1782 11 13 hi-res stock photography and images

John Winter & Co., English, active 1775–1780, Set of Four Candlesticks, 1782/83, Silver, [1] 11 3/8 x 5 7/16 x 5 7/16 in. (28.9 x 13.8 x 13.8 cm); troy weight: 28.8 toz (895.8 g Stock Photo

RM2B0GF65–John Winter & Co., English, active 1775–1780, Set of Four Candlesticks, 1782/83, Silver, [1] 11 3/8 x 5 7/16 x 5 7/16 in. (28.9 x 13.8 x 13.8 cm); troy weight: 28.8 toz (895.8 g

Art inspired by Debates on Palmistry, February 1, 1782, Etching, sheet: 11 13/16 x 14 9/16 in. (30 x 37 cm), Prints, After William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7JD5–Art inspired by Debates on Palmistry, February 1, 1782, Etching, sheet: 11 13/16 x 14 9/16 in. (30 x 37 cm), Prints, After William Hogarth (British, London 1697–1764 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Liber Studiorum: Plate 13, Duncomb Park, Yorkshire: No. 5, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 20.7 x 14.5 cm (8 1/8 x 5 11/16 in Stock Photo

RMRY80AA–Liber Studiorum: Plate 13, Duncomb Park, Yorkshire: No. 5, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 20.7 x 14.5 cm (8 1/8 x 5 11/16 in

View of the Colosseum. Artist: Richard Wilson (British, Penegoes, Wales 1712/13-1782 Denbighshire, Wales). Dimensions: sheet: 10 3/16 x 7 11/16 in. (25.9 x 19.5 cm). Date: 1751-56. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1EHX–View of the Colosseum. Artist: Richard Wilson (British, Penegoes, Wales 1712/13-1782 Denbighshire, Wales). Dimensions: sheet: 10 3/16 x 7 11/16 in. (25.9 x 19.5 cm). Date: 1751-56. Museum: Metropolitan Museum of Art, New York, USA.

Jean Jacques de Boissieu, French, 1736-1810, The Oboe Player, 1782, Etching, drypoint, and roulette on laid paper, image: 9 11/16 x 13 3/16 in. (24.6 x 33.5 cm Stock Photo

RM2B0GXJK–Jean Jacques de Boissieu, French, 1736-1810, The Oboe Player, 1782, Etching, drypoint, and roulette on laid paper, image: 9 11/16 x 13 3/16 in. (24.6 x 33.5 cm

. English: Italian Port Scene, Sunset by Thomas Patch, 1770 . 8 October 2012, 18:11:38. Thomas Patch (1725–1782) Alternative names Thomas Patch of Rome; Patch of Rome; thos patch; Patch; t. patch Description English painter, engraver and caricaturist Date of birth/death 13 March 1725 30 April 1782 Location of birth/death Exeter Florence Work location Rome (1747 - 1755); Florence (1755 - 1782) Authority control : Q788247 VIAF: 312634169 ISNI: 0000 0000 8147 6887 ULAN: 500026395 LCCN: nr93029906 WGA: PATCH, Thomas WorldCat 410 Patchport Stock Photo

RMMYN872–. English: Italian Port Scene, Sunset by Thomas Patch, 1770 . 8 October 2012, 18:11:38. Thomas Patch (1725–1782) Alternative names Thomas Patch of Rome; Patch of Rome; thos patch; Patch; t. patch Description English painter, engraver and caricaturist Date of birth/death 13 March 1725 30 April 1782 Location of birth/death Exeter Florence Work location Rome (1747 - 1755); Florence (1755 - 1782) Authority control : Q788247 VIAF: 312634169 ISNI: 0000 0000 8147 6887 ULAN: 500026395 LCCN: nr93029906 WGA: PATCH, Thomas WorldCat 410 Patchport

European honey bee, Apis mellifera m 9, f 10, A. fortis 11, sea aster bee, Colletes halophilus 12, nomad bee, Nomada signata 13, generosus 14, acris 15, effrons 16, vitreus 17, hiberus 18, desertus 19, myscelus 20, and minimus 21. Handcoloured copperplate engraving drawn and engraved by Moses Harris from his own Exposition of English Insects, Including the several Classes of Neuroptera, Hymenoptera, Diptera, or Bees, Flies and Libellulae, White and Robson, London, 1782. Stock Photo

RM2MA3T60–European honey bee, Apis mellifera m 9, f 10, A. fortis 11, sea aster bee, Colletes halophilus 12, nomad bee, Nomada signata 13, generosus 14, acris 15, effrons 16, vitreus 17, hiberus 18, desertus 19, myscelus 20, and minimus 21. Handcoloured copperplate engraving drawn and engraved by Moses Harris from his own Exposition of English Insects, Including the several Classes of Neuroptera, Hymenoptera, Diptera, or Bees, Flies and Libellulae, White and Robson, London, 1782.

Tegner, Esaias, 13.11.1782 - 2.11.1846, Swedish author / writer, portrait, engraving by Adolf Neumann, 19th century, Stock Photo

RMB2HMY5–Tegner, Esaias, 13.11.1782 - 2.11.1846, Swedish author / writer, portrait, engraving by Adolf Neumann, 19th century,

Oil painting, the Relief of Gibraltar by Earl Howe, 11 October 1782 Stock Photo

RM2DX5E6E–Oil painting, the Relief of Gibraltar by Earl Howe, 11 October 1782

Tegner, Esaias, 13.11.1782 - 2.11.1846, Swedish author / writer, portrait, lithograph by Fridjof Sage, 19th century, Stock Photo

RMB2HKCC–Tegner, Esaias, 13.11.1782 - 2.11.1846, Swedish author / writer, portrait, lithograph by Fridjof Sage, 19th century,

Parts of a tea service Milk jug Milk jug painted with poultry in a landscape Melkkan van porselein. Veelkleurig beschilderd met vogels op een landschapsgrondje, en strooibloemen. Manufacturer : porseleinfabriek: Manufactuur Oud-LoosdrechtPlaats manufacture: Loosdrecht Dating: ca. 1782 - ca. 1784 Material: porselein Dimensions: h 13,0 cm. × b 11,5 cm. Stock Photo

RM2B6JM1M–Parts of a tea service Milk jug Milk jug painted with poultry in a landscape Melkkan van porselein. Veelkleurig beschilderd met vogels op een landschapsgrondje, en strooibloemen. Manufacturer : porseleinfabriek: Manufactuur Oud-LoosdrechtPlaats manufacture: Loosdrecht Dating: ca. 1782 - ca. 1784 Material: porselein Dimensions: h 13,0 cm. × b 11,5 cm.

Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782 Stock Photo

RM2M93D1N–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

Butter dish, painted flower sprigs Botervloot van porselein. Rond, met twee oortjes. Het deksel is geschulpt en heeft een groen takje als handvat. Langs de randen van botervloot en deksel rocailleornamenten in reliëf en beschilderd in bietenrood en lichtgroen. Wand en deksel beschilderd met bloemtakjes in bietenrood en twee kleuren groen, de oortjes in groen. Manufacturer : porseleinfabriek: Manufactuur Oud-LoosdrechtPlaats manufacture: Loosdrecht Dating: ca. 1778 - ca. 1782 Material: porselein Dimensions: h 7,2 cm. × b 13,9 cm. × d 11,7 cm. Stock Photo

RM2B6F6EY–Butter dish, painted flower sprigs Botervloot van porselein. Rond, met twee oortjes. Het deksel is geschulpt en heeft een groen takje als handvat. Langs de randen van botervloot en deksel rocailleornamenten in reliëf en beschilderd in bietenrood en lichtgroen. Wand en deksel beschilderd met bloemtakjes in bietenrood en twee kleuren groen, de oortjes in groen. Manufacturer : porseleinfabriek: Manufactuur Oud-LoosdrechtPlaats manufacture: Loosdrecht Dating: ca. 1778 - ca. 1782 Material: porselein Dimensions: h 7,2 cm. × b 13,9 cm. × d 11,7 cm.

Print, Title Page, from Recueil de différents Muebles garniers Comme Fauteuils (Liard's 'Suites'), Ecran (Screen); Designed by Matthew Liard (English, ca. 1736–1782); England; etching on cream laid paper; Sheet: 30 x 21.9 cm (11 13/16 x 8 5/8 in.) Platemark: 19.2 x 16 cm (7 9/16 x 6 5/16 in.) Stock Photo

RM2PMCF0B–Print, Title Page, from Recueil de différents Muebles garniers Comme Fauteuils (Liard's 'Suites'), Ecran (Screen); Designed by Matthew Liard (English, ca. 1736–1782); England; etching on cream laid paper; Sheet: 30 x 21.9 cm (11 13/16 x 8 5/8 in.) Platemark: 19.2 x 16 cm (7 9/16 x 6 5/16 in.)

