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1620 1691 Stock Photos and Images
Albert Cuyp (1620-1691). Three cows in grazing. Black stone and ink wash from China. XVIIth century. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Paturage, Prairie, three 3, cow, XVIIth XVIIth XVII 17th 17th 17th century, animal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-cuyp-1620-1691-three-cows-in-grazing-black-stone-and-ink-wash-from-china-xviith-century-museum-of-fine-arts-of-the-city-of-paris-petit-palais-drawing-paturage-prairie-three-3-cow-xviith-xviith-xvii-17th-17th-17th-century-animal-image596796138.htmlRM2WJXBFP–Albert Cuyp (1620-1691). Three cows in grazing. Black stone and ink wash from China. XVIIth century. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Paturage, Prairie, three 3, cow, XVIIth XVIIth XVII 17th 17th 17th century, animal
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969523.htmlRMEX6KDR–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
King Charles II 1660–70 William Faithorne the Elder. King Charles II. William Faithorne the Elder (British, London ca. 1620–1691 London). 1660–70. Engraving; first state of two. Charles II, King of England, Ireland, Scotland and Wales (British, London 1630–1685 London). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-charles-ii-166070-william-faithorne-the-elder-king-charles-ii-william-faithorne-the-elder-british-london-ca-16201691-london-166070-engraving-first-state-of-two-charles-ii-king-of-england-ireland-scotland-and-wales-british-london-16301685-london-prints-image457772565.htmlRM2HGN9G5–King Charles II 1660–70 William Faithorne the Elder. King Charles II. William Faithorne the Elder (British, London ca. 1620–1691 London). 1660–70. Engraving; first state of two. Charles II, King of England, Ireland, Scotland and Wales (British, London 1630–1685 London). Prints
. English: Mediterranean harbour with merchants, an elegant couple on the quayside, before a statue of Hope and a baroque church in Middelburg (Oostkerk) Harbour View with Oostkerk Middelburg. 1700. Adriaen Verdoel (fl. 1691–1700) Alternative names Adriaen Verdoel (II), Adriaen van Doel (II) Description Dutch painter Date of birth/death 1620 after 1700 Location of birth/death Vlissingen Vlissingen Work period from 1691 until 1700 Work location Middelburg (1695-1696) Authority control : Q1964039 VIAF:?95717500 ULAN:?500006007 BPN:?07212694 RKD:?80159 Adriaen Verdoel - Oostkerk Mi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-mediterranean-harbour-with-merchants-an-elegant-couple-on-the-quayside-before-a-statue-of-hope-and-a-baroque-church-in-middelburg-oostkerk-harbour-view-with-oostkerk-middelburg-1700-adriaen-verdoel-fl-16911700-alternative-names-adriaen-verdoel-ii-adriaen-van-doel-ii-description-dutch-painter-date-of-birthdeath-1620-after-1700-location-of-birthdeath-vlissingen-vlissingen-work-period-from-1691-until-1700-work-location-middelburg-1695-1696-authority-control-q1964039-viaf95717500-ulan500006007-bpn07212694-rkd80159-adriaen-verdoel-oostkerk-mi-image185020820.htmlRMMN0BXC–. English: Mediterranean harbour with merchants, an elegant couple on the quayside, before a statue of Hope and a baroque church in Middelburg (Oostkerk) Harbour View with Oostkerk Middelburg. 1700. Adriaen Verdoel (fl. 1691–1700) Alternative names Adriaen Verdoel (II), Adriaen van Doel (II) Description Dutch painter Date of birth/death 1620 after 1700 Location of birth/death Vlissingen Vlissingen Work period from 1691 until 1700 Work location Middelburg (1695-1696) Authority control : Q1964039 VIAF:?95717500 ULAN:?500006007 BPN:?07212694 RKD:?80159 Adriaen Verdoel - Oostkerk Mi
. Army list . Fenniner, W. M.Fenotilliet, W. G.Fenton, A. A. B. f! h. G. A... G. B.H. G. 0. V. G. B.... G. H. J. C. ... J. N. L.L.... Jj. 8. ... Sir M. M. C. M. P. M. R.C.... R. J.K. Fenw^ick, C. D. A. 0. J. C. P. E. G. B. L. G. C.. Fenw ick-Palmer, RFenwicke-Clennell, Feore, C. A Ferdinando, G. H. P.Fergus, A. M. H. ... 497 1992 iOlOa 850a 102 18.?9, 1971a .Sir A. E. an. .. 1960 U16a 802 1025a 1961 459a 251(( 2111a 2e29a 1497 1634 2042i .l.?91n 13476 2147 1405/ 1406e 1964c 20426 ... 523 569 S0426 268 1585 .... 1737 1492c 14516 ,1822/i 539 ... 1582 1691 1639 2147 1733a 2085 1654 192Ta ... 1620 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/army-list-fenniner-w-mfenotilliet-w-gfenton-a-a-b-f!-h-g-a-g-bh-g-0-v-g-b-g-h-j-c-j-n-ll-jj-8-sir-m-m-c-m-p-m-rc-r-jk-fenwick-c-d-a-0-j-c-p-e-g-b-l-g-c-fenw-ick-palmer-rfenwicke-clennell-feore-c-a-ferdinando-g-h-pfergus-a-m-h-497-1992-ioloa-850a-102-189-1971a-sir-a-e-an-1960-u16a-802-1025a-1961-459a-251-2111a-2e29a-1497-1634-2042i-l91n-13476-2147-1405-1406e-1964c-20426-523-569-s0426-268-1585-1737-1492c-14516-1822i-539-1582-1691-1639-2147-1733a-2085-1654-192ta-1620-image372130887.htmlRM2CHC0MR–. Army list . Fenniner, W. M.Fenotilliet, W. G.Fenton, A. A. B. f! h. G. A... G. B.H. G. 0. V. G. B.... G. H. J. C. ... J. N. L.L.... Jj. 8. ... Sir M. M. C. M. P. M. R.C.... R. J.K. Fenw^ick, C. D. A. 0. J. C. P. E. G. B. L. G. C.. Fenw ick-Palmer, RFenwicke-Clennell, Feore, C. A Ferdinando, G. H. P.Fergus, A. M. H. ... 497 1992 iOlOa 850a 102 18.?9, 1971a .Sir A. E. an. .. 1960 U16a 802 1025a 1961 459a 251(( 2111a 2e29a 1497 1634 2042i .l.?91n 13476 2147 1405/ 1406e 1964c 20426 ... 523 569 S0426 268 1585 .... 1737 1492c 14516 ,1822/i 539 ... 1582 1691 1639 2147 1733a 2085 1654 192Ta ... 1620
Portrait of a man, Jean Petitot, le vieux, 1620 - 1691, Portrait miniature. Reimagined by Gibon. Classic art with a reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-jean-petitot-le-vieux-1620-1691-portrait-miniature-reimagined-by-gibon-classic-art-with-a-reimagined-image230477301.htmlRFRAY445–Portrait of a man, Jean Petitot, le vieux, 1620 - 1691, Portrait miniature. Reimagined by Gibon. Classic art with a reimagined
Albert Jacob Cuyp (1620-1691). Dutch painter. Dordrecht Harbour in Moonlight, ca.1645. Wallraf-Richartz Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-jacob-cuyp-1620-1691-dutch-painter-dordrecht-harbour-in-moonlight-ca1645-wallraf-richartz-museum-cologne-germany-image220373022.htmlRMPPET12–Albert Jacob Cuyp (1620-1691). Dutch painter. Dordrecht Harbour in Moonlight, ca.1645. Wallraf-Richartz Museum. Cologne. Germany.
Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-cows-between-1620-and-1691-etching-printed-in-black-ink-on-laid-paper-plate-2-58-2-78-inches-67-73-cm-image328712101.htmlRM2A2P3HW–Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm
Landscape with a Windmill near a Farmstead, 1642-1644. Aelbert Cuyp (Dutch, 1620-1691). Black chalk and brush and gray wash and yellow watercolor; sheet: 20.8 x 30.8 cm (8 3/16 x 12 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-a-windmill-near-a-farmstead-1642-1644-aelbert-cuyp-dutch-1620-1691-black-chalk-and-brush-and-gray-wash-and-yellow-watercolor-sheet-208-x-308-cm-8-316-x-12-18-in-image240458381.htmlRMRY5R39–Landscape with a Windmill near a Farmstead, 1642-1644. Aelbert Cuyp (Dutch, 1620-1691). Black chalk and brush and gray wash and yellow watercolor; sheet: 20.8 x 30.8 cm (8 3/16 x 12 1/8 in
King Charles I ca. 1658 William Faithorne the Elder. King Charles I. ca. 1658. Engraving; first state of two. William Faithorne the Elder (British, London ca. 1620–1691 London). Charles I, King of England, Scotland, Wales and Ireland (British, Dunfermline, Scotland 1600–1649 London). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-charles-i-ca-1658-william-faithorne-the-elder-king-charles-i-ca-1658-engraving-first-state-of-two-william-faithorne-the-elder-british-london-ca-16201691-london-charles-i-king-of-england-scotland-wales-and-ireland-british-dunfermline-scotland-16001649-london-prints-image457772552.htmlRM2HGN9FM–King Charles I ca. 1658 William Faithorne the Elder. King Charles I. ca. 1658. Engraving; first state of two. William Faithorne the Elder (British, London ca. 1620–1691 London). Charles I, King of England, Scotland, Wales and Ireland (British, Dunfermline, Scotland 1600–1649 London). Prints
Aelbert Cuyp, Dutch, 1620-1691, Landscape with Maid Milking a Cow, c. 1655, oil on canvas, Framed: 49 inches × 62 1/8 inches × 3 5/8 inches (124.5 × 157.8 × 9.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-landscape-with-maid-milking-a-cow-c-1655-oil-on-canvas-framed-49-inches-62-18-inches-3-58-inches-1245-1578-92-cm-image328737507.htmlRM2A2R817–Aelbert Cuyp, Dutch, 1620-1691, Landscape with Maid Milking a Cow, c. 1655, oil on canvas, Framed: 49 inches × 62 1/8 inches × 3 5/8 inches (124.5 × 157.8 × 9.2 cm
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969509.htmlRMEX6KD9–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
Portrait of a man, Jean Petitot, le vieux, 1620 - 1691, Portrait miniature. Reimagined by Gibon. Classic art with a reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-jean-petitot-le-vieux-1620-1691-portrait-miniature-reimagined-by-gibon-classic-art-with-a-reimagined-image230477300.htmlRFRAY444–Portrait of a man, Jean Petitot, le vieux, 1620 - 1691, Portrait miniature. Reimagined by Gibon. Classic art with a reimagined
Boats Caught in a Storm, About 1640-1650, Aelbrecht CUYP, Dordrecht (Pays-Bas), 1620 - 1691, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boats-caught-in-a-storm-about-1640-1650-aelbrecht-cuyp-dordrecht-pays-bas-1620-1691-muse-du-louvre-paris-france-image623472235.htmlRM2Y69H5F–Boats Caught in a Storm, About 1640-1650, Aelbrecht CUYP, Dordrecht (Pays-Bas), 1620 - 1691, Musée du Louvre, Paris, France.
