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1765 1811 Stock Photos and Images
James Grahame (1765-1811) Scottish poet and clergyman. Engraving from 'A Biographical Dictionary of Eminent Scotsmen' by Thomas Thomson (1870). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-grahame-1765-1811-scottish-poet-and-clergyman-engraving-from-57289866.htmlRMD95NPJ–James Grahame (1765-1811) Scottish poet and clergyman. Engraving from 'A Biographical Dictionary of Eminent Scotsmen' by Thomas Thomson (1870).
James Grahame (1765-1811) Scottish poet and clergyman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-grahame-1765-1811-scottish-poet-and-clergyman-123110425.htmlRMH484GW–James Grahame (1765-1811) Scottish poet and clergyman
James Grahame (1765-1811), schottischer Dichter und Geistlicher. Kupferstich aus A Biographical Dictionary of Eminent Scotsmen von Thomas Thomson (1870)., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-grahame-1765-1811-schottischer-dichter-und-geistlicher-kupferstich-aus-a-biographical-dictionary-of-eminent-scotsmen-von-thomas-thomson-1870-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image621481365.htmlRF2Y32WR1–James Grahame (1765-1811), schottischer Dichter und Geistlicher. Kupferstich aus A Biographical Dictionary of Eminent Scotsmen von Thomas Thomson (1870)., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Tower of the Kreuzkirche in Dresden collapsed in 1765 after the bombardment of 1760, Der Creutzthurm zu Dresden, Text in German in the lower margin. Print is part of an album., print maker: Carl Friedrich Holtzmann, after design by: Carl Friedrich Holtzmann, Dresden, 22-Jun-1765 - 1811, paper, etching, height 269 mm × width 203 mm × height 37 mm × width 203 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tower-of-the-kreuzkirche-in-dresden-collapsed-in-1765-after-the-bombardment-of-1760-der-creutzthurm-zu-dresden-text-in-german-in-the-lower-margin-print-is-part-of-an-album-print-maker-carl-friedrich-holtzmann-after-design-by-carl-friedrich-holtzmann-dresden-22-jun-1765-1811-paper-etching-height-269-mm-width-203-mm-height-37-mm-width-203-mm-print-image599472275.htmlRM2WR8903–Tower of the Kreuzkirche in Dresden collapsed in 1765 after the bombardment of 1760, Der Creutzthurm zu Dresden, Text in German in the lower margin. Print is part of an album., print maker: Carl Friedrich Holtzmann, after design by: Carl Friedrich Holtzmann, Dresden, 22-Jun-1765 - 1811, paper, etching, height 269 mm × width 203 mm × height 37 mm × width 203 mm, print
James Grahame (1765-1811) Scottish poet and clergyman. Engraving from 'A Biographical Dictionary of Eminent Scotsmen' by Thomas Thomson (1870). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-grahame-1765-1811-scottish-poet-and-clergyman-engraving-from-a-biographical-dictionary-of-eminent-scotsmen-by-thomas-thomson-1870-image483534382.htmlRM2K2JW12–James Grahame (1765-1811) Scottish poet and clergyman. Engraving from 'A Biographical Dictionary of Eminent Scotsmen' by Thomas Thomson (1870).
Portrait of Joseph Mawbey, Sir Joseph Mawbey Bar. (title on object), Portrait of Joseph Mawbey, distiller and politician, seated on a chair. His left hand rests on a book resting on his knee; his right hand is on the table. On and under the table are books and papers. Below the portrait the coat of arms of Mawbey with the motto 'Always for Liberty., print maker: John Dixon, (mentioned on object), after painting by: Robert Edge Pine, (mentioned on object), publisher: John Bowles, (mentioned on object), London, 1765 - 1811, paper, engraving, height 374 mm × width 275 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-joseph-mawbey-sir-joseph-mawbey-bar-title-on-object-portrait-of-joseph-mawbey-distiller-and-politician-seated-on-a-chair-his-left-hand-rests-on-a-book-resting-on-his-knee-his-right-hand-is-on-the-table-on-and-under-the-table-are-books-and-papers-below-the-portrait-the-coat-of-arms-of-mawbey-with-the-motto-always-for-liberty-print-maker-john-dixon-mentioned-on-object-after-painting-by-robert-edge-pine-mentioned-on-object-publisher-john-bowles-mentioned-on-object-london-1765-1811-paper-engraving-height-374-mm-width-275-mm-image473347980.htmlRM2JE2T50–Portrait of Joseph Mawbey, Sir Joseph Mawbey Bar. (title on object), Portrait of Joseph Mawbey, distiller and politician, seated on a chair. His left hand rests on a book resting on his knee; his right hand is on the table. On and under the table are books and papers. Below the portrait the coat of arms of Mawbey with the motto 'Always for Liberty., print maker: John Dixon, (mentioned on object), after painting by: Robert Edge Pine, (mentioned on object), publisher: John Bowles, (mentioned on object), London, 1765 - 1811, paper, engraving, height 374 mm × width 275 mm
James Grahame (April 22, 1765 - September 14, 1811) was a Scottish poet.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-grahame-april-22-1765-september-14-1811-was-a-scottish-poet-image268855634.htmlRMWHBC2X–James Grahame (April 22, 1765 - September 14, 1811) was a Scottish poet..
Jean Baptiste Huet. Bucolic Scene. 1765–1811. France. Etching on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-huet-bucolic-scene-17651811-france-etching-on-ivory-laid-paper-image337946776.htmlRM2AHPPFM–Jean Baptiste Huet. Bucolic Scene. 1765–1811. France. Etching on ivory laid paper
James Grahame 1765-1811, schottischer Dichter und Geistlicher. Kupferstich aus A Biographical Dictionary of Eminent Scotsmen von Thomas Thomson 1870., Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-grahame-1765-1811-schottischer-dichter-und-geistlicher-kupferstich-aus-a-biographical-dictionary-of-eminent-scotsmen-von-thomas-thomson-1870-image621482421.htmlRM2Y32Y4N–James Grahame 1765-1811, schottischer Dichter und Geistlicher. Kupferstich aus A Biographical Dictionary of Eminent Scotsmen von Thomas Thomson 1870.,
Tower of the Kreuzkirche in Dresden after the bombing of 1760 collapsed in 1765, Carl Friedrich Holtzmann, 1765 - 1811 print Text in German in the lower margin. Print is part of an album. Dresden paper etching ruin of a building architecture. consequences of war. parts of church exterior and annexes: tower. collapsing building Dresden Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tower-of-the-kreuzkirche-in-dresden-after-the-bombing-of-1760-collapsed-in-1765-carl-friedrich-holtzmann-1765-1811-print-text-in-german-in-the-lower-margin-print-is-part-of-an-album-dresden-paper-etching-ruin-of-a-building-architecture-consequences-of-war-parts-of-church-exterior-and-annexes-tower-collapsing-building-dresden-image593866628.htmlRM2WE4XXC–Tower of the Kreuzkirche in Dresden after the bombing of 1760 collapsed in 1765, Carl Friedrich Holtzmann, 1765 - 1811 print Text in German in the lower margin. Print is part of an album. Dresden paper etching ruin of a building architecture. consequences of war. parts of church exterior and annexes: tower. collapsing building Dresden
Art inspired by Stock Buckle, 1765–85, Made in New York, New York, United States, American, Silver, 2 x 1 7/16 in. (5.1 x 3.7 cm), Silver, Probably Otto Parisien (ca. 1725–1811, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-stock-buckle-176585-made-in-new-york-new-york-united-states-american-silver-2-x-1-716-in-51-x-37-cm-silver-probably-otto-parisien-ca-17251811-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462892473.htmlRF2HW2G21–Art inspired by Stock Buckle, 1765–85, Made in New York, New York, United States, American, Silver, 2 x 1 7/16 in. (5.1 x 3.7 cm), Silver, Probably Otto Parisien (ca. 1725–1811, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Portrait of Christian Guillaume Ernest Dietricy . 1765. Jakob Matthias Schmutzer (1733–1811) Alternative names Jacob Matthias Schmutzer Description Austrian engraver and painter Date of birth/death 3 April 1733 or 5 April 1733 2 December 1811 Location of birth/death Vienna Vienna Work location Vienna Authority control : Q90207 VIAF: 64276503 ISNI: 0000 0000 6663 4613 ULAN: 500017113 LCCN: n97875890 GND: 133855376 WorldCat 683 Jacob Matthias Schmutzer Portrait Christian Guillaume Ernest Dietricy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-christian-guillaume-ernest-dietricy-1765-jakob-matthias-schmutzer-17331811-alternative-names-jacob-matthias-schmutzer-description-austrian-engraver-and-painter-date-of-birthdeath-3-april-1733-or-5-april-1733-2-december-1811-location-of-birthdeath-vienna-vienna-work-location-vienna-authority-control-q90207-viaf64276503-isni0000-0000-6663-4613-ulan500017113-lccnn97875890-gnd133855376-worldcat-683-jacob-matthias-schmutzer-portrait-christian-guillaume-ernest-dietricy-image185793062.htmlRMMP7GXE–. English: Portrait of Christian Guillaume Ernest Dietricy . 1765. Jakob Matthias Schmutzer (1733–1811) Alternative names Jacob Matthias Schmutzer Description Austrian engraver and painter Date of birth/death 3 April 1733 or 5 April 1733 2 December 1811 Location of birth/death Vienna Vienna Work location Vienna Authority control : Q90207 VIAF: 64276503 ISNI: 0000 0000 6663 4613 ULAN: 500017113 LCCN: n97875890 GND: 133855376 WorldCat 683 Jacob Matthias Schmutzer Portrait Christian Guillaume Ernest Dietricy
Art inspired by Still Life: Armor, Sword, Snare Drum, 1765–1810, Red chalk, sheet: 22 7/8 x 17 in. (58.1 x 43.2 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-still-life-armor-sword-snare-drum-17651810-red-chalk-sheet-22-78-x-17-in-581-x-432-cm-drawings-jakob-matthias-schmutzer-austrian-vienna-17331811-vienna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949971.htmlRF2HW55BF–Art inspired by Still Life: Armor, Sword, Snare Drum, 1765–1810, Red chalk, sheet: 22 7/8 x 17 in. (58.1 x 43.2 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Profile of a Bearded Old Man Looking Right. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 24 x 18 1/2 in. (61 x 47 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/profile-of-a-bearded-old-man-looking-right-artist-jakob-matthias-schmutzer-austrian-vienna-1733-1811-vienna-dimensions-sheet-24-x-18-12-in-61-x-47-cm-date-1765-1810-museum-metropolitan-museum-of-art-new-york-usa-image213082450.htmlRMPAJMRE–Profile of a Bearded Old Man Looking Right. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 24 x 18 1/2 in. (61 x 47 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA.
King John by William Shakespeare. Performed at Covent Garden on Saturday 20th April 1811. Artist: Neagle (1765-1822) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-john-by-william-shakespeare-performed-at-covent-garden-on-saturday-135245853.htmlRMHT0YD1–King John by William Shakespeare. Performed at Covent Garden on Saturday 20th April 1811. Artist: Neagle (1765-1822)
Thomas Percy (April 13, 1729 - September 30, 1811), was Bishop of Dromore. Before being made bishop, was chaplain to George III Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thomas-percy-april-13-1729-september-30-1811-was-bishop-of-dromore-21502506.htmlRMB6YEJJ–Thomas Percy (April 13, 1729 - September 30, 1811), was Bishop of Dromore. Before being made bishop, was chaplain to George III
Spinning Jenny, engraving, 1811. The spinning jenny was a multi-spindle spinning frame, invented in 1764 or 1765 by James Hargreaves in Lancashire, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spinning-jenny-engraving-1811-the-spinning-jenny-was-a-multi-spindle-spinning-frame-invented-in-1764-or-1765-by-james-hargreaves-in-lancashire-england-image412107884.htmlRM2EXD3PM–Spinning Jenny, engraving, 1811. The spinning jenny was a multi-spindle spinning frame, invented in 1764 or 1765 by James Hargreaves in Lancashire, England.
