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1770 1783 Stock Photos and Images
Miss Nelly O'Brien, Charles Phillips, 1737– after 1783, after Sir Joshua Reynolds RA, 1723–1792, British, 1770, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 18 1/8 × 13 7/16 inches (46 × 34.1 cm) and Image: 16 3/16 × 12 7/8 inches (41.1 × 32.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miss-nelly-obrien-charles-phillips-1737-after-1783-after-sir-joshua-reynolds-ra-17231792-british-1770-mezzotint-on-medium-slightly-textured-cream-laid-paper-sheet-18-18-13-716-inches-46-341-cm-and-image-16-316-12-78-inches-411-327-cm-image389658516.htmlRM2DHXDBG–Miss Nelly O'Brien, Charles Phillips, 1737– after 1783, after Sir Joshua Reynolds RA, 1723–1792, British, 1770, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 18 1/8 × 13 7/16 inches (46 × 34.1 cm) and Image: 16 3/16 × 12 7/8 inches (41.1 × 32.7 cm
Alpine Caracias Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alpine-caracias-53479296.htmlRMD305AT–Alpine Caracias
First View of Clarenton near Paris. Artist: After François Boucher (French, Paris 1703-1770 Paris); Peter Paul Benazech (British, ca. 1730-1783 (?)). Dimensions: Sheet (trimmed): 8 1/4 × 9 15/16 in. (21 × 25.3 cm). Publisher: François Vivares (French, Saint-Jean-du-Bruel 1709-1780 London). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/first-view-of-clarenton-near-paris-artist-after-franois-boucher-french-paris-1703-1770-paris-peter-paul-benazech-british-ca-1730-1783-dimensions-sheet-trimmed-8-14-9-1516-in-21-253-cm-publisher-franois-vivares-french-saint-jean-du-bruel-1709-1780-london-date-mid-to-late-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213249808.htmlRMPAXA8G–First View of Clarenton near Paris. Artist: After François Boucher (French, Paris 1703-1770 Paris); Peter Paul Benazech (British, ca. 1730-1783 (?)). Dimensions: Sheet (trimmed): 8 1/4 × 9 15/16 in. (21 × 25.3 cm). Publisher: François Vivares (French, Saint-Jean-du-Bruel 1709-1780 London). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.
View of the Sint-Olofskapel (Oudezijds Kapel) in Amsterdam, Hermanus Petrus Schouten (Possible), c. 1770 - 1783 print Amsterdam paper etching church (exterior) - QQ - small church, chapel. street (+ city(-scape) with figures, staffage) Sint-Olofskapel. Oudezijds Chapel. Sea dyke Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-sint-olofskapel-oudezijds-kapel-in-amsterdam-hermanus-petrus-schouten-possible-c-1770-1783-print-amsterdam-paper-etching-church-exterior-qq-small-church-chapel-street-city-scape-with-figures-staffage-sint-olofskapel-oudezijds-chapel-sea-dyke-image593944792.htmlRM2WE8EJ0–View of the Sint-Olofskapel (Oudezijds Kapel) in Amsterdam, Hermanus Petrus Schouten (Possible), c. 1770 - 1783 print Amsterdam paper etching church (exterior) - QQ - small church, chapel. street (+ city(-scape) with figures, staffage) Sint-Olofskapel. Oudezijds Chapel. Sea dyke
Art inspired by First View of Clarenton near Paris, mid to late 18th century, Engraving, Sheet (trimmed): 8 1/4 × 9 15/16 in. (21 × 25.3 cm), Prints, Peter Paul Benazech (British, ca. 1730–1783 (?)), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-first-view-of-clarenton-near-paris-mid-to-late-18th-century-engraving-sheet-trimmed-8-14-9-1516-in-21-253-cm-prints-peter-paul-benazech-british-ca-17301783-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462994926.htmlRF2HW76N2–Art inspired by First View of Clarenton near Paris, mid to late 18th century, Engraving, Sheet (trimmed): 8 1/4 × 9 15/16 in. (21 × 25.3 cm), Prints, Peter Paul Benazech (British, ca. 1730–1783 (?)), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
view of Amsterdam, seen from across the IJ. In the water several ships. Right in front viskorven land. Among the show title in Dutch and French. Upper right numbered 1. Manufacturer : printmaker Hermanus Peter Schouten (possible) for drawing Hermanus Peter Schouten (listed building) publisher: Pierre Fouquet (listed property) Place manufacture: Amsterdam Date: ca. 1770 - 1783 Material: paper Technique: etching / engra (printing process) Measurements: plate edge: h 273 mm × W 357 mmToelichtingDeze post is also used in the so-called Atlas of Fouquet * Pierre Fouquet gave low as 1760 city faces o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-amsterdam-seen-from-across-the-ij-in-the-water-several-ships-right-in-front-viskorven-land-among-the-show-title-in-dutch-and-french-upper-right-numbered-1-manufacturer-printmaker-hermanus-peter-schouten-possible-for-drawing-hermanus-peter-schouten-listed-building-publisher-pierre-fouquet-listed-property-place-manufacture-amsterdam-date-ca-1770-1783-material-paper-technique-etching-engra-printing-process-measurements-plate-edge-h-273-mm-w-357-mmtoelichtingdeze-post-is-also-used-in-the-so-called-atlas-of-fouquet-pierre-fouquet-gave-low-as-1760-city-faces-o-image348381104.htmlRM2B6P3J8–view of Amsterdam, seen from across the IJ. In the water several ships. Right in front viskorven land. Among the show title in Dutch and French. Upper right numbered 1. Manufacturer : printmaker Hermanus Peter Schouten (possible) for drawing Hermanus Peter Schouten (listed building) publisher: Pierre Fouquet (listed property) Place manufacture: Amsterdam Date: ca. 1770 - 1783 Material: paper Technique: etching / engra (printing process) Measurements: plate edge: h 273 mm × W 357 mmToelichtingDeze post is also used in the so-called Atlas of Fouquet * Pierre Fouquet gave low as 1760 city faces o
. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. fAfS.C.BJfAyS. C. B.Ti^AVlS CHARLES B. TRAVIS. Amasa Travis, the father of the subject of this sketch, was born in Dutchess Co., N. Y., Sept. 29,1770. Hemanled Dec. 14, 1800. Phoebe Travis, his wife, was also born in Dutchess County, Dec. 25, 1783. Of this union were born twelve chil- dren, three males and nine females, nine of whom lived to ma- turity. In May, 1801, they moved to Bergen, N. J Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-steuben-county-new-york-with-illustrations-and-biographical-sketches-of-some-of-its-prominent-men-and-pioneers-steuben-friedrich-wilhelm-ludolf-gerhard-augustin-baron-von-1730-1794-fafscbjfays-c-btiavls-charles-b-travis-amasa-travis-the-father-of-the-subject-of-this-sketch-was-born-in-dutchess-co-n-y-sept-291770-hemanled-dec-14-1800-phoebe-travis-his-wife-was-also-born-in-dutchess-county-dec-25-1783-of-this-union-were-born-twelve-chil-dren-three-males-and-nine-females-nine-of-whom-lived-to-ma-turity-in-may-1801-they-moved-to-bergen-n-j-image231887552.htmlRMRD7AX8–. History of Steuben County, New York, with illustrations and biographical sketches of some of its prominent men and pioneers. Steuben, Friedrich Wilhelm Ludolf Gerhard Augustin, Baron von, 1730-1794. fAfS.C.BJfAyS. C. B.Ti^AVlS CHARLES B. TRAVIS. Amasa Travis, the father of the subject of this sketch, was born in Dutchess Co., N. Y., Sept. 29,1770. Hemanled Dec. 14, 1800. Phoebe Travis, his wife, was also born in Dutchess County, Dec. 25, 1783. Of this union were born twelve chil- dren, three males and nine females, nine of whom lived to ma- turity. In May, 1801, they moved to Bergen, N. J
N/A. English: The Hurricane . 1770. Francesco Giuseppe Casanova (1727–1803) Alternative names François Joseph Casanova Description Italian painter Date of birth/death 1 June 1727 8 July 1803 Location of birth/death London Brühl Work location Venice (1739–1749); Florence (1749–1751); Paris (1751–1752); Dresden (1752–1757); Paris (1757–1783); Vienna (1783–1802) Authority control : Q983804 VIAF:71634276 ISNI:0000 0000 8745 8487 ULAN:500006178 LCCN:nr91043304 Oxford Dict.:4850 WorldCat 279 Casanova-Hurricane Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-the-hurricane-1770-francesco-giuseppe-casanova-17271803-alternative-names-franois-joseph-casanova-description-italian-painter-date-of-birthdeath-1-june-1727-8-july-1803-location-of-birthdeath-london-brhl-work-location-venice-17391749-florence-17491751-paris-17511752-dresden-17521757-paris-17571783-vienna-17831802-authority-control-q983804-viaf71634276-isni0000-0000-8745-8487-ulan500006178-lccnnr91043304-oxford-dict4850-worldcat-279-casanova-hurricane-image210136192.htmlRMP5TET0–N/A. English: The Hurricane . 1770. Francesco Giuseppe Casanova (1727–1803) Alternative names François Joseph Casanova Description Italian painter Date of birth/death 1 June 1727 8 July 1803 Location of birth/death London Brühl Work location Venice (1739–1749); Florence (1749–1751); Paris (1751–1752); Dresden (1752–1757); Paris (1757–1783); Vienna (1783–1802) Authority control : Q983804 VIAF:71634276 ISNI:0000 0000 8745 8487 ULAN:500006178 LCCN:nr91043304 Oxford Dict.:4850 WorldCat 279 Casanova-Hurricane
First View of Clarenton near Paris, print, Peter Paul Benazech (1730-1783), after François Boucher (1703-1770), mid to late 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-first-view-of-clarenton-near-paris-print-peter-paul-benazech-1730-168221399.htmlRMKNK433–First View of Clarenton near Paris, print, Peter Paul Benazech (1730-1783), after François Boucher (1703-1770), mid to late 18th century
Carved decorative detail over a window in the Mission San Xavier del Bac, Tucson Arizona. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carved-decorative-detail-over-a-window-in-the-mission-san-xavier-del-bac-tucson-arizona-image592963019.htmlRM2WCKPAK–Carved decorative detail over a window in the Mission San Xavier del Bac, Tucson Arizona.
