Quick filters:
1773 in charles Stock Photos and Images
William Harrison, 1773 - 1841 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-harrison-1773-1841-105530929.htmlRMG3K9NN–William Harrison, 1773 - 1841
Charles Hutton (August 14,1737 - January 27, 1823) was an English mathematician. In 1764 he published his first work, The Schoolmasters Guide, or a Complete System of Practical Arithmetic, which in 1770 was followed by his Treatise on Mensuration both in Theory and Practice. In 1773 he was appointed professor of mathematics at the Royal Military Academy, Woolwich, and in the following year he was elected fellow of the Royal Society of London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-hutton-august-141737-january-27-1823-was-an-english-mathematician-in-1764-he-published-his-first-work-the-schoolmasters-guide-or-a-complete-system-of-practical-arithmetic-which-in-1770-was-followed-by-his-treatise-on-mensuration-both-in-theory-and-practice-in-1773-he-was-appointed-professor-of-mathematics-at-the-royal-military-academy-woolwich-and-in-the-following-year-he-was-elected-fellow-of-the-royal-society-of-london-image246611985.htmlRMT9642W–Charles Hutton (August 14,1737 - January 27, 1823) was an English mathematician. In 1764 he published his first work, The Schoolmasters Guide, or a Complete System of Practical Arithmetic, which in 1770 was followed by his Treatise on Mensuration both in Theory and Practice. In 1773 he was appointed professor of mathematics at the Royal Military Academy, Woolwich, and in the following year he was elected fellow of the Royal Society of London.
The Prince of Wales looks at old texts as he tours the Palofaxian Library in Puebla, Mexico, examining restoration work after an earthquake. The library, founded in 1646 and built in 1773, contains books dating back to 1493. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-prince-of-wales-looks-at-old-texts-as-he-tours-the-palofaxian-106824122.htmlRMG5P776–The Prince of Wales looks at old texts as he tours the Palofaxian Library in Puebla, Mexico, examining restoration work after an earthquake. The library, founded in 1646 and built in 1773, contains books dating back to 1493.
Charles Turner, (artist), British, 1773 - 1857, Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Bridge in Middle Distance, Liber Studiorum, (series), published 1808, etching, aquatint and mezzotint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-turner-artist-british-1773-1857-joseph-mallord-william-turner-artist-british-1775-1851-the-bridge-in-middle-distance-liber-studiorum-series-published-1808-etching-aquatint-and-mezzotint-image386286773.htmlRM2DCCTM5–Charles Turner, (artist), British, 1773 - 1857, Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Bridge in Middle Distance, Liber Studiorum, (series), published 1808, etching, aquatint and mezzotint
Hurst Castle near Portsmouth, England, in 1773. Charles I was imprisoned here before his trial. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hurst-castle-near-portsmouth-england-in-1773-charles-i-was-imprisoned-30494025.htmlRMBNH3C9–Hurst Castle near Portsmouth, England, in 1773. Charles I was imprisoned here before his trial.
Art inspired by Study for a Book Illustration, 1773, Red chalk with graphite underdrawing, 3 1/4 x 4 1/2in. (8.3 x 11.5cm), Drawings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-study-for-a-book-illustration-1773-red-chalk-with-graphite-underdrawing-3-14-x-4-12in-83-x-115cm-drawings-charles-dominique-joseph-eisen-french-valenciennes-17201778-brussels-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462947325.htmlRF2HW5211–Art inspired by Study for a Book Illustration, 1773, Red chalk with graphite underdrawing, 3 1/4 x 4 1/2in. (8.3 x 11.5cm), Drawings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
American Revolutionary general Charles Lee (his NY house here) was born in England. He settled in Virginia in 1773. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-american-revolutionary-general-charles-lee-his-ny-house-here-was-born-31742519.htmlRFBRHYWB–American Revolutionary general Charles Lee (his NY house here) was born in England. He settled in Virginia in 1773.
Daniel Carlsson Solander (February 19, 1733 - May 13, 1782) was a Swedish naturalist. In 1768, Solander gained leave of absence from the British Museum and accompanied Joseph Banks on James Cook's first voyage to the Pacific Ocean aboard the Endeavour. In 1772 he accompanied Banks on his voyage to Iceland, the Hebrides and the Orkney Islands. Between 1773 and 1782 he was Keeper of the Natural History Department of the British Museum. He died of a stroke at the age of 49. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daniel-carlsson-solander-february-19-1733-may-13-1782-was-a-swedish-naturalist-in-1768-solander-gained-leave-of-absence-from-the-british-museum-and-accompanied-joseph-banks-on-james-cooks-first-voyage-to-the-pacific-ocean-aboard-the-endeavour-in-1772-he-accompanied-banks-on-his-voyage-to-iceland-the-hebrides-and-the-orkney-islands-between-1773-and-1782-he-was-keeper-of-the-natural-history-department-of-the-british-museum-he-died-of-a-stroke-at-the-age-of-49-image246623411.htmlRMT96JJY–Daniel Carlsson Solander (February 19, 1733 - May 13, 1782) was a Swedish naturalist. In 1768, Solander gained leave of absence from the British Museum and accompanied Joseph Banks on James Cook's first voyage to the Pacific Ocean aboard the Endeavour. In 1772 he accompanied Banks on his voyage to Iceland, the Hebrides and the Orkney Islands. Between 1773 and 1782 he was Keeper of the Natural History Department of the British Museum. He died of a stroke at the age of 49.
Charles Cotesworth Pinckney. Date/Period: Ca. 1773. Painting. Oil on canvas. Height: 767 mm (30.19 in); Width: 640 mm (25.19 in). Author: HENRY BENBRIDGE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-cotesworth-pinckney-dateperiod-ca-1773-painting-oil-on-canvas-height-767-mm-3019-in-width-640-mm-2519-in-author-henry-benbridge-image219709471.htmlRMPNCHJR–Charles Cotesworth Pinckney. Date/Period: Ca. 1773. Painting. Oil on canvas. Height: 767 mm (30.19 in); Width: 640 mm (25.19 in). Author: HENRY BENBRIDGE.
'Ground Plan of Lloyd's Coffee House (No. 16 Lombard Street) in 1773', (1928). Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ground-plan-of-lloyds-coffee-house-no-16-lombard-street-in-1773-1928-artist-unknown-image211842693.htmlRMP8J7ED–'Ground Plan of Lloyd's Coffee House (No. 16 Lombard Street) in 1773', (1928). Artist: Unknown.
. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 66 Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-cavalry-attack-in-the-battle-of-dresden-27-august-1813-pennington-catalogue-p-3011-engraving-before-middle-xix-c-thomas-charles-naudet-french-historical-artist-1773-1810-66-battle-of-dresden-by-naudet-image188943027.htmlRMMYB2N7–. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 66 Battle of Dresden by Naudet
French actor Lafond or Pierre Lafon 1773-1846 as Tancrede in the tragedy in music Tancrede by Andre Campra at the Theatre Francais, 1818. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1819. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-actor-lafond-or-pierre-lafon-1773-1846-as-tancrede-in-the-tragedy-in-music-tancrede-by-andre-campra-at-the-theatre-francais-1818-handcoloured-copperplate-engraving-from-charles-malos-almanach-des-spectacles-par-k-y-z-chez-louis-janet-paris-1819-image182646833.htmlRMMH47W5–French actor Lafond or Pierre Lafon 1773-1846 as Tancrede in the tragedy in music Tancrede by Andre Campra at the Theatre Francais, 1818. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1819.
SIR JOSHUA REYNOLDS. Portrait of Charles Coote, Ist earl bellamont in the robes of the order of the bath.1773. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-joshua-reynolds-portrait-of-charles-coote-ist-earl-bellamont-in-the-robes-of-the-order-of-the-bath1773-image570288762.htmlRF2T3PW3P–SIR JOSHUA REYNOLDS. Portrait of Charles Coote, Ist earl bellamont in the robes of the order of the bath.1773.
Greek philosopher Plato with the botanists Daniel Charles Solander and Joseph Banks in 18th century foppish costume. Copperplate engraving by Thomas Sanders after a satirical illustration by John Collier (Timothy Bobbin) in Human Passions Delineated, John Haywood, Manchester, 1773. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-greek-philosopher-plato-with-the-botanists-daniel-charles-solander-165665099.htmlRMKHEKEK–Greek philosopher Plato with the botanists Daniel Charles Solander and Joseph Banks in 18th century foppish costume. Copperplate engraving by Thomas Sanders after a satirical illustration by John Collier (Timothy Bobbin) in Human Passions Delineated, John Haywood, Manchester, 1773.
SIR JOSHUA REYNOLDS. Portrait of Charles Coote, Ist earl Bellamont in the robes of the order of the bath.1773. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-joshua-reynolds-portrait-of-charles-coote-ist-earl-bellamont-in-the-robes-of-the-order-of-the-bath1773-image331652998.htmlRF2A7G2NX–SIR JOSHUA REYNOLDS. Portrait of Charles Coote, Ist earl Bellamont in the robes of the order of the bath.1773.
Empress harpsichord manufactured by Shudi and Broadwood, London, for the Empress Maria Theresa in 1773. Chromolithograph from an illustration by William Gibb from A.J. Hipkins' 'Musical Instruments, Historic, Rare and Unique,' Adam and Charles Black, Edinburgh, 1888. Alfred James Hipkins (1826-1903) was an English musicologist who specialized in the history of the pianoforte and other instruments. William Gibb was a master illustrator and chromolithographer and illustrated 'The Royal House of Stuart' (1890), 'Naval and Military Trophies' (1896), and others. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/empress-harpsichord-manufactured-by-shudi-and-broadwood-london-for-the-empress-maria-theresa-in-1773-chromolithograph-from-an-illustration-by-william-gibb-from-aj-hipkins-musical-instruments-historic-rare-and-unique-adam-and-charles-black-edinburgh-1888-alfred-james-hipkins-1826-1903-was-an-english-musicologist-who-specialized-in-the-history-of-the-pianoforte-and-other-instruments-william-gibb-was-a-master-illustrator-and-chromolithographer-and-illustrated-the-royal-house-of-stuart-1890-naval-and-military-trophies-1896-and-others-image331683526.htmlRM2A7HDM6–Empress harpsichord manufactured by Shudi and Broadwood, London, for the Empress Maria Theresa in 1773. Chromolithograph from an illustration by William Gibb from A.J. Hipkins' 'Musical Instruments, Historic, Rare and Unique,' Adam and Charles Black, Edinburgh, 1888. Alfred James Hipkins (1826-1903) was an English musicologist who specialized in the history of the pianoforte and other instruments. William Gibb was a master illustrator and chromolithographer and illustrated 'The Royal House of Stuart' (1890), 'Naval and Military Trophies' (1896), and others.
