1691 1760 hi-res stock photography and images

Lady taking tea, Print made by James McArdell, ca. 1729–1765, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, figure study, genre subject, tea Stock Photo

RM2DHX6XG–Lady taking tea, Print made by James McArdell, ca. 1729–1765, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, figure study, genre subject, tea

Art inspired by Collected Manual of Paintings (Gahon zuhen), Edo period (1615–1868), May 1751, Japan, Three woodblock printed books; ink on paper, Each book: 10 1/8 × 7 5/16 in. (25.7 × 18.5 cm), Illustrated Books, Hanabusa Ippō (Japanese, 1691–1760, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9D2A–Art inspired by Collected Manual of Paintings (Gahon zuhen), Edo period (1615–1868), May 1751, Japan, Three woodblock printed books; ink on paper, Each book: 10 1/8 × 7 5/16 in. (25.7 × 18.5 cm), Illustrated Books, Hanabusa Ippō (Japanese, 1691–1760, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Arthur Vansittart (1691–1760). Stock Photo

RM2WGX582–Arthur Vansittart (1691–1760).

Collected Manual of Paintings May 1751 Hanabusa Ippō. Collected Manual of Paintings. Hanabusa Ippō (Japanese, 1691–1760). Japan. May 1751. Three woodblock printed books; ink on paper. Edo period (1615–1868). Illustrated Books Stock Photo

RM2HGWFE0–Collected Manual of Paintings May 1751 Hanabusa Ippō. Collected Manual of Paintings. Hanabusa Ippō (Japanese, 1691–1760). Japan. May 1751. Three woodblock printed books; ink on paper. Edo period (1615–1868). Illustrated Books

Hunting Scene, 18th century, Hanabusa Ippo, Japanese, 1691–1760, Japan, Pair of six-panel screens, ink, colors, and gold on paper, Painting: 156.0 x 371.0 cm (61 7/16 x 146 in.), Hunting Scene, 18th century, Hanabusa Ippo, Japanese, 1691-1760, Japan, Pair of six-panel screens, ink, colors, and gold on paper, Painting: 156.0 x 371.0 cm (61 7/16 x 146 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revol Stock Photo

RF2B8Y530–Hunting Scene, 18th century, Hanabusa Ippo, Japanese, 1691–1760, Japan, Pair of six-panel screens, ink, colors, and gold on paper, Painting: 156.0 x 371.0 cm (61 7/16 x 146 in.), Hunting Scene, 18th century, Hanabusa Ippo, Japanese, 1691-1760, Japan, Pair of six-panel screens, ink, colors, and gold on paper, Painting: 156.0 x 371.0 cm (61 7/16 x 146 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revol

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, Philippe Mercier, 1735. Mezzotint on moderately thick, moderately textured, yellow-cream laid paper. artist , books , bookshelves , canvas , cap , coat , easel , interior , man , paintbrushes , painting , painting (visual work) , palette , portrait , self-portrait , studio (work space) , tassels. Mercier, Philip [formerly Philippe] (1691–1760), painter and etcher Stock Photo

RM2E4791K–Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, Philippe Mercier, 1735. Mezzotint on moderately thick, moderately textured, yellow-cream laid paper. artist , books , bookshelves , canvas , cap , coat , easel , interior , man , paintbrushes , painting , painting (visual work) , palette , portrait , self-portrait , studio (work space) , tassels. Mercier, Philip [formerly Philippe] (1691–1760), painter and etcher

Sophia Dorothea of Celle (1666-1726), with her children Georg August (1683-1760, later King George II of Great Britain) and Sophie Dorothea (1687-1757, later Queen Sophie Dorothea of Prussia), portrait painting in oil on canvas by Jacques Vaillant, 1690-1691 Stock Photo

RM2WJETM5–Sophia Dorothea of Celle (1666-1726), with her children Georg August (1683-1760, later King George II of Great Britain) and Sophie Dorothea (1687-1757, later Queen Sophie Dorothea of Prussia), portrait painting in oil on canvas by Jacques Vaillant, 1690-1691

Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), The Sense of Taste, 1744 to 1747. Oil on canvas. arcades , arches , conversation piece , costume , courtship , dinner , drinking , drinking glasses , exoticism , figs , food , fruit , genre subject , ice cream , interior , Italianate , landscape , leisure , loggia , lovers , meal , men , napkin , peaches , pouring , Rococco style , senses , servant , silverware , slave , table , tablecloth , taste (senses) , wine , women Stock Photo

RM2E46WDR–Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), The Sense of Taste, 1744 to 1747. Oil on canvas. arcades , arches , conversation piece , costume , courtship , dinner , drinking , drinking glasses , exoticism , figs , food , fruit , genre subject , ice cream , interior , Italianate , landscape , leisure , loggia , lovers , meal , men , napkin , peaches , pouring , Rococco style , senses , servant , silverware , slave , table , tablecloth , taste (senses) , wine , women

Robert Clive (1725-1774). First Britain Governor of the Bengal Presidency. Syed Mir Jafar Ali Khan Bahadur (1691-1765). Military general who became the first dependent Nawab of Bengal of the British East India Company. Robert Clive and Mir Jafar after the Battle of Plassey, 1757. Painting by Francis Hayman (1708-1776). Oil on canvas, c. 1760 (100,3 x 127 cm). National Portrait Gallery. London, England, United Kingdom. Stock Photo

RM2DA7Y89–Robert Clive (1725-1774). First Britain Governor of the Bengal Presidency. Syed Mir Jafar Ali Khan Bahadur (1691-1765). Military general who became the first dependent Nawab of Bengal of the British East India Company. Robert Clive and Mir Jafar after the Battle of Plassey, 1757. Painting by Francis Hayman (1708-1776). Oil on canvas, c. 1760 (100,3 x 127 cm). National Portrait Gallery. London, England, United Kingdom.

Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), The Sense of Hearing, 1744 to 1747. Oil on canvas. arcades , cello , child , columns (architectural elements) , conversation piece , costume , earrings , elderly , flute , flutist , genre subject , girl , harpsichord , harpsichordist , hearing , interior , Italianate , listening , music , musical instruments , operas , Rococco style , scores , senses , sonatas , spectacles , violin , violinist , women. Handel, George Frideric (1685–1759), composer Geminiani, Francesco Saverio (1687–1762), composer and music th Stock Photo

RM2E47414–Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), The Sense of Hearing, 1744 to 1747. Oil on canvas. arcades , cello , child , columns (architectural elements) , conversation piece , costume , earrings , elderly , flute , flutist , genre subject , girl , harpsichord , harpsichordist , hearing , interior , Italianate , listening , music , musical instruments , operas , Rococco style , scores , senses , sonatas , spectacles , violin , violinist , women. Handel, George Frideric (1685–1759), composer Geminiani, Francesco Saverio (1687–1762), composer and music th

Francisco Antonio Cagigal de la Vega (1691-1777). Militar español. Gobernador de Cuba (1747-1760). Virrey de la Nueva España. Retrato. Ilustración por Llanta. Litografía. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Tomo Las Antillas, 1871. Stock Photo

RM2BBCA0X–Francisco Antonio Cagigal de la Vega (1691-1777). Militar español. Gobernador de Cuba (1747-1760). Virrey de la Nueva España. Retrato. Ilustración por Llanta. Litografía. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Tomo Las Antillas, 1871.

Francisco Antonio Cagigal de la Vega (Ribamontan al Monte, Cantabria, 1691-Madrid, 1777). Spanish military officer. He was lieutenant general in the royal army and a knight of the Order of Santiago. Governor of Cuba (1747-1760) and viceroy of New Spain (1760). Lithography. Later colouration. Stock Photo

RM2AHHT8H–Francisco Antonio Cagigal de la Vega (Ribamontan al Monte, Cantabria, 1691-Madrid, 1777). Spanish military officer. He was lieutenant general in the royal army and a knight of the Order of Santiago. Governor of Cuba (1747-1760) and viceroy of New Spain (1760). Lithography. Later colouration.

