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RMK5A55K–Antonio de Solis y Rivadeneyra (1610-1686). Spanih writer, ecclesiastical and political. Engraving.
RF2HK57KK–Inspired by Two Horses at a Trough, #8 from the suite: Twelve Breeds of Horses, Dirk Stoop, Dutch, 1610-1686, Etching, 1651, Sheet: 6 5/16 x 8 1/16 in., 16 x 20.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMRXHXB8–Flowers and Hunting Scene, from Livre Nouveau de Fleurs Tres-Util. Nicolas Cochin (French, 1610-1686); published by Balthasar Moncornet (French, c. 1600-1668). Date: 1645. Dimensions: 81 × 115 mm (image/plate); 89 × 124 mm (sheet). Etching in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
RMP5MHME–N/A. Grafik aus dem Klebeband Nr. 3 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Christoph Andreas Harsdörfer (1610–1686), 1637 Assessor am Land- u. Bauerngericht, 1639 am Untergericht; 1642 am Stadt- u. Ehegericht, 1653 Losungsrat in Nürnberg . after 1686. Jacob von Sandrart (1630–1708) Alternative names Jakob von Sandrart; Jacob Sandrart Description German engraver Date of birth/death 31 May 1630 15 August 1708 Location of birth/death Frankfurt Nuremberg Work location Nuremberg Authority control : Q1677703 VIAF:2564629 ISNI:0000 0001 0844 2581 ULAN:500024628 LCCN:nr99
RMF7PGCX–The Martyrdom of Saint Emerentiana' by Ercole Ferrata (1610-1686) Italian sculptor of the Roman Baroque. Dated 17th Century
RMHH95PT–Antonio de Solís y Ribadeneyra, 1610 – 1686. Spanish dramatist and historian. After an etching in Retratos de Los Españoles Ilustres, published Madrid, 1791
RM2J1J17P–17th-century engraving of the City of Mexico. By Antonio de Solis (1610-1686). From History of the conquest of Mexico or the New Spain. 1691
RMDEK3EA–Ercole Ferrata (1610-1686). Italian artist. Angel with a cross. Sant'Angelo Bridge. Rome. Italy.
RMTXGHC9–The Martyrdom of Saint Emerentiana' by Ercole Ferrata (1610-1686) Italian sculptor of the Roman Baroque. Dated 17th Century
RM2H6DAGJ–'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Edition published in Barcelona, 1756. Printing house of Lucas de Bezares y Urrutia. Historical Military Library of Barcelona. Catalonia, Spain.
RF2H6PK3W–ROME, ITALY - SEPTEMBER 1, 2021: Statue of angel with the Cross in baroque style from Angel's Bridge by Ercole Ferrata (1610 - 1686).
RF2HCC4JA–ROME, ITALY - SEPTEMBER 1, 2021: Statue of angel with the Cross in baroque style from Angel's Bridge by Ercole Ferrata (1610 - 1686).
RM2F6TF0T–Author: Nicolas Cochin. Moyenvic, Lorraine, 1631 - c. 1635 - Nicolas Cochin French, 1610-1686. Etching on ivory laid paper. France.