Caroline, Duchess of Marlborough (1743-1811, nee Russell) wife of George Spencer, 4th Duke of Marlborough, seen here with Lady Spencer (either her mother-in-law or sister-in-law), with two six-year-old children, Francis Russell, 5th Duke of Bedford (1765-1802, said to be the richest peer of Great Britain), and Lady Elizabeth Spencer, Caroline's daughter (1764-1812). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caroline-duchess-of-marlborough-1743-1811-nee-russell-wife-of-george-spencer-4th-duke-of-marlborough-seen-here-with-lady-spencer-either-her-mother-in-law-or-sister-in-law-with-two-six-year-old-children-francis-russell-5th-duke-of-bedford-1765-1802-said-to-be-the-richest-peer-of-great-britain-and-lady-elizabeth-spencer-carolines-daughter-1764-1812-image504816827.htmlRM2M98B0B–Caroline, Duchess of Marlborough (1743-1811, nee Russell) wife of George Spencer, 4th Duke of Marlborough, seen here with Lady Spencer (either her mother-in-law or sister-in-law), with two six-year-old children, Francis Russell, 5th Duke of Bedford (1765-1802, said to be the richest peer of Great Britain), and Lady Elizabeth Spencer, Caroline's daughter (1764-1812).
Catherine Gordon: mother of Lord Byron, heiress of Gight in Aberdeenshire, Scotland, c 1765 - 1 October 1811. LB: George Gordon Byron, 6th Baron Byron. British poet, 22 January 1788 – 19 April 1824. After a portrait by Thomas Stewardson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-catherine-gordon-mother-of-lord-byron-heiress-of-gight-in-aberdeenshire-83349850.htmlRMERGWGA–Catherine Gordon: mother of Lord Byron, heiress of Gight in Aberdeenshire, Scotland, c 1765 - 1 October 1811. LB: George Gordon Byron, 6th Baron Byron. British poet, 22 January 1788 – 19 April 1824. After a portrait by Thomas Stewardson.
![Nevil Maskelyne (1732-1811) English astronomer. Astronomer Royal 1765-1811. [1804]. Fellow of the Royal Society, 1758. Established 'Natical Almanack', 1766. In background is Flamsteed House, the Royal Observatory in Greenwich Park. From 'The European Magazine' (London, 1804). Stock Photo](https://c8.alamy.com/comp/D96NDK/nevil-maskelyne-1732-1811-english-astronomer-astronomer-royal-1765-D96NDK.jpg "Nevil Maskelyne (1732-1811) English astronomer. Astronomer Royal 1765-1811. [1804]. Fellow of the Royal Society, 1758. Established 'Natical Almanack', 1766. In background is Flamsteed House, the Royal Observatory in Greenwich Park. From 'The European Magazine' (London, 1804). Stock Photo")
Nevil Maskelyne (1732-1811) English astronomer. Astronomer Royal 1765-1811. [1804]. Fellow of the Royal Society, 1758. Established 'Natical Almanack', 1766. In background is Flamsteed House, the Royal Observatory in Greenwich Park. From 'The European Magazine' (London, 1804). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nevil-maskelyne-1732-1811-english-astronomer-astronomer-royal-1765-57311567.htmlRMD96NDK–Nevil Maskelyne (1732-1811) English astronomer. Astronomer Royal 1765-1811. [1804]. Fellow of the Royal Society, 1758. Established 'Natical Almanack', 1766. In background is Flamsteed House, the Royal Observatory in Greenwich Park. From 'The European Magazine' (London, 1804).
José María Teclo Morelos y Pavón (1765-1815) Mexican Catholic priest and revolutionary leader who led the Mexican War of Independence movement, assuming its leadership after the execution of Miguel Hidalgo in 1811. He was later captured by the Spanish and executed for treason. Painting shows Morales captured. 1910. By J. Díaz del Castillo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jos-mara-teclo-morelos-y-pavn-1765-1815-mexican-catholic-priest-and-revolutionary-leader-who-led-the-mexican-war-of-independence-movement-assuming-its-leadership-after-the-execution-of-miguel-hidalgo-in-1811-he-was-later-captured-by-the-spanish-and-executed-for-treason-painting-shows-morales-captured-1910-by-j-daz-del-castillo-image483536551.htmlRM2K2JYPF–José María Teclo Morelos y Pavón (1765-1815) Mexican Catholic priest and revolutionary leader who led the Mexican War of Independence movement, assuming its leadership after the execution of Miguel Hidalgo in 1811. He was later captured by the Spanish and executed for treason. Painting shows Morales captured. 1910. By J. Díaz del Castillo
View of Harlaem from Morisania in the Province of New York September 1765 The period of discovery (1524-1609); the Dutch period (1609-1664). The English period (1664-1763). The Revolutionary period (1763-1783). Period of adjustment and reconstruction; New York as the state and federal capital (1783-1811) from The iconography of Manhattan Island, 1498-1909 compiled from original sources and illustrated by photo-intaglio reproductions of important maps, plans, views, and documents in public and private collections - Volume 1 by Stokes, I. N. Phelps (Isaac Newton Phelps), 1867-1944 Publisher Ne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-harlaem-from-morisania-in-the-province-of-new-york-september-1765-the-period-of-discovery-1524-1609-the-dutch-period-1609-1664-the-english-period-1664-1763-the-revolutionary-period-1763-1783-period-of-adjustment-and-reconstruction-new-york-as-the-state-and-federal-capital-1783-1811-from-the-iconography-of-manhattan-island-1498-1909-compiled-from-original-sources-and-illustrated-by-photo-intaglio-reproductions-of-important-maps-plans-views-and-documents-in-public-and-private-collections-volume-1-by-stokes-i-n-phelps-isaac-newton-phelps-1867-1944-publisher-ne-image468421977.htmlRF2J62D09–View of Harlaem from Morisania in the Province of New York September 1765 The period of discovery (1524-1609); the Dutch period (1609-1664). The English period (1664-1763). The Revolutionary period (1763-1783). Period of adjustment and reconstruction; New York as the state and federal capital (1783-1811) from The iconography of Manhattan Island, 1498-1909 compiled from original sources and illustrated by photo-intaglio reproductions of important maps, plans, views, and documents in public and private collections - Volume 1 by Stokes, I. N. Phelps (Isaac Newton Phelps), 1867-1944 Publisher Ne
JAMES GRAHAME Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-grahame-56778204.htmlRMD8AD50–JAMES GRAHAME
View Lahde, Gerhard Ludvig 1765 - 1833 Copper engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 1811, D 3448, 1889 Synet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-lahde-gerhard-ludvig-1765-1833-copper-engraving-print-samlinger-til-en-beskrivende-fortegnelse-over-danske-kobberstik-raderinger-illustrationer-m-m-frederik-g-krohn-nr-1811-d-3448-1889-synet-image613443272.htmlRM2XJ0N48–View Lahde, Gerhard Ludvig 1765 - 1833 Copper engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 1811, D 3448, 1889 Synet
Portrait of Joseph Mawbey, Sir Joseph Mawbey Bar. (title on object), Portrait of Joseph Mawbey, distiller and politician, seated on a chair. His left hand rests on a book resting on his knee; his right hand is on the table. On and under the table are books and papers. Below the portrait the coat of arms of Mawbey with the motto 'Always for Liberty., print maker: John Dixon, (mentioned on object), after painting by: Robert Edge Pine, (mentioned on object), publisher: John Bowles, (mentioned on object), London, 1765 - 1811, paper, engraving, height 374 mm × width 275 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-joseph-mawbey-sir-joseph-mawbey-bar-title-on-object-portrait-of-joseph-mawbey-distiller-and-politician-seated-on-a-chair-his-left-hand-rests-on-a-book-resting-on-his-knee-his-right-hand-is-on-the-table-on-and-under-the-table-are-books-and-papers-below-the-portrait-the-coat-of-arms-of-mawbey-with-the-motto-always-for-liberty-print-maker-john-dixon-mentioned-on-object-after-painting-by-robert-edge-pine-mentioned-on-object-publisher-john-bowles-mentioned-on-object-london-1765-1811-paper-engraving-height-374-mm-width-275-mm-image473271978.htmlRM2JDYB6J–Portrait of Joseph Mawbey, Sir Joseph Mawbey Bar. (title on object), Portrait of Joseph Mawbey, distiller and politician, seated on a chair. His left hand rests on a book resting on his knee; his right hand is on the table. On and under the table are books and papers. Below the portrait the coat of arms of Mawbey with the motto 'Always for Liberty., print maker: John Dixon, (mentioned on object), after painting by: Robert Edge Pine, (mentioned on object), publisher: John Bowles, (mentioned on object), London, 1765 - 1811, paper, engraving, height 374 mm × width 275 mm
Abel Gainsborough 1763 1765. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abel-gainsborough-1763-1765-image213745829.htmlRMPBMXYH–Abel Gainsborough 1763 1765.
