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RMKCC72F–Harlequin (one of a pair), ca. 1753–54, German, Fürstenberg, Hard-paste porcelain, Height: 7 1/2 in. (19.1 cm), Ceramics
RF2HTW6CC–Art inspired by Harlequin (one of a pair), ca. 1753–54, German, Fürstenberg, Hard-paste porcelain, Height: 7 1/2 in. (19.1 cm), Ceramics-Porcelain, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC7APE–Cup (gobelet lizonné à relief), 1753–54, French, Vincennes, Soft-paste porcelain, H. 2 11/16 in. (6.8 cm.), Ceramics-Porcelain
RF2HTW88H–Art inspired by Cup (gobelet lizonné à relief), 1753–54, French, Vincennes, Soft-paste porcelain, H. 2 11/16 in. (6.8 cm.), Ceramics-Porcelain, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B0J79N–Samuel Wood, Cruet frame, British, London, Samuel Wood (entered 1739), 1753–54, British, London, Silver, Height: 8 3/8 in. (21.3 cm), Metalwork-Silver
RF2HTW8GB–Art inspired by Dish, Jeffreyes Hammet O'Neale (Irish, 1734–1801), 1753–54, British, Chelsea, Soft-paste porcelain, Diameter: 7 1/8 in. (18.1 cm), Ceramics-Porcelain, Jeffreyes Hammet O'Neale (Irish, 1734–1801, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAXXF6–Standing shelf (one of a pair). Culture: British. Dimensions: Overall: 59 × 23 × 10 1/2 in. (149.9 × 58.4 × 26.7 cm). Maker: William Linnell (ca. 1703-1763); and John Linnell (British, 1737-1796). Date: ca. 1753-54. Supplied to the fourth Duke of Beaufort (1709-1756), the set of japanned furniture for the Chinese Bedroom at Badminton House, Gloucestershire, included a bed, eight armchairs, two pairs of standing shelves, and a dressing commode. Museum: Metropolitan Museum of Art, New York, USA.
RM2G132RP–Adrien Manglard. Moonlit Harbor Scene with Ferry - 1753/54 - Adrien Manglard French, 1695-1760. Etching with touches of engraving and burnishing, on
RM2BDECCE–'Huddinge kyrka; Foto av ritning av Bunge-Mörnerska gravkoret uppfört 1753-54. Rivet för nytt torn 1877.; Unknown dateUnknown date; Sven Dahlin / Kulturmiljöbild, Riksantikvarieämbetet This file was provided to Wikimedia Commons by the Swedish National Heritage Board as part of the cooperation project Connected Open Heritage with Wikimedia Sverige. This file was made available by Riksantikvarieämbetet as part of the Connected Open Heritage project. The project is led by Wikimedia Sverige in cooperation with UNESCO, Wikimedia Italia and Cultural Heritage without Borders and is finan
![The acts and resolves, public and private, of the province of the Massachusetts bay: to which are prefixed the charters of the province With historical and explanatory notes, and an appendix Published under chapter 87 of the Resolves of the General court of the commonwealth for the year 1867 .. . wing ; that is to say,— [1st Sess.] Province Laws.—1753-54. 685 005eoai050«COOOfflOCD05«3005t^03(J>0*i>0-iOO«OOOCO->l<tDCOi-l-<CO-* CD s fl oT ; sc c fc(3 CO rt Ti r- •- c5 — r; .^ x M „ c .s n -s -^ 3 ^ :5 • cc !