RMBM21F4–Esaias Tegnér

Art inspired by Don Quixote in the Sable Mountains, October 20, 1782, Etching, Sheet: 17 3/8 x 13 11/16 in. (44.1 x 34.7 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW7RP1–Art inspired by Don Quixote in the Sable Mountains, October 20, 1782, Etching, Sheet: 17 3/8 x 13 11/16 in. (44.1 x 34.7 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Debates on Palmistry. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 11 13/16 x 14 9/16 in. (30 x 37 cm). Etcher: Joseph Haynes (British, 1760-1829). Date: February 1, 1782. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMR2KC9K–Debates on Palmistry. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 11 13/16 x 14 9/16 in. (30 x 37 cm). Etcher: Joseph Haynes (British, 1760-1829). Date: February 1, 1782. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Colley, War of Posts, Thomas Colley (British, active 1780–83), May 1, 1782, Engraving, plate: 9 5/8 x 13 13/16 in. (24.4 x 35.1 cm), sheet: 11 x 16 15/16 in. (28 x 43 cm), Prints Stock Photo

RM2B0M351–Thomas Colley, War of Posts, Thomas Colley (British, active 1780–83), May 1, 1782, Engraving, plate: 9 5/8 x 13 13/16 in. (24.4 x 35.1 cm), sheet: 11 x 16 15/16 in. (28 x 43 cm), Prints

Art inspired by View of the Colosseum, 1751–56, Black chalk heightened with white chalk, sheet: 10 3/16 x 7 11/16 in. (25.9 x 19.5 cm), Drawings, Richard Wilson (British, Penegoes, Wales 1712/13–1782 Denbighshire, Wales, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXFTJ–Art inspired by View of the Colosseum, 1751–56, Black chalk heightened with white chalk, sheet: 10 3/16 x 7 11/16 in. (25.9 x 19.5 cm), Drawings, Richard Wilson (British, Penegoes, Wales 1712/13–1782 Denbighshire, Wales, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMMTYXTX–. English: Italian Port Scene, Sunset by Thomas Patch, 1770 . 8 October 2012, 18:11:38. Thomas Patch (1725–1782) Alternative names Thomas Patch of Rome; Patch of Rome; thos patch; Patch; t. patch Description English painter, engraver and caricaturist Date of birth/death 13 March 1725 30 April 1782 Location of birth/death Exeter Florence Work location Rome (1747 - 1755); Florence (1755 - 1782) Authority control : Q788247 VIAF: 312634169 ISNI: 0000 0000 8147 6887 ULAN: 500026395 LCCN: nr93029906 WGA: PATCH, Thomas WorldCat 470 Patchport

Inspired by Mustard Seed Garden, a Chinese Painter's Manual, Woodblock printed book, ink and color on paper, China, 1782, Qing Dynasty, Kangxi Period, Each: 11 3/4 x 6 13/16 x 3/16 in., 29.8 x 17.3 x 0.5 cm, and, Bahl,Amanda J, book, China, color, gardening, horitucultre, horticulture, Hua, ink, ink, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK48T3–Inspired by Mustard Seed Garden, a Chinese Painter's Manual, Woodblock printed book, ink and color on paper, China, 1782, Qing Dynasty, Kangxi Period, Each: 11 3/4 x 6 13/16 x 3/16 in., 29.8 x 17.3 x 0.5 cm, and, Bahl,Amanda J, book, China, color, gardening, horitucultre, horticulture, Hua, ink, ink, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Species of parasitic and shield bugs. Southern green shield bug, Nezara viridula 1, plant bug, Lygocoris pabulinus 2, Neides tipularius 3, Rhabdomiris striatellus 4, masked hunter, Reduvius personatus 5, red-legged shieldbug, Pentatoma rufipes 6, Stenodema laevigata 7, Tritomegas bicolor 8, Stenodema laevigata 9, plant bug, Deraeocoris ruber 10, 11, red fire bug, Pyrrhocoris apterus 12, and Placochilus seladonicus 13. Hemiptera. Cimex. Cimicidae. Handcoloured copperplate engraving drawn and engraved by Moses Harris from his own Exposition of English Insects, Including the several Classes of Ne Stock Photo

RM2MA3RH8–Species of parasitic and shield bugs. Southern green shield bug, Nezara viridula 1, plant bug, Lygocoris pabulinus 2, Neides tipularius 3, Rhabdomiris striatellus 4, masked hunter, Reduvius personatus 5, red-legged shieldbug, Pentatoma rufipes 6, Stenodema laevigata 7, Tritomegas bicolor 8, Stenodema laevigata 9, plant bug, Deraeocoris ruber 10, 11, red fire bug, Pyrrhocoris apterus 12, and Placochilus seladonicus 13. Hemiptera. Cimex. Cimicidae. Handcoloured copperplate engraving drawn and engraved by Moses Harris from his own Exposition of English Insects, Including the several Classes of Ne

Tegner, Esaias, 13.11.1782 - 2.11.1846, Swedish author / writer, half length, steel engraving by August Volker, after memorial by Carl Gustav Quarnstroem, 19th century, Stock Photo

RMB2HKK1–Tegner, Esaias, 13.11.1782 - 2.11.1846, Swedish author / writer, half length, steel engraving by August Volker, after memorial by Carl Gustav Quarnstroem, 19th century,

Schiller, Friedrich, 10.11.1759 - 9.5.1805, German author / writer, his work, 'The Robbers', 1781, theatre note to the premiere in National Theatre, Mannheim, Germany, 13.1.1782, Stock Photo

RMBABW4C–Schiller, Friedrich, 10.11.1759 - 9.5.1805, German author / writer, his work, 'The Robbers', 1781, theatre note to the premiere in National Theatre, Mannheim, Germany, 13.1.1782,

RM2M93CXK–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

Print, Bergère (No. 6), in Recueil de différents Muebles garniers Comme Fauteuils (Liard's 'Suites'); Designed by Matthew Liard (English, ca. 1736–1782); Engraved by Chereau (French, active ca. 1780–1799); England; etching on cream laid paper; Sheet: 21.5 x 30 cm (8 7/16 x 11 13/16 in.) Platemark: 16.3 x 21 cm (6 7/16 x 8 1/4 in.) Stock Photo

RM2PMC16A–Print, Bergère (No. 6), in Recueil de différents Muebles garniers Comme Fauteuils (Liard's 'Suites'); Designed by Matthew Liard (English, ca. 1736–1782); Engraved by Chereau (French, active ca. 1780–1799); England; etching on cream laid paper; Sheet: 21.5 x 30 cm (8 7/16 x 11 13/16 in.) Platemark: 16.3 x 21 cm (6 7/16 x 8 1/4 in.)

Don Quixote in the Sable Mountains. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Artist and engraver: Etched and published by Robert Blyth (British, ca. 1750-1784). Dimensions: Sheet: 17 3/8 x 13 11/16 in. (44.1 x 34.7 cm). Subject: Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Date: October 20, 1782. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAGC0–Don Quixote in the Sable Mountains. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Artist and engraver: Etched and published by Robert Blyth (British, ca. 1750-1784). Dimensions: Sheet: 17 3/8 x 13 11/16 in. (44.1 x 34.7 cm). Subject: Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Date: October 20, 1782. Museum: Metropolitan Museum of Art, New York, USA.