Engraving of The Chapel of Wolvesley Castle, Hants 1783 (Old Bishop's Palace Winchester) scanned at high resolution from a book published around 1786. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-the-chapel-of-wolvesley-castle-hants-1783-old-bishops-palace-winchester-scanned-at-high-resolution-from-a-book-published-around-1786-image351431261.htmlRM2BBN24D–Engraving of The Chapel of Wolvesley Castle, Hants 1783 (Old Bishop's Palace Winchester) scanned at high resolution from a book published around 1786.
Miss Nelly O'Brien, Print made by Charles Phillips, 1737– after 1783, after Sir Joshua Reynolds RA, 1723–1792, British, 1770, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 18 1/4 × 13 1/8 inches (46.4 × 33.3 cm) and Image: 16 1/4 × 12 3/4 inches (41.3 × 32.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miss-nelly-obrien-print-made-by-charles-phillips-1737-after-1783-after-sir-joshua-reynolds-ra-17231792-british-1770-mezzotint-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-18-14-13-18-inches-464-333-cm-and-image-16-14-12-34-inches-413-324-cm-image389643932.htmlRM2DHWPPM–Miss Nelly O'Brien, Print made by Charles Phillips, 1737– after 1783, after Sir Joshua Reynolds RA, 1723–1792, British, 1770, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 18 1/4 × 13 1/8 inches (46.4 × 33.3 cm) and Image: 16 1/4 × 12 3/4 inches (41.3 × 32.4 cm
Crossbill Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crossbill-53479079.htmlRMD30533–Crossbill
Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris). Artist: After François Boucher (French, Paris 1703-1770 Paris); After Jacques Philippe Le Bas (French, Paris 1707-1783 Paris). Dimensions: Sheet: 8 7/8 x 6 7/16 in. (22.5 x 16.4 cm). Series/Portfolio: Le Cris de Paris. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reverse-copy-of-noisettes-nutcrackers-from-les-cris-de-paris-the-cries-of-paris-artist-after-franois-boucher-french-paris-1703-1770-paris-after-jacques-philippe-le-bas-french-paris-1707-1783-paris-dimensions-sheet-8-78-x-6-716-in-225-x-164-cm-seriesportfolio-le-cris-de-paris-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212914034.htmlRMPAB20J–Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris). Artist: After François Boucher (French, Paris 1703-1770 Paris); After Jacques Philippe Le Bas (French, Paris 1707-1783 Paris). Dimensions: Sheet: 8 7/8 x 6 7/16 in. (22.5 x 16.4 cm). Series/Portfolio: Le Cris de Paris. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
View of the courtyard of the Lutheran Diaconie Orphanage in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 77. Amsterdam paper etching orphanage. public welfare. courtyard Lutheran Diaconie Orphanage (1678-1811) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-courtyard-of-the-lutheran-diaconie-orphanage-in-amsterdam-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-numbered-at-the-top-right-77-amsterdam-paper-etching-orphanage-public-welfare-courtyard-lutheran-diaconie-orphanage-1678-1811-image594066786.htmlRM2WEE26X–View of the courtyard of the Lutheran Diaconie Orphanage in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 77. Amsterdam paper etching orphanage. public welfare. courtyard Lutheran Diaconie Orphanage (1678-1811)
Art inspired by Second View of Charenton near Paris, mid to late 18th century, Engraving, Sheet (trimmed): 8 1/8 × 9 13/16 in. (20.6 × 25 cm), Prints, Peter Paul Benazech (British, ca. 1730–1783 (?)), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-second-view-of-charenton-near-paris-mid-to-late-18th-century-engraving-sheet-trimmed-8-18-9-1316-in-206-25-cm-prints-peter-paul-benazech-british-ca-17301783-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462994945.htmlRF2HW76NN–Art inspired by Second View of Charenton near Paris, mid to late 18th century, Engraving, Sheet (trimmed): 8 1/8 × 9 13/16 in. (20.6 × 25 cm), Prints, Peter Paul Benazech (British, ca. 1730–1783 (?)), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Draper Fund; 1770-1783 :. Tamboers. 1770 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/draper-fund-1770-1783-tamboers-1770-image333210166.htmlRM2AA30Y2–Draper Fund; 1770-1783 :. Tamboers. 1770
N/A. Nederlands: Beschrijving Leonardus Kuytenbrouwer (18-04-1748 / 02-04-1827) Pastoor van de Papegaay te Amsterdam. Beschrijving: proefdruk. Afmetingen: 310 x 230 mm. Documenttype prent Vervaardiger Beek, Antonie van der (1783-1852) Caspari, Jan-Willem (1779-1822) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Inventarissen http://archief.amsterdam/archief/10097/010097014481 Afbeeldingsbestand 010097014481 . Unknown date. Beek, Antonie van der (1783-1852) 180 Beek, Antonie van der (1783-1852), Afb 010097014481 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-nederlands-beschrijving-leonardus-kuytenbrouwer-18-04-1748-02-04-1827-pastoor-van-de-papegaay-te-amsterdam-beschrijving-proefdruk-afmetingen-310-x-230-mm-documenttype-prent-vervaardiger-beek-antonie-van-der-1783-1852-caspari-jan-willem-1779-1822-caspari-hendrik-willem-1770-1829-collectie-collectie-stadsarchief-amsterdam-tekeningen-en-prenten-inventarissen-httparchiefamsterdamarchief10097010097014481-afbeeldingsbestand-010097014481-unknown-date-beek-antonie-van-der-1783-1852-180-beek-antonie-van-der-1783-1852-afb-010097014481-image210072563.htmlRMP5NHKF–N/A. Nederlands: Beschrijving Leonardus Kuytenbrouwer (18-04-1748 / 02-04-1827) Pastoor van de Papegaay te Amsterdam. Beschrijving: proefdruk. Afmetingen: 310 x 230 mm. Documenttype prent Vervaardiger Beek, Antonie van der (1783-1852) Caspari, Jan-Willem (1779-1822) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Inventarissen http://archief.amsterdam/archief/10097/010097014481 Afbeeldingsbestand 010097014481 . Unknown date. Beek, Antonie van der (1783-1852) 180 Beek, Antonie van der (1783-1852), Afb 010097014481
Detail of a metal cross on the Mission San Xavier del Bac, Tucson Arizona. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-a-metal-cross-on-the-mission-san-xavier-del-bac-tucson-arizona-image592962892.htmlRM2WCKP64–Detail of a metal cross on the Mission San Xavier del Bac, Tucson Arizona.
Engraving of St Briavells Castle 1783 (St Briavels) Gloucestershire scanned at high res from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-st-briavells-castle-1783-st-briavels-gloucestershire-scanned-at-high-res-from-a-book-published-around-1786-believed-copyright-free-image350690783.htmlRM2BAF9JR–Engraving of St Briavells Castle 1783 (St Briavels) Gloucestershire scanned at high res from a book published around 1786. Believed copyright free.
Jean-François Janinet, (artist), French, 1752 - 1814, François Boucher, (artist after), French, 1703 - 1770, La toilette de Venus, 1783, wash manner, printed in blue, red, carmine, yellow, and black inks, plate: 49.3 x 38.6 cm (19 7/16 x 15 3/16 in.), overall (outer framing line): 37.3 x 29.2 cm (14 11/16 x 11 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-franois-janinet-artist-french-1752-1814-franois-boucher-artist-after-french-1703-1770-la-toilette-de-venus-1783-wash-manner-printed-in-blue-red-carmine-yellow-and-black-inks-plate-493-x-386-cm-19-716-x-15-316-in-overall-outer-framing-line-373-x-292-cm-14-1116-x-11-12-in-image386219705.htmlRM2DC9R4W–Jean-François Janinet, (artist), French, 1752 - 1814, François Boucher, (artist after), French, 1703 - 1770, La toilette de Venus, 1783, wash manner, printed in blue, red, carmine, yellow, and black inks, plate: 49.3 x 38.6 cm (19 7/16 x 15 3/16 in.), overall (outer framing line): 37.3 x 29.2 cm (14 11/16 x 11 1/2 in
Curlew Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-curlew-53482255.htmlRMD3094F–Curlew
Reverse copy of Balais Balais (Brushes Brushes), from Le Cris de Paris (The Cries of Paris), plate 5. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Philippe Le Bas (French, Paris 1707-1783 Paris). Dimensions: Sheet: 10 13/16 x 7 7/16 in. (27.5 x 18.9 cm) trimmed. Series/Portfolio: Le Cris de Paris. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reverse-copy-of-balais-balais-brushes-brushes-from-le-cris-de-paris-the-cries-of-paris-plate-5-artist-after-franois-boucher-french-paris-1703-1770-paris-jacques-philippe-le-bas-french-paris-1707-1783-paris-dimensions-sheet-10-1316-x-7-716-in-275-x-189-cm-trimmed-seriesportfolio-le-cris-de-paris-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213260459.htmlRMPAXRTY–Reverse copy of Balais Balais (Brushes Brushes), from Le Cris de Paris (The Cries of Paris), plate 5. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Philippe Le Bas (French, Paris 1707-1783 Paris). Dimensions: Sheet: 10 13/16 x 7 7/16 in. (27.5 x 18.9 cm) trimmed. Series/Portfolio: Le Cris de Paris. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
View of the Rasphuis in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 32. paper etching workhouse, penal camp, penitentiary, chain gang. prison, jail. street (+ city(-scape) with figures, staffage) Rasphuis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-rasphuis-in-amsterdam-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-numbered-at-the-top-right-32-paper-etching-workhouse-penal-camp-penitentiary-chain-gang-prison-jail-street-city-scape-with-figures-staffage-rasphuis-image594202309.htmlRM2WEM731–View of the Rasphuis in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 32. paper etching workhouse, penal camp, penitentiary, chain gang. prison, jail. street (+ city(-scape) with figures, staffage) Rasphuis
Art inspired by Pensant-ils au Raisin? (Are They Thinking About the Grape?), 18th century, Etching, Sheet: 14 3/8 x 18 1/2 in. (36.5 x 47 cm) trimmed within platemark, Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pensant-ils-au-raisin-are-they-thinking-about-the-grape-18th-century-etching-sheet-14-38-x-18-12-in-365-x-47-cm-trimmed-within-platemark-prints-jacques-philippe-le-bas-french-paris-17071783-paris-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463013793.htmlRF2HW82PW–Art inspired by Pensant-ils au Raisin? (Are They Thinking About the Grape?), 18th century, Etching, Sheet: 14 3/8 x 18 1/2 in. (36.5 x 47 cm) trimmed within platemark, Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Draper Fund; 1770-1783: Luitenant; Sergeant. 1770 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/draper-fund-1770-1783-luitenant-sergeant-1770-image333210165.htmlRM2AA30Y1–Draper Fund; 1770-1783: Luitenant; Sergeant. 1770
N/A. Nederlands: Beschrijving Portret van Dirk Cornelis van Voorst (1752-1833), predikant te Amsterdam Documenttype prent Vervaardiger Caspari, Hendrik Willem (1770-1829) Sluyter, Dirk Jurriaan (1811-1886) Beek, Antonie van der (1783-1852) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1800 ca. t/m 1820 ca. Inventarissen http://archief.amsterdam/archief/10097/010097009403 Afbeeldingsbestand 010097009403 . 1800 ca. t/m 1820 ca.. Beek, Antonie van der (1783-1852) 180 Beek, Antonie van der (1783-1852), Afb 010097009403 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-nederlands-beschrijving-portret-van-dirk-cornelis-van-voorst-1752-1833-predikant-te-amsterdam-documenttype-prent-vervaardiger-caspari-hendrik-willem-1770-1829-sluyter-dirk-jurriaan-1811-1886-beek-antonie-van-der-1783-1852-collectie-collectie-stadsarchief-amsterdam-tekeningen-en-prenten-datering-1800-ca-tm-1820-ca-inventarissen-httparchiefamsterdamarchief10097010097009403-afbeeldingsbestand-010097009403-1800-ca-tm-1820-ca-beek-antonie-van-der-1783-1852-180-beek-antonie-van-der-1783-1852-afb-010097009403-image210072546.htmlRMP5NHJX–N/A. Nederlands: Beschrijving Portret van Dirk Cornelis van Voorst (1752-1833), predikant te Amsterdam Documenttype prent Vervaardiger Caspari, Hendrik Willem (1770-1829) Sluyter, Dirk Jurriaan (1811-1886) Beek, Antonie van der (1783-1852) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1800 ca. t/m 1820 ca. Inventarissen http://archief.amsterdam/archief/10097/010097009403 Afbeeldingsbestand 010097009403 . 1800 ca. t/m 1820 ca.. Beek, Antonie van der (1783-1852) 180 Beek, Antonie van der (1783-1852), Afb 010097009403
The belfry and bells of the mortuary chapel of the Mission San Xavier del Bac, Tucson Arizona. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-belfry-and-bells-of-the-mortuary-chapel-of-the-mission-san-xavier-del-bac-tucson-arizona-image592962990.htmlRM2WCKP9J–The belfry and bells of the mortuary chapel of the Mission San Xavier del Bac, Tucson Arizona.