Jean Baptiste Huet. Mother and Children with Sheep. 1765–1811. France. Etching on cream laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-huet-mother-and-children-with-sheep-17651811-france-etching-on-cream-laid-paper-image337935327.htmlRM2AHP7XR–Jean Baptiste Huet. Mother and Children with Sheep. 1765–1811. France. Etching on cream laid paper
. Mexico, a history of its progress and development in one hundred years. sts, Ochoaand Zambrano, and meeting de-feat and success in turn, unsuc-cessfully attacked Valladolid onAugust 19, 1811, and set up anational junta at Zitacuaro inMichoacan, the members of which,besides himself, were Liceaga andthe priest Verduzco. Another iturbide. leader arose who also was to sac-rifice his life for the cause of independence, after striking terror in the hearts ofthe gachupines and carrying the national cause to the very threshold of success.Jose Maria Morelos was born on the last day of September, 1765 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mexico-a-history-of-its-progress-and-development-in-one-hundred-years-sts-ochoaand-zambrano-and-meeting-de-feat-and-success-in-turn-unsuc-cessfully-attacked-valladolid-onaugust-19-1811-and-set-up-anational-junta-at-zitacuaro-inmichoacan-the-members-of-whichbesides-himself-were-liceaga-andthe-priest-verduzco-another-iturbide-leader-arose-who-also-was-to-sac-rifice-his-life-for-the-cause-of-independence-after-striking-terror-in-the-hearts-ofthe-gachupines-and-carrying-the-national-cause-to-the-very-threshold-of-successjose-maria-morelos-was-born-on-the-last-day-of-september-1765-image336924324.htmlRM2AG46BG–. Mexico, a history of its progress and development in one hundred years. sts, Ochoaand Zambrano, and meeting de-feat and success in turn, unsuc-cessfully attacked Valladolid onAugust 19, 1811, and set up anational junta at Zitacuaro inMichoacan, the members of which,besides himself, were Liceaga andthe priest Verduzco. Another iturbide. leader arose who also was to sac-rifice his life for the cause of independence, after striking terror in the hearts ofthe gachupines and carrying the national cause to the very threshold of success.Jose Maria Morelos was born on the last day of September, 1765
Portret van Joseph Mawbey, John Dixon, after Robert Edge Pine, 1765 - 1811 print Portrait of Joseph Mawbey, distiller and politician, sitting on a chair. His left hand rests on a book on his knee; His right hand is on the table. There are books and papers on and below the table. Under the portrait the coat of arms of Mawbey with the motto 'Always for Liberty'. paper engraving politician, e.g. party leader. book Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portret-van-joseph-mawbey-john-dixon-after-robert-edge-pine-1765-1811-print-portrait-of-joseph-mawbey-distiller-and-politician-sitting-on-a-chair-his-left-hand-rests-on-a-book-on-his-knee-his-right-hand-is-on-the-table-there-are-books-and-papers-on-and-below-the-table-under-the-portrait-the-coat-of-arms-of-mawbey-with-the-motto-always-for-liberty-paper-engraving-politician-eg-party-leader-book-image594175333.htmlRM2WEK0KH–Portret van Joseph Mawbey, John Dixon, after Robert Edge Pine, 1765 - 1811 print Portrait of Joseph Mawbey, distiller and politician, sitting on a chair. His left hand rests on a book on his knee; His right hand is on the table. There are books and papers on and below the table. Under the portrait the coat of arms of Mawbey with the motto 'Always for Liberty'. paper engraving politician, e.g. party leader. book
. English: Carl Ludwig Willdenow (1765–1812) Deutsch: Carl Ludwig Willdenow. Kupferstich von Franz Joseph Leopold, 1810 oder 1811. 1810 or 1811. Franz Joseph Leopold 113 Carl Ludwig Willdenow, Kupferstich von Franz Joseph Leopold, 1810 oder 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-carl-ludwig-willdenow-17651812-deutsch-carl-ludwig-willdenow-kupferstich-von-franz-joseph-leopold-1810-oder-1811-1810-or-1811-franz-joseph-leopold-113-carl-ludwig-willdenow-kupferstich-von-franz-joseph-leopold-1810-oder-1811-image187680001.htmlRMMW9FN5–. English: Carl Ludwig Willdenow (1765–1812) Deutsch: Carl Ludwig Willdenow. Kupferstich von Franz Joseph Leopold, 1810 oder 1811. 1810 or 1811. Franz Joseph Leopold 113 Carl Ludwig Willdenow, Kupferstich von Franz Joseph Leopold, 1810 oder 1811
Art inspired by Profile of a Bearded Old Man Looking Right, 1765–1810, Red chalk, sheet: 24 x 18 1/2 in. (61 x 47 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-profile-of-a-bearded-old-man-looking-right-17651810-red-chalk-sheet-24-x-18-12-in-61-x-47-cm-drawings-jakob-matthias-schmutzer-austrian-vienna-17331811-vienna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951187.htmlRF2HW56XY–Art inspired by Profile of a Bearded Old Man Looking Right, 1765–1810, Red chalk, sheet: 24 x 18 1/2 in. (61 x 47 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Still Life: Armor, Sword, Snare Drum. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 22 7/8 x 17 in. (58.1 x 43.2 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-armor-sword-snare-drum-artist-jakob-matthias-schmutzer-austrian-vienna-1733-1811-vienna-dimensions-sheet-22-78-x-17-in-581-x-432-cm-date-1765-1810-museum-metropolitan-museum-of-art-new-york-usa-image212914528.htmlRMPAB2J8–Still Life: Armor, Sword, Snare Drum. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 22 7/8 x 17 in. (58.1 x 43.2 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA.
Portrait of Isaac Jan Alexander Gogel, c.1811-c.1813. Other Title(s): Isaac Jan Alexander Gogel (1765-1821). Minister of Finance. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-isaac-jan-alexander-gogel-c1811-c1813-other-titles-isaac-jan-alexander-gogel-1765-1821-minister-of-finance-image556244055.htmlRM2R8Y2Y3–Portrait of Isaac Jan Alexander Gogel, c.1811-c.1813. Other Title(s): Isaac Jan Alexander Gogel (1765-1821). Minister of Finance.
Nevil Maskelyne (1732-1711) Brtish astronomer. Fifthe Astronomer Royal 1765-1811. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nevil-maskelyne-1732-1711-brtish-astronomer-fifthe-astronomer-royal-57472293.htmlRMD9E2DW–Nevil Maskelyne (1732-1711) Brtish astronomer. Fifthe Astronomer Royal 1765-1811.
Title Copper. The sight Lahde, Gerhard Ludvig 1765 - 1833 Drawing Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 1811, D 3448, 1889 Titelkobber. Synet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-copper-the-sight-lahde-gerhard-ludvig-1765-1833-drawing-samlinger-til-en-beskrivende-fortegnelse-over-danske-kobberstik-raderinger-illustrationer-m-m-frederik-g-krohn-nr-1811-d-3448-1889-titelkobber-synet-image613413762.htmlRM2XHYBEA–Title Copper. The sight Lahde, Gerhard Ludvig 1765 - 1833 Drawing Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 1811, D 3448, 1889 Titelkobber. Synet
Anthony Cardon, English, 1773-1813, after Henry Edridge, English, 1769-1821, Lewis Schiavonetti 1765-1810, ca. 1811, engraving printed in black ink on laid paper, Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anthony-cardon-english-1773-1813-after-henry-edridge-english-1769-1821-lewis-schiavonetti-1765-1810-ca-1811-engraving-printed-in-black-ink-on-laid-paper-sheet-10-34-8-18-inches-273-206-cm-image328711821.htmlRM2A2P37W–Anthony Cardon, English, 1773-1813, after Henry Edridge, English, 1769-1821, Lewis Schiavonetti 1765-1810, ca. 1811, engraving printed in black ink on laid paper, Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm
Abbé René-Michel Legris-Duval (1765-1819). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abb-ren-michel-legris-duval-1765-1819-image213743873.htmlRMPBMTDN–Abbé René-Michel Legris-Duval (1765-1819).
View near Rome, Nathaniel Dance RA, 1735–1811, British, between 1754 and 1765, Oil on canvas, Support (PTG): 22 1/4 x 30 3/4 inches (56.5 x 78.1 cm), basket, dog (animal), dresses, hill, houses, landscape, road, rocks (landforms), shade, trees, wall, women, Italy, Lazio, Roma, Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-near-rome-nathaniel-dance-ra-17351811-british-between-1754-and-1765-oil-on-canvas-support-ptg-22-14-x-30-34-inches-565-x-781-cm-basket-dog-animal-dresses-hill-houses-landscape-road-rocks-landforms-shade-trees-wall-women-italy-lazio-roma-rome-image389834425.htmlRM2DJ6DP1–View near Rome, Nathaniel Dance RA, 1735–1811, British, between 1754 and 1765, Oil on canvas, Support (PTG): 22 1/4 x 30 3/4 inches (56.5 x 78.1 cm), basket, dog (animal), dresses, hill, houses, landscape, road, rocks (landforms), shade, trees, wall, women, Italy, Lazio, Roma, Rome
Jean Baptiste Huet. Hound Standing. 1765–1811. France. Red chalk on cream laid paper, laid down on ivory wove paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-huet-hound-standing-17651811-france-red-chalk-on-cream-laid-paper-laid-down-on-ivory-wove-paper-image337995015.htmlRM2AHW02F–Jean Baptiste Huet. Hound Standing. 1765–1811. France. Red chalk on cream laid paper, laid down on ivory wove paper
Engraver: Peter Rushton Maverick, American, 1755–1811, After: Archibald Robertson, American, born Scotland, 1765–1835, His Excellency / Major General Jackson (James), ca. 1791, Stipple engraving, only state- 5 known, black and white, sheet: 34.4 × 25.2 cm (13 9/16 × 9 15/16 in.), Made in United States, American, 18th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraver-peter-rushton-maverick-american-17551811-after-archibald-robertson-american-born-scotland-17651835-his-excellency-major-general-jacksonjames-ca1791-stipple-engraving-only-state-5-known-black-and-white-sheet-344-252-cm-13-916-9-1516in-made-in-united-states-american-18thcentury-works-on-paper-prints-image393514758.htmlRM2DT642E–Engraver: Peter Rushton Maverick, American, 1755–1811, After: Archibald Robertson, American, born Scotland, 1765–1835, His Excellency / Major General Jackson (James), ca. 1791, Stipple engraving, only state- 5 known, black and white, sheet: 34.4 × 25.2 cm (13 9/16 × 9 15/16 in.), Made in United States, American, 18th century, Works on Paper - Prints
Kant, Immanuel Stecher: Westermayr, Konrad (1765) Dating: 1811/1835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kant-immanuel-stecher-westermayr-konrad-1765-dating-18111835-image418485783.htmlRM2F8RJTR–Kant, Immanuel Stecher: Westermayr, Konrad (1765) Dating: 1811/1835
Peasants Drinking, Print made by John Dixon, ca. 1740–1811, Irish, after Adriaen van Ostade, 1610–1685, Dutch, between 1765 and 1771, Mezzotint and etching on moderately thick, slightly textured, beige laid paper, Sheet: 7 7/8 x 5 7/8 inches (20 x 15 cm), Plate: 6 x 4 7/16 inches (15.2 x 11.3 cm), and Image: 5 1/2 x 4 7/16 inches (13.9 x 11.3 cm), bowls, chairs, drinking, eating, food, genre subject, gesturing, hats, jars, men, middle-aged, peasants, pipes, sitting, smoking, standing, table, talking Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peasants-drinking-print-made-by-john-dixon-ca-17401811-irish-after-adriaen-van-ostade-16101685-dutch-between-1765-and-1771-mezzotint-and-etching-on-moderately-thick-slightly-textured-beige-laid-paper-sheet-7-78-x-5-78-inches-20-x-15-cm-plate-6-x-4-716-inches-152-x-113-cm-and-image-5-12-x-4-716-inches-139-x-113-cm-bowls-chairs-drinking-eating-food-genre-subject-gesturing-hats-jars-men-middle-aged-peasants-pipes-sitting-smoking-standing-table-talking-image389648158.htmlRM2DHX05J–Peasants Drinking, Print made by John Dixon, ca. 1740–1811, Irish, after Adriaen van Ostade, 1610–1685, Dutch, between 1765 and 1771, Mezzotint and etching on moderately thick, slightly textured, beige laid paper, Sheet: 7 7/8 x 5 7/8 inches (20 x 15 cm), Plate: 6 x 4 7/16 inches (15.2 x 11.3 cm), and Image: 5 1/2 x 4 7/16 inches (13.9 x 11.3 cm), bowls, chairs, drinking, eating, food, genre subject, gesturing, hats, jars, men, middle-aged, peasants, pipes, sitting, smoking, standing, table, talking
Art inspired by Head of a Youth with Open Mouth, 1765–1810, Red chalk, sheet: 23 13/16 x 18 5/16 in. (60.5 x 46.5 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-head-of-a-youth-with-open-mouth-17651810-red-chalk-sheet-23-1316-x-18-516-in-605-x-465-cm-drawings-jakob-matthias-schmutzer-austrian-vienna-17331811-vienna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949994.htmlRF2HW55CA–Art inspired by Head of a Youth with Open Mouth, 1765–1810, Red chalk, sheet: 23 13/16 x 18 5/16 in. (60.5 x 46.5 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Head of a Man. Artist: Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 19 15/16 x 14 13/16 in. (50.6 x 37.6 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-man-artist-attributed-to-jakob-matthias-schmutzer-austrian-vienna-1733-1811-vienna-dimensions-sheet-19-1516-x-14-1316-in-506-x-376-cm-date-1765-1810-museum-metropolitan-museum-of-art-new-york-usa-image213244932.htmlRMPAX42C–Head of a Man. Artist: Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 19 15/16 x 14 13/16 in. (50.6 x 37.6 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA.
