-cm-maker-daniel-van-voorhis-1751-1824-date-1785-1800-museum-metropolitan-museum-of-art-new-york-usa-image212916289.htmlRMPAB4W5–Creamer. Culture: American. Dimensions: Overall: 7 3/8 x 5 1/4 in. (18.7 x 13.3 cm); 7 oz. 9 dwt. (232 g) Foot: 2 3/8 x 2 3/8 in. (6 x 6 cm). Maker: Daniel Van Voorhis (1751-1824). Date: 1785-1800. Museum: Metropolitan Museum of Art, New York, USA.
David Wilkie, English, 1785-1841, The Pope Examining a Censer, 1824, etching printed in black ink on chine collé, Image: 7 × 5 1/2 inches (17.8 × 14 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-wilkie-english-1785-1841-the-pope-examining-a-censer-1824-etching-printed-in-black-ink-on-chine-coll-image-7-5-12-inches-178-14-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349810619.htmlRF2B9370B–David Wilkie, English, 1785-1841, The Pope Examining a Censer, 1824, etching printed in black ink on chine collé, Image: 7 × 5 1/2 inches (17.8 × 14 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Ixion Chained in Tartarus, 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ixion-chained-in-tartarus-1824-image186176538.htmlRMMPW222–Ixion Chained in Tartarus, 1824.
History of the Alleghany Evangelical Lutheran synod of Pennsylvania, together with a topical handbook of the Evangelical Lutheran church, its ancestry, origin and development . which was named after Luther first came into Morrisons Cove.Among the first settlers were Lutherans, and for many yearsreligious services were held in their dwelling houses, afterwardsin school buildings; then, soon as they were able, in church edi-fices erected for the worship of God. Missionaries came fromHarrisburg as early as 1785. Rev. Reichert, from Indiana, Pa.,preached here in 1824, Rev. William Yeager, of Bedfo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-the-alleghany-evangelical-lutheran-synod-of-pennsylvania-together-with-a-topical-handbook-of-the-evangelical-lutheran-church-its-ancestry-origin-and-development-which-was-named-after-luther-first-came-into-morrisons-coveamong-the-first-settlers-were-lutherans-and-for-many-yearsreligious-services-were-held-in-their-dwelling-houses-afterwardsin-school-buildings-then-soon-as-they-were-able-in-church-edi-fices-erected-for-the-worship-of-god-missionaries-came-fromharrisburg-as-early-as-1785-rev-reichert-from-indiana-papreached-here-in-1824-rev-william-yeager-of-bedfo-image342734500.htmlRM2AWGW9T–History of the Alleghany Evangelical Lutheran synod of Pennsylvania, together with a topical handbook of the Evangelical Lutheran church, its ancestry, origin and development . which was named after Luther first came into Morrisons Cove.Among the first settlers were Lutherans, and for many yearsreligious services were held in their dwelling houses, afterwardsin school buildings; then, soon as they were able, in church edi-fices erected for the worship of God. Missionaries came fromHarrisburg as early as 1785. Rev. Reichert, from Indiana, Pa.,preached here in 1824, Rev. William Yeager, of Bedfo
Thomas Loraine McKenney (1785-1859) served as U.S. Superintendent of Indian Affairs from 1824–1830. While serving earlier as Superintendent of Trade and Indian Affairs, McKenney helped gain passage of the Indian Civilization Act of 1819. Eleven years later, he helped draft and gain passage of the Indian Removal Act of 1830. While in office, McKenney commissioned paintings of Native diplomats by portraitist Charles Bird King. This effort eventually led him to compile the three-volume History of the Indian Tribes of North America (1836-1844). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-loraine-mckenney-1785-1859-served-as-us-superintendent-of-indian-affairs-from-18241830-while-serving-earlier-as-superintendent-of-trade-and-indian-affairs-mckenney-helped-gain-passage-of-the-indian-civilization-act-of-1819-eleven-years-later-he-helped-draft-and-gain-passage-of-the-indian-removal-act-of-1830-while-in-office-mckenney-commissioned-paintings-of-native-diplomats-by-portraitist-charles-bird-king-this-effort-eventually-led-him-to-compile-the-three-volume-history-of-the-indian-tribes-of-north-america-1836-1844-image574406622.htmlRM2TAEDE6–Thomas Loraine McKenney (1785-1859) served as U.S. Superintendent of Indian Affairs from 1824–1830. While serving earlier as Superintendent of Trade and Indian Affairs, McKenney helped gain passage of the Indian Civilization Act of 1819. Eleven years later, he helped draft and gain passage of the Indian Removal Act of 1830. While in office, McKenney commissioned paintings of Native diplomats by portraitist Charles Bird King. This effort eventually led him to compile the three-volume History of the Indian Tribes of North America (1836-1844).
HMS Victory is a 104-gun first-rate ship of the line of the Royal Navy, laid down in 1759 and launched in 1785 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hms-victory-is-a-104-gun-first-rate-ship-of-the-line-of-the-royal-image64236397.htmlRFDME651–HMS Victory is a 104-gun first-rate ship of the line of the Royal Navy, laid down in 1759 and launched in 1785
Edinburgh, detail of the tower of Tron Church. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-edinburgh-detail-of-the-tower-of-tron-church-22710603.htmlRMB8XFGY–Edinburgh, detail of the tower of Tron Church.
Set of 6 with the printed wrapper: British Proverbs, Henry Thomas Alken, 1785–1851, British, 1824, Hand colored soft-ground etchings, Sheet: 8 3/4 x 11 1/8in. (22.2 x 28.3cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-6-with-the-printed-wrapper-british-proverbs-henry-thomas-alken-17851851-british-1824-hand-colored-soft-ground-etchings-sheet-8-34-x-11-18in-222-x-283cm-image389769871.htmlRM2DJ3FCF–Set of 6 with the printed wrapper: British Proverbs, Henry Thomas Alken, 1785–1851, British, 1824, Hand colored soft-ground etchings, Sheet: 8 3/4 x 11 1/8in. (22.2 x 28.3cm
N/A. Alessandro Manzoni (1785-1873) . circa 1870. Giulio Rossi (1824-1884) 80 Alessandro Manzoni 1870 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-alessandro-manzoni-1785-1873-circa-1870-giulio-rossi-1824-1884-80-alessandro-manzoni-1870-image209961092.htmlRMP5GFEC–N/A. Alessandro Manzoni (1785-1873) . circa 1870. Giulio Rossi (1824-1884) 80 Alessandro Manzoni 1870
Ancient ruins of columns found on Tinian island, Marianas, Pacific. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-ruins-of-columns-found-on-tinian-island-marianas-pacific-handcoloured-lithograph-from-friedrich-wilhelm-goedsches-vollstaendige-vlkergallerie-in-getreuen-abbildungen-complete-gallery-of-peoples-in-true-pictures-meissen-circa-1835-1840-goedsche-1785-1863-was-a-german-writer-bookseller-and-publisher-in-meissen-illustration-from-freycinets-voyage-autour-du-monde-1824-image331623009.htmlRM2A7EMEW–Ancient ruins of columns found on Tinian island, Marianas, Pacific. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824.