Ludwig VIII Landgraf von Hessen-Darmstadt (1691-1768); 1750-1760 (1750-00-00-1750-00-00);Foreign miniatures, men, portraits, men's portraits, hairstyles, rulers Stock Photo

RM2WP3F0K–Ludwig VIII Landgraf von Hessen-Darmstadt (1691-1768); 1750-1760 (1750-00-00-1750-00-00);Foreign miniatures, men, portraits, men's portraits, hairstyles, rulers

Conférences ecclésiastiques du diocèse d'Angers : tenues dans les années 1709 à 1760 et les suivantes . ffion des bénéfices permu-tés dans le temps déterminé par la règle De publi-candis rejignationibus ; autrement les coUateurs nepeuvent difpofer , H les copermutans ont manquéà prendre pofieirion : cela eft porté par larticle it Jiir les Bénéfices, 173 de lédit des infinuations , de 1691. Suivant la ju.rifprudence du parlement de Paris , fondée fur lé-dit de 1637, la déclaration de 1^46. 8c la décla-ration du II. Mai 1684, dont nous avons rapportéles termes au commencement de cette queftion , Stock Photo

RM2AWK7YC–Conférences ecclésiastiques du diocèse d'Angers : tenues dans les années 1709 à 1760 et les suivantes . ffion des bénéfices permu-tés dans le temps déterminé par la règle De publi-candis rejignationibus ; autrement les coUateurs nepeuvent difpofer , H les copermutans ont manquéà prendre pofieirion : cela eft porté par larticle it Jiir les Bénéfices, 173 de lédit des infinuations , de 1691. Suivant la ju.rifprudence du parlement de Paris , fondée fur lé-dit de 1637, la déclaration de 1^46. 8c la décla-ration du II. Mai 1684, dont nous avons rapportéles termes au commencement de cette queftion ,

Iohannes Carolus Loeffelholzius de Colberg in Zerzabelshof S. C. May. Consiliar. Actual. Coron et Insignium Imp: Custos (...) '. Johann Karl Löffelholz von Kolberg, Nuremberg patrician. Georg Daniel Heumann (1691-1750), Copper Engraver, after: Gabriel Müller (1688-1760), artist Stock Photo

RM2JAFR2M–Iohannes Carolus Loeffelholzius de Colberg in Zerzabelshof S. C. May. Consiliar. Actual. Coron et Insignium Imp: Custos (...) '. Johann Karl Löffelholz von Kolberg, Nuremberg patrician. Georg Daniel Heumann (1691-1750), Copper Engraver, after: Gabriel Müller (1688-1760), artist

Archive image from page 84 of Dictionnaire pour la théorie et. Dictionnaire pour la thÃorie et la pratique du jardinage, et de l'agriculture, par principes, et dÃmontrÃes d'aprÃ¨s la physique des vÃgetaux . dictionnairepour00scha Year: 1767 DICTIONNAIRE ÃTYMOLOGIQUE ET RAISONNÃ SUR JARDINAGEp I BRI, Abri Ã, A BRIE R. Une faut pas dire Abriquer , AbritÃ, comme difent les Jar- diniers qui parlent mal. Un abri cft tout endroit oÃ¹ Ton eft Ã couvert de la pluie. En jardinage , c'eft auffi les endroits oii les plantes font en alTurance contre les A Stock Photo

RMW1D1G1–Archive image from page 84 of Dictionnaire pour la théorie et. Dictionnaire pour la thÃorie et la pratique du jardinage, et de l'agriculture, par principes, et dÃmontrÃes d'aprÃ¨s la physique des vÃgetaux . dictionnairepour00scha Year: 1767 DICTIONNAIRE ÃTYMOLOGIQUE ET RAISONNÃ SUR JARDINAGEp I BRI, Abri Ã, A BRIE R. Une faut pas dire Abriquer , AbritÃ, comme difent les Jar- diniers qui parlent mal. Un abri cft tout endroit oÃ¹ Ton eft Ã couvert de la pluie. En jardinage , c'eft auffi les endroits oii les plantes font en alTurance contre les A

John Milton 1760 Giovanni Battista Cipriani This portrayal of Milton in his prime was engraved to illustrate a 1761 edition of John Toland's 'Life of Milton' then reissued for Francis Blackburne's 'Memoirs of Thomas Hollis' (1780).. John Milton. After William Faithorne the Elder (British, London ca. 1620–1691 London). 1760. Etching. John Milton (British, London 1608–1674 London). Prints Stock Photo

RM2HGTM9C–John Milton 1760 Giovanni Battista Cipriani This portrayal of Milton in his prime was engraved to illustrate a 1761 edition of John Toland's 'Life of Milton' then reissued for Francis Blackburne's 'Memoirs of Thomas Hollis' (1780).. John Milton. After William Faithorne the Elder (British, London ca. 1620–1691 London). 1760. Etching. John Milton (British, London 1608–1674 London). Prints

Saucer-dish with an image of The Arbour, anonymous, c. 1740 - c. 1760 Porcelain bowl with round wall, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. There are two women on the flat and four children play, in the foreground three ducks in a pond and on either side of the arbor with birds; Twelve cartouches with butterflies, flower and fruit branches on the edge of stylized leaves on servetwork with it is saved; A decorative band on the outer edge. Decoration to design by Cornelis Pronk (1691-1754). European performance in email colors. Chinadraughtsman: Netherla Stock Photo

RM2TE0XAW–Saucer-dish with an image of The Arbour, anonymous, c. 1740 - c. 1760 Porcelain bowl with round wall, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. There are two women on the flat and four children play, in the foreground three ducks in a pond and on either side of the arbor with birds; Twelve cartouches with butterflies, flower and fruit branches on the edge of stylized leaves on servetwork with it is saved; A decorative band on the outer edge. Decoration to design by Cornelis Pronk (1691-1754). European performance in email colors. Chinadraughtsman: Netherla

Domestick Employment Washing, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, Sheet: 12 1/8 x 9 3/4in. (30.8 x 24.8cm Stock Photo

RM2DHX5WD–Domestick Employment Washing, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, Sheet: 12 1/8 x 9 3/4in. (30.8 x 24.8cm

The Sense of Sight, Philippe Mercier, 1689 or 1691-1760, Franco-German. Reimagined by Gibon. Classic art with a reimagined Stock Photo

RFRAX181–The Sense of Sight, Philippe Mercier, 1689 or 1691-1760, Franco-German. Reimagined by Gibon. Classic art with a reimagined

Francisco Antonio Cagigal de la Vega (1691-1777). Militar español. Gobernador de Cuba (1747-1760). Virrey de la Nueva España. Retrato, detalle. Ilustración por Llanta. Litografía. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Tomo Las Antillas, 1871. Stock Photo

RM2BBC9XN–Francisco Antonio Cagigal de la Vega (1691-1777). Militar español. Gobernador de Cuba (1747-1760). Virrey de la Nueva España. Retrato, detalle. Ilustración por Llanta. Litografía. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Tomo Las Antillas, 1871.

