Stock photos, 360° images, vectors and videos
Filters
Quick filters:
Page 1 of 11
RM2A2NX8G–Forest landscape with hunters, oil on fir wood, 23.5 x 31 cm, unsigned, Johann Andreas Herrlein, Münnerstadt 1723–1796 Fulda
RF2HW6EPA–Art inspired by Design for a Chimneypiece, 1740–96, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB1TE9–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-96. Museum: Metropolitan Museum of Art, New York, USA.
RMEFT8GM–The Death of Priam 1760 Johann Andreas Herrlein 1723 - 1796 German painter Germany ( Priam was the king of Troy during the Trojan War )
RFHDXMBE–Elisabetha Dorothea Schiller, geb. Kodweiss, 1732-1802, the mother of Friedrich Schiller, Johann Kaspar Schiller, 1723-1796, the father of Friedrich Schiller, woodcut from the year 1882, digital improved
RMFJR5A3–Chines Pagoda, Kew Gardens, London, 1835. Erected under the direction of William Chambers Esq. (1723 – 1796) in 1762 in imitation of the Chinese Taa.
RMW7F752–'Ball-Room by Sir William Chambers, 1723-1796), at Carrington House, Whitehall', 1910. Artist: Unknown.
RMHT3FAA–'Ball-Room by Sir William Chambers, 1723-1796), at Carrington House, Whitehall', 1910. Artist: Unknown.
RM2E2GDEN–The 'Ruined Arch' built in 1759-60 as a mock Roman ruin in Kew Gardens, drawn by Sir William Chambers (1723-1796), a Scottish-Swedish architect, based in London. His best-known works are Somerset House and Kew Gardens, London England. Some of his Kew Garden buildings are lost, those remaining being the ten-storey Pagoda, the Orangery, the Ruined Arch, the Temple of Bellona and the Temple of Aeolus.
RM2F6W3TP–Author: Jean Avisse. Armchair (one of a pair) - 1780 - 85 - France, Paris Designed by Jean Avisse (French, 1723-1796). Beechwood, painted and gilded,
RMEA7J40–Johann Kaspar Schiller, 1723 - 1796, an officer and gardener to the Duke of Wuerttemberg, the father of Friedrich von Schiller,
RM2M98YCP–Sir Philip Stephens (1723-1809), British politician (becoming Father of the House of Commons in 1796), friend of Captain James Cook.
RMG1CRGN–Antonio Caballero y Góngora (in full; Antonio Pascual de San Pedro de Alcántara Caballero y Góngora) (May 24; 1723 in Priego; Córdoba; Spain – March 24; 1796 in Córdoba) was a Spanish Roman Catholic prelate and; from 1782 to 1789; viceroy of New Granada.
RM2A600N1–Antonio Caballero y Góngora (in full; Antonio Pascual de San Pedro de Alcántara Caballero y Góngora) (May 24; 1723 in Priego; Córdoba; Spain – March 24; 1796 in Córdoba) was a Spanish Roman Catholic prelate and; from 1782 to 1789; viceroy of New Granada.
RM2B9B5G3–DEMOLITION OF THE CONVENT CORDELIERS, CIRCA 1802 Pierre-Antoine Demachy (1723-1807). 'Démolition du couvent des Cordeliers, vers 1802'. Gouache, 1796-1799. Paris, musée Carnavalet.