RMKNRC00–The Resurrection, from The Passion of Christ. Artist: Nicolas Cochin (French, Troyes 1610-1686 Paris); Artist: After Hendrick Goltzius
RM2JAR3WJ–Saints of Gerwazy and Protazy the first martyrs of Milan (I or III century) Rousselet, Gilles (CA 1610 1686)
RMRKXMGX–Flowers and Landscape, from Livre Nouveau de Fleurs Tres-Util - 1645 - Nicolas Cochin (French, 1610-1686) published by Balthasar Moncornet (French,
RMEDYPF0–Nicolas Cochin, French (1610-1686), Frontispiece, 1650s, etching with engraving on laid paper
RF2HKKAH1–Art inspired by Two Horses at a Trough, #8 from the suite: Twelve Breeds of Horses, Dirk Stoop, Dutch, 1610-1686, Etching, 1651, Sheet: 6 5/16 x 8 1/16 in., 16 x 20.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMRFD5PB–The Resurrection, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 5/8 x 3 15/16 in. (14.3 x 10 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMMNWXK0–. Français : Gilles Rousselet (1610-1686), d’après Sébastien Bourdon 'Sainte Famille, sainte Elisabeth et saint Jean-Baptiste dans un paysage' . 31 July 2013, 17:07:07. Rousselet Gilles 1075 Rousselet - Holy Family
RMF7PGD2–The Martyrdom of Saint Emerentiana' by Ercole Ferrata (1610-1686) Italian sculptor of the Roman Baroque. Dated 17th Century
RF2HW7CGB–Art inspired by The Betrayal of Christ, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 7/16 × 38 3/16 in. (13.8 × 97 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2J1J17M–17th-century engraving of Cortez ships destroyed and fail by his orders. By Antonio de Solis (1610-1686). From History of the conquest of Mexico or th
RM2J04X22–Cloelia. Gilles Rousselet (France, Paris, 1610-1686)Claude Vignon (France, Tours, 1593-1670). France, 1647. Prints; engravings. Engraving and etching
RM2H6FWKP–'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume II. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain.
RM2D1AJ9H–Antonio de Solis and Rivadeneyra ( Alcalá de Henares , 18 of July of 1610 - Madrid , 19 of April of 1686 ) was a Spanish writer, noted historian, poet and playwright of the school Calderon . Spain, Spanish, ( Portrait of Antonio de Solís, Anonymous work from the 17th century )
RM2H6NX8F–'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain.
RF2HF1TJ3–ROME, ITALY - SEPTEMBER 1, 2021: Statue of angel with the Cross in baroque style from Angel's Bridge by Ercole Ferrata (1610 - 1686).
RM2H6DAG7–Author's dedication to King Ferdinand VI of Spain (1713-1759). 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Edition published in Barcelona, 1756. Printing house of Lucas de Bezares y Urrutia. Historical Military Library of Barcelona. Catalonia, Spain.
RM2B6YFCY–Kerkinterieur Figures in a Gothic church interior. Upper right labeled: 54. Manufacturer : printmaker: Gerard Houckgeest to design: Bartholomew Bass Place manufacture: Northern Netherlands Date: 1610 - 1661 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: plate edge: H 251 mm (at right cut) b × 199 mmToelichtingPrent used: Symon Bosboom, Cort onderwys Vande VYF colomen. Amsterdam: Justus Danckertsz, 1686. Subject: interior of church and
RM2P3YB02–Cover of the 'History of the Conquest of Mexico', known as New Spain. Printed in Barcelona by Joseph Llopis in 1691.
RM2AJ0P29–Dictionary of painters and engravers . inscribed on the books of theHaarlem Guild in 1610. He was the father ofPieter Cornelisz Verbeeck. VERBEECK, FRANgois Xavier Henri, a Flemishmilitary painter, was born at Antwerp in 1686. Hismaster was P. Casteels, whose daughter he after-wards married. He was received into the Guild ofS. Luke in 1709, and from 1741 to 1747 was deanof the Fraternity, and one of the Directors ofthe Antwerp Academy. He had two daughters,Elizabeth (b. 1720) and Anne (b. 1727), whobecame artists, and were his pupils. He died in1755. There is by him : Antwerp. Museum. State vi