. A history of Hampshire and the Isle of Wight . abutted; but the em- work with geometrical patterns in wood, painted blueand gold. The chapel parlour adjoining has linen-patternpanelling and a 16th-century fireplace with Purbeckmarble head and jambs, and over it a carved oakmantelpiece dated 1691. The dining-room, openingfrom the parlour, is also panelled in oak, with giltbosses on the panels, from which it took its formername of the Starred parlour. The drawing-room and west drawing-room arehung with crimson and white damask, brought fromItaly about 1760, and from the latter opens south-ward Stock Photo

RM2CE4AY7–. A history of Hampshire and the Isle of Wight . abutted; but the em- work with geometrical patterns in wood, painted blueand gold. The chapel parlour adjoining has linen-patternpanelling and a 16th-century fireplace with Purbeckmarble head and jambs, and over it a carved oakmantelpiece dated 1691. The dining-room, openingfrom the parlour, is also panelled in oak, with giltbosses on the panels, from which it took its formername of the Starred parlour. The drawing-room and west drawing-room arehung with crimson and white damask, brought fromItaly about 1760, and from the latter opens south-ward

Archive image from page 84 of Dictionnaire pour la théorie et. Dictionnaire pour la théorie et la pratique du jardinage, et de l'agriculture, par principes, et démontrées d'après la physique des végetaux . dictionnairepour00scha Year: 1767 DICTIONNAIRE ÉTYMOLOGIQUE ET RAISONNÉ SUR JARDINAGEp I Stock Photo

RMW1D1EB–Archive image from page 84 of Dictionnaire pour la théorie et. Dictionnaire pour la théorie et la pratique du jardinage, et de l'agriculture, par principes, et démontrées d'après la physique des végetaux . dictionnairepour00scha Year: 1767 DICTIONNAIRE ÉTYMOLOGIQUE ET RAISONNÉ SUR JARDINAGEp I

Plate with an image of The Parasol Lady, anonymous, Cornelis Pronk (copy after), c. 1740 - c. 1760 Plate of porcelain, painted in underlaze blue. On the flat a woman by a pond with reeds, gesturing to three birds in front of her on the land, next to the woman a servant who holds a richly decorated parasol over her head; on the wall flower branches interspersed with a medallion; The edge with a honeycomb motif with four cartouches with a woman and four medallions with birds; The back with seven insects. The performance is designed by Cornelis Pronk (1691-1754). European performance in Blauw-Wit Stock Photo

RM2TDWGPP–Plate with an image of The Parasol Lady, anonymous, Cornelis Pronk (copy after), c. 1740 - c. 1760 Plate of porcelain, painted in underlaze blue. On the flat a woman by a pond with reeds, gesturing to three birds in front of her on the land, next to the woman a servant who holds a richly decorated parasol over her head; on the wall flower branches interspersed with a medallion; The edge with a honeycomb motif with four cartouches with a woman and four medallions with birds; The back with seven insects. The performance is designed by Cornelis Pronk (1691-1754). European performance in Blauw-Wit

Her Royal Higness the Princess Carolina, Print made by John Simon, 1675–1755, French, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, Sheet: 18 3/4 x 12in. (47.6 x 30.5cm), portrait, princess Stock Photo

RM2DHX5R5–Her Royal Higness the Princess Carolina, Print made by John Simon, 1675–1755, French, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, Sheet: 18 3/4 x 12in. (47.6 x 30.5cm), portrait, princess

The Sense of Touch, Philippe Mercier, 1689 or 1691-1760, Franco-German. Reimagined by Gibon. Classic art with a reimagined Stock Photo

RFRAX182–The Sense of Touch, Philippe Mercier, 1689 or 1691-1760, Franco-German. Reimagined by Gibon. Classic art with a reimagined

RM2BBC9Y9–Francisco Antonio Cagigal de la Vega (1691-1777). Militar español. Gobernador de Cuba (1747-1760). Virrey de la Nueva España. Retrato. Ilustración por Llanta. Litografía. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Tomo Las Antillas, 1871.

Archive image from page 124 of Dictionnaire pour la théorie et. Dictionnaire pour la théorie et la pratique du jardinage, et de l'agriculture, par principes, et démontrées d'après la physique des végetaux . dictionnairepour00scha Year: 1767 A 41 ne s'attcndriflcnt pas j ou bien on les y pôle de façon qu'on puifle les enlever quand bon lemble. Chacun des curieux peut com- menter ôc combiner la prcfente invention. Ce qui eft de certain , c'eft que, par fon moyen , on garantit les elpaliers des in- fluences malignes de Tair, ôc on évite beau- coup des inconvcniens des paillaflbns or- dinaires. Stock Photo

RMW158CG–Archive image from page 124 of Dictionnaire pour la théorie et. Dictionnaire pour la théorie et la pratique du jardinage, et de l'agriculture, par principes, et démontrées d'après la physique des végetaux . dictionnairepour00scha Year: 1767 A 41 ne s'attcndriflcnt pas j ou bien on les y pôle de façon qu'on puifle les enlever quand bon lemble. Chacun des curieux peut com- menter ôc combiner la prcfente invention. Ce qui eft de certain , c'eft que, par fon moyen , on garantit les elpaliers des in- fluences malignes de Tair, ôc on évite beau- coup des inconvcniens des paillaflbns or- dinaires.

Her Royal Highness, the Princess Amelia, Print made by John Simon, 1675–1755, French, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, Sheet: 17 3/4 x 12in. (45.1 x 30.5cm), portrait, princess Stock Photo

RM2DHX5J2–Her Royal Highness, the Princess Amelia, Print made by John Simon, 1675–1755, French, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, Sheet: 17 3/4 x 12in. (45.1 x 30.5cm), portrait, princess

The Sense of Taste, Philippe Mercier, 1689 or 1691-1760, Franco-German. Reimagined by Gibon. Classic art with a reimagined Stock Photo

RFRAX183–The Sense of Taste, Philippe Mercier, 1689 or 1691-1760, Franco-German. Reimagined by Gibon. Classic art with a reimagined

Roma Antica. After Giovanni Paolo Pannini; Italian, 1691-1765. Date: 1757-1760. Dimensions: 443 x 696 mm. Pen and black ink, watercolor, and brush and gray wash, heightened with touches of white gouache, over graphite, on ivory laid paper, laid down on cream laid card. Origin: Italy. Museum: The Chicago Art Institute. Author: Giovanni Paolo Panini. Stock Photo

RMRXJXP0–Roma Antica. After Giovanni Paolo Pannini; Italian, 1691-1765. Date: 1757-1760. Dimensions: 443 x 696 mm. Pen and black ink, watercolor, and brush and gray wash, heightened with touches of white gouache, over graphite, on ivory laid paper, laid down on cream laid card. Origin: Italy. Museum: The Chicago Art Institute. Author: Giovanni Paolo Panini.

An Unknown Man, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1746, Oil on canvas, Support (PTG): 35 3/4 × 27 3/4 inches (90.8 × 70.5 cm), book, brocade, costume, hat, headpiece, man, pattern, portrait, ruffles Stock Photo

RM2DJ8558–An Unknown Man, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1746, Oil on canvas, Support (PTG): 35 3/4 × 27 3/4 inches (90.8 × 70.5 cm), book, brocade, costume, hat, headpiece, man, pattern, portrait, ruffles

The Sense of Smell, Philippe Mercier, 1689 or 1691-1760, Franco-German. Reimagined by Gibon. Classic art with a reimagined Stock Photo

RFRAX180–The Sense of Smell, Philippe Mercier, 1689 or 1691-1760, Franco-German. Reimagined by Gibon. Classic art with a reimagined

Robert Clive (1725-1774). Militar británico, hombre destacado en la política colonial británica del subcontienente indio. Sayyid Mir Muhammed Jafar Ali Khan, conocido por Mir Jafar (1691-1765), nawab de Bengala. 'Encuentro de Robert Clive con Mir Jafar después de la Batalla de Plassey, 1757'. Pintura realizada por Francis Hayman (1708-1776). Oleo sobre lienzo, h. 1760. National Portrait Gallery. Londres. Inglaterra. Stock Photo

RM2AHBGPP–Robert Clive (1725-1774). Militar británico, hombre destacado en la política colonial británica del subcontienente indio. Sayyid Mir Muhammed Jafar Ali Khan, conocido por Mir Jafar (1691-1765), nawab de Bengala. 'Encuentro de Robert Clive con Mir Jafar después de la Batalla de Plassey, 1757'. Pintura realizada por Francis Hayman (1708-1776). Oleo sobre lienzo, h. 1760. National Portrait Gallery. Londres. Inglaterra.