RM2A2NX8E–Forest landscape with migrant farmers, oil on fir wood, 23.5 x 31 cm, unsigned, Johann Andreas Herrlein, Münnerstadt 1723–1796 Fulda
RF2HW6EPM–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAT9R2–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RMEFT8GR–Aeneas Arriving in Latium 1760 Johann Andreas Herrlein 1723 - 1796 German painter Germany ( In Greek Roman mythology, Aeneas was a Trojan hero, the son of the prince Anchises and the goddess Venus (Aphrodite)
RF2HF4N7N–Schloss Benrath, erbaut wurde es von 1755 bis 1773 unter der Leitung von Nicolas de Pigage (1723–1796) im Auftrag des Kurfürsten Karl Theodor von der
RM2AXGRX7–Catalogue of the collections of the American Art Association to be absolutely sold by auction to settle the estate of the late RAustin Robertson; part first . 1796. 359 Small Vase. Square shape. Has raised crest on each side, with the Pat-kwa or eight trigrams on the corners in gilt.Light pea-green arabesque ground. Height. yz inches:diameter, % inches. Engraved seal, Kien-long, 1736-1796.Carved stand. 134 CHINESE PORCELAINS 360 Bottle. Cabinet specimen of robins-egg marbleized glaze. Height, 6 inches ; diameter, 5^ inches. Seal-mark, Yung-cheng, 1723-1736. Carved stand. 361 Small Incense Ja
RMMN0691–. Français : Portrait d'Armand Thomas Hue, marquis de Miromesnil (1723-1796) . 18th century. Hue de Miromesnil, Armand Thomas
RM2GPX0X3–Portrait of Sir William Chambers (1723-1796) , ca 1760. Found in the Collection of the Musée des Beaux-Arts, Bordeaux.
RMKNRN3X–Drawings for a Chimney-piece for 25 Harley Street, Westminster, London. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796
RM2B9B641–DEMOLITION OF THE CHURCH OF SAINT-JEAN-STRIKE, AND NOT TO 1802 THAT WAS COMPLETED TO 1803 Pierre-Antoine Demachy (1723-1807). 'Démolition de l'église Saint-Jean-en Grève, vers 1802 et ne fut achevé que vers 1803'. Gouache, 1796-1799. Paris, musée Carnavalet.
RM2DN0D4Y–Elevation and Plan of a Portal, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print
RF2HW6EPR–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA91WM–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RMEFT8GN–Aeneas Arriving in Latium 1760 Johann Andreas Herrlein 1723 - 1796 German painter Germany ( In Greek Roman mythology, Aeneas was a Trojan hero, the son of the prince Anchises and the goddess Venus (Aphrodite)
RF2HF4N7R–Schloss Benrath, erbaut wurde es von 1755 bis 1773 unter der Leitung von Nicolas de Pigage (1723–1796) im Auftrag des Kurfürsten Karl Theodor von der
RM2AXGMTH–Catalogue of the collections of the American Art Association to be absolutely sold by auction to settle the estate of the late RAustin Robertson; part first . g, 1736-1796. Height, 8% inches;diameter, 4% inches. Stand. 780 Cabinet Vase. Biberon shape. Iron-rust souffle on brown olive ground. Height, 7 inches: diameter, 3*/>inches. Kien-long, 1736-1796. 781 Large Vase. Balustre shape, with small handles. Iron- rust souffle. Height, 15 inches; diameter, 9 inches. Kien-long, 1736-1796. Carved stand. 782 Bottle. Biberon shape. Blue speckled robins-egg glaze. of uniform quality. Tung-cheng, 1723
RMMMH45K–. English: Armand Thomas Hue de Miromesnil (1723–1796) was a minister of the French Ancien Régime who served as Keeper of the Seals under Louis XVI. English: Portrait of the Marquis Armand Thomas Hue de Miromesnil . 1763. English: Louis-Michel van Loo, 1707–1771 Armand Thomas Hue de Miromesnil , Van Loo, 1763
RM2JADG6E–Wolfgang Franz Xaver Fürst Orsini Rosenberg (1723-1796), Oberstämmerer, State and Conference Minister. Johann Hieronymus Delete Kohl (1753-1807), publishing house
RMKNWM52–Partial Design for a Chimneypiece. Artist: Attributed to Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London); Date: 1740-1800;