RMRKYRBN–Flowers and Landscape, from Livre Nouveau de Fleurs Tres-Util - 1645 - Nicolas Cochin (French, 1610-1686) published by Balthasar Moncornet (French,
RMH4KF28–Nicolas Cochin, French (1610-1686), Frontispiece, 1650s, etching with engraving on laid paper
RMH4N02H–Nicolas Cochin (French, 1610 - 1686), Frontispiece, 1650s, etching with engraving on laid paper
RMRFD6XX–Christ Before Caiaphus, from The Passion of Christ (after H. Goltzius). Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 9/16 × 3 15/16 in. (14.1 × 10 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMMMPMKW–. Español: Retrato del escritor español Antonio de Solís y Rivadeneyra (1610-1686), atribuido tradicionalmente a Juan de Alfaro y últimamente a Tomás de Aguiar, a quien Solís dedicó un soneto en gratitud por el retrato que le había pintado. Русский: Антонио де Солис, портрет кисти Хуана де Альфаро. Retrato de Antonio de Solís y Rivadeneyra. circa 1660. Antoniosolis
RMF7PGD0–The Martyrdom of Saint Emerentiana' by Ercole Ferrata (1610-1686) Italian sculptor of the Roman Baroque. Dated 17th Century
RM2J1J17B–17th-century engraving of Pánuco River, Rio de Canoas. By Antonio de Solis (1610-1686). From History of the conquest of Mexico or the New Spain. 1691
RF2HW7CJF–Art inspired by The Entombment, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 13/16 x 3 7/8 in. (14.8 x 9.9 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2J04WTW–Portia. Gilles Rousselet (France, Paris, 1610-1686)Claude Vignon (France, Tours, 1593-1670). France, 1647. Prints; engravings. Engraving and etching
RF2HF1TA3–ROME, ITALY - SEPTEMBER 1, 2021: Statue of angel with the Cross in baroque style from Angel's Bridge by Ercole Ferrata (1610 - 1686).
RM2H6KMDN–Conquest of New Spain. 'Hernán Cortés placates the new agitation of his people; the people of Tlaxcala consider the Spaniards as Enchanters, they consult their Diviners, and by their advice they assault them at night in their barracks...' Cortés speaks to discontented people. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indie
RM2CDKCKD–. Los Angeles, California, city directory . 1686 LOS ANGELES (1916) CITY DIRECTORY HALFTONE!LINE CUTS so. LOSANCiELES nSTPEET.r LUITWIELERPUMPS operate withoutjar or vibration,deliver a steadystream, no pit, nonoise, no break-downs, no bother LUITWIELER PUMPINGENGINE CO. 707-713 North Main Street RODIER—Continued Jos N painter 1547 W 51st pi Rodin Jos tailor 1127 Sentous Rodine Louis cabtmkr h 1120 E 22d Sarah Mrs dressmkr 1120 E 22d Rodkey Georgia slswmn r 850 E 49th pi Jesse M slsmn h 850 E 49th pi Rodman Blanche photo player r 336 Lomadr Clifford r 2631 Orchard av• Doris student r 1610 S Fi
RMRKYR0W–Flowers and Landscape, from Livre Nouveau de Fleurs Tres-Util - 1645 - Nicolas Cochin (French, 1610-1686) published by Balthasar Moncornet (French,
RMEDTE1Y–Nicolas Cochin (French, 1610 - 1686), Frontispiece, 1650s, etching with engraving on laid paper
RMRFD2K8–Christ on the Cross, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.8 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMEDPBX0–Gilles Rousselet (French, 1610-1686) after Grégoire Huret (French, 1606 - 1670). Dialectic, 17th century
RMHHEE0D–Engraving of Col. David Barclay (1610-1686) of Mathers, St Cyrus, Kincardineshire in Scotland, was 1st Laird of Urie near Stonehaven, Kincardineshire, and Scotland. Dated 17th Century
RF2HW7CFW–Art inspired by The Agony in the Garden, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 3/8 × 3 3/4 in. (13.6 × 9.6 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2J04WTN–Queen Zenobia. Gilles Rousselet (France, Paris, 1610-1686)Claude Vignon (France, Tours, 1593-1670). France, 1647. Prints; engravings. Engraving and etching
RF2HCC4DF–ROME, ITALY - SEPTEMBER 1, 2021: Statue of angel with the Cross in baroque style from Angel's Bridge by Ercole Ferrata (1610 - 1686).
RM2H6KME1–Map of the territory of New Spain. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain.