Oysterinda (Native Meltons), Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), ca. 1756, Mezzotint, Plate: 12 7/8 x 8 7/8in. (32.7 x 22.5cm), figure study, genre subject, oysters Stock Photo

RM2DHY4DG–Oysterinda (Native Meltons), Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), ca. 1756, Mezzotint, Plate: 12 7/8 x 8 7/8in. (32.7 x 22.5cm), figure study, genre subject, oysters

An Unknown Man Signed and dated, lower right: 'Ph. Mercier [Pn?] | anº 1746', Philippe Mercier, 1689 or 1691-1760 reimagined Stock Photo

RFRAWN7E–An Unknown Man Signed and dated, lower right: 'Ph. Mercier [Pn?] | anº 1746', Philippe Mercier, 1689 or 1691-1760 reimagined

Viererleÿ Vorstellungen angenehm-und zierlicher Grundrisse folgender Lustgärten ausser der Residenz-Stadt Wienn.. Designer: Designed by Salomon Kleiner (German, Augsburg 1700/1703-1761 Vienna). Dimensions: Overall: 13 9/16 x 19 5/16 x 13/16 in. (34.5 x 49 x 2 cm). Engraver: Engraved by Johann Gottlieb Thelot (German, active Augsburg, 1708-1760); Engraved by Regensus (active 18th century); Engraved by Georg Daniel Heümann (German, Nuremberg, 1691-1759); Engraved by Johann August Corvinus (German, Leipzig 1683-1738 Augsburg); Engraved by Johann Bernhard Hattinger (German, active 18th century); E Stock Photo

RMPA98G6–Viererleÿ Vorstellungen angenehm-und zierlicher Grundrisse folgender Lustgärten ausser der Residenz-Stadt Wienn.. Designer: Designed by Salomon Kleiner (German, Augsburg 1700/1703-1761 Vienna). Dimensions: Overall: 13 9/16 x 19 5/16 x 13/16 in. (34.5 x 49 x 2 cm). Engraver: Engraved by Johann Gottlieb Thelot (German, active Augsburg, 1708-1760); Engraved by Regensus (active 18th century); Engraved by Georg Daniel Heümann (German, Nuremberg, 1691-1759); Engraved by Johann August Corvinus (German, Leipzig 1683-1738 Augsburg); Engraved by Johann Bernhard Hattinger (German, active 18th century); E

Seated Woman with a Book, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1725, Red chalk and graphite on medium, slightly textured, cream laid paper, Sheet: 12 x 7 7/8 inches (30.5 x 20 cm), book, costume, dress, figure study, reading, satin, seated, woman Stock Photo

RM2DJ5WAD–Seated Woman with a Book, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1725, Red chalk and graphite on medium, slightly textured, cream laid paper, Sheet: 12 x 7 7/8 inches (30.5 x 20 cm), book, costume, dress, figure study, reading, satin, seated, woman

Memorial Portrait of the Actor Nakamura Utaemon IV, 1852, Suiho Henjin, Japanese, 19th century, Japan, Color woodblock print, oban, Hunting Scene, 18th century, Hanabusa Ippo, Japanese, 1691-1760, Pair of six-panel screens, ink, colors, and gold on paper, Painting: 156.0 × 371.0 cm (61 7/16 × 146 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B8XKGN–Memorial Portrait of the Actor Nakamura Utaemon IV, 1852, Suiho Henjin, Japanese, 19th century, Japan, Color woodblock print, oban, Hunting Scene, 18th century, Hanabusa Ippo, Japanese, 1691-1760, Pair of six-panel screens, ink, colors, and gold on paper, Painting: 156.0 × 371.0 cm (61 7/16 × 146 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

The Sense of Taste. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier. Stock Photo

RMPNE9YP–The Sense of Taste. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier.

Sir Edward Hales, Baronet, of Hales Place, Hackington, Kent, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744, Oil on canvas, Support (PTG): 81 1/2 x 51 7/8 inches (207 x 131.8 cm), costume, dog (animal), glove, hunting, man, portrait, rabbit, rifle (long gun), river Stock Photo

RM2DHW8GB–Sir Edward Hales, Baronet, of Hales Place, Hackington, Kent, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744, Oil on canvas, Support (PTG): 81 1/2 x 51 7/8 inches (207 x 131.8 cm), costume, dog (animal), glove, hunting, man, portrait, rabbit, rifle (long gun), river

Corner Cupboard (Encoignure), Carcass and mounts attributed to Jean-Pierre Latz (French, about 1691 - 1754), Marquetry panels attributed to the Workshop of Jean-François Oeben (French, born Germany, 1721 - 1763 (master 1761)), Paris, France, about 1750–1760, White oak veneered with amaranth, sycamore, holly, fruitwood, barberry, boxwood, maple, walnut, and other unidentified woods, gilt-bronze mounts, brass hinges, brass and iron locks and keys, brèche d'Alep top, 97.2 × 85.7 × 58.7 cm (38 1/4 × 33 3/4 × 23 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light Stock Photo

RF2B970HR–Corner Cupboard (Encoignure), Carcass and mounts attributed to Jean-Pierre Latz (French, about 1691 - 1754), Marquetry panels attributed to the Workshop of Jean-François Oeben (French, born Germany, 1721 - 1763 (master 1761)), Paris, France, about 1750–1760, White oak veneered with amaranth, sycamore, holly, fruitwood, barberry, boxwood, maple, walnut, and other unidentified woods, gilt-bronze mounts, brass hinges, brass and iron locks and keys, brèche d'Alep top, 97.2 × 85.7 × 58.7 cm (38 1/4 × 33 3/4 × 23 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light

The Sense of Sight. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier. Stock Photo

RMPNCGTB–The Sense of Sight. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier.

The Sense of Sight, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), column (architectural element), conversation piece, costume, genre subject, girls, globe (cartographic sphere), Italianate, landscape, magnifying glass, man, map, mirror, Rococco style, senses, sight, telescope, women Stock Photo

RM2DHW9BR–The Sense of Sight, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), column (architectural element), conversation piece, costume, genre subject, girls, globe (cartographic sphere), Italianate, landscape, magnifying glass, man, map, mirror, Rococco style, senses, sight, telescope, women

RM2A2K2J2–Hunting Scene, 18th century, Hanabusa Ippo, Japanese, 1691–1760, Japan, Pair of six-panel screens, ink, colors, and gold on paper, Painting: 156.0 x 371.0 cm (61 7/16 x 146 in.), Hunting Scene, 18th century, Hanabusa Ippo, Japanese, 1691-1760, Japan, Pair of six-panel screens, ink, colors, and gold on paper, Painting: 156.0 x 371.0 cm (61 7/16 x 146 in

The Masqueraders, Print made by John Simon, 1675–1755, French, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 10 1/16 × 13 3/4 inches (25.6 × 34.9 cm) and Image: 9 3/16 × 13 5/8 inches (23.3 × 34.6 cm), figure study, genre subject, priests Stock Photo

RM2DHX2NG–The Masqueraders, Print made by John Simon, 1675–1755, French, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 10 1/16 × 13 3/4 inches (25.6 × 34.9 cm) and Image: 9 3/16 × 13 5/8 inches (23.3 × 34.6 cm), figure study, genre subject, priests

Plate with an image of The Parasol Lady, Porcelain plate, painted in underglaze blue. On the flat a lady by a pond with reeds gesturing to three birds in front of her on the land, next to the lady a servant who holds a richly decorated parasol above her head, on the wall flower branches alternated with a medallion, the border with a honeycomb motif containing four cartouches with a lady and four medallions with birds, the back with seven insects. The show is designed by Cornelis Pronk (1691-1754). European representation in blue and white., anonymous, Netherlands, c. 1740 - c. 1760, Qing-dynas Stock Photo

RF2B999F5–Plate with an image of The Parasol Lady, Porcelain plate, painted in underglaze blue. On the flat a lady by a pond with reeds gesturing to three birds in front of her on the land, next to the lady a servant who holds a richly decorated parasol above her head, on the wall flower branches alternated with a medallion, the border with a honeycomb motif containing four cartouches with a lady and four medallions with birds, the back with seven insects. The show is designed by Cornelis Pronk (1691-1754). European representation in blue and white., anonymous, Netherlands, c. 1740 - c. 1760, Qing-dynas

The Sense of Hearing. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier. Stock Photo

RMPNDY8N–The Sense of Hearing. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier.