An engraving of Raby Castle Durham 1783 scanned at high res from a book published around 1786. This image is believed to be free of all copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-of-raby-castle-durham-1783-scanned-at-high-res-from-a-book-published-around-1786-this-image-is-believed-to-be-free-of-all-copyright-image350170570.htmlRM2B9KJ3P–An engraving of Raby Castle Durham 1783 scanned at high res from a book published around 1786. This image is believed to be free of all copyright.
After baron François Gérard, Portrait of Michel Louis Etienne, Comte Regnault de Saint-Jean d'Angély, After baron François Gérard (French, Rome 1770–1837 Paris), Charles Simon Pradier (French, Geneva 1783–1847 Haute-Savoie), 1812, Engraving, image: 19 5/16 x 12 11/16 in. (49.1 x 32.3 cm), sheet: 21 7/16 x 14 15/16 in. (54.4 x 38 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-baron-franois-grard-portrait-of-michel-louis-etienne-comte-regnault-de-saint-jean-dangly-after-baron-franois-grard-french-rome-17701837-paris-charles-simon-pradier-french-geneva-17831847-haute-savoie-1812-engraving-image-19-516-x-12-1116-in-491-x-323-cm-sheet-21-716-x-14-1516-in-544-x-38-cm-prints-image344647379.htmlRM2B0M16Y–After baron François Gérard, Portrait of Michel Louis Etienne, Comte Regnault de Saint-Jean d'Angély, After baron François Gérard (French, Rome 1770–1837 Paris), Charles Simon Pradier (French, Geneva 1783–1847 Haute-Savoie), 1812, Engraving, image: 19 5/16 x 12 11/16 in. (49.1 x 32.3 cm), sheet: 21 7/16 x 14 15/16 in. (54.4 x 38 cm), Prints
Kestrel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kestrel-53480030.htmlRMD30692–Kestrel
Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), from Le Cris de Paris (The Cries of Paris), plate 3. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Philippe Le Bas (French, Paris 1707-1783 Paris). Dimensions: Sheet: 10 13/16 x 7 5/16 in. (27.4 x 18.6 cm) trimmed. Series/Portfolio: Le Cris de Paris. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reverse-copy-of-a-racomoder-les-vieux-souflets-mend-the-old-bellows-from-le-cris-de-paris-the-cries-of-paris-plate-3-artist-after-franois-boucher-french-paris-1703-1770-paris-jacques-philippe-le-bas-french-paris-1707-1783-paris-dimensions-sheet-10-1316-x-7-516-in-274-x-186-cm-trimmed-seriesportfolio-le-cris-de-paris-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213368299.htmlRMPB3NCB–Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), from Le Cris de Paris (The Cries of Paris), plate 3. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Philippe Le Bas (French, Paris 1707-1783 Paris). Dimensions: Sheet: 10 13/16 x 7 5/16 in. (27.4 x 18.6 cm) trimmed. Series/Portfolio: Le Cris de Paris. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
View in the courtyard of the Rasphuis in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 32*. paper etching workhouse, penal camp, penitentiary, chain gang. prison, jail. (prisoners) in the prison yard Rasphuis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-in-the-courtyard-of-the-rasphuis-in-amsterdam-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-numbered-at-the-top-right-32-paper-etching-workhouse-penal-camp-penitentiary-chain-gang-prison-jail-prisoners-in-the-prison-yard-rasphuis-image594228170.htmlRM2WENC2J–View in the courtyard of the Rasphuis in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 32*. paper etching workhouse, penal camp, penitentiary, chain gang. prison, jail. (prisoners) in the prison yard Rasphuis
Art inspired by IIe. Vue de Fronville (2nd View of Fronville), 18th century, Etching and engraving, Sheet: 13 1/8 x 19 in. (33.4 x 48.2 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-iie-vue-de-fronville-2nd-view-of-fronville-18th-century-etching-and-engraving-sheet-13-18-x-19-in-334-x-482-cm-prints-william-wynne-ryland-british-baptized-london-17321783-london-after-franois-boucher-french-paris-17031770-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463014097.htmlRF2HW835N–Art inspired by IIe. Vue de Fronville (2nd View of Fronville), 18th century, Etching and engraving, Sheet: 13 1/8 x 19 in. (33.4 x 48.2 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Draper Fund; Burgerij van Amsterdam, 1770-1783: Tamboers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/draper-fund-burgerij-van-amsterdam-1770-1783-tamboers-image333305417.htmlRM2AA7ACW–Draper Fund; Burgerij van Amsterdam, 1770-1783: Tamboers.
Unterer Grindelwaldgletscher nach dem Vorstoß von 1770. Deutsch: Die unteren Schopffelsen sind teilweise vom Eis überdeckt. Standpunkt des Malers nahe dem heutigen Eingang zur Gletscherschlucht; Blick Richtung Mettenberg . 1774. Caspar Wolf (1735–1783) Alternative names Caspar Wolff; caspar wolf; caspar wolff Description Swiss painter Date of birth/death 3 May 1735 6 October 1783 Location of birth/death Muri (Aargau) Heidelberg Work location Süddeutschland, Switzerland Authority control : Q40522 VIAF: 39942698 ISNI: 0000 0001 0718 4015 ULAN: 500026970 LCCN: n81029096 GND: 118634 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unterer-grindelwaldgletscher-nach-dem-vorsto-von-1770-deutsch-die-unteren-schopffelsen-sind-teilweise-vom-eis-berdeckt-standpunkt-des-malers-nahe-dem-heutigen-eingang-zur-gletscherschlucht-blick-richtung-mettenberg-1774-caspar-wolf-17351783-alternative-names-caspar-wolff-caspar-wolf-caspar-wolff-description-swiss-painter-date-of-birthdeath-3-may-1735-6-october-1783-location-of-birthdeath-muri-aargau-heidelberg-work-location-sddeutschland-switzerland-authority-control-q40522-viaf39942698-isni0000-0001-0718-4015-ulan500026970-lccnn81029096-gnd118634-image185605903.htmlRMMNY267–Unterer Grindelwaldgletscher nach dem Vorstoß von 1770. Deutsch: Die unteren Schopffelsen sind teilweise vom Eis überdeckt. Standpunkt des Malers nahe dem heutigen Eingang zur Gletscherschlucht; Blick Richtung Mettenberg . 1774. Caspar Wolf (1735–1783) Alternative names Caspar Wolff; caspar wolf; caspar wolff Description Swiss painter Date of birth/death 3 May 1735 6 October 1783 Location of birth/death Muri (Aargau) Heidelberg Work location Süddeutschland, Switzerland Authority control : Q40522 VIAF: 39942698 ISNI: 0000 0001 0718 4015 ULAN: 500026970 LCCN: n81029096 GND: 118634
The bell towers of the Mission San Xavier del Bac, Tucson Arizona. The east belfry was never completed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bell-towers-of-the-mission-san-xavier-del-bac-tucson-arizona-the-east-belfry-was-never-completed-image592962814.htmlRM2WCKP3A–The bell towers of the Mission San Xavier del Bac, Tucson Arizona. The east belfry was never completed.
An engraving of The Great Hall of Beaulieu Abbey Hants 1783 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-of-the-great-hall-of-beaulieu-abbey-hants-1783-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image350691001.htmlRM2BAF9XH–An engraving of The Great Hall of Beaulieu Abbey Hants 1783 scanned at high resolution from a book published around 1786. Believed copyright free.