RM2B6TWR4–Hoge, slanke vaas van steengoed (Dong-khe-goed/Yiangnan Ding), met een cilindervormig lichaam, naar boven toe iets uitlopend, ronde schouder. Crèmekleurig, gecraqueleerd glazuur. Nek afgezaagd en rand geschuurd. Monochromen. Manufacturer : pottenbakker: anoniemPlaats manufacture: China Dating: ca. 1700 - ca. 1799School / stijl: Qing-dynastie (1644-1912) / Kangxi-periode (1662-1722) / Yongzheng-periode (1723-1735) / Qianlong-periode (1736-1795) / Jiaqing-periode (1796-1820) Physical kenmerken: steengoed met een crèmekleurig glazuur Material: steengoed glazuur Techniek: draaiend bewerken / bakke
RM2A2W2CE–Christ at the Column, Attributed to Caspicara (Manuel Chili) (Ecuadorian, 1723-1796), second half of 18th century, polychromed wood, inlaid glass eyes, height 16-1/4 in. (without base), European Painting and Sculpture Before 1800
RF2HW6EP4–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAAGYW–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RF2HF4N7J–Schloss Benrath, erbaut wurde es von 1755 bis 1773 unter der Leitung von Nicolas de Pigage (1723–1796) im Auftrag des Kurfürsten Karl Theodor von der
RM2CNCY9Y–. Appleton's cyclopaedia of American biography . 7 Feb., 1740; d. in Durham, N. H., 23 Jan., 1795.Dermod, chief of Beare and Bantry, Ireland, whowas killed in his castle of Dunboy in 1549, was hiswr,i-known lineal ancestor. His father. Owen,who died in 1796 at the age of 105, was born inLimerick during the siege in 1691, and came tothis country in 1723. The son studied law, prac-tised with success in Durham, N. H., and from1772 held the commission of major in the militia.He was sent from New Hampshire in May. 1774.to the Continental congress at Philadelphia at theage of thirty-three, and was a
RMMWR8KF–. English: Samuel Whitbread (1720-1796) by Sir Joshua Reynolds . between 1743 and 1792. Joshua Reynolds (1723–1792) Description British painter Date of birth/death 16 July 1723 23 February 1792 Location of birth/death Plympton London Work location London, Plympton, Italy Authority control : Q194402 VIAF: 27081216 ISNI: 0000 0001 0881 5237 ULAN: 500004539 LCCN: n84168483 NLA: 35449606 WorldCat 541 Samuel whitbread 1720-1796 by joshua reynolds
RM2HH3RAP–Design for a Chimneypiece 1740–96 Sir William Chambers British, born Sweden. Design for a Chimneypiece. Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London). 1740–96
RMKNRK47–Design for a Chimneypiece (recto); Sketches for Column Bases (verso). Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796
RM2B6TWPT–Hoge, slanke vaas van steengoed (Dong-khe-goed/Yiangnan Ding), met een cilindervormig lichaam, naar boven toe iets uitlopend, ronde schouder en spreidende nek met platte rand. Crèmekleurig, gecraqueleerd glazuur. Monochromen. Manufacturer : pottenbakker: anoniemPlaats manufacture: China Dating: ca. 1700 - ca. 1799School / stijl: Qing-dynastie (1644-1912) / Kangxi-periode (1662-1722) / Yongzheng-periode (1723-1735) / Qianlong-periode (1736-1795) / Jiaqing-periode (1796-1820) Physical kenmerken: steengoed met een crèmekleurig glazuur Material: steengoed glazuur Techniek: draaiend bewerken / bakk
RM2A2W2CJ–Christ at the Column, Attributed to Caspicara (Manuel Chili) (Ecuadorian, 1723-1796), second half of 18th century, polychromed wood, inlaid glass eyes, height 16-1/4 in. (without base), European Painting and Sculpture Before 1800
RF2HW6EPF–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAXYR6–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RF2HF4N7G–Schloss Benrath, erbaut wurde es von 1755 bis 1773 unter der Leitung von Nicolas de Pigage (1723–1796) im Auftrag des Kurfürsten Karl Theodor von der
RM2CD8TMH–. The Forfar Directory and Yearbook 1909 . er Trinity. Dividends on Consols, etc., due.State Jewels stolen from Dub. CastleRichard Sheridan died, 1816. [1907.Percy Bysshe Shelley drowned, 1822, Necessity knows no law.Emperor Hadrian died, 138. 5th Sunday after Trinity Julius Cassar born, b.c. 100.Assas. of Marat by Charlotte Corday,Old foxes need no tutors. ? 11793.St. Switkins Day.Sir Joshua Reynolds born, 1723.Decln. of Franco-Prussian Wrr. 1870 6th Sunday after Trinity. Nero burnt Rome, 64. Poor folk have few kindred.Robert Burns died, 1796.Battle of Falkirk, 1298.Hyde Park Riots, 1863.25.