RMRKXM4J–Flowers and Hunting Scene, from Livre Nouveau de Fleurs Tres-Util - 1645 - Nicolas Cochin (French, 1610-1686) published by Balthasar Moncornet
RMRFD5M4–The Betrayal of Christ, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 7/16 × 38 3/16 in. (13.8 × 97 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMEDPBX3–Gilles Rousselet (French, 1610-1686) after Grégoire Huret (French, 1606 - 1670). Astronomy, 17th century
RF2HW7CGC–Art inspired by The Last Supper, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 3/8 × 7 13/16 in. (13.6 × 19.8 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2J04WTP–Lucretia (after Claude Vignon). Gilles Rousselet (France, Paris, 1610-1686)Claude Vignon (France, Tours, 1593-1670). France, 1647. Prints; engravings. Engraving and etching
RM2HWC475–Portrait of Louis XIV (Louis XIV par la Grace de Dieu Roy de France et de Navarre). Artist: Pierre Aubry, French, 1610–1686
RM2M94C42–Two Horses at a Trough Dirk Stoop (Dutch, 1610-1686). , 1651. Etching, Sheet: 6 5/16 x 8 1/16 in. (16 x 20.5 cm). European Art 1651
RM2H6KMEM–Idol Vitzliputzli (Huitzilopochtli). Mexican idol. Engraving. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain.
RM2HGX9J5–The procession of the casket of St. Genevieve, with clerics and laymen marching in six rows; in the foreground the Archbishop of Paris is carried in a chair, the Chasse in the row above him, and the monks of the monasteries of Paris lead the procession at top 1652 Nicolas Cochin. The procession of the casket of St. Genevieve, with clerics and laymen marching in six rows; in the foreground the Archbishop of Paris is carried in a chair, the Chasse in the row above him, and the monks of the monasteries of Paris lead the procession at top. Nicolas Cochin (French, Troyes 1610–1686 Paris). 1652. Etc
RM2HWDFB2–Jeu de Mail Flamand. Artist: Louis Surugue, French, ca. 1686–1762After: David Teniers the Younger, Flemish, 1610–1690
RMRKXMJ2–Flowers and Landscape, from Livre Nouveau de Fleurs Tres-Util - 1645 - Nicolas Cochin (French, 1610-1686) published by Balthasar Moncornet (French,
RMRFD6PH–The Crowning with Thorns, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 7/16 x 3 15/16 in. (13.8 x 10 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMEDPBWX–Gilles Rousselet (French, 1610-1686) after Grégoire Huret (French, 1606 - 1670). Grammar, 17th century
RF2HW7CF8–Art inspired by The Crowning with Thorns, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 7/16 x 3 15/16 in. (13.8 x 10 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H6KMDH–'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. First Book. Chapter I. Edition published in Barcelona and divided into two volumes, 1771. King's printer: Thomas Piferrer. Historical Military Library of Barcelona. Catalonia, Spain.
RM2H6NX80–Representation of the city of Mexico (Mexico-Tenochtitlan). Divided into two neighborhoods. One called Tlatelulco (a), where most of the population lived, and the other Mexico (e), where the court and the nobility lived, gave its name to the whole city. Engraving by Pauner. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies.