. English: Carl Ludwig Willdenow (1765–1812) Deutsch: Carl Ludwig Willdenow. Kupferstich von Franz Joseph Leopold, 1810 oder 1811. 1810 or 1811. Franz Joseph Leopold 98 Carl Ludwig Willdenow, Kupferstich von Franz Joseph Leopold, 1810 oder 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-carl-ludwig-willdenow-17651812-deutsch-carl-ludwig-willdenow-kupferstich-von-franz-joseph-leopold-1810-oder-1811-1810-or-1811-franz-joseph-leopold-98-carl-ludwig-willdenow-kupferstich-von-franz-joseph-leopold-1810-oder-1811-image188959497.htmlRMMYBRND–. English: Carl Ludwig Willdenow (1765–1812) Deutsch: Carl Ludwig Willdenow. Kupferstich von Franz Joseph Leopold, 1810 oder 1811. 1810 or 1811. Franz Joseph Leopold 98 Carl Ludwig Willdenow, Kupferstich von Franz Joseph Leopold, 1810 oder 1811
Granting the constitution of the book to Warsaw by Napoleon; Bacciarelli, Marcello (1731-1818); 1811 (1811-00-00-1811-00-00);Bieliński, Piotr (1754-1829)-iconography, Carracci, Annibale (1506-1609), Działyński, Ksawery (1756-1819)-iconography, Gutakowski, Ludwik (1738-1811)-iconography, Duchy of Warsaw (1807-1815), Maret, Hugon Bernard (1765-1839) - iconography, Małachowski, Stanisław (1736-1809) - iconography, Napoleon I (French emperor - 1769-1821), Napoleon I (French emperor - 1769-1821) - iconography, Order of Honor Legion , Order of the White Eagle, Potocki, Stanisław Kostka (1755-1821) - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/granting-the-constitution-of-the-book-to-warsaw-by-napoleon-bacciarelli-marcello-1731-1818-1811-1811-00-00-1811-00-00bieliski-piotr-1754-1829-iconography-carracci-annibale-1506-1609-dziayski-ksawery-1756-1819-iconography-gutakowski-ludwik-1738-1811-iconography-duchy-of-warsaw-1807-1815-maret-hugon-bernard-1765-1839-iconography-maachowski-stanisaw-1736-1809-iconography-napoleon-i-french-emperor-1769-1821-napoleon-i-french-emperor-1769-1821-iconography-order-of-honor-legion-order-of-the-white-eagle-potocki-stanisaw-kostka-1755-1821-image598816419.htmlRM2WP6CCK–Granting the constitution of the book to Warsaw by Napoleon; Bacciarelli, Marcello (1731-1818); 1811 (1811-00-00-1811-00-00);Bieliński, Piotr (1754-1829)-iconography, Carracci, Annibale (1506-1609), Działyński, Ksawery (1756-1819)-iconography, Gutakowski, Ludwik (1738-1811)-iconography, Duchy of Warsaw (1807-1815), Maret, Hugon Bernard (1765-1839) - iconography, Małachowski, Stanisław (1736-1809) - iconography, Napoleon I (French emperor - 1769-1821), Napoleon I (French emperor - 1769-1821) - iconography, Order of Honor Legion , Order of the White Eagle, Potocki, Stanisław Kostka (1755-1821) -
![History of Chautauqua County, New York, from its first settlement to the present timeWith numerous biographical and family sketches . , born 1832, and resides on the old homestead. 6.Darwifi C, born 1836; died September, 1870. Daniel Hibbard was born in Greenwich, Conn., in 1765, and was marriedto Bethiah Gray. They were pioneer settlers in Sherburne, N. Y. ; whencehe removed with his femily to Ponifret [now Sheridan,] in 1811. He was afanner and shoemaker—a respected and worthy man. He removed, in 1834,with his wife and all his children, except Mary, wife of Capt. Joseph Kenyon,to North-east, Stock Photo](https://c8.alamy.com/comp/2AN1EXA/history-of-chautauqua-county-new-york-from-its-first-settlement-to-the-present-timewith-numerous-biographical-and-family-sketches-born-1832-and-resides-on-the-old-homestead-6darwifi-c-born-1836-died-september-1870-daniel-hibbard-was-born-in-greenwich-conn-in-1765-and-was-marriedto-bethiah-gray-they-were-pioneer-settlers-in-sherburne-n-y-whencehe-removed-with-his-femily-to-ponifret-now-sheridan-in-1811-he-was-afanner-and-shoemakera-respected-and-worthy-man-he-removed-in-1834with-his-wife-and-all-his-children-except-mary-wife-of-capt-joseph-kenyonto-north-east-2AN1EXA.jpg "History of Chautauqua County, New York, from its first settlement to the present timeWith numerous biographical and family sketches . , born 1832, and resides on the old homestead. 6.Darwifi C, born 1836; died September, 1870. Daniel Hibbard was born in Greenwich, Conn., in 1765, and was marriedto Bethiah Gray. They were pioneer settlers in Sherburne, N. Y. ; whencehe removed with his femily to Ponifret [now Sheridan,] in 1811. He was afanner and shoemaker—a respected and worthy man. He removed, in 1834,with his wife and all his children, except Mary, wife of Capt. Joseph Kenyon,to North-east, Stock Photo")
History of Chautauqua County, New York, from its first settlement to the present timeWith numerous biographical and family sketches . , born 1832, and resides on the old homestead. 6.Darwifi C, born 1836; died September, 1870. Daniel Hibbard was born in Greenwich, Conn., in 1765, and was marriedto Bethiah Gray. They were pioneer settlers in Sherburne, N. Y. ; whencehe removed with his femily to Ponifret [now Sheridan,] in 1811. He was afanner and shoemaker—a respected and worthy man. He removed, in 1834,with his wife and all his children, except Mary, wife of Capt. Joseph Kenyon,to North-east, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-chautauqua-county-new-york-from-its-first-settlement-to-the-present-timewith-numerous-biographical-and-family-sketches-born-1832-and-resides-on-the-old-homestead-6darwifi-c-born-1836-died-september-1870-daniel-hibbard-was-born-in-greenwich-conn-in-1765-and-was-marriedto-bethiah-gray-they-were-pioneer-settlers-in-sherburne-n-y-whencehe-removed-with-his-femily-to-ponifret-now-sheridan-in-1811-he-was-afanner-and-shoemakera-respected-and-worthy-man-he-removed-in-1834with-his-wife-and-all-his-children-except-mary-wife-of-capt-joseph-kenyonto-north-east-image339938434.htmlRM2AN1EXA–History of Chautauqua County, New York, from its first settlement to the present timeWith numerous biographical and family sketches . , born 1832, and resides on the old homestead. 6.Darwifi C, born 1836; died September, 1870. Daniel Hibbard was born in Greenwich, Conn., in 1765, and was marriedto Bethiah Gray. They were pioneer settlers in Sherburne, N. Y. ; whencehe removed with his femily to Ponifret [now Sheridan,] in 1811. He was afanner and shoemaker—a respected and worthy man. He removed, in 1834,with his wife and all his children, except Mary, wife of Capt. Joseph Kenyon,to North-east,
Gerhard Ludvig Lahde (1765-1833), Georg Nielsen's Gravminde, 1801 - 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gerhard-ludvig-lahde-1765-1833-georg-nielsens-gravminde-1801-1811-image407999303.htmlRM2EKNY7K–Gerhard Ludvig Lahde (1765-1833), Georg Nielsen's Gravminde, 1801 - 1811
Nevil Maskelyne (1732-1711) Brtish astronomer. Fifthe Astronomer Royal 1765-1811. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nevil-maskelyne-1732-1711-brtish-astronomer-fifthe-astronomer-royal-57472372.htmlRMD9E2GM–Nevil Maskelyne (1732-1711) Brtish astronomer. Fifthe Astronomer Royal 1765-1811.
The title of Denmark and Holsteen's Flora Lahde, Gerhard Ludvig 1765 - 1833 Copper engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 1811, D 3448, 1889 Titelvignet til Danmarks og Holsteens Flora Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-title-of-denmark-and-holsteens-flora-lahde-gerhard-ludvig-1765-1833-copper-engraving-print-samlinger-til-en-beskrivende-fortegnelse-over-danske-kobberstik-raderinger-illustrationer-m-m-frederik-g-krohn-nr-1811-d-3448-1889-titelvignet-til-danmarks-og-holsteens-flora-image613431268.htmlRM2XJ05RG–The title of Denmark and Holsteen's Flora Lahde, Gerhard Ludvig 1765 - 1833 Copper engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 1811, D 3448, 1889 Titelvignet til Danmarks og Holsteens Flora
Jean Baptiste Huet. Children with a Dog and Sheep and Peasant Family by a Fire. 1765–1811. France. Two etchings on one sheet of ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-huet-children-with-a-dog-and-sheep-and-peasant-family-by-a-fire-17651811-france-two-etchings-on-one-sheet-of-ivory-laid-paper-image337935339.htmlRM2AHP7Y7–Jean Baptiste Huet. Children with a Dog and Sheep and Peasant Family by a Fire. 1765–1811. France. Two etchings on one sheet of ivory laid paper
A Peasant Family, Print made by John Dixon, ca. 1740–1811, Irish, after Adriaen van Ostade, 1610–1685, Dutch, between 1765 and 1771, Mezzotint and etching on moderately thick, slightly textured, beige laid paper, Sheet: 7 1/16 x 5 1/2 inches (18 x 14 cm), Plate: 6 x 4 1/2 inches (15.2 x 11.5 cm), and Image: 5 7/16 x 4 1/2 inches (13.8 x 11.5 cm), aprons, bowl, caps, child, daughter, dolls, dresses, drinking, eating, family, father, flowers (plants), food, genre subject, hats, house, mother, parents, peasants, playing, scarves, sitting, smiling, standing, table, toys, trellis, vines, watching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-peasant-family-print-made-by-john-dixon-ca-17401811-irish-after-adriaen-van-ostade-16101685-dutch-between-1765-and-1771-mezzotint-and-etching-on-moderately-thick-slightly-textured-beige-laid-paper-sheet-7-116-x-5-12-inches-18-x-14-cm-plate-6-x-4-12-inches-152-x-115-cm-and-image-5-716-x-4-12-inches-138-x-115-cm-aprons-bowl-caps-child-daughter-dolls-dresses-drinking-eating-family-father-flowers-plants-food-genre-subject-hats-house-mother-parents-peasants-playing-scarves-sitting-smiling-standing-table-toys-trellis-vines-watching-image389648156.htmlRM2DHX05G–A Peasant Family, Print made by John Dixon, ca. 1740–1811, Irish, after Adriaen van Ostade, 1610–1685, Dutch, between 1765 and 1771, Mezzotint and etching on moderately thick, slightly textured, beige laid paper, Sheet: 7 1/16 x 5 1/2 inches (18 x 14 cm), Plate: 6 x 4 1/2 inches (15.2 x 11.5 cm), and Image: 5 7/16 x 4 1/2 inches (13.8 x 11.5 cm), aprons, bowl, caps, child, daughter, dolls, dresses, drinking, eating, family, father, flowers (plants), food, genre subject, hats, house, mother, parents, peasants, playing, scarves, sitting, smiling, standing, table, toys, trellis, vines, watching
Art inspired by Head of a Man with a Moustache Looking Left, 1765–1810, Red chalk, sheet: 23 9/16 x 17 5/8 in. (59.9 x 44.7 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-head-of-a-man-with-a-moustache-looking-left-17651810-red-chalk-sheet-23-916-x-17-58-in-599-x-447-cm-drawings-jakob-matthias-schmutzer-austrian-vienna-17331811-vienna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949960.htmlRF2HW55B4–Art inspired by Head of a Man with a Moustache Looking Left, 1765–1810, Red chalk, sheet: 23 9/16 x 17 5/8 in. (59.9 x 44.7 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Count Giacomo Durazzo, Imperial Ambassador in Venice, Jacob Matthias Schmutzer (Vienna 1733 - 1811 Vienna), 1765, print, copper engraving, etching, sheet: 47 cm x 32 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/count-giacomo-durazzo-imperial-ambassador-in-venice-jacob-matthias-schmutzer-vienna-1733-1811-vienna-1765-print-copper-engraving-etching-sheet-47-cm-x-32-cm-image573349316.htmlRM2T8P8W8–Count Giacomo Durazzo, Imperial Ambassador in Venice, Jacob Matthias Schmutzer (Vienna 1733 - 1811 Vienna), 1765, print, copper engraving, etching, sheet: 47 cm x 32 cm
Standing Man in Exotic Dress. Artist: Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 16 1/2 x 10 15/16 in. (41.9 x 27.8 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/standing-man-in-exotic-dress-artist-attributed-to-jakob-matthias-schmutzer-austrian-vienna-1733-1811-vienna-dimensions-sheet-16-12-x-10-1516-in-419-x-278-cm-date-1765-1810-museum-metropolitan-museum-of-art-new-york-usa-image212849458.htmlRMPA83JA–Standing Man in Exotic Dress. Artist: Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 16 1/2 x 10 15/16 in. (41.9 x 27.8 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA.