Portrait of Charles II late 17th–early 18th century After a painting by John Baptist Gaspars. Portrait of Charles II. After a painting by John Baptist Gaspars (Flemish, Antwerp ca. 1620–1691 London). British. late 17th–early 18th century. Silk on canvas. Textiles-Embroidered Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-charles-ii-late-17thearly-18th-century-after-a-painting-by-john-baptist-gaspars-portrait-of-charles-ii-after-a-painting-by-john-baptist-gaspars-flemish-antwerp-ca-16201691-london-british-late-17thearly-18th-century-silk-on-canvas-textiles-embroidered-image457898930.htmlRM2HGY2N6–Portrait of Charles II late 17th–early 18th century After a painting by John Baptist Gaspars. Portrait of Charles II. After a painting by John Baptist Gaspars (Flemish, Antwerp ca. 1620–1691 London). British. late 17th–early 18th century. Silk on canvas. Textiles-Embroidered
Aelbert Cuyp, Dutch, 1620-1691, Two Cows with Boats in Right Background, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-two-cows-with-boats-in-right-background-between-1620-and-1691-etching-printed-in-black-ink-on-laid-paper-plate-2-58-2-78-inches-67-73-cm-image328712094.htmlRM2A2P3HJ–Aelbert Cuyp, Dutch, 1620-1691, Two Cows with Boats in Right Background, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm
Albert Cuyp (1620-1691). Three cows on a bridge. Black stone, ink of China, ink wash and bistre wash. XVIIth century. Museum of Fine Arts of the City of Paris, Petit Palais. Shepherd, drawing, water, three 3, cow, XVIIth 17th XVII 17th 17th 17th century, animal, bridge Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-cuyp-1620-1691-three-cows-on-a-bridge-black-stone-ink-of-china-ink-wash-and-bistre-wash-xviith-century-museum-of-fine-arts-of-the-city-of-paris-petit-palais-shepherd-drawing-water-three-3-cow-xviith-17th-xvii-17th-17th-17th-century-animal-bridge-image596791933.htmlRM2WJX65H–Albert Cuyp (1620-1691). Three cows on a bridge. Black stone, ink of China, ink wash and bistre wash. XVIIth century. Museum of Fine Arts of the City of Paris, Petit Palais. Shepherd, drawing, water, three 3, cow, XVIIth 17th XVII 17th 17th 17th century, animal, bridge
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969515.htmlRMEX6KDF–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
John Milton 1760 Giovanni Battista Cipriani This portrayal of Milton in his prime was engraved to illustrate a 1761 edition of John Toland's 'Life of Milton' then reissued for Francis Blackburne's 'Memoirs of Thomas Hollis' (1780).. John Milton. After William Faithorne the Elder (British, London ca. 1620–1691 London). 1760. Etching. John Milton (British, London 1608–1674 London). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-milton-1760-giovanni-battista-cipriani-this-portrayal-of-milton-in-his-prime-was-engraved-to-illustrate-a-1761-edition-of-john-tolands-life-of-milton-then-reissued-for-francis-blackburnes-memoirs-of-thomas-hollis-1780-john-milton-after-william-faithorne-the-elder-british-london-ca-16201691-london-1760-etching-john-milton-british-london-16081674-london-prints-image457846856.htmlRM2HGTM9C–John Milton 1760 Giovanni Battista Cipriani This portrayal of Milton in his prime was engraved to illustrate a 1761 edition of John Toland's 'Life of Milton' then reissued for Francis Blackburne's 'Memoirs of Thomas Hollis' (1780).. John Milton. After William Faithorne the Elder (British, London ca. 1620–1691 London). 1760. Etching. John Milton (British, London 1608–1674 London). Prints
A View of the Maas at Dordrecht, Aelbert Cuyp, Dutch, 1620 - 1691, about 1645 - 1646, Oil on panel, Unframed: 50.2 x reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-maas-at-dordrecht-aelbert-cuyp-dutch-1620-1691-about-1645-1646-oil-on-panel-unframed-502-x-reimagined-image230458526.htmlRFRAX85J–A View of the Maas at Dordrecht, Aelbert Cuyp, Dutch, 1620 - 1691, about 1645 - 1646, Oil on panel, Unframed: 50.2 x reimagined
Albert Jacob Cuyp (1620-1691). Dutch painter. Dordrecht Harbour in Moonlight, ca.1645. Detail. Wallraf-Richartz Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albert-jacob-cuyp-1620-1691-dutch-painter-dordrecht-harbour-in-moonlight-ca1645-detail-wallraf-richartz-museum-cologne-germany-image220372920.htmlRMPPERWC–Albert Jacob Cuyp (1620-1691). Dutch painter. Dordrecht Harbour in Moonlight, ca.1645. Detail. Wallraf-Richartz Museum. Cologne. Germany.
Panoramic View of Dordrecht and the River Maas, Aelbert Cuyp (Dutch, 1620 - 1691), Netherlands, about 1645–1652, Brush and dark brown ink with grey wash and ochre watercolor heightened with gum arabic over black chalk, 15.9 × 50.5 cm (6 1/4 × 19 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panoramic-view-of-dordrecht-and-the-river-maas-aelbert-cuyp-dutch-1620-1691-netherlands-about-16451652-brush-and-dark-brown-ink-with-grey-wash-and-ochre-watercolor-heightened-with-gum-arabic-over-black-chalk-159-505-cm-6-14-19-78-in-image261305844.htmlRMW53E7G–Panoramic View of Dordrecht and the River Maas, Aelbert Cuyp (Dutch, 1620 - 1691), Netherlands, about 1645–1652, Brush and dark brown ink with grey wash and ochre watercolor heightened with gum arabic over black chalk, 15.9 × 50.5 cm (6 1/4 × 19 7/8 in
Travelers in Hilly Countryside, c. 1650. Aelbert Cuyp (Dutch, 1620-1691). Oil on wood; framed: 70.8 x 96.6 x 9 cm (27 7/8 x 38 1/16 x 3 9/16 in.); unframed: 48 x 74.5 cm (18 7/8 x 29 5/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/travelers-in-hilly-countryside-c-1650-aelbert-cuyp-dutch-1620-1691-oil-on-wood-framed-708-x-966-x-9-cm-27-78-x-38-116-x-3-916-in-unframed-48-x-745-cm-18-78-x-29-516-in-image240416176.htmlRMRY3W80–Travelers in Hilly Countryside, c. 1650. Aelbert Cuyp (Dutch, 1620-1691). Oil on wood; framed: 70.8 x 96.6 x 9 cm (27 7/8 x 38 1/16 x 3 9/16 in.); unframed: 48 x 74.5 cm (18 7/8 x 29 5/16 in
John Milton 1670 William Faithorne the Elder In this half-length portrait within an oval frame, the poet is shown at the age of sixty-two, wearing a white collar and dark cloak.. John Milton. 1670. Engraving; second state of three. William Faithorne the Elder (British, London ca. 1620–1691 London). John Milton (British, London 1608–1674 London). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-milton-1670-william-faithorne-the-elder-in-this-half-length-portrait-within-an-oval-frame-the-poet-is-shown-at-the-age-of-sixty-two-wearing-a-white-collar-and-dark-cloak-john-milton-1670-engraving-second-state-of-three-william-faithorne-the-elder-british-london-ca-16201691-london-john-milton-british-london-16081674-london-prints-image457772567.htmlRM2HGN9G7–John Milton 1670 William Faithorne the Elder In this half-length portrait within an oval frame, the poet is shown at the age of sixty-two, wearing a white collar and dark cloak.. John Milton. 1670. Engraving; second state of three. William Faithorne the Elder (British, London ca. 1620–1691 London). John Milton (British, London 1608–1674 London). Prints
Aelbert Cuyp, (artist), Dutch, 1620 - 1691, River Landscape with Cows, 1645/1650, oil on panel, overall: 68 x 90.2 cm (26 3/4 x 35 1/2 in.), framed: 91.1 x 112.7 x 5.1 cm (35 7/8 x 44 3/8 x 2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-artist-dutch-1620-1691-river-landscape-with-cows-16451650-oil-on-panel-overall-68-x-902-cm-26-34-x-35-12-in-framed-911-x-1127-x-51-cm-35-78-x-44-38-x-2-in-image386257717.htmlRM2DCBFJD–Aelbert Cuyp, (artist), Dutch, 1620 - 1691, River Landscape with Cows, 1645/1650, oil on panel, overall: 68 x 90.2 cm (26 3/4 x 35 1/2 in.), framed: 91.1 x 112.7 x 5.1 cm (35 7/8 x 44 3/8 x 2 in
Travelers in Hilly Countryside, c. 1650. Aelbert Cuyp (Dutch, 1620-1691). Oil on wood; framed: 70.8 x 96.6 x 9 cm (27 7/8 x 38 1/16 x 3 9/16 in.); unframed: 48 x 74.5 cm (18 7/8 x 29 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/travelers-in-hilly-countryside-c-1650-aelbert-cuyp-dutch-1620-1691-oil-on-wood-framed-708-x-966-x-9-cm-27-78-x-38-116-x-3-916-in-unframed-48-x-745-cm-18-78-x-29-516-in-image448095004.htmlRM2H10DN0–Travelers in Hilly Countryside, c. 1650. Aelbert Cuyp (Dutch, 1620-1691). Oil on wood; framed: 70.8 x 96.6 x 9 cm (27 7/8 x 38 1/16 x 3 9/16 in.); unframed: 48 x 74.5 cm (18 7/8 x 29 5/16 in.).