The Pope and the Goldsmith, Sir David Wilkie (Pitlessie, Fife, Scotland, 1785 - 1841) 1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pope-and-the-goldsmith-sir-david-wilkie-pitlessie-fife-scotland-1785-1841-1824-image537198809.htmlRM2P5YEFN–The Pope and the Goldsmith, Sir David Wilkie (Pitlessie, Fife, Scotland, 1785 - 1841) 1824
Capture of the Argus, Augs. 14th, 1813. Artist: Thomas Sutherland, British, 1785–1838After: Thomas Whitcombe, British, ca. 1752–ca. 1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capture-of-the-argus-augs-14th1813-artist-thomas-sutherland-british-17851838after-thomas-whitcombe-british-ca-1752ca-1824-image463202517.htmlRM2HWGKF1–Capture of the Argus, Augs. 14th, 1813. Artist: Thomas Sutherland, British, 1785–1838After: Thomas Whitcombe, British, ca. 1752–ca. 1824
Eugène Joseph Stanislas Foullon d'Écotier (1753-1821). Artist: Antoine Vestier (French, Avallon 1740-1824 Paris). Dimensions: Oval, 31 5/8 x 25 1/8 in. (80.3 x 63.8 cm). Date: 1785. Eugène Foulon d'Écotier must have commissioned the portrait to commemorate his appointment in June 1785 as Intendant of Guadeloupe. It was painted in Vestier's typically minute style prior to the sitter's departure for the French colonial island that November. He holds a map of Guadeloupe, and behind him is a book entitled <i>Ordonnances de la Marine</i>, the regulations for administering French colonies. Museum: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eugne-joseph-stanislas-foullon-dcotier-1753-1821-artist-antoine-vestier-french-avallon-1740-1824-paris-dimensions-oval-31-58-x-25-18-in-803-x-638-cm-date-1785-eugne-foulon-dcotier-must-have-commissioned-the-portrait-to-commemorate-his-appointment-in-june-1785-as-intendant-of-guadeloupe-it-was-painted-in-vestiers-typically-minute-style-prior-to-the-sitters-departure-for-the-french-colonial-island-that-november-he-holds-a-map-of-guadeloupe-and-behind-him-is-a-book-entitled-iordonnances-de-la-marinei-the-regulations-for-administering-french-colonies-museum-image213299722.htmlRMPB0HY6–Eugène Joseph Stanislas Foullon d'Écotier (1753-1821). Artist: Antoine Vestier (French, Avallon 1740-1824 Paris). Dimensions: Oval, 31 5/8 x 25 1/8 in. (80.3 x 63.8 cm). Date: 1785. Eugène Foulon d'Écotier must have commissioned the portrait to commemorate his appointment in June 1785 as Intendant of Guadeloupe. It was painted in Vestier's typically minute style prior to the sitter's departure for the French colonial island that November. He holds a map of Guadeloupe, and behind him is a book entitled <i>Ordonnances de la Marine</i>, the regulations for administering French colonies. Museum:
bake Kazimierz Raczy, the General Staroste of Greater Poland; Raczyk Ski, Kazimierz Jan Nepomucen (1739-1824); 1785 (1785-00-00-1785-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bake-kazimierz-raczy-the-general-staroste-of-greater-poland-raczyk-ski-kazimierz-jan-nepomucen-1739-1824-1785-1785-00-00-1785-00-00-image598944165.htmlRM2WPC7B1–bake Kazimierz Raczy, the General Staroste of Greater Poland; Raczyk Ski, Kazimierz Jan Nepomucen (1739-1824); 1785 (1785-00-00-1785-00-00);
The Boxers, 1818, Jean Louis André Théodore Géricault (French, 1791-1824), printed by Charles Étienne Pierre Motte (French, 1785-1836), France, Lithograph in black on off-white wove paper, 352 × 417 mm (image), 430 × 588 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-boxers-1818-jean-louis-andr-thodore-gricault-french-1791-1824-printed-by-charles-tienne-pierre-motte-french-1785-1836-france-lithograph-in-black-on-off-white-wove-paper-352-417-mm-image-430-588-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349685620.htmlRF2B8WFG4–The Boxers, 1818, Jean Louis André Théodore Géricault (French, 1791-1824), printed by Charles Étienne Pierre Motte (French, 1785-1836), France, Lithograph in black on off-white wove paper, 352 × 417 mm (image), 430 × 588 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
View of the palace and church; Leykum, Alois (Vienna; Litographic Plant; Fl. 1830-1856), Raulino, Johann Tobias Dionys (1785/1787-1838/1839); 19th century (1824-00-00-1824-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-palace-and-church-leykum-alois-vienna-litographic-plant-fl-1830-1856-raulino-johann-tobias-dionys-17851787-18381839-19th-century-1824-00-00-1824-00-00-image598999676.htmlRM2WPEP5G–View of the palace and church; Leykum, Alois (Vienna; Litographic Plant; Fl. 1830-1856), Raulino, Johann Tobias Dionys (1785/1787-1838/1839); 19th century (1824-00-00-1824-00-00);
Portrait of Anne-Josèphe Théroigne de Méricourt (1762-1817), c. 1785. Found in the collection of Musée Carnavalet, Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-anne-josxe8phe-thxe9roigne-de-mxe9ricourt-1762-1817-c-1785-found-in-the-collection-of-musxe9e-carnavalet-paris-image433144001.htmlRM2G4KBGH–Portrait of Anne-Josèphe Théroigne de Méricourt (1762-1817), c. 1785. Found in the collection of Musée Carnavalet, Paris.
Mary, Queen of Scots July 1, 1824 Thomas Woolnoth British. Mary, Queen of Scots. Thomas Woolnoth (British, London 1785–1857?). July 1, 1824. Stipple engraving. Dean and Munday (London). Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-queen-of-scots-july-1-1824-thomas-woolnoth-british-mary-queen-of-scots-thomas-woolnoth-british-london-17851857-july-1-1824-stipple-engraving-dean-and-munday-london-mary-queen-of-scots-british-linlithgow-15421587-fotheringhay-prints-image457782599.htmlRM2HGNPAF–Mary, Queen of Scots July 1, 1824 Thomas Woolnoth British. Mary, Queen of Scots. Thomas Woolnoth (British, London 1785–1857?). July 1, 1824. Stipple engraving. Dean and Munday (London). Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints
![. Genealogy of the descendants of John White of Wenham and Lancaster, Massachusetts. : 1638-[1909] .... 1806, Alvin Jewell; she d. Nov. 12, 1824. DEBORAH Pierce6 (20442), b. in Jaffrey, N. H., Oct. 4,1785; m. Oct. 19, 1826, Alvin Jewell, as his second wife, hersister, Keziah6 (20441,) having been his first wife. REUBEN Pierce6 (20443), b. in Jaffrey, N. H., Sept 4, 1787 ;m. Mar. 9, 1814, Lydia Holden, b. Nov. 19, 1785, d. Jan. 15,1823; he m. (2) May 21, 1823, Florilla Sweetland, b. Aug. 25,1805 ; he was engaged in the War of 1812, was taken prisoner atBlack Rock, near Buffalo, N. Y., and taken Stock Photo](https://c8.alamy.com/comp/2AGAT10/genealogy-of-the-descendants-of-john-white-of-wenham-and-lancaster-massachusetts-1638-1909-1806-alvin-jewell-she-d-nov-12-1824-deborah-pierce6-20442-b-in-jaffrey-n-h-oct-41785-m-oct-19-1826-alvin-jewell-as-his-second-wife-hersister-keziah6-20441-having-been-his-first-wife-reuben-pierce6-20443-b-in-jaffrey-n-h-sept-4-1787-m-mar-9-1814-lydia-holden-b-nov-19-1785-d-jan-151823-he-m-2-may-21-1823-florilla-sweetland-b-aug-251805-he-was-engaged-in-the-war-of-1812-was-taken-prisoner-atblack-rock-near-buffalo-n-y-and-taken-2AGAT10.jpg ". Genealogy of the descendants of John White of Wenham and Lancaster, Massachusetts. : 1638-[1909] .... 1806, Alvin Jewell; she d. Nov. 12, 1824. DEBORAH Pierce6 (20442), b. in Jaffrey, N. H., Oct. 4,1785; m. Oct. 19, 1826, Alvin Jewell, as his second wife, hersister, Keziah6 (20441,) having been his first wife. REUBEN Pierce6 (20443), b. in Jaffrey, N. H., Sept 4, 1787 ;m. Mar. 9, 1814, Lydia Holden, b. Nov. 19, 1785, d. Jan. 15,1823; he m. (2) May 21, 1823, Florilla Sweetland, b. Aug. 25,1805 ; he was engaged in the War of 1812, was taken prisoner atBlack Rock, near Buffalo, N. Y., and taken Stock Photo")
