RM2DXY6GN–The Yaxchilan Lintels. Lintel 16 (commissioned by Bird Jaguar IV for Structure 21), 755-770 AD. Maya, Late Classic period. Limestone (76,2 x 75,7 cm). Scene depicting king Bird Jaguar IV and a captive at his feet. Chiapas, Mexico. British Museum. London, England, United Kingdom.
RMD4E513–Pre-Columbian art. Maya. Lintel 16 from Yaxchilan. 8th century. Lord Bird Jaguar IV with a captive. British Museum. London.
RMBG8TPF–POLAND. Wawel castle. Details of the inner court erected by F. DELLA LORA in 1516 in Italian Renaissance style. Cracow.
RMBG8TP6–POLAND. Wawel castle. Details of the inner court erected by F. DELLA LORA in 1516 in Italian Renaissance style. Cracow.
RMBG8TPA–POLAND. Wawel castle. Details of the inner court erected by F. DELLA LORA in 1516 in Italian Renaissance style. Cracow.
RMBG8TPC–POLAND. Wawel castle. Details of the inner court erected by F. DELLA LORA in 1516 in Italian Renaissance style. Cracow.
RMBG8TP1–POLAND. Krakow. Castle Wawel.
RMBG8TP3–POLAND.Krakow.Castle Wawel. Details of the inner court erected by F. DELLA LORA in 1516 in Italian Renaissance style. Outside.
RM2W9DP1D–Bernardino Campi (1522-1591). Italian painter. Portrait of Catellano Cotta. Oil on canvas, 1553. Museo Civico Ala Ponzone. Cremona. Italy.
RM2W9TC23–Pietro Bonomi. One of the decurions of the city of Cremona in 1573. Portrait attributed to Bernardino Campi (1522-1591). Oil on canvas. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
RM2W88PB4–Eduardo Cano (1823-1897). Spanish painter. Tintoretto painting his dead daughter (copy from the original by Léon Cordiet), ca. 1856. Marietta (1560-1590), eldest daughter of the painter 'il Tintoretto' (1518-1594). Oil on cardboard, 19 x 24,5 cm. Prado Museum. Madrid. Spain.
RM2J8AGYR–Spain, Castile-La Mancha, Toledo. Synagogue of Santa Maria la Blanca. Architectural detail of the Renaissance dome built during the reform of 1550, attributed to Alonso de Covarrubias (1488-1570). It is located at the head of the central nave of the Prayer Hall.
RM2M5JWYJ–Armour. Gauntlets. Glove of metal plates which protected the hand. Pair of Prince's gauntlets. Europe, 16th century. Army Museum. Toledo, Spain.
RM2M5JWY9–Armour. Gauntlet. Glove of metal plates which protected the hand. Europe, 16th century. Army Museum. Toledo, Spain.
RM2M5JWWR–Luis de Requesens y Zuñiga (1528-1576). Spanish military and politician. Commander in Castile of the Order of Santiago and Governor-General of the Netherlands. Portrait. Oil on canvas by Francisco Jover y Casanova (1836-1890), 1882. Army Museum. Toledo, Spain. (On loan from Prado Museum, Spain).
RM2R25PJH–Manueline portal, 16th century. From the Santos-o-Velho Convent (Lisbon) (?). Carmo Archaeological Museum. Lisbon, Portugal.
RM2R1W1BD–Tomb of a knight. 16th century. Detail. From the Sao Domingos Convent (Santarem, Portugal). Carmo Archaeological Museum. Lisbon, Portugal.
RM2R1W1CK–Fragment of a Renaissance frieze decorated with grotesques, 16th century. Limestone. Provenance unknown. Carmo Archaeological Museum. Lisbon, Portugal.
RM2R21Y7R–Gravestone of Lisuarte Peres de Andrade, 16th century. Detail. Unknown provenance. Carmo Archaeological Museum. Lisbon, Portugal.
RM2R1W1BH–Manueline-style arcosolium and tomb of a knight. 16th century. From the Sao Domingos Convent (Santarem, Portugal). Carmo Archaeological Museum. Lisbon, Portugal.
RM2PKM8RA–Square rigged caravel, also known as 'fleet caravel'. Larger in size due to the need for more accommodation and cargo capacity, it was used as a support and warship, developing at the beginning of the 16th century. Model. Maritime Museum. Lisbon, Portugal.
RM2PK9N66–Portuguese war galleon developed in the early 16th century. Model. Maritime Museum. Lisbon, Portugal.