[G.L.S.] Anonymous, British, 19th century, The Flying Breakfast, [G.L.S.] Anonymous, British, 19th century, After [P.J.N.], possibly Thomas Rowlandson (British, London 1757–1827 London), August 1, 1782, Etching, Sheet (trimmed within plate): 8 13/16 × 11 5/16 in. (22.4 × 28.8 cm), Prints Stock Photo

RM2B0M5D9–[G.L.S.] Anonymous, British, 19th century, The Flying Breakfast, [G.L.S.] Anonymous, British, 19th century, After [P.J.N.], possibly Thomas Rowlandson (British, London 1757–1827 London), August 1, 1782, Etching, Sheet (trimmed within plate): 8 13/16 × 11 5/16 in. (22.4 × 28.8 cm), Prints

RMMWMDNB–. English: Italian Port Scene, Sunset by Thomas Patch, 1770 . 8 October 2012, 18:11:38. Thomas Patch (1725–1782) Alternative names Thomas Patch of Rome; Patch of Rome; thos patch; Patch; t. patch Description English painter, engraver and caricaturist Date of birth/death 13 March 1725 30 April 1782 Location of birth/death Exeter Florence Work location Rome (1747 - 1755); Florence (1755 - 1782) Authority control : Q788247 VIAF: 312634169 ISNI: 0000 0000 8147 6887 ULAN: 500026395 LCCN: nr93029906 WGA: PATCH, Thomas WorldCat 470 Patchport

Art inspired by Mustard Seed Garden, a Chinese Painter's Manual, Woodblock printed book, ink and color on paper, China, 1782, Qing Dynasty, Kangxi Period, Each: 11 3/4 x 6 13/16 x 3/16 in., 29.8 x 17.3 x 0.5 cm, and, Bahl,Amanda J, book, China, color, gardening, horitucultre, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKJPR4–Art inspired by Mustard Seed Garden, a Chinese Painter's Manual, Woodblock printed book, ink and color on paper, China, 1782, Qing Dynasty, Kangxi Period, Each: 11 3/4 x 6 13/16 x 3/16 in., 29.8 x 17.3 x 0.5 cm, and, Bahl,Amanda J, book, China, color, gardening, horitucultre, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Farewell Gift to Tani Bunji, Edo period (1615–1868), 1833, Japan, Hanging scroll; ink and color on paper, Image: 11 13/16 × 25 1/16 in. (30 × 63.7 cm), Paintings, Okada Hankō (Japanese, 1782–1846, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW1A6G–Art inspired by Farewell Gift to Tani Bunji, Edo period (1615–1868), 1833, Japan, Hanging scroll; ink and color on paper, Image: 11 13/16 × 25 1/16 in. (30 × 63.7 cm), Paintings, Okada Hankō (Japanese, 1782–1846, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by View of St. Peter's and the Vatican from the Janiculum, 1754, Black chalk with stumping, heightened with white, Sheet: 11 3/16 × 16 7/8 in. (28.4 × 42.9 cm), Drawings, Richard Wilson (British, Penegoes, Wales 1712/13–1782 Denbighshire, Wales), In 1750, Richard Wilson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5MYN–Art inspired by View of St. Peter's and the Vatican from the Janiculum, 1754, Black chalk with stumping, heightened with white, Sheet: 11 3/16 × 16 7/8 in. (28.4 × 42.9 cm), Drawings, Richard Wilson (British, Penegoes, Wales 1712/13–1782 Denbighshire, Wales), In 1750, Richard Wilson, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2M93CX9–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

Art inspired by Licenza, near Rome: Horace's Villa, ca. 1828–29, Watercolor and gouache over graphite, sheet: 10 11/16 x 14 13/16 in. (27.2 x 37.6 cm), Drawings, William Havell (British, Reading 1782–1857 London), After a decade in China and India, Havell returned to England in 1826, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW60BK–Art inspired by Licenza, near Rome: Horace's Villa, ca. 1828–29, Watercolor and gouache over graphite, sheet: 10 11/16 x 14 13/16 in. (27.2 x 37.6 cm), Drawings, William Havell (British, Reading 1782–1857 London), After a decade in China and India, Havell returned to England in 1826, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Beethoven; a critical biography . CONTENTS PAGE Introduction 1 The First Period, until 1801 [. His Life 4 11. His Music (Imitation) 13 The Second Period, from 1801-1815 III. His Life 26 IV. His Music (Transition) 42 The Love of Woman 46 The Love of Nature 54 The Love of Country > 63 The Third Period, from 1815-1827 V. His Life 74 VI. His Music (Reflection) 90 The Sonata^ 102 The Quartets 105 The Lieder and the Canons Ill VII. The Ninth Symphony and the Missa Solemnis 114 Methodical and Chronological List of Beethovens Works TABLE List of Youthful Works (1782-1793) I Compositions of First P Stock Photo

RM2AN9KH6–Beethoven; a critical biography . CONTENTS PAGE Introduction 1 The First Period, until 1801 [. His Life 4 11. His Music (Imitation) 13 The Second Period, from 1801-1815 III. His Life 26 IV. His Music (Transition) 42 The Love of Woman 46 The Love of Nature 54 The Love of Country > 63 The Third Period, from 1815-1827 V. His Life 74 VI. His Music (Reflection) 90 The Sonata^ 102 The Quartets 105 The Lieder and the Canons Ill VII. The Ninth Symphony and the Missa Solemnis 114 Methodical and Chronological List of Beethovens Works TABLE List of Youthful Works (1782-1793) I Compositions of First P

The Actor Ichimura Uzaemon IX as Soga no Goro Tokimune Disguised as Agemaki no Sukeroku in the Play Sukeroku Yukari no Edo-zakura, Performed at the Ichimura Theater in the Fifth Month, 1782, c. 1782, Katsukawa Shunsho ?? ??, Japanese, 1726-1792, Japan, Color woodblock print, hosoban, from a pentaptych (?), 32.2 x 14.8 cm (12 11/16 x 5 13/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize Stock Photo

RF2B8XTR1–The Actor Ichimura Uzaemon IX as Soga no Goro Tokimune Disguised as Agemaki no Sukeroku in the Play Sukeroku Yukari no Edo-zakura, Performed at the Ichimura Theater in the Fifth Month, 1782, c. 1782, Katsukawa Shunsho ?? ??, Japanese, 1726-1792, Japan, Color woodblock print, hosoban, from a pentaptych (?), 32.2 x 14.8 cm (12 11/16 x 5 13/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize

Licenza, near Rome: Horace's Villa. Artist: William Havell (British, Reading 1782-1857 London). Dimensions: sheet: 10 11/16 x 14 13/16 in. (27.2 x 37.6 cm). Date: ca. 1828-29. After a decade in China and India, Havell returned to England in 1826, visiting Italy two years later with the painter Thomas Uwins. The present drawing is one of two known works made during that sojourn (the other is 'Coast Scene, Amalfi,' Victoria and Albert Museum). Horace's farm in the Sabine Hills, about thirty miles east of Rome, is an iconic site that influenced later country retreats from Stourhead, Wiltshire to Stock Photo

RMPAR71W–Licenza, near Rome: Horace's Villa. Artist: William Havell (British, Reading 1782-1857 London). Dimensions: sheet: 10 11/16 x 14 13/16 in. (27.2 x 37.6 cm). Date: ca. 1828-29. After a decade in China and India, Havell returned to England in 1826, visiting Italy two years later with the painter Thomas Uwins. The present drawing is one of two known works made during that sojourn (the other is 'Coast Scene, Amalfi,' Victoria and Albert Museum). Horace's farm in the Sabine Hills, about thirty miles east of Rome, is an iconic site that influenced later country retreats from Stourhead, Wiltshire to

John Sell Cotman, Near Durham, Liber Studiorum: A Series of Sketches and Studies, John Sell Cotman (British, Norwich 1782–1842 London), 1838, Soft ground etching, Plate: 11 3/4 × 8 3/4 in. (29.8 × 22.2 cm), Sheet: 13 1/2 × 9 5/8 in. (34.3 × 24.5 cm), Prints Stock Photo

RM2B0M6K7–John Sell Cotman, Near Durham, Liber Studiorum: A Series of Sketches and Studies, John Sell Cotman (British, Norwich 1782–1842 London), 1838, Soft ground etching, Plate: 11 3/4 × 8 3/4 in. (29.8 × 22.2 cm), Sheet: 13 1/2 × 9 5/8 in. (34.3 × 24.5 cm), Prints

. Nederlands: Akte van traktaat van vriendschap en commercie met een separate conventie te 's-Gravenhage gesloten tussen de Staten-Generaal en de Verenigde Staten van Amerika. Met bijlagen, 1780, 1782. 8 oktober 1782 . 24 March 2014, 11:39:08. Nationaal Archief, Staten Generaal 447 NL-HaNA 1.01.02 12597.256A 13 Vriendschapsverdrag met de Verenigde Staten Stock Photo

RMMXE2YR–. Nederlands: Akte van traktaat van vriendschap en commercie met een separate conventie te 's-Gravenhage gesloten tussen de Staten-Generaal en de Verenigde Staten van Amerika. Met bijlagen, 1780, 1782. 8 oktober 1782 . 24 March 2014, 11:39:08. Nationaal Archief, Staten Generaal 447 NL-HaNA 1.01.02 12597.256A 13 Vriendschapsverdrag met de Verenigde Staten