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969521.htmlRMEX6KDN–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
A Milkmaid, Aelbert Cuyp (Dutch, 1620 - 1691), about 1642 - 1646, Black chalk, graphite, gray wash, 12.1 x 14.8 cm (4 reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-milkmaid-aelbert-cuyp-dutch-1620-1691-about-1642-1646-black-chalk-graphite-gray-wash-121-x-148-cm-4-reimagined-image230209137.htmlRFRAEX2W–A Milkmaid, Aelbert Cuyp (Dutch, 1620 - 1691), about 1642 - 1646, Black chalk, graphite, gray wash, 12.1 x 14.8 cm (4 reimagined
Aelbert Cuyp (1620-1691). Dutch painter. Dutch Golden Age. Portrait of a man. The Netherlands, 1650. Oil on wood. National Museum. Gdansk. Poland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-1620-1691-dutch-painter-dutch-golden-age-portrait-of-a-man-the-netherlands-1650-oil-on-wood-national-museum-gdansk-poland-image211072896.htmlRMP7B5HM–Aelbert Cuyp (1620-1691). Dutch painter. Dutch Golden Age. Portrait of a man. The Netherlands, 1650. Oil on wood. National Museum. Gdansk. Poland.
Aelbert Cuyp, (artist), Dutch, 1620 - 1691, Horsemen and Herdsmen with Cattle, 1655/1660, oil on canvas, overall: 120 x 171.5 cm (47 1/4 x 67 1/2 in.), framed: 164.2 x 214.3 x 17.2 cm (64 5/8 x 84 3/8 x 6 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-artist-dutch-1620-1691-horsemen-and-herdsmen-with-cattle-16551660-oil-on-canvas-overall-120-x-1715-cm-47-14-x-67-12-in-framed-1642-x-2143-x-172-cm-64-58-x-84-38-x-6-34-in-image386211848.htmlRM2DC9D48–Aelbert Cuyp, (artist), Dutch, 1620 - 1691, Horsemen and Herdsmen with Cattle, 1655/1660, oil on canvas, overall: 120 x 171.5 cm (47 1/4 x 67 1/2 in.), framed: 164.2 x 214.3 x 17.2 cm (64 5/8 x 84 3/8 x 6 3/4 in
Print made by William Faithorne, ca. 1620–1691, British, Sir Thomas Fairfax, ca. 1646. Etching on medium, slightly textured, cream laid paper. armed forces , armour , army , baron , beard , collar , curls , gaze , general , knights , man , moustache , nobleman , oval , parliament , portrait , posing , solemn. Fairfax, Thomas, 3rd Baron Fairfax (1612 - 1671), General of the Parliamentary army Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-william-faithorne-ca-16201691-british-sir-thomas-fairfax-ca-1646-etching-on-medium-slightly-textured-cream-laid-paper-armed-forces-armour-army-baron-beard-collar-curls-gaze-general-knights-man-moustache-nobleman-oval-parliament-portrait-posing-solemn-fairfax-thomas-3rd-baron-fairfax-1612-1671-general-of-the-parliamentary-army-image398458010.htmlRM2E47976–Print made by William Faithorne, ca. 1620–1691, British, Sir Thomas Fairfax, ca. 1646. Etching on medium, slightly textured, cream laid paper. armed forces , armour , army , baron , beard , collar , curls , gaze , general , knights , man , moustache , nobleman , oval , parliament , portrait , posing , solemn. Fairfax, Thomas, 3rd Baron Fairfax (1612 - 1671), General of the Parliamentary army
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969520.htmlRMEX6KDM–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
River landscape with anglers in a boat, around 1640/45, oil on oak, 21.5 x 28.5 cm, unsigned, Aelbert Cuyp, Dordrecht 1620–1691 Dordrecht, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/river-landscape-with-anglers-in-a-boat-around-164045-oil-on-oak-215-x-285-cm-unsigned-aelbert-cuyp-dordrecht-16201691-dordrecht-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349802312.htmlRF2B92TBM–River landscape with anglers in a boat, around 1640/45, oil on oak, 21.5 x 28.5 cm, unsigned, Aelbert Cuyp, Dordrecht 1620–1691 Dordrecht, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
'Pâturage avec deux vaches', Aelbert Cuyp, 1620-1691, Petit Palais Musée des Beaux Arts de la Ville de Paris, France, Europe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pturage-avec-deux-vaches-aelbert-cuyp-1620-1691-petit-palais-muse-des-beaux-arts-de-la-ville-de-paris-france-europe-image602132438.htmlRM2WYHE1X–'Pâturage avec deux vaches', Aelbert Cuyp, 1620-1691, Petit Palais Musée des Beaux Arts de la Ville de Paris, France, Europe.
Aelbert Cuyp, (artist), Dutch, 1620 - 1691, Lady and Gentleman on Horseback, c. 1655, reworked 1660/1665, oil on canvas, overall: 123 x 172 cm (48 7/16 x 67 11/16 in.), framed: 164.8 x 214 x 16.2 cm (64 7/8 x 84 1/4 x 6 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-artist-dutch-1620-1691-lady-and-gentleman-on-horseback-c-1655-reworked-16601665-oil-on-canvas-overall-123-x-172-cm-48-716-x-67-1116-in-framed-1648-x-214-x-162-cm-64-78-x-84-14-x-6-38-in-image386219827.htmlRM2DC9R97–Aelbert Cuyp, (artist), Dutch, 1620 - 1691, Lady and Gentleman on Horseback, c. 1655, reworked 1660/1665, oil on canvas, overall: 123 x 172 cm (48 7/16 x 67 11/16 in.), framed: 164.8 x 214 x 16.2 cm (64 7/8 x 84 1/4 x 6 3/8 in
Print made by William Faithorne, ca. 1620–1691, British, Portrait of Francis Moore, ca. 1663. Etching, stipple engraving and line engraving on medium, slightly textured, brown laid paper. banner , cap , cloak , cuffs , gaze , gesturing , holding , lawyer , oval , paper , politician , portrait , posing , reticella , ribbon , ruff , scrolls , solemn , thoughtful. Moore, Sir Francis (1559–1621), lawyer and politician Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-william-faithorne-ca-16201691-british-portrait-of-francis-moore-ca-1663-etching-stipple-engraving-and-line-engraving-on-medium-slightly-textured-brown-laid-paper-banner-cap-cloak-cuffs-gaze-gesturing-holding-lawyer-oval-paper-politician-portrait-posing-reticella-ribbon-ruff-scrolls-solemn-thoughtful-moore-sir-francis-15591621-lawyer-and-politician-image398458021.htmlRM2E4797H–Print made by William Faithorne, ca. 1620–1691, British, Portrait of Francis Moore, ca. 1663. Etching, stipple engraving and line engraving on medium, slightly textured, brown laid paper. banner , cap , cloak , cuffs , gaze , gesturing , holding , lawyer , oval , paper , politician , portrait , posing , reticella , ribbon , ruff , scrolls , solemn , thoughtful. Moore, Sir Francis (1559–1621), lawyer and politician
Charles I, Print made by William Faithorne, ca. 1620–1691, British, 1658, Line engraving on medium, slightly textured, cream laid paper, Sheet: 10 1/2 x 6 3/4 inches (26.7 x 17.1 cm) and Image: 9 1/2 x 6 3/8 inches (24.1 x 16.2 cm), armor, beard, locket, man, moustache, portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-i-print-made-by-william-faithorne-ca-16201691-british-1658-line-engraving-on-medium-slightly-textured-cream-laid-paper-sheet-10-12-x-6-34-inches-267-x-171-cm-and-image-9-12-x-6-38-inches-241-x-162-cm-armor-beard-locket-man-moustache-portrait-image389732754.htmlRM2DJ1T2X–Charles I, Print made by William Faithorne, ca. 1620–1691, British, 1658, Line engraving on medium, slightly textured, cream laid paper, Sheet: 10 1/2 x 6 3/4 inches (26.7 x 17.1 cm) and Image: 9 1/2 x 6 3/8 inches (24.1 x 16.2 cm), armor, beard, locket, man, moustache, portrait
Landscape with the Flight into Egypt ca. 1650 Aelbert Cuyp Dutch Cuyp never went to Italy, but he emulated Dutch Italianate painters who had been there, above all Jan Both (ca. 1615/18–1652). Here the Holy Family’s route to Egypt seems to lead from Rhineland rocks and trees to an idyllic coast near Genoa.. Landscape with the Flight into Egypt. Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht). ca. 1650. Oil on wood. Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-the-flight-into-egypt-ca-1650-aelbert-cuyp-dutch-cuyp-never-went-to-italy-but-he-emulated-dutch-italianate-painters-who-had-been-there-above-all-jan-both-ca-1615181652-here-the-holy-familys-route-to-egypt-seems-to-lead-from-rhineland-rocks-and-trees-to-an-idyllic-coast-near-genoa-landscape-with-the-flight-into-egypt-aelbert-cuyp-dutch-dordrecht-16201691-dordrecht-ca-1650-oil-on-wood-paintings-image458084416.htmlRM2HH7F9M–Landscape with the Flight into Egypt ca. 1650 Aelbert Cuyp Dutch Cuyp never went to Italy, but he emulated Dutch Italianate painters who had been there, above all Jan Both (ca. 1615/18–1652). Here the Holy Family’s route to Egypt seems to lead from Rhineland rocks and trees to an idyllic coast near Genoa.. Landscape with the Flight into Egypt. Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht). ca. 1650. Oil on wood. Paintings
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969508.htmlRMEX6KD8–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
Plate 3: the Assumption of the Virgin 1678 Giuseppe Maria Mitelli Italian. Plate 3: the Assumption of the Virgin. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-3-the-assumption-of-the-virgin-1678-giuseppe-maria-mitelli-italian-plate-3-the-assumption-of-the-virgin-bononiensium-pictorum-celebrioris-gloria-quaedam-sacrae-icones-delineatae-incisae-et-tantae-artis-amatoribus-dicatae-a-josepho-ma-mitello-pictore-bononiense-mdclxxviii-giuseppe-maria-mitelli-italian-bologna-16341718-bologna-1678-etching-gioseffo-longhi-italian-1620-1691-prints-image457930844.htmlRM2HH0FD0–Plate 3: the Assumption of the Virgin 1678 Giuseppe Maria Mitelli Italian. Plate 3: the Assumption of the Virgin. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints
A View of the Maas at Dordrecht, Aelbert Cuyp (Dutch, 1620 - 1691), about 1645 - 1646, Oil on panel, 49.8 × 107 cm (19 5/8 × 42 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-maas-at-dordrecht-aelbert-cuyp-dutch-1620-1691-about-1645-1646-oil-on-panel-498-107-cm-19-58-42-18-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349891736.htmlRF2B96XDC–A View of the Maas at Dordrecht, Aelbert Cuyp (Dutch, 1620 - 1691), about 1645 - 1646, Oil on panel, 49.8 × 107 cm (19 5/8 × 42 1/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Landscape near the City of Rhenen:. Cows Grazing and Shepherd Playing the Flute, about 1650-1655, Aelbrecht CUYP, Dordrecht (Pays-Bas), 1620 - 1691, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-near-the-city-of-rhenen-cows-grazing-and-shepherd-playing-the-flute-about-1650-1655-aelbrecht-cuyp-dordrecht-pays-bas-1620-1691-muse-du-louvre-paris-france-image623471077.htmlRM2Y69FM5–Landscape near the City of Rhenen:. Cows Grazing and Shepherd Playing the Flute, about 1650-1655, Aelbrecht CUYP, Dordrecht (Pays-Bas), 1620 - 1691, Musée du Louvre, Paris, France.