Spiral nebula Messier 51 - published in 1910 by George Ritchey, an American optician, telescope maker and astronomer. Also known as Whirlpool Galaxy. First discovered by Charles Messier, a French astronomer, on October 13, 1773. Possessed a spiral structure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-spiral-nebula-messier-51-published-in-1910-by-george-ritchey-an-american-147100707.htmlRMJF90CK–Spiral nebula Messier 51 - published in 1910 by George Ritchey, an American optician, telescope maker and astronomer. Also known as Whirlpool Galaxy. First discovered by Charles Messier, a French astronomer, on October 13, 1773. Possessed a spiral structure
1860 ca , Paris , FRANCE : The french Madame HORTENSE JUBINAL born from Counts Rousselin DE CORBEAU DE SAINT-ALBIN . Photo by Levitszky , Paris . Hortense was the daughter of french politician Comte Alexandre Charles Omer ROUSSELIN de CORBEAU de SAINT ALBIN ( Paris, c.1773 - 1847) and Anne Marie Esperance CLEMENTINE . Alexandre was Delegate of the Board of Public Safety in Troyes , denounced because of this mission after 9 Thermidor , was later secretary general of the Ministry of War under Bernadotte and founder, 1 March 1815, the Constitutional , after founding 'The sheet of Public Safety Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1860-ca-paris-france-the-french-madame-hortense-jubinal-born-from-counts-rousselin-de-corbeau-de-saint-albin-photo-by-levitszky-paris-hortense-was-the-daughter-of-french-politician-comte-alexandre-charles-omer-rousselin-de-corbeau-de-saint-albin-paris-c1773-1847-and-anne-marie-esperance-clementine-alexandre-was-delegate-of-the-board-of-public-safety-in-troyes-denounced-because-of-this-mission-after-9-thermidor-was-later-secretary-general-of-the-ministry-of-war-under-bernadotte-and-founder-1-march-1815-the-constitutional-after-founding-the-sheet-of-public-safety-image343036757.htmlRF2AX2JTN–1860 ca , Paris , FRANCE : The french Madame HORTENSE JUBINAL born from Counts Rousselin DE CORBEAU DE SAINT-ALBIN . Photo by Levitszky , Paris . Hortense was the daughter of french politician Comte Alexandre Charles Omer ROUSSELIN de CORBEAU de SAINT ALBIN ( Paris, c.1773 - 1847) and Anne Marie Esperance CLEMENTINE . Alexandre was Delegate of the Board of Public Safety in Troyes , denounced because of this mission after 9 Thermidor , was later secretary general of the Ministry of War under Bernadotte and founder, 1 March 1815, the Constitutional , after founding 'The sheet of Public Safety
St. Charles Borromeo Church/Sint-Carolus Borromeuskerk.a church in central Antwerp, located on the Hendrik Conscience square. It was built in 1626 as the Jesuit church of Antwerp, which was closed in 1773. It was rededicated in 1779 to Saint Charles Borromeo. The church was formerly known for 39 ceiling pieces by Rubens that were lost in a fire when lightning struck the church on 18 July 1718. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-charles-borromeo-churchsint-carolus-borromeuskerka-church-in-central-antwerp-located-on-the-hendrik-conscience-square-it-was-built-in-1626-as-the-jesuit-church-of-antwerp-which-was-closed-in-1773-it-was-rededicated-in-1779-to-saint-charles-borromeo-the-church-was-formerly-known-for-39-ceiling-pieces-by-rubens-that-were-lost-in-a-fire-when-lightning-struck-the-church-on-18-july-1718-image362603708.htmlRM2C1X0MC–St. Charles Borromeo Church/Sint-Carolus Borromeuskerk.a church in central Antwerp, located on the Hendrik Conscience square. It was built in 1626 as the Jesuit church of Antwerp, which was closed in 1773. It was rededicated in 1779 to Saint Charles Borromeo. The church was formerly known for 39 ceiling pieces by Rubens that were lost in a fire when lightning struck the church on 18 July 1718.
William Harrison Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-harrison-105198332.htmlRMG345F8–William Harrison
Charles Cotesworth Pinckney. Charles Cotesworth Pinckney posed for his portrait around 1773 in the red coat (traces of which remain) of the Charles Town colonial militia. By 1775, despite formative years spent in England, Pinckney was an enthusiastic rebel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-cotesworth-pinckney-charles-cotesworth-pinckney-posed-for-his-portrait-around-1773-in-the-red-coat-traces-of-which-remain-of-the-charles-town-colonial-militia-by-1775-despite-formative-years-spent-in-england-pinckney-was-an-enthusiastic-rebel-image359519428.htmlRM2BTWEKG–Charles Cotesworth Pinckney. Charles Cotesworth Pinckney posed for his portrait around 1773 in the red coat (traces of which remain) of the Charles Town colonial militia. By 1775, despite formative years spent in England, Pinckney was an enthusiastic rebel.
The Prince of Wales (right) looks at old texts as he tours the Palofaxian Library in Puebla, Mexico, examining restoration work after an earthquake. The library, founded in 1646 and built in 1773, contains books dating back to 1493. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-prince-of-wales-right-looks-at-old-texts-as-he-tours-the-palofaxian-106824123.htmlRMG5P777–The Prince of Wales (right) looks at old texts as he tours the Palofaxian Library in Puebla, Mexico, examining restoration work after an earthquake. The library, founded in 1646 and built in 1773, contains books dating back to 1493.
Joseph Mallord William Turner, (artist), British, 1775 - 1851, Charles Turner, (artist), British, 1773 - 1857, Ships in a Breeze, Liber Studiorum: no.10, (series), published 1808, etching and mezzotint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-artist-british-1775-1851-charles-turner-artist-british-1773-1857-ships-in-a-breeze-liber-studiorum-no10-series-published-1808-etching-and-mezzotint-image386269669.htmlRM2DCC2W9–Joseph Mallord William Turner, (artist), British, 1775 - 1851, Charles Turner, (artist), British, 1773 - 1857, Ships in a Breeze, Liber Studiorum: no.10, (series), published 1808, etching and mezzotint
The Prince of Wales (left) looks at the Silver Swan musical automaton, which dates from 1773, during a visit to the Bowes Museum in Barnard Castle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-prince-of-wales-left-looks-at-the-silver-swan-musical-automaton-174797068.htmlRMM4AKCC–The Prince of Wales (left) looks at the Silver Swan musical automaton, which dates from 1773, during a visit to the Bowes Museum in Barnard Castle.
Art inspired by Caricature of the Painter Pierre-Charles Jombert, 1773–75, Black chalk, 41 15/16 x 16 13/16 in. (106.5 x 42.7 cm), Drawings, François André Vincent (French, Paris 1746–1816 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-caricature-of-the-painter-pierre-charles-jombert-177375-black-chalk-41-1516-x-16-1316-in-1065-x-427-cm-drawings-franois-andr-vincent-french-paris-17461816-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462952445.htmlRF2HW58FW–Art inspired by Caricature of the Painter Pierre-Charles Jombert, 1773–75, Black chalk, 41 15/16 x 16 13/16 in. (106.5 x 42.7 cm), Drawings, François André Vincent (French, Paris 1746–1816 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
American Revolutionary general Charles lee (1731–1782) was born in England. He settled in Virginia in 1773. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-american-revolutionary-general-charles-lee-17311782-was-born-in-england-31742922.htmlRFBRJ0BP–American Revolutionary general Charles lee (1731–1782) was born in England. He settled in Virginia in 1773.
Daniel Carlsson Solander (February 19, 1733 - May 13, 1782) was a Swedish naturalist. In 1768, Solander gained leave of absence from the British Museum and accompanied Joseph Banks on James Cook's first voyage to the Pacific Ocean aboard the Endeavour. In 1772 he accompanied Banks on his voyage to Iceland, the Hebrides and the Orkney Islands. Between 1773 and 1782 he was Keeper of the Natural History Department of the British Museum. He died of a stroke at the age of 49. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daniel-carlsson-solander-february-19-1733-may-13-1782-was-a-swedish-naturalist-in-1768-solander-gained-leave-of-absence-from-the-british-museum-and-accompanied-joseph-banks-on-james-cooks-first-voyage-to-the-pacific-ocean-aboard-the-endeavour-in-1772-he-accompanied-banks-on-his-voyage-to-iceland-the-hebrides-and-the-orkney-islands-between-1773-and-1782-he-was-keeper-of-the-natural-history-department-of-the-british-museum-he-died-of-a-stroke-at-the-age-of-49-image246623422.htmlRMT96JKA–Daniel Carlsson Solander (February 19, 1733 - May 13, 1782) was a Swedish naturalist. In 1768, Solander gained leave of absence from the British Museum and accompanied Joseph Banks on James Cook's first voyage to the Pacific Ocean aboard the Endeavour. In 1772 he accompanied Banks on his voyage to Iceland, the Hebrides and the Orkney Islands. Between 1773 and 1782 he was Keeper of the Natural History Department of the British Museum. He died of a stroke at the age of 49.