. Genealogy of the descendants of John White of Wenham and Lancaster, Massachusetts. : 1638-[1909] .... 1806, Alvin Jewell; she d. Nov. 12, 1824. DEBORAH Pierce6 (20442), b. in Jaffrey, N. H., Oct. 4,1785; m. Oct. 19, 1826, Alvin Jewell, as his second wife, hersister, Keziah6 (20441,) having been his first wife. REUBEN Pierce6 (20443), b. in Jaffrey, N. H., Sept 4, 1787 ;m. Mar. 9, 1814, Lydia Holden, b. Nov. 19, 1785, d. Jan. 15,1823; he m. (2) May 21, 1823, Florilla Sweetland, b. Aug. 25,1805 ; he was engaged in the War of 1812, was taken prisoner atBlack Rock, near Buffalo, N. Y., and taken Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genealogy-of-the-descendants-of-john-white-of-wenham-and-lancaster-massachusetts-1638-1909-1806-alvin-jewell-she-d-nov-12-1824-deborah-pierce6-20442-b-in-jaffrey-n-h-oct-41785-m-oct-19-1826-alvin-jewell-as-his-second-wife-hersister-keziah6-20441-having-been-his-first-wife-reuben-pierce6-20443-b-in-jaffrey-n-h-sept-4-1787-m-mar-9-1814-lydia-holden-b-nov-19-1785-d-jan-151823-he-m-2-may-21-1823-florilla-sweetland-b-aug-251805-he-was-engaged-in-the-war-of-1812-was-taken-prisoner-atblack-rock-near-buffalo-n-y-and-taken-image337069852.htmlRM2AGAT10–. Genealogy of the descendants of John White of Wenham and Lancaster, Massachusetts. : 1638-[1909] .... 1806, Alvin Jewell; she d. Nov. 12, 1824. DEBORAH Pierce6 (20442), b. in Jaffrey, N. H., Oct. 4,1785; m. Oct. 19, 1826, Alvin Jewell, as his second wife, hersister, Keziah6 (20441,) having been his first wife. REUBEN Pierce6 (20443), b. in Jaffrey, N. H., Sept 4, 1787 ;m. Mar. 9, 1814, Lydia Holden, b. Nov. 19, 1785, d. Jan. 15,1823; he m. (2) May 21, 1823, Florilla Sweetland, b. Aug. 25,1805 ; he was engaged in the War of 1812, was taken prisoner atBlack Rock, near Buffalo, N. Y., and taken
Stratford-on-Avon, Charles Heath, 1785–1848, British, after Richard Westall, 1765–1836, British, 1824, Line engraving on wove paper, Sheet: 8 1/2 x 5 1/2in. (21.6 x 14cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stratford-on-avon-charles-heath-17851848-british-after-richard-westall-17651836-british-1824-line-engraving-on-wove-paper-sheet-8-12-x-5-12in-216-x-14cm-image389655227.htmlRM2DHX963–Stratford-on-Avon, Charles Heath, 1785–1848, British, after Richard Westall, 1765–1836, British, 1824, Line engraving on wove paper, Sheet: 8 1/2 x 5 1/2in. (21.6 x 14cm
. English: Portrait of Maria Anna of Savoy, Duchess of Chablais (1757-1824) . circa 1785-1795. 956 Panealbo - Maria Anna of Savoy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-maria-anna-of-savoy-duchess-of-chablais-1757-1824-circa-1785-1795-956-panealbo-maria-anna-of-savoy-image185498375.htmlRMMNP51Y–. English: Portrait of Maria Anna of Savoy, Duchess of Chablais (1757-1824) . circa 1785-1795. 956 Panealbo - Maria Anna of Savoy
The Boxers, 1818, Jean Louis André Théodore Géricault (French, 1791-1824), printed by Charles Étienne Pierre Motte (French, 1785-1836), France, Lithograph in black on off-white wove paper, 352 × 417 mm (image), 430 × 588 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-boxers-1818-jean-louis-andr-thodore-gricault-french-1791-1824-printed-by-charles-tienne-pierre-motte-french-1785-1836-france-lithograph-in-black-on-off-white-wove-paper-352-417-mm-image-430-588-mm-sheet-image328624988.htmlRM2A2J4EM–The Boxers, 1818, Jean Louis André Théodore Géricault (French, 1791-1824), printed by Charles Étienne Pierre Motte (French, 1785-1836), France, Lithograph in black on off-white wove paper, 352 × 417 mm (image), 430 × 588 mm (sheet
Chamorro farmers ploughing fields and tending to rows of plants in the Mariana islands. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chamorro-farmers-ploughing-fields-and-tending-to-rows-of-plants-in-the-mariana-islands-handcoloured-lithograph-from-friedrich-wilhelm-goedsches-vollstaendige-vlkergallerie-in-getreuen-abbildungen-complete-gallery-of-peoples-in-true-pictures-meissen-circa-1835-1840-goedsche-1785-1863-was-a-german-writer-bookseller-and-publisher-in-meissen-illustration-from-freycinets-voyage-autour-du-monde-1824-image331622997.htmlRM2A7EMED–Chamorro farmers ploughing fields and tending to rows of plants in the Mariana islands. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824.
The Toast, George Hunt, active 1820–1840, British, after (drawn & etched by) Henry Thomas Alken, 1785–1851, British, 1824, Aquatint, hand-colored, Sheet: 13 7/8 x 17 3/4in. (35.2 x 45.1cm) and Image: 10 3/8 x 15 3/4in. (26.4 x 40cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-toast-george-hunt-active-18201840-british-after-drawn-etched-by-henry-thomas-alken-17851851-british-1824-aquatint-hand-colored-sheet-13-78-x-17-34in-352-x-451cm-and-image-10-38-x-15-34in-264-x-40cm-image389773580.htmlRM2DJ3M50–The Toast, George Hunt, active 1820–1840, British, after (drawn & etched by) Henry Thomas Alken, 1785–1851, British, 1824, Aquatint, hand-colored, Sheet: 13 7/8 x 17 3/4in. (35.2 x 45.1cm) and Image: 10 3/8 x 15 3/4in. (26.4 x 40cm
Mount Kennedy, County Wicklow, Ireland. Date/Period: 1785. Painting. Oil on canvas. Height: 421 mm (16.57 in); Width: 611 mm (24.05 in). Author: William Ashford. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mount-kennedy-county-wicklow-ireland-dateperiod-1785-painting-oil-on-canvas-height-421-mm-1657-in-width-611-mm-2405-in-author-william-ashford-image219108806.htmlRMPMD7EE–Mount Kennedy, County Wicklow, Ireland. Date/Period: 1785. Painting. Oil on canvas. Height: 421 mm (16.57 in); Width: 611 mm (24.05 in). Author: William Ashford.
Mount Kennedy, County Wicklow, Ireland Signed and dated in brown paint, lower right: 'Washford | 1785', William reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mount-kennedy-county-wicklow-ireland-signed-and-dated-in-brown-paint-lower-right-washford-1785-william-reimagined-image230453359.htmlRFRAX1H3–Mount Kennedy, County Wicklow, Ireland Signed and dated in brown paint, lower right: 'Washford | 1785', William reimagined
The Lost Receipt, 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lost-receipt-1824-image330128836.htmlRM2A52JKG–The Lost Receipt, 1824.