RMMTXCK7–. English: Samuel Whitbread (1720-1796) by Sir Joshua Reynolds . between 1743 and 1792. Joshua Reynolds (1723–1792) Description British painter Date of birth/death 16 July 1723 23 February 1792 Location of birth/death Plympton London Work location London, Plympton, Italy Authority control : Q194402 VIAF: 27081216 ISNI: 0000 0001 0881 5237 ULAN: 500004539 LCCN: n84168483 NLA: 35449606 WorldCat 540 Samuel whitbread 1720-1796 by joshua reynolds
RM2HH9XG5–Design for a Chimneypiece 1740–1800 Sir William Chambers British, born Sweden. Design for a Chimneypiece. Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London). 1740–1800. Pen and ink
RMKNRHMP–Design for a Chimneypiece, Incorporating a Portrait of George III. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London);
RM2B6TWR5–Hoge balustervaas met twee leeuwenmaskers Hoge, baluster-vormige vaas van porselein, bedekt met een doorschijnend crèmekleurig glazuur. De vaas heeft een korte nek met spreidende wand en aan weerszijden van het lichaam een leeuwenmasker. Ongeglazuurde onderzijde. Blanc de Chine. Manufacturer : pottenbakker: anoniemPlaats manufacture: China Dating: ca. 1700 - ca. 1799School / stijl: Qing-dynastie (1644-1912) / Kangxi-periode (1662-1722) / Yongzheng-periode (1723-1735) / Qianlong-periode (1736-1795) / Jiaqing-periode (1796-1820) Physical kenmerken: blanc de Chine-porselein Material: porselein gl
RM2A2W2CG–Christ at the Column, Attributed to Caspicara (Manuel Chili) (Ecuadorian, 1723-1796), second half of 18th century, polychromed wood, inlaid glass eyes, height 16-1/4 in. (without base), European Painting and Sculpture Before 1800
RF2HW6EPN–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA9D9B–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RF2HF4N7M–Schloss Benrath, erbaut wurde es von 1755 bis 1773 unter der Leitung von Nicolas de Pigage (1723–1796) im Auftrag des Kurfürsten Karl Theodor von der
RMMMW120–. Cornelia (Lady Cockburn) and her Children 1792 after Joshua Reynolds 1775, en:Augusta Anne Ayscough, Daughter of Rev. Francis Ayscough, Dean of Bristol; married 1796 to w:Sir James Cockburn, 8th Baronet, M.P. for Peebles. . 1792. Charles Wilkin (circa 1750–1814) Description English engraver and painter father of Francis William Wilkin Date of birth/death 1750 28 May 1814 Location of birth/death London London Work location London Authority control : Q5083528 VIAF:?4462117 ULAN:?500027543 BNE:?XX5449582 RKD:?84549 After Joshua Reynolds (1723–1792) Description British pa
RM2HH90XC–Design for a Chimneypiece 1740–1800 Sir William Chambers British, born Sweden. Design for a Chimneypiece. Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London). 1740–1800. Pen and ink
RMKNRN4C–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London); Date: 1740-1800; Medium: Pen, ink, wash;
RM2B6TWPB–Hoge balustervaas met twee leeuwenmaskers Hoge, baluster-vormige vaas van porselein, bedekt met een doorschijnend crèmekleurig glazuur. De vaas heeft een korte nek met spreidende wand en aan weerszijden van het lichaam een leeuwenmasker. Ongeglazuurde onderzijde. Blanc de Chine. Manufacturer : pottenbakker: anoniemPlaats manufacture: China Dating: ca. 1700 - ca. 1799School / stijl: Qing-dynastie (1644-1912) / Kangxi-periode (1662-1722) / Yongzheng-periode (1723-1735) / Qianlong-periode (1736-1795) / Jiaqing-periode (1796-1820) Physical kenmerken: blanc de Chine-porselein Material: porselein gl