Art inspired by Portrait of Guillaume-Thomas Raynal, 1773, Etching and engraving; second state of two (Bocher), Sheet: 11 × 8 1/8 in. (28 × 20.6 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris 1715–1790 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-guillaume-thomas-raynal-1773-etching-and-engraving-second-state-of-two-bocher-sheet-11-8-18-in-28-206-cm-prints-augustin-de-saint-aubin-french-paris-17361807-paris-after-charles-nicolas-cochin-ii-french-paris-17151790-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020471.htmlRF2HW8B9B–Art inspired by Portrait of Guillaume-Thomas Raynal, 1773, Etching and engraving; second state of two (Bocher), Sheet: 11 × 8 1/8 in. (28 × 20.6 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris 1715–1790 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Design of a Pavilion of Sciences and the Arts in an English Park. Main Facade'. Sheet from the album. France, 1773. Dimensions: 56,1x91,8 cm. Museum: State Hermitage, St. Petersburg. Author: Charles de Wailly. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-of-a-pavilion-of-sciences-and-the-arts-in-an-english-park-main-facade-sheet-from-the-album-france-1773-dimensions-561x918-cm-museum-state-hermitage-st-petersburg-author-charles-de-wailly-image241191098.htmlRMT0B5KP–'Design of a Pavilion of Sciences and the Arts in an English Park. Main Facade'. Sheet from the album. France, 1773. Dimensions: 56,1x91,8 cm. Museum: State Hermitage, St. Petersburg. Author: Charles de Wailly.
. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-cavalry-attack-in-the-battle-of-dresden-27-august-1813-pennington-catalogue-p-3011-engraving-before-middle-xix-c-thomas-charles-naudet-french-historical-artist-1773-1810-75-battle-of-dresden-by-naudet-image188239662.htmlRMMX71H2–. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet
'Charles I demanding the five members in the House of Commons', 1773. Creator: Charles Grignion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-i-demanding-the-five-members-in-the-house-of-commons-1773-creator-charles-grignion-image248874988.htmlRMTCW6GC–'Charles I demanding the five members in the House of Commons', 1773. Creator: Charles Grignion.
Prince Charles in Mexico Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-prince-charles-in-mexico-106824126.htmlRMG5P77A–Prince Charles in Mexico
AJAXNETPHOTO. LE HAVRE, FRANCE. - SUGAR LOAF MAUSOLEUM - ERECTED BY THE WIDOW OF GENERAL CONTÉ CHARLES LEFEBVRE DESNOUETTES IN HIS MEMORY AND AS A NAVIGATION MARK AFTER HE DIED WHEN THE SHIP ALBION ON WHICH HE WAS TRAVELING WAS WRECKED OFF THE COAST OF IRELAND IN 1822. PHOTO:JONATHAN EASTLAND/AJAX REF:9408M64 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ajaxnetphoto-le-havre-france-sugar-loaf-mausoleum-erected-by-the-widow-93942915.htmlRMFCRD43–AJAXNETPHOTO. LE HAVRE, FRANCE. - SUGAR LOAF MAUSOLEUM - ERECTED BY THE WIDOW OF GENERAL CONTÉ CHARLES LEFEBVRE DESNOUETTES IN HIS MEMORY AND AS A NAVIGATION MARK AFTER HE DIED WHEN THE SHIP ALBION ON WHICH HE WAS TRAVELING WAS WRECKED OFF THE COAST OF IRELAND IN 1822. PHOTO:JONATHAN EASTLAND/AJAX REF:9408M64
THE HOUSE OF PEACE IN THE GARDEN OF tribuneship Thomas Charles Naudet (1773-1810). 'Le pavillon de la Paix dans le jardin du tribunat'. Estampe. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-house-of-peace-in-the-garden-of-tribuneship-thomas-charles-naudet-1773-1810-le-pavillon-de-la-paix-dans-le-jardin-du-tribunat-estampe-paris-muse-carnavalet-image350113371.htmlRM2B9H14Y–THE HOUSE OF PEACE IN THE GARDEN OF tribuneship Thomas Charles Naudet (1773-1810). 'Le pavillon de la Paix dans le jardin du tribunat'. Estampe. Paris, musée Carnavalet.
Louis Philippe I (1773 – 1850) was King of France from 1830 to 1848 as the leader of the Orléanist party. He was a cousin of King Louis XVI of France and had earlier found it necessary to flee France during the period of the French Revolution in order to avoid imprisonment and execution. After 21 years in exile he was proclaimed king in 1830 after his cousin Charles X was forced to abdicate in the wake of the events of the July Revolution of that year. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-philippe-i-1773-1850-was-king-of-france-from-1830-to-1848-as-113473922.htmlRMGGH542–Louis Philippe I (1773 – 1850) was King of France from 1830 to 1848 as the leader of the Orléanist party. He was a cousin of King Louis XVI of France and had earlier found it necessary to flee France during the period of the French Revolution in order to avoid imprisonment and execution. After 21 years in exile he was proclaimed king in 1830 after his cousin Charles X was forced to abdicate in the wake of the events of the July Revolution of that year.
Half shield-called 'old head' of Louis XV, in 1773 Joseph Charles Roettiers (1635-1703). Demi-écu dit 'à la vieille tête' de Louis XV, 1773. Argent, 1773. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/half-shield-called-old-head-of-louis-xv-in-1773-joseph-charles-roettiers-1635-1703-demi-cu-dit-la-vieille-tte-de-louis-xv-1773-argent-1773-paris-muse-carnavalet-image349772487.htmlRM2B91EAF–Half shield-called 'old head' of Louis XV, in 1773 Joseph Charles Roettiers (1635-1703). Demi-écu dit 'à la vieille tête' de Louis XV, 1773. Argent, 1773. Paris, musée Carnavalet.
Portrait of Charles Coote, 1st Earl of Bellamont (1738-1800), in Robes of the Order of the Bath 1773 by Joshua Reynolds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-charles-coote-1st-earl-of-bellamont-1738-1800-in-robes-of-the-order-of-the-bath-1773-by-joshua-reynolds-image559669225.htmlRM2REF3PH–Portrait of Charles Coote, 1st Earl of Bellamont (1738-1800), in Robes of the Order of the Bath 1773 by Joshua Reynolds
St. Charles Borromeo Church / Sint-Carolus Borromeuskerk.a church in central Antwerp, located on the Hendrik Conscience square. It was built in 1626 as the Jesuit church of Antwerp, which was closed in 1773. It was rededicated in 1779 to Saint Charles Borromeo. The church was formerly known for 39 ceiling pieces by Rubens that were lost in a fire when lightning struck the church on 18 July 1718. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-charles-borromeo-church-sint-carolus-borromeuskerka-church-in-central-antwerp-located-on-the-hendrik-conscience-square-it-was-built-in-1626-as-the-jesuit-church-of-antwerp-which-was-closed-in-1773-it-was-rededicated-in-1779-to-saint-charles-borromeo-the-church-was-formerly-known-for-39-ceiling-pieces-by-rubens-that-were-lost-in-a-fire-when-lightning-struck-the-church-on-18-july-1718-image362603700.htmlRM2C1X0M4–St. Charles Borromeo Church / Sint-Carolus Borromeuskerk.a church in central Antwerp, located on the Hendrik Conscience square. It was built in 1626 as the Jesuit church of Antwerp, which was closed in 1773. It was rededicated in 1779 to Saint Charles Borromeo. The church was formerly known for 39 ceiling pieces by Rubens that were lost in a fire when lightning struck the church on 18 July 1718.
William Harrison Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-harrison-105198338.htmlRMG345FE–William Harrison
Captain John Shaw (1773-1823), Irish-born American officer in the United States Navy, portrait painting by Gilbert Stuart, 1793 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/captain-john-shaw1773-1823-irish-born-american-officer-in-theunited-states-navy-portrait-painting-by-gilbert-stuart-1793-image447903003.htmlRM2H0KMRR–Captain John Shaw (1773-1823), Irish-born American officer in the United States Navy, portrait painting by Gilbert Stuart, 1793
The Lad Taiyota, Native of Otaheite, in the dress of his Country. Plate 9. From the book: A journal of a voyage to the South Seas, in his Majesty's ship the Endeavour, 1773, London, by Sydney Parkinson, Richard Godfrey. Gift of Charles Rooking Carter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lad-taiyota-native-of-otaheite-in-the-dress-of-his-country-plate-9-from-the-book-a-journal-of-a-voyage-to-the-south-seas-in-his-majestys-ship-the-endeavour-1773-london-by-sydney-parkinson-richard-godfrey-gift-of-charles-rooking-carter-image479325938.htmlRM2JRR53E–The Lad Taiyota, Native of Otaheite, in the dress of his Country. Plate 9. From the book: A journal of a voyage to the South Seas, in his Majesty's ship the Endeavour, 1773, London, by Sydney Parkinson, Richard Godfrey. Gift of Charles Rooking Carter.
Charles Turner, (artist), British, 1773 - 1857, Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Bridge in Middle Distance, Liber Studiorum: no.13, (series), published 1808, etching, aquatint and mezzotint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-turner-artist-british-1773-1857-joseph-mallord-william-turner-artist-british-1775-1851-the-bridge-in-middle-distance-liber-studiorum-no13-series-published-1808-etching-aquatint-and-mezzotint-image386286783.htmlRM2DCCTMF–Charles Turner, (artist), British, 1773 - 1857, Joseph Mallord William Turner, (artist), British, 1775 - 1851, The Bridge in Middle Distance, Liber Studiorum: no.13, (series), published 1808, etching, aquatint and mezzotint
Miss Jane Pope in the character of Dorcas Zeal in Edward Thompson’s The Fair Quaker of Deal, Drury Lane Theatre, 1773. Pope was an English actress, 1744-1818. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bell’s British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miss-jane-pope-in-the-character-of-dorcas-zeal-in-edward-thompsons-the-fair-quaker-of-deal-drury-lane-theatre-1773-pope-was-an-english-actress-1744-1818-copperplate-engraving-by-j-thornthwaite-after-an-illustration-by-james-roberts-from-bells-british-theatre-consisting-of-the-most-esteemed-english-plays-john-bell-london-1777-image363415258.htmlRM2C36YTA–Miss Jane Pope in the character of Dorcas Zeal in Edward Thompson’s The Fair Quaker of Deal, Drury Lane Theatre, 1773. Pope was an English actress, 1744-1818. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bell’s British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.