The Betrayal of Christ, Print made by William Faithorne, ca. 1620–1691, British, 1653, Line engraving with stipple engraving on moderately thick, slightly texutred, cream laid paper, Sheet: 9 5/8 x 8 inches (24.4 x 20.3 cm), attacking, beards, Christian, embracing, fighting, gesturing, halo, illustration, kissing, lanterns, mountains, night, religious, religious and mythological subject, robes, Roman, rope, spears, swords, the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ, torches Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-betrayal-of-christ-print-made-by-william-faithorne-ca-16201691-british-1653-line-engraving-with-stipple-engraving-on-moderately-thick-slightly-texutred-cream-laid-paper-sheet-9-58-x-8-inches-244-x-203-cm-attacking-beards-christian-embracing-fighting-gesturing-halo-illustration-kissing-lanterns-mountains-night-religious-religious-and-mythological-subject-robes-roman-rope-spears-swords-the-kiss-of-judas-accompanied-by-soldiers-with-torches-and-lanterns-he-kisses-christ-torches-image389635246.htmlRM2DHWBME–The Betrayal of Christ, Print made by William Faithorne, ca. 1620–1691, British, 1653, Line engraving with stipple engraving on moderately thick, slightly texutred, cream laid paper, Sheet: 9 5/8 x 8 inches (24.4 x 20.3 cm), attacking, beards, Christian, embracing, fighting, gesturing, halo, illustration, kissing, lanterns, mountains, night, religious, religious and mythological subject, robes, Roman, rope, spears, swords, the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ, torches
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969512.htmlRMEX6KDC–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
Plate 8: the Baptism of Christ 1678 Giuseppe Maria Mitelli Italian. Plate 8: the Baptism of Christ. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-8-the-baptism-of-christ-1678-giuseppe-maria-mitelli-italian-plate-8-the-baptism-of-christ-bononiensium-pictorum-celebrioris-gloria-quaedam-sacrae-icones-delineatae-incisae-et-tantae-artis-amatoribus-dicatae-a-josepho-ma-mitello-pictore-bononiense-mdclxxviii-giuseppe-maria-mitelli-italian-bologna-16341718-bologna-1678-etching-gioseffo-longhi-italian-1620-1691-prints-image457930797.htmlRM2HH0FB9–Plate 8: the Baptism of Christ 1678 Giuseppe Maria Mitelli Italian. Plate 8: the Baptism of Christ. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints
Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 3/4 × 2 7/8 inches (7 × 7.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-cows-between-1620-and-1691-etching-printed-in-black-ink-on-laid-paper-plate-2-34-2-78-inches-7-73-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349812373.htmlRF2B93971–Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 3/4 × 2 7/8 inches (7 × 7.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Aelbert Jacobsz. Cuyp (Dordrecht, 1620-1691). Landscape with a Sunset (ca. 1655). Oil on panel. 48.3 x 74.9 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-jacobsz-cuyp-dordrecht-1620-1691-landscape-with-a-sunset-ca-1655-oil-on-panel-483-x-749-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236898133.htmlRMRNBHYH–Aelbert Jacobsz. Cuyp (Dordrecht, 1620-1691). Landscape with a Sunset (ca. 1655). Oil on panel. 48.3 x 74.9 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
Eminentissimus Armandus Ioannes Du Plessis Cardinalis Richeleus, Print made by William Faithorne, ca. 1620–1691, British, Published by William Faithorne, ca. 1620–1691, British, between 1660 and 1690, Etching on medium, slightly textured, beige laid paper, Sheet: 8 x 5 1/16 inches (20.3 x 12.8 cm) and Image: 6 x 4 15/16 inches (15.2 x 12.5 cm), beard, bird, cap, cardinal, clergy, collar, crest, flowers (plants), gaze, medal, moustache, portrait, posing, ribbon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eminentissimus-armandus-ioannes-du-plessis-cardinalis-richeleus-print-made-by-william-faithorne-ca-16201691-british-published-by-william-faithorne-ca-16201691-british-between-1660-and-1690-etching-on-medium-slightly-textured-beige-laid-paper-sheet-8-x-5-116-inches-203-x-128-cm-and-image-6-x-4-1516-inches-152-x-125-cm-beard-bird-cap-cardinal-clergy-collar-crest-flowers-plants-gaze-medal-moustache-portrait-posing-ribbon-image389762544.htmlRM2DJ362T–Eminentissimus Armandus Ioannes Du Plessis Cardinalis Richeleus, Print made by William Faithorne, ca. 1620–1691, British, Published by William Faithorne, ca. 1620–1691, British, between 1660 and 1690, Etching on medium, slightly textured, beige laid paper, Sheet: 8 x 5 1/16 inches (20.3 x 12.8 cm) and Image: 6 x 4 15/16 inches (15.2 x 12.5 cm), beard, bird, cap, cardinal, clergy, collar, crest, flowers (plants), gaze, medal, moustache, portrait, posing, ribbon
Aelbert Cuyp, (artist), Dutch, 1620 - 1691, The Maas at Dordrecht, c. 1650, oil on canvas, overall: 114.9 x 170.2 cm (45 1/4 x 67 in.), framed: 151.1 x 205.1 x 15.2 cm (59 1/2 x 80 3/4 x 6 in.), Dordrecht, situated at the confluence of the Maas and the Merwede rivers, serves as a backdrop to this historical scene on the water. In July 1646, a large Dutch transport fleet carrying thirty thousand soldiers and their equipment gathered at Dordrecht in a show of force by the rebel northern provinces—fighting for independence from the Spanish crown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-artist-dutch-1620-1691-the-maas-at-dordrecht-c-1650-oil-on-canvas-overall-1149-x-1702-cm-45-14-x-67-in-framed-1511-x-2051-x-152-cm-59-12-x-80-34-x-6-in-dordrecht-situated-at-the-confluence-of-the-maas-and-the-merwede-rivers-serves-as-a-backdrop-to-this-historical-scene-on-the-water-in-july-1646-a-large-dutch-transport-fleet-carrying-thirty-thousand-soldiers-and-their-equipment-gathered-at-dordrecht-in-a-show-of-force-by-the-rebel-northern-provincesfighting-for-independence-from-the-spanish-crown-image386302229.htmlRM2DCDGC5–Aelbert Cuyp, (artist), Dutch, 1620 - 1691, The Maas at Dordrecht, c. 1650, oil on canvas, overall: 114.9 x 170.2 cm (45 1/4 x 67 in.), framed: 151.1 x 205.1 x 15.2 cm (59 1/2 x 80 3/4 x 6 in.), Dordrecht, situated at the confluence of the Maas and the Merwede rivers, serves as a backdrop to this historical scene on the water. In July 1646, a large Dutch transport fleet carrying thirty thousand soldiers and their equipment gathered at Dordrecht in a show of force by the rebel northern provinces—fighting for independence from the Spanish crown
Plate 2: the Assumption of the Virgin 1678 Giuseppe Maria Mitelli Italian. Plate 2: the Assumption of the Virgin. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-2-the-assumption-of-the-virgin-1678-giuseppe-maria-mitelli-italian-plate-2-the-assumption-of-the-virgin-bononiensium-pictorum-celebrioris-gloria-quaedam-sacrae-icones-delineatae-incisae-et-tantae-artis-amatoribus-dicatae-a-josepho-ma-mitello-pictore-bononiense-mdclxxviii-giuseppe-maria-mitelli-italian-bologna-16341718-bologna-1678-etching-gioseffo-longhi-italian-1620-1691-prints-image457930884.htmlRM2HH0FEC–Plate 2: the Assumption of the Virgin 1678 Giuseppe Maria Mitelli Italian. Plate 2: the Assumption of the Virgin. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969518.htmlRMEX6KDJ–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 3 inches (6.7 × 7.6 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-cows-between-1620-and-1691-etching-printed-in-black-ink-on-laid-paper-plate-2-58-3-inches-67-76-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349812362.htmlRF2B9396J–Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 3 inches (6.7 × 7.6 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
River Landscape. Aelbert Cuyp; Dutch, 1620-1691. Date: 1645-1691. Dimensions: 145 x 190 mm. Brush and black and yellow ocher watercolors over black chalk on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/river-landscape-aelbert-cuyp-dutch-1620-1691-date-1645-1691-dimensions-145-x-190-mm-brush-and-black-and-yellow-ocher-watercolors-over-black-chalk-on-ivory-laid-paper-origin-holland-museum-the-chicago-art-institute-image239921757.htmlRMRX9AJ5–River Landscape. Aelbert Cuyp; Dutch, 1620-1691. Date: 1645-1691. Dimensions: 145 x 190 mm. Brush and black and yellow ocher watercolors over black chalk on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute.