View of the Amstel Church in Amsterdam, View of the Amstel Church, t' Amsterdam / Vue de l'Eglise d'Amstel, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 264 mm × width 356 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-amstel-church-in-amsterdam-view-of-the-amstel-church-t-amsterdam-vue-de-leglise-damstel-amsterdam-title-on-object-atlas-van-fouquet-series-title-print-maker-hermanus-petrus-schouten-possibly-after-drawing-by-hermanus-petrus-schouten-publisher-pierre-fouquet-amsterdam-c-1770-1783-paper-etching-height-264-mm-width-356-mm-print-image599522515.htmlRM2WRAH2B–View of the Amstel Church in Amsterdam, View of the Amstel Church, t' Amsterdam / Vue de l'Eglise d'Amstel, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 264 mm × width 356 mm, print
Puffin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-puffin-53479344.htmlRMD305CG–Puffin
Chair seat cover. Culture: American. Dimensions: 24 × 18 in. (61 × 45.7 cm). Maker: Anna Poor Parsons (American, 1738-1783). Date: ca. 1770. This chair seat cover is fully embroidered with multicolored crewel wools on a plainweave linen base fabric. The pattern is of serrated 'flame stitch' lozenges in graduated shades (light to dark) of pinks, reds, yellows, blues, and purples. The background between the lozenges is in shades of green to brown. There few exactly repeated designs, either in shape or color, among the patterned lozenges. The embroidered area is bordered by an approximately Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chair-seat-cover-culture-american-dimensions-24-18-in-61-457-cm-maker-anna-poor-parsons-american-1738-1783-date-ca-1770-this-chair-seat-cover-is-fully-embroidered-with-multicolored-crewel-wools-on-a-plainweave-linen-base-fabric-the-pattern-is-of-serrated-flame-stitch-lozenges-in-graduated-shades-light-to-dark-of-pinks-reds-yellows-blues-and-purples-the-background-between-the-lozenges-is-in-shades-of-green-to-brown-there-few-exactly-repeated-designs-either-in-shape-or-color-among-the-patterned-lozenges-the-embroidered-area-is-bordered-by-an-approximately-image213149143.htmlRMPANNWB–Chair seat cover. Culture: American. Dimensions: 24 × 18 in. (61 × 45.7 cm). Maker: Anna Poor Parsons (American, 1738-1783). Date: ca. 1770. This chair seat cover is fully embroidered with multicolored crewel wools on a plainweave linen base fabric. The pattern is of serrated 'flame stitch' lozenges in graduated shades (light to dark) of pinks, reds, yellows, blues, and purples. The background between the lozenges is in shades of green to brown. There few exactly repeated designs, either in shape or color, among the patterned lozenges. The embroidered area is bordered by an approximately
View of the Walloon church and Walenplein in Amsterdam, Hermanus Petrus Schouten (Possible), after Hermanus Petrus Schouten, c. 1770 - 1783 print Amsterdam paper etching / engraving church (exterior). street (+ city(-scape) with figures, staffage). canals, waters (in city) Walloon church. Walenplein. Oudezijds Voorburgwal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-walloon-church-and-walenplein-in-amsterdam-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-amsterdam-paper-etching-engraving-church-exterior-street-city-scape-with-figures-staffage-canals-waters-in-city-walloon-church-walenplein-oudezijds-voorburgwal-image593952637.htmlRM2WE8TJ5–View of the Walloon church and Walenplein in Amsterdam, Hermanus Petrus Schouten (Possible), after Hermanus Petrus Schouten, c. 1770 - 1783 print Amsterdam paper etching / engraving church (exterior). street (+ city(-scape) with figures, staffage). canals, waters (in city) Walloon church. Walenplein. Oudezijds Voorburgwal
Houses In An Autumn Grove, Yosa Buson, (Japanese, 1716-1783), Edo, 1770, ink and color on paper, 67 x 73-15/16 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/houses-in-an-autumn-grove-yosa-buson-japanese-1716-1783-edo-1770-ink-and-color-on-paper-67-x-73-1516-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349861232.htmlRF2B95FG0–Houses In An Autumn Grove, Yosa Buson, (Japanese, 1716-1783), Edo, 1770, ink and color on paper, 67 x 73-15/16 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Draper Fund; 1770-1783: Schutter, Sergeant, Vaandeldrager, Kapitein. 1770 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/draper-fund-1770-1783-schutter-sergeant-vaandeldrager-kapitein-1770-image333210184.htmlRM2AA30YM–Draper Fund; 1770-1783: Schutter, Sergeant, Vaandeldrager, Kapitein. 1770
N/A. Nederlands: Beschrijving Portret van Johannes Andreas Offerman (1754-1811), pastoor van het Duifje en eerste pastoor van het Jongensweeshuis te Amsterdam Techniek: gravure. Documenttype prent Vervaardiger Beek, Antonie van der (1783-1852) Caspari, Jan-Willem (1779-1822) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1800 ca. Inventarissen http://archief.amsterdam/archief/10097/010097014554 Afbeeldingsbestand 010097014554 . circa 1800. Beek, Antonie van der (1783-1852) 180 Beek, Antonie van der (1783-1852), Afb 010097014554 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-nederlands-beschrijving-portret-van-johannes-andreas-offerman-1754-1811-pastoor-van-het-duifje-en-eerste-pastoor-van-het-jongensweeshuis-te-amsterdam-techniek-gravure-documenttype-prent-vervaardiger-beek-antonie-van-der-1783-1852-caspari-jan-willem-1779-1822-caspari-hendrik-willem-1770-1829-collectie-collectie-stadsarchief-amsterdam-tekeningen-en-prenten-datering-1800-ca-inventarissen-httparchiefamsterdamarchief10097010097014554-afbeeldingsbestand-010097014554-circa-1800-beek-antonie-van-der-1783-1852-180-beek-antonie-van-der-1783-1852-afb-010097014554-image210072564.htmlRMP5NHKG–N/A. Nederlands: Beschrijving Portret van Johannes Andreas Offerman (1754-1811), pastoor van het Duifje en eerste pastoor van het Jongensweeshuis te Amsterdam Techniek: gravure. Documenttype prent Vervaardiger Beek, Antonie van der (1783-1852) Caspari, Jan-Willem (1779-1822) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1800 ca. Inventarissen http://archief.amsterdam/archief/10097/010097014554 Afbeeldingsbestand 010097014554 . circa 1800. Beek, Antonie van der (1783-1852) 180 Beek, Antonie van der (1783-1852), Afb 010097014554
The dome and west bell tower of the Mission San Xavier del Bac, Tucson Arizona, as seen from behind. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dome-and-west-bell-tower-of-the-mission-san-xavier-del-bac-tucson-arizona-as-seen-from-behind-image592962775.htmlRM2WCKP1Y–The dome and west bell tower of the Mission San Xavier del Bac, Tucson Arizona, as seen from behind.
An engraving of Raby Castle Durham 1783 scanned at high res from a book published around 1786. This image is believed to be free of all copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-of-raby-castle-durham-1783-scanned-at-high-res-from-a-book-published-around-1786-this-image-is-believed-to-be-free-of-all-copyright-image350170985.htmlRM2B9KJJH–An engraving of Raby Castle Durham 1783 scanned at high res from a book published around 1786. This image is believed to be free of all copyright.
View of the Zuiderkerk in Amsterdam, seen from the Raamgracht, View of the Zuyder Church, to Amsterdam / Vue de l'Eglise Meridionale, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 266 mm × width 356 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-zuiderkerk-in-amsterdam-seen-from-the-raamgracht-view-of-the-zuyder-church-to-amsterdam-vue-de-leglise-meridionale-amsterdam-title-on-object-atlas-van-fouquet-series-title-print-maker-hermanus-petrus-schouten-possibly-after-drawing-by-hermanus-petrus-schouten-publisher-pierre-fouquet-amsterdam-c-1770-1783-paper-etching-height-266-mm-width-356-mm-print-image599522495.htmlRM2WRAH1K–View of the Zuiderkerk in Amsterdam, seen from the Raamgracht, View of the Zuyder Church, to Amsterdam / Vue de l'Eglise Meridionale, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 266 mm × width 356 mm, print
Stork Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stork-53480018.htmlRMD3068J–Stork
The Victory Banquet. Artist: Jacques Philippe Le Bas (French, Paris 1707-1783 Paris); after Giuseppe Castiglione (Italian, Milan 1688-1766 Beijing); (direxit) Charles Nicolas Cochin II (French, Paris 1715-1790 Paris). Dimensions: Sheet: 25 11/16 × 39 5/8 in. (65.3 × 100.7 cm) Plate: 22 9/16 x 36 11/16 in. (57.3 x 93.2 cm). Series/Portfolio: The Conquests of the Emperor of China (Les Conquêtes de l'Empereur de la Chine). Date: 1770. In 1760, with the successful conclusion of the Central Asian campaign, the emperor celebrated with a grand victory banquet at the Pavilion of Purple Radiance (Zi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-victory-banquet-artist-jacques-philippe-le-bas-french-paris-1707-1783-paris-after-giuseppe-castiglione-italian-milan-1688-1766-beijing-direxit-charles-nicolas-cochin-ii-french-paris-1715-1790-paris-dimensions-sheet-25-1116-39-58-in-653-1007-cm-plate-22-916-x-36-1116-in-573-x-932-cm-seriesportfolio-the-conquests-of-the-emperor-of-china-les-conqutes-de-lempereur-de-la-chine-date-1770-in-1760-with-the-successful-conclusion-of-the-central-asian-campaign-the-emperor-celebrated-with-a-grand-victory-banquet-at-the-pavilion-of-purple-radiance-zi-image213166927.htmlRMPAPGGF–The Victory Banquet. Artist: Jacques Philippe Le Bas (French, Paris 1707-1783 Paris); after Giuseppe Castiglione (Italian, Milan 1688-1766 Beijing); (direxit) Charles Nicolas Cochin II (French, Paris 1715-1790 Paris). Dimensions: Sheet: 25 11/16 × 39 5/8 in. (65.3 × 100.7 cm) Plate: 22 9/16 x 36 11/16 in. (57.3 x 93.2 cm). Series/Portfolio: The Conquests of the Emperor of China (Les Conquêtes de l'Empereur de la Chine). Date: 1770. In 1760, with the successful conclusion of the Central Asian campaign, the emperor celebrated with a grand victory banquet at the Pavilion of Purple Radiance (Zi
Interior of the Nieuwe Kerk in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Interior of the Nieuwe Kerk in Amsterdam. Under the show the title in Dutch and French. Numbered at the top right: 46*. paper etching / engraving interior of church new church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-the-nieuwe-kerk-in-amsterdam-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-interior-of-the-nieuwe-kerk-in-amsterdam-under-the-show-the-title-in-dutch-and-french-numbered-at-the-top-right-46-paper-etching-engraving-interior-of-church-new-church-image594296570.htmlRM2WETF9E–Interior of the Nieuwe Kerk in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Interior of the Nieuwe Kerk in Amsterdam. Under the show the title in Dutch and French. Numbered at the top right: 46*. paper etching / engraving interior of church new church
Houses In An Autumn Grove, Yosa Buson, (Japanese, 1716-1783), Edo, 1770, ink and color on paper, 67 x 73-15/16 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/houses-in-an-autumn-grove-yosa-buson-japanese-1716-1783-edo-1770-ink-and-color-on-paper-67-x-73-1516-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349861230.htmlRF2B95FFX–Houses In An Autumn Grove, Yosa Buson, (Japanese, 1716-1783), Edo, 1770, ink and color on paper, 67 x 73-15/16 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Draper Fund; Burgerij van Amsterdam, 1770-1783: Kapitein, Vaandrig, Sergeant, Schutter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/draper-fund-burgerij-van-amsterdam-1770-1783-kapitein-vaandrig-sergeant-schutter-image333305409.htmlRM2AA7ACH–Draper Fund; Burgerij van Amsterdam, 1770-1783: Kapitein, Vaandrig, Sergeant, Schutter.