The Prince of Wales (centre) looks at the Silver Swan musical automaton, which dates from 1773, during a visit to the Bowes Museum in Barnard Castle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-prince-of-wales-centre-looks-at-the-silver-swan-musical-automaton-174797069.htmlRMM4AKCD–The Prince of Wales (centre) looks at the Silver Swan musical automaton, which dates from 1773, during a visit to the Bowes Museum in Barnard Castle.
A folly in the shape of a ruined Gothic abbey in Painshill Park, designed and created between 1738 and 1773 by the Hon. Charles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-folly-in-the-shape-of-a-ruined-gothic-abbey-in-painshill-park-designed-43770132.htmlRMCF5W70–A folly in the shape of a ruined Gothic abbey in Painshill Park, designed and created between 1738 and 1773 by the Hon. Charles
File photo dated 15/02/18 of The Prince of Wales (left) looking at the Silver Swan musical automaton, which dates from 1773, during a visit to the Bowes Museum in County Durham. A team of conservators and curators are assessing the Silver Swan at The Bowes Museum in County Durham ahead of maintenance and conservation plans. Issue date: Wednesday October 6, 2021. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/file-photo-dated-150218-of-the-prince-of-wales-left-looking-at-the-silver-swan-musical-automaton-which-dates-from-1773-during-a-visit-to-the-bowes-museum-in-county-durham-a-team-of-conservators-and-curators-are-assessing-the-silver-swan-at-the-bowes-museum-in-county-durham-ahead-of-maintenance-and-conservation-plans-issue-date-wednesday-october-6-2021-image446862035.htmlRM2GY092B–File photo dated 15/02/18 of The Prince of Wales (left) looking at the Silver Swan musical automaton, which dates from 1773, during a visit to the Bowes Museum in County Durham. A team of conservators and curators are assessing the Silver Swan at The Bowes Museum in County Durham ahead of maintenance and conservation plans. Issue date: Wednesday October 6, 2021.
Art inspired by Portrait of P.A. Caron de Beaumarchais, 1773, Etching and engraving; second state of two (Bocher), Sheet: 9 5/8 × 7 1/2 in. (24.5 × 19 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris 1715–1790 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-pa-caron-de-beaumarchais-1773-etching-and-engraving-second-state-of-two-bocher-sheet-9-58-7-12-in-245-19-cm-prints-augustin-de-saint-aubin-french-paris-17361807-paris-after-charles-nicolas-cochin-ii-french-paris-17151790-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020241.htmlRF2HW8B15–Art inspired by Portrait of P.A. Caron de Beaumarchais, 1773, Etching and engraving; second state of two (Bocher), Sheet: 9 5/8 × 7 1/2 in. (24.5 × 19 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris 1715–1790 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
French actor Lafond or Pierre Lafon 1773-1846 as Tancrede in the tragedy in music Tancrede by Andre Campra at the Theatre Francais, 1818. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1819. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-actor-lafond-or-pierre-lafon-1773-1846-as-tancrede-in-the-tragedy-in-music-tancrede-by-andre-campra-at-the-theatre-francais-1818-handcoloured-copperplate-engraving-from-charles-malos-almanach-des-spectacles-par-k-y-z-chez-louis-janet-paris-1819-image359055320.htmlRM2BT4AM8–French actor Lafond or Pierre Lafon 1773-1846 as Tancrede in the tragedy in music Tancrede by Andre Campra at the Theatre Francais, 1818. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1819.
. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-cavalry-attack-in-the-battle-of-dresden-27-august-1813-pennington-catalogue-p-3011-engraving-before-middle-xix-c-thomas-charles-naudet-french-historical-artist-1773-1810-75-battle-of-dresden-by-naudet-image187663038.htmlRMMW8P3A–. French cavalry attack in the Battle of Dresden (27 August 1813). Pennington Catalogue p. 3011, engraving. before middle XIX c.. Thomas Charles Naudet, French historical artist, 1773-1810 75 Battle of Dresden by Naudet
'Alfred, disguised in the Character of a Harper, viewing the Danish Camp', 1773. Creator: Charles Grignion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alfred-disguised-in-the-character-of-a-harper-viewing-the-danish-camp-1773-creator-charles-grignion-image248875005.htmlRMTCW6H1–'Alfred, disguised in the Character of a Harper, viewing the Danish Camp', 1773. Creator: Charles Grignion.
Charles-Louis Clérisseau, A Capriccio of Roman Ruins with Peasants in the Foreground, 1773, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-louis-clrisseau-a-capriccio-of-roman-ruins-with-peasants-in-the-foreground-1773-image634251449.htmlRM2YRTJ5D–Charles-Louis Clérisseau, A Capriccio of Roman Ruins with Peasants in the Foreground, 1773,
Detail of the Resolution beating through the ice, by John Webber, (1752-1793). Antarctica: The Last Continent by Ian Cameron, page 38.. The Resolution was responsible for some remarkable feats and was to prove one of the significant historical ships. She was the first ship to cross the Antarctic Circle (17 January 1773) and crossed twice more on the voyage. As a consequence the Resolution was instrumental in proving Dalrymple's Terra Australis Incognita (Southern Continent) to be a myth. On his third voyage, Captain James Cook crossed the Arctic Circle in the Resolution on 17th August 1778. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-the-resolution-beating-through-the-ice-by-john-webber-1752-1793-antarctica-the-last-continent-by-ian-cameron-page-38-the-resolution-was-responsible-for-some-remarkable-feats-and-was-to-prove-one-of-the-significant-historical-ships-she-was-the-first-ship-to-cross-the-antarctic-circle-17-january-1773-and-crossed-twice-more-on-the-voyage-as-a-consequence-the-resolution-was-instrumental-in-proving-dalrymples-terra-australis-incognita-southern-continent-to-be-a-myth-on-his-third-voyage-captain-james-cook-crossed-the-arctic-circle-in-the-resolution-on-17th-august-1778-image268794414.htmlRMWH8J0E–Detail of the Resolution beating through the ice, by John Webber, (1752-1793). Antarctica: The Last Continent by Ian Cameron, page 38.. The Resolution was responsible for some remarkable feats and was to prove one of the significant historical ships. She was the first ship to cross the Antarctic Circle (17 January 1773) and crossed twice more on the voyage. As a consequence the Resolution was instrumental in proving Dalrymple's Terra Australis Incognita (Southern Continent) to be a myth. On his third voyage, Captain James Cook crossed the Arctic Circle in the Resolution on 17th August 1778.
Print, Morpeth, Northumberland, from the Liber Studiorum; James Mallord William Turner (British, 1775–1851); Engraved by Charles Turner (British, 1773–1857); England; mezzotint and etching on white paper; Sheet: 30 x 43.9 cm (11 13/16 x 17 5/16 in.) Platemark: 21 x 29 cm (8 1/4 x 11 7/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-morpeth-northumberland-from-the-liber-studiorum-james-mallord-william-turner-british-17751851-engraved-by-charles-turner-british-17731857-england-mezzotint-and-etching-on-white-paper-sheet-30-x-439-cm-11-1316-x-17-516-in-platemark-21-x-29-cm-8-14-x-11-716-in-image546181897.htmlRM2PMGMG9–Print, Morpeth, Northumberland, from the Liber Studiorum; James Mallord William Turner (British, 1775–1851); Engraved by Charles Turner (British, 1773–1857); England; mezzotint and etching on white paper; Sheet: 30 x 43.9 cm (11 13/16 x 17 5/16 in.) Platemark: 21 x 29 cm (8 1/4 x 11 7/16 in.)
William Henry Harrison (geb. 9. Februar 1773 im Charles City County, Kolonie Virginia, gest. 4. April 1841 in Washington, D.C.) war ein amerikanischer Generalmajor und Politiker. Im Jahr 1841 war er der neunte Präsident der Vereinigten Staaten von Amerika, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-henry-harrison-geb-9-februar-1773-im-charles-city-county-kolonie-virginia-gest-4-april-1841-in-washington-dc-war-ein-amerikanischer-generalmajor-und-politiker-im-jahr-1841-war-er-der-neunte-prsident-der-vereinigten-staaten-von-amerika-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image608791723.htmlRF2XACT1F–William Henry Harrison (geb. 9. Februar 1773 im Charles City County, Kolonie Virginia, gest. 4. April 1841 in Washington, D.C.) war ein amerikanischer Generalmajor und Politiker. Im Jahr 1841 war er der neunte Präsident der Vereinigten Staaten von Amerika, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Twentieth shield-called 'old head' of Louis XV, in 1773 Joseph Charles Roettiers (1635-1703). Vingtième d'écu dit 'à la vieille tête' de Louis XV, 1773. Argent, 1773. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twentieth-shield-called-old-head-of-louis-xv-in-1773-joseph-charles-roettiers-1635-1703-vingtime-dcu-dit-la-vieille-tte-de-louis-xv-1773-argent-1773-paris-muse-carnavalet-image349772509.htmlRM2B91EB9–Twentieth shield-called 'old head' of Louis XV, in 1773 Joseph Charles Roettiers (1635-1703). Vingtième d'écu dit 'à la vieille tête' de Louis XV, 1773. Argent, 1773. Paris, musée Carnavalet.
COLE ARABIAN IN AN INDIAN LANDSCAPE by Charles Henry Schwanfelder 1773 1837 at Florence Court post conservation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cole-arabian-in-an-indian-landscape-by-charles-henry-schwanfelder-22705560.htmlRMB8X94T–COLE ARABIAN IN AN INDIAN LANDSCAPE by Charles Henry Schwanfelder 1773 1837 at Florence Court post conservation
Guillaume-Charles Faipoult (1752-1817), Minister Plenipotentiary in Genoa, June 10, 1797 Gerolamo Vassalo (1773-1819). Guillaume-Charles Faipoult (1752-1817), ministre plénipotentiaire à Gênes, 10 juin 1797. Bronze, 1797. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guillaume-charles-faipoult-1752-1817-minister-plenipotentiary-in-genoa-june-10-1797-gerolamo-vassalo-1773-1819-guillaume-charles-faipoult-1752-1817-ministre-plnipotentiaire-gnes-10-juin-1797-bronze-1797-paris-muse-carnavalet-image349963936.htmlRM2B9A6G0–Guillaume-Charles Faipoult (1752-1817), Minister Plenipotentiary in Genoa, June 10, 1797 Gerolamo Vassalo (1773-1819). Guillaume-Charles Faipoult (1752-1817), ministre plénipotentiaire à Gênes, 10 juin 1797. Bronze, 1797. Paris, musée Carnavalet.