-; c 2 ^ o » o -i- — *^ C CO w co ^ = ^ .S 5 B e S c-^ bD 5 = a^ r- C Stock Photo](https://c8.alamy.com/comp/2AJJ339/the-acts-and-resolves-public-and-private-of-the-province-of-the-massachusetts-bay-to-which-are-prefixed-the-charters-of-the-province-with-historical-and-explanatory-notes-and-an-appendix-published-under-chapter-87-of-the-resolves-of-the-general-court-of-the-commonwealth-for-the-year-1867-wing-that-is-to-say-1st-sess-province-laws1753-54-685-005eoai050cooofflocd053005t03jgt0igt0-ioooooco-gtllttdcoi-l-ltco-cd-s-fl-ot-sc-c-fc3-co-rt-ti-r-c5-r-x-m-c-s-n-s-3-5-cc-!-c-2-o-o-i-c-co-w-co-=-s-5-b-e-s-c-bd-5-=-a-r-c-2AJJ339.jpg "The acts and resolves, public and private, of the province of the Massachusetts bay: to which are prefixed the charters of the province With historical and explanatory notes, and an appendix Published under chapter 87 of the Resolves of the General court of the commonwealth for the year 1867 .. . wing ; that is to say,— [1st Sess.] Province Laws.—1753-54. 685 005eoai050«COOOfflOCD05«3005t^03(J>0*i>0-iOO«OOOCO->l<tDCOi-l-<CO-* CD s fl oT ; sc c fc(3 CO rt Ti r- •- c5 — r; .^ x M „ c .s n -s -^ 3 ^ :5 • cc !-; c 2 ^ o » o -i- — *^ C CO w co ^ = ^ .S 5 B e S c-^ bD 5 = a^ r- C Stock Photo")
RM2AJJ339–The acts and resolves, public and private, of the province of the Massachusetts bay: to which are prefixed the charters of the province With historical and explanatory notes, and an appendix Published under chapter 87 of the Resolves of the General court of the commonwealth for the year 1867 .. . wing ; that is to say,— [1st Sess.] Province Laws.—1753-54. 685 005eoai050«COOOfflOCD05«3005t^03(J>0*i>0-iOO«OOOCO->l<tDCOi-l-<CO-* CD s fl oT ; sc c fc(3 CO rt Ti r- •- c5 — r; .^ x M „ c .s n -s -^ 3 ^ :5 • cc !-; c 2 ^ o » o -i- — *^ C CO w co ^ = ^ .S 5 B e S c-^ bD 5 = a^ r- C
RMRYT1J9–An illustrated flora of the An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian . ed2illustratedflo02brit Year: 1913 Gexus 24. CROWFOOT FAMILY. 9. Thalictrum polygamum Muhl. Fall Meadow-Rue. Fig. 1940. Thaliclrum polygamum Muhl. Cat. 54. 1813. Thalictrum Cornuti T. & G. Fl. N. A. i: j8. 1838. Not L. 1753. Stout, 3°-ii° high, branching, leafy, smooth or pubescent but not glandular nor waxy. Leaves 3-4-ternate; leaflets moderately
RM2A2KGMP–The Shipwreck, 1753–54, Adrien Manglard, French, 1695-1760, France, Etching in black on ivory laid paper, 285 × 422 mm (plate), 440 × 590 mm (sheet
RF2HW6YAD–Art inspired by Sconce, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 7 1/2 x 4 in. (19.1 x 10.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMKC88X9–Pair of orange tubs (caisses carrées), 1753–54, French, Vincennes, Soft-paste porcelain, Overall (.43): 5 7/16 x 4 1/4 x 4 1/4
RF2HW6Y92–Art inspired by Chimneypiece, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 5 5/8 x 4 in. (14.3 x 10.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B0H79E–Robert Lowe, Sauceboat, Scottish, Edinburgh, Robert Lowe (entered 1742), 1753–54, Scottish, Edinburgh, Silver, 3 × 8 in. (7.6 × 20.3 cm), Metalwork-Silver
RF2HTW7BR–Art inspired by Pair of orange tubs (caisses carrées), 1753–54, French, Vincennes, Soft-paste porcelain, Overall (.43): 5 7/16 x 4 1/4 x 4 1/4 in. (13.8 x 10.8 x 10.8 cm), Ceramics-Porcelain, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMP8HT1–Self-portrait in Van Dyck Costume. English: Self-portrait in Van Dyck Costume (aged about 20) . circa 1753-54. 743 Joseph Wright of Derby Self-portrait in Van Dyck Costume