N/A. Nederlands: Beschrijving Portret van Jacobus Joannes Cramer (1744-1824) Pastoor bij het Maagdenhuis te Amsterdam en aartspriester van Holland en Zeeland onder Lodewijk Napoleon, Napoleon en Willem I. Techniek: stippelgravure. Documenttype prent Vervaardiger Beek, Antonie van der (1783-1852) Caspari, Jan-Willem (1779-1822) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1800 ca. Inventarissen http://archief.amsterdam/archief/10097/010097014282 Afbeeldingsbestand 010097014282 . circa 1800. Beek, Antonie van der (1783-1852) 180 B Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-nederlands-beschrijving-portret-van-jacobus-joannes-cramer-1744-1824-pastoor-bij-het-maagdenhuis-te-amsterdam-en-aartspriester-van-holland-en-zeeland-onder-lodewijk-napoleon-napoleon-en-willem-i-techniek-stippelgravure-documenttype-prent-vervaardiger-beek-antonie-van-der-1783-1852-caspari-jan-willem-1779-1822-caspari-hendrik-willem-1770-1829-collectie-collectie-stadsarchief-amsterdam-tekeningen-en-prenten-datering-1800-ca-inventarissen-httparchiefamsterdamarchief10097010097014282-afbeeldingsbestand-010097014282-circa-1800-beek-antonie-van-der-1783-1852-180-b-image210072552.htmlRMP5NHK4–N/A. Nederlands: Beschrijving Portret van Jacobus Joannes Cramer (1744-1824) Pastoor bij het Maagdenhuis te Amsterdam en aartspriester van Holland en Zeeland onder Lodewijk Napoleon, Napoleon en Willem I. Techniek: stippelgravure. Documenttype prent Vervaardiger Beek, Antonie van der (1783-1852) Caspari, Jan-Willem (1779-1822) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Stadsarchief Amsterdam: tekeningen en prenten Datering 1800 ca. Inventarissen http://archief.amsterdam/archief/10097/010097014282 Afbeeldingsbestand 010097014282 . circa 1800. Beek, Antonie van der (1783-1852) 180 B
Mission San Xavier del Bac, Tucson Arizona. Built in Baroque style with Moorish and Byzantine architecture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mission-san-xavier-del-bac-tucson-arizona-built-in-baroque-style-with-moorish-and-byzantine-architecture-image592963258.htmlRM2WCKPK6–Mission San Xavier del Bac, Tucson Arizona. Built in Baroque style with Moorish and Byzantine architecture.
An engraving of Hadley Castle (Hadleigh Castle) Essex 1783 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-of-hadley-castle-hadleigh-castle-essex-1783-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image350356407.htmlRM2BA034R–An engraving of Hadley Castle (Hadleigh Castle) Essex 1783 scanned at high resolution from a book published around 1786. Believed copyright free.
View of the Gasthuis Church in Amsterdam, View of the Gasthuys Church, to Amsterdam / Vue de l'Eglise de l'Hôpital, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 270 mm × width 361 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-gasthuis-church-in-amsterdam-view-of-the-gasthuys-church-to-amsterdam-vue-de-leglise-de-lhpital-amsterdam-title-on-object-atlas-van-fouquet-series-title-print-maker-hermanus-petrus-schouten-possibly-after-drawing-by-hermanus-petrus-schouten-publisher-pierre-fouquet-amsterdam-c-1770-1783-paper-etching-height-270-mm-width-361-mm-print-image599522494.htmlRM2WRAH1J–View of the Gasthuis Church in Amsterdam, View of the Gasthuys Church, to Amsterdam / Vue de l'Eglise de l'Hôpital, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 270 mm × width 361 mm, print
Booby Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-booby-53483552.htmlRMD30APT–Booby
American Revolutionary War (1775-1783). The Boston Massacre or Boston riot (1770). British redcoats killed five civilian men. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-revolutionary-war-1775-1783-the-boston-massacre-or-boston-riot-1770-british-redcoats-killed-five-civilian-men-image209568718.htmlRMP4XK12–American Revolutionary War (1775-1783). The Boston Massacre or Boston riot (1770). British redcoats killed five civilian men.
Interior of the Nieuwe Kerk in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Interior of the Nieuwe Kerk in Amsterdam. Under the show the title in Dutch and French. Numbered at the top right: 46*. Amsterdam paper etching / engraving interior of church new church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-the-nieuwe-kerk-in-amsterdam-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-interior-of-the-nieuwe-kerk-in-amsterdam-under-the-show-the-title-in-dutch-and-french-numbered-at-the-top-right-46-amsterdam-paper-etching-engraving-interior-of-church-new-church-image593074270.htmlRM2WCTT7X–Interior of the Nieuwe Kerk in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Interior of the Nieuwe Kerk in Amsterdam. Under the show the title in Dutch and French. Numbered at the top right: 46*. Amsterdam paper etching / engraving interior of church new church
Houses In An Autumn Grove, Yosa Buson, (Japanese, 1716-1783), Edo, 1770, ink and color on paper, 67 x 73-15/16 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/houses-in-an-autumn-grove-yosa-buson-japanese-1716-1783-edo-1770-ink-and-color-on-paper-67-x-73-1516-in-asian-art-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349861231.htmlRF2B95FFY–Houses In An Autumn Grove, Yosa Buson, (Japanese, 1716-1783), Edo, 1770, ink and color on paper, 67 x 73-15/16 in., Asian Art, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Artist unknown. High Chest of Drawers. 1750–1770. Salem. Mahogany with white pine and cedar Small-scale case furniture is rare. Too large to have served as a cabinetmaker’s model and lacking locks on the drawers to protect valuables, the piece was made for use by a child. The high chest bears an 18th-century inscription in one of the small drawers that identifies it as the one in which the young owner, Sally King of Salem, kept her clothing. Born in Salem in 1783, Sally King was likely the second owner of the chest. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-unknown-high-chest-of-drawers-17501770-salem-mahogany-with-white-pine-and-cedar-small-scale-case-furniture-is-rare-too-large-to-have-served-as-a-cabinetmakers-model-and-lacking-locks-on-the-drawers-to-protect-valuables-the-piece-was-made-for-use-by-a-child-the-high-chest-bears-an-18th-century-inscription-in-one-of-the-small-drawers-that-identifies-it-as-the-one-in-which-the-young-owner-sally-king-of-salem-kept-her-clothing-born-in-salem-in-1783-sally-king-was-likely-the-second-owner-of-the-chest-image337925923.htmlRM2AHNRXY–Artist unknown. High Chest of Drawers. 1750–1770. Salem. Mahogany with white pine and cedar Small-scale case furniture is rare. Too large to have served as a cabinetmaker’s model and lacking locks on the drawers to protect valuables, the piece was made for use by a child. The high chest bears an 18th-century inscription in one of the small drawers that identifies it as the one in which the young owner, Sally King of Salem, kept her clothing. Born in Salem in 1783, Sally King was likely the second owner of the chest.
. Polski: Portret Teresy Czartoryskiej . circa 1770. Jan Piotr Norblin (?) Jean-Pierre Norblin de La Gourdaine (1745–1830) Alternative names Jan Piotr Norblin Description French-Polish painter and caricaturist Citizen of the Polish-Lithuanian Commonwealth (1793) Date of birth/death 15 July 1745 23 February 1830 Location of birth/death Misy-Faut-Yonne Paris Work location Paris (1762-1771), London (1772, 1773, 1774), Spa (1773), Paris (1774), Puławy (1774-1783), Warsaw (1778-1780), Arkadia/Nieborów (1783-1785, 1789-1790), Warsaw (1785-1804), Bronice (1801), Provins (1804-1807), Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polski-portret-teresy-czartoryskiej-circa-1770-jan-piotr-norblin-jean-pierre-norblin-de-la-gourdaine-17451830-alternative-names-jan-piotr-norblin-description-french-polish-painter-and-caricaturist-citizen-of-the-polish-lithuanian-commonwealth-1793-date-of-birthdeath-15-july-1745-23-february-1830-location-of-birthdeath-misy-faut-yonne-paris-work-location-paris-1762-1771-london-1772-1773-1774-spa-1773-paris-1774-puawy-1774-1783-warsaw-1778-1780-arkadianieborw-1783-1785-1789-1790-warsaw-1785-1804-bronice-1801-provins-1804-1807-paris-image185552026.htmlRMMNTHE2–. Polski: Portret Teresy Czartoryskiej . circa 1770. Jan Piotr Norblin (?) Jean-Pierre Norblin de La Gourdaine (1745–1830) Alternative names Jan Piotr Norblin Description French-Polish painter and caricaturist Citizen of the Polish-Lithuanian Commonwealth (1793) Date of birth/death 15 July 1745 23 February 1830 Location of birth/death Misy-Faut-Yonne Paris Work location Paris (1762-1771), London (1772, 1773, 1774), Spa (1773), Paris (1774), Puławy (1774-1783), Warsaw (1778-1780), Arkadia/Nieborów (1783-1785, 1789-1790), Warsaw (1785-1804), Bronice (1801), Provins (1804-1807), Paris
Detail of the adobe brick wall surrounding the Mission San Xavier del Bac, Tucson Arizona. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-the-adobe-brick-wall-surrounding-the-mission-san-xavier-del-bac-tucson-arizona-image592963145.htmlRM2WCKPF5–Detail of the adobe brick wall surrounding the Mission San Xavier del Bac, Tucson Arizona.