RM2PK9NTN–Tapestry of Tournai. Made in the Flemish city of Tournai. It forms part of a thematic series on the Portuguese discoveries, probably commissioned by King Manuel I. It depicts a loading or unloading scene of a Portuguese ship from the 16th century. Maritime Museum. Lisbon, Portugal.
RM2PK9N6A–Shadow Instrument (conjectural replica). Invented by Pedro Nunes (1502-1578) for measuring the altitude of the Sun, for the determination of latitude. Conveniently oriented, it indicates the altitude by the shadow of the hypotenuse of the triangle over the graduated scale. 16th century. Maritime Museum. Lisbon, Portugal.
RM2WAGCND–Sixtus V (1521-1590). Pope nr. 227 of the Catholic Church (1585-1590). Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WEBTRT–France. Festival of the Holy Thorn Reliquary. Entry of the King of Epinette ('King of the Thorn') in Lille, 16th century. Engraving. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
RM2WAGCNY–Guy du Faur de Pibrac (1529-1584). French lawyer and judge, diplomat and poet. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WAMF1C–Henry III (1551-1589). King of France (1574-1589). King of Poland (1573-1574) as Henry of Valois (Henryk Walezy). Portrait. Facsimile after an engraving by Léonard Gaultier. Detail. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WEBTT1–Grand procession of the Doge of Venice. Reproduction of a 16th-century engraving by Jost Amman. 'Moeurs, Usages Et Costumes Au Moyen Age et a L'Epoque de la Renaissance.' Paris, 1878.
RM2WAGCP2–Charles Dumoulin (1500-1566). French jurist. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WAGCPH–Jacques Faye d'Espeisses (15423-1590). Maître des requêtes (Master of Requests) of the Duke of Anjou, future King Henry III (1570), later destined by the King to Poland and then to Italy. Advocate General in the Parlement of Paris after 1580. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WEBTRF–Paris, France. Hotel de la Chambre des comptes, in the courtyard of the Palais. Engraving by Albert Coinchon after a woodcut in Sebastian Münster's 'Cosmographia universalis', published in Basel in 1552. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
RM2WB4TY9–Jacques Cujas (1522-1590). French jurist. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WD7PBX–Doge of Venice in ceremonial costume. 16th century. Engraving after Cesare Vecellio (1521-1601) in 'De gli habiti antichi et moderni di diversi parti del mondo', published in Venice, 1590. 2Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
RM2WD7PC7–History of France. Costume of a rich bourgeoise, and of a noble, or person of distinction, of the time of Francis I. Engraving after a window in the Church of Saint-Ouen in Rouen. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
RM2WAGCNN–Jean-Baptiste Dumesnil (1517-1569). French jurist. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WAC532–The Physician. Drawing and engraving by Jost Amman in the 16th century. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WAC4YT–Doctor Death. Engraving from a miniature of a 16th century book of hours. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WAC534–Andreas Vesalius (1514-1564). Flemish anatomist and physician. Portrait. Engraving after a drawing by Jan Van Calcar in 1542. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WAC4YA–Erasmus (c. 1466-1536). Dutch theologian, philosopher and humanist. Portrait. Detail. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. París, 1877.
RM2WAC52M–The German Alchemist. Facsimile of an engraving attributed to Hans Holbein, from the German translation of Boethius 'Consolatio Philosophiae', published in Augsburg in 1537. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WAC4XG–Erasmus (c. 1466-1536). Dutch theologian, philosopher and humanist. Portrait. Detail. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. París, 1877.
RM2WAC52K–Miner. Drawing and engraving by Jost Amman in the 16th century. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WAC526–German surgeon. Facsimile of an engraving attributed to Hans Holbein, in the German translation of Boethius 'Consolatio Philosophiae', published in Augsburg in 1537. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.
RM2WAC4Y6–Erasmus (c. 1466-1536). Dutch theologian, philosopher and humanist. Portrait. Engraving. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. París, 1877.
RM2R7W49E–Etienne Delaune, Goldsmith's Workshop. Famous goldsmith from Paris in the 16th century. Engraving and drawing made by himself in 1576. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2R7W49A–Leo X (1475-1521). Pope of the Catholic Church between 1513 and 1521. Secular name Giovanni di Lorenzo de' Medici. Portrait. Engraving from a 16th-century original. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2R7W467–Cooper's workshop. 16th century engraving by Jost Amman. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2R8AC7Y–Sibylle of Saxony (1515-1592). Saxon princess of the Albertine line of the House of Wettin. Duchess of Saxe-Lauenburg by her marriage in 1540 to Francis I of Saxe-Lauenburg (1510-1581). Portrait. Engraving by J. Petot. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', por Paul Lacroix. París, 1877.