RF2HW6YAA–Art inspired by Chimneypiece, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 6 7/8 x 3 5/16 in. (17.5 x 8.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAKYC6–Snuffbox. Artist: Scenes after paintings by François Boucher (French, Paris 1703-1770 Paris). Culture: French, Paris. Dimensions: 1 1/2 × 3 1/16 × 2 5/16 in. (3.8 × 7.8 × 5.9 cm). Maker: Noël Hardivillers (French, master 1729, died 1779). Date: 1753-54. This box is a brilliant example of enamel decoration on gold. The oval scenes on the lid, sides, and base are created by enameling directly on the flat gold surface, the process known as en plein. In contrast, much of the translucent green enamel that surrounds the scenes is applied to small areas of the gold that have been engraved or carved
RMRKYK11–Wooded Landscape with Gypsies Gathered Round a Fire - 1753/54 - Thomas Gainsborough English, 1727-1788 - Artist: Thomas Gainsborough, Origin:
RM2AN5ME3–ÖstergötlandÀv Andreas Lindblom . a, stående vid sidan avvarandra. Stil och dräkter passa fullkomligt in påårtalet 1616. Målningarna, som voro av ganskagod kvalitet, överkalkades åter. Korskyrkans gavelrösten ha å insidan indrag-ningar i och för murbesparing. Å det norra rostetfinnas tvenne, å vardera av de östra och södra ensådan. Kyrkan i sin helhet uppvärmes med en värm-ugn av järn, stående i bågöppningen till södrakorsarmen, invid dess östra sida. Tornet murades från grunden åren 1753—54 invid rundkyrkan, vars mur in-går i detsamma. Tornet har kvadratisk grundplan. I väster en stickbågig p
RMRX7C0R–An illustrated flora of the An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian ed2illustratedflo02brit Year: 1913 Gexus 24. CROWFOOT FAMILY. 9. Thalictrum polygamum Muhl. Fall Meadow-Rue. Fig. 1940. Thaliclrum polygamum Muhl. Cat. 54. 1813. Thalictrum Cornuti T. &; G. Fl. N. A. i: j8. 1838. Not L. 1753. Stout, 3°-ii° high, branching, leafy, smooth or pubescent but not glandular nor waxy. Leaves 3-4-ternate; leaflets moderately
RM2B0KKC6–Chelsea Porcelain Manufactory, River Goddess, British, Chelsea, ca. 1753–54, British, Chelsea, Soft-paste porcelain, 5 1/4 × 7 in. (13.3 × 17.8 cm), Ceramics-Porcelain
RMMYBWNB–. English: Charles Pelham (1722-1793) . circa 1753-54. John Singleton Copley (1738–1815) Description American artist and painter Date of birth/death 3 July 1738 9 September 1815 Location of birth/death Boston (Massachusetts) London Work location Boston, London Authority control : Q316016 VIAF: 66552740 ISNI: 0000 0000 8146 0578 ULAN: 500009177 LCCN: n50017577 NLA: 35031085 WorldCat 106 Charles Pelham by John Singleton Copley
RF2HW6YAC–Art inspired by Sconce, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 8 1/2 x 4 13/16 in. (21.5 x 12.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPATG9N–Dish (one of a pair). Culture: British, Worcester. Date: ca. 1753-54. Museum: Metropolitan Museum of Art, New York, USA.