An engraving of King Johns House 1783 (St Johns House Warnford) scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-of-king-johns-house-1783-st-johns-house-warnford-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image351087410.htmlRM2BB5BG2–An engraving of King Johns House 1783 (St Johns House Warnford) scanned at high resolution from a book published around 1786. Believed copyright free.
View of the courtyard of the Sint-Jorishof and the Walloon Church in Amsterdam, View of the St. Joris-Hof, to Amsterdam / Vue de St. Joris-Hof, à Amsterdam (title on object), Atlas van Fouquet (series title ), print maker: Hermanus Petrus Schouten, (possibly), publisher: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 251 mm × width 335 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-courtyard-of-the-sint-jorishof-and-the-walloon-church-in-amsterdam-view-of-the-st-joris-hof-to-amsterdam-vue-de-st-joris-hof-amsterdam-title-on-object-atlas-van-fouquet-series-title-print-maker-hermanus-petrus-schouten-possibly-publisher-hermanus-petrus-schouten-publisher-pierre-fouquet-amsterdam-c-1770-1783-paper-etching-height-251-mm-width-335-mm-print-image599452944.htmlRM2WR7C9M–View of the courtyard of the Sint-Jorishof and the Walloon Church in Amsterdam, View of the St. Joris-Hof, to Amsterdam / Vue de St. Joris-Hof, à Amsterdam (title on object), Atlas van Fouquet (series title ), print maker: Hermanus Petrus Schouten, (possibly), publisher: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 251 mm × width 335 mm, print
Falcon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-falcon-53480150.htmlRMD306DA–Falcon
American Revolutionary War (1775-1783). The Boston Massacre or Boston riot (1770). British redcoats killed five civilian men. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-revolutionary-war-1775-1783-the-boston-massacre-or-boston-riot-1770-british-redcoats-killed-five-civilian-men-engraving-image211085341.htmlRMP7BNE5–American Revolutionary War (1775-1783). The Boston Massacre or Boston riot (1770). British redcoats killed five civilian men. Engraving.
View of the Holy Stede (Nieuwezijds Chapel) in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 48. Amsterdam paper etching church (exterior) - QQ - small church, chapel. street (+ city(-scape) with figures, staffage) Nieuwezijds Chapel. Holy Stede. Kalverstraat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-holy-stede-nieuwezijds-chapel-in-amsterdam-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-numbered-at-the-top-right-48-amsterdam-paper-etching-church-exterior-qq-small-church-chapel-street-city-scape-with-figures-staffage-nieuwezijds-chapel-holy-stede-kalverstraat-image593269059.htmlRM2WD5MMK–View of the Holy Stede (Nieuwezijds Chapel) in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 48. Amsterdam paper etching church (exterior) - QQ - small church, chapel. street (+ city(-scape) with figures, staffage) Nieuwezijds Chapel. Holy Stede. Kalverstraat
Portrait of Théophile Van Robais, Jean-Baptiste Perronneau (French, 1715 - 1783), France, 1770, Pastel on three sheets of blue paper, mounted on a prepared canvas, 74.3 × 57.5 cm (29 1,4 × 22 5,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-thophile-van-robais-jean-baptiste-perronneau-french-1715-1783-france-1770-pastel-on-three-sheets-of-blue-paper-mounted-on-a-prepared-canvas-743-575-cm-29-14-22-58-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350071433.htmlRF2B9F3K5–Portrait of Théophile Van Robais, Jean-Baptiste Perronneau (French, 1715 - 1783), France, 1770, Pastel on three sheets of blue paper, mounted on a prepared canvas, 74.3 × 57.5 cm (29 1,4 × 22 5,8 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
William Dickinson. Mrs. Pelham Feeding Her Chickens. 1766–1823. England. Mezzotint on cream wove paper Printed after a 1770 Joshua Reynolds painting, this mezzotint features the 1st Baroness of Yarborough, Mrs. Sophia Pelham. Mrs. Pelham wears a workingclass–inspired yet finely embroidered Brunswick dress to feed her chickens before a rustic farmhouse. Such scenes are reminiscent of the 18th-century British fashion for ornamental farms and dairies within elite society, similar to Marie Antoinette’s 1783 Hamlet at Versailles, with its imported Swiss sheep and cows. In fact, Mrs. Pelham had her Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-dickinson-mrs-pelham-feeding-her-chickens-17661823-england-mezzotint-on-cream-wove-paper-printed-after-a-1770-joshua-reynolds-painting-this-mezzotint-features-the-1st-baroness-of-yarborough-mrs-sophia-pelham-mrs-pelham-wears-a-workingclassinspired-yet-finely-embroidered-brunswick-dress-to-feed-her-chickens-before-a-rustic-farmhouse-such-scenes-are-reminiscent-of-the-18th-century-british-fashion-for-ornamental-farms-and-dairies-within-elite-society-similar-to-marie-antoinettes-1783-hamlet-at-versailles-with-its-imported-swiss-sheep-and-cows-in-fact-mrs-pelham-had-her-image337961760.htmlRM2AHRDJT–William Dickinson. Mrs. Pelham Feeding Her Chickens. 1766–1823. England. Mezzotint on cream wove paper Printed after a 1770 Joshua Reynolds painting, this mezzotint features the 1st Baroness of Yarborough, Mrs. Sophia Pelham. Mrs. Pelham wears a workingclass–inspired yet finely embroidered Brunswick dress to feed her chickens before a rustic farmhouse. Such scenes are reminiscent of the 18th-century British fashion for ornamental farms and dairies within elite society, similar to Marie Antoinette’s 1783 Hamlet at Versailles, with its imported Swiss sheep and cows. In fact, Mrs. Pelham had her
N/A. Nederlands: Beschrijving Johannes Andreas Offerman (1754-1811) Pastoor van het Jongensweeshuis; sinds 1789 pastoor van 'het Duifje'. Proefdruk, zonder tekst in voorstelling. Documenttype prent Vervaardiger Caspari, Jan-Willem (1779-1822) Beek, Antonie van der (1783-1852) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Atlas Dreesmann Datering 1796 ca. t/m 1811 Inventarissen http://archief.amsterdam/archief/10094 Afbeeldingsbestand 010094007693 . 1796 ca. t/m 1811. Beek, Antonie van der (1783-1852) 180 Beek, Antonie van der (1783-1852), Afb 010094007693 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-nederlands-beschrijving-johannes-andreas-offerman-1754-1811-pastoor-van-het-jongensweeshuis-sinds-1789-pastoor-van-het-duifje-proefdruk-zonder-tekst-in-voorstelling-documenttype-prent-vervaardiger-caspari-jan-willem-1779-1822-beek-antonie-van-der-1783-1852-caspari-hendrik-willem-1770-1829-collectie-collectie-atlas-dreesmann-datering-1796-ca-tm-1811-inventarissen-httparchiefamsterdamarchief10094-afbeeldingsbestand-010094007693-1796-ca-tm-1811-beek-antonie-van-der-1783-1852-180-beek-antonie-van-der-1783-1852-afb-010094007693-image210072538.htmlRMP5NHJJ–N/A. Nederlands: Beschrijving Johannes Andreas Offerman (1754-1811) Pastoor van het Jongensweeshuis; sinds 1789 pastoor van 'het Duifje'. Proefdruk, zonder tekst in voorstelling. Documenttype prent Vervaardiger Caspari, Jan-Willem (1779-1822) Beek, Antonie van der (1783-1852) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Atlas Dreesmann Datering 1796 ca. t/m 1811 Inventarissen http://archief.amsterdam/archief/10094 Afbeeldingsbestand 010094007693 . 1796 ca. t/m 1811. Beek, Antonie van der (1783-1852) 180 Beek, Antonie van der (1783-1852), Afb 010094007693
Detail of the carved stonework over the arched doorway of the entrance to Mission San Xavier del Bac, Tucson Arizona. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-the-carved-stonework-over-the-arched-doorway-of-the-entrance-to-mission-san-xavier-del-bac-tucson-arizona-image592963280.htmlRM2WCKPM0–Detail of the carved stonework over the arched doorway of the entrance to Mission San Xavier del Bac, Tucson Arizona.
An engraving of Eastbury House (Eastbury Manor House) Essex 1783 scanned at high res from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-of-eastbury-house-eastbury-manor-house-essex-1783-scanned-at-high-res-from-a-book-published-around-1786-believed-copyright-free-image350356130.htmlRM2BA02PX–An engraving of Eastbury House (Eastbury Manor House) Essex 1783 scanned at high res from a book published around 1786. Believed copyright free.
View of the Nieuwe Waalen Church in Amsterdam, View of the Nieuwe Waalen Church, to Amsterdam / Vue de la Nouvelle Eglise Walonne, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 267 mm × width 358 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-nieuwe-waalen-church-in-amsterdam-view-of-the-nieuwe-waalen-church-to-amsterdam-vue-de-la-nouvelle-eglise-walonne-amsterdam-title-on-object-atlas-van-fouquet-series-title-print-maker-hermanus-petrus-schouten-possibly-after-drawing-by-hermanus-petrus-schouten-publisher-pierre-fouquet-amsterdam-c-1770-1783-paper-etching-height-267-mm-width-358-mm-print-image599522356.htmlRM2WRAGTM–View of the Nieuwe Waalen Church in Amsterdam, View of the Nieuwe Waalen Church, to Amsterdam / Vue de la Nouvelle Eglise Walonne, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 267 mm × width 358 mm, print
Thrush Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thrush-53480523.htmlRMD306XK–Thrush
American Revolutionary War (1775-1783). The Boston Massacre or Boston riot (1770). British redcoats killed five civilian men. Engraving. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-revolutionary-war-1775-1783-the-boston-massacre-or-boston-riot-1770-british-redcoats-killed-five-civilian-men-engraving-colored-image212363958.htmlRMP9E0B2–American Revolutionary War (1775-1783). The Boston Massacre or Boston riot (1770). British redcoats killed five civilian men. Engraving. Colored.