RM2RGM45G–Lombards on their mobile devices. Engraving from Kriegsbuch (war book) by Leonhardt Fronsperger, Frankfort, 1575. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance'. Paris, 1877.
RM2R7W49C–Leonardo da Vinci (1452-1519). Italian artist, architect and inventor. Portrait. Engraving from a 16th century original. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance'. Paris, 1877.
RM2R7W49J–Watchmaker. Workshop. Engraving by Jost Amman. 16th century. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2R7W4A8–Paper manufacturer. Drawing and engraving by Jost Amman, 16th century. ''Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2RH2AWE–Poor man ashamed. Hospitals of Venice. Alms begging in the churches and streets of Venice, 16th century. They wore long black robes with hoods. 19th-century facsimile from an engraving after Cesare Vecellio (1521-1601), 1590. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance'. Paris, 1877.
RM2R7W4A9–Bindery. Artisans using the loom for sewing and the press for moulding. Drawing and engraving by Jost Amman, 16th century. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2RGM457–Knight in armour. Engraving from a design by Cesare Vecellio (ca. 1521-ca. 1601) in 1590. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance'. Paris, 1877.
RM2RGM461–John Knox (1514-1572). Scottish priest. Leader of the Protestant Reformation in Scotland. Founder of the Presbyterian Church of Scotland. Portrait. Engraving. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance'. Paris, 1877.
RM2R86D7E–Eight of Bells. German playing cards from the 16th century. Engraving. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2R7W498–Armour ornamented with lions, supposedly that of King Louis XII of France (1462-1515). Engraving. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2RGM44Y–Andrea Doria (1466-1560). Genoese admiral and statesman. He served several Italian princes, King Francis I of France and Charles I of Spain. Engraving from a portrait of the time. 'Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance'. Paris, 1877.
RM2RGM43W–The Lansquenets' Battle. Soldiers of the German infantry. They also fought alongside the Spanish tercios during the reign of the House of Austria. Engraving. Facsimile after a drawing by Hand Holbein the Younger, ca. 1530. 'Vie Militaire et Religieuse Au Moyen Age et a l'Epoque de la Renaissance'. París, 1877.
RM2R86D73–Three of Bells. German playing cards from the 16th century. Engraving. 'Les Arts au Moyen Age et a l'Epoque de la Renaissance', by Paul Lacroix. Paris, 1877.
RM2RFY88B–Gustav I of Sweden (1496-1560), also called Gustav Vasa. King of Sweden from 1523 to 1560. Engraving by Martinez. 'Los Héroes y las Grandezas de la Tierra'. Volume V. 1855.
RM2JJDH00–Philip II (1527-1598). King of Spain (1556-1598). Portrait. Engraving by Geoffroy. 'Historia Universal', by César Cantú. Volume V. 1856.
RM2JJDGY6–Philip II (1527-1598). King of Spain (1556-1598). Portrait. Engraving by Geoffroy. Detail. 'Historia Universal', by César Cantú. Volume V. 1856.
RM2JK4M3D–Francisco Pizarro (1478-1541). Spanish conqueror of the Inca empire. Portrait. Engraving. Detail. 'Historia Universal', by César Cantú. Volume IV, 1856.
RM2JJDGXR–Francis I (1494-1547). King of France from 1515 to 1547. Portrait. Engraving by Geoffroy. 'Historia Universal' by César Cantú. Volume V. 1856.
RM2WCDT5P–History of Italy. 1500. From left to right, 4: cardinal, 5: Procurator of Saint Mark, 6: wife of the Doge, 7: cardinal. Chromolithography. 'Historia Universal', by César Cantú. Volume VIII, 1881.
RM2JKM28B–Hernán Cortés (1488-1547). Spanish conquistador of the Aztec empire. Portrait. Engraving by Geoffroy. 'Historia Universal', by César Cantú. Volume IV, 1856.
RM2WCDRY9–History of Italy. 1500-1600. Madam's dresses. 'Historia Universal', by César Cantú. Volume VII, 1881.
RM2WCDRYP–History of Germany. 1500-1550. Women's dresses from different social classes. Chromolithography. 'Historia Universal', by César Cantú. Volume VII, 1881.
RM2WCDT03–History of Germany. 1500-1550. Women's dresses from different social classes. Chromolithography. 'Historia Universal', by César Cantú. Volume VII, 1881.
RM2JK4M3E–Francisco Pizarro (1478-1541). Spanish conqueror of the Inca empire. Portrait. Engraving. 'Historia Universal', by César Cantú. Volume IV, 1856.