RMRKT2MK–Sauce Tureen and Stand - 1753/54 - Worcester Porcelain Factory Worcester, England, founded 1751 - Artist: Worcester Royal Porcelain Company, Origin:
RM2AN5RY3–ÖstergötlandÀv Andreas Lindblom . Fig. 110. Vårdsberg. Överst: Grundplan. Uppmätt av O. Lagergren 1915. A betecknar inurverk,tillhörande den äldsta kyrkan, B d:o från 1200-talet, C d:o från 1400-talet, D d.o från 1753—54. —Nederst: Plan av rundkyrkan i höjd med tak-kanten. Uppmätt 1915 och 1919. Streckningen betecknar bortbrutet murverk.Oben: Grundriss. A Mauerwerk der attesten Kirche, B aus dem 18. Jht., C aus dem 15. Jht., D ans den Jahren 1763—54. Unteu: Grundriss der Rundkirche in gleicher Höhe mit der Dachkante. Ilie gestrichelten Teile bezeichuen wegge- broeheues Mauerwerk.A t tln- fcop:
RM2A2KN2H–Wooded Landscape with Gypsies Gathered Round a Fire, 1753/54, Thomas Gainsborough, English, 1727-1788, England, Etching on ivory wove paper, 475 × 421 mm (plate), 482 × 421 mm (sheet
RMKC3NJC–John Greenleaf, 1753–54, Oil on canvas, 21 1/2 x 17 3/4 in. (54.6 x 45.1 cm), Paintings, John Singleton Copley (American, Boston
RF2HW6YAF–Art inspired by Pier Glass Frame, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite, sheet: 9 3/4 x 4 in. (24.8 x 10.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2A2KN2G–Wooded Landscape with Gypsies Gathered Round a Fire, 1753/54, Thomas Gainsborough, English, 1727-1788, United Kingdom, Etching on ivory wove paper, 471 x 419 mm (image), 505 x 450 mm (sheet
RF2HW7001–Art inspired by Chinese Railing, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, sheet: 8 x 10 3/8 in. (20.3 x 26.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMX62BC–. English: Charles Pelham (1722-1793) . circa 1753-54. John Singleton Copley (1738–1815) Description American artist and painter Date of birth/death 3 July 1738 9 September 1815 Location of birth/death Boston (Massachusetts) London Work location Boston, London Authority control : Q316016 VIAF: 66552740 ISNI: 0000 0000 8146 0578 ULAN: 500009177 LCCN: n50017577 NLA: 35031085 WorldCat 124 Charles Pelham by John Singleton Copley
RMRKYJ25–Wooded Landscape with Gypsies Gathered Round a Fire - 1753/54 - Thomas Gainsborough English, 1727-1788 - Artist: Thomas Gainsborough, Origin: United
RMKNX6R8–Dish (one of a pair). Date: ca. 1753-54; Culture: British, Worcester; Medium: Soft-paste porcelain; Dimensions: No dimensions recorded;
RM2GMX996–Elizabeth Greenleaf. Artist: John Singleton Copley (American, Boston, Massachusetts 1738-1815 London); Date: 1753-54; Medium: Oil on canvas;
RMRKW240–Moonlit Harbor Scene with Ferry - 1753/54 - Adrien Manglard French, 1695-1760 - Artist: Adrien Manglard, Origin: France, Date: 1753-1754, Medium:
RM2J01GPB–Cup and Saucer. Vincennes Porcelain Manufactory (France, Vincennes, circa 1740–1756). circa 1753-54. Furnishings; Serviceware. Soft-paste porcelain with glaze, enamel, and gilding
RM2GMX98J–John Greenleaf. Artist: John Singleton Copley (American, Boston, Massachusetts 1738-1815 London); Date: 1753-54; Medium: Oil on canvas; Dimensions:
RM2HHAD59–Dish (one of a pair) ca. 1753–54 British, Worcester. Dish (one of a pair). British, Worcester. ca. 1753–54. Soft-paste porcelain. Ceramics-Porcelain
RMKNKXDN–Pair of orange tubs (caisses carrées). Factory: Vincennes Manufactory (French, ca. 1740-1756); Date: 1753-54; Culture: French, Vincennes; Medium:
RM2HGYR97–Dish 1753–54 Jeffreyes Hammet O'Neale Irish. Dish. British, Chelsea. 1753–54. Soft-paste porcelain. Chelsea Porcelain Manufactory (British, 1744–1784). Ceramics-Porcelain
RMRKX60M–The Shipwreck - 1753–54 - Adrien Manglard French, 1695-1760 - Artist: Adrien Manglard, Origin: France, Date: 1753–1754, Medium: Etching in black on
RM2HJ1KYH–Harlequin (one of a pair) ca. 1753–54 Fürstenberg Porcelain Manufactory. Harlequin (one of a pair). German, Fürstenberg. ca. 1753–54. Hard-paste porcelain. Ceramics-Porcelain
RMKNPAGY–Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London); Date: ca. 1753-54; Medium:
RM2B0N2KH–Guillaume Loir, Snuffbox, French, Paris, Guillaume Loir (master 1716, retired 1767), 1753–54, French, Paris, Gold, enamel, 1 1/2 x 2 3/4 in. (3.8 x 7cm), Metalwork-Gold and Platinum
RF2HW6YP6–Art inspired by French Commode, from Chippendale Drawings, Vol. II, ca. 1753–54, Graphite, sheet: 6 x 8 5/16 in. (15.2 x 21.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMWAWJA–. English: Charles Pelham (1722-1793) . circa 1753-54. John Singleton Copley (1738–1815) Description American artist and painter Date of birth/death 3 July 1738 9 September 1815 Location of birth/death Boston (Massachusetts) London Work location Boston, London Authority control : Q316016 VIAF: 66552740 ISNI: 0000 0000 8146 0578 ULAN: 500009177 LCCN: n50017577 NLA: 35031085 WorldCat 123 Charles Pelham by John Singleton Copley
RF2HW6YBF–Art inspired by Girandoles, in Chippendale Drawings, Vol. I, ca. 1753–54, Black ink, gray wash, sheet: 13 3/4 x 7 15/16 in. (35 x 20.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HGYPC3–River God ca. 1753–54 Chelsea Porcelain Manufactory The river god is based on a Meissen porcelain figure of 1740 modeled by J.J. Kaendler (1706–1775).. River God. British, Chelsea. ca. 1753–54. Soft-paste porcelain. Ceramics-Porcelain
RMMW5H3E–. Deutsch: Quirin Mark (1753–1811): Josephs Abschied von Seinen Vielgeliebten, kolorierter Kupferstich, 33,5 x 27,8 cm, 1790. Kaiser Joseph II. (13. März 1741–20. Februar 1790) litt an Tuberkulose. Beim dargestellten Abschied von seinen engsten Mitarbeitern und Vertrauten in der Wiener Hofburg (heutige Präsidentschaftskanzlei) handelt es ich um eine Inszenierung des Künstlers. Links Büsten von Josephs Eltern Franz I. und Maria Theresia, hinten Porträts der beiden andern aufgeklärten Despoten Katharina II. von Russland und Friedrich II. von Preußen. 4 October 2016, 08:38:54. Unknown 508 Quirin
RMPAJ9C6–Sideboard Table, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 3/16 x 12 7/16 in. (20.8 x 31.6 cm). Published in: London. Date: 1753. Museum: Metropolitan Museum of Art, New York, USA.