Night, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1758, Mezzotint on thin, slightly textured, cream laid paper, Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm) and Image: 12 3/4 × 10 inches (32.4 × 25.4 cm), costume, figure study, genre subject Stock Photo

RM2DHX0YH–Night, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1758, Mezzotint on thin, slightly textured, cream laid paper, Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm) and Image: 12 3/4 × 10 inches (32.4 × 25.4 cm), costume, figure study, genre subject

The Sense of Hearing The Sense of Sound Signed, lower right: 'Ph. Mercier fecit.', Philippe Mercier, 1689 or 1691- reimagined Stock Photo

RFRAWKNC–The Sense of Hearing The Sense of Sound Signed, lower right: 'Ph. Mercier fecit.', Philippe Mercier, 1689 or 1691- reimagined

The Sense of Smell. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier. Stock Photo

RMPNC44T–The Sense of Smell. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier.

The Seamstress, Print made by Richard Purcell, active 1746–1766, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/8 × 10 inches (35.9 × 25.4 cm) and Image: 12 5/16 × 9 7/8 inches (31.3 × 25.1 cm), figure study, genre subject, seamstress Stock Photo

RM2DHX2A2–The Seamstress, Print made by Richard Purcell, active 1746–1766, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/8 × 10 inches (35.9 × 25.4 cm) and Image: 12 5/16 × 9 7/8 inches (31.3 × 25.1 cm), figure study, genre subject, seamstress

Saucer-dish with an image of The Arbor, Porcelain dish with round wall, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. There are two Chinese ladies on the shelf under a gazebo and four children are playing around the gazebo, in the foreground three ducks in a pond and on both sides of the gazebo are planting with birds, stylized leaves on the edge on napkin work with twelve cartouches with butterflies, flower and fruit branches saved in it, a decorative band on the outside edge. Decoration after a design by Cornelis Pronk (1691-1754). European representation in Stock Photo

RF2B99451–Saucer-dish with an image of The Arbor, Porcelain dish with round wall, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. There are two Chinese ladies on the shelf under a gazebo and four children are playing around the gazebo, in the foreground three ducks in a pond and on both sides of the gazebo are planting with birds, stylized leaves on the edge on napkin work with twelve cartouches with butterflies, flower and fruit branches saved in it, a decorative band on the outside edge. Decoration after a design by Cornelis Pronk (1691-1754). European representation in

The Sense of Touch. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier. Stock Photo

RMPNDP38–The Sense of Touch. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier.

Evening, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1758, Mezzotint on thin, slightly textured, cream laid paper, Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm) and Image: 12 5/8 × 10 inches (32.1 × 25.4 cm), arch, costume, dress, figure study, genre subject Stock Photo

RM2DHX0YE–Evening, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1758, Mezzotint on thin, slightly textured, cream laid paper, Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm) and Image: 12 5/8 × 10 inches (32.1 × 25.4 cm), arch, costume, dress, figure study, genre subject

Sir Edward Hales, Baronet, of Hales Place, Hackington, Kent. Date/Period: 1744. Painting. Oil on canvas. Height: 2,070 mm (81.49 in); Width: 1,318 mm (51.88 in). Author: Philippe Mercier. Stock Photo

RMPNE003–Sir Edward Hales, Baronet, of Hales Place, Hackington, Kent. Date/Period: 1744. Painting. Oil on canvas. Height: 2,070 mm (81.49 in); Width: 1,318 mm (51.88 in). Author: Philippe Mercier.

Morning, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1758, Mezzotint on thin, slightly textured, cream laid paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm) and Image: 12 1/2 × 9 7/8 inches (31.8 × 25.1 cm), bed, breakfast, cups, food, genre subject, meal, morning, tea Stock Photo

RM2DHX0YK–Morning, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1758, Mezzotint on thin, slightly textured, cream laid paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm) and Image: 12 1/2 × 9 7/8 inches (31.8 × 25.1 cm), bed, breakfast, cups, food, genre subject, meal, morning, tea

An Unknown Man. Date/Period: 1746. Painting. Oil on canvas. Height: 933 mm (36.73 in); Width: 718 mm (28.26 in). Author: Philippe Mercier. Stock Photo

RMPNEAFN–An Unknown Man. Date/Period: 1746. Painting. Oil on canvas. Height: 933 mm (36.73 in); Width: 718 mm (28.26 in). Author: Philippe Mercier.

The Sense of Touch, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), bleeding, blood, cat (domestic cat), child, Chinese, Chinese vases, conversation piece, costume, feathers, feeling, fireplace, fur, genre subject, girl, heat, interior, landscape, lovers, mantels, men, oval, pain, paintings, senses, touch, vases, women Stock Photo

RM2DHWA0E–The Sense of Touch, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), bleeding, blood, cat (domestic cat), child, Chinese, Chinese vases, conversation piece, costume, feathers, feeling, fireplace, fur, genre subject, girl, heat, interior, landscape, lovers, mantels, men, oval, pain, paintings, senses, touch, vases, women

Correspondence, Print made by Richard Purcell, active 1746–1766, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 1/16 × 10 5/8 inches (33.2 × 27 cm) and Image: 12 3/8 × 10 inches (31.4 × 25.4 cm), bracelet, cameo, figure study, fur, genre subject, inkwell, letter (correspondence), writing Stock Photo

RM2DHX2CP–Correspondence, Print made by Richard Purcell, active 1746–1766, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 1/16 × 10 5/8 inches (33.2 × 27 cm) and Image: 12 3/8 × 10 inches (31.4 × 25.4 cm), bracelet, cameo, figure study, fur, genre subject, inkwell, letter (correspondence), writing

Domestic Employment: Needlework, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), Published by Henry Parker, 1725–1809, British, 1755 to 1760, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm) and Image: 12 1/4 × 9 3/4 inches (31.1 × 24.8 cm), genre subject Stock Photo

RM2DHWY98–Domestic Employment: Needlework, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), Published by Henry Parker, 1725–1809, British, 1755 to 1760, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm) and Image: 12 1/4 × 9 3/4 inches (31.1 × 24.8 cm), genre subject

Noon, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), Published by Robert Sayer, 1725–1794, British, 1758, Mezzotint on thin, slightly textured, cream laid paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm) and Image: 12 1/2 × 9 7/8 inches (31.8 × 25.1 cm), costume, figure study, genre subject, mirror Stock Photo

RM2DHX0YN–Noon, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), Published by Robert Sayer, 1725–1794, British, 1758, Mezzotint on thin, slightly textured, cream laid paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm) and Image: 12 1/2 × 9 7/8 inches (31.8 × 25.1 cm), costume, figure study, genre subject, mirror