RM2JK4M3G–Ferdinand Magellan (1480-1521). Portuguese explorer. Portrait. Engraving by Geoffroy. Detail. 'Historia Universal', by César Cantú. Volume IV, 1856.
RM2JKM28Y–Hernán Cortés (1488-1547). Spanish conquistador of the Aztec empire. Portrait. Engraving by Geoffroy. Detail. 'Historia Universal', by César Cantú. Volume IV, 1856.
RM2WCDT05–History of Germany. 1500-1550. Women's dresses from different social classes. Chromolithography. 'Historia Universal', by César Cantú. Volume VII, 1881.
RM2J1R6ND–Isabella Clara Eugenia (1566-1633). Infanta of Spain, sovereign of the Spanish Netherlands (1598-1621) and governor of the Low Countries (1621-1633) with her husband, Archduke Albert VII. The daughter of King Philip II of Spain and Elizabeth of Valois. Portrait. Engraving by Masson. Lithographed by Magín Pujadas. Historia General de España, by Modesto Lafuente. Volume III. Published in Barcelona, 1879.
RM2J1M1EB–History of navigation. 16th century galleys. Chromolithography. Historia General de España, by Modesto Lafuente. Volume II. Published in Barcelona, 1879.
RM2RCJF18–Peasant with axe, bow and arrows, 16th century, Woodcut of unknown artist. Sweden, 16th century.
RM2RCJF1A–History of weapons. Pistol mechanism winding key. Germany, 16th century. Latvian War Museum. Riga. Latvia.
RM2RCJF0Y–Armour of a horseman. Western Europe, 16th century. Latvian War Museum. Riga. Latvia.
RMEX834J–Samson destroying the temple of Dagon. Book of Judges. Chapter 16. Engraving.
RM2RCYB38–Pistol Mauser K96 Model 1912/16. Germany. Latvian War Museum. Riga. Latvia.
RMFE1M3A–Samson destroying the temple of Dagon. Book of Judges. Chapter 16. Engraving. Colored.
RMEXGD9B–Jesus in the Synagogue. Gospel of Saint Luke. Chapter 4. Verses 16 to 21. Engraving by Gustave Dore (1832-1883).
RMD2Y2F0–Nicolas-Louis d'Assas (1733-1760). French captain. Death of the Chevalier d'Assas, October 16, 1760.
RMD62RGD–Nicolas-Louis d'Assas (1733-1760). French captain. Death of the Chevalier d'Assas, October 16, 1760.
RMKCHDFC–Marie Antoinette (1755-1793). Queen consort of France. On October 16, 1793, she was tried and convicted. Marie Antoinette in court. Engraving.
RMD50MND–Dachau Concentration Camp. Nazi camp of prisoners opened in 1933. Site where the barracks were. Position of barrack 16.
RMDT5WP7–New Testament. Jesus in the synagogue. Gospel of Luke, Chapter IV, Verses 16-21. Gustave Dore drawing. Engraving. 19th century.
RMCY6939–Skull of a young girl. 16 years old. 3500-3400 BC. Sigersdal Mose, Northern Zealand. National Museum of Denmark.
RMFD9E90–Journal of Manresa. Number 118. Page 559. Sunday, October 16, 1808. Printed in Manresa, Catalonia, Spain.
RMMJ0JGA–Parthenon. North frieze. Block N VI, 16-19. Procession: four hydria-bearers. 5th century BC. Attributed to Phidias and his wokshop. Pentelic marble. Acropolis Museum. Athens. Greece.
RMMHXHPE–West frieze of Parthenon, Acropolis of Athens. Greece. Block W IX, figures 16-17. A rider is depicted on a trotting horse. Another horseman with petasos (Broad-Brimmed hat). 5th century BC. Acropolis Museum. Athens. Greece.
RM2DF564X–Lunar rock (Breccia Moon Rock). Obtained by the Apollo 16 (1972, 16 to 27 April). Zone of origin in the Moon: Descartes Highlands. Houston. State of Texas. United States. Lyndon B. Johnson Space Center (JSC). Houston. State of Texas. United States.
RMG2J86F–Brazil. Rio de Janeiro. First Brazilian Republic. Exterior of the Imperial Palace, occupied by insurgents, November 15-16, 1889. The Emperor Dom Pedro II, a prisoner in the palace, received the representatives of the new provisional government that notified its dethronement. Engraving.
RMERT37G–American War of Independence (1775-1783). Boston Tea Party. December 16, 1773. Revolution of the American colonists against taxes imposed by the British Parliament on tea. Disguised as Indians, boarded British merchant ships and dumped overboard crates of tea at the Boston Harbour. Engraving, 1807.
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