Aelbert Cuyp, (artist), Dutch, 1620 - 1691, Herdsmen Tending Cattle, 1655/1660, oil on canvas, overall: 66 x 87.6 cm (26 x 34 1/2 in.), framed: 88.9 x 109.9 x 3.8 cm (35 x 43 1/4 x 1 1/2 in.), Aelbert Cuyp’s painting of herdsmen and cattle along a river with an evocative ruin in the background is more pastoral than agricultural in its associations. In this respect it parallels a rich literary tradition glorifying the values of rural life. The herdsman in the bright red jacket seems to be getting his cows ready to return to the farmstead Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-artist-dutch-1620-1691-herdsmen-tending-cattle-16551660-oil-on-canvas-overall-66-x-876-cm-26-x-34-12-in-framed-889-x-1099-x-38-cm-35-x-43-14-x-1-12-in-aelbert-cuyps-painting-of-herdsmen-and-cattle-along-a-river-with-an-evocative-ruin-in-the-background-is-more-pastoral-than-agricultural-in-its-associations-in-this-respect-it-parallels-a-rich-literary-tradition-glorifying-the-values-of-rural-life-the-herdsman-in-the-bright-red-jacket-seems-to-be-getting-his-cows-ready-to-return-to-the-farmstead-image386211117.htmlRM2DC9C65–Aelbert Cuyp, (artist), Dutch, 1620 - 1691, Herdsmen Tending Cattle, 1655/1660, oil on canvas, overall: 66 x 87.6 cm (26 x 34 1/2 in.), framed: 88.9 x 109.9 x 3.8 cm (35 x 43 1/4 x 1 1/2 in.), Aelbert Cuyp’s painting of herdsmen and cattle along a river with an evocative ruin in the background is more pastoral than agricultural in its associations. In this respect it parallels a rich literary tradition glorifying the values of rural life. The herdsman in the bright red jacket seems to be getting his cows ready to return to the farmstead
Plate 11: Saint William of Aquitaine 1678 Giuseppe Maria Mitelli Italian. Plate 11: Saint William of Aquitaine. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-11-saint-william-of-aquitaine-1678-giuseppe-maria-mitelli-italian-plate-11-saint-william-of-aquitaine-bononiensium-pictorum-celebrioris-gloria-quaedam-sacrae-icones-delineatae-incisae-et-tantae-artis-amatoribus-dicatae-a-josepho-ma-mitello-pictore-bononiense-mdclxxviii-giuseppe-maria-mitelli-italian-bologna-16341718-bologna-1678-etching-gioseffo-longhi-italian-1620-1691-prints-image457930945.htmlRM2HH0FGH–Plate 11: Saint William of Aquitaine 1678 Giuseppe Maria Mitelli Italian. Plate 11: Saint William of Aquitaine. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints
Portrait of Francis Moore, Print made by William Faithorne, ca. 1620–1691, British, ca. 1663, Etching, stipple engraving and line engraving on medium, slightly textured, brown laid paper, Sheet: 11 1/16 x 6 11/16 inches (28.1 x 17 cm), Plate: 7 15/16 x 5 3/8 inches (20.1 x 13.6 cm), and Image: 6 5/16 x 5 1/8 inches (16 x 13 cm), banner, cap, cloak, cuffs, gaze, gesturing, holding, lawyer, oval, paper, politician, portrait, posing, reticella, ribbon, ruff, scrolls, solemn, thoughtful Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-francis-moore-print-made-by-william-faithorne-ca-16201691-british-ca-1663-etching-stipple-engraving-and-line-engraving-on-medium-slightly-textured-brown-laid-paper-sheet-11-116-x-6-1116-inches-281-x-17-cm-plate-7-1516-x-5-38-inches-201-x-136-cm-and-image-6-516-x-5-18-inches-16-x-13-cm-banner-cap-cloak-cuffs-gaze-gesturing-holding-lawyer-oval-paper-politician-portrait-posing-reticella-ribbon-ruff-scrolls-solemn-thoughtful-image389796219.htmlRM2DJ4N1F–Portrait of Francis Moore, Print made by William Faithorne, ca. 1620–1691, British, ca. 1663, Etching, stipple engraving and line engraving on medium, slightly textured, brown laid paper, Sheet: 11 1/16 x 6 11/16 inches (28.1 x 17 cm), Plate: 7 15/16 x 5 3/8 inches (20.1 x 13.6 cm), and Image: 6 5/16 x 5 1/8 inches (16 x 13 cm), banner, cap, cloak, cuffs, gaze, gesturing, holding, lawyer, oval, paper, politician, portrait, posing, reticella, ribbon, ruff, scrolls, solemn, thoughtful
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969525.htmlRMEX6KDW–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 3/4 inches (6.7 × 7 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-cows-between-1620-and-1691-etching-printed-in-black-ink-on-laid-paper-plate-2-58-2-34-inches-67-7-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349812370.htmlRF2B9396X–Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 3/4 inches (6.7 × 7 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Boats in an Estuary. Style of Aelbert Cuyp; Dutch, 1620-1691. Date: 1640-1691. Dimensions: 19 x 25 cm (7 1/2 x 9 3/4 in.). Oil on panel. Origin: Holland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boats-in-an-estuary-style-of-aelbert-cuyp-dutch-1620-1691-date-1640-1691-dimensions-19-x-25-cm-7-12-x-9-34-in-oil-on-panel-origin-holland-museum-the-chicago-art-institute-image240032879.htmlRMRXECAR–Boats in an Estuary. Style of Aelbert Cuyp; Dutch, 1620-1691. Date: 1640-1691. Dimensions: 19 x 25 cm (7 1/2 x 9 3/4 in.). Oil on panel. Origin: Holland. Museum: The Chicago Art Institute.
John Milton after 1670 William Faithorne the Elder The subject is here portrayed at sixty-two and the engraving created to serve as a frontispiece for Milton's 'History of Britain' (1670). Reworked details along the lower edge suggest that this is a late state.. John Milton. William Faithorne the Elder (British, London ca. 1620–1691 London). after 1670. Engraving; late reworked state. John Milton (British, London 1608–1674 London). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-milton-after-1670-william-faithorne-the-elder-the-subject-is-here-portrayed-at-sixty-two-and-the-engraving-created-to-serve-as-a-frontispiece-for-miltons-history-of-britain-1670-reworked-details-along-the-lower-edge-suggest-that-this-is-a-late-state-john-milton-william-faithorne-the-elder-british-london-ca-16201691-london-after-1670-engraving-late-reworked-state-john-milton-british-london-16081674-london-prints-image457889334.htmlRM2HGXJEE–John Milton after 1670 William Faithorne the Elder The subject is here portrayed at sixty-two and the engraving created to serve as a frontispiece for Milton's 'History of Britain' (1670). Reworked details along the lower edge suggest that this is a late state.. John Milton. William Faithorne the Elder (British, London ca. 1620–1691 London). after 1670. Engraving; late reworked state. John Milton (British, London 1608–1674 London). Prints
Henry More, Print made by William Faithorne, ca. 1620–1691, British, after William Faithorne, ca. 1620–1691, British, 1675, Line engraving and etching on moderately thick, smooth, beige laid paper, Sheet: 13 x 7 5/16 inches (33 x 18.6 cm) and Image: 10 1/2 x 7 inches (26.7 x 17.8 cm), author, belt, Cambridge Platonists (active 1630s–1680s), cane, church, collar, fields, fishing, flowers (plants), gaze, gloves, hat, hills, landscape, philosopher, poet, portrait, posing, river, robe, sitting, solemn, tassels, theologian, thoughtful, tree, vines Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-more-print-made-by-william-faithorne-ca-16201691-british-after-william-faithorne-ca-16201691-british-1675-line-engraving-and-etching-on-moderately-thick-smooth-beige-laid-paper-sheet-13-x-7-516-inches-33-x-186-cm-and-image-10-12-x-7-inches-267-x-178-cm-author-belt-cambridge-platonists-active-1630s1680s-cane-church-collar-fields-fishing-flowers-plants-gaze-gloves-hat-hills-landscape-philosopher-poet-portrait-posing-river-robe-sitting-solemn-tassels-theologian-thoughtful-tree-vines-image389732778.htmlRM2DJ1T3P–Henry More, Print made by William Faithorne, ca. 1620–1691, British, after William Faithorne, ca. 1620–1691, British, 1675, Line engraving and etching on moderately thick, smooth, beige laid paper, Sheet: 13 x 7 5/16 inches (33 x 18.6 cm) and Image: 10 1/2 x 7 inches (26.7 x 17.8 cm), author, belt, Cambridge Platonists (active 1630s–1680s), cane, church, collar, fields, fishing, flowers (plants), gaze, gloves, hat, hills, landscape, philosopher, poet, portrait, posing, river, robe, sitting, solemn, tassels, theologian, thoughtful, tree, vines
anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anatomical-study-by-bernardino-genga-anatomia-per-uso-et-intelligenza-84969527.htmlRMEX6KDY–anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620–1690) was a scholar of Classical medical texts, editing several works of Hi
A Milkmaid, Aelbert Cuyp (Dutch, 1620 - 1691), about 1642 - 1646, Black chalk, graphite, gray wash, 12.1 x 14.8 cm (4 3,4 x 5 13,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-milkmaid-aelbert-cuyp-dutch-1620-1691-about-1642-1646-black-chalk-graphite-gray-wash-121-x-148-cm-4-34-x-5-1316-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350018719.htmlRF2B9CMCF–A Milkmaid, Aelbert Cuyp (Dutch, 1620 - 1691), about 1642 - 1646, Black chalk, graphite, gray wash, 12.1 x 14.8 cm (4 3,4 x 5 13,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Study of Two Cows. Artist: Aelbert Cuyp (Dutch, Dordrecht 1620-1691 Dordrecht). Dimensions: sheet: 3 9/16 x 7 7/8 in. (9 x 20 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-two-cows-artist-aelbert-cuyp-dutch-dordrecht-1620-1691-dordrecht-dimensions-sheet-3-916-x-7-78-in-9-x-20-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212883806.htmlRMPA9KD2–Study of Two Cows. Artist: Aelbert Cuyp (Dutch, Dordrecht 1620-1691 Dordrecht). Dimensions: sheet: 3 9/16 x 7 7/8 in. (9 x 20 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Plate 1: the Calling of Saint Matthew 1678 Giuseppe Maria Mitelli Italian. Plate 1: the Calling of Saint Matthew. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-1-the-calling-of-saint-matthew-1678-giuseppe-maria-mitelli-italian-plate-1-the-calling-of-saint-matthew-bononiensium-pictorum-celebrioris-gloria-quaedam-sacrae-icones-delineatae-incisae-et-tantae-artis-amatoribus-dicatae-a-josepho-ma-mitello-pictore-bononiense-mdclxxviii-giuseppe-maria-mitelli-italian-bologna-16341718-bologna-1678-etching-gioseffo-longhi-italian-1620-1691-prints-image457930686.htmlRM2HH0F7A–Plate 1: the Calling of Saint Matthew 1678 Giuseppe Maria Mitelli Italian. Plate 1: the Calling of Saint Matthew. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints
Francesca Bridges Filia Domini Cavendish et Dotissa Exoniæ Comitissa, Print made by William Faithorne, ca. 1620–1691, British, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), Published by William Faithorne, ca. 1620–1691, British, 1670, Line engraving and etching on medium, slightly textured, beige laid paper, Sheet: 12 5/16 × 9 3/8 inches (31.3 × 23.8 cm), Plate: 11 3/16 × 8 1/4 inches (28.4 × 21 cm), and Image: 10 1/8 × 8 1/16 inches (25.7 × 20.5 cm), bodice, broche, chair, collar, countess, curls, drapery, gaze, gloves, hat, jewels, lace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francesca-bridges-filia-domini-cavendish-et-dotissa-exoni-comitissa-print-made-by-william-faithorne-ca-16201691-british-after-sir-anthony-van-dyck-15991641-flemish-active-in-britain-162021-163234-163541-published-by-william-faithorne-ca-16201691-british-1670-line-engraving-and-etching-on-medium-slightly-textured-beige-laid-paper-sheet-12-516-9-38-inches-313-238-cm-plate-11-316-8-14-inches-284-21-cm-and-image-10-18-8-116-inches-257-205-cm-bodice-broche-chair-collar-countess-curls-drapery-gaze-gloves-hat-jewels-lace-image389647250.htmlRM2DHWY16–Francesca Bridges Filia Domini Cavendish et Dotissa Exoniæ Comitissa, Print made by William Faithorne, ca. 1620–1691, British, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), Published by William Faithorne, ca. 1620–1691, British, 1670, Line engraving and etching on medium, slightly textured, beige laid paper, Sheet: 12 5/16 × 9 3/8 inches (31.3 × 23.8 cm), Plate: 11 3/16 × 8 1/4 inches (28.4 × 21 cm), and Image: 10 1/8 × 8 1/16 inches (25.7 × 20.5 cm), bodice, broche, chair, collar, countess, curls, drapery, gaze, gloves, hat, jewels, lace
Print made by William Faithorne, ca. 1620–1691, British, Eminentissimus Armandus Ioannes Du Plessis Cardinalis Richeleus, between 1660 and 1690. Etching on medium, slightly textured, beige laid paper. beard , bird , cap , cardinal , clergy , collar , crest , flowers (plants) , gaze , medal , moustache , portrait , posing , ribbon. Plessis, Armand Jean du, Cardinal-Duc de Richelieu (1585 - 1642), religious official, political official Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-william-faithorne-ca-16201691-british-eminentissimus-armandus-ioannes-du-plessis-cardinalis-richeleus-between-1660-and-1690-etching-on-medium-slightly-textured-beige-laid-paper-beard-bird-cap-cardinal-clergy-collar-crest-flowers-plants-gaze-medal-moustache-portrait-posing-ribbon-plessis-armand-jean-du-cardinal-duc-de-richelieu-1585-1642-religious-official-political-official-image398458001.htmlRM2E4796W–Print made by William Faithorne, ca. 1620–1691, British, Eminentissimus Armandus Ioannes Du Plessis Cardinalis Richeleus, between 1660 and 1690. Etching on medium, slightly textured, beige laid paper. beard , bird , cap , cardinal , clergy , collar , crest , flowers (plants) , gaze , medal , moustache , portrait , posing , ribbon. Plessis, Armand Jean du, Cardinal-Duc de Richelieu (1585 - 1642), religious official, political official
Lying Dog, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), Drawing, Black chalk, on brownish paper; brown soiling., 11.4 x 17.7 cm, l. and Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lying-dog-aelbert-cuyp-dordrecht-1620-1691-dordrecht-drawing-black-chalk-on-brownish-paper-brown-soiling-114-x-177-cm-l-and-duke-albert-of-saxe-teschen-image573324853.htmlRM2T8N5KH–Lying Dog, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), Drawing, Black chalk, on brownish paper; brown soiling., 11.4 x 17.7 cm, l. and Duke Albert of Saxe-Teschen
Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-cows-between-1620-and-1691-etching-printed-in-black-ink-on-laid-paper-plate-2-58-2-78-inches-67-73-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349812371.htmlRF2B9396Y–Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Frans Snijders and his wife Margaretha de Vos, anonymous, after Anthony van Dyck, 1620 - 1691, after: Anthony van Dyck, draughtsman: anonymous, 1620 - 1691, paper, pen, h 184 mm × w 246 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frans-snijders-and-his-wife-margaretha-de-vos-anonymous-after-anthony-van-dyck-1620-1691-after-anthony-van-dyck-draughtsman-anonymous-1620-1691-paper-pen-h-184-mm-w-246-mm-image472044178.htmlRM2JBYD4J–Frans Snijders and his wife Margaretha de Vos, anonymous, after Anthony van Dyck, 1620 - 1691, after: Anthony van Dyck, draughtsman: anonymous, 1620 - 1691, paper, pen, h 184 mm × w 246 mm
Portrait of Charles II. Artist: After a painting by John Baptist Gaspars (Flemish, Antwerp ca. 1620-1691 London). Culture: British. Dimensions: H. 20 x W. 16 inches (50.8 x 40.6 cm). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-charles-ii-artist-after-a-painting-by-john-baptist-gaspars-flemish-antwerp-ca-1620-1691-london-culture-british-dimensions-h-20-x-w-16-inches-508-x-406-cm-date-late-17th-early-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213300334.htmlRMPB0JN2–Portrait of Charles II. Artist: After a painting by John Baptist Gaspars (Flemish, Antwerp ca. 1620-1691 London). Culture: British. Dimensions: H. 20 x W. 16 inches (50.8 x 40.6 cm). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Houses and trees by the water, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, grey-brown pen, brown brush, watercolour, over black chalk., 12.2 x 24.2 cm, r. and Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/houses-and-trees-by-the-water-aelbert-cuyp-dordrecht-1620-1691-dordrecht-drawing-grey-brown-pen-brown-brush-watercolour-over-black-chalk-122-x-242-cm-r-and-duke-albert-of-saxe-teschen-image573324857.htmlRM2T8N5KN–Houses and trees by the water, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, grey-brown pen, brown brush, watercolour, over black chalk., 12.2 x 24.2 cm, r. and Duke Albert of Saxe-Teschen
Print made by William Faithorne, ca. 1620–1691, British, Francesca Bridges Filia Domini Cavendish et Dotissa Exoniæ Comitissa, 1670. Line engraving and etching on medium, slightly textured, beige laid paper. bodice , broche , chair , collar , countess , curls , drapery , gaze , gloves , hat , jewels , lace , pearls , pin , portrait , posing , scarf , silk , solemn , tapestry , veil , woman. Brydges, Frances, Countess of Exeter (1580 - 1663) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-william-faithorne-ca-16201691-british-francesca-bridges-filia-domini-cavendish-et-dotissa-exoni-comitissa-1670-line-engraving-and-etching-on-medium-slightly-textured-beige-laid-paper-bodice-broche-chair-collar-countess-curls-drapery-gaze-gloves-hat-jewels-lace-pearls-pin-portrait-posing-scarf-silk-solemn-tapestry-veil-woman-brydges-frances-countess-of-exeter-1580-1663-image398457908.htmlRM2E4793G–Print made by William Faithorne, ca. 1620–1691, British, Francesca Bridges Filia Domini Cavendish et Dotissa Exoniæ Comitissa, 1670. Line engraving and etching on medium, slightly textured, beige laid paper. bodice , broche , chair , collar , countess , curls , drapery , gaze , gloves , hat , jewels , lace , pearls , pin , portrait , posing , scarf , silk , solemn , tapestry , veil , woman. Brydges, Frances, Countess of Exeter (1580 - 1663)
Mary, Princess of Orange 1641–50 William Faithorne the Elder This engraved portrait of Mary, daughter of King Charles I and Henrietta Maria, is based on a painting by Van Dyck. In 1641 she married William II, Prince of Orange, and became the mother of William, later William III, King of England.. Mary, Princess of Orange. After Anthony van Dyck (Flemish, Antwerp 1599–1641 London). 1641–50. Engraving. William Faithorne the Elder (British, London ca. 1620–1691 London). Mary, Princess of Orange (British, 1631–1660). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-princess-of-orange-164150-william-faithorne-the-elder-this-engraved-portrait-of-mary-daughter-of-king-charles-i-and-henrietta-maria-is-based-on-a-painting-by-van-dyck-in-1641-she-married-william-ii-prince-of-orange-and-became-the-mother-of-william-later-william-iii-king-of-england-mary-princess-of-orange-after-anthony-van-dyck-flemish-antwerp-15991641-london-164150-engraving-william-faithorne-the-elder-british-london-ca-16201691-london-mary-princess-of-orange-british-16311660-prints-image457772564.htmlRM2HGN9G4–Mary, Princess of Orange 1641–50 William Faithorne the Elder This engraved portrait of Mary, daughter of King Charles I and Henrietta Maria, is based on a painting by Van Dyck. In 1641 she married William II, Prince of Orange, and became the mother of William, later William III, King of England.. Mary, Princess of Orange. After Anthony van Dyck (Flemish, Antwerp 1599–1641 London). 1641–50. Engraving. William Faithorne the Elder (British, London ca. 1620–1691 London). Mary, Princess of Orange (British, 1631–1660). Prints
Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-cows-between-1620-and-1691-etching-printed-in-black-ink-on-laid-paper-plate-2-58-2-78-inches-67-73-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349812372.htmlRF2B93970–Aelbert Cuyp, Dutch, 1620-1691, Cows, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
A true coppy from an ancient plan of E. Hutchinson's, Esqr. & from Jose. Heath in 1719 & Phins. Jones's survey in 1731 & from John North's late survey in 1752 , Kennebec River Region Me., Maps, Early works to 1800, Facsimiles, Casco Bay Region Me., Maps, Early works to 1800, Facsimiles, Kennebec Patent Me., Maps, Early works to 1800, Facsimiles, Massachusetts, History, New Plymouth, 1620-1691, Maps, Early works to 1800, Facsimiles Norman B. Leventhal Map Center Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-true-coppy-from-an-ancient-plan-of-e-hutchinsons-esqr-from-jose-heath-in-1719-phins-joness-survey-in-1731-from-john-norths-late-survey-in-1752-kennebec-river-region-me-maps-early-works-to-1800-facsimiles-casco-bay-region-me-maps-early-works-to-1800-facsimiles-kennebec-patent-me-maps-early-works-to-1800-facsimiles-massachusetts-history-new-plymouth-1620-1691-maps-early-works-to-1800-facsimiles-norman-b-leventhal-map-center-collection-image499935089.htmlRM2M1A08H–A true coppy from an ancient plan of E. Hutchinson's, Esqr. & from Jose. Heath in 1719 & Phins. Jones's survey in 1731 & from John North's late survey in 1752 , Kennebec River Region Me., Maps, Early works to 1800, Facsimiles, Casco Bay Region Me., Maps, Early works to 1800, Facsimiles, Kennebec Patent Me., Maps, Early works to 1800, Facsimiles, Massachusetts, History, New Plymouth, 1620-1691, Maps, Early works to 1800, Facsimiles Norman B. Leventhal Map Center Collection
Lying dog, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), around 1645, drawing, black chalk, gray wash, light green watercolour, 7.2 x 14.3 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lying-dog-aelbert-cuyp-dordrecht-1620-1691-dordrecht-around-1645-drawing-black-chalk-gray-wash-light-green-watercolour-72-x-143-cm-ll-duke-albert-of-saxe-teschen-image573323797.htmlRM2T8N49W–Lying dog, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), around 1645, drawing, black chalk, gray wash, light green watercolour, 7.2 x 14.3 cm, l.l. Duke Albert of Saxe-Teschen
Print made by William Faithorne, ca. 1620–1691, British, The Betrayal of Christ, 1653. Line engraving with stipple engraving on moderately thick, slightly texutred, cream laid paper. attacking , beards , Christian , embracing , fighting , gesturing , halo , illustration , kissing , lanterns , mountains , night , religious , religious and mythological subject , robes , Roman , rope , spears , swords , the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ , torches. Peter, the Apostle, St. (ca. 1 BC - ca. 68 AD) Jesus Christ (7-2 BC/BCE to 30-36 AD/CE) Malchus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-william-faithorne-ca-16201691-british-the-betrayal-of-christ-1653-line-engraving-with-stipple-engraving-on-moderately-thick-slightly-texutred-cream-laid-paper-attacking-beards-christian-embracing-fighting-gesturing-halo-illustration-kissing-lanterns-mountains-night-religious-religious-and-mythological-subject-robes-roman-rope-spears-swords-the-kiss-of-judas-accompanied-by-soldiers-with-torches-and-lanterns-he-kisses-christ-torches-peter-the-apostle-st-ca-1-bc-ca-68-ad-jesus-christ-7-2-bcbce-to-30-36-adce-malchus-image398444287.htmlRM2E46KN3–Print made by William Faithorne, ca. 1620–1691, British, The Betrayal of Christ, 1653. Line engraving with stipple engraving on moderately thick, slightly texutred, cream laid paper. attacking , beards , Christian , embracing , fighting , gesturing , halo , illustration , kissing , lanterns , mountains , night , religious , religious and mythological subject , robes , Roman , rope , spears , swords , the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ , torches. Peter, the Apostle, St. (ca. 1 BC - ca. 68 AD) Jesus Christ (7-2 BC/BCE to 30-36 AD/CE) Malchus
Triumphal arch erected in celebration of the entry of King William III. Artist: Hugo Allard (Dutch, Doornik 1620-1684 Amsterdam). Dimensions: Sheet (Trimmed): 10 1/8 × 11 7/8 in. (25.7 × 30.2 cm). Date: 1691. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumphal-arch-erected-in-celebration-of-the-entry-of-king-william-iii-artist-hugo-allard-dutch-doornik-1620-1684-amsterdam-dimensions-sheet-trimmed-10-18-11-78-in-257-302-cm-date-1691-museum-metropolitan-museum-of-art-new-york-usa-image213113714.htmlRMPAM4M2–Triumphal arch erected in celebration of the entry of King William III. Artist: Hugo Allard (Dutch, Doornik 1620-1684 Amsterdam). Dimensions: Sheet (Trimmed): 10 1/8 × 11 7/8 in. (25.7 × 30.2 cm). Date: 1691. Museum: Metropolitan Museum of Art, New York, USA.
Friedrich Wilhelm, Elector of Brandenburg (1620-1688) Stecher: Blondeau, Jacquesverleger: Rossi, Giovanni Giacomo Dedation: 1670/1691 publishing: Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/friedrich-wilhelm-elector-of-brandenburg-1620-1688-stecher-blondeau-jacquesverleger-rossi-giovanni-giacomo-dedation-16701691-publishing-rome-image418494690.htmlRM2F8T26X–Friedrich Wilhelm, Elector of Brandenburg (1620-1688) Stecher: Blondeau, Jacquesverleger: Rossi, Giovanni Giacomo Dedation: 1670/1691 publishing: Rome
Entrance to the exhibition with the exhibition title on the wall and two paintings; Exhibition The Golden Land of Aelbert Cuyp (1620-1691). . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-the-exhibition-with-the-exhibition-title-on-the-wall-and-two-paintings-exhibition-the-golden-land-of-aelbert-cuyp-1620-1691-image432446086.htmlRM2G3FHB2–Entrance to the exhibition with the exhibition title on the wall and two paintings; Exhibition The Golden Land of Aelbert Cuyp (1620-1691). .
Aelbert Cuyp, Dutch, 1620-1691, Two Cows with Boats in Right Background, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-two-cows-with-boats-in-right-background-between-1620-and-1691-etching-printed-in-black-ink-on-laid-paper-plate-2-58-2-78-inches-67-73-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349812366.htmlRF2B9396P–Aelbert Cuyp, Dutch, 1620-1691, Two Cows with Boats in Right Background, between 1620 and 1691, etching printed in black ink on laid paper, Plate: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Landscape with trees and a mound, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, grey-brown pen, brown brush, watercolour, over black chalk., 11.9 x 24.1 cm, r. and Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-trees-and-a-mound-aelbert-cuyp-dordrecht-1620-1691-dordrecht-drawing-grey-brown-pen-brown-brush-watercolour-over-black-chalk-119-x-241-cm-r-and-duke-albert-of-saxe-teschen-image573324851.htmlRM2T8N5KF–Landscape with trees and a mound, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, grey-brown pen, brown brush, watercolour, over black chalk., 11.9 x 24.1 cm, r. and Duke Albert of Saxe-Teschen
Italy. Rome. Basilica of San Carlo al Corso. 17th century. Apse niche with fresco depicting St Charles amongst those affected by the Plague, 1677, by Giacinto Brandi (1621-1691). Altarpiece, by Carlo Maratta (1625-1713), shows St Charles Borromeo and St Ambrose, in ecclesiastical robes, with Christ, Virgin Mary and Angels, 1685-1690. Stuccos are by Giacomo Antonio Fancelli (1619-1671) and Cosimo Fancelli (1620-1688). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-rome-basilica-of-san-carlo-al-corso-17th-century-apse-niche-with-fresco-depicting-st-charles-amongst-those-affected-by-the-plague-1677-by-giacinto-brandi-1621-1691-altarpiece-by-carlo-maratta-1625-1713-shows-st-charles-borromeo-and-st-ambrose-in-ecclesiastical-robes-with-christ-virgin-mary-and-angels-1685-1690-stuccos-are-by-giacomo-antonio-fancelli-1619-1671-and-cosimo-fancelli-1620-1688-image209568206.htmlRMP4XJAP–Italy. Rome. Basilica of San Carlo al Corso. 17th century. Apse niche with fresco depicting St Charles amongst those affected by the Plague, 1677, by Giacinto Brandi (1621-1691). Altarpiece, by Carlo Maratta (1625-1713), shows St Charles Borromeo and St Ambrose, in ecclesiastical robes, with Christ, Virgin Mary and Angels, 1685-1690. Stuccos are by Giacomo Antonio Fancelli (1619-1671) and Cosimo Fancelli (1620-1688).
Room with various objects including paintings, a bank for trade visitors and passages; Exhibition The Golden Land of Aelbert Cuyp (1620-1691). . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/room-with-various-objects-including-paintings-a-bank-for-trade-visitors-and-passages-exhibition-the-golden-land-of-aelbert-cuyp-1620-1691-image432445076.htmlRM2G3FG30–Room with various objects including paintings, a bank for trade visitors and passages; Exhibition The Golden Land of Aelbert Cuyp (1620-1691). .