The Sense of Hearing, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), arcades, cello, child, columns (architectural elements), conversation piece, costume, earrings, elderly, flute, flutist, genre subject, girl, harpsichord, harpsichordist, hearing, interior, Italianate, listening, music, musical instruments, operas, Rococco style, scores, senses, sonatas, spectacles, violin, violinist, women Stock Photo

RM2DJ430A–The Sense of Hearing, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), arcades, cello, child, columns (architectural elements), conversation piece, costume, earrings, elderly, flute, flutist, genre subject, girl, harpsichord, harpsichordist, hearing, interior, Italianate, listening, music, musical instruments, operas, Rococco style, scores, senses, sonatas, spectacles, violin, violinist, women

The Sense of Smell, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), allegory, basket, birds, botany, conversation piece, costume, dead, dog (animal), flower (plant), flowers (plants), food, fruit, genre subject, hunter, hunting, Italianate, lovers, melons, men, milkmaid, park (grounds), pastoral, rifle (long gun), Rococco style, science, senses, smell, tricorne, women Stock Photo

RM2DHW8X5–The Sense of Smell, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), allegory, basket, birds, botany, conversation piece, costume, dead, dog (animal), flower (plant), flowers (plants), food, fruit, genre subject, hunter, hunting, Italianate, lovers, melons, men, milkmaid, park (grounds), pastoral, rifle (long gun), Rococco style, science, senses, smell, tricorne, women

Love Me, Love My Cat, Print made by James McArdell, ca. 1729–1765, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), ca. 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 12 15/16 × 8 7/8 inches (32.9 × 22.5 cm) and Image: 11 3/8 × 8 7/8 inches (28.9 × 22.5 cm), bonnet, cat (domestic cat), genre subject, love, maid, woman Stock Photo

RM2DHWX5X–Love Me, Love My Cat, Print made by James McArdell, ca. 1729–1765, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), ca. 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 12 15/16 × 8 7/8 inches (32.9 × 22.5 cm) and Image: 11 3/8 × 8 7/8 inches (28.9 × 22.5 cm), bonnet, cat (domestic cat), genre subject, love, maid, woman

Morning, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), Published by Robert Sayer, 1725–1794, British, 1758, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm) and Image: 12 1/2 × 9 7/8 inches (31.8 × 25.1 cm), bed, cups, figure study, food, genre subject, interior, meal, morning, tea, woman Stock Photo

RM2DHX0YB–Morning, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), Published by Robert Sayer, 1725–1794, British, 1758, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm) and Image: 12 1/2 × 9 7/8 inches (31.8 × 25.1 cm), bed, cups, figure study, food, genre subject, interior, meal, morning, tea, woman

The Sense of Taste, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), arcades, arches, conversation piece, costume, courtship, dinner, drinking, drinking glasses, exoticism, figs, food, fruit, genre subject, ice cream, interior, Italianate, landscape, leisure, loggia, lovers, meal, men, napkin, peaches, pouring, Rococco style, senses, servant, silverware, slave, table, tablecloth, taste (senses), wine, women Stock Photo

RM2DHW9P9–The Sense of Taste, Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1744 to 1747, Oil on canvas, Support (PTG): 52 x 60 1/2 inches (132.1 x 153.7 cm), arcades, arches, conversation piece, costume, courtship, dinner, drinking, drinking glasses, exoticism, figs, food, fruit, genre subject, ice cream, interior, Italianate, landscape, leisure, loggia, lovers, meal, men, napkin, peaches, pouring, Rococco style, senses, servant, silverware, slave, table, tablecloth, taste (senses), wine, women

Rural Life, Print made by Richard Purcell, active 1746–1766, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on moderately thick, moderately textured, cream, laid iaper, Sheet: 8 7/8 × 5 7/8 inches (22.5 × 14.9 cm), Plate: 6 × 4 1/2 inches (15.2 × 11.4 cm), and Image: 5 3/8 × 4 7/16 inches (13.7 × 11.3 cm), figure study, genre subject, spinner Stock Photo

RM2DHX2AN–Rural Life, Print made by Richard Purcell, active 1746–1766, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on moderately thick, moderately textured, cream, laid iaper, Sheet: 8 7/8 × 5 7/8 inches (22.5 × 14.9 cm), Plate: 6 × 4 1/2 inches (15.2 × 11.4 cm), and Image: 5 3/8 × 4 7/16 inches (13.7 × 11.3 cm), figure study, genre subject, spinner

Sleepy Maid, Print made by James McArdell, ca. 1729–1765, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm), Plate: 12 15/16 × 8 15/16 inches (32.9 × 22.7 cm), and Image: 11 1/4 × 8 13/16 inches (28.6 × 22.4 cm), figure study, genre subject, plates, servant, sleeping Stock Photo

RM2DHX1DF–Sleepy Maid, Print made by James McArdell, ca. 1729–1765, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm), Plate: 12 15/16 × 8 15/16 inches (32.9 × 22.7 cm), and Image: 11 1/4 × 8 13/16 inches (28.6 × 22.4 cm), figure study, genre subject, plates, servant, sleeping

Mittag, Print made by Johann Simon Negges, 1726–1792, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm), Plate: 13 13/16 × 9 15/16 inches (35.1 × 25.2 cm), and Image: 12 1/8 × 9 3/4 inches (30.8 × 24.8 cm), arch, costume, dress, figure study, genre subject, gloves Stock Photo

RM2DHX1HY–Mittag, Print made by Johann Simon Negges, 1726–1792, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm), Plate: 13 13/16 × 9 15/16 inches (35.1 × 25.2 cm), and Image: 12 1/8 × 9 3/4 inches (30.8 × 24.8 cm), arch, costume, dress, figure study, genre subject, gloves

Miss and her Kitten (Rural Life), Print made by Richard Purcell, active 1746–1766, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 9 1/4 × 6 1/8 inches (23.5 × 15.6 cm), Plate: 6 × 4 1/2 inches (15.2 × 11.4 cm), and Image: 5 1/4 × 4 3/8 inches (13.3 × 11.1 cm), cat (domestic cat), figure study, genre subject Stock Photo

RM2DHX2B8–Miss and her Kitten (Rural Life), Print made by Richard Purcell, active 1746–1766, Irish, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 9 1/4 × 6 1/8 inches (23.5 × 15.6 cm), Plate: 6 × 4 1/2 inches (15.2 × 11.4 cm), and Image: 5 1/4 × 4 3/8 inches (13.3 × 11.1 cm), cat (domestic cat), figure study, genre subject

Domestick Amusement: Playing the Guitar, Print made by James Watson, 1740–1790, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), Published by John Bowles, 1701–1779, British, undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 16 3/16 × 11 1/8 inches (41.1 × 28.3 cm), Plate: 14 × 9 15/16 inches (35.6 × 25.2 cm), and Image: 12 1/2 × 9 15/16 inches (31.8 × 25.2 cm), figure study, genre subject, guitar, leisure, music Stock Photo

RM2DHX3NG–Domestick Amusement: Playing the Guitar, Print made by James Watson, 1740–1790, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), Published by John Bowles, 1701–1779, British, undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 16 3/16 × 11 1/8 inches (41.1 × 28.3 cm), Plate: 14 × 9 15/16 inches (35.6 × 25.2 cm), and Image: 12 1/2 × 9 15/16 inches (31.8 × 25.2 cm), figure study, genre subject, guitar, leisure, music

The Sense of Sight, Philippe Mercier, 1689 or 1691-1760, Franco-German Stock Photo

RMEDYY7K–The Sense of Sight, Philippe Mercier, 1689 or 1691-1760, Franco-German

The Sense of Touch, Philippe Mercier, 1689 or 1691-1760, Franco-German Stock Photo