William Harrison Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-harrison-105198335.htmlRMG345FB–William Harrison
Louis Philippe (1773-1850) on engraving from the 1800s. King of the French during 1830-1848. Engraved by H.Meyer and published in London by Charles Kn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-philippe-1773-1850-on-engraving-from-the-1800s-king-of-the-french-during-1830-1848-engraved-by-hmeyer-and-published-in-london-by-charles-kn-image622866635.htmlRF2Y5A0MY–Louis Philippe (1773-1850) on engraving from the 1800s. King of the French during 1830-1848. Engraved by H.Meyer and published in London by Charles Kn
Man Woman & Child, natives of Terra del fuego, in the dress of that Country, Plate 1. From the book: A journal of a voyage to the South Seas, in his Majesty's ship the Endeavour, 1773, by Sydney Parkinson, Thomas Chambers. Gift of Charles Rooking Carter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-woman-child-natives-of-terra-del-fuego-in-the-dress-of-that-country-plate-1-from-the-book-a-journal-of-a-voyage-to-the-south-seas-in-his-majestys-ship-the-endeavour-1773-by-sydney-parkinson-thomas-chambers-gift-of-charles-rooking-carter-image479331117.htmlRM2JRRBMD–Man Woman & Child, natives of Terra del fuego, in the dress of that Country, Plate 1. From the book: A journal of a voyage to the South Seas, in his Majesty's ship the Endeavour, 1773, by Sydney Parkinson, Thomas Chambers. Gift of Charles Rooking Carter.
Pierre-Charles Micalef, Section of a spoon handle, French, Paris, Pierre-Charles Micalef (master 1773, recorded 1806), 1786, French, Paris, Silver, Length: 2 1/2 in. (6.4 cm), Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierre-charles-micalef-section-of-a-spoon-handle-french-paris-pierre-charles-micalef-master-1773-recorded-1806-1786-french-paris-silver-length-2-12-in-64-cm-metalwork-silver-image344676948.htmlRM2B0NAY0–Pierre-Charles Micalef, Section of a spoon handle, French, Paris, Pierre-Charles Micalef (master 1773, recorded 1806), 1786, French, Paris, Silver, Length: 2 1/2 in. (6.4 cm), Metalwork-Silver
Portrait of Sylvain-Charles, comte Valée, 1773 - 1846, a Marshal of France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-sylvain-charles-comte-vale-1773-1846-a-marshal-of-france-image63750002.htmlRMDKM1NP–Portrait of Sylvain-Charles, comte Valée, 1773 - 1846, a Marshal of France
Portrait of Louis Phillippe the Citizen King (1773 - 1830). House of Orléans, July Monarchy. History of France, from the book Atlas de la France 1842 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-louis-phillippe-the-citizen-king-1773-1830-house-of-orlans-july-monarchy-history-of-france-from-the-book-atlas-de-la-france-1842-image397062773.htmlRM2E1YNH9–Portrait of Louis Phillippe the Citizen King (1773 - 1830). House of Orléans, July Monarchy. History of France, from the book Atlas de la France 1842
A folly in the shape of a Gothic tower in Painshill Park, designed and created between 1738 and 1773 by the Hon. Charles Hamilto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-folly-in-the-shape-of-a-gothic-tower-in-painshill-park-designed-43770149.htmlRMCF5W7H–A folly in the shape of a Gothic tower in Painshill Park, designed and created between 1738 and 1773 by the Hon. Charles Hamilto
![. The Victoria history of the county of Bedford. Natural history. Anderson. Argent a cheveron between three crosses paty sable. P E L H A M. Axure three pelicans argent quartered ivith Gules two pieces of belts argent pale^ wise with their buckles. 1638," and Stephen, whose son Stephen was created a baronet during his father's lifetime in 1664, held the manor after him as heir male.''. Sir Stephen Anderson died in 1707,'* and was followed by a son Stephen, whose son Stephen died without issue in 1773, and the baronetcy became extinct," when the Eyworth estates reverted to Charles And Stock Photo](https://c8.alamy.com/comp/PG052X/the-victoria-history-of-the-county-of-bedford-natural-history-anderson-argent-a-cheveron-between-three-crosses-paty-sable-p-e-l-h-a-m-axure-three-pelicans-argent-quartered-ivith-gules-two-pieces-of-belts-argent-pale-wise-with-their-buckles-1638quot-and-stephen-whose-son-stephen-was-created-a-baronet-during-his-fathers-lifetime-in-1664-held-the-manor-after-him-as-heir-male-sir-stephen-anderson-died-in-1707-and-was-followed-by-a-son-stephen-whose-son-stephen-died-without-issue-in-1773-and-the-baronetcy-became-extinctquot-when-the-eyworth-estates-reverted-to-charles-and-PG052X.jpg ". The Victoria history of the county of Bedford. Natural history. Anderson. Argent a cheveron between three crosses paty sable. P E L H A M. Axure three pelicans argent quartered ivith Gules two pieces of belts argent pale^ wise with their buckles. 1638," and Stephen, whose son Stephen was created a baronet during his father's lifetime in 1664, held the manor after him as heir male.''. Sir Stephen Anderson died in 1707,'* and was followed by a son Stephen, whose son Stephen died without issue in 1773, and the baronetcy became extinct," when the Eyworth estates reverted to Charles And Stock Photo")
. The Victoria history of the county of Bedford. Natural history. Anderson. Argent a cheveron between three crosses paty sable. P E L H A M. Axure three pelicans argent quartered ivith Gules two pieces of belts argent pale^ wise with their buckles. 1638," and Stephen, whose son Stephen was created a baronet during his father's lifetime in 1664, held the manor after him as heir male.''. Sir Stephen Anderson died in 1707,'* and was followed by a son Stephen, whose son Stephen died without issue in 1773, and the baronetcy became extinct," when the Eyworth estates reverted to Charles And Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-victoria-history-of-the-county-of-bedford-natural-history-anderson-argent-a-cheveron-between-three-crosses-paty-sable-p-e-l-h-a-m-axure-three-pelicans-argent-quartered-ivith-gules-two-pieces-of-belts-argent-pale-wise-with-their-buckles-1638quot-and-stephen-whose-son-stephen-was-created-a-baronet-during-his-fathers-lifetime-in-1664-held-the-manor-after-him-as-heir-male-sir-stephen-anderson-died-in-1707-and-was-followed-by-a-son-stephen-whose-son-stephen-died-without-issue-in-1773-and-the-baronetcy-became-extinctquot-when-the-eyworth-estates-reverted-to-charles-and-image216362914.htmlRMPG052X–. The Victoria history of the county of Bedford. Natural history. Anderson. Argent a cheveron between three crosses paty sable. P E L H A M. Axure three pelicans argent quartered ivith Gules two pieces of belts argent pale^ wise with their buckles. 1638," and Stephen, whose son Stephen was created a baronet during his father's lifetime in 1664, held the manor after him as heir male.''. Sir Stephen Anderson died in 1707,'* and was followed by a son Stephen, whose son Stephen died without issue in 1773, and the baronetcy became extinct," when the Eyworth estates reverted to Charles And
Art inspired by Portrait of P. A. Caron de Beaumarchais, 1773, Etching and engraving; second state of two (Bocher), Mount: 10 3/16 × 6 13/16 in. (25.8 × 17.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris 1715–1790, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-p-a-caron-de-beaumarchais-1773-etching-and-engraving-second-state-of-two-bocher-mount-10-316-6-1316-in-258-173-cm-prints-augustin-de-saint-aubin-french-paris-17361807-paris-after-charles-nicolas-cochin-ii-french-paris-17151790-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020331.htmlRF2HW8B4B–Art inspired by Portrait of P. A. Caron de Beaumarchais, 1773, Etching and engraving; second state of two (Bocher), Mount: 10 3/16 × 6 13/16 in. (25.8 × 17.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris 1715–1790, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Straw Yard, plate 7 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1808. Dimensions: 193 × 255 mm (image); 205 × 290 mm (plate); 266 × 332 mm (sheet). Etching and engraving in brown on ivory laid paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-straw-yard-plate-7-from-liber-studiorum-joseph-mallord-william-turner-english-1775-1851-engraved-by-charles-turner-english-1773-1857-date-1808-dimensions-193-255-mm-image-205-290-mm-plate-266-332-mm-sheet-etching-and-engraving-in-brown-on-ivory-laid-paper-origin-england-museum-the-chicago-art-institute-image240139921.htmlRMRXK8WN–The Straw Yard, plate 7 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1808. Dimensions: 193 × 255 mm (image); 205 × 290 mm (plate); 266 × 332 mm (sheet). Etching and engraving in brown on ivory laid paper. Origin: England. Museum: The Chicago Art Institute.