Mary, Queen of Scots July 1, 1824 Thomas Woolnoth British. Mary, Queen of Scots. Thomas Woolnoth (British, London 1785–1857?). July 1, 1824. Stipple engraving. Dean and Munday (London). Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-queen-of-scots-july-1-1824-thomas-woolnoth-british-mary-queen-of-scots-thomas-woolnoth-british-london-17851857-july-1-1824-stipple-engraving-dean-and-munday-london-mary-queen-of-scots-british-linlithgow-15421587-fotheringhay-prints-image457782589.htmlRM2HGNPA5–Mary, Queen of Scots July 1, 1824 Thomas Woolnoth British. Mary, Queen of Scots. Thomas Woolnoth (British, London 1785–1857?). July 1, 1824. Stipple engraving. Dean and Munday (London). Mary, Queen of Scots (British, Linlithgow 1542–1587 Fotheringhay). Prints
. A voyage to the arctic in the whaler Aurora. shipssent to the whaling: 1771 England 50 Scotland 9 1773 55 10 1774 65 9 1775 96 9 1776 91 7 1777 77 7 1778 71 5 1779 52 3 1780 50 4 1781 34 5 1782 38 6 1783 47 4 1784 89 7 1785 136 13 1786 162 23 1787 219 31 1788 216 31 1789 133 28 1815 147 Vessels, — Captured 891 ^ ;Vha 1816 146 (1 <( 1,330 1818 157 <i (( 1,208 1820 159 (< (( 1,595 1821 158 « (( 1,438 1823 117 (( « 2,018 1824 111 « « 761 1827 88 it IS 1,162 1831 88 <( (( 454 1833 77 (( « 1,695 1836 61 l( « 70 1845 39 (( « 418 1850 32 (( (( 87 1855 50 (( « 54 1860 51 (( « 99 1865 26 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-voyage-to-the-arctic-in-the-whaler-aurora-shipssent-to-the-whaling-1771-england-50-scotland-9-1773-55-10-1774-65-9-1775-96-9-1776-91-7-1777-77-7-1778-71-5-1779-52-3-1780-50-4-1781-34-5-1782-38-6-1783-47-4-1784-89-7-1785-136-13-1786-162-23-1787-219-31-1788-216-31-1789-133-28-1815-147-vessels-captured-891-vha-1816-146-1-lt-1330-1818-157-lti-1208-1820-159-lt-1595-1821-158-1438-1823-117-2018-1824-111-761-1827-88-it-is-1162-1831-88-lt-454-1833-77-1695-1836-61-l-70-1845-39-418-1850-32-87-1855-50-54-1860-51-99-1865-26-image337055005.htmlRM2AGA52N–. A voyage to the arctic in the whaler Aurora. shipssent to the whaling: 1771 England 50 Scotland 9 1773 55 10 1774 65 9 1775 96 9 1776 91 7 1777 77 7 1778 71 5 1779 52 3 1780 50 4 1781 34 5 1782 38 6 1783 47 4 1784 89 7 1785 136 13 1786 162 23 1787 219 31 1788 216 31 1789 133 28 1815 147 Vessels, — Captured 891 ^ ;Vha 1816 146 (1 <( 1,330 1818 157 <i (( 1,208 1820 159 (< (( 1,595 1821 158 « (( 1,438 1823 117 (( « 2,018 1824 111 « « 761 1827 88 it IS 1,162 1831 88 <( (( 454 1833 77 (( « 1,695 1836 61 l( « 70 1845 39 (( « 418 1850 32 (( (( 87 1855 50 (( « 54 1860 51 (( « 99 1865 26
William Ashford, 1746–1824, British, Mount Kennedy, County Wicklow, Ireland, 1785. Oil on canvas. architectural subject , boy , costume , country house , dog (animal) , horses (animals) , house , landscape , man , path , running , whip , woman. Ireland , Leinster , United Kingdom , Wicklow , Wicklow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-ashford-17461824-british-mount-kennedy-county-wicklow-ireland-1785-oil-on-canvas-architectural-subject-boy-costume-country-house-dog-animal-horses-animals-house-landscape-man-path-running-whip-woman-ireland-leinster-united-kingdom-wicklow-wicklow-image398414335.htmlRM2E459FB–William Ashford, 1746–1824, British, Mount Kennedy, County Wicklow, Ireland, 1785. Oil on canvas. architectural subject , boy , costume , country house , dog (animal) , horses (animals) , house , landscape , man , path , running , whip , woman. Ireland , Leinster , United Kingdom , Wicklow , Wicklow
Mrs. Gabriel Manigault (Margaret Izard) ca. 1795 Walter Robertson Irish Margaret Izard (1768-1824) of Charleston married the planter and amateur architect Gabriel Manigault in 1785. This portrait relates to the oil by Gilbert Stuart in the Albright-Knox Gallery, Buffalo, New York.. Mrs. Gabriel Manigault (Margaret Izard) 11931 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-gabriel-manigault-margaret-izard-ca-1795-walter-robertson-irish-margaret-izard-1768-1824-of-charleston-married-the-planter-and-amateur-architect-gabriel-manigault-in-1785-this-portrait-relates-to-the-oil-by-gilbert-stuart-in-the-albright-knox-gallery-buffalo-new-york-mrs-gabriel-manigault-margaret-izard-11931-image458109247.htmlRM2HH8K0F–Mrs. Gabriel Manigault (Margaret Izard) ca. 1795 Walter Robertson Irish Margaret Izard (1768-1824) of Charleston married the planter and amateur architect Gabriel Manigault in 1785. This portrait relates to the oil by Gilbert Stuart in the Albright-Knox Gallery, Buffalo, New York.. Mrs. Gabriel Manigault (Margaret Izard) 11931
. Français : Portrait du capitaine de vaisseau Louis-Gaud de Ravennel (1747-1824). Peinture à l'huile (H. 92 cm, l. 72 cm, H. 113 cm, l. 94 cm (cadre). Musée de l'armée. 1785. François-Louis Brossard de Beaulieu (1727 - 1810) 1014 Portait du capitaine de vaisseau Louis-Gaud de Ravennel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-portrait-du-capitaine-de-vaisseau-louis-gaud-de-ravennel-1747-1824-peinture-lhuile-h-92-cm-l-72-cm-h-113-cm-l-94-cm-cadre-muse-de-larme-1785-franois-louis-brossard-de-beaulieu-1727-1810-1014-portait-du-capitaine-de-vaisseau-louis-gaud-de-ravennel-image185550480.htmlRMMNTFET–. Français : Portrait du capitaine de vaisseau Louis-Gaud de Ravennel (1747-1824). Peinture à l'huile (H. 92 cm, l. 72 cm, H. 113 cm, l. 94 cm (cadre). Musée de l'armée. 1785. François-Louis Brossard de Beaulieu (1727 - 1810) 1014 Portait du capitaine de vaisseau Louis-Gaud de Ravennel
Ewald Fride v. Hertzberg; Berger, Daniel (1744-1824), Bardou, Paul Joseph (1745-1814); 1785 (1785-00-00-1785-00-00);Hertzberg, Ewald Friedrich von (1725-1795), Hertzberg, Ewald Friedrich von (1725-1795)-iconography, Krystall, Bronisław (1887-1983), Krystall, Bronisław (1887-1983)-collection, Germany (Nation), Germany (state), Prussia, gift (provenance), German graphics, German (culture), personalities, politicians, busts, portraits, men's portraits, profiles (portraits), men's profiles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ewald-fride-v-hertzberg-berger-daniel-1744-1824-bardou-paul-joseph-1745-1814-1785-1785-00-00-1785-00-00hertzberg-ewald-friedrich-von-1725-1795-hertzberg-ewald-friedrich-von-1725-1795-iconography-krystall-bronisaw-1887-1983-krystall-bronisaw-1887-1983-collection-germany-nation-germany-state-prussia-gift-provenance-german-graphics-german-culture-personalities-politicians-busts-portraits-mens-portraits-profiles-portraits-mens-profiles-image598743661.htmlRM2WP33J5–Ewald Fride v. Hertzberg; Berger, Daniel (1744-1824), Bardou, Paul Joseph (1745-1814); 1785 (1785-00-00-1785-00-00);Hertzberg, Ewald Friedrich von (1725-1795), Hertzberg, Ewald Friedrich von (1725-1795)-iconography, Krystall, Bronisław (1887-1983), Krystall, Bronisław (1887-1983)-collection, Germany (Nation), Germany (state), Prussia, gift (provenance), German graphics, German (culture), personalities, politicians, busts, portraits, men's portraits, profiles (portraits), men's profiles
View of Chamorro natives working in the gardens of the Spanish Governor's Palace, Agagna, Guam. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-chamorro-natives-working-in-the-gardens-of-the-spanish-governors-palace-agagna-guam-handcoloured-lithograph-from-friedrich-wilhelm-goedsches-vollstaendige-vlkergallerie-in-getreuen-abbildungen-complete-gallery-of-peoples-in-true-pictures-meissen-circa-1835-1840-goedsche-1785-1863-was-a-german-writer-bookseller-and-publisher-in-meissen-illustration-from-freycinets-voyage-autour-du-monde-1824-image331622994.htmlRM2A7EMEA–View of Chamorro natives working in the gardens of the Spanish Governor's Palace, Agagna, Guam. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824.