RM2ANHR53–An illustrated flora of the northern United States, Canada and the British possessions : from Newfoundland to the parallel of the southern boundary of Virginia and from the Atlantic Ocean westward to the 102nd meridian; 2nd ed. . r. i Genus 24. CROWFOOT FAMILY, 9. Thalictrum polygamum Muhl. Fall r^Ieadow-Rue Thalictruin polygamum Muhl. Cat. 54. 1813.Thalictrum Cornuti T. & G. Fl. X. A. i : j8. 1838.Not L. 1753. Stout, 3°-ii° high, branching, leafy, smooth orpubescent but not glatjdular nor waxy. Leaves3-4-ternate; leaflets moderately thick, light greenabove and paler beneath, oblong, obovate o
RMKP04BR–Cornices, in Chippendale Drawings, Vol. I. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London); Date: ca. 1753-54;
RM2A2KF4F–Moonlit Harbor Scene with Ferry, 1753/54, Adrien Manglard, French, 1695-1760, France, Etching with touches of engraving and burnishing, on paper, 209 × 305 mm (image), 222 × 312 mm (plate), 238 × 325 mm (sheet
RF2HW6YXP–Art inspired by Fret, from Chippendale Drawings, Vol. II, ca. 1753–54, Brown ink, sheet: 2 1/4 x 7 3/8 in. (5.6 x 18.7 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HGYPCB–River Goddess ca. 1753–54 Chelsea Porcelain Manufactory The river god is based on a Meissen porcelain figure of 1740 modeled by J.J. Kaendler (1706–1775).. River Goddess. British, Chelsea. ca. 1753–54. Soft-paste porcelain. Ceramics-Porcelain
RM2HHTB0A–Teapot 1753–54 Thomas Whipham British Repoussé decoration was achieved by hammering silver from the inside to create brilliant, raised textural effects on the outside. Silver vessels in inverted pear shapes were popular in the mid-eighteenth century, and the asymmetrical arrangement of flora and fauna seen here is typical of the Rococo style.. Teapot. British, London. 1753–54. Silver. Metalwork-Silver
RMMY89E5–. Deutsch: Quirin Mark (1753–1811): Josephs Abschied von Seinen Vielgeliebten, kolorierter Kupferstich, 33,5 x 27,8 cm, 1790. Kaiser Joseph II. (13. März 1741–20. Februar 1790) litt an Tuberkulose. Beim dargestellten Abschied von seinen engsten Mitarbeitern und Vertrauten in der Wiener Hofburg (heutige Präsidentschaftskanzlei) handelt es ich um eine Inszenierung des Künstlers. Links Büsten von Josephs Eltern Franz I. und Maria Theresia, hinten Porträts der beiden andern aufgeklärten Despoten Katharina II. von Russland und Friedrich II. von Preußen. 4 October 2016, 08:38:54. Unknown 443 Quirin
RM2HJ1EWH–John Greenleaf 1753–54 John Singleton Copley American While there has never been any doubt of Copley’s innate talent, these portraits give new meaning to the word “precocious.” At about the age of fifteen, with no formal training and very little opportunity to have studied acclaimed works of art, Copley not only could paint competently but also knew how to serve his patrons best: with accurate but richly embellished likenesses. These handsome siblings (see also 2002.612), offspring of John and Priscilla Brown Greenleaf of Boston, wear just the sort of elaborate, inventive costumes that became
RMPAABFF–Library Table, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 7 7/8 x 13 3/4 in. (20.1 x 34.9 cm). Published in: London. Date: 1753. Museum: Metropolitan Museum of Art, New York, USA.