RM2A2W2CB–Christ at the Column, Attributed to Caspicara (Manuel Chili) (Ecuadorian, 1723-1796), second half of 18th century, polychromed wood, inlaid glass eyes, height 16-1/4 in. (without base), European Painting and Sculpture Before 1800
RF2HW6EPP–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAM4MT–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RM2HHFX7A–Design for a Chimneypiece 1740–1800 Sir William Chambers British, born Sweden. Design for a Chimneypiece. Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London). 1740–1800. Pen and ink, brush and wash
RMKNRN4F–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London); Date: 1740-1800; Medium: Pen, ink, wash;
RM2B6TWPC–Hoge, slanke vaas van steengoed (Dong-khe-goed/Yiangnan Ding), met een cilindervormig lichaam, naar boven toe iets uitlopend, ronde schouder en spreidende nek met platte rand. Crèmekleurig, gecraqueleerd glazuur. Een chip in de voetring. Monochromen. Manufacturer : pottenbakker: anoniemPlaats manufacture: China Dating: ca. 1700 - ca. 1799School / stijl: Qing-dynastie (1644-1912) / Kangxi-periode (1662-1722) / Yongzheng-periode (1723-1735) / Qianlong-periode (1736-1795) / Jiaqing-periode (1796-1820) Physical kenmerken: steengoed met een crèmekleurig glazuur Material: steengoed glazuur Techniek:
RM2A2W2C9–Christ at the Column, Attributed to Caspicara (Manuel Chili) (Ecuadorian, 1723-1796), second half of 18th century, polychromed wood, inlaid glass eyes, height 16-1/4 in. (without base), European Painting and Sculpture Before 1800
RF2HW6EPG–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPB9R0D–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RM2HHFX72–Design for a Chimneypiece 1740–1800 Sir William Chambers British, born Sweden. Design for a Chimneypiece. Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London). 1740–1800. Pen and ink, brush and wash
RMKNRN4T–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London); Date: 1740-1800; Medium: Pen, ink, wash;
RM2B708JM–Kom met ronde wand en een band krulwerk Kom van soft-paste porselein (pâte tendre), bedekt met een crèmekleurig glazuur. Rond de rand twee ingerifde decoratieve banden, een met arceerwerk en een met krulwerk. Glazuur is licht gecraqueleerd. Monochromen. Manufacturer : pottenbakker: anoniemPlaats manufacture: China Dating: ca. 1700 - ca. 1899School / stijl: Qing-dynastie (1644-1912) / Kangxi-periode (1662-1722) / Yongzheng-periode (1723-1735) / Qianlong-periode (1736-1795) / Jiaqing-periode (1796-1820) Physical kenmerken: soft-paste porselein met een crèmekleurig glazuur Material: porselein sof
RM2A2W2CN–Christ at the Column, Attributed to Caspicara (Manuel Chili) (Ecuadorian, 1723-1796), second half of 18th century, polychromed wood, inlaid glass eyes, height 16-1/4 in. (without base), European Painting and Sculpture Before 1800
RF2HW6EJY–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAT1DA–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RM2HH7KBP–Design for a Chimneypiece 1740–1800 Sir William Chambers British, born Sweden. Design for a Chimneypiece. Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London). 1740–1800. Pen and ink, brush and wash
RMKNRN47–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London); Date: 1740-1800; Medium: Pen, ink, wash;