N/A. Deutsch: Das Alte Zeughaus in Braunschweig 1829. 1829. Carl Maré (1773–1835) Alternative names Carl Mare, Johann Karl Mare, Jean-Charles Maré Description German engraver and publisher Date of birth/death 21 December 1772 15 August 1835 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q1116004 VIAF:32903597 ISNI:0000 0000 7914 228X LCCN:n93023934 GND:123416221 SUDOC:116380829 WorldCat 89 Altes Zeughaus Braunschweig 1829 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-deutsch-das-alte-zeughaus-in-braunschweig-1829-1829-carl-mar-17731835-alternative-names-carl-mare-johann-karl-mare-jean-charles-mar-description-german-engraver-and-publisher-date-of-birthdeath-21-december-1772-15-august-1835-location-of-birthdeath-berlin-berlin-work-location-berlin-authority-control-q1116004-viaf32903597-isni0000-0000-7914-228x-lccnn93023934-gnd123416221-sudoc116380829-worldcat-89-altes-zeughaus-braunschweig-1829-image210028401.htmlRMP5KHA9–N/A. Deutsch: Das Alte Zeughaus in Braunschweig 1829. 1829. Carl Maré (1773–1835) Alternative names Carl Mare, Johann Karl Mare, Jean-Charles Maré Description German engraver and publisher Date of birth/death 21 December 1772 15 August 1835 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q1116004 VIAF:32903597 ISNI:0000 0000 7914 228X LCCN:n93023934 GND:123416221 SUDOC:116380829 WorldCat 89 Altes Zeughaus Braunschweig 1829
A folly in the shape of a ruined Gothic abbey in Painshill Park, designed and created between 1738 and 1773 by the Hon. Charles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-folly-in-the-shape-of-a-ruined-gothic-abbey-in-painshill-park-designed-43770136.htmlRMCF5W74–A folly in the shape of a ruined Gothic abbey in Painshill Park, designed and created between 1738 and 1773 by the Hon. Charles
. Album of history and biography of Meeker County, Minnesota . Virginia,dence of L I A M HENRYHARRISON, theninth President ofthe United States,I 84 I, was bornFebruary 9, 1773,in Charles County,at Berkeley, the resi-his father, GovernorBenjamin Harrison. He studiedat Hampden, Sidney College,with a view of entering the med-ical profession. After graduationhe went to Philadelphia to studymedicine under the instruction ofDr. Rush.George Washington was then President3f the United States. The Indians werecommitting fearful ravages on our North-western frontier. Young Harrison, eitherlured by the lo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-of-history-and-biography-of-meeker-county-minnesota-virginiadence-of-l-i-a-m-henryharrison-theninth-president-ofthe-united-statesi-84-i-was-bornfebruary-9-1773in-charles-countyat-berkeley-the-resi-his-father-governorbenjamin-harrison-he-studiedat-hampden-sidney-collegewith-a-view-of-entering-the-med-ical-profession-after-graduationhe-went-to-philadelphia-to-studymedicine-under-the-instruction-ofdr-rushgeorge-washington-was-then-president3f-the-united-states-the-indians-werecommitting-fearful-ravages-on-our-north-western-frontier-young-harrison-eitherlured-by-the-lo-image372598022.htmlRM2CJ58G6–. Album of history and biography of Meeker County, Minnesota . Virginia,dence of L I A M HENRYHARRISON, theninth President ofthe United States,I 84 I, was bornFebruary 9, 1773,in Charles County,at Berkeley, the resi-his father, GovernorBenjamin Harrison. He studiedat Hampden, Sidney College,with a view of entering the med-ical profession. After graduationhe went to Philadelphia to studymedicine under the instruction ofDr. Rush.George Washington was then President3f the United States. The Indians werecommitting fearful ravages on our North-western frontier. Young Harrison, eitherlured by the lo
Guillaume-Charles Faipoult (1752-1817), Minister Plenipotentiary in Genoa, June 10, 1797 Gerolamo Vassalo (1773-1819). Guillaume-Charles Faipoult (1752-1817), ministre plénipotentiaire à Gênes, 10 juin 1797. Etain, 1797. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guillaume-charles-faipoult-1752-1817-minister-plenipotentiary-in-genoa-june-10-1797-gerolamo-vassalo-1773-1819-guillaume-charles-faipoult-1752-1817-ministre-plnipotentiaire-gnes-10-juin-1797-etain-1797-paris-muse-carnavalet-image349964155.htmlRM2B9A6RR–Guillaume-Charles Faipoult (1752-1817), Minister Plenipotentiary in Genoa, June 10, 1797 Gerolamo Vassalo (1773-1819). Guillaume-Charles Faipoult (1752-1817), ministre plénipotentiaire à Gênes, 10 juin 1797. Etain, 1797. Paris, musée Carnavalet.
William Harrison, 1773 - 1841 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-harrison-1773-1841-105543410.htmlRMG3KWKE–William Harrison, 1773 - 1841
View of a village in the Bay of Good success in the Islands of Terra del Fuego, Plate 2. From the book: A journal of a voyage to the South Seas, in his Majesty's ship the Endeavour, 1773, by Alexander Buchan, James Newton. Gift of Charles Rooking Carter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-a-village-in-the-bay-of-good-success-in-the-islands-of-terra-del-fuego-plate-2-from-the-book-a-journal-of-a-voyage-to-the-south-seas-in-his-majestys-ship-the-endeavour-1773-by-alexander-buchan-james-newton-gift-of-charles-rooking-carter-image479331114.htmlRM2JRRBMA–View of a village in the Bay of Good success in the Islands of Terra del Fuego, Plate 2. From the book: A journal of a voyage to the South Seas, in his Majesty's ship the Endeavour, 1773, by Alexander Buchan, James Newton. Gift of Charles Rooking Carter.
Charles-Nicolas Cochin II, (artist), French, 1715 - 1790, Allegory of Fame, 1773, red chalk with traces of graphite on wove paper, overall: 17.1 x 17.1 cm (6 3/4 x 6 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-nicolas-cochin-ii-artist-french-1715-1790-allegory-of-fame-1773-red-chalk-with-traces-of-graphite-on-wove-paper-overall-171-x-171-cm-6-34-x-6-34-in-image386355445.htmlRM2DCG08N–Charles-Nicolas Cochin II, (artist), French, 1715 - 1790, Allegory of Fame, 1773, red chalk with traces of graphite on wove paper, overall: 17.1 x 17.1 cm (6 3/4 x 6 3/4 in
Portrait of Louis Phillippe the Citizen King (1773 - 1830). House of Orléans, July Monarchy. History of France, from the book Atlas de la France 1842 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-louis-phillippe-the-citizen-king-1773-1830-house-of-orlans-july-monarchy-history-of-france-from-the-book-atlas-de-la-france-1842-image337369458.htmlRM2AGTE56–Portrait of Louis Phillippe the Citizen King (1773 - 1830). House of Orléans, July Monarchy. History of France, from the book Atlas de la France 1842
Art inspired by Portrait of Guillaume-Thomas Raynal, 1773, Etching and engraving; after second state of two (Bocher), Mount: 10 1/4 × 9 5/16 in. (26.1 × 23.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris 1715–1790, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-guillaume-thomas-raynal-1773-etching-and-engraving-after-second-state-of-two-bocher-mount-10-14-9-516-in-261-237-cm-prints-augustin-de-saint-aubin-french-paris-17361807-paris-after-charles-nicolas-cochin-ii-french-paris-17151790-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020719.htmlRF2HW8BJ7–Art inspired by Portrait of Guillaume-Thomas Raynal, 1773, Etching and engraving; after second state of two (Bocher), Mount: 10 1/4 × 9 5/16 in. (26.1 × 23.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris 1715–1790, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Caricature of the Painter Pierre-Charles Jombert. Artist: François André Vincent (French, Paris 1746-1816 Paris). Dimensions: 41 15/16 x 16 13/16 in. (106.5 x 42.7 cm). Former Attribution: Formerly attributed to Jean-Baptiste Mauzaisse (French, Corbeil (Essonne) 1784-1844 Paris). Date: 1773-75. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caricature-of-the-painter-pierre-charles-jombert-artist-franois-andr-vincent-french-paris-1746-1816-paris-dimensions-41-1516-x-16-1316-in-1065-x-427-cm-former-attribution-formerly-attributed-to-jean-baptiste-mauzaisse-french-corbeil-essonne-1784-1844-paris-date-1773-75-museum-metropolitan-museum-of-art-new-york-usa-image212848690.htmlRMPA82JX–Caricature of the Painter Pierre-Charles Jombert. Artist: François André Vincent (French, Paris 1746-1816 Paris). Dimensions: 41 15/16 x 16 13/16 in. (106.5 x 42.7 cm). Former Attribution: Formerly attributed to Jean-Baptiste Mauzaisse (French, Corbeil (Essonne) 1784-1844 Paris). Date: 1773-75. Museum: Metropolitan Museum of Art, New York, USA.