View of the Zuiderkerk in Amsterdam, seen from the Raamgracht, Hermanus Petrus Schouten (Possible), after Hermanus Petrus Schouten, c. 1770 - 1783 print Amsterdam paper etching church (exterior). parts of church exterior and annexes: tower. street (+ city(-scape) with figures, staffage). canals, waters (in city) (+ city(-scape) with figures, staffage) Zuiderkerk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-zuiderkerk-in-amsterdam-seen-from-the-raamgracht-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-amsterdam-paper-etching-church-exterior-parts-of-church-exterior-and-annexes-tower-street-city-scape-with-figures-staffage-canals-waters-in-city-city-scape-with-figures-staffage-zuiderkerk-image593964316.htmlRM2WE9BF8–View of the Zuiderkerk in Amsterdam, seen from the Raamgracht, Hermanus Petrus Schouten (Possible), after Hermanus Petrus Schouten, c. 1770 - 1783 print Amsterdam paper etching church (exterior). parts of church exterior and annexes: tower. street (+ city(-scape) with figures, staffage). canals, waters (in city) (+ city(-scape) with figures, staffage) Zuiderkerk
Art inspired by Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris), 18th century, Etching and engraving, Sheet: 8 7/8 x 6 7/16 in. (22.5 x 16.4 cm), Prints, After Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-reverse-copy-of-noisettes-nutcrackers-from-les-cris-de-paris-the-cries-of-paris-18th-century-etching-and-engraving-sheet-8-78-x-6-716-in-225-x-164-cm-prints-after-jacques-philippe-le-bas-french-paris-17071783-paris-after-franois-boucher-french-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463013907.htmlRF2HW82XY–Art inspired by Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris), 18th century, Etching and engraving, Sheet: 8 7/8 x 6 7/16 in. (22.5 x 16.4 cm), Prints, After Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After François Boucher (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dancing Cossacks Dancing kozakken object type: drawing Object number: RP-T-00-1770 Manufacturer : draftsman: Louis Moritz Artist: Pieter Gerardus van Os Dating: 1783 to 1850 and / or 1786 - 1839 Physical characteristics: pen in brown material: paper Ink Technique: pen Dimensions: h 167 mm × W 309 mm Subject: (military) with tent camp group, or one (folk dancing) land forces (+ cavalry, horsemen) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dancing-cossacks-dancing-kozakken-object-type-drawing-object-number-rp-t-00-1770-manufacturer-draftsman-louis-moritz-artist-pieter-gerardus-van-os-dating-1783-to-1850-and-or-1786-1839-physical-characteristics-pen-in-brown-material-paper-ink-technique-pen-dimensions-h-167-mm-w-309-mm-subject-military-with-tent-camp-group-or-one-folk-dancing-land-forces-cavalry-horsemen-image348280793.htmlRM2B6HFKN–Dancing Cossacks Dancing kozakken object type: drawing Object number: RP-T-00-1770 Manufacturer : draftsman: Louis Moritz Artist: Pieter Gerardus van Os Dating: 1783 to 1850 and / or 1786 - 1839 Physical characteristics: pen in brown material: paper Ink Technique: pen Dimensions: h 167 mm × W 309 mm Subject: (military) with tent camp group, or one (folk dancing) land forces (+ cavalry, horsemen)
. Nederlands: Portret van Catharina Frederica de Bruin (1783-1831) gehuwd met Claudius Pieter Gevers (1770-1836) . 1800. Unknown Catharina Frederica de Bruin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nederlands-portret-van-catharina-frederica-de-bruin-1783-1831-gehuwd-met-claudius-pieter-gevers-1770-1836-1800-unknown-catharina-frederica-de-bruin-image184944583.htmlRMMMTXKK–. Nederlands: Portret van Catharina Frederica de Bruin (1783-1831) gehuwd met Claudius Pieter Gevers (1770-1836) . 1800. Unknown Catharina Frederica de Bruin
The bell towers of the Mission San Xavier del Bac, Tucson Arizona. The east belfry was never completed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bell-towers-of-the-mission-san-xavier-del-bac-tucson-arizona-the-east-belfry-was-never-completed-image592962992.htmlRM2WCKP9M–The bell towers of the Mission San Xavier del Bac, Tucson Arizona. The east belfry was never completed.
An engraving of Titchfield House (Titchfield Abbey) Chapel 1783 scanned at high resolution from a book published around 1786. Believed copyright free. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-of-titchfield-house-titchfield-abbey-chapel-1783-scanned-at-high-resolution-from-a-book-published-around-1786-believed-copyright-free-image351431164.htmlRM2BBN210–An engraving of Titchfield House (Titchfield Abbey) Chapel 1783 scanned at high resolution from a book published around 1786. Believed copyright free.
View of the Old Lutheran Church in Amsterdam, View of the Lutheran Old Church, to Amsterdam / Vue de la Vieille Eglise Lutherienne, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 283 mm × width 371 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-old-lutheran-church-in-amsterdam-view-of-the-lutheran-old-church-to-amsterdam-vue-de-la-vieille-eglise-lutherienne-amsterdam-title-on-object-atlas-van-fouquet-series-title-print-maker-hermanus-petrus-schouten-possibly-after-drawing-by-hermanus-petrus-schouten-publisher-pierre-fouquet-amsterdam-c-1770-1783-paper-etching-height-283-mm-width-371-mm-print-image599450777.htmlRM2WR79G9–View of the Old Lutheran Church in Amsterdam, View of the Lutheran Old Church, to Amsterdam / Vue de la Vieille Eglise Lutherienne, à Amsterdam (title on object), Atlas van Fouquet (series title), print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, height 283 mm × width 371 mm, print
Vulture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vulture-53480170.htmlRMD306E2–Vulture
Portrait of Théophile Van Robais. Date/Period: 1770. Drawing. Pastel on three sheets of blue paper, mounted on a prepared canvas. Height: 743 mm (29.25 in); Width: 575 mm (22.63 in). Author: Jean-Baptiste Perronneau. PERRONNEAU, JEAN-BAPTISTE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-thophile-van-robais-dateperiod-1770-drawing-pastel-on-three-sheets-of-blue-paper-mounted-on-a-prepared-canvas-height-743-mm-2925-in-width-575-mm-2263-in-author-jean-baptiste-perronneau-perronneau-jean-baptiste-image233247358.htmlRMRFD9AP–Portrait of Théophile Van Robais. Date/Period: 1770. Drawing. Pastel on three sheets of blue paper, mounted on a prepared canvas. Height: 743 mm (29.25 in); Width: 575 mm (22.63 in). Author: Jean-Baptiste Perronneau. PERRONNEAU, JEAN-BAPTISTE.
View of the Holy Stede or the Nieuwezijds Chapel in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 48. Amsterdam paper etching / engraving church (exterior) - QQ - small church, chapel. street (+ city(-scape) with figures, staffage) Nieuwezijds Chapel. Holy Stede. Kalverstraat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-holy-stede-or-the-nieuwezijds-chapel-in-amsterdam-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-numbered-at-the-top-right-48-amsterdam-paper-etching-engraving-church-exterior-qq-small-church-chapel-street-city-scape-with-figures-staffage-nieuwezijds-chapel-holy-stede-kalverstraat-image593076489.htmlRM2WCTY35–View of the Holy Stede or the Nieuwezijds Chapel in Amsterdam, Hermanus Petrus Schouten (Possible), After Hermanus Petrus Schouten, c. 1770 - 1783 print Numbered at the top right: 48. Amsterdam paper etching / engraving church (exterior) - QQ - small church, chapel. street (+ city(-scape) with figures, staffage) Nieuwezijds Chapel. Holy Stede. Kalverstraat
Art inspired by Reverse copy of Balais Balais (Brushes Brushes), from Le Cris de Paris (The Cries of Paris), plate 5, 18th century, Etching and engraving, Sheet: 10 13/16 x 7 7/16 in. (27.5 x 18.9 cm) trimmed, Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-reverse-copy-of-balais-balais-brushes-brushes-from-le-cris-de-paris-the-cries-of-paris-plate-5-18th-century-etching-and-engraving-sheet-10-1316-x-7-716-in-275-x-189-cm-trimmed-prints-jacques-philippe-le-bas-french-paris-17071783-paris-after-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463013897.htmlRF2HW82XH–Art inspired by Reverse copy of Balais Balais (Brushes Brushes), from Le Cris de Paris (The Cries of Paris), plate 5, 18th century, Etching and engraving, Sheet: 10 13/16 x 7 7/16 in. (27.5 x 18.9 cm) trimmed, Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Konstabels of kanonniers van het Amsterdamse exercitiegenootschap in 1783-1787 De Amsterdamsch Burgers Konstaabel of kanoniers (titel op object) The uniforms of constables or gunners of the Amsterdam association exercise. Part of the second chapter on the new Amsterdam militia between 1783-1787. In the sketch with color drawings of the uniforms worn by military personnel and members of the schutterij from the period 1770 to 1795-1796. Manufacturer : draftsman: S.G. Cast Insert preparation: Amsterdam Date: 1795 Physical characteristics: pen in brown ink color material: paper Technique: writing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/konstabels-of-kanonniers-van-het-amsterdamse-exercitiegenootschap-in-1783-1787-de-amsterdamsch-burgers-konstaabel-of-kanoniers-titel-op-object-the-uniforms-of-constables-or-gunners-of-the-amsterdam-association-exercise-part-of-the-second-chapter-on-the-new-amsterdam-militia-between-1783-1787-in-the-sketch-with-color-drawings-of-the-uniforms-worn-by-military-personnel-and-members-of-the-schutterij-from-the-period-1770-to-1795-1796-manufacturer-draftsman-sg-cast-insert-preparation-amsterdam-date-1795-physical-characteristics-pen-in-brown-ink-color-material-paper-technique-writing-image348520782.htmlRM2B70DPP–Konstabels of kanonniers van het Amsterdamse exercitiegenootschap in 1783-1787 De Amsterdamsch Burgers Konstaabel of kanoniers (titel op object) The uniforms of constables or gunners of the Amsterdam association exercise. Part of the second chapter on the new Amsterdam militia between 1783-1787. In the sketch with color drawings of the uniforms worn by military personnel and members of the schutterij from the period 1770 to 1795-1796. Manufacturer : draftsman: S.G. Cast Insert preparation: Amsterdam Date: 1795 Physical characteristics: pen in brown ink color material: paper Technique: writing
. Русский: Неизвестный художник. Портрет князя Г.Г. Орлова. Нач. 1770-х. English: Portrait of Grigory Orlov (1734–1783) . early 1770s. Grigory Orlov by anonim 1770s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1770-english-portrait-of-grigory-orlov-17341783-early-1770s-grigory-orlov-by-anonim-1770s-image184945088.htmlRMMMTY9M–. Русский: Неизвестный художник. Портрет князя Г.Г. Орлова. Нач. 1770-х. English: Portrait of Grigory Orlov (1734–1783) . early 1770s. Grigory Orlov by anonim 1770s
Detail of the cast iron serpent on the door handle of the entry door in the Mission San Xavier del Bac, Tucson Arizona. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-the-cast-iron-serpent-on-the-door-handle-of-the-entry-door-in-the-mission-san-xavier-del-bac-tucson-arizona-image592963168.htmlRM2WCKPG0–Detail of the cast iron serpent on the door handle of the entry door in the Mission San Xavier del Bac, Tucson Arizona.