RM2M93CYB–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

Genealogy of the descendants of John White of Wenham and Lancaster, Massachusetts, 1638-[1909] . JOHN WHITE. 69 Rockingham, being in Lot number nine in second Range of the planof the town. Jan. 14. 1779, bought of Ezra Whitney ninety acres of land lying intenth Range of Lots in Rockingham for .£50. Sept. 13, 1780, bought of Asa White, sixty acres of land for ,£60. Apr. 2, 1781, bought of Peter Evans, Jr., Lot number four in Wil-liams River Meadow, for ,£30. June 11,-1782, sold the same toOliver Lovell for ,£20. Apr. 2, 1781, one house lot, number four, also one lot, containingten acres in the Stock Photo

RM2AJ56KK–Genealogy of the descendants of John White of Wenham and Lancaster, Massachusetts, 1638-[1909] . JOHN WHITE. 69 Rockingham, being in Lot number nine in second Range of the planof the town. Jan. 14. 1779, bought of Ezra Whitney ninety acres of land lying intenth Range of Lots in Rockingham for .£50. Sept. 13, 1780, bought of Asa White, sixty acres of land for ,£60. Apr. 2, 1781, bought of Peter Evans, Jr., Lot number four in Wil-liams River Meadow, for ,£30. June 11,-1782, sold the same toOliver Lovell for ,£20. Apr. 2, 1781, one house lot, number four, also one lot, containingten acres in the

Part of a tea service Milk jug Milk jug, painted with poultry in a landscape, Porcelain milk jug. Multicolored painted with birds on a landscape ground, and scatter flowers., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1782 - c. 1784, porcelain (material), h 13.0 cm × w 11.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9APE6–Part of a tea service Milk jug Milk jug, painted with poultry in a landscape, Porcelain milk jug. Multicolored painted with birds on a landscape ground, and scatter flowers., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1782 - c. 1784, porcelain (material), h 13.0 cm × w 11.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Portrait of Théodore Tronchin. Artist: René Gaillard (French, ca. 1719-1790 Paris); After Jean Étienne Liotard (Swiss, Geneva 1702-1789 Geneva). Dimensions: plate: 8 1/8 x 5 11/16 in. (20.7 x 14.4 cm) sheet: 13 13/16 x 10 1/4 in. (35.1 x 26 cm). Date: 1782. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1HX6–Portrait of Théodore Tronchin. Artist: René Gaillard (French, ca. 1719-1790 Paris); After Jean Étienne Liotard (Swiss, Geneva 1702-1789 Geneva). Dimensions: plate: 8 1/8 x 5 11/16 in. (20.7 x 14.4 cm) sheet: 13 13/16 x 10 1/4 in. (35.1 x 26 cm). Date: 1782. Museum: Metropolitan Museum of Art, New York, USA.

John Sell Cotman, (artist), British, 1782 - 1842, Eye Mill in Suffolk, graphite on wove paper, overall: 24.6 x 33.9 cm (9 11/16 x 13 3/8 in Stock Photo

RM2DC7744–John Sell Cotman, (artist), British, 1782 - 1842, Eye Mill in Suffolk, graphite on wove paper, overall: 24.6 x 33.9 cm (9 11/16 x 13 3/8 in

View of Blackfriars Bridge and St. Paul's, Thomas Sutherland, ca. 1785–1838, British, Daniel Turner, active 1782–1805, British, after Daniel Turner, active 1782–1805, British, 1803, Aquatint, hand-colored, Sheet: 13 x 17 11/16in. (33 x 44.9cm Stock Photo

RM2DHY7E6–View of Blackfriars Bridge and St. Paul's, Thomas Sutherland, ca. 1785–1838, British, Daniel Turner, active 1782–1805, British, after Daniel Turner, active 1782–1805, British, 1803, Aquatint, hand-colored, Sheet: 13 x 17 11/16in. (33 x 44.9cm

RMMYN1KR–. Nederlands: Akte van traktaat van vriendschap en commercie met een separate conventie te 's-Gravenhage gesloten tussen de Staten-Generaal en de Verenigde Staten van Amerika. Met bijlagen, 1780, 1782. 8 oktober 1782 . 24 March 2014, 11:39:08. Nationaal Archief, Staten Generaal 390 NL-HaNA 1.01.02 12597.256A 13 Vriendschapsverdrag met de Verenigde Staten

Barthelemy Samson, French, active 1760 - died 1782, Milk Pitcher, c. 1764, silver, ebonized wood, Overall: 5 1/2 × 5 1/8 × 3 7/8 inches, 330.4 g (14 × 13 × 9.8 cm, 11.7 ounces Stock Photo

RM2A2R22M–Barthelemy Samson, French, active 1760 - died 1782, Milk Pitcher, c. 1764, silver, ebonized wood, Overall: 5 1/2 × 5 1/8 × 3 7/8 inches, 330.4 g (14 × 13 × 9.8 cm, 11.7 ounces

Music by Moonlight, Paul Sandby RA, 1731–1809, British, 1782 or 1788, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 11 3/8 x 13 5/8 inches (28.9 x 34.6 cm), castle, cattle, flute, guitar, landscape, moon, moonlight, music, musicians, night, trees Stock Photo

RM2DHTRF5–Music by Moonlight, Paul Sandby RA, 1731–1809, British, 1782 or 1788, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 11 3/8 x 13 5/8 inches (28.9 x 34.6 cm), castle, cattle, flute, guitar, landscape, moon, moonlight, music, musicians, night, trees

RM2M93CWK–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . Peter Zweifel (n° 11).Daprès une photographie.. Jakob Zweifel (n° 12).Daprès un portrait à lhuile. Nâfels,il fut fait prisonnier par les Français et emmenéà Bâle comme otage avec huit autres notables. -13. Heinrich, 1730-1801, pasteur à Linthal 1751-177 I. àBetschwanden 1771-1801, chanoine 1782, camérier 1784.doyen 1789. — 14. Fridolin, 1730-1790, Stock Photo

RM2AM7CX2–Dictionnaire historique & biographique de la Suisse : publié avec la recommandation de la Société générale suisse d'histoire et sous la direction de Marcel Godet, Henri Türler [et] Victor Attinger avec de nombreux collaborateurs de tous les cantons . Peter Zweifel (n° 11).Daprès une photographie.. Jakob Zweifel (n° 12).Daprès un portrait à lhuile. Nâfels,il fut fait prisonnier par les Français et emmenéà Bâle comme otage avec huit autres notables. -13. Heinrich, 1730-1801, pasteur à Linthal 1751-177 I. àBetschwanden 1771-1801, chanoine 1782, camérier 1784.doyen 1789. — 14. Fridolin, 1730-1790,

Two flowerpot containers (cache pots) and stands, Cachepot, painted with a river landscape, Cachepot of porcelain, multicolored painted with river landscapes with large buildings on the banks. A piece of land on the backs. The pilasters, the godrons and the various edges adorned with gold (due to wear the red-brown background is visible)., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 11 cm × d 13.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired Stock Photo

RF2B9A26B–Two flowerpot containers (cache pots) and stands, Cachepot, painted with a river landscape, Cachepot of porcelain, multicolored painted with river landscapes with large buildings on the banks. A piece of land on the backs. The pilasters, the godrons and the various edges adorned with gold (due to wear the red-brown background is visible)., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 11 cm × d 13.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired

Oboe Player. Dated: 1782. Dimensions: plate: 26 x 35 cm (10 1/4 x 13 3/4 in.) sheet: 27.9 x 38 cm (11 x 14 15/16 in.). Medium: etching, drypoint, and roulette touched with gray wash on laid paper [proof]. Museum: National Gallery of Art, Washington DC. Author: Jean-Jacques de Boissieu. BOISSIEU, JEAN-JACQUES DE. Stock Photo

RMR30EC5–Oboe Player. Dated: 1782. Dimensions: plate: 26 x 35 cm (10 1/4 x 13 3/4 in.) sheet: 27.9 x 38 cm (11 x 14 15/16 in.). Medium: etching, drypoint, and roulette touched with gray wash on laid paper [proof]. Museum: National Gallery of Art, Washington DC. Author: Jean-Jacques de Boissieu. BOISSIEU, JEAN-JACQUES DE.