Mary, Duchess of Ancaster, Print made by John Dixon, ca. 1740–1811, Irish, after Sir Joshua Reynolds RA, 1723–1792, British, between 1765 and 1771, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 25 1/2 × 16 1/8 inches (64.8 × 41 cm), Plate: 24 1/4 × 15 inches (61.6 × 38.1 cm), and Image: 24 1/4 × 15 inches (61.6 × 38.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-duchess-of-ancaster-print-made-by-john-dixon-ca-17401811-irish-after-sir-joshua-reynolds-ra-17231792-british-between-1765-and-1771-mezzotint-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-25-12-16-18-inches-648-41-cm-plate-24-14-15-inches-616-381-cm-and-image-24-14-15-inches-616-381-cm-image389645054.htmlRM2DHWT6P–Mary, Duchess of Ancaster, Print made by John Dixon, ca. 1740–1811, Irish, after Sir Joshua Reynolds RA, 1723–1792, British, between 1765 and 1771, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 25 1/2 × 16 1/8 inches (64.8 × 41 cm), Plate: 24 1/4 × 15 inches (61.6 × 38.1 cm), and Image: 24 1/4 × 15 inches (61.6 × 38.1 cm
. English: Carl Ludwig Willdenow (1765–1812) Deutsch: Carl Ludwig Willdenow. Kupferstich von Franz Joseph Leopold, 1810 oder 1811. 1810 or 1811. Franz Joseph Leopold 113 Carl Ludwig Willdenow, Kupferstich von Franz Joseph Leopold, 1810 oder 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-carl-ludwig-willdenow-17651812-deutsch-carl-ludwig-willdenow-kupferstich-von-franz-joseph-leopold-1810-oder-1811-1810-or-1811-franz-joseph-leopold-113-carl-ludwig-willdenow-kupferstich-von-franz-joseph-leopold-1810-oder-1811-image188243338.htmlRMMX768A–. English: Carl Ludwig Willdenow (1765–1812) Deutsch: Carl Ludwig Willdenow. Kupferstich von Franz Joseph Leopold, 1810 oder 1811. 1810 or 1811. Franz Joseph Leopold 113 Carl Ludwig Willdenow, Kupferstich von Franz Joseph Leopold, 1810 oder 1811
Portrait of Isaac Jan Alexander Gogel Isaac Jan Alexander Gogel (1765-1821). Minister of Finance, Portrait of Isaac Jan Alexander Gogel, Minister of Finance, sitting in a chair, in the costume of the State Council, holding a document. Adorned with the large cross of the Order of the Reunion, the officers 'cross of that Order and the officers' cross of the Legion of Honor, historical persons, minister, government, Isaac Jean Alexandre Gogel, Mattheus Ignatius van Bree, c. 1811 - c. 1813, canvas, oil paint (paint), h 95 cm × w 75 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-isaac-jan-alexander-gogel-isaac-jan-alexander-gogel-1765-1821-minister-of-finance-portrait-of-isaac-jan-alexander-gogel-minister-of-finance-sitting-in-a-chair-in-the-costume-of-the-state-council-holding-a-document-adorned-with-the-large-cross-of-the-order-of-the-reunion-the-officers-cross-of-that-order-and-the-officers-cross-of-the-legion-of-honor-historical-persons-minister-government-isaac-jean-alexandre-gogel-mattheus-ignatius-van-bree-c-1811-c-1813-canvas-oil-paint-paint-h-95-cm-w-75-cm-image261410274.htmlRMW587D6–Portrait of Isaac Jan Alexander Gogel Isaac Jan Alexander Gogel (1765-1821). Minister of Finance, Portrait of Isaac Jan Alexander Gogel, Minister of Finance, sitting in a chair, in the costume of the State Council, holding a document. Adorned with the large cross of the Order of the Reunion, the officers 'cross of that Order and the officers' cross of the Legion of Honor, historical persons, minister, government, Isaac Jean Alexandre Gogel, Mattheus Ignatius van Bree, c. 1811 - c. 1813, canvas, oil paint (paint), h 95 cm × w 75 cm
Gerhard Ludvig Lahde (1765-1833), Andreas Christian Hviids Gravminde, 1801 - 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gerhard-ludvig-lahde-1765-1833-andreas-christian-hviids-gravminde-1801-1811-image408001903.htmlRM2EKP2GF–Gerhard Ludvig Lahde (1765-1833), Andreas Christian Hviids Gravminde, 1801 - 1811
José María Teclo Morelos y Pavón (1765 – 1815 Mexican Catholic priest and revolutionary leader who led the Mexican War of Independence movement, assuming its leadership after the execution of Miguel Hidalgo in 1811. He was later captured by the Spanish and executed for treason. Painting shows Morales captured. 1910 By J. Díaz del Castillo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jos-mara-teclo-morelos-y-pavn-1765-1815-mexican-catholic-priest-and-57365493.htmlRMD9967H–José María Teclo Morelos y Pavón (1765 – 1815 Mexican Catholic priest and revolutionary leader who led the Mexican War of Independence movement, assuming its leadership after the execution of Miguel Hidalgo in 1811. He was later captured by the Spanish and executed for treason. Painting shows Morales captured. 1910 By J. Díaz del Castillo
Mr. John Joshua Kirby, John Dixon, ca. 1740–1811, Irish, after Thomas Gainsborough RA, 1727–1788, British, Published by William Wynne Ryland, 1732–1783, British, and Henry Bryer, died in or before 1782, British, between 1765 and 1771, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm) and Image: 12 1/2 x 9 15/16 inches (31.8 x 25.2 cm), artist, author, buttons, cravat, designer, gaze, man, middle-aged, oval, perspective, portrait, posing, solemn, wig Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mr-john-joshua-kirby-john-dixon-ca-17401811-irish-after-thomas-gainsborough-ra-17271788-british-published-by-william-wynne-ryland-17321783-british-and-henry-bryer-died-in-or-before-1782-british-between-1765-and-1771-mezzotint-on-moderately-thick-slightly-textured-beige-laid-paper-sheet-13-78-x-9-1516-inches-353-x-252-cm-and-image-12-12-x-9-1516-inches-318-x-252-cm-artist-author-buttons-cravat-designer-gaze-man-middle-aged-oval-perspective-portrait-posing-solemn-wig-image389672787.htmlRM2DHY3H7–Mr. John Joshua Kirby, John Dixon, ca. 1740–1811, Irish, after Thomas Gainsborough RA, 1727–1788, British, Published by William Wynne Ryland, 1732–1783, British, and Henry Bryer, died in or before 1782, British, between 1765 and 1771, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm) and Image: 12 1/2 x 9 15/16 inches (31.8 x 25.2 cm), artist, author, buttons, cravat, designer, gaze, man, middle-aged, oval, perspective, portrait, posing, solemn, wig
Ancestry and descendants of Deacon David Batchelder of Hampton Falls, N.H., born Jan13, 1736, died Mar11, 1811 . 52 w -; X - w o - ^. DEACON DAVID BATCHELDER 13 20. Samuel Lane, b. June 17, 1797 ; m. Mary A. Lane (41);d. Sept. 16, 1858. 4. ELIZABETH BATCHELDER, daughter of David, was bornJan. 13, 1765; married Dec. 16, 1784, Theophilus Sanborn, ofHampton Falls, son of Deacon Abner and Lucy (Lowell) San-born, and died Aug. 28, 1835. He was born Feb. 8, 1761; d.Oct. 7, 1826; was a Revolutionary soldier. She had a remark-ably sweet disposition, was perfectly unselfish, always consid-erate of othe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancestry-and-descendants-of-deacon-david-batchelder-of-hampton-falls-nh-born-jan13-1736-died-mar11-1811-52-w-x-w-o-deacon-david-batchelder-13-20-samuel-lane-b-june-17-1797-m-mary-a-lane-41d-sept-16-1858-4-elizabeth-batchelder-daughter-of-david-was-bornjan-13-1765-married-dec-16-1784-theophilus-sanborn-ofhampton-falls-son-of-deacon-abner-and-lucy-lowell-san-born-and-died-aug-28-1835-he-was-born-feb-8-1761-doct-7-1826-was-a-revolutionary-soldier-she-had-a-remark-ably-sweet-disposition-was-perfectly-unselfish-always-consid-erate-of-othe-image343325656.htmlRM2AXFRAG–Ancestry and descendants of Deacon David Batchelder of Hampton Falls, N.H., born Jan13, 1736, died Mar11, 1811 . 52 w -; X - w o - ^. DEACON DAVID BATCHELDER 13 20. Samuel Lane, b. June 17, 1797 ; m. Mary A. Lane (41);d. Sept. 16, 1858. 4. ELIZABETH BATCHELDER, daughter of David, was bornJan. 13, 1765; married Dec. 16, 1784, Theophilus Sanborn, ofHampton Falls, son of Deacon Abner and Lucy (Lowell) San-born, and died Aug. 28, 1835. He was born Feb. 8, 1761; d.Oct. 7, 1826; was a Revolutionary soldier. She had a remark-ably sweet disposition, was perfectly unselfish, always consid-erate of othe
Title page for Denmark and Holsteen's Flora Lahde, Gerhard Ludvig 1765 - 1833 Copper engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 1811, D 3448, 1889 Titelblad til Danmarks og Holsteens Flora Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-page-for-denmark-and-holsteens-flora-lahde-gerhard-ludvig-1765-1833-copper-engraving-print-samlinger-til-en-beskrivende-fortegnelse-over-danske-kobberstik-raderinger-illustrationer-m-m-frederik-g-krohn-nr-1811-d-3448-1889-titelblad-til-danmarks-og-holsteens-flora-image613434191.htmlRM2XJ09FY–Title page for Denmark and Holsteen's Flora Lahde, Gerhard Ludvig 1765 - 1833 Copper engraving, Print Samlinger til en beskrivende Fortegnelse over danske kobberstik, raderinger, illustrationer m. m., Frederik G. Krohn, nr. 1811, D 3448, 1889 Titelblad til Danmarks og Holsteens Flora