Mount Kennedy, County Wicklow, Ireland, William Ashford, 1746–1824, British, 1785, Oil on canvas, Support (PTG): 16 9/16 x 24 1/16 inches (42.1 x 61.1 cm), architectural subject, boy, costume, country house, dog (animal), horses (animals), house, landscape, man, path, running, whip, woman, Ireland, Leinster, United Kingdom, Wicklow, Wicklow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mount-kennedy-county-wicklow-ireland-william-ashford-17461824-british-1785-oil-on-canvas-support-ptg-16-916-x-24-116-inches-421-x-611-cm-architectural-subject-boy-costume-country-house-dog-animal-horses-animals-house-landscape-man-path-running-whip-woman-ireland-leinster-united-kingdom-wicklow-wicklow-image389673362.htmlRM2DHY49P–Mount Kennedy, County Wicklow, Ireland, William Ashford, 1746–1824, British, 1785, Oil on canvas, Support (PTG): 16 9/16 x 24 1/16 inches (42.1 x 61.1 cm), architectural subject, boy, costume, country house, dog (animal), horses (animals), house, landscape, man, path, running, whip, woman, Ireland, Leinster, United Kingdom, Wicklow, Wicklow
Print made by Henry Thomas Alken, 1785–1851, British, The Lover, 1824. Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper. As You Like It, Act II, Scene VII , beard , books , bottles , breeches , cabinet , carpet , chain , coats , collar , costume , dogs (animals) , drawers , drinking glasses , frames (furnishings) , gallery , genre subject , humor , interior , jacket , leisure , letter (correspondence) , literary theme , lover , men , moustache , nymph , paintings , parrot , pen , perch , pipe , resting , satire , satyr , slippers , smoking , soc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-henry-thomas-alken-17851851-british-the-lover-1824-soft-ground-etching-with-hand-coloring-on-moderately-thick-slightly-textured-cream-wove-paper-as-you-like-it-act-ii-scene-vii-beard-books-bottles-breeches-cabinet-carpet-chain-coats-collar-costume-dogs-animals-drawers-drinking-glasses-frames-furnishings-gallery-genre-subject-humor-interior-jacket-leisure-letter-correspondence-literary-theme-lover-men-moustache-nymph-paintings-parrot-pen-perch-pipe-resting-satire-satyr-slippers-smoking-soc-image398370000.htmlRM2E43900–Print made by Henry Thomas Alken, 1785–1851, British, The Lover, 1824. Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper. As You Like It, Act II, Scene VII , beard , books , bottles , breeches , cabinet , carpet , chain , coats , collar , costume , dogs (animals) , drawers , drinking glasses , frames (furnishings) , gallery , genre subject , humor , interior , jacket , leisure , letter (correspondence) , literary theme , lover , men , moustache , nymph , paintings , parrot , pen , perch , pipe , resting , satire , satyr , slippers , smoking , soc
Shepherds in the water, Johann Christian Klengel (Kesselsdorf near Dresden 1751 - 1824 Dresden), about 1785, drawing, Rötel, 20.1 x 25.2 cm, l.u. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shepherds-in-the-water-johann-christian-klengel-kesselsdorf-near-dresden-1751-1824-dresden-about-1785-drawing-rtel-201-x-252-cm-lu-duke-albert-of-saxe-teschen-image573316327.htmlRM2T8MPR3–Shepherds in the water, Johann Christian Klengel (Kesselsdorf near Dresden 1751 - 1824 Dresden), about 1785, drawing, Rötel, 20.1 x 25.2 cm, l.u. Duke Albert of Saxe-Teschen
The Passage of Mount Saint Bernard. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Étienne Pierre Motte (French, 1785-1836). Date: 1822. Dimensions: 359 × 417 mm (image); 418 × 532 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-passage-of-mount-saint-bernard-jean-louis-andr-thodore-gricault-french-1791-1824-printed-by-charles-tienne-pierre-motte-french-1785-1836-date-1822-dimensions-359-417-mm-image-418-532-mm-sheet-lithograph-in-black-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image240142785.htmlRMRXKCG1–The Passage of Mount Saint Bernard. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Étienne Pierre Motte (French, 1785-1836). Date: 1822. Dimensions: 359 × 417 mm (image); 418 × 532 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Portrait of Eleonore Sullivan (1750-1833), 1785. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-eleonore-sullivan-1750-1833-1785-private-collection-image621685920.htmlRM2Y3C6MG–Portrait of Eleonore Sullivan (1750-1833), 1785. Private Collection.
![. On the anatomy of vertebrates [electronic resource] . Ctccuni and vermiform nppendage,Ui/lobatcs. cxxu. 1 This type of quadrumanous stomach was discovered in an undetermined kind ofmonkey by Wnrmh, in 1785; and, independently, by Otto, in a supposed Cercopi-thecus in 1824, and described in exxxvir: it was determined to be characteristic ofthe natural group, including the genera Semnopithecus, Nasalis, and Colobus, inexxxvm, cxxxix, cxi/, and cxli. VOL. III. F F 434 ANATOMY OF VERTEBRATES. 332 ill. mr differentiated as such by its glandular tunic and marked com-mencement than in Lemuridat: th Stock Photo](https://c8.alamy.com/comp/2CP77WB/on-the-anatomy-of-vertebrates-electronic-resource-ctccuni-and-vermiform-nppendageuilobatcs-cxxu-1-this-type-of-quadrumanous-stomach-was-discovered-in-an-undetermined-kind-ofmonkey-by-wnrmh-in-1785-and-independently-by-otto-in-a-supposed-cercopi-thecus-in-1824-and-described-in-exxxvir-it-was-determined-to-be-characteristic-ofthe-natural-group-including-the-genera-semnopithecus-nasalis-and-colobus-inexxxvm-cxxxix-cxi-and-cxli-vol-iii-f-f-434-anatomy-of-vertebrates-332-ill-mr-differentiated-as-such-by-its-glandular-tunic-and-marked-com-mencement-than-in-lemuridat-th-2CP77WB.jpg ". On the anatomy of vertebrates [electronic resource] . Ctccuni and vermiform nppendage,Ui/lobatcs. cxxu. 1 This type of quadrumanous stomach was discovered in an undetermined kind ofmonkey by Wnrmh, in 1785; and, independently, by Otto, in a supposed Cercopi-thecus in 1824, and described in exxxvir: it was determined to be characteristic ofthe natural group, including the genera Semnopithecus, Nasalis, and Colobus, inexxxvm, cxxxix, cxi/, and cxli. VOL. III. F F 434 ANATOMY OF VERTEBRATES. 332 ill. mr differentiated as such by its glandular tunic and marked com-mencement than in Lemuridat: th Stock Photo")
. On the anatomy of vertebrates [electronic resource] . Ctccuni and vermiform nppendage,Ui/lobatcs. cxxu. 1 This type of quadrumanous stomach was discovered in an undetermined kind ofmonkey by Wnrmh, in 1785; and, independently, by Otto, in a supposed Cercopi-thecus in 1824, and described in exxxvir: it was determined to be characteristic ofthe natural group, including the genera Semnopithecus, Nasalis, and Colobus, inexxxvm, cxxxix, cxi/, and cxli. VOL. III. F F 434 ANATOMY OF VERTEBRATES. 332 ill. mr differentiated as such by its glandular tunic and marked com-mencement than in Lemuridat: th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/on-the-anatomy-of-vertebrates-electronic-resource-ctccuni-and-vermiform-nppendageuilobatcs-cxxu-1-this-type-of-quadrumanous-stomach-was-discovered-in-an-undetermined-kind-ofmonkey-by-wnrmh-in-1785-and-independently-by-otto-in-a-supposed-cercopi-thecus-in-1824-and-described-in-exxxvir-it-was-determined-to-be-characteristic-ofthe-natural-group-including-the-genera-semnopithecus-nasalis-and-colobus-inexxxvm-cxxxix-cxi-and-cxli-vol-iii-f-f-434-anatomy-of-vertebrates-332-ill-mr-differentiated-as-such-by-its-glandular-tunic-and-marked-com-mencement-than-in-lemuridat-th-image375100023.htmlRM2CP77WB–. On the anatomy of vertebrates [electronic resource] . Ctccuni and vermiform nppendage,Ui/lobatcs. cxxu. 1 This type of quadrumanous stomach was discovered in an undetermined kind ofmonkey by Wnrmh, in 1785; and, independently, by Otto, in a supposed Cercopi-thecus in 1824, and described in exxxvir: it was determined to be characteristic ofthe natural group, including the genera Semnopithecus, Nasalis, and Colobus, inexxxvm, cxxxix, cxi/, and cxli. VOL. III. F F 434 ANATOMY OF VERTEBRATES. 332 ill. mr differentiated as such by its glandular tunic and marked com-mencement than in Lemuridat: th