RM2AFRJKN–. Olde Ulster : an historical and genealogical magazine. 52) Johannes3 bap. at K. 10 Aug., 1746; m. Eva Dederick; b. 21 Apr., 1757. They lived at Saugerties, N. Y. Johannes d. 24 Sept., 1827. Eva d. 31 July, 1841.b 53) Christian3 bap. at Kbn. 26 Dec, 1749.b (54) Margriet3 bap. 26 Dec, 1752. (VII.) Johannes Meyer2 (Christian1): Born atW. C, N. Y.; bap. at Kingston, N. Y., 30 Apr., 1721;m. at Saugerties 2 Nov., 1753, Maria Oosterhout,bap. at Kingston 28 July, 1734, ^au. °^ Teunis Ooster-hout and Catrina Legg. Johannes was received intoKatsbaan church 29 Sept. 1742. His home was on thepresent sit
RMKP04DE–Frets, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London); Date: ca. 1753-54;
RM2B0N2MR–Jean Ducrollay, Snuffbox, French, Paris, Jean Ducrollay (French, born 1709, master 1734, recorded 1760), 1753–54, French, Paris, Gold, lacquer, enamel, 3 3/8 x 2 3/8 in. (8.6 x 6cm), Metalwork-Gold and Platinum
RF2HW6YAH–Art inspired by Chimneypiece, in Chippendale Drawings, Vol. I, ca. 1753–54, Graphite and sanguine chalk, sheet: 11 1/2 x 5 3/8 in. (29.1 x 13.6 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW5G6C–Art inspired by Chamber Organs, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 9 x 12 7/8 in. (22.9 x 32.6 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW6YKX–Art inspired by Chinese Cabinet, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 7/16 x 12 in. (21.4 x 30.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMX0YAX–. Deutsch: Quirin Mark (1753–1811): Josephs Abschied von Seinen Vielgeliebten, kolorierter Kupferstich, 33,5 x 27,8 cm, 1790. Kaiser Joseph II. (13. März 1741–20. Februar 1790) litt an Tuberkulose. Beim dargestellten Abschied von seinen engsten Mitarbeitern und Vertrauten in der Wiener Hofburg (heutige Präsidentschaftskanzlei) handelt es ich um eine Inszenierung des Künstlers. Links Büsten von Josephs Eltern Franz I. und Maria Theresia, hinten Porträts der beiden andern aufgeklärten Despoten Katharina II. von Russland und Friedrich II. von Preußen. 4 October 2016, 08:38:54. Unknown 509 Quirin
RM2HJ0YRC–Snuffbox 1753–54 Guillaume Loir In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were pro
![. Kaart van het eiland Walcheren / op ordre van ... W.C.H. Friso prince van Orange en Nassau etc. etc. etc. meetkundig opgenomen in den jaare 1750 door de ingenieurs D.W. Carel en A. Hattinga . Scale [c. 1:54.000] . 1753. David Willem Coutry Hattinga (1730-1789), Anthony Hattinga (-1788) XUBAKZL12A6 026, 3/23/12, 4:50 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R55.1, G22.4, B20.2 189 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 6 (26) Stock Photo](https://c8.alamy.com/comp/P21M5G/kaart-van-het-eiland-walcherenop-ordre-van-wch-friso-prince-van-orange-en-nassau-etc-etc-etc-meetkundig-opgenomen-in-den-jaare-1750-door-de-ingenieurs-dw-carel-en-a-hattinga-scale-c-154000-1753-david-willem-coutry-hattinga-1730-1789-anthony-hattinga-1788-xubakzl12a6-026-32312-450-pm-8c-7992x10656-00-100-juni-2011-ppro-1120-s-r551-g224-b202-189-map-special-collections-university-of-amsterdam-otm-hb-kzl-i-2-a-6-26-P21M5G.jpg ". Kaart van het eiland Walcheren / op ordre van ... W.C.H. Friso prince van Orange en Nassau etc. etc. etc. meetkundig opgenomen in den jaare 1750 door de ingenieurs D.W. Carel en A. Hattinga . Scale [c. 1:54.000] . 1753. David Willem Coutry Hattinga (1730-1789), Anthony Hattinga (-1788) XUBAKZL12A6 026, 3/23/12, 4:50 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R55.1, G22.4, B20.2 189 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 6 (26) Stock Photo")
RMP21M5G–. Kaart van het eiland Walcheren / op ordre van ... W.C.H. Friso prince van Orange en Nassau etc. etc. etc. meetkundig opgenomen in den jaare 1750 door de ingenieurs D.W. Carel en A. Hattinga . Scale [c. 1:54.000] . 1753. David Willem Coutry Hattinga (1730-1789), Anthony Hattinga (-1788) XUBAKZL12A6 026, 3/23/12, 4:50 PM, 8C, 7992x10656 (0+0), 100%%%%, JUNI 2011 PPRO, 1/120 s, R55.1, G22.4, B20.2 189 Map - Special Collections University of Amsterdam - OTM- HB-KZL I 2 A 6 (26)
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