Art inspired by Head of a Man, 1765–1810, Red chalk over traces of black chalk, sheet: 19 15/16 x 14 13/16 in. (50.6 x 37.6 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-head-of-a-man-17651810-red-chalk-over-traces-of-black-chalk-sheet-19-1516-x-14-1316-in-506-x-376-cm-drawings-attributed-to-jakob-matthias-schmutzer-austrian-vienna-17331811-vienna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951198.htmlRF2HW56YA–Art inspired by Head of a Man, 1765–1810, Red chalk over traces of black chalk, sheet: 19 15/16 x 14 13/16 in. (50.6 x 37.6 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Standing Man in Exotic Dress, 1765–1810, Red chalk wash, sheet: 16 1/2 x 10 15/16 in. (41.9 x 27.8 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-standing-man-in-exotic-dress-17651810-red-chalk-wash-sheet-16-12-x-10-1516-in-419-x-278-cm-drawings-attributed-to-jakob-matthias-schmutzer-austrian-vienna-17331811-vienna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951189.htmlRF2HW56Y1–Art inspired by Standing Man in Exotic Dress, 1765–1810, Red chalk wash, sheet: 16 1/2 x 10 15/16 in. (41.9 x 27.8 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Head of a Youth with Open Mouth. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 23 13/16 x 18 5/16 in. (60.5 x 46.5 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-youth-with-open-mouth-artist-jakob-matthias-schmutzer-austrian-vienna-1733-1811-vienna-dimensions-sheet-23-1316-x-18-516-in-605-x-465-cm-date-1765-1810-museum-metropolitan-museum-of-art-new-york-usa-image213259760.htmlRMPAXR00–Head of a Youth with Open Mouth. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 23 13/16 x 18 5/16 in. (60.5 x 46.5 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Two Male Heads in Profile to Right, 1765–1810, Offprint made from red chalk drawing, sheet: 23 1/4 x 17 15/16 in. (59 x 45.6 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-two-male-heads-in-profile-to-right-17651810-offprint-made-from-red-chalk-drawing-sheet-23-14-x-17-1516-in-59-x-456-cm-drawings-attributed-to-jakob-matthias-schmutzer-austrian-vienna-17331811-vienna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951182.htmlRF2HW56XP–Art inspired by Two Male Heads in Profile to Right, 1765–1810, Offprint made from red chalk drawing, sheet: 23 1/4 x 17 15/16 in. (59 x 45.6 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. Français : Définition du terme de mouillage pour une flotte de guerre vers 1760-1765. Extrait de Marine militaire, ou Recueil des différents vaisseaux qui servent à la guerre, suivis des manœuvres qui ont le plus de rapport au combat ainsi qu'à l'attaque et la défense des ports, par Ozanne l'aîné. 1764. Nicolas Ozanne (1728-1811) 431 Definition du bon mouillage pour une flotte au milieu du XVIIIeme siecle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-franais-dfinition-du-terme-de-mouillage-pour-une-flotte-de-guerre-vers-1760-1765-extrait-de-marine-militaire-ou-recueil-des-diffrents-vaisseaux-qui-servent-la-guerre-suivis-des-manuvres-qui-ont-le-plus-de-rapport-au-combat-ainsi-qu-lattaque-et-la-dfense-des-ports-par-ozanne-lan-1764-nicolas-ozanne-1728-1811-431-definition-du-bon-mouillage-pour-une-flotte-au-milieu-du-xviiieme-siecle-image209932374.htmlRMP5F6TP–N/A. Français : Définition du terme de mouillage pour une flotte de guerre vers 1760-1765. Extrait de Marine militaire, ou Recueil des différents vaisseaux qui servent à la guerre, suivis des manœuvres qui ont le plus de rapport au combat ainsi qu'à l'attaque et la défense des ports, par Ozanne l'aîné. 1764. Nicolas Ozanne (1728-1811) 431 Definition du bon mouillage pour une flotte au milieu du XVIIIeme siecle
Gerhard Ludvig Lahde (1765-1833), Ole Johan Samsoees Gravminde, 1801 - 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gerhard-ludvig-lahde-1765-1833-ole-johan-samsoees-gravminde-1801-1811-image407997988.htmlRM2EKNWGM–Gerhard Ludvig Lahde (1765-1833), Ole Johan Samsoees Gravminde, 1801 - 1811
José María Teclo Morelos y Pavón (1765 – 1815) Mexican Roman Catholic priest and revolutionary rebel leader who led the Mexican War of Independence movement, assuming its leadership after the execution of Miguel Hidalgo y Costilla in 1811. He was later captured by the Spanish colonial authorities and executed for treason in 1815. Painting shows Morales (right ) at the sesión plenaria del Congreso de Chilpancingo 1813 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jos-mara-teclo-morelos-y-pavn-1765-1815-mexican-roman-catholic-priest-57346882.htmlRMD98AEX–José María Teclo Morelos y Pavón (1765 – 1815) Mexican Roman Catholic priest and revolutionary rebel leader who led the Mexican War of Independence movement, assuming its leadership after the execution of Miguel Hidalgo y Costilla in 1811. He was later captured by the Spanish colonial authorities and executed for treason in 1815. Painting shows Morales (right ) at the sesión plenaria del Congreso de Chilpancingo 1813
Flute Player, Print made by John Dixon, ca. 1740–1811, Irish, after Franz Hals, ca. 1580–1666, Dutch, Published by William Wynne Ryland, 1732–1783, British, and Henry Bryer, died in or before 1782, British, between 1765 and 1771, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 14 3/16 x 10 15/16 inches (36 x 27.8 cm), Plate: 12 7/8 x 8 11/16 inches (32.7 x 22 cm), and Image: 11 7/16 x 8 11/16 inches (29.1 x 22 cm), cloak, curls, feathers, flute, gaze, genre subject, hat, man, music, musician, playing, posing, scarf, standing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flute-player-print-made-by-john-dixon-ca-17401811-irish-after-franz-hals-ca-15801666-dutch-published-by-william-wynne-ryland-17321783-british-and-henry-bryer-died-in-or-before-1782-british-between-1765-and-1771-mezzotint-on-moderately-thick-slightly-textured-beige-laid-paper-sheet-14-316-x-10-1516-inches-36-x-278-cm-plate-12-78-x-8-1116-inches-327-x-22-cm-and-image-11-716-x-8-1116-inches-291-x-22-cm-cloak-curls-feathers-flute-gaze-genre-subject-hat-man-music-musician-playing-posing-scarf-standing-image389646422.htmlRM2DHWWYJ–Flute Player, Print made by John Dixon, ca. 1740–1811, Irish, after Franz Hals, ca. 1580–1666, Dutch, Published by William Wynne Ryland, 1732–1783, British, and Henry Bryer, died in or before 1782, British, between 1765 and 1771, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 14 3/16 x 10 15/16 inches (36 x 27.8 cm), Plate: 12 7/8 x 8 11/16 inches (32.7 x 22 cm), and Image: 11 7/16 x 8 11/16 inches (29.1 x 22 cm), cloak, curls, feathers, flute, gaze, genre subject, hat, man, music, musician, playing, posing, scarf, standing
Anthony Cardon, English, 1773-1813, after Henry Edridge, English, 1769-1821, Lewis Schiavonetti 1765-1810, ca. 1811, engraving printed in black ink on laid paper, Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anthony-cardon-english-1773-1813-after-henry-edridge-english-1769-1821-lewis-schiavonetti-1765-1810-ca-1811-engraving-printed-in-black-ink-on-laid-paper-sheet-10-34-8-18-inches-273-206-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349811523.htmlRF2B9384K–Anthony Cardon, English, 1773-1813, after Henry Edridge, English, 1769-1821, Lewis Schiavonetti 1765-1810, ca. 1811, engraving printed in black ink on laid paper, Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Appleton's cyclopaedia of American biography . an-iel H. Hills division, Jacksons corps, Army ofNorthern Virginia. His division was composed ofthe brigades of Gens. Doles, Daniel, and Ramsnir.He was killed at the battle of Winchester. RODGERS, John, clergyman, b. in Boston,Mass., 5 Aug., 1727; d. in New York city, 7 May,1811. His parents removed in 1728 to Philadel-phia, Pa. He was fitted for the ministry by Rev.Samuel Blair at New Londonderry, Pa., and on 16March, 1749, was installed as pastor of the Presby-terian church at St. Georges, Del. In September,1765, on the death of David Bostwick Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appletons-cyclopaedia-of-american-biography-an-iel-h-hills-division-jacksons-corps-army-ofnorthern-virginia-his-division-was-composed-ofthe-brigades-of-gens-doles-daniel-and-ramsnirhe-was-killed-at-the-battle-of-winchester-rodgers-john-clergyman-b-in-bostonmass-5-aug-1727-d-in-new-york-city-7-may1811-his-parents-removed-in-1728-to-philadel-phia-pa-he-was-fitted-for-the-ministry-by-revsamuel-blair-at-new-londonderry-pa-and-on-16march-1749-was-installed-as-pastor-of-the-presby-terian-church-at-st-georges-del-in-september1765-on-the-death-of-david-bostwick-image374616358.htmlRM2CND6YJ–. Appleton's cyclopaedia of American biography . an-iel H. Hills division, Jacksons corps, Army ofNorthern Virginia. His division was composed ofthe brigades of Gens. Doles, Daniel, and Ramsnir.He was killed at the battle of Winchester. RODGERS, John, clergyman, b. in Boston,Mass., 5 Aug., 1727; d. in New York city, 7 May,1811. His parents removed in 1728 to Philadel-phia, Pa. He was fitted for the ministry by Rev.Samuel Blair at New Londonderry, Pa., and on 16March, 1749, was installed as pastor of the Presby-terian church at St. Georges, Del. In September,1765, on the death of David Bostwick
Head of a Man with a Moustache Looking Left. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 23 9/16 x 17 5/8 in. (59.9 x 44.7 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-man-with-a-moustache-looking-left-artist-jakob-matthias-schmutzer-austrian-vienna-1733-1811-vienna-dimensions-sheet-23-916-x-17-58-in-599-x-447-cm-date-1765-1810-museum-metropolitan-museum-of-art-new-york-usa-image212863213.htmlRMPA8N5H–Head of a Man with a Moustache Looking Left. Artist: Jakob Matthias Schmutzer (Austrian, Vienna 1733-1811 Vienna). Dimensions: sheet: 23 9/16 x 17 5/8 in. (59.9 x 44.7 cm). Date: 1765-1810. Museum: Metropolitan Museum of Art, New York, USA.