N/A. Deutsch: Édouard Pingret: Capucin de la ville de Baden, Lithografie bei Engelmann, 1824 (Kapuziner aus der Stadt Baden /Aargau). 26 August 2014, 22:57:00. Édouard Pingret (1785–1869) Alternative names Edouard-Henri-Théophile Pingret Description French painter and lithographer Date of birth/death 30 December 1788 1875 Location of birth/death Saint-Quentin, Aisne Saint-Quentin, Aisne Authority control : Q274426 VIAF:5002834 ISNI:0000 0000 6646 2903 ULAN:500030318 LCCN:n80119933 Open Library:OL1677865A WorldCat 515 Engelmann Kapuziner Baden Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-deutsch-douard-pingret-capucin-de-la-ville-de-baden-lithografie-bei-engelmann-1824-kapuziner-aus-der-stadt-baden-aargau-26-august-2014-225700-douard-pingret-17851869-alternative-names-edouard-henri-thophile-pingret-description-french-painter-and-lithographer-date-of-birthdeath-30-december-1788-1875-location-of-birthdeath-saint-quentin-aisne-saint-quentin-aisne-authority-control-q274426-viaf5002834-isni0000-0000-6646-2903-ulan500030318-lccnn80119933-open-libraryol1677865a-worldcat-515-engelmann-kapuziner-baden-image210193553.htmlRMP5Y40H–N/A. Deutsch: Édouard Pingret: Capucin de la ville de Baden, Lithografie bei Engelmann, 1824 (Kapuziner aus der Stadt Baden /Aargau). 26 August 2014, 22:57:00. Édouard Pingret (1785–1869) Alternative names Edouard-Henri-Théophile Pingret Description French painter and lithographer Date of birth/death 30 December 1788 1875 Location of birth/death Saint-Quentin, Aisne Saint-Quentin, Aisne Authority control : Q274426 VIAF:5002834 ISNI:0000 0000 6646 2903 ULAN:500030318 LCCN:n80119933 Open Library:OL1677865A WorldCat 515 Engelmann Kapuziner Baden
Chamorro natives of Agagna (Hagatna), Guam, distilling alcohol, and costume and stance of male and female dancers. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chamorro-natives-of-agagna-hagatna-guam-distilling-alcohol-and-costume-and-stance-of-male-and-female-dancers-handcoloured-lithograph-from-friedrich-wilhelm-goedsches-vollstaendige-vlkergallerie-in-getreuen-abbildungen-complete-gallery-of-peoples-in-true-pictures-meissen-circa-1835-1840-goedsche-1785-1863-was-a-german-writer-bookseller-and-publisher-in-meissen-illustration-from-freycinets-voyage-autour-du-monde-1824-image331623014.htmlRM2A7EMF2–Chamorro natives of Agagna (Hagatna), Guam, distilling alcohol, and costume and stance of male and female dancers. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824.
Print made by Henry Thomas Alken, 1785–1851, British, The Infant, 1824. Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper. As You Like It, Act II, Scene VII , bonnets , books , bottles , boys , caretakers , carpet , chairs , children , cloth doll , cradle , crying , cups , curtains , drapery , dresses , drum (musical instrument) , fire irons , fireplace , fork , genre subject , girl , house , housewife (person) , humor , infants , interior , literary theme , mantle (fireplace component) , mother , nannies , necklace , paintings , papers (document Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-henry-thomas-alken-17851851-british-the-infant-1824-soft-ground-etching-with-hand-coloring-on-moderately-thick-slightly-textured-cream-wove-paper-as-you-like-it-act-ii-scene-vii-bonnets-books-bottles-boys-caretakers-carpet-chairs-children-cloth-doll-cradle-crying-cups-curtains-drapery-dresses-drum-musical-instrument-fire-irons-fireplace-fork-genre-subject-girl-house-housewife-person-humor-infants-interior-literary-theme-mantle-fireplace-component-mother-nannies-necklace-paintings-papers-document-image398369838.htmlRM2E438P6–Print made by Henry Thomas Alken, 1785–1851, British, The Infant, 1824. Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper. As You Like It, Act II, Scene VII , bonnets , books , bottles , boys , caretakers , carpet , chairs , children , cloth doll , cradle , crying , cups , curtains , drapery , dresses , drum (musical instrument) , fire irons , fireplace , fork , genre subject , girl , house , housewife (person) , humor , infants , interior , literary theme , mantle (fireplace component) , mother , nannies , necklace , paintings , papers (document
Nachtstück with dicing peasant children in the room, Johann Christian Klengel (Kesselsdorf near Dresden 1751 - 1824 Dresden), about 1785, drawing, pen in black, brush in gray, washed, watercolor; black border line, 8.2 x 8.7 cm, l.u. Duke Albert von Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nachtstck-with-dicing-peasant-children-in-the-room-johann-christian-klengel-kesselsdorf-near-dresden-1751-1824-dresden-about-1785-drawing-pen-in-black-brush-in-gray-washed-watercolor-black-border-line-82-x-87-cm-lu-duke-albert-von-saxe-teschen-image573316326.htmlRM2T8MPR2–Nachtstück with dicing peasant children in the room, Johann Christian Klengel (Kesselsdorf near Dresden 1751 - 1824 Dresden), about 1785, drawing, pen in black, brush in gray, washed, watercolor; black border line, 8.2 x 8.7 cm, l.u. Duke Albert von Saxe-Teschen
Greek coins obverse and reverse, Ferdinand Ruscheweyh, 1785-1846, 1824 - 1828, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 140 mm, Height (paper size) 190 mm, Width (plate size) 200 mm, Width (paper size) 255 mm, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greek-coins-obverse-and-reverse-ferdinand-ruscheweyh-1785-1846-1824-1828-graphic-art-copper-engraving-paper-color-printers-ink-copper-engraving-printet-height-plate-size-140-mm-height-paper-size-190-mm-width-plate-size-200-mm-width-paper-size-255-mm-graphic-design-european-modernity-1800-1914-image573194100.htmlRM2T8F6WT–Greek coins obverse and reverse, Ferdinand Ruscheweyh, 1785-1846, 1824 - 1828, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 140 mm, Height (paper size) 190 mm, Width (plate size) 200 mm, Width (paper size) 255 mm, Graphic Design, European, Modernity (1800 - 1914
Greek coins obverse and reverse, Ferdinand Ruscheweyh, 1785-1846, 1824 - 1828, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 90 mm, Height (paper size) 150 mm, Width (plate size) 102 mm, Width (paper size) 220 mm, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greek-coins-obverse-and-reverse-ferdinand-ruscheweyh-1785-1846-1824-1828-graphic-art-copper-engraving-paper-color-printers-ink-copper-engraving-printet-height-plate-size-90-mm-height-paper-size-150-mm-width-plate-size-102-mm-width-paper-size-220-mm-graphic-design-european-modernity-1800-1914-image573194008.htmlRM2T8F6PG–Greek coins obverse and reverse, Ferdinand Ruscheweyh, 1785-1846, 1824 - 1828, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 90 mm, Height (paper size) 150 mm, Width (plate size) 102 mm, Width (paper size) 220 mm, Graphic Design, European, Modernity (1800 - 1914
French actor Tonon Gontier (1785-1841) as Colonel Derville and Bernard-Leon (1785-1858) as farmer Thibaut in the comedy Le Baiser au Porteur by Eugene Scribe at the Theatre de Madame, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1825. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-actor-tonon-gontier-1785-1841-as-colonel-derville-and-bernard-leon-1785-1858-as-farmer-thibaut-in-the-comedy-le-baiser-au-porteur-by-eugene-scribe-at-the-theatre-de-madame-1824-handcoloured-copperplate-engraving-from-charles-malos-almanach-des-spectacles-par-k-y-z-chez-louis-janet-paris-1825-image359057999.htmlRM2BT4E3Y–French actor Tonon Gontier (1785-1841) as Colonel Derville and Bernard-Leon (1785-1858) as farmer Thibaut in the comedy Le Baiser au Porteur by Eugene Scribe at the Theatre de Madame, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1825.