Panoramic View of Dordrecht and the River Maas, Aelbert Cuyp (Dutch, 1620 - 1691), Netherlands, about 1645–1652, Brush and dark brown ink with grey wash and ochre watercolor heightened with gum arabic over black chalk, 15.9 × 50.5 cm (6 1/4 × 19 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panoramic-view-of-dordrecht-and-the-river-maas-aelbert-cuyp-dutch-1620-1691-netherlands-about-16451652-brush-and-dark-brown-ink-with-grey-wash-and-ochre-watercolor-heightened-with-gum-arabic-over-black-chalk-159-505-cm-6-14-19-78-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349929930.htmlRF2B98K5E–Panoramic View of Dordrecht and the River Maas, Aelbert Cuyp (Dutch, 1620 - 1691), Netherlands, about 1645–1652, Brush and dark brown ink with grey wash and ochre watercolor heightened with gum arabic over black chalk, 15.9 × 50.5 cm (6 1/4 × 19 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Winter landscape with drawbridge and skaters, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, black chalk, pen and grey-brown, watercolour; Pinholes where the border lines intersect., 16.5 x 22.4 cm, l. and Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winter-landscape-with-drawbridge-and-skaters-aelbert-cuyp-dordrecht-1620-1691-dordrecht-drawing-black-chalk-pen-and-grey-brown-watercolour-pinholes-where-the-border-lines-intersect-165-x-224-cm-l-and-duke-albert-of-saxe-teschen-image573324748.htmlRM2T8N5FT–Winter landscape with drawbridge and skaters, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, black chalk, pen and grey-brown, watercolour; Pinholes where the border lines intersect., 16.5 x 22.4 cm, l. and Duke Albert of Saxe-Teschen
Panoramic Landscape with Shepherds, Aelbert Cuyp, Dutch, 1620–1691, 1640–45, Oil on panel, Made in Dordrecht, Zuid-Holland, Netherlands, Europe, Paintings, 30 1/4 x 42 1/8 in. (76.8 x 107 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panoramic-landscape-with-shepherds-aelbert-cuyp-dutch-16201691-164045-oil-on-panel-made-in-dordrecht-zuid-holland-netherlands-europe-paintings-30-14-x-42-18-in-768-x-107-cm-image454291775.htmlRM2HB2NP7–Panoramic Landscape with Shepherds, Aelbert Cuyp, Dutch, 1620–1691, 1640–45, Oil on panel, Made in Dordrecht, Zuid-Holland, Netherlands, Europe, Paintings, 30 1/4 x 42 1/8 in. (76.8 x 107 cm
A View of the Maas at Dordrecht. Date/Period: Ca. 1645 - 1646. Painting. Oil on panel. Height: 502 mm (19.76 in); Width: 1,073 mm (42.24 in). Author: Aelbert Cuyp. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-maas-at-dordrecht-dateperiod-ca-1645-1646-painting-oil-on-panel-height-502-mm-1976-in-width-1073-mm-4224-in-author-aelbert-cuyp-image219106121.htmlRMPMD42H–A View of the Maas at Dordrecht. Date/Period: Ca. 1645 - 1646. Painting. Oil on panel. Height: 502 mm (19.76 in); Width: 1,073 mm (42.24 in). Author: Aelbert Cuyp.
Ruins of Ubbergen Castle, Aelbert Cuyp (Dordrecht 1620–1691 Dordrecht), 1651–52, drawing, black chalk, graphite pencil, gray wash, mixed with opaque white, 18 x 27.1 cm, inscribed above: 'ubberghe'. top left by another hand: 'Rogman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruins-of-ubbergen-castle-aelbert-cuyp-dordrecht-16201691-dordrecht-165152-drawing-black-chalk-graphite-pencil-gray-wash-mixed-with-opaque-white-18-x-271-cm-inscribed-above-ubberghe-top-left-by-another-hand-rogman-image573324257.htmlRM2T8N4X9–Ruins of Ubbergen Castle, Aelbert Cuyp (Dordrecht 1620–1691 Dordrecht), 1651–52, drawing, black chalk, graphite pencil, gray wash, mixed with opaque white, 18 x 27.1 cm, inscribed above: 'ubberghe'. top left by another hand: 'Rogman
Room with various objects including paintings, a bank for trade visitors and passages; Exhibition The Golden Land of Aelbert Cuyp (1620-1691). . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/room-with-various-objects-including-paintings-a-bank-for-trade-visitors-and-passages-exhibition-the-golden-land-of-aelbert-cuyp-1620-1691-image432443030.htmlRM2G3FDDX–Room with various objects including paintings, a bank for trade visitors and passages; Exhibition The Golden Land of Aelbert Cuyp (1620-1691). .
A painting of the Ubbergen Castle in 1650, by Aelbert Cuyp (20-10-1620-15-11-1691) (in the National Galery) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-painting-of-the-ubbergen-castle-in-1650-by-aelbert-cuyp-20-10-1620-15-11-1691-in-the-national-galery-image474432154.htmlRM2JFT71E–A painting of the Ubbergen Castle in 1650, by Aelbert Cuyp (20-10-1620-15-11-1691) (in the National Galery)
Cuyp, Aelbert (n.1620 - D.1691-11), pasture with two cows (main title). Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cuyp-aelbert-n1620-d1691-11-pasture-with-two-cows-main-title-oil-on-canvas-petit-palais-museum-of-fine-arts-of-the-city-of-paris-image596829793.htmlRM2WJYXDN–Cuyp, Aelbert (n.1620 - D.1691-11), pasture with two cows (main title). Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.
A panel by Aelbert Cuyp (20-10-1620-15-11-1691), representing the Valkhofburcht, seen from the river Waal; The original is based on the E. de Rothschild collection, in Paris; The painting contains fantasy elements Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-panel-by-aelbert-cuyp-20-10-1620-15-11-1691-representing-the-valkhofburcht-seen-from-the-river-waal-the-original-is-based-on-the-e-de-rothschild-collection-in-paris-the-painting-contains-fantasy-elements-image474425186.htmlRM2JFRX4J–A panel by Aelbert Cuyp (20-10-1620-15-11-1691), representing the Valkhofburcht, seen from the river Waal; The original is based on the E. de Rothschild collection, in Paris; The painting contains fantasy elements
View of the Rhine Valley (recto), View of the Heideberger Mill Near Cleves (verso), Aelbert Cuyp (Dutch, 1620 - 1691), about 1651 - 1652, Black chalk, graphite, gray wash (recto), black chalk and graphite (verso), 13.2 x 23.7 cm (5 3,16 x 9 5,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-rhine-valley-recto-view-of-the-heideberger-mill-near-cleves-verso-aelbert-cuyp-dutch-1620-1691-about-1651-1652-black-chalk-graphite-gray-wash-recto-black-chalk-and-graphite-verso-132-x-237-cm-5-316-x-9-516-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350018720.htmlRF2B9CMCG–View of the Rhine Valley (recto), View of the Heideberger Mill Near Cleves (verso), Aelbert Cuyp (Dutch, 1620 - 1691), about 1651 - 1652, Black chalk, graphite, gray wash (recto), black chalk and graphite (verso), 13.2 x 23.7 cm (5 3,16 x 9 5,16 in, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Horsemen and Herdsmen with Cattle. Dated: 1655/1660. Dimensions: overall: 120 x 171.5 cm (47 1/4 x 67 1/2 in.) framed: 164.2 x 214.3 x 17.2 cm (64 5/8 x 84 3/8 x 6 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Aelbert Cuyp. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horsemen-and-herdsmen-with-cattle-dated-16551660-dimensions-overall-120-x-1715-cm-47-14-x-67-12-in-framed-1642-x-2143-x-172-cm-64-58-x-84-38-x-6-34-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-aelbert-cuyp-image218859783.htmlRMPM1WTR–Horsemen and Herdsmen with Cattle. Dated: 1655/1660. Dimensions: overall: 120 x 171.5 cm (47 1/4 x 67 1/2 in.) framed: 164.2 x 214.3 x 17.2 cm (64 5/8 x 84 3/8 x 6 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Aelbert Cuyp.
Two carts in a dune landscape with a farmstead, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, black chalk, brush in various shades of brown, gray wash., 12.5 x 19.0 cm, l. and Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-carts-in-a-dune-landscape-with-a-farmstead-aelbert-cuyp-dordrecht-1620-1691-dordrecht-drawing-black-chalk-brush-in-various-shades-of-brown-gray-wash-125-x-190-cm-l-and-duke-albert-of-saxe-teschen-image573324703.htmlRM2T8N5E7–Two carts in a dune landscape with a farmstead, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, black chalk, brush in various shades of brown, gray wash., 12.5 x 19.0 cm, l. and Duke Albert of Saxe-Teschen
Aelbert Cuyp, Dutch, 1620 - 1691, Panoramic Landscape along the Rhine, 1640s, black chalk with yellow, brown, and gray wash and touches of gum arabic on laid paper, overall: 19 x 30.6 cm (7 1, 2 x 12 1, 16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aelbert-cuyp-dutch-1620-1691-panoramic-landscape-along-the-rhine-1640s-black-chalk-with-yellow-brown-and-gray-wash-and-touches-of-gum-arabic-on-laid-paper-overall-19-x-306-cm-7-1-2-x-12-1-16-in-image631103461.htmlRM2YJN6W9–Aelbert Cuyp, Dutch, 1620 - 1691, Panoramic Landscape along the Rhine, 1640s, black chalk with yellow, brown, and gray wash and touches of gum arabic on laid paper, overall: 19 x 30.6 cm (7 1, 2 x 12 1, 16 in
Panoramic landscape with a view of the Maarsbergen provost house, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), c. 1639/40, drawing, black chalk, gray wash, watercolour, gum arabic, 18.9 x 30.3 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panoramic-landscape-with-a-view-of-the-maarsbergen-provost-house-aelbert-cuyp-dordrecht-1620-1691-dordrecht-c-163940-drawing-black-chalk-gray-wash-watercolour-gum-arabic-189-x-303-cm-ll-duke-albert-of-saxe-teschen-image573324839.htmlRM2T8N5K3–Panoramic landscape with a view of the Maarsbergen provost house, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), c. 1639/40, drawing, black chalk, gray wash, watercolour, gum arabic, 18.9 x 30.3 cm, l.l. Duke Albert of Saxe-Teschen
Portrait of Anna Blocken, 1649, Aelbert Cuyp, Dutch, 1620–1691, 26 1/2 x 22 1/4 x 5/16 to 3/8 in. (67.31 x 56.52 x 0.79 cm) (panel), Oil on panel, Netherlands, 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-anna-blocken-1649-aelbert-cuyp-dutch-16201691-26-12-x-22-14-x-516-to-38-in-6731-x-5652-x-079-cm-panel-oil-on-panel-netherlands-17th-century-image573511111.htmlRM2T91K7K–Portrait of Anna Blocken, 1649, Aelbert Cuyp, Dutch, 1620–1691, 26 1/2 x 22 1/4 x 5/16 to 3/8 in. (67.31 x 56.52 x 0.79 cm) (panel), Oil on panel, Netherlands, 17th century