N/A. Deutsch: Der Burgkirchhof (heute Domplatz) in Braunschweig 1829. 1829. Carl Maré (1773–1835) Alternative names Carl Mare, Johann Karl Mare, Jean-Charles Maré Description German engraver and publisher Date of birth/death 21 December 1772 15 August 1835 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q1116004 VIAF:32903597 ISNI:0000 0000 7914 228X LCCN:n93023934 GND:123416221 SUDOC:116380829 WorldCat 250 Burgkirchhof (Domplatz) 1829 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-deutsch-der-burgkirchhof-heute-domplatz-in-braunschweig-1829-1829-carl-mar-17731835-alternative-names-carl-mare-johann-karl-mare-jean-charles-mar-description-german-engraver-and-publisher-date-of-birthdeath-21-december-1772-15-august-1835-location-of-birthdeath-berlin-berlin-work-location-berlin-authority-control-q1116004-viaf32903597-isni0000-0000-7914-228x-lccnn93023934-gnd123416221-sudoc116380829-worldcat-250-burgkirchhof-domplatz-1829-image210117934.htmlRMP5RKFX–N/A. Deutsch: Der Burgkirchhof (heute Domplatz) in Braunschweig 1829. 1829. Carl Maré (1773–1835) Alternative names Carl Mare, Johann Karl Mare, Jean-Charles Maré Description German engraver and publisher Date of birth/death 21 December 1772 15 August 1835 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q1116004 VIAF:32903597 ISNI:0000 0000 7914 228X LCCN:n93023934 GND:123416221 SUDOC:116380829 WorldCat 250 Burgkirchhof (Domplatz) 1829
Art inspired by Andromache and Astyanax, 1813–24, Oil on canvas, 52 x 67 1/8 in. (132.1 x 170.5 cm), Paintings, Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris), completed by Charles Boulanger de Boisfrémont (French, Rouen 1773–1838 Paris), Prud'hon—one of the principal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-andromache-and-astyanax-181324-oil-on-canvas-52-x-67-18-in-1321-x-1705-cm-paintings-pierre-paul-prudhon-french-cluny-17581823-paris-completed-by-charles-boulanger-de-boisfrmont-french-rouen-17731838-paris-prudhonone-of-the-principal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463025858.htmlRF2HW8J5P–Art inspired by Andromache and Astyanax, 1813–24, Oil on canvas, 52 x 67 1/8 in. (132.1 x 170.5 cm), Paintings, Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris), completed by Charles Boulanger de Boisfrémont (French, Rouen 1773–1838 Paris), Prud'hon—one of the principal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Study for Vignette-Frontispiece in Charles-Simon Favart’s L’Amitié à l’Epreuve, c. 1771, Hubert François Gravelot, French, 1699-1773, France, Graphite, on gray laid paper, laid down on ivory laid paper, 158 × 82 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-vignette-frontispiece-in-charles-simon-favarts-lamiti-lepreuve-c-1771-hubert-franois-gravelot-french-1699-1773-france-graphite-on-gray-laid-paper-laid-down-on-ivory-laid-paper-158-82-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349717014.htmlRF2B8XYHA–Study for Vignette-Frontispiece in Charles-Simon Favart’s L’Amitié à l’Epreuve, c. 1771, Hubert François Gravelot, French, 1699-1773, France, Graphite, on gray laid paper, laid down on ivory laid paper, 158 × 82 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The history of the violin, and other instruments played on with the bow from the remotest times to the presentAlso, an account of the principal makers, English and foreign, with numerous illustrationsBy William Sandys and Simon Andrew Forster . getting into disputes with his fellow-m.usicians, he foundthe office so troublesome that he resigned it in a fewyears, and in 1773 it was suppressed altogether. Charles IX. of France granted by letters patent in 82 HISTORY OF THE VIOLIN. J 570, to Jean Antoine de Baif and Joachim Thibaut deCourville the power to form an academy of music.Amonor the rules Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-history-of-the-violin-and-other-instruments-played-on-with-the-bow-from-the-remotest-times-to-the-presentalso-an-account-of-the-principal-makers-english-and-foreign-with-numerous-illustrationsby-william-sandys-and-simon-andrew-forster-getting-into-disputes-with-his-fellow-musicians-he-foundthe-office-so-troublesome-that-he-resigned-it-in-a-fewyears-and-in-1773-it-was-suppressed-altogether-charles-ix-of-france-granted-by-letters-patent-in-82-history-of-the-violin-j-570-to-jean-antoine-de-baif-and-joachim-thibaut-decourville-the-power-to-form-an-academy-of-musicamonor-the-rules-image339976511.htmlRM2AN37E7–The history of the violin, and other instruments played on with the bow from the remotest times to the presentAlso, an account of the principal makers, English and foreign, with numerous illustrationsBy William Sandys and Simon Andrew Forster . getting into disputes with his fellow-m.usicians, he foundthe office so troublesome that he resigned it in a fewyears, and in 1773 it was suppressed altogether. Charles IX. of France granted by letters patent in 82 HISTORY OF THE VIOLIN. J 570, to Jean Antoine de Baif and Joachim Thibaut deCourville the power to form an academy of music.Amonor the rules
Guillaume-Charles Faipoult (1752-1817), Minister Plenipotentiary in Genoa, June 10, 1797 Gerolamo Vassalo (1773-1819). Guillaume-Charles Faipoult (1752-1817), ministre plénipotentiaire à Gênes, 10 juin 1797. Bronze, 1797. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guillaume-charles-faipoult-1752-1817-minister-plenipotentiary-in-genoa-june-10-1797-gerolamo-vassalo-1773-1819-guillaume-charles-faipoult-1752-1817-ministre-plnipotentiaire-gnes-10-juin-1797-bronze-1797-paris-muse-carnavalet-image349963950.htmlRM2B9A6GE–Guillaume-Charles Faipoult (1752-1817), Minister Plenipotentiary in Genoa, June 10, 1797 Gerolamo Vassalo (1773-1819). Guillaume-Charles Faipoult (1752-1817), ministre plénipotentiaire à Gênes, 10 juin 1797. Bronze, 1797. Paris, musée Carnavalet.
William Harrison, 1773 - 1841 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-harrison-1773-1841-105543406.htmlRMG3KWKA–William Harrison, 1773 - 1841
Charles Melchior Descourtis. La Rixe. 1773–1826. France. Color aquatint with etching and engraving in black ink on ivory wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-melchior-descourtis-la-rixe-17731826-france-color-aquatint-with-etching-and-engraving-in-black-ink-on-ivory-wove-paper-image337941849.htmlRM2AHPG7N–Charles Melchior Descourtis. La Rixe. 1773–1826. France. Color aquatint with etching and engraving in black ink on ivory wove paper
Pierre Charles Baquoy (Engraver) Travelers in front of a camp. etching 1773 , 1773 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierre-charles-baquoy-engraver-travelers-in-front-of-a-camp-etching-1773-1773-image573005856.htmlRM2T86JPT–Pierre Charles Baquoy (Engraver) Travelers in front of a camp. etching 1773 , 1773
Study for Vignette-Frontispiece in Charles-Simon Favart’s L’Amitié à l’Epreuve, c. 1771, Hubert François Gravelot, French, 1699-1773, France, Graphite, on gray laid paper, laid down on ivory laid paper, 158 × 82 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-vignette-frontispiece-in-charles-simon-favarts-lamiti-lepreuve-c-1771-hubert-franois-gravelot-french-1699-1773-france-graphite-on-gray-laid-paper-laid-down-on-ivory-laid-paper-158-82-mm-image328643177.htmlRM2A2JYM9–Study for Vignette-Frontispiece in Charles-Simon Favart’s L’Amitié à l’Epreuve, c. 1771, Hubert François Gravelot, French, 1699-1773, France, Graphite, on gray laid paper, laid down on ivory laid paper, 158 × 82 mm
Portrait of Guillaume-Thomas Raynal. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Sheet: 11 × 8 1/8 in. (28 × 20.6 cm) Plate: 8 3/8 × 5 7/8 in. (21.2 × 15 cm). Date: 1773. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-guillaume-thomas-raynal-artist-after-charles-nicolas-cochin-ii-french-paris-1715-1790-paris-augustin-de-saint-aubin-french-paris-1736-1807-paris-dimensions-sheet-11-8-18-in-28-206-cm-plate-8-38-5-78-in-212-15-cm-date-1773-museum-metropolitan-museum-of-art-new-york-usa-image233251503.htmlRMRFDEJR–Portrait of Guillaume-Thomas Raynal. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Sheet: 11 × 8 1/8 in. (28 × 20.6 cm) Plate: 8 3/8 × 5 7/8 in. (21.2 × 15 cm). Date: 1773. Museum: Metropolitan Museum of Art, New York, USA.
N/A. Deutsch: Die Bockstwete in Braunschweig 1829. 1829. Carl Maré (1773–1835) Alternative names Carl Mare, Johann Karl Mare, Jean-Charles Maré Description German engraver and publisher Date of birth/death 21 December 1772 15 August 1835 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q1116004 VIAF:32903597 ISNI:0000 0000 7914 228X LCCN:n93023934 GND:123416221 SUDOC:116380829 WorldCat 215 Bockstwete 1829 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-deutsch-die-bockstwete-in-braunschweig-1829-1829-carl-mar-17731835-alternative-names-carl-mare-johann-karl-mare-jean-charles-mar-description-german-engraver-and-publisher-date-of-birthdeath-21-december-1772-15-august-1835-location-of-birthdeath-berlin-berlin-work-location-berlin-authority-control-q1116004-viaf32903597-isni0000-0000-7914-228x-lccnn93023934-gnd123416221-sudoc116380829-worldcat-215-bockstwete-1829-image210090940.htmlRMP5PD3T–N/A. Deutsch: Die Bockstwete in Braunschweig 1829. 1829. Carl Maré (1773–1835) Alternative names Carl Mare, Johann Karl Mare, Jean-Charles Maré Description German engraver and publisher Date of birth/death 21 December 1772 15 August 1835 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q1116004 VIAF:32903597 ISNI:0000 0000 7914 228X LCCN:n93023934 GND:123416221 SUDOC:116380829 WorldCat 215 Bockstwete 1829