![Costume design for the Opera "Aladin, ou La Lampe merveilleuse" by Nicolas Isouard, 1822. Private Collection Stock Photo](https://c8.alamy.com/comp/2WRH2MM/costume-design-for-the-opera-quotaladin-ou-la-lampe-merveilleusequot-by-nicolas-isouard-1822-private-collection-2WRH2MM.jpg "Costume design for the Opera "Aladin, ou La Lampe merveilleuse" by Nicolas Isouard, 1822. Private Collection Stock Photo")
Costume design for the Opera "Aladin, ou La Lampe merveilleuse" by Nicolas Isouard, 1822. Private Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-design-for-the-opera-quotaladin-ou-la-lampe-merveilleusequot-by-nicolas-isouard-1822-private-collection-image599664932.htmlRM2WRH2MM–Costume design for the Opera "Aladin, ou La Lampe merveilleuse" by Nicolas Isouard, 1822. Private Collection
. History of lace. l-Claude Gur-bert. P. 99. ^^ Memoires Chronologiques pour servir a VHistoire de Dieppe, par M.Desmarquets. 1785. ^^ Notices sur Dieppe, Arques, etc.,par P. J. Feret. 1824. 220 HISTORY OF LACE names to their different laces—vierge, Ave Maria, etc. (Fig. 99)—and the designation of Poussin (chicken) is given to the lacein question from the delicacy of its workmanship. Point de Dieppe (Fig. 100) much resembles Valenciennes,but is less complicated in its make. It requires much fewerbobbins, and whereas Valenciennes can only be made inlengths of eiojht inches without detachino; th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-lace-l-claude-gur-bert-p-99-memoires-chronologiques-pour-servir-a-vhistoire-de-dieppe-par-mdesmarquets-1785-notices-sur-dieppe-arques-etcpar-p-j-feret-1824-220-history-of-lace-names-to-their-different-lacesvierge-ave-maria-etc-fig-99and-the-designation-of-poussin-chicken-is-given-to-the-lacein-question-from-the-delicacy-of-its-workmanship-point-de-dieppe-fig-100-much-resembles-valenciennesbut-is-less-complicated-in-its-make-it-requires-much-fewerbobbins-and-whereas-valenciennes-can-only-be-made-inlengths-of-eiojht-inches-without-detachino-th-image370402823.htmlRM2CEH8G7–. History of lace. l-Claude Gur-bert. P. 99. ^^ Memoires Chronologiques pour servir a VHistoire de Dieppe, par M.Desmarquets. 1785. ^^ Notices sur Dieppe, Arques, etc.,par P. J. Feret. 1824. 220 HISTORY OF LACE names to their different laces—vierge, Ave Maria, etc. (Fig. 99)—and the designation of Poussin (chicken) is given to the lacein question from the delicacy of its workmanship. Point de Dieppe (Fig. 100) much resembles Valenciennes,but is less complicated in its make. It requires much fewerbobbins, and whereas Valenciennes can only be made inlengths of eiojht inches without detachino; th
N/A. Plate 66 of Birds of America by John James Audubon depicting Ivory-billed Woodpecker. 1827-1838 (publication; from painting in Louisiana c. 1824 - 1826). John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:14765625 ISNI:0000 0001 1040 5229 ULAN:500016578 LCCN:n79018677 NLA: Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-plate-66-of-birds-of-america-by-john-james-audubon-depicting-ivory-billed-woodpecker-1827-1838-publication-from-painting-in-louisiana-c-1824-1826-john-james-audubon-17851851-alternative-names-birth-name-jean-jacques-fougre-audubon-description-american-ornithologist-naturalist-hunter-and-painter-date-of-birthdeath-26-april-1785-27-january-1851-location-of-birthdeath-les-cayes-haiti-new-york-city-work-location-louisville-new-orleans-new-york-city-florida-authority-control-q182882-viaf14765625-isni0000-0001-1040-5229-ulan500016578-lccnn79018677-nla-image209991402.htmlRMP5HX4X–N/A. Plate 66 of Birds of America by John James Audubon depicting Ivory-billed Woodpecker. 1827-1838 (publication; from painting in Louisiana c. 1824 - 1826). John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:14765625 ISNI:0000 0001 1040 5229 ULAN:500016578 LCCN:n79018677 NLA:
French explorers and botanist at the ruins of ancient Chamorro stone structures on the island of Rota, north of Guam. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-explorers-and-botanist-at-the-ruins-of-ancient-chamorro-stone-structures-on-the-island-of-rota-north-of-guam-handcoloured-lithograph-from-friedrich-wilhelm-goedsches-vollstaendige-vlkergallerie-in-getreuen-abbildungen-complete-gallery-of-peoples-in-true-pictures-meissen-circa-1835-1840-goedsche-1785-1863-was-a-german-writer-bookseller-and-publisher-in-meissen-illustration-from-freycinets-voyage-autour-du-monde-1824-image331623001.htmlRM2A7EMEH–French explorers and botanist at the ruins of ancient Chamorro stone structures on the island of Rota, north of Guam. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824.