RMEDYY7P–The Sense of Touch, Philippe Mercier, 1689 or 1691-1760, Franco-German

The Sense of Taste, Philippe Mercier, 1689 or 1691-1760, Franco-German Stock Photo

RMEDYY7M–The Sense of Taste, Philippe Mercier, 1689 or 1691-1760, Franco-German

The Sense of Smell, Philippe Mercier, 1689 or 1691-1760, Franco-German Stock Photo

RMEDYY7C–The Sense of Smell, Philippe Mercier, 1689 or 1691-1760, Franco-German

The Sense of Hearing The Sense of Sound Signed, lower right: 'Ph. Mercier fecit.', Philippe Mercier, 1689 or 1691-1760 Stock Photo

RMEDYW1K–The Sense of Hearing The Sense of Sound Signed, lower right: 'Ph. Mercier fecit.', Philippe Mercier, 1689 or 1691-1760

An Unknown Man Signed and dated, lower right: 'Ph. Mercier [Pn?] | anº 1746', Philippe Mercier, 1689 or 1691-1760, Franco-German Stock Photo

RMEDYYR2–An Unknown Man Signed and dated, lower right: 'Ph. Mercier [Pn?] | anº 1746', Philippe Mercier, 1689 or 1691-1760, Franco-German

The Princess Royal (Princess Ann, eldest daughter of George II), Print made by John Simon, 1675–1755, French, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, Sheet: 18 7/8 x 12in. (47.9 x 30.5cm), portrait, princess Stock Photo

RM2DHX5J5–The Princess Royal (Princess Ann, eldest daughter of George II), Print made by John Simon, 1675–1755, French, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint, Sheet: 18 7/8 x 12in. (47.9 x 30.5cm), portrait, princess

RM2A2JRY3–Memorial Portrait of the Actor Nakamura Utaemon IV, 1852, Suiho Henjin, Japanese, 19th century, Japan, Color woodblock print, oban, Hunting Scene, 18th century, Hanabusa Ippo, Japanese, 1691-1760, Pair of six-panel screens, ink, colors, and gold on paper, Painting: 156.0 × 371.0 cm (61 7/16 × 146 in

Head of a Woman, Study for The Bible Lesson, formerly attributed to Paul Sandby RA, 1731–1809, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), ca. 1743, Graphite with red chalk and black chalk on medium, cream, moderately textured laid paper, Sheet: 6 1/2 x 4 7/8 inches (16.5 x 12.4 cm), bonnet, figure study, head, woman Stock Photo

RM2DJ8KPF–Head of a Woman, Study for The Bible Lesson, formerly attributed to Paul Sandby RA, 1731–1809, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), ca. 1743, Graphite with red chalk and black chalk on medium, cream, moderately textured laid paper, Sheet: 6 1/2 x 4 7/8 inches (16.5 x 12.4 cm), bonnet, figure study, head, woman

Domestic Amusement: Playing on the Guitar, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), ca. 1760, Mezzotint on medium, moderately textured, blued white, laid paper, Sheet: 12 5/8 × 9 13/16 inches (32.1 × 24.9 cm) and Image: 11 11/16 × 9 13/16 inches (29.7 × 24.9 cm), figure study, genre subject, guitar, leisure, music Stock Photo

RM2DHY4DE–Domestic Amusement: Playing on the Guitar, Print made by Richard Houston, ca. 1721–1775, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), ca. 1760, Mezzotint on medium, moderately textured, blued white, laid paper, Sheet: 12 5/8 × 9 13/16 inches (32.1 × 24.9 cm) and Image: 11 11/16 × 9 13/16 inches (29.7 × 24.9 cm), figure study, genre subject, guitar, leisure, music

A Scene in the Recruiting Officer, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 5/8 × 19 5/8 inches (34.6 × 49.8 cm), Plate: 11 × 12 7/8 inches (27.9 × 32.7 cm), and Image: 9 3/4 × 12 3/4 inches (24.8 × 32.4 cm Stock Photo

RM2DHX3T1–A Scene in the Recruiting Officer, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 5/8 × 19 5/8 inches (34.6 × 49.8 cm), Plate: 11 × 12 7/8 inches (27.9 × 32.7 cm), and Image: 9 3/4 × 12 3/4 inches (24.8 × 32.4 cm

A Girl Spinning Thread, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 1/16 x 9 3/16 inches (33.1 x 23.3 cm), Plate: 12 15/16 x 8 15/16 inches (32.9 x 22.7 cm), and Image: 11 3/8 x 8 7/8 inches (28.9 x 22.5 cm), curls, distaff, genre subject, girl, gown, hat, rural, spinning, thread, trees Stock Photo

RM2DHX083–A Girl Spinning Thread, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 1/16 x 9 3/16 inches (33.1 x 23.3 cm), Plate: 12 15/16 x 8 15/16 inches (32.9 x 22.7 cm), and Image: 11 3/8 x 8 7/8 inches (28.9 x 22.5 cm), curls, distaff, genre subject, girl, gown, hat, rural, spinning, thread, trees

Lady with Glass, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 3/8 x 9 9/16 inches (33.9 x 24.3 cm), Plate: 12 13/16 x 8 7/8 inches (32.5 x 22.5 cm), and Image: 11 9/16 x 8 3/4 inches (29.4 x 22.3 cm), bowl, curls, en déshabillé, figure study, genre subject, mirror, nightgown, vanity, woman Stock Photo

RM2DHX085–Lady with Glass, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 3/8 x 9 9/16 inches (33.9 x 24.3 cm), Plate: 12 13/16 x 8 7/8 inches (32.5 x 22.5 cm), and Image: 11 9/16 x 8 3/4 inches (29.4 x 22.3 cm), bowl, curls, en déshabillé, figure study, genre subject, mirror, nightgown, vanity, woman

The Dairymaid's Occupation, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 1/8 x 9 1/8 inches (33.4 x 23.2 cm), Plate: 12 13/16 x 8 7/8 inches (32.6 x 22.5 cm), and Image: 11 5/16 x 8 13/16 inches (28.7 x 22.4 cm), basket, bonnet, butter, cloth, dairymaid, domestic, genre subject, gown, mob cap, peasant, rural, woman Stock Photo

RM2DHX087–The Dairymaid's Occupation, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 1/8 x 9 1/8 inches (33.4 x 23.2 cm), Plate: 12 13/16 x 8 7/8 inches (32.6 x 22.5 cm), and Image: 11 5/16 x 8 13/16 inches (28.7 x 22.4 cm), basket, bonnet, butter, cloth, dairymaid, domestic, genre subject, gown, mob cap, peasant, rural, woman

The Scytheman's Refreshment, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, Published by Robert Sayer, 1725–1794, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), between 1748 and 1756, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 12 15/16 x 9 inches (32.9 x 22.8 cm) and Image: 11 7/16 x 8 7/8 inches (29 x 22.6 cm), bale, boy, breeches (trousers), coat, drinking, figure study, food, genre subject, hay, labor, laborer, man, scythe, tankard Stock Photo

RM2DHX0AD–The Scytheman's Refreshment, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, Published by Robert Sayer, 1725–1794, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), between 1748 and 1756, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 12 15/16 x 9 inches (32.9 x 22.8 cm) and Image: 11 7/16 x 8 7/8 inches (29 x 22.6 cm), bale, boy, breeches (trousers), coat, drinking, figure study, food, genre subject, hay, labor, laborer, man, scythe, tankard

Philippe Mercier, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1735, Mezzotint on moderately thick, moderately textured, yellow-cream laid paper, Sheet: 12 1/4 x 9 7/8 inches (31.1 x 25.1 cm) and Image: 11 9/16 x 9 13/16 inches (29.3 x 24.9 cm), artist, books, bookshelves, canvas, cap, coat, easel, interior, man, paintbrushes, painting, painting (visual work), palette, portrait, self-portrait, studio (work space), tassels Stock Photo