N/A. Nederlands: Beschrijving Prent met vier kunstenaarsportretten Van links naar rechts: Hendrik Lageman (1765-1816), tekenaar, graficus, medailleur; Chrétien Dubois (1765-1837), schilder, tekenaar, etser; Gerrit Jan Michaelis (1775-1857), schilder, tekenaar, etser, lithograaf; Anthonie van den Bosch (1763-1838), schilder voor een behangselfabriek, tekenmeester, graficus. Ets en stippelets. Documenttype prent Vervaardiger Marcus, Jacob Ernst (1774-1826) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Atlas Dreesmann Datering mei 1811 Geportretteerde Bosch, Anthonie van den (1763-1838) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-nederlands-beschrijving-prent-met-vier-kunstenaarsportretten-van-links-naar-rechts-hendrik-lageman-1765-1816-tekenaar-graficus-medailleur-chrtien-dubois-1765-1837-schilder-tekenaar-etser-gerrit-jan-michaelis-1775-1857-schilder-tekenaar-etser-lithograaf-anthonie-van-den-bosch-1763-1838-schilder-voor-een-behangselfabriek-tekenmeester-graficus-ets-en-stippelets-documenttype-prent-vervaardiger-marcus-jacob-ernst-1774-1826-caspari-hendrik-willem-1770-1829-collectie-collectie-atlas-dreesmann-datering-mei-1811-geportretteerde-bosch-anthonie-van-den-1763-1838-image210136478.htmlRMP5TF66–N/A. Nederlands: Beschrijving Prent met vier kunstenaarsportretten Van links naar rechts: Hendrik Lageman (1765-1816), tekenaar, graficus, medailleur; Chrétien Dubois (1765-1837), schilder, tekenaar, etser; Gerrit Jan Michaelis (1775-1857), schilder, tekenaar, etser, lithograaf; Anthonie van den Bosch (1763-1838), schilder voor een behangselfabriek, tekenmeester, graficus. Ets en stippelets. Documenttype prent Vervaardiger Marcus, Jacob Ernst (1774-1826) Caspari, Hendrik Willem (1770-1829) Collectie Collectie Atlas Dreesmann Datering mei 1811 Geportretteerde Bosch, Anthonie van den (1763-1838)
Gerhard Ludvig Lahde (1765-1833), Nicolai Abraham Kalls Gravmunde, 1801 - 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gerhard-ludvig-lahde-1765-1833-nicolai-abraham-kalls-gravmunde-1801-1811-image408004359.htmlRM2EKP5M7–Gerhard Ludvig Lahde (1765-1833), Nicolai Abraham Kalls Gravmunde, 1801 - 1811
Mr. John Joshua Kirby, John Dixon, ca. 1740–1811, Irish, after Thomas Gainsborough RA, 1727–1788, British, Published by William Wynne Ryland, 1732–1783, British, and Henry Bryer, died in or before 1782, British, between 1765 and 1771, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 18 3/8 x 12 inches (46.7 x 30.5 cm), Plate: 14 1/16 x 9 15/16 inches (35.7 x 25.2 cm), and Image: 12 1/2 x 9 15/16 inches (31.7 x 25.2 cm), artist, author, buttons, cravat, designer, gaze, man, middle-aged, oval, perspective, portrait, posing, solemn, wig Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mr-john-joshua-kirby-john-dixon-ca-17401811-irish-after-thomas-gainsborough-ra-17271788-british-published-by-william-wynne-ryland-17321783-british-and-henry-bryer-died-in-or-before-1782-british-between-1765-and-1771-mezzotint-on-moderately-thick-slightly-textured-beige-laid-paper-sheet-18-38-x-12-inches-467-x-305-cm-plate-14-116-x-9-1516-inches-357-x-252-cm-and-image-12-12-x-9-1516-inches-317-x-252-cm-artist-author-buttons-cravat-designer-gaze-man-middle-aged-oval-perspective-portrait-posing-solemn-wig-image389763846.htmlRM2DJ37NA–Mr. John Joshua Kirby, John Dixon, ca. 1740–1811, Irish, after Thomas Gainsborough RA, 1727–1788, British, Published by William Wynne Ryland, 1732–1783, British, and Henry Bryer, died in or before 1782, British, between 1765 and 1771, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 18 3/8 x 12 inches (46.7 x 30.5 cm), Plate: 14 1/16 x 9 15/16 inches (35.7 x 25.2 cm), and Image: 12 1/2 x 9 15/16 inches (31.7 x 25.2 cm), artist, author, buttons, cravat, designer, gaze, man, middle-aged, oval, perspective, portrait, posing, solemn, wig
Portrait of Isaac Jan Alexander Gogel Isaac Jan Alexander Gogel (1765-1821). Minister of Finance, Portrait of Isaac Jan Alexander Gogel, Minister of Finance, sitting in a chair, in the costume of the State Council, holding a document. Adorned with the large cross of the Order of the Reunion, the officers 'cross of that Order and the officers' cross of the Legion of Honor, historical persons, minister, government, Isaac Jean Alexandre Gogel, Mattheus Ignatius van Bree, c. 1811 - c. 1813, canvas, oil paint (paint), h 95 cm × w 75 cm, Reimagined by Gibon, design of warm cheerful glowing of bright Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-isaac-jan-alexander-gogel-isaac-jan-alexander-gogel-1765-1821-minister-of-finance-portrait-of-isaac-jan-alexander-gogel-minister-of-finance-sitting-in-a-chair-in-the-costume-of-the-state-council-holding-a-document-adorned-with-the-large-cross-of-the-order-of-the-reunion-the-officers-cross-of-that-order-and-the-officers-cross-of-the-legion-of-honor-historical-persons-minister-government-isaac-jean-alexandre-gogel-mattheus-ignatius-van-bree-c-1811-c-1813-canvas-oil-paint-paint-h-95-cm-w-75-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-bright-image350014325.htmlRF2B9CERH–Portrait of Isaac Jan Alexander Gogel Isaac Jan Alexander Gogel (1765-1821). Minister of Finance, Portrait of Isaac Jan Alexander Gogel, Minister of Finance, sitting in a chair, in the costume of the State Council, holding a document. Adorned with the large cross of the Order of the Reunion, the officers 'cross of that Order and the officers' cross of the Legion of Honor, historical persons, minister, government, Isaac Jean Alexandre Gogel, Mattheus Ignatius van Bree, c. 1811 - c. 1813, canvas, oil paint (paint), h 95 cm × w 75 cm, Reimagined by Gibon, design of warm cheerful glowing of bright
Stock Buckle, 1765–85, Made in New York, New York, United States, American, Silver, 2 x 1 7/16 in. (5.1 x 3.7 cm), Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-stock-buckle-176585-made-in-new-york-new-york-united-states-american-162332604.htmlRMKC2TW0–Stock Buckle, 1765–85, Made in New York, New York, United States, American, Silver, 2 x 1 7/16 in. (5.1 x 3.7 cm), Silver
Art inspired by La Photographie ses origines, ses progrès, ses transformations, 1870s, Multiple photographic processes, Books, Édouard Baldus (French, born Prussia, 1813–1889), Frères Dujardin (French), B. Deloose, M. Marion, Henri Garnier, Zurcher (French), François-Auguste Renard (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-la-photographie-ses-origines-ses-progrs-ses-transformations-1870s-multiple-photographic-processes-books-douard-baldus-french-born-prussia-18131889-frres-dujardin-french-b-deloose-m-marion-henri-garnier-zurcher-french-franois-auguste-renard-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938204.htmlRF2HW4JB8–Art inspired by La Photographie ses origines, ses progrès, ses transformations, 1870s, Multiple photographic processes, Books, Édouard Baldus (French, born Prussia, 1813–1889), Frères Dujardin (French), B. Deloose, M. Marion, Henri Garnier, Zurcher (French), François-Auguste Renard (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Head of a Man, Attributed to Jakob Matthias Schmutzer, 1765–1810 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-head-of-a-man-attributed-to-jakob-matthias-schmutzer-17651810-162514302.htmlRMKCB4J6–Head of a Man, Attributed to Jakob Matthias Schmutzer, 1765–1810
Etienne Macdonald (Etienne-Jacques-Joseph-Alexandre Macdonald) (1765-1840). French general. Marshal of the Empire since 1809. Equestrian portrait. Drawing by Eugène Charpentier. Engraving by Paul Girardet. 'Histoire du Consulat et de l'Empire' (History of the Consulate and the Empire of France under Napoleon), by A. Thiers. Volume X. Published in Paris, 1851. Author: Eugène Charpentier (1811-1890). French painter. Paul Girardet (1821-1893). Swiss-born French copper engraver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etienne-macdonald-etienne-jacques-joseph-alexandre-macdonald-1765-1840-french-general-marshal-of-the-empire-since-1809-equestrian-portrait-drawing-by-eugne-charpentier-engraving-by-paul-girardet-histoire-du-consulat-et-de-lempire-history-of-the-consulate-and-the-empire-of-france-under-napoleon-by-a-thiers-volume-x-published-in-paris-1851-author-eugne-charpentier-1811-1890-french-painter-paul-girardet-1821-1893-swiss-born-french-copper-engraver-image632206426.htmlRM2YMFDMX–Etienne Macdonald (Etienne-Jacques-Joseph-Alexandre Macdonald) (1765-1840). French general. Marshal of the Empire since 1809. Equestrian portrait. Drawing by Eugène Charpentier. Engraving by Paul Girardet. 'Histoire du Consulat et de l'Empire' (History of the Consulate and the Empire of France under Napoleon), by A. Thiers. Volume X. Published in Paris, 1851. Author: Eugène Charpentier (1811-1890). French painter. Paul Girardet (1821-1893). Swiss-born French copper engraver.
N/A. Nederlands: Beschrijving De kunstenaars Hendrik Stokvisch (1767-1821), Jacob Smies (1765-1833) en Daniël Kerkhoff (1767-1821) Drie portretten op 1 blad. Documenttype prent Vervaardiger Caspari, Hendrik Willem (1770-1829) Marcus, Jacob Ernst (1774-1826) Collectie Collectie Atlas Dreesmann Datering maart 1811 Geportretteerde Smies, Jacob Stokvisch, Hendrik (1768-1820) Kerkhoff, Daniël (1766-1821) Inventarissen http://archief.amsterdam/archief/10094 Afbeeldingsbestand 010094007791 . March 1811. Caspari, Hendrik Willem (1770-1829) 280 Caspari, Hendrik Willem (1770-1829), Afb 010094007791 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-nederlands-beschrijving-de-kunstenaars-hendrik-stokvisch-1767-1821-jacob-smies-1765-1833-en-danil-kerkhoff-1767-1821-drie-portretten-op-1-blad-documenttype-prent-vervaardiger-caspari-hendrik-willem-1770-1829-marcus-jacob-ernst-1774-1826-collectie-collectie-atlas-dreesmann-datering-maart-1811-geportretteerde-smies-jacob-stokvisch-hendrik-1768-1820-kerkhoff-danil-1766-1821-inventarissen-httparchiefamsterdamarchief10094-afbeeldingsbestand-010094007791-march-1811-caspari-hendrik-willem-1770-1829-280-caspari-hendrik-willem-1770-1829-afb-010094007791-image210136514.htmlRMP5TF7E–N/A. Nederlands: Beschrijving De kunstenaars Hendrik Stokvisch (1767-1821), Jacob Smies (1765-1833) en Daniël Kerkhoff (1767-1821) Drie portretten op 1 blad. Documenttype prent Vervaardiger Caspari, Hendrik Willem (1770-1829) Marcus, Jacob Ernst (1774-1826) Collectie Collectie Atlas Dreesmann Datering maart 1811 Geportretteerde Smies, Jacob Stokvisch, Hendrik (1768-1820) Kerkhoff, Daniël (1766-1821) Inventarissen http://archief.amsterdam/archief/10094 Afbeeldingsbestand 010094007791 . March 1811. Caspari, Hendrik Willem (1770-1829) 280 Caspari, Hendrik Willem (1770-1829), Afb 010094007791
Gerhard Ludvig Lahde (1765-1833), Marie Cathrine Pellers Gravminde, 1801 - 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gerhard-ludvig-lahde-1765-1833-marie-cathrine-pellers-gravminde-1801-1811-image407999308.htmlRM2EKNY7T–Gerhard Ludvig Lahde (1765-1833), Marie Cathrine Pellers Gravminde, 1801 - 1811
Head of a Youth with Open Mouth, Jakob Matthias Schmutzer, 1765–1810 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-head-of-a-youth-with-open-mouth-jakob-matthias-schmutzer-17651810-162514290.htmlRMKCB4HP–Head of a Youth with Open Mouth, Jakob Matthias Schmutzer, 1765–1810
Portrait of Isaac Jan Alexander Gogel. Isaac Jan Alexander Gogel (1765-1821). Minister of Finance. Dating: c. 1811 - c. 1813. Measurements: h 95 cm × w 75 cm. Museum: Rijksmuseum, Amsterdam. Author: MATTHEUS IGNATIUS VAN BREE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-isaac-jan-alexander-gogel-isaac-jan-alexander-gogel-1765-1821-minister-of-finance-dating-c-1811-c-1813-measurements-h-95-cm-w-75-cm-museum-rijksmuseum-amsterdam-author-mattheus-ignatius-van-bree-image232870668.htmlRMRET4WG–Portrait of Isaac Jan Alexander Gogel. Isaac Jan Alexander Gogel (1765-1821). Minister of Finance. Dating: c. 1811 - c. 1813. Measurements: h 95 cm × w 75 cm. Museum: Rijksmuseum, Amsterdam. Author: MATTHEUS IGNATIUS VAN BREE.