Study for Vignette-Frontispiece in Charles-Simon Favart’s L’Amitié à L’Epreuve, c. 1771, Hubert François Gravelot, French, 1699-1773, France, Graphite and black chalk, on gray laid paper, laid down on ivory laid paper, 143 × 80 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-vignette-frontispiece-in-charles-simon-favarts-lamiti-lepreuve-c-1771-hubert-franois-gravelot-french-1699-1773-france-graphite-and-black-chalk-on-gray-laid-paper-laid-down-on-ivory-laid-paper-143-80-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349717015.htmlRF2B8XYHB–Study for Vignette-Frontispiece in Charles-Simon Favart’s L’Amitié à L’Epreuve, c. 1771, Hubert François Gravelot, French, 1699-1773, France, Graphite and black chalk, on gray laid paper, laid down on ivory laid paper, 143 × 80 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Appletons' cyclopædia of American biography . n, and at one time gov-ernor of Jamaica. From 1766 till 1773 he heldthe office of governor of South Carolina. Duringhis administration, in 1769, the circuit court lawwas passed, and courts of justice were establishedat Ninety-Six, Orangeburg, and Camden. Mon-tague street, in Charleston, is named for him. GREY, Charles, British soldier, b. in England,23 Oct., 1729; d. 14 Nov., 1807. In 1757 he wasaide-de-camp to the Duke of Brunswick, and tookpart in the battle of Minden, in which he waswounded. He was appointed lieutenant-colonelin 1761, and comman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appletons-cyclopdia-of-american-biography-n-and-at-one-time-gov-ernor-of-jamaica-from-1766-till-1773-he-heldthe-office-of-governor-of-south-carolina-duringhis-administration-in-1769-the-circuit-court-lawwas-passed-and-courts-of-justice-were-establishedat-ninety-six-orangeburg-and-camden-mon-tague-street-in-charleston-is-named-for-him-grey-charles-british-soldier-b-in-england23-oct-1729-d-14-nov-1807-in-1757-he-wasaide-de-camp-to-the-duke-of-brunswick-and-tookpart-in-the-battle-of-minden-in-which-he-waswounded-he-was-appointed-lieutenant-colonelin-1761-and-comman-image338117520.htmlRM2AJ2G9M–Appletons' cyclopædia of American biography . n, and at one time gov-ernor of Jamaica. From 1766 till 1773 he heldthe office of governor of South Carolina. Duringhis administration, in 1769, the circuit court lawwas passed, and courts of justice were establishedat Ninety-Six, Orangeburg, and Camden. Mon-tague street, in Charleston, is named for him. GREY, Charles, British soldier, b. in England,23 Oct., 1729; d. 14 Nov., 1807. In 1757 he wasaide-de-camp to the Duke of Brunswick, and tookpart in the battle of Minden, in which he waswounded. He was appointed lieutenant-colonelin 1761, and comman
William Harrison, 1773 - 1841 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-harrison-1773-1841-105543403.htmlRMG3KWK7–William Harrison, 1773 - 1841
Charles Melchior Descourtis. Vue de Schadau sur le Lac de Thun. 1773–1820. France. Wash manner in color on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-melchior-descourtis-vue-de-schadau-sur-le-lac-de-thun-17731820-france-wash-manner-in-color-on-paper-image337953754.htmlRM2AHR3CX–Charles Melchior Descourtis. Vue de Schadau sur le Lac de Thun. 1773–1820. France. Wash manner in color on paper
Pierre Charles Baquoy (Engraver) Travelers in front of a camp. etching 1773 , 1773 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierre-charles-baquoy-engraver-travelers-in-front-of-a-camp-etching-1773-1773-image573005871.htmlRM2T86JRB–Pierre Charles Baquoy (Engraver) Travelers in front of a camp. etching 1773 , 1773
Study for Vignette-Frontispiece in Charles-Simon Favart’s L’Amitié à L’Epreuve, c. 1771, Hubert François Gravelot, French, 1699-1773, France, Graphite and black chalk, on gray laid paper, laid down on ivory laid paper, 143 × 80 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-for-vignette-frontispiece-in-charles-simon-favarts-lamiti-lepreuve-c-1771-hubert-franois-gravelot-french-1699-1773-france-graphite-and-black-chalk-on-gray-laid-paper-laid-down-on-ivory-laid-paper-143-80-mm-image328643178.htmlRM2A2JYMA–Study for Vignette-Frontispiece in Charles-Simon Favart’s L’Amitié à L’Epreuve, c. 1771, Hubert François Gravelot, French, 1699-1773, France, Graphite and black chalk, on gray laid paper, laid down on ivory laid paper, 143 × 80 mm
Dunstanburgh Castle, from 'Liber Studiorum,' part III, James Mallord William Turner, British, 1775–1851, Charles Turner, British, 1773–1857, Charles Turner, British, 1773–1857, etching, aquatint and mezzotint, printed in brown ink, First of three states., England, 1808, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dunstanburgh-castle-from-liber-studiorum-part-iii-james-mallord-william-turner-british-17751851-charles-turner-british-17731857-charles-turner-british-17731857-etching-aquatint-and-mezzotint-printed-in-brown-ink-first-of-three-states-england-1808-print-image391476763.htmlRM2DMW8GY–Dunstanburgh Castle, from 'Liber Studiorum,' part III, James Mallord William Turner, British, 1775–1851, Charles Turner, British, 1773–1857, Charles Turner, British, 1773–1857, etching, aquatint and mezzotint, printed in brown ink, First of three states., England, 1808, Print
Charles Le Bastier, Snuffbox, French, Paris, Charles Le Bastier (French, apprenticed 1738, master 1754, active 1783), 1773/74, French, Paris, Gold, enamel, 1 1/4 × 2 7/8 in. (3.2 × 7.3 cm), Metalwork-Gold and Platinum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-le-bastier-snuffbox-french-paris-charles-le-bastier-french-apprenticed-1738-master-1754-active-1783-177374-french-paris-gold-enamel-1-14-2-78-in-32-73-cm-metalwork-gold-and-platinum-image344643712.htmlRM2B0KTG0–Charles Le Bastier, Snuffbox, French, Paris, Charles Le Bastier (French, apprenticed 1738, master 1754, active 1783), 1773/74, French, Paris, Gold, enamel, 1 1/4 × 2 7/8 in. (3.2 × 7.3 cm), Metalwork-Gold and Platinum
Portrait of P. A. Caron de Beaumarchais. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Mount: 10 3/16 × 6 13/16 in. (25.8 × 17.3 cm) Sheet: 7 3/8 × 4 7/8 in. (18.7 × 12.4 cm). Date: 1773. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-p-a-caron-de-beaumarchais-artist-after-charles-nicolas-cochin-ii-french-paris-1715-1790-paris-augustin-de-saint-aubin-french-paris-1736-1807-paris-dimensions-mount-10-316-6-1316-in-258-173-cm-sheet-7-38-4-78-in-187-124-cm-date-1773-museum-metropolitan-museum-of-art-new-york-usa-image233251471.htmlRMRFDEHK–Portrait of P. A. Caron de Beaumarchais. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris); Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Mount: 10 3/16 × 6 13/16 in. (25.8 × 17.3 cm) Sheet: 7 3/8 × 4 7/8 in. (18.7 × 12.4 cm). Date: 1773. Museum: Metropolitan Museum of Art, New York, USA.
N/A. Deutsch: Das Aegidienkloster in Braunschweig 1829. Heute sind neben der Aegidienkirche die Konventsräume und teilweise der Kreuzgang erhalten. 1829. Carl Maré (1773–1835) Alternative names Carl Mare, Johann Karl Mare, Jean-Charles Maré Description German engraver and publisher Date of birth/death 21 December 1772 15 August 1835 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q1116004 VIAF:32903597 LCCN:n93023934 GND:123416221 SUDOC:116380829 WorldCat 63 Aegidienkloster 1829 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-deutsch-das-aegidienkloster-in-braunschweig-1829-heute-sind-neben-der-aegidienkirche-die-konventsrume-und-teilweise-der-kreuzgang-erhalten-1829-carl-mar-17731835-alternative-names-carl-mare-johann-karl-mare-jean-charles-mar-description-german-engraver-and-publisher-date-of-birthdeath-21-december-1772-15-august-1835-location-of-birthdeath-berlin-berlin-work-location-berlin-authority-control-q1116004-viaf32903597-lccnn93023934-gnd123416221-sudoc116380829-worldcat-63-aegidienkloster-1829-image210024593.htmlRMP5KCE9–N/A. Deutsch: Das Aegidienkloster in Braunschweig 1829. Heute sind neben der Aegidienkirche die Konventsräume und teilweise der Kreuzgang erhalten. 1829. Carl Maré (1773–1835) Alternative names Carl Mare, Johann Karl Mare, Jean-Charles Maré Description German engraver and publisher Date of birth/death 21 December 1772 15 August 1835 Location of birth/death Berlin Berlin Work location Berlin Authority control : Q1116004 VIAF:32903597 LCCN:n93023934 GND:123416221 SUDOC:116380829 WorldCat 63 Aegidienkloster 1829
The Castle Above the Meadows, published February 20, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper, 178 × 262 mm (image), 206 × 293 mm (plate), 267 × 381 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-castle-above-the-meadows-published-february-20-1808-joseph-mallord-william-turner-english-1775-1851-engraved-by-charles-turner-english-1773-1857-england-etching-and-engraving-in-brown-on-ivory-laid-paper-178-262-mm-image-206-293-mm-plate-267-381-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349699958.htmlRF2B8X5T6–The Castle Above the Meadows, published February 20, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper, 178 × 262 mm (image), 206 × 293 mm (plate), 267 × 381 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. History of Mecklenburg County and the city of Charlotte : from 1740 to 1903. Militia;issued the call for the Convention of May 20, 1775; mem-ber of the Provincial Assembly during the Revolution, Col-onel of the Fourth Regiment in 1776; Commissary-Generalfor General Greenes Army in 1781; owned mills and storesafter the war; died in 1773 and is buried in the old cemetery.He married Susannah Spratt of Charlotte, and had severalchildren: Ezekiel, Charles, William, James, and Margaretwho married Dr. Ephaim Brevard. Polk. William, son of Thomas Polk, born July 8. 1757,educated in Charlotte, was pr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-mecklenburg-county-and-the-city-of-charlotte-from-1740-to-1903-militiaissued-the-call-for-the-convention-of-may-20-1775-mem-ber-of-the-provincial-assembly-during-the-revolution-col-onel-of-the-fourth-regiment-in-1776-commissary-generalfor-general-greenes-army-in-1781-owned-mills-and-storesafter-the-war-died-in-1773-and-is-buried-in-the-old-cemeteryhe-married-susannah-spratt-of-charlotte-and-had-severalchildren-ezekiel-charles-william-james-and-margaretwho-married-dr-ephaim-brevard-polk-william-son-of-thomas-polk-born-july-8-1757educated-in-charlotte-was-pr-image336960478.htmlRM2AG5TEP–. History of Mecklenburg County and the city of Charlotte : from 1740 to 1903. Militia;issued the call for the Convention of May 20, 1775; mem-ber of the Provincial Assembly during the Revolution, Col-onel of the Fourth Regiment in 1776; Commissary-Generalfor General Greenes Army in 1781; owned mills and storesafter the war; died in 1773 and is buried in the old cemetery.He married Susannah Spratt of Charlotte, and had severalchildren: Ezekiel, Charles, William, James, and Margaretwho married Dr. Ephaim Brevard. Polk. William, son of Thomas Polk, born July 8. 1757,educated in Charlotte, was pr