RMMTW4J3–. Nederlands: Akte van traktaat van vriendschap en commercie met een separate conventie te 's-Gravenhage gesloten tussen de Staten-Generaal en de Verenigde Staten van Amerika. Met bijlagen, 1780, 1782. 8 oktober 1782 . 24 March 2014, 11:39:08. Nationaal Archief, Staten Generaal 447 NL-HaNA 1.01.02 12597.256A 13 Vriendschapsverdrag met de Verenigde Staten

Two untitled etchings laid down on one sheet: Bandits and Soldiers Fighting, Robert Blyth, 1750–1784, after John Hamilton Mortimer, 1740–1779, British, 1782, Etching, Plate: 11 1/8 x 13 13/16in. (28.3 x 35.1cm) and Sheet: 11 15/16 x 14 9/16in. (30.3 x 37cm Stock Photo

RM2DHY4FT–Two untitled etchings laid down on one sheet: Bandits and Soldiers Fighting, Robert Blyth, 1750–1784, after John Hamilton Mortimer, 1740–1779, British, 1782, Etching, Plate: 11 1/8 x 13 13/16in. (28.3 x 35.1cm) and Sheet: 11 15/16 x 14 9/16in. (30.3 x 37cm

Liber Studiorum: Plate 5, Walsingham, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 30.2 x 49.5 cm (11 7/8 x 19 1/2 in.); platemark: 15.3 x 22.4 cm (6 x 8 13/16 in Stock Photo

RMRY8092–Liber Studiorum: Plate 5, Walsingham, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 30.2 x 49.5 cm (11 7/8 x 19 1/2 in.); platemark: 15.3 x 22.4 cm (6 x 8 13/16 in

RM2M93CX5–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

The history of the Brigham family; a record of several thousand descendants of Thomas Brigham the emigrant, 1603-1653 . Gershom4 Brigham House, Westboro, Mass.. %*&m* Captain Tilly5 Brigham House, Brookfield, Mass. FIFTH GENERATION 147 and the place is owned by Joseph7 Brigham. His service in theRevolution was a little over 13 mos., beginning June 30, 1778. Children, born in Brookfield: i Bathsheba, b. 4 Jan., 1782; m. Joseph W. Hamilton; res. inBrookfield. Ch. (Hamilton):1 Cheney7, who lived in Barre, Mass. 228 ii Barna, b. 11 Nov., 1784. iii Ruth, b. 27 May, 1787; d. about 1813; m. Capt. Ben Stock Photo

RM2AM231A–The history of the Brigham family; a record of several thousand descendants of Thomas Brigham the emigrant, 1603-1653 . Gershom4 Brigham House, Westboro, Mass.. %*&m* Captain Tilly5 Brigham House, Brookfield, Mass. FIFTH GENERATION 147 and the place is owned by Joseph7 Brigham. His service in theRevolution was a little over 13 mos., beginning June 30, 1778. Children, born in Brookfield: i Bathsheba, b. 4 Jan., 1782; m. Joseph W. Hamilton; res. inBrookfield. Ch. (Hamilton):1 Cheney7, who lived in Barre, Mass. 228 ii Barna, b. 11 Nov., 1784. iii Ruth, b. 27 May, 1787; d. about 1813; m. Capt. Ben

Two flowerpot containers (cache-pots) and stands Cachepot Cachepot, painted with a river landscape, Cachepot of porcelain, multicolored painted with river landscapes with large buildings on the banks. A piece of land on the backs. The pilasters, the godrons and the various edges adorned with gold (due to wear the red-brown background is visible)., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 11 cm × d 13.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography Stock Photo

RF2B9A268–Two flowerpot containers (cache-pots) and stands Cachepot Cachepot, painted with a river landscape, Cachepot of porcelain, multicolored painted with river landscapes with large buildings on the banks. A piece of land on the backs. The pilasters, the godrons and the various edges adorned with gold (due to wear the red-brown background is visible)., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 11 cm × d 13.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography

RM2T694GX–European honey bee, Apis mellifera m 9, f 10, A. fortis 11, sea aster bee, Colletes halophilus 12, nomad bee, Nomada signata 13, generosus 14, acris 15, effrons 16, vitreus 17, hiberus 18, desertus 19, myscelus 20, and minimus 21. Handcoloured copperplate engraving drawn and engraved by Moses Harris from his own Exposition of English Insects, Including the several Classes of Neuroptera, Hymenoptera, Diptera, or Bees, Flies and Libellulae, White and Robson, London, 1782.

. Français : John Coakley Lettsome (1744–1815), médecin et abolitionniste anglais English: John C. Lettsome (1744–1815) was an English physician and philanthropist . circa 1782. Johann Zoffany (1733–1810) Alternative names Johan Zoffany; Johannes Josephus Zauffely Description German painter and printmaker Date of birth/death 13 March 1733 11 November 1810 Location of birth/death Frankfurt Strand-on-the-Green Work period Neoclassicism Work location England Authority control : Q702272 VIAF: 12574563 ISNI: 0000 0000 8357 7200 ULAN: 500013090 LCCN: nr92043188 NLA: 35796859 WorldCat Stock Photo

RMMP8FWT–. Français : John Coakley Lettsome (1744–1815), médecin et abolitionniste anglais English: John C. Lettsome (1744–1815) was an English physician and philanthropist . circa 1782. Johann Zoffany (1733–1810) Alternative names Johan Zoffany; Johannes Josephus Zauffely Description German painter and printmaker Date of birth/death 13 March 1733 11 November 1810 Location of birth/death Frankfurt Strand-on-the-Green Work period Neoclassicism Work location England Authority control : Q702272 VIAF: 12574563 ISNI: 0000 0000 8357 7200 ULAN: 500013090 LCCN: nr92043188 NLA: 35796859 WorldCat

View of Rome, c. 1782-1784. Pierre Henri de Valenciennes (French, 1750-1819). Oil on paper, mounted on board; framed: 30 x 49 x 4.5 cm (11 13/16 x 19 5/16 x 1 3/4 in.); unframed: 19.5 x 39 cm (7 11/16 x 15 3/8 in Stock Photo

RMRY59EY–View of Rome, c. 1782-1784. Pierre Henri de Valenciennes (French, 1750-1819). Oil on paper, mounted on board; framed: 30 x 49 x 4.5 cm (11 13/16 x 19 5/16 x 1 3/4 in.); unframed: 19.5 x 39 cm (7 11/16 x 15 3/8 in

RM2M93D21–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

History of Chesterfield, Cheshire county, N.H., from the incorporation of 'township number one,' by Massachusetts, in 1736, to the year 1881; . d. 1787.—Martin (2), b. in Chfd., Feb. 11. 1779.—Mary, b. Oft. 25,1780 ; m., 1813, Dea. Calvin Barrett, of Brookline. Vt., whereshe d. at a great age.—Demmts, b. Dec. 13, 1782 ; m. ist, Ed-ward Hall (q. V.) ; 2d, Capt. Samuel Titus, of Vernon, Vt. ;3d, Rufus Elmer, of the same town.—Isaac, b. Odl. i, 1784;m., 1804, Eunice Willard. Settled in Vernon.—Samuel, b.May 12, 1786; ni., 1807, Susanna Barrett. Rem. to 111.—Ama, b. Odt. 22, 1787 ; m., 1806, Caleb Stock Photo

RM2AKTR34–History of Chesterfield, Cheshire county, N.H., from the incorporation of 'township number one,' by Massachusetts, in 1736, to the year 1881; . d. 1787.—Martin (2), b. in Chfd., Feb. 11. 1779.—Mary, b. Oft. 25,1780 ; m., 1813, Dea. Calvin Barrett, of Brookline. Vt., whereshe d. at a great age.—Demmts, b. Dec. 13, 1782 ; m. ist, Ed-ward Hall (q. V.) ; 2d, Capt. Samuel Titus, of Vernon, Vt. ;3d, Rufus Elmer, of the same town.—Isaac, b. Odl. i, 1784;m., 1804, Eunice Willard. Settled in Vernon.—Samuel, b.May 12, 1786; ni., 1807, Susanna Barrett. Rem. to 111.—Ama, b. Odt. 22, 1787 ; m., 1806, Caleb

Butter dish, painted with flower sprays, Butter dish made of porcelain. Round, with two ears. Along the edges of butter dish and lid rocaille ornaments in relief and painted in beet red and light green. Wall and cover painted with flower twigs in beet red and two colors of green, the ears in green., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 4 cm × w 13.9 cm × d 11.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynami Stock Photo

RF2B99Y67–Butter dish, painted with flower sprays, Butter dish made of porcelain. Round, with two ears. Along the edges of butter dish and lid rocaille ornaments in relief and painted in beet red and light green. Wall and cover painted with flower twigs in beet red and two colors of green, the ears in green., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 4 cm × w 13.9 cm × d 11.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynami

Study of Clouds over the Roman Campagna. Dated: c. 1782/1785. Dimensions: overall (paper support): 19 x 32.1 cm (7 1/2 x 12 5/8 in.) overall (paperboard support): 19.6 x 33 cm (7 11/16 x 13 in.) framed: 30.5 x 43.2 x 2.1 cm (12 x 17 x 13/16 in.). Medium: oil on paper on cardboard. Museum: National Gallery of Art, Washington DC. Author: Pierre-Henri de Valenciennes. Stock Photo

RMR32WB8–Study of Clouds over the Roman Campagna. Dated: c. 1782/1785. Dimensions: overall (paper support): 19 x 32.1 cm (7 1/2 x 12 5/8 in.) overall (paperboard support): 19.6 x 33 cm (7 11/16 x 13 in.) framed: 30.5 x 43.2 x 2.1 cm (12 x 17 x 13/16 in.). Medium: oil on paper on cardboard. Museum: National Gallery of Art, Washington DC. Author: Pierre-Henri de Valenciennes.