RM2H6FWNC–'The army entering Tlascala, and lodged in Gualipar, chieftains and senators visited Cortés; the entry into the city was celebrated with public festivities, and the affection of the people was assured by new experiences'. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume II. Book V, Chapter I. Edition published in B
RMRKXN0H–Flowers and Battle Scene, from Livre Nouveau de Fleurs Tres-Util - 1645 - Nicolas Cochin (French, 1610-1686) published by Balthasar Moncornet
RMRFCYJ9–Ecce Homo, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 13/16 x 3 7/8 in. (14.8 x 9.9 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMEDPBX1–Gilles Rousselet (French, 1610-1686) after Grégoire Huret (French, 1606 - 1670). Arithmetic, 17th century
RF2HW7CF3–Art inspired by The Flagellation of Christ, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.8 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H6KMDP–Conquest of the New Spain. 'It describes the city of Mexico, its temperament and situation, the Tlatelulco Market, and the largest of its temples, dedicated to the god of war...'. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume I. Third Book. Chapter XIII. Edition published in Barcelona and divided into two volume
RMRKXNPB–Flowers and Landscape, from Livre Nouveau de Fleurs Tres-Util - 1645 - Nicolas Cochin (French, 1610-1686) published by Balthasar Moncornet (French,
RMRFD4WD–The Last Supper, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 3/8 × 7 13/16 in. (13.6 × 19.8 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMEDPBX2–Gilles Rousselet (French, 1610-1686) after Grégoire Huret (French, 1606 - 1670). Geometry, 17th century
RF2HW7CJB–Art inspired by Christ on the Cross, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.8 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H6KMDR–'The Chieftains of the Highlands come to give their obedience and offer themselves to Cortés: the Villa de la Vera-Cruz is built and put in defence, where new ambassadors of Montezuma arrive...' Obedience and submission of the chieftains of the highlands to Hernán Cortés. 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. V
RMRKY4J2–Flowers and Battle Scene, from Livre Nouveau de Fleurs Tres-Util - 1645 - Nicolas Cochin (French, 1610-1686) published by Balthasar Moncornet
RMKNRBXP–The Betrayal of Christ, from The Passion of Christ. Artist: Nicolas Cochin (French, Troyes 1610-1686 Paris); Artist: After Hendrick Goltzius
RMRFD4KB–Christ Carrying the Cross, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.9 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMEDPBX4–Gilles Rousselet (French, 1610-1686) after Grégoire Huret (French, 1606 - 1670). Music, 17th century
RF2HW7CJ8–Art inspired by The Resurrection, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 5/8 x 3 15/16 in. (14.3 x 10 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW670X–Art inspired by Fan with figures in a garden, Etching; reverse copy, Plate: 8 7/8 × 11 9/16 in. (22.5 × 29.4 cm), Prints, Attributed to Nicolas Cochin (French, Troyes 1610–1686 Paris), After Stefano della Bella (Italian, Florence 1610–1664 Florence, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW7CFF–Art inspired by Ecce Homo, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 13/16 x 3 7/8 in. (14.8 x 9.9 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2H6FWNG–Battle of Otumba (7th July 7, 1520). Confrontation between the army of the Aztecs against Spanish troops led by Hernán Cortés. Detail of an engraving depicting Cortés' forces descending into the valley where the Aztec general was positioned (plain of Otumba Valley). 'Historia de la Conquista de México, población, y progresos de la América septentrional, conocida por el nombre de Nueva España' (History of the Conquest of Mexico, population, and progress of northern America, known by the name of New Spain). Written by Antonio de Solís y Rivadeneryra (1610-1686), Chronicler of the Indies. Volume
RMKNRBYY–The Entombment, from The Passion of Christ. Artist: Nicolas Cochin (French, Troyes 1610-1686 Paris); Artist: After Hendrick Goltzius (Netherlandish,
RMRFD650–The Agony in the Garden, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 3/8 × 3 3/4 in. (13.6 × 9.6 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.
RMEDPBWY–Gilles Rousselet (French, 1610-1686) after Grégoire Huret (French, 1606 - 1670). Rhetoric, 17th century
RM2DCG911–Nicolas Cochin, (artist), French, 1610 - 1686, Balthasar Moncornet, (artist after), French, c. 1600 - 1668, Title Page, Livre Nouveau de Fleurs, (series), 1645, etching
RF2HW7CGD–Art inspired by Christ Carrying the Cross, from The Passion of Christ, mid 17th century, Etching, Sheet: 5 3/4 x 3 7/8 in. (14.6 x 9.9 cm), Prints, Nicolas Cochin (French, Troyes 1610–1686 Paris), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Search Results for 1610 1686 Stock Photos and Images (372)
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