RM2B708JW–Kom met ronde wand en een band krulwerk Kom van soft-paste porselein (pâte tendre), bedekt met een crèmekleurig glazuur. Rond de rand twee ingegrifde decoratieve banden, één met arceerwerk en één met krulwerk. Glazuur is licht gecraqueleerd. Monochromen. Manufacturer : pottenbakker: anoniemPlaats manufacture: China Dating: ca. 1700 - ca. 1899School / stijl: Qing-dynastie (1644-1912) / Kangxi-periode (1662-1722) / Yongzheng-periode (1723-1735) / Qianlong-periode (1736-1795) / Jiaqing-periode (1796-1820) Physical kenmerken: soft-paste porselein met een crèmekleurig glazuur Material: porselein so
RM2A2W2CP–Christ at the Column, Attributed to Caspicara (Manuel Chili) (Ecuadorian, 1723-1796), second half of 18th century, polychromed wood, inlaid glass eyes, height 16-1/4 in. (without base), European Painting and Sculpture Before 1800
RF2HW6EPX–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAT1E9–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RM2HH7B43–Design for a Chimneypiece 1740–1800 Sir William Chambers British, born Sweden. Design for a Chimneypiece. Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London). 1740–1800. Pen and ink, brush and wash
RMKNRN4N–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London); Date: 1740-1800; Medium: Pen, ink, wash;
RM2B6CGM1–Picture of a shishi Beeld van porselein op voetstuk, bedekt met een doorschijnend wit glazuur. Een shishi (leeuwhond) met de rechterpoot op een bal op een rechthoekig voetstuk; met houder voor een Wie: rookstok. In Europa verguld. Oud label op de onderzijde met 'Collectie Loudon'. Blanc de Chine. Manufacturer : pottenbakker: anoniemPlaats manufacture: China Dating: ca. 1700 - ca. 1799School / stijl: Qing-dynastie (1644-1912) / Kangxi-periode (1662-1722) / Yongzheng-periode (1723-1735) / Qianlong-periode (1736-1795) / Jiaqing-periode (1796-1820) Physical kenmerken: blanc de Chine-porselein Mate
RM2A2W2CD–Christ at the Column, Attributed to Caspicara (Manuel Chili) (Ecuadorian, 1723-1796), second half of 18th century, polychromed wood, inlaid glass eyes, height 16-1/4 in. (without base), European Painting and Sculpture Before 1800
RF2HW6EP2–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPA824J–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.
RM2HH81W5–Chimney Piece 1743–96 Sir William Chambers British, born Sweden. Chimney Piece. Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London). 1743–96. Pen and black ink, brush and gray wash, over graphite
RMKNRN4D–Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London); Date: 1740-1800; Medium: Pen, ink, wash;
RM2B6E11W–Leaf-shaped table on three legs Bladvormige tafel van porselein op drie poten in de vorm van een monsterkop, bedekt met een monochroom turquoise, blauw glazuur. Monochromen. Manufacturer : pottenbakker: anoniemPlaats manufacture: China Dating: ca. 1700 - ca. 1799School / stijl: Qing-dynastie (1644-1912) / Kangxi-periode (1662-1722) / Yongzheng-periode (1723-1735) / Qianlong-periode (1736-1795) / Jiaqing-periode (1796-1820) Physical kenmerken: porselein met een monochroom glazuur Material: porselein glazuur Techniek: vormen / bakken / glazuren Dimensions: h 4,2 cm. blad: l 26,9 cm. × b 19,7 cm
RM2A2W2CF–Christ at the Column, Attributed to Caspicara (Manuel Chili) (Ecuadorian, 1723-1796), second half of 18th century, polychromed wood, inlaid glass eyes, height 16-1/4 in. (without base), European Painting and Sculpture Before 1800
RF2HW6EP5–Art inspired by Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 1723 1796 Stock Photos and Images (1,068)
Page 1 of 11