. English: Pierre Hugues, d'Hancarville by Zoffany . 1782. Johann Zoffany (1733–1810) Alternative names Johan Zoffany; Johannes Josephus Zauffely Description German painter and printmaker Date of birth/death 13 March 1733 11 November 1810 Location of birth/death Frankfurt Strand-on-the-Green Work period Neoclassicism Work location England Authority control : Q702272 VIAF:?12574563 ISNI:?0000 0000 8357 7200 ULAN:?500013090 LCCN:?nr92043188 NLA:?35796859 WorldCat D'Hancarville Stock Photo

RMMMWW45–. English: Pierre Hugues, d'Hancarville by Zoffany . 1782. Johann Zoffany (1733–1810) Alternative names Johan Zoffany; Johannes Josephus Zauffely Description German painter and printmaker Date of birth/death 13 March 1733 11 November 1810 Location of birth/death Frankfurt Strand-on-the-Green Work period Neoclassicism Work location England Authority control : Q702272 VIAF:?12574563 ISNI:?0000 0000 8357 7200 ULAN:?500013090 LCCN:?nr92043188 NLA:?35796859 WorldCat D'Hancarville

Liber Studiorum: Plate 36, Church near Durham, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 30.2 x 22.4 cm (11 7/8 x 8 13/16 in Stock Photo

RMRY809R–Liber Studiorum: Plate 36, Church near Durham, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 30.2 x 22.4 cm (11 7/8 x 8 13/16 in

RM2M93CR5–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

Upwell Rectory, Norfolk, John Sell Cotman, 1782–1842, British, 1816, Graphite and brown wash on medium, smooth, cream wove paper, Sheet: 11 x 9 inches (27.9 x 22.9 cm) and Contemporary drawn border: 13 x 9 3/4 inches (33 x 24.8 cm), architectural subject, facade, rectory, England, Norfolk, United Kingdom, Upwell Stock Photo

RM2DJ7DWM–Upwell Rectory, Norfolk, John Sell Cotman, 1782–1842, British, 1816, Graphite and brown wash on medium, smooth, cream wove paper, Sheet: 11 x 9 inches (27.9 x 22.9 cm) and Contemporary drawn border: 13 x 9 3/4 inches (33 x 24.8 cm), architectural subject, facade, rectory, England, Norfolk, United Kingdom, Upwell

. The history and genealogies of ancient Windsor, Connecticut:. , b. Apl.. 177B. Fam. 13. 10. Joseiih, b. 18 Nov.. 1780. J-am. 44. 11. Silvia, b. 20 Jan., 1782; ni. Jude Barnard;res. Scotland, Sims.; 3 ch. Fam. 21. Aaron (Capt ) (Co/*/. Abm.,* Nathl, Kathl, Jfumphrey). m. (1) MarthaBid well. 1 June, 176.5, who d. 20 Dec, 1772, m. 32; (2) Susan Phelps, who d. 2J;iii., 1S14, ;e. 60; res. on the present Hoswell Hoskins place in Scolhiiitl. Sims., andhe d. 26 Dec, 1812. Children: 6. Bldwcll. bp. 3 Apl., 1773: d. 16 Nov.. 179.3, re. 90,of smalliiox. 7. llenian. b. 1771; m. roily Higley, and lied. 1 Stock Photo

RM2AG54YF–. The history and genealogies of ancient Windsor, Connecticut:. , b. Apl.. 177B. Fam. 13. 10. Joseiih, b. 18 Nov.. 1780. J-am. 44. 11. Silvia, b. 20 Jan., 1782; ni. Jude Barnard;res. Scotland, Sims.; 3 ch. Fam. 21. Aaron (Capt ) (Co/*/. Abm.,* Nathl, Kathl, Jfumphrey). m. (1) MarthaBid well. 1 June, 176.5, who d. 20 Dec, 1772, m. 32; (2) Susan Phelps, who d. 2J;iii., 1S14, ;e. 60; res. on the present Hoswell Hoskins place in Scolhiiitl. Sims., andhe d. 26 Dec, 1812. Children: 6. Bldwcll. bp. 3 Apl., 1773: d. 16 Nov.. 179.3, re. 90,of smalliiox. 7. llenian. b. 1771; m. roily Higley, and lied. 1

RM2A2JXEC–The Actor Ichimura Uzaemon IX as Soga no Goro Tokimune Disguised as Agemaki no Sukeroku in the Play Sukeroku Yukari no Edo-zakura, Performed at the Ichimura Theater in the Fifth Month, 1782, c. 1782, Katsukawa Shunsho 勝川春章, Japanese, 1726-1792, Japan, Color woodblock print, hosoban, from a pentaptych (?), 32.2 x 14.8 cm (12 11/16 x 5 13/16 in

Milk jug, painted with flower sprays, Porcelain milk jug. Can decorated with embossed ribs in two (lid) or three (can) staggered rows. Painted in underglaze blue with flower branches, which depend on the mouth edge of a painted rocailland. On the spout spiral motifs, on the ear a leaf garland, both in the same color., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 13 cm × w 11.6 cm × d 8.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futuris Stock Photo

RF2B99AH9–Milk jug, painted with flower sprays, Porcelain milk jug. Can decorated with embossed ribs in two (lid) or three (can) staggered rows. Painted in underglaze blue with flower branches, which depend on the mouth edge of a painted rocailland. On the spout spiral motifs, on the ear a leaf garland, both in the same color., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 13 cm × w 11.6 cm × d 8.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futuris

Lady Hamilton as Nature, Print made by Henry Hoppner Meyer, ca. 1782–1847, British, after George Romney, 1734–1802, British, undated, Mezzotint (second state) on moderately thick, slightly textured, cream, laid paper, Sheet: 13 5/16 × 10 5/16 inches (33.8 × 26.2 cm) and Image: 11 3/4 × 9 15/16 inches (29.8 × 25.2 cm Stock Photo

RM2DHWRDW–Lady Hamilton as Nature, Print made by Henry Hoppner Meyer, ca. 1782–1847, British, after George Romney, 1734–1802, British, undated, Mezzotint (second state) on moderately thick, slightly textured, cream, laid paper, Sheet: 13 5/16 × 10 5/16 inches (33.8 × 26.2 cm) and Image: 11 3/4 × 9 15/16 inches (29.8 × 25.2 cm

The Reconciliation Between Britannia and Her Daughter America. Artist: Thomas Colley (British, active 1780-83). Dimensions: plate: 9 13/16 x 14 in. (25 x 35.5 cm) sheet: 10 15/16 x 17 1/16 in. (27.8 x 43.4 cm). Publisher: Published London by William Richardson (British, active 1778-1812). Date: May 11, 1782. In this satire, allegorical representations of Britannia and America embrace, as France and Spain try to pull America away, and a Dutchman watches. At right, Charles James Fox points out the struggle to Admiral Augustus Keppel. The print responds to a moment during the Revolutionary War Stock Photo

RMPB9T6T–The Reconciliation Between Britannia and Her Daughter America. Artist: Thomas Colley (British, active 1780-83). Dimensions: plate: 9 13/16 x 14 in. (25 x 35.5 cm) sheet: 10 15/16 x 17 1/16 in. (27.8 x 43.4 cm). Publisher: Published London by William Richardson (British, active 1778-1812). Date: May 11, 1782. In this satire, allegorical representations of Britannia and America embrace, as France and Spain try to pull America away, and a Dutchman watches. At right, Charles James Fox points out the struggle to Admiral Augustus Keppel. The print responds to a moment during the Revolutionary War