View of the Oudezijds Herenlogement in Amsterdam, Het Oudezyds Heeren-Logement, and the Gasthuys (title on object), View of the Oudezijds Herenlogement on the Grimburgwal in Amsterdam. In the background the Binnengasthuis. Different figures on the street., print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, engraving, height 280 mm × width 369 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-oudezijds-herenlogement-in-amsterdam-het-oudezyds-heeren-logement-and-the-gasthuys-title-on-object-view-of-the-oudezijds-herenlogement-on-the-grimburgwal-in-amsterdam-in-the-background-the-binnengasthuis-different-figures-on-the-street-print-maker-hermanus-petrus-schouten-possibly-after-drawing-by-hermanus-petrus-schouten-publisher-pierre-fouquet-amsterdam-c-1770-1783-paper-etching-engraving-height-280-mm-width-369-mm-print-image599487701.htmlRM2WR90K1–View of the Oudezijds Herenlogement in Amsterdam, Het Oudezyds Heeren-Logement, and the Gasthuys (title on object), View of the Oudezijds Herenlogement on the Grimburgwal in Amsterdam. In the background the Binnengasthuis. Different figures on the street., print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, publisher: Pierre Fouquet, Amsterdam, c. 1770 - 1783, paper, etching, engraving, height 280 mm × width 369 mm, print
Hawk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hawk-53480136.htmlRMD306CT–Hawk
Adam Jerzy Czartoryski (1770-1861). Político y dramaturgo polaco. Adam Czartoryski en la Escuela de Cadetes, 1774-1783, por Jan Piotr Norblin de la Gourdaine (1745-1830). Galería de Arte Polaco del siglo XIX (Lonja de los Paños, Sukiennice). Museo Nacional de Cracovia. Polonia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adam-jerzy-czartoryski-1770-1861-poltico-y-dramaturgo-polaco-adam-czartoryski-en-la-escuela-de-cadetes-1774-1783-por-jan-piotr-norblin-de-la-gourdaine-1745-1830-galera-de-arte-polaco-del-siglo-xix-lonja-de-los-paos-sukiennice-museo-nacional-de-cracovia-polonia-image247637159.htmlRMTATRM7–Adam Jerzy Czartoryski (1770-1861). Político y dramaturgo polaco. Adam Czartoryski en la Escuela de Cadetes, 1774-1783, por Jan Piotr Norblin de la Gourdaine (1745-1830). Galería de Arte Polaco del siglo XIX (Lonja de los Paños, Sukiennice). Museo Nacional de Cracovia. Polonia.
View of the old Lutheran church in Amsterdam, Hermanus Petrus Schouten (Possible), after Hermanus Petrus Schouten, c. 1770 - 1783 print Amsterdam paper etching church (exterior). Protestant Churches and denominations (LUTHERANS). street (+ city(-scape) with figures, staffage). canals, waters (in city) (+ city(-scape) with figures, staffage) Old Lutheran Church. Fuel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-old-lutheran-church-in-amsterdam-hermanus-petrus-schouten-possible-after-hermanus-petrus-schouten-c-1770-1783-print-amsterdam-paper-etching-church-exterior-protestant-churches-and-denominations-lutherans-street-city-scape-with-figures-staffage-canals-waters-in-city-city-scape-with-figures-staffage-old-lutheran-church-fuel-image593045356.htmlRM2WCRFB8–View of the old Lutheran church in Amsterdam, Hermanus Petrus Schouten (Possible), after Hermanus Petrus Schouten, c. 1770 - 1783 print Amsterdam paper etching church (exterior). Protestant Churches and denominations (LUTHERANS). street (+ city(-scape) with figures, staffage). canals, waters (in city) (+ city(-scape) with figures, staffage) Old Lutheran Church. Fuel
Frederica Louisa Wilhelmina (1770-1819). Princess of Orange-Nassau. Daughter of Willem V and Wilhelmina van Prussia, Portrait of Frederica Louisa Wilhelmina (1770-1819). Princess of Orange-Nassau. Daughter of Willem V and Wilhelmina van Prussia. Half-way, the head a little to the right. Part of the collection of portrait miniatures, Louise (princess of Orange-Nassau), De Saint-Ligié, 1783, ivory, metal, glass, d 5.5 cm h 6.5 cm × w 6 cm × d 0.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederica-louisa-wilhelmina-1770-1819-princess-of-orange-nassau-daughter-of-willem-v-and-wilhelmina-van-prussia-portrait-of-frederica-louisa-wilhelmina-1770-1819-princess-of-orange-nassau-daughter-of-willem-v-and-wilhelmina-van-prussia-half-way-the-head-a-little-to-the-right-part-of-the-collection-of-portrait-miniatures-louise-princess-of-orange-nassau-de-saint-ligi-1783-ivory-metal-glass-d-55-cm-h-65-cm-w-6-cm-d-07-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-image350016024.htmlRF2B9CH08–Frederica Louisa Wilhelmina (1770-1819). Princess of Orange-Nassau. Daughter of Willem V and Wilhelmina van Prussia, Portrait of Frederica Louisa Wilhelmina (1770-1819). Princess of Orange-Nassau. Daughter of Willem V and Wilhelmina van Prussia. Half-way, the head a little to the right. Part of the collection of portrait miniatures, Louise (princess of Orange-Nassau), De Saint-Ligié, 1783, ivory, metal, glass, d 5.5 cm h 6.5 cm × w 6 cm × d 0.7 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography
Three uniforms from the Amsterdam association exercise in 1783-1787 of the Amsterdam Society in the Year 1785 (title object) The page text with four shooters does not correlate with the page with the presentation of three members of the Amsterdam association exercise. Here's leaf torn from the album. Part of the second chapter on the new Amsterdam militia between 1783-1787. In the sketch with color drawings of the uniforms worn by military personnel and members of the schutterij from the period 1770 to 1795-1796. Manufacturer : draftsman: S.G. Cast Insert preparation: Amsterdam Date: 1795 Phy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-uniforms-from-the-amsterdam-association-exercise-in-1783-1787-of-the-amsterdam-society-in-the-year-1785-title-object-the-page-text-with-four-shooters-does-not-correlate-with-the-page-with-the-presentation-of-three-members-of-the-amsterdam-association-exercise-heres-leaf-torn-from-the-album-part-of-the-second-chapter-on-the-new-amsterdam-militia-between-1783-1787-in-the-sketch-with-color-drawings-of-the-uniforms-worn-by-military-personnel-and-members-of-the-schutterij-from-the-period-1770-to-1795-1796-manufacturer-draftsman-sg-cast-insert-preparation-amsterdam-date-1795-phy-image348320990.htmlRM2B6KAYA–Three uniforms from the Amsterdam association exercise in 1783-1787 of the Amsterdam Society in the Year 1785 (title object) The page text with four shooters does not correlate with the page with the presentation of three members of the Amsterdam association exercise. Here's leaf torn from the album. Part of the second chapter on the new Amsterdam militia between 1783-1787. In the sketch with color drawings of the uniforms worn by military personnel and members of the schutterij from the period 1770 to 1795-1796. Manufacturer : draftsman: S.G. Cast Insert preparation: Amsterdam Date: 1795 Phy
. English: Pierre-Joseph Alary (1689–1770), French ecclesiastic and writer. Deutsch: Pierre-Joseph Alary (1689–1770), französischer Geistlicher, Philosoph und Literat. Français : Pierre-Joseph Alary (1689–1770), homme d'Église et homme de lettres français . 1723 Archives de l'Academie Francaise. Claude Pougin de Saint-Aubin (1730-1783) 483 Pierre-Joseph Alary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-pierre-joseph-alary-16891770-french-ecclesiastic-and-writer-deutsch-pierre-joseph-alary-16891770-franzsischer-geistlicher-philosoph-und-literat-franais-pierre-joseph-alary-16891770-homme-dglise-et-homme-de-lettres-franais-1723-archives-de-lacademie-francaise-claude-pougin-de-saint-aubin-1730-1783-483-pierre-joseph-alary-image187471980.htmlRMMW02BT–. English: Pierre-Joseph Alary (1689–1770), French ecclesiastic and writer. Deutsch: Pierre-Joseph Alary (1689–1770), französischer Geistlicher, Philosoph und Literat. Français : Pierre-Joseph Alary (1689–1770), homme d'Église et homme de lettres français . 1723 Archives de l'Academie Francaise. Claude Pougin de Saint-Aubin (1730-1783) 483 Pierre-Joseph Alary
Mission San Xavier del Bac, Tucson Arizona. Built in Baroque style with Moorish and Byzantine architecture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mission-san-xavier-del-bac-tucson-arizona-built-in-baroque-style-with-moorish-and-byzantine-architecture-image592962953.htmlRM2WCKP89–Mission San Xavier del Bac, Tucson Arizona. Built in Baroque style with Moorish and Byzantine architecture.
View of the Gasthuis Church in Amsterdam, View of the Gasthuys Church, to Amsterdam / Vue de l'Eglise de l'Hôpital, à Amsterdam (title on object), Atlas van Fouquet (series title), print, print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, (mentioned on object), publisher: Pierre Fouquet, (mentioned on object), Amsterdam, c. 1770 - 1783, paper, etching, height, 270 mm × width, 361 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-gasthuis-church-in-amsterdam-view-of-the-gasthuys-church-to-amsterdam-vue-de-leglise-de-lhpital-amsterdam-title-on-object-atlas-van-fouquet-series-title-print-print-maker-hermanus-petrus-schouten-possibly-after-drawing-by-hermanus-petrus-schouten-mentioned-on-object-publisher-pierre-fouquet-mentioned-on-object-amsterdam-c-1770-1783-paper-etching-height-270-mm-width-361-mm-image606641039.htmlRM2X6XTRB–View of the Gasthuis Church in Amsterdam, View of the Gasthuys Church, to Amsterdam / Vue de l'Eglise de l'Hôpital, à Amsterdam (title on object), Atlas van Fouquet (series title), print, print maker: Hermanus Petrus Schouten, (possibly), after drawing by: Hermanus Petrus Schouten, (mentioned on object), publisher: Pierre Fouquet, (mentioned on object), Amsterdam, c. 1770 - 1783, paper, etching, height, 270 mm × width, 361 mm