RM2DJ4850–Philippe Mercier, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1735, Mezzotint on moderately thick, moderately textured, yellow-cream laid paper, Sheet: 12 1/4 x 9 7/8 inches (31.1 x 25.1 cm) and Image: 11 9/16 x 9 13/16 inches (29.3 x 24.9 cm), artist, books, bookshelves, canvas, cap, coat, easel, interior, man, paintbrushes, painting, painting (visual work), palette, portrait, self-portrait, studio (work space), tassels

Kitty Clive as Lady Easy in 'The Careless Husband', Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 10 7/8 × 13 inches (27.6 × 33 cm) and Image: 9 3/4 x 12 13/16 inches (24.7 x 32.6 cm), adultery, chairs, cheating, coat, costume, drapery, frill, gowns, husband, interior, literary theme, love, man, play, The Careless Husband, 1704, The Steinkirk Scene, theater (discipline), wife, women Stock Photo

RM2DHX0B5–Kitty Clive as Lady Easy in 'The Careless Husband', Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 10 7/8 × 13 inches (27.6 × 33 cm) and Image: 9 3/4 x 12 13/16 inches (24.7 x 32.6 cm), adultery, chairs, cheating, coat, costume, drapery, frill, gowns, husband, interior, literary theme, love, man, play, The Careless Husband, 1704, The Steinkirk Scene, theater (discipline), wife, women

RM2DJ485N–A Girl Spinning Thread, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 5/16 x 10 1/4 inches (36.4 x 26.1 cm), Plate: 12 13/16 x 8 15/16 inches (32.6 x 22.7 cm), and Image: 11 5/16 x 8 7/8 inches (28.8 x 22.5 cm), curls, distaff, figure study, genre subject, girl, gown, hat, rural, spinning, thread, trees

The Housewife's Employment, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 1/16 x 9 3/16 inches (33.2 x 23.3 cm), Plate: 12 13/16 x 8 15/16 inches (32.5 x 22.7 cm), and Image: 11 5/16 x 8 7/8 inches (28.7 x 22.6 cm), apron, bonnet, butter, cap, churn, curls, domestic, dress, genre subject, labor, peasant, rural, woman, working Stock Photo

RM2DHX07P–The Housewife's Employment, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 1/16 x 9 3/16 inches (33.2 x 23.3 cm), Plate: 12 13/16 x 8 15/16 inches (32.5 x 22.7 cm), and Image: 11 5/16 x 8 7/8 inches (28.7 x 22.6 cm), apron, bonnet, butter, cap, churn, curls, domestic, dress, genre subject, labor, peasant, rural, woman, working

RM2DJ489H–The Housewife's Employment, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 5/16 x 10 3/16 inches (36.3 x 25.8 cm), Plate: 12 7/8 x 8 15/16 inches (32.7 x 22.7 cm), and Image: 11 5/16 x 8 7/8 inches (28.8 x 22.5 cm), apron, bonnet, butter, cap, churn, curls, domestic, dress, figure study, genre subject, labor, peasant, rural, woman, working

Young Male Shearing a Sheep, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm), Plate: 12 13/16 x 8 7/8 inches (32.6 x 22.5 cm), and Image: 11 5/16 x 8 13/16 inches (28.8 x 22.4 cm), agriculture, boy, child, coat, genre subject, labor, laborer, livestock, peasant, rural, shears, sheep, working Stock Photo

RM2DJ489P–Young Male Shearing a Sheep, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm), Plate: 12 13/16 x 8 7/8 inches (32.6 x 22.5 cm), and Image: 11 5/16 x 8 13/16 inches (28.8 x 22.4 cm), agriculture, boy, child, coat, genre subject, labor, laborer, livestock, peasant, rural, shears, sheep, working

A Venetian Courtesan, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 5/16 x 9 5/16 inches (33.8 x 23.7 cm), Plate: 12 7/8 x 8 7/8 inches (32.7 x 22.6 cm), and Image: 11 5/8 x 8 13/16 inches (29.5 x 22.4 cm), courtesan, drapery, earrings, figure study, gesture, gown, Grand Tour, hairpiece, jewels, window sill, woman, Venice Stock Photo

RM2DHX07J–A Venetian Courtesan, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 5/16 x 9 5/16 inches (33.8 x 23.7 cm), Plate: 12 7/8 x 8 7/8 inches (32.7 x 22.6 cm), and Image: 11 5/8 x 8 13/16 inches (29.5 x 22.4 cm), courtesan, drapery, earrings, figure study, gesture, gown, Grand Tour, hairpiece, jewels, window sill, woman, Venice

A School of Boys, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 11 5/16 x 13 7/16 inches (28.7 x 34.2 cm), Plate: 10 7/8 x 12 7/8 inches (27.6 x 32.7 cm), and Image: 9 13/16 x 12 7/8 inches (24.9 x 32.7 cm), books, boys, cap, children, education, genre subject, interior, laughing, man, master, pointing, punishment, reading, satire, school, schoolboys, students, teacher Stock Photo

RM2DHX0AJ–A School of Boys, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 11 5/16 x 13 7/16 inches (28.7 x 34.2 cm), Plate: 10 7/8 x 12 7/8 inches (27.6 x 32.7 cm), and Image: 9 13/16 x 12 7/8 inches (24.9 x 32.7 cm), books, boys, cap, children, education, genre subject, interior, laughing, man, master, pointing, punishment, reading, satire, school, schoolboys, students, teacher

A School of Girls, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 11 5/16 x 13 3/8 inches (28.8 x 34 cm), Plate: 10 7/8 x 12 7/8 inches (27.7 x 32.7 cm), and Image: 9 13/16 x 12 13/16 inches (24.9 x 32.6 cm), books, cravat, dresses, education, genre subject, gesture, girls, hats, inkstand, interior, man, master, quill, satire, school, schoolgirls, teacher, touch Stock Photo

RM2DHX0AF–A School of Girls, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 11 5/16 x 13 3/8 inches (28.8 x 34 cm), Plate: 10 7/8 x 12 7/8 inches (27.7 x 32.7 cm), and Image: 9 13/16 x 12 13/16 inches (24.9 x 32.6 cm), books, cravat, dresses, education, genre subject, gesture, girls, hats, inkstand, interior, man, master, quill, satire, school, schoolgirls, teacher, touch

The Swain's Amusement, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), between 1748 and 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm), Plate: 12 15/16 x 8 7/8 inches (32.8 x 22.5 cm), and Image: 11 3/8 x 8 3/4 inches (28.9 x 22.3 cm), bow (costume accessory), boy, child, costume, drum (musical instrument), fife, figure study, frock coat, genre subject, music, peasant, rural, tricorne, waistcoat Stock Photo

RM2DJ489E–The Swain's Amusement, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), between 1748 and 1756, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm), Plate: 12 15/16 x 8 7/8 inches (32.8 x 22.5 cm), and Image: 11 3/8 x 8 3/4 inches (28.9 x 22.3 cm), bow (costume accessory), boy, child, costume, drum (musical instrument), fife, figure study, frock coat, genre subject, music, peasant, rural, tricorne, waistcoat

The Housewife's Employment, Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, Published by Robert Sayer, 1725–1794, British, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 3/4 x 9 7/8 inches (35 x 25.1 cm), Plate: 12 7/8 x 9 inches (32.7 x 22.8 cm), and Image: 11 5/16 x 8 7/8 inches (28.8 x 22.6 cm), apron, bonnet, butter, cap, churn, curls, domestic, dress, figure study, genre subject, labor, peasant, woman, working Stock Photo

1691 1760 Stock Photos and Images

1691 1760 Stock Photos and Images