RM2M93CYE–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

Brethren Family Almanac, The (1910) . i 3 Sat Siege of Quebec, 1775. John Brown was executed in Va., 1859. Samuel Cooper died, 1876. 0 ev 28 ev.281.18 4.594.595.46 7.19 7.197.20 4.414.414.40 4g 2nd Sunday in Advent Luke 21 Days length p hours 20 min. 4 Sun 5 Mon 6 Tue 7 Wed 8 Thu 9 Fri 10 Sat Thomas Hobbes of England died, 1679.Martin Van Buren born in N. Y., 1782.Jefferson Davis died in La., 1889.Christian Hope born in Denmark, 1844.Eli Whitney was born in Mass., 1765.John Milton born in London, 1608.Judith. & 13 2.10 6.36 7.20 # 27 3.02 7.38 7.21 •am 11 3.53 8.42 7.21 i£^23 4.42 9.38 7.22 5. Stock Photo

RM2AWH5RJ–Brethren Family Almanac, The (1910) . i 3 Sat Siege of Quebec, 1775. John Brown was executed in Va., 1859. Samuel Cooper died, 1876. 0 ev 28 ev.281.18 4.594.595.46 7.19 7.197.20 4.414.414.40 4g 2nd Sunday in Advent Luke 21 Days length p hours 20 min. 4 Sun 5 Mon 6 Tue 7 Wed 8 Thu 9 Fri 10 Sat Thomas Hobbes of England died, 1679.Martin Van Buren born in N. Y., 1782.Jefferson Davis died in La., 1889.Christian Hope born in Denmark, 1844.Eli Whitney was born in Mass., 1765.John Milton born in London, 1608.Judith. & 13 2.10 6.36 7.20 # 27 3.02 7.38 7.21 •am 11 3.53 8.42 7.21 i£^23 4.42 9.38 7.22 5.

Butter dish, painted with flower sprays, Butter dish made of porcelain. Round, with two ears. The lid is scalloped and has a green twig as a handle. Along the edges of butter dish and lid rocaille ornaments in relief and painted in beet red and light green. Wall and cover painted with flower twigs in beet red and two colors of green, the ears in green., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 7.2 cm × w 13.9 cm × d 11.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern Stock Photo

RF2B99Y6B–Butter dish, painted with flower sprays, Butter dish made of porcelain. Round, with two ears. The lid is scalloped and has a green twig as a handle. Along the edges of butter dish and lid rocaille ornaments in relief and painted in beet red and light green. Wall and cover painted with flower twigs in beet red and two colors of green, the ears in green., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 7.2 cm × w 13.9 cm × d 11.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern

Interior of the Chapel of Saint Julien, near Rouen, Normandy, John Sell Cotman, 1782–1842, British, ca. 1818, Graphite, brown wash, and watercolor on medium, smooth, cream wove paper, Sheet: 9 1/2 x 13 1/8 inches (24.1 x 33.3 cm) and Contemporary drawn border: 11 1/2 x 15 inches (29.2 x 38.1 cm), architectural subject, chapel, France, Normandy, Rouen, Saint Julien Stock Photo

RM2DJ7FCP–Interior of the Chapel of Saint Julien, near Rouen, Normandy, John Sell Cotman, 1782–1842, British, ca. 1818, Graphite, brown wash, and watercolor on medium, smooth, cream wove paper, Sheet: 9 1/2 x 13 1/8 inches (24.1 x 33.3 cm) and Contemporary drawn border: 11 1/2 x 15 inches (29.2 x 38.1 cm), architectural subject, chapel, France, Normandy, Rouen, Saint Julien

Lewis Cass (The Gallery of Illustrious Americans). Artist: After Mathew B. Brady (American, born Ireland, 1823?-1896 New York); Francis d' Avignon (French, 1813-1861, active America 1840-60). Dimensions: oval image: 11 3/16 x 9 5/8 in. (28.4 x 24.4 cm) stone: 13 15/16 x 10 3/8 in. (35.4 x 26.4 cm) sheet: 18 3/4 x 13 3/8 in. (47.7 x 33.9 cm). Printer: D'Avignon's Press (New York, NY). Publisher: Brady, D'Avignon and Company (New York, NY). Sitter: Lewis Cass (American, 1782-1866). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKRMK–Lewis Cass (The Gallery of Illustrious Americans). Artist: After Mathew B. Brady (American, born Ireland, 1823?-1896 New York); Francis d' Avignon (French, 1813-1861, active America 1840-60). Dimensions: oval image: 11 3/16 x 9 5/8 in. (28.4 x 24.4 cm) stone: 13 15/16 x 10 3/8 in. (35.4 x 26.4 cm) sheet: 18 3/4 x 13 3/8 in. (47.7 x 33.9 cm). Printer: D'Avignon's Press (New York, NY). Publisher: Brady, D'Avignon and Company (New York, NY). Sitter: Lewis Cass (American, 1782-1866). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.

RM2M93CX1–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. al, b. 19 Aug. 1845. 8 Hon Charles-Henry, b. 22 April 1847. His Lordships father, Thomas, the first Lord, who d. 12 Oct. 1807, was twicemarried ; 1st, 13 Sept. 1766, to Lady Catherine Perceval, eklest daughter of John, 2ndEarl of Egmont, who d. June 1782 ; and 2ndly, to Maria-Stella-Petronilla, daughterof Lorenzo Chiappini, who was b. in 1774, re-m. 11 Sept. 1810, to the Baron Steyn-berg, andrf. 4 Jan. 1844. The 1st Lord had issue, l)V 1st mairiage : 1 Ho7i. John, Stock Photo

RM2CEDFGW–. The peerage of the British Empire as at present existing : arranged and printed from the personal communications of the nobility. al, b. 19 Aug. 1845. 8 Hon Charles-Henry, b. 22 April 1847. His Lordships father, Thomas, the first Lord, who d. 12 Oct. 1807, was twicemarried ; 1st, 13 Sept. 1766, to Lady Catherine Perceval, eklest daughter of John, 2ndEarl of Egmont, who d. June 1782 ; and 2ndly, to Maria-Stella-Petronilla, daughterof Lorenzo Chiappini, who was b. in 1774, re-m. 11 Sept. 1810, to the Baron Steyn-berg, andrf. 4 Jan. 1844. The 1st Lord had issue, l)V 1st mairiage : 1 Ho7i. John,

Milk jug, painted with flower sprays, Porcelain milk jug. Jug and lid decorated with embossed ribs in two (lid) or three (jug) staggered rows. Painted in underglaze blue with flower branches, which depend on the mouth rim and on the lid of a painted rocailland. On the spout spiral motifs, on the ear a leaf garland, both in the same color. A rosette on the ribbed button., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 16.7 cm h 13 cm w 11.6 cm × d 8.3 cm h 3.6 cm × d 5.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays rad Stock Photo

RF2B99AHD–Milk jug, painted with flower sprays, Porcelain milk jug. Jug and lid decorated with embossed ribs in two (lid) or three (jug) staggered rows. Painted in underglaze blue with flower branches, which depend on the mouth rim and on the lid of a painted rocailland. On the spout spiral motifs, on the ear a leaf garland, both in the same color. A rosette on the ribbed button., Manufactuur Oud-Loosdrecht, Loosdrecht, c. 1778 - c. 1782, porcelain (material), h 16.7 cm h 13 cm w 11.6 cm × d 8.3 cm h 3.6 cm × d 5.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays rad

Study of Figures for 'A View of the Campagna', Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), ca. 1755, Black chalk and white gouache on medium, rough, brown laid paper mounted on card, Sheet: 7 5/8 x 10 11/16 inches (19.4 x 27.1 cm) and Mount: 7 13/16 x 10 7/8 inches (19.8 x 27.6 cm), figure study, Campagna, Campania, Europe, Italy, Salerno Stock Photo

RM2DHTW5J–Study of Figures for 'A View of the Campagna', Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), ca. 1755, Black chalk and white gouache on medium, rough, brown laid paper mounted on card, Sheet: 7 5/8 x 10 11/16 inches (19.4 x 27.1 cm) and Mount: 7 13/16 x 10 7/8 inches (19.8 x 27.6 cm), figure study, Campagna, Campania, Europe, Italy, Salerno

Music by Moonlight. Date/Period: 1782 or 1788. Landscape. Watercolor, pen and brown and gray ink, touched with gouache on moderately thick, cream, slightly textured wove paper. Height: 289 mm (11.37 in); Width: 346 mm (13.62 in). Author: Paul Sandby. Stock Photo

RMPNC6DP–Music by Moonlight. Date/Period: 1782 or 1788. Landscape. Watercolor, pen and brown and gray ink, touched with gouache on moderately thick, cream, slightly textured wove paper. Height: 289 mm (11.37 in); Width: 346 mm (13.62 in). Author: Paul Sandby.