Print made by Henry Thomas Alken, 1785–1851, British, The Justice, 1824. Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper. As You Like It, Act II, Scene VII , birds , books , breeches , carpet , casement windows , chair , coats , collars , costume , cravats , dog (animal) , footstool , frames (furnishings) , game (hunted animal) , genre subject , gesture , handkerchief , humor , inkstand , interior , jackets , justice , literary theme , neckties , papers , parody , pheasants , pointing , satire , secretary (public officer) , sporting art , staff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-henry-thomas-alken-17851851-british-the-justice-1824-soft-ground-etching-with-hand-coloring-on-moderately-thick-slightly-textured-cream-wove-paper-as-you-like-it-act-ii-scene-vii-birds-books-breeches-carpet-casement-windows-chair-coats-collars-costume-cravats-dog-animal-footstool-frames-furnishings-game-hunted-animal-genre-subject-gesture-handkerchief-humor-inkstand-interior-jackets-justice-literary-theme-neckties-papers-parody-pheasants-pointing-satire-secretary-public-officer-sporting-art-staff-image398369974.htmlRM2E438Y2–Print made by Henry Thomas Alken, 1785–1851, British, The Justice, 1824. Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper. As You Like It, Act II, Scene VII , birds , books , breeches , carpet , casement windows , chair , coats , collars , costume , cravats , dog (animal) , footstool , frames (furnishings) , game (hunted animal) , genre subject , gesture , handkerchief , humor , inkstand , interior , jackets , justice , literary theme , neckties , papers , parody , pheasants , pointing , satire , secretary (public officer) , sporting art , staff
Reproduction of a painting: Juliusz Kossak (1824-1899), Count Seweryn Fredro at Pietrzwałd; from: 'Tygodnik Ilustrowany' no. 33, p. 645. E.T., photographer, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reproduction-of-a-painting-juliusz-kossak-1824-1899-count-seweryn-fredro-at-pietrzwad-from-tygodnik-ilustrowany-no-33-p-645-et-photographer-tygodnik-ilustrowany-warszawa-czasopismo-1859-1939-publisher-image480437882.htmlRM2JWHRBP–Reproduction of a painting: Juliusz Kossak (1824-1899), Count Seweryn Fredro at Pietrzwałd; from: 'Tygodnik Ilustrowany' no. 33, p. 645. E.T., photographer, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher
Greek coins obverse and reverse, Ferdinand Ruscheweyh, 1785-1846, 1824 - 1828, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 95 mm, Height (paper size) 160 mm, Width (plate size) 135 mm, Width (paper size) 240 mm, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greek-coins-obverse-and-reverse-ferdinand-ruscheweyh-1785-1846-1824-1828-graphic-art-copper-engraving-paper-color-printers-ink-copper-engraving-printet-height-plate-size-95-mm-height-paper-size-160-mm-width-plate-size-135-mm-width-paper-size-240-mm-graphic-design-european-modernity-1800-1914-image573194014.htmlRM2T8F6PP–Greek coins obverse and reverse, Ferdinand Ruscheweyh, 1785-1846, 1824 - 1828, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 95 mm, Height (paper size) 160 mm, Width (plate size) 135 mm, Width (paper size) 240 mm, Graphic Design, European, Modernity (1800 - 1914
Wagon Laden with Wounded Soldiers. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Étienne Pierre Motte (French, 1785-1836). Date: 1818. Dimensions: 290 × 295 mm (image); 295 × 312 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wagon-laden-with-wounded-soldiers-jean-louis-andr-thodore-gricault-french-1791-1824-printed-by-charles-tienne-pierre-motte-french-1785-1836-date-1818-dimensions-290-295-mm-image-295-312-mm-sheet-lithograph-in-black-on-cream-wove-paper-origin-france-museum-the-chicago-art-institute-image240168429.htmlRMRXMH7W–Wagon Laden with Wounded Soldiers. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Étienne Pierre Motte (French, 1785-1836). Date: 1818. Dimensions: 290 × 295 mm (image); 295 × 312 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute.
. A genealogical and heraldic history of the commoners of Great Britain and Ireland enjoying territorial possessions or high official rank, but uninvested with heritable honours. the county of York, and of Darley, Hall, Lancashire, b. in 1758, m. in 1785, Elizabeth, onlysurviving child of Thomas Plumbe, esq. second son of theRev. Thomas Plumbe, rector of Aug-hton and Moberley,and canon of Windsor, by whom (who d. in November,1807) he has had issue, Jeremiah. Charles, R.N. died at Antigua. Thomas, who m. 26th July, 1824, Francis-Penelope,third daughter of Col. Plumbe Tempest, of TongHall (see v Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-genealogical-and-heraldic-history-of-the-commoners-of-great-britain-and-ireland-enjoying-territorial-possessions-or-high-official-rank-but-uninvested-with-heritable-honours-the-county-of-york-and-of-darley-hall-lancashire-b-in-1758-m-in-1785-elizabeth-onlysurviving-child-of-thomas-plumbe-esq-second-son-of-therev-thomas-plumbe-rector-of-aug-hton-and-moberleyand-canon-of-windsor-by-whom-who-d-in-november1807-he-has-had-issue-jeremiah-charles-rn-died-at-antigua-thomas-who-m-26th-july-1824-francis-penelopethird-daughter-of-col-plumbe-tempest-of-tonghall-see-v-image370768110.htmlRM2CF5XE6–. A genealogical and heraldic history of the commoners of Great Britain and Ireland enjoying territorial possessions or high official rank, but uninvested with heritable honours. the county of York, and of Darley, Hall, Lancashire, b. in 1758, m. in 1785, Elizabeth, onlysurviving child of Thomas Plumbe, esq. second son of theRev. Thomas Plumbe, rector of Aug-hton and Moberley,and canon of Windsor, by whom (who d. in November,1807) he has had issue, Jeremiah. Charles, R.N. died at Antigua. Thomas, who m. 26th July, 1824, Francis-Penelope,third daughter of Col. Plumbe Tempest, of TongHall (see v
. Plate 66 of Birds of America by John James Audubon depicting Ivory-billed Woodpecker. . 1827-1838 (publication; from painting in Louisiana c. 1824 - 1826). John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:?14765625 ISNI:?0000 0001 1040 5229 ULAN:?500016578 LCCN:?n79018677 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-66-of-birds-of-america-by-john-james-audubon-depicting-ivory-billed-woodpecker-1827-1838-publication-from-painting-in-louisiana-c-1824-1826-john-james-audubon-17851851-alternative-names-birth-name-jean-jacques-fougre-audubon-description-american-ornithologist-naturalist-hunter-and-painter-date-of-birthdeath-26-april-1785-27-january-1851-location-of-birthdeath-les-cayes-haiti-new-york-city-work-location-louisville-new-orleans-new-york-city-florida-authority-control-q182882-viaf14765625-isni0000-0001-1040-5229-ulan500016578-lccnn79018677-image184988569.htmlRMMMXXPH–. Plate 66 of Birds of America by John James Audubon depicting Ivory-billed Woodpecker. . 1827-1838 (publication; from painting in Louisiana c. 1824 - 1826). John James Audubon (1785–1851) Alternative names Birth name: Jean-Jacques-Fougère Audubon Description American ornithologist, naturalist, hunter and painter Date of birth/death 26 April 1785 27 January 1851 Location of birth/death Les Cayes (Haiti) New York City Work location Louisville, New Orleans, New York City, Florida Authority control : Q182882 VIAF:?14765625 ISNI:?0000 0001 1040 5229 ULAN:?500016578 LCCN:?n79018677
Tattooed woman dancer from the island of Movi (Maui, Hawaii) and man in headdress and skirt from the Freindly islands (Tonga). Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tattooed-woman-dancer-from-the-island-of-movi-maui-hawaii-and-man-in-headdress-and-skirt-from-the-freindly-islands-tonga-handcoloured-lithograph-from-friedrich-wilhelm-goedsches-vollstaendige-vlkergallerie-in-getreuen-abbildungen-complete-gallery-of-peoples-in-true-pictures-meissen-circa-1835-1840-goedsche-1785-1863-was-a-german-writer-bookseller-and-publisher-in-meissen-illustration-from-freycinets-voyage-autour-du-monde-1824-image331623048.htmlRM2A7EMG8–Tattooed woman dancer from the island of Movi (Maui, Hawaii) and man in headdress and skirt from the Freindly islands (Tonga). Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Illustration from Freycinet's 'Voyage autour du monde,' 1824.
Greek coins obverse and reverse, Ferdinand Ruscheweyh, 1785-1846, 1824 - 1828, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 65 mm, Height (paper size) 165 mm, Width (plate size) 95 mm, Width (paper size) 160 mm, Graphic Design, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greek-coins-obverse-and-reverse-ferdinand-ruscheweyh-1785-1846-1824-1828-graphic-art-copper-engraving-paper-color-printers-ink-copper-engraving-printet-height-plate-size-65-mm-height-paper-size-165-mm-width-plate-size-95-mm-width-paper-size-160-mm-graphic-design-european-modernity-1800-1914-image573194006.htmlRM2T8F6PE–Greek coins obverse and reverse, Ferdinand Ruscheweyh, 1785-1846, 1824 - 1828, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 65 mm, Height (paper size) 165 mm, Width (plate size) 95 mm, Width (paper size) 160 mm, Graphic Design, European, Modernity (1800 - 1914