. Freundschaftsbildnis dreier Knaben. Schwarze Kreide, blau laviert, weiß gehöht. 37 x 44,7 cm. Unten rechts signiert und datiert 'Wachsmann fecit Berolino 1811'. . 1811. Anton Wachsmann (1765–1836) Anton Wachsmann Freundschaftsbildnis dreier Knaben Berlin 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/freundschaftsbildnis-dreier-knaben-schwarze-kreide-blau-laviert-wei-gehht-37-x-447-cm-unten-rechts-signiert-und-datiert-wachsmann-fecit-berolino-1811-1811-anton-wachsmann-17651836-anton-wachsmann-freundschaftsbildnis-dreier-knaben-berlin-1811-image184895535.htmlRMMMPM3Y–. Freundschaftsbildnis dreier Knaben. Schwarze Kreide, blau laviert, weiß gehöht. 37 x 44,7 cm. Unten rechts signiert und datiert 'Wachsmann fecit Berolino 1811'. . 1811. Anton Wachsmann (1765–1836) Anton Wachsmann Freundschaftsbildnis dreier Knaben Berlin 1811
Gerhard Ludvig Lahde (1765-1833), Madame Sound Som Nina, Before 1811 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gerhard-ludvig-lahde-1765-1833-madame-sound-som-nina-before-1811-image407997981.htmlRM2EKNWGD–Gerhard Ludvig Lahde (1765-1833), Madame Sound Som Nina, Before 1811
Domenica Morghen née Volpato (1760–1811) and Maddalena Volpato née Riggi (1765–1825) as the muses of tragedy and comedy. Kaufmann Angelika, painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/domenica-morghen-ne-volpato-17601811-and-maddalena-volpato-ne-riggi-17651825-as-the-muses-of-tragedy-and-comedy-kaufmann-angelika-painter-image480418108.htmlRM2JWGX5G–Domenica Morghen née Volpato (1760–1811) and Maddalena Volpato née Riggi (1765–1825) as the muses of tragedy and comedy. Kaufmann Angelika, painter
The Holy Family 1811 Pietro Bonato. The Holy Family. Pietro Bonato (Italian, Bassano del Grappa 1765–1820). 1811. Engraving. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-family-1811-pietro-bonato-the-holy-family-pietro-bonato-italian-bassano-del-grappa-17651820-1811-engraving-prints-image457771430.htmlRM2HGN83J–The Holy Family 1811 Pietro Bonato. The Holy Family. Pietro Bonato (Italian, Bassano del Grappa 1765–1820). 1811. Engraving. Prints
Portrait of Christian Guillaume Ernest Dietricy. Jacob Mathias Schmutzer (Austria, Vienna, 1733-1811). Austria, 1765. Prints; engravings. Engraving, laid down Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-christian-guillaume-ernest-dietricy-jacob-mathias-schmutzer-austria-vienna-1733-1811-austria-1765-prints-engravings-engraving-laid-down-image464684359.htmlRM2J005HY–Portrait of Christian Guillaume Ernest Dietricy. Jacob Mathias Schmutzer (Austria, Vienna, 1733-1811). Austria, 1765. Prints; engravings. Engraving, laid down
Still Life: Armor, Sword, Snare Drum, Jakob Matthias Schmutzer, 1765–1810 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-still-life-armor-sword-snare-drum-jakob-matthias-schmutzer-17651810-162514289.htmlRMKCB4HN–Still Life: Armor, Sword, Snare Drum, Jakob Matthias Schmutzer, 1765–1810
Print made by John Dixon, ca. 1740–1811, Irish, Mary, Duchess of Ancaster, between 1765 and 1771. Mezzotint on moderately thick, moderately textured, cream laid paper. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-john-dixon-ca-17401811-irish-mary-duchess-of-ancaster-between-1765-and-1771-mezzotint-on-moderately-thick-moderately-textured-cream-laid-paper-image398424132.htmlRM2E45P18–Print made by John Dixon, ca. 1740–1811, Irish, Mary, Duchess of Ancaster, between 1765 and 1771. Mezzotint on moderately thick, moderately textured, cream laid paper.
Standing Man in Exotic Dress, Attributed to Jakob Matthias Schmutzer, 1765–1810 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-standing-man-in-exotic-dress-attributed-to-jakob-matthias-schmutzer-162514304.htmlRMKCB4J8–Standing Man in Exotic Dress, Attributed to Jakob Matthias Schmutzer, 1765–1810
Nathaniel Dance RA, 1735–1811, British, View near Rome, between 1754 and 1765. Oil on canvas. basket , dog (animal) , dresses , hill , houses , landscape , road , rocks (landforms) , shade , trees , wall , women. Italy , Lazio , Roma , Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nathaniel-dance-ra-17351811-british-view-near-rome-between-1754-and-1765-oil-on-canvas-basket-dog-animal-dresses-hill-houses-landscape-road-rocks-landforms-shade-trees-wall-women-italy-lazio-roma-rome-image398449561.htmlRM2E46XDD–Nathaniel Dance RA, 1735–1811, British, View near Rome, between 1754 and 1765. Oil on canvas. basket , dog (animal) , dresses , hill , houses , landscape , road , rocks (landforms) , shade , trees , wall , women. Italy , Lazio , Roma , Rome
Profile of a Bearded Old Man Looking Right, Jakob Matthias Schmutzer, 1765–1810 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-profile-of-a-bearded-old-man-looking-right-jakob-matthias-schmutzer-162514292.htmlRMKCB4HT–Profile of a Bearded Old Man Looking Right, Jakob Matthias Schmutzer, 1765–1810
Print made by Edward Fisher, 1722–1785, British, The Right Honble Lady Elizabeth Lee, Daughter of Simon Earl Harcourt, between 1765 and 1785. Mezzotint ( 2nd state ) on medium, slightly textured, cream laid paper. Elizabeth, Lady Lee (1739–1811), painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-edward-fisher-17221785-british-the-right-honble-lady-elizabeth-lee-daughter-of-simon-earl-harcourt-between-1765-and-1785-mezzotint-2nd-state-on-medium-slightly-textured-cream-laid-paper-elizabeth-lady-lee-17391811-painter-image398439178.htmlRM2E46D6J–Print made by Edward Fisher, 1722–1785, British, The Right Honble Lady Elizabeth Lee, Daughter of Simon Earl Harcourt, between 1765 and 1785. Mezzotint ( 2nd state ) on medium, slightly textured, cream laid paper. Elizabeth, Lady Lee (1739–1811), painter
Print made by John Dixon, ca. 1740–1811, Irish, Flute Player, between 1765 and 1771. Mezzotint on moderately thick, slightly textured, beige laid paper. cloak , curls , feathers , flute , gaze , genre subject , hat , man , music , musician , playing , posing , scarf , standing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-john-dixon-ca-17401811-irish-flute-player-between-1765-and-1771-mezzotint-on-moderately-thick-slightly-textured-beige-laid-paper-cloak-curls-feathers-flute-gaze-genre-subject-hat-man-music-musician-playing-posing-scarf-standing-image398457541.htmlRM2E478JD–Print made by John Dixon, ca. 1740–1811, Irish, Flute Player, between 1765 and 1771. Mezzotint on moderately thick, slightly textured, beige laid paper. cloak , curls , feathers , flute , gaze , genre subject , hat , man , music , musician , playing , posing , scarf , standing
Independence of Mexico (1810-1824). Miguel Hidalgo Costilla (1753-1811) and Jose Mari a Morelos (1765-1815), Mexican priests and patriots, struggling for independence of Mexico. Mural by Diego Rivera (1886-1957). Detail. National Palace. Mexico city. Mexico. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/independence-of-mexico-1810-1824-miguel-hidalgo-costilla-1753-1811-and-jose-mari-a-morelos-1765-1815-mexican-priests-and-patriots-struggling-for-independence-of-mexico-mural-by-diego-rivera-1886-1957-detail-national-palace-mexico-city-mexico-image630856039.htmlRM2YJ9Y8R–Independence of Mexico (1810-1824). Miguel Hidalgo Costilla (1753-1811) and Jose Mari a Morelos (1765-1815), Mexican priests and patriots, struggling for independence of Mexico. Mural by Diego Rivera (1886-1957). Detail. National Palace. Mexico city. Mexico.
Portrait of Isaac Jan Alexander Gogel (1765-1821). Deutsch: Isaac Jan Alexander Gogel (* 10. Dezember 1765 Vught † 13. Juni 1821 Overveen), erster Finanzminister der Batavischen Republik (1795-1806) und des Königreichs Holland (1806-1810), verheiratet seit dem 22.06.1796 mit Catharina van Hasselt. Sie hatten drei Kinder. 1811 wurde er, ebenso wie 1808 bereits Goethe, von Napoleon in die Ehrenlegion als der Chevalier de l'Empire (Chevalier de la Légion d’Honneur (Ch. LH)) aufgenommen und in den Französischen Adelsstand erhoben. Auf dem Portrait wurde er mit dem Orden der Ehrenlegion abgebildet, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-isaac-jan-alexander-gogel-1765-1821-deutsch-isaac-jan-alexander-gogel-10-dezember-1765-vught-13-juni-1821-overveen-erster-finanzminister-der-batavischen-republik-1795-1806-und-des-knigreichs-holland-1806-1810-verheiratet-seit-dem-22061796-mit-catharina-van-hasselt-sie-hatten-drei-kinder-1811-wurde-er-ebenso-wie-1808-bereits-goethe-von-napoleon-in-die-ehrenlegion-als-der-chevalier-de-lempire-chevalier-de-la-lgion-dhonneur-ch-lh-aufgenommen-und-in-den-franzsischen-adelsstand-erhoben-auf-dem-portrait-wurde-er-mit-dem-orden-der-ehrenlegion-abgebildet-image184930285.htmlRMMMT8D1–Portrait of Isaac Jan Alexander Gogel (1765-1821). Deutsch: Isaac Jan Alexander Gogel (* 10. Dezember 1765 Vught † 13. Juni 1821 Overveen), erster Finanzminister der Batavischen Republik (1795-1806) und des Königreichs Holland (1806-1810), verheiratet seit dem 22.06.1796 mit Catharina van Hasselt. Sie hatten drei Kinder. 1811 wurde er, ebenso wie 1808 bereits Goethe, von Napoleon in die Ehrenlegion als der Chevalier de l'Empire (Chevalier de la Légion d’Honneur (Ch. LH)) aufgenommen und in den Französischen Adelsstand erhoben. Auf dem Portrait wurde er mit dem Orden der Ehrenlegion abgebildet,