RM2M93CWM–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

RM2CEP0BD–. Genealogy of the descendants of John White of Wenham and Lancaster, Massachusetts. : 1638-[1909] .... JOHN WHITE. 69 Rockingham, being in Lot number nine in second Range of the planof the town. Jan. 14, 1779, bought of Ezra Whitney ninety acres of land lying intenth Range of Lots in Rockingham for ,£50. Sept. 13, 1780, bought of Asa White, sixty acres of land for ,£60. Apr. 2,. 1781, bought of Peter Evans, Jr., Lot number four in Wil-liams River Meadow, for £30. June 11, 1782, sold the same toOliver Lovell for £20. Apr. 2, 1781, one house lot, number four, also one lot, containingten acres i

Nathaniel Hone, Edward Fisher, 1722–1785, British, after Nathaniel Hone RA, 1718–1784, Irish, between 1758 and 1782, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 12 13/16 x 9 5/16 inches (32.6 x 23.7 cm) and Image: 11 1/4 x 9 1/8 inches (28.5 x 23.2 cm), artist, buttons, cravat, crayon, easel, gaze, gesturing, holding, jacket, leaning, painter, portfolio, portrait, posing, ribbon Stock Photo

RM2DJ47J4–Nathaniel Hone, Edward Fisher, 1722–1785, British, after Nathaniel Hone RA, 1718–1784, Irish, between 1758 and 1782, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 12 13/16 x 9 5/16 inches (32.6 x 23.7 cm) and Image: 11 1/4 x 9 1/8 inches (28.5 x 23.2 cm), artist, buttons, cravat, crayon, easel, gaze, gesturing, holding, jacket, leaning, painter, portfolio, portrait, posing, ribbon

Portrait of Jean-Baptiste Pigalle. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Sheet: 7 11/16 × 5 1/2 in. (19.5 × 14 cm). Date: 1782. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFD988–Portrait of Jean-Baptiste Pigalle. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Sheet: 7 11/16 × 5 1/2 in. (19.5 × 14 cm). Date: 1782. Museum: Metropolitan Museum of Art, New York, USA.

RM2M93CY8–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

. The Narragansett historical register . Narragansett Historical Register.. Sarah, of Zephaniah and Alice; Aug. 13,1768.Robert, of Robert and Elizabeth ; Nov. 19, 1763.Susannah, wife of Robert, (Hopkinton); Dec. 14,1770.Peter C, of Robert and Susannah; Mar. 15, 1792. Dec. 8, 1793.Dec. 16,1795.Sept. 26, 1797.Oct. 21,1799.Jan. 17, 1803.Feb. 10,1805.Sept. 13, 1807.Benjamin, of Jeremiah, Jr., and Eleanor; June 6, 1777.Amie, Feb. 14,1779. Hannah, Nov. 19,1780. Jeremiah, Nov. 16,1782. John, Nov. 19,* 1784. Benjamin Brenton, of Silas and Frances; July 11,1797. Jan. 2, 1800.Feb. 18, 1803.June 22,1807. Stock Photo

RM2CE6K6B–. The Narragansett historical register . Narragansett Historical Register.. Sarah, of Zephaniah and Alice; Aug. 13,1768.Robert, of Robert and Elizabeth ; Nov. 19, 1763.Susannah, wife of Robert, (Hopkinton); Dec. 14,1770.Peter C, of Robert and Susannah; Mar. 15, 1792. Dec. 8, 1793.Dec. 16,1795.Sept. 26, 1797.Oct. 21,1799.Jan. 17, 1803.Feb. 10,1805.Sept. 13, 1807.Benjamin, of Jeremiah, Jr., and Eleanor; June 6, 1777.Amie, Feb. 14,1779. Hannah, Nov. 19,1780. Jeremiah, Nov. 16,1782. John, Nov. 19,* 1784. Benjamin Brenton, of Silas and Frances; July 11,1797. Jan. 2, 1800.Feb. 18, 1803.June 22,1807.

Junction of the Greta and Tees at Rokeby, John Pye, 1782–1874, British, after Joseph Mallord William Turner, 1775–1851, British, 1818-1823, Line engraving and etching, engraver's proof on medium, slightly textured, cream, laid paper, Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm), Plate: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm), and Image: 7 5/16 × 10 5/8 inches (18.6 × 27 cm Stock Photo

RM2DHW1H1–Junction of the Greta and Tees at Rokeby, John Pye, 1782–1874, British, after Joseph Mallord William Turner, 1775–1851, British, 1818-1823, Line engraving and etching, engraver's proof on medium, slightly textured, cream, laid paper, Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm), Plate: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm), and Image: 7 5/16 × 10 5/8 inches (18.6 × 27 cm

The Actor Nakamura Tomijuro I in an Unidentified Role. Katsukawa Shunsho ?? ??; Japanese, 1726-1792. Date: 1772-1782. Dimensions: 30 x 14.4 cm (11 13/16 x 5 11/16 in.). Color woodblock print; hosoban; from a multisheet composition. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXD1FM–The Actor Nakamura Tomijuro I in an Unidentified Role. Katsukawa Shunsho ?? ??; Japanese, 1726-1792. Date: 1772-1782. Dimensions: 30 x 14.4 cm (11 13/16 x 5 11/16 in.). Color woodblock print; hosoban; from a multisheet composition. Origin: Japan. Museum: The Chicago Art Institute.

RM2M93D35–Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

. St. Nicholas [serial] . ide. 0. B. G.HOUR-GLASS. 1. Advowsons. 2. Broiled. 3. To blaze. 4. Since.5. In summer. 6. To regard studiously. 7. Bundles. 8. The first of each month in the ancient Roman calendar. 9. To compel. The central letters, reading downward, will spell amusical instrument. M. T. M. A COTTAGE PUZZLE. iS 13 14 15 . 16 From 3 to 6, a mathematical word meaning a quantityconsisting of three terms ; from 7 to 8, strives ; from 10to II, a metal discovered by Mtiller in 1782 ; from 11 to12, methods ; from 3 to 7, a book ; from 7 to 10, grace-ful; from 6 to 8, a young woman; from 8 t Stock Photo

RM2CHK2H5–. St. Nicholas [serial] . ide. 0. B. G.HOUR-GLASS. 1. Advowsons. 2. Broiled. 3. To blaze. 4. Since.5. In summer. 6. To regard studiously. 7. Bundles. 8. The first of each month in the ancient Roman calendar. 9. To compel. The central letters, reading downward, will spell amusical instrument. M. T. M. A COTTAGE PUZZLE. iS 13 14 15 . 16 From 3 to 6, a mathematical word meaning a quantityconsisting of three terms ; from 7 to 8, strives ; from 10to II, a metal discovered by Mtiller in 1782 ; from 11 to12, methods ; from 3 to 7, a book ; from 7 to 10, grace-ful; from 6 to 8, a young woman; from 8 t

Honorouble Charles William Steward Vane, 3rd Marquess of Londonderry, Henry Hoppner Meyer, ca. 1782–1847, British, after Sir Thomas Lawrence, 1769–1830, British, 1814, Mezzotint on moderately thick, moderately textured, beige, laid paper, Sheet: 20 3/4 × 14 11/16 inches (52.7 × 37.3 cm), Plate: 20 × 14 inches (50.8 × 35.6 cm), and Image: 18 1/16 × 13 15/16 inches (45.9 × 35.4 cm Stock Photo

RM2DHXEG1–Honorouble Charles William Steward Vane, 3rd Marquess of Londonderry, Henry Hoppner Meyer, ca. 1782–1847, British, after Sir Thomas Lawrence, 1769–1830, British, 1814, Mezzotint on moderately thick, moderately textured, beige, laid paper, Sheet: 20 3/4 × 14 11/16 inches (52.7 × 37.3 cm), Plate: 20 × 14 inches (50.8 × 35.6 cm), and Image: 18 1/16 × 13 15/16 inches (45.9 × 35.4 cm

1782 11 13 Stock Photos and Images

1782 11 13 Stock